Hey if you’re still enjoying and engaging with Harry Potter in any capacity you can unfollow me 😊 please and thank you
Like. I get it. I was super into it as a kid too. I did not have the social context to pick up on the antisemitism or transphobia or sexism or fatphobia or bioessentialism or racism or anything else. I also picked up on surface-level language of Fighting Back Against Evil and ascribed my own values onto what that meant and thought we were all on the same page. I remember when the original kids who grew up with the books started becoming adult fans and picking up on the (blatant!) antisemitism and everybody was still mostly willing to give JKR the benefit of the doubt on it. (“She was writing kids books!” They said. “She didn’t know she was penning a global phenomenon! She picked a common literary trend in European fairy tales (antisemitic caricature) and didn’t examine it closely. It’s a mistake anyone could make,” we said. “She would probably do things differently now. After all, she word-of-god confirmed the vaguest hints she dropped that Dumbledore might be gay,” we said.) There was actually a span of several years where biases inherent in the actual real content of the Harry Potter series were coming to light and even the people pointing them out still seemed mostly to think it was an unfortunate accident.
That time has passed. Years ago! We are long past the first months of “maybe she doesn’t realize this seemingly-feminist tweet she liked was made by a noted TERF” and then “how could she not realize that these many veiled TERF-y things she’s retweeted have implications for the many queer fans of her work” and finally “oh wow okay JKR just dropped an entire transphobic manifesto on twitter. I guess the transphobia was the point.”
Yeah, there were a few months after that where people were still processing and still working through how they felt about Harry Potter and all of its flaws with the context of the now open transphobia of the creator. I was there for that. Remember how I was one of the kids who built it up into something noble and worthwhile based on my own beliefs about what messages it was probably trying to convey? Turns out it wasn’t trying to say any of those things, and when you take the time to examine all of the terrible shit that made its way into the text whether JKR intended it to be there or not, the whole series falls apart. It’s weird to discover that there’s a room in your house that’s rotten to the core, but eventually you figure out you can’t live like that, still going in there and holding your nose and pretending it’s still the same room you thought it was when the termites were only inside of the walls and hadn’t yet started chewing their way through the furniture. Because what’s going to happen is that they are going to infest the rest of your house. If you decide you can ignore transphobia and antisemitism and everything else just because you liked the color of the wallpaper, the rest of your principles are going to crumble too. You get rid of that fucking room. You put those books on a high shelf in the back of your closet behind other outgrown clothes and interests and you move the fuck on.
JKR uses the money made from her transphobic antisemitic children’s books to actively funding hate groups and to lobby for legislation that will and has actually affected the actual lives of trans people in an entire country. We are past the point of grieving something you were wrong about in childhood. Kids are wrong about a lot of stuff. You grow up and you learn new information and you change your behaviors based on it. You have to choose. It is transphobic to pretend there is not transphobia where there is. It is transphobic to support the work of someone who is using those funds to take rights from trans people with every fucking dollar. It is hateful to continue to engage positively with a story that at its very core is rooted in hate and bigotry and prejudice. You can choose to do all of those things but you cannot claim ignorance of them and you cannot choose those things and still pretend that choosing them upholds the values we convinced ourselves that Harry Potter stood for over a decade ago as uninformed children. You cannot choose to do those things and pretend to still support your trans and queer and Jewish neighbors. I do not want you in my neighborhood. Leave.
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@shacchou Sent: Actions Speak Louder Than Words (Accepting)
care, sender takes care of receiver when they're sick. (for Mokuba)
Everything happened so suddenly that he honestly couldn't realize it before it was too late. Mokuba had woken up that morning not feeling too well, his forehead feeling a bit warm and his throat slightly dry, but it wasn't enough for him to really register he was 'sick'. It was only after he got to school that the symptoms started to get worse, the fourteen-year-old overheating and couching rapidly before eventually passing out on the floor beside his desk.
He was then brought to the nurse's office with help from his schoolmate Akatsuki and his buddy monster Byakuya. The human happened to be walking in the hallway towards the restroom at the time of the incident and quickly rushed in to help his friend upon hearing the commotion, the ninja monster manifesting in a flash from his card to help carry the youngest Kaiba brother as well. Such good friends both of them were. Mokuba would owe them one later.
It was after the nurse began her examination that the son of the Cho-Tokyo police commissioner managed to snag Mokuba's cell phone from his locker. How did he unlock it? Well, that was a ninja secret for Akatsuki to know and for his big brother to never find out he used.
Regardless, he knew he was in the right by using it in a situation like this. The ninja was well aware that those associated with his friend were hard to contact through means other than directly through a secure line like that phone, and they certainly should be informed of what was going on in a timely manner. So, he took it upon himself to do the school's job of contacting both Seto Kaiba and Isano about the situation, his voice laced with urgency as he retold what had happened to the best of his ability.
Not too long after making his call, the suited bodyguard arrived inside the nurse's office. He had been temporarily reassigned as Mokuba's chaperone by the Kaiba Corp CEO after pulling a reckless act (as Seto would call it) one day following a Buddyfight at Castle. So, naturally, he had stationed himself outside the school grounds since they did not permit him entry during most times of the day. His presence there wasn't surprising. What was surprising was who came barging in not too long after the suited man's arrival.
For Seto Kaiba, the most powerful man in the entire city, appeared in the flesh before them all, the sight almost causing the poor nurse, and probably the rest of the school's staff, a heart attack of panic. Isano, knowing his boss's preferences well when it came to matters pertaining to the younger Kaiba in situations like this, prompted everyone else, including the nurse, to leave the room. That left the two brothers alone, with one of them unconscious and having a fever that was astronomically high.
What ended up awakening Mokuba not too long after his brother's arrival wasn't the commotion that said arrival had caused. It was instead the fact that his body felt suddenly a bit cooler because of a wet rag that Seto had placed on his forehead, a technique Mokuba can faintly remember their father using when he was little. Purple hues slowly begin to open as his consciousness returns, with this blurry vision slowly focusing on the sight of his brother who was looking over him.
"Big...Big brother...? Is that...you...?" Mokuba's voice was weak and strained, as if scissors had been applied to his throat. A few coughs escape him next, his body warming up and his heart rate starting to increase as a result. "Wha...What happened...? Last thing I remember was...being in math class..."
His head tilts up to examine his surroundings, not quite recognizing the room. This was the first time he's had to visit here, which was a good thing. He, along with pretty much everyone else around the boy like the staff, Mochi, or his brother, were usually better at catching when he was starting to get sick like this. Though, considering how busy things had been as of late for everyone, it made sense his subtle symptoms earlier had managed to sneak under everyone's noses. What was important was he was getting help now before things got even worse.
"Wait...Am I...still at school? And...how did you...how did you know I was-" He is stopped by his own coughing again, his voice echoing throughout the small room with an intensity unlike any other sickness he's ever had.
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One of the biggest reasons I try to recruit all the characters in Three Houses isn’t just because I don’t want to kill them, but because if I do, I still have to go back to the monastery afterward. I still have to pass by their dorm rooms full of their belongings and know that’s where they spent their alone time and where they slept. I still have to pass by the spots they frequented the most. It’s not just the sad dialogue of characters reacting to the deaths, but passing by the spots I vividly remembered them hanging out at.
I realized this most in my first playthrough when I didn’t have the chance to recruit everyone and I accidently killed Raphael at Gronder. I didn’t have the enemy attack range turned on so I didn’t realize he was in range of attacking.
During an exploration, I was looking for Ignatz who was, unfortunately, in his dorm room... and I walked into the wrong room and into Raphael’s after he was killed and man that fuckin’ sucked! Feels bad but like, multiplied with big numbers, u kno??? ???
YES, IT’S A VIDEO GAME. YES, I HAVE HUMAN BEING FEELINGS ABOUT IT.
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I wanna say something else on the topic of rude comments on AO3. I know a lot of people just choose not to respond to trolls. I also know it's probably a waste of my time to respond. But I have a sliver of hope in me that people genuinely don't know why what they're doing is fucked up. And I lean on that sliver and I reply, yes perhaps a bit snarkily or rude. But all the while telling them why what they did is wrong. That being said, I will not stop deleting comments. That noise doesn't belong on anyone's fic, not even mine.
I'm not a fast writer. I'm not a prolific writer or a popular writer or even a particularly GOOD writer. I'm aware that sometimes my verb tenses are bad or my characterization off. I have a lot of words I overuse or awkward wording patterns I can't leave behind. But I get a beta to fix what can be fixed, then publish it.
I'm not a good writer. I write because I have ideas that I would rather have written out than have live forever in my head. I write for fun. I write to see the representation I want to see, even if I write it badly.
I repeat. I am not a good writer. However I am a stubborn writer. I am a resilient writer. And I reply to the people who think it's okay to criticize fic writers because I can deal with it. Because I don't care. And because I know it hurts others. And I hope, desperately that they do so unaware of the effect they have. Because that means they might be willing to change.
There seems to be a bizarrely short logical jump from "unasked for criticism is okay" and "telling people to kill themselves is okay." I don't write particularly problematic ships. No judgement or shame, I just don't.
But every fic is problematic under a bad faith reading. If you don't like something, it's a very short leap to "problematic." It's like that one post said: coffee shop AU? Workplace harassment. Genderswap? Transphobic. Queer relationships? Fetishizing. And if all someone needs is not liking something in a fic to begin criticizing an author or accusing an afab queer person of misogyny and homophobia... Well. It's a short leap from that to telling someone to kill themselves, isn't it?
And I may seem strangely fixated on the "kill yourself" angle. But I remember just a few years ago. People were doxxed. Lists went around of blacklisted individuals, and blocking them was a way of virtue signaling. So was using that blacklist as a mailing list for telling people to kill themselves. People were in my friends' ask boxes telling them to commit suicide. My friends who were not always in the best mental space. Over fanfiction. Over problematic things in fanfic. When I insisted that perhaps it is inappropriate to leave such comments, several other people stopped talking to or blocked me simply for saying "telling someone to commit suicide is inappropriate" and being associated with blacklisted individuals.
Of course, escalation isn't necessary to make it harmful and inappropriate, on a lesser scale. What was it that one particularly dense person said? Something about my characterization. So what if my characterization was bad? Back button exists for a reason! Don't waste either of our time reading it! "Don't like, don't read," dldr -- there are whole acronyms about it! You would think the point has gotten across by now. I am a self proclaimed bad writer. You're right! I don't always get Bucky's characterization right. A cis white ex-military man has immensely different lived experience from me. Hell, I've never even handled a gun before. Sometimes that means what I think makes sense for his character... doesn't. But also consider: I didn't ask; therefore, it's inappropriate and not "concrit" as some people like to call it (which I also have opinions about).
Someone commented after I posted about people leaving rude comments that I was how was it phrased? "Crying on tumblr," I believe. I'm not asking you to specifically stop commenting on my fic, I'm asking you to stop entirely. I'm asking you to take a step back and consider the real life effects of sending anon-hate or leaving unnecessarily critical comments on people's works they are making available to you for free. And if you're still under the impression that you are in the right to leave these kinds of comments... This is not me crying on tumblr. Let's be perfectly clear: this is me calling you a bitch on tumblr.
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