#“Not to be a hater” then literally hates

[sonknuxadow]

its so frustrating how a lot of scu fans cant handle other sonic fans not having the exact same taste in sonic media that they do. like i feel like you can say something negative about literally any other sonic media on here and people generally wouldnt care that much but the second you say anything less than positive about the movies people start getting all weird about it and trying to argue with you ive had it happen to me and seen it happen to others as well .... like the sonic franchise is very big and has many different media types and writing styles not everyone is going to uncritically love everything. get over it ? im not trying to be mean but idk what else to tell you

[acediaarmagedon]

I swear to God, each time there was a discussion about fanfic in general there's always some haters, this is why one time I go on a full rant on twitter that my favourite fanfic writer decided to delete a bunch of their fics because of the hate, mind you it was tagged properly, twice, once in the post and once in idk some kind of website and they put it on the title, and it was also capitalized and passworded, I mean I'm not surprised because it's twitter but the amount of stupidity one have is extremely astonishing, I mean, academically, I'm bad, but I'm not that stupid. Sure if you're a victim, have PTSD, or bla bla bla, or it's "morally incorrect", I'm also a victim of child abuse and other things but I'm not going to bother people with it, it's literally a public space, human as a whole has "free will" which mean if the tags triggered you and you don't like it then don't f****** read, if you decide to read it and want to spread hate or terrorise the author because of it then you're the a**hole, and don't started with me about morality, if that isn't right with you then just don't look at it? It doesn't harm anyone, we literally live in a world full of ambiguous morals all around us and the one you decide to focus on is fanfics? Speak to me about morality when you're not a hypocrite, you make Sigmund Freud and Friedrich Nietzsche looks like an angel

The “That’s immoral you shouldn’t write that, we need to get that taken down” discourse on tiktok right now is PISSING ME OFFF

Wdym you want censorship for a literal ARCHIVE are you fucking stupid

Ao3 was literally founded to preserve works that were largely getting taken down due to censorship

Censorship is the opposite of what Archive of Our Own stands for

The TAGS and WARNINGS are there for a REASON. Use them and stop complaining

The universal rule—don’t like, don’t read

It’s THAT simple

[mommysorryshizun]

Shen Yuan, 22, starts playing Proud Immortal Demon Way, a well-known Otome game, and gets insanely frustrated at the fickle point system, coding errors, and totally unbelievable dialogue! He absolutely trashes the game across all platforms - from Twitter to Reddit, there's no one who is a more dedicated hater than he is! His ratios on all platforms are not exactly in his favour... At the root of it all lies his hatred of Otome games in general - Shen Yuan hates being unable to say what he truly means.

Then one day… he bumps into Luo Binghe irl. Literally. In Liu Qingge’s pretentious uptown coffee shop of all places- face planting right between the man’s tits while he’s distracted by harassing someone on Twitter - oh my god, what kind of bad cliche is this??!?!?!!! At first, he’s so shocked he can’t even speak to apologise, staring dumbly at the fucking Adonis in front of him. When he finds his voice again, he squeaks out an embarrassing “sorry!” before scuttling off, right out the cafe door from whence he came. And without his coffee! The stranger didn’t even look that much like Luo Binghe from the game! Right……?

It doesn’t seem to matter… until he arrives at work to find fucking MOBEI-JUN!!! THE GUEST EXECUTIVE FROM THE COMPANY’S MAIN BRANCH!!!! Shen Yuan stares at him for an embarrassing amount of time, to the point that Mobei-Jun raises his eyebrow in question, before gesturing to the seat beside him. Shen Yuan…………... IS GONNA DIE!!!!!! Men can’t… they can't be allowed to sit like that! It should not be allowed! It's not like Mobei-Jun is really doing anything special, one ankle resting up on his knee, legs spread wide open and… SHEN YUAN PREFERS TO USE HIS IMAGINATION!!! THANK YOU!!!! At least his imagination isn’t so dangerous for his heart…

Shen Yuan can explain away many things, including not-Luo Binghe’s appearance at the coffee shop and Mobei-Jun being. Entirely Mobei-Jun, name, and all. But when it happens a third time!!!!! Shen Yuan becomes convinced he’s cursed. Yue Qingyuan might be the whiniest, most tragic character in the game but god he is so tall, his shoulders are so broad, and his smile- This is not allowed. Shen Yuan is sure there has to be some kind of karmic law against this. He’s been cursed, oh my god, he’s totally been cursed. Coffee shop not-Binghe, workbei-Jun, and now new neighbour Qingyuan. NO ONE’S BEEN IN THAT APARTMENT IN DECADES!!! WHY NOW!!! WHY SHEN YUAN??????

It only gets worse from there.

Mobei-Jun might not give a flying FUCK about Shen Yuan, his sole focus remaining on Shen Yuan’s insufferable colleague, Shang Qinghua, but that doesn’t stop Shen Yuan from getting almost-boners every time the man scoots behind his chair to go to the bathroom during long meetings, or stares at him with interest when he presents a PowerPoint manifestation of the ideas he had at 3am. And Yue Qingyuan might definitely be trying to get in Shen Yuan’s pants and Shen Yuan knows as soon as he unlocks this man’s backstory his life will be ruined but that doesn’t exactly mean he’s avoiding the free food and company he offers.

The only person he hasn’t seen recently is not-Luo Binghe… which is good! Luo Binghe hates Shen Yuan in PIDW, who’s to say real life won’t be the same? Shen Yuan prefers to be an asshole through the screen, not in real life where the risk of a man who you could fit two liquidised Shen Yuan’s into punching him in the face is very very real. This lack of meeting might also be because Shen Yuan hasn’t gone back to Qingge’s coffee place for two weeks. The man (friend???) in question, a coffee connoisseur (apparently) may or may not be threatening his life for skipping his morning stop for so long.

Unfortunately, Shen Qingqiu is stupid, so after those two weeks he assumes the coast is clear and it’s safe to return. It is not. Sat out the front, Luo Binghe is just as tall and unfairly beautiful as last time Shen Yuan had the misfortune of bumping into him. And nope, no, Shen Yuan was wrong this guy and Luo Binghe are fucking identical save for the sweet smile plastered across real-Luo Binghe’s face. As if he could get more attractive. THIS IS SO TWISTED. In another fit of brightness, Shen Yuan pretends not to notice him. Orders his coffee as per usual. He’s almost made it to the end of his order before Luo Binghe goes and ruins everything.

“I’ll pay for it,” Binghe announces cheerily, reaching over Shen Yuan’s shoulder with a credit card. Daddy’s money no doubt. What was his aggravatingly wealthy father's name in-game? Ugh, asshole. Shen Yuan splutters some kind of refusal, but Binghe just hums pleasantly. “You forgot yours last time. They were calling… cucumber for a long time…”

Shen Yuan just needs to go home and kill himself. Right now. He considers scurrying away again, but bracketed between Binghe’s massive arms and the till he just mumbled out a miserable “thank you,” and resigns himself to fate. Luo Binghe finishes his order for him. It’s kind of creepy. Which makes it hot. This definitely doesn't say anything about Shen Yuan sexually or developmentally. Shen Yuan ah, Shen Yuan. At least he rests easy in the fact that real-Binghe is definitely not coming onto him. After all, in PIDW the man doesn't really hate Shen Yuan for Shen Yuan, but for his female persona.

They both wait for his coffee in a corner, Luo Binghe standing so close to him their forearms are almost touching. Shen Yuan regrets wearing a short-sleeve dress shirt today. He regrets being alive at all, actually. He would reach for his jacket but that would mean their arms definitely would touch and he would rather tie himself to a pyre and light the match with his teeth.

“Cucumber?” the server says, unsure. Clearly new. Awesome. Shen Qingqiu now needs to gain back twice the karmic points he lost telling anyone other than Liu Qingge about that stupid fucking pseud. Luo Binghe follows him like a puppy out of the coffee shop. Shen Qingqiu coughs awkwardly.

“Thank you,” he says again. Luo Binghe cocks his head. Like a fucking dog!!! If he knew Luo Binghe was so cute maybe he’d give him a chance in-game… Shen Qingqiu barely avoids smacking himself in the face to tamp down the heat rising in his cheeks.

“You’re welcome… cucumber?”

“Shen Yuan,” Shen Yuan offers his real name with a huff.

“Luo Binghe,” Luo Binghe responds, beaming.

“I know.” Ah. Shen Yuan. You really can’t help yourself, can you?

Luo Binghe cocks his head the other way.

“Bye,” Shen Yuan waves stiffly before breaking into a full-out sprint down the sidewalk. FUCK! FUCK! NEVER EVER EVER GOING BACK TO THAT COFFEE SHOP! SORRY LIU QINGGE!!!!!!

[nanamineedstherapy]

Seven Minutes in Heaven (Chapter Two)

F!Reader x Gojo Satoru

Previous Chapter 1 (Tumblr/Ao3)

Summary: It was supposed to be a normal frat party. Just a stupid game of Seven Minutes in Heaven. Just him, king of never taking anything seriously, getting shoved into a closet for a dumb dare. And yet. Now, he can’t sleep. Can’t think. Can’t stop thinking about you. And one by one, his friends are starting to realize—Whatever happened in that closet? It never really ended.

Outside in the garden, Toji mocked. "Man got a straight-up haunted hard-on."

"Wait, wait, wait," Sukuna wheezed. "Tell me why bro just made out with a ghost so hard he got a fucking boner."

"Can we not call it that?" Satoru groaned.

"That’s exactly what it was," Hiromi confirmed, shaking his head. "You got seduced by a fucking spirit."

Shiu, lying on the grass scrolling through his phone, barely looked up as he added, "Even in the afterlife, women aren’t safe from your dick preceding your reputation."

"I'm gonna kill myself," Satoru muttered, running a hand down his face.

"Ghost girl might be into that," Choso said thoughtfully, sipping a beer.

"Yo, shut the fuck up," Satoru snapped.

"You were rock hard for a literal corpse." Shoko was almost rolling in the grass, clutching her bottle.

"FOR THE LAST TIME, I DIDN’T KNOW SHE WAS A GHOST!"

"And yet," Suguru drawled, gesturing vaguely at the still-very-visible problem in his jeans.

Satoru made a strangled noise, willing his soul to leave his body.

“If I see your haunted dick in my nightmares, I’m suing." Yuki yelled.

"I have hater friends. At least she thought I was beautiful." Satoru smirked.

A collective groan echoed through the garden.

Kento dragged a hand down his face. "I hate him. I hate him."

"Fucker just got ghosted in every sense of the word, and he still has the audacity to make it about his looks." Kashimo jeered, leaning on Haibara, who was barely holding himself up.

"Kill yourself," Sukuna muttered.

"Honestly, yeah," Hiromi agreed.

Satoru just grinned. "Jealous much?"

Suguru physically sighed. "Let's go, you delusional horny disaster."

---

Satoru couldn’t stop thinking about you.

Not the way your lips had felt against his, or how you made him laugh, or how you got flustered easily but still kissed him first like a paradox he couldn’t solve—though that haunted him, too.

No, it was the way you had looked at him.

Like you had been starving.

So, Satoru did what any rational person would do.

He spent an unhealthy amount of time at the library.

Gojo Satoru. At the library. Voluntarily. His friends thought he was having a crisis.

At first, there was nothing.

No students matching your description in the recent records.

No tragic accidents or ghost stories written in the university archives.

It was like you had never existed.

But then—

One night, while flipping through the school’s oldest records, something caught his eye.

An envelope stuffed with papers.

He pulled out a diary first.

Diary of Miss L/N

(Archivist - Leather-bound, gold-embossed. Found in the ruins of the university, its final pages splattered with what appears to be dried tears. Handwritten, ink fading in places. Some pages torn. Final entries nearly illegible—written in a shaking hand, desperate and uneven.)

January 3, 1914

There is a new litter of kittens in the old courtyard! I counted five, all squirming and mewling, their mother, a thin little thing who watches me with wary eyes. I left some bread soaked in milk, though I do not think she trusts me yet. Perhaps if I sit quietly tomorrow, she will let me closer.

(If I were a cat, would I be loved more easily?)

The groundskeeper scolded me, said I am too soft-hearted, that I let animals take advantage of me. As if a kitten could be cunning! I told him there is no harm in kindness. He only shook his head.

Satoru sat back, staring at the first entry, his thumb tracing your handwriting. He didn’t know much about you—hell, he didn’t even know you were alive a hundred years ago—but he could picture you, kneeling in the courtyard with kittens, trying to be kind. He imagined the faintest smile tugging at your lips when you saw them squirming in the dirt. The idea of you feeding a stray mother cat made his chest tighten in an odd, unfamiliar way. He ran his fingers along the edge of the paper, almost as if trying to feel your presence through it.

That groundskeeper? He was an idiot. He didn't get it. Satoru couldn't help but feel a spark of frustration. You didn’t need anyone’s permission to be kind. He almost laughed at the idea that someone might scold you for being soft-hearted. If anything, he wished he could go back and tell you not to worry about those around you. He would’ve probably looked at you the same way—the way he did when you kissed him, not knowing why or how, but unable to stop himself from caring just a little too much for someone so—soft.

January 10, 1914

I do not think they like me.

Not in the way they like each other.

They are polite, of course. They smile. They call me ‘Miss L/N’ with syrupy sweetness, but their eyes flicker. I see the way their lips press together when I speak. The way their laughter dies when I enter a room.

But it is alright. Not everyone has to like me.

I just wish they did not hate me, either.

Satoru skimmed the next entry, his eyes narrowing. You were already noticing the tension in the air, weren’t you? The polite smiles, the murmurs. The fake sweetness they showed you—he could practically hear the insincerity in their voices. He frowned, shaking his head. You didn’t deserve that. Nobody should ever make someone feel like they didn’t belong.

For some reason, even though you were long gone, he found himself angry on your behalf. He didn’t understand why they treated you that way. You were probably just too good for them, weren’t you? Too pure, too gentle. He shook the thought off, the sharpness of the moment still biting at him. It made him wonder if maybe he would’ve been one of the few who would’ve actually liked you.

January 25, 1913

Viscount Salvatore looked at me today. He did not merely glance—he looked. I was in the library, carrying too many books, and he leaned back in his chair, all effortless indifference, and drawled, "Planning to read all of those, Miss L/N? Or are you building a fort?"

(He thinks I am ridiculous.)

(He noticed me.)

I almost dropped Wuthering Heights on my foot.

A frown burrowed on Satoru’s face when he read about Viscount Salvatore. You noticed him. He noticed you.

He flipped your yearbook with his other hand to find any Salvtores; there had been two in your class who’d gone to become Army officials in the first World War and then died there. Your description fit the blue-eyed one with a cocky smirk. Like Satoru? Did you have a type?

He felt a slight sting in his chest at the thought of this Viscount—some guy who probably had no idea what to do with someone like you. Still, he couldn’t suppress the bitter taste in his mouth. Jealousy? Was that what this was?

A sigh slipped from his lips. It was stupid—he was more than a hundred years too late. He didn’t even know if you’d ever seen him the way he now imagined you looking at the Viscount. The thought of another guy noticing you—really noticing you—made him want to jump from a boat. But instead, he read on.

February 2, 1914

It was a joke. Just a prank.

"She'll cry and beg to be let out," one of them whispered, giggling behind her lace glove. "Let's see if Miss Perfect is still so polite in the dark."

The door slammed. The lock clicked.

The dark swallowed me whole.

I did not beg.

I bit my tongue until I tasted iron and waited. And when they let me out—smirking, triumphant—I smoothed my skirts, fixed my hair, and walked past them as if I had not spent the last hour choking on the thick, dusty air.

They did not like that.

"A little too perfect, isn’t she?"

(They will do it again.)

Satoru’s eyebrows furrowed as his gaze lingered on the next entry. You were trapped. Locked in a closet by the very people you probably thought were your friends. It was sickening. He almost couldn't finish reading—his stomach lurched with disgust. The way you didn't beg... it said so much about you. You must’ve been used to pain by then, used to being pushed aside and ignored. But still—you walked out of there like nothing had happened, like you didn’t carry the weight of what they had just done to you.

Satoru shook his head, muttering to himself, “Cowards. All of them.” He clenched the paper tighter in his hand. He hated the idea of you facing that kind of cruelty alone, without anyone there to stop it. He could feel it—your loneliness, your frustration, your unwillingness to break. And somehow, it only made him want to be there for you more. He'd never admit it, but there was a strange urge within him to make it right—even if it was a century too late.

February 10, 1914

Today, I found a sparrow with a broken wing. I named him Edgar (after Poe, of course).

I should have left him alone. Mother says I should not dirty my hands with such things. But he was shivering—how could I leave him?

Viscount Salvatore saw me, kneeling in the grass, my gloves stained with dirt. He raised an eyebrow but said nothing.

Then, just as he passed, he murmured, "Don’t name it. You’ll only make it harder."

He has such an awful way of speaking. Always so practical. So cold.

(He was right. Edgar did not make it through the night.)

Satoru didn’t expect to feel as deeply affected by this entry. You found a broken bird and tried to help it. Just like the kittens. Just like everything else. He read about the sparrow, Edgar, and that bitter, practical remark from Viscount Salvatore.

He rolled his eyes. That guy was cold, wasn’t he? It was almost like he couldn't even understand that you just wanted to do something kind. His jaw clenched slightly at the thought of this Viscount, cold and indifferent. Did he not understand the pain of losing something you tried so desperately to save?

“You deserved better than that.” Satoru muttered quietly to himself. He could barely comprehend it, but it stung to think of you, caring for something so fragile, and yet not having anyone there to help you when you needed it most. He could almost hear the sadness in your voice, like you were speaking not just about the bird, but about yourself.

February 13, 1914

Razor blades in my book bag today.

I did not see them in time.

A sharp sting—red seeping into my gloves, blooming against the pale silk like a dying rose.

A girl gasped.

One of them. The one who used to call me her friend.

She reached for me, hesitated. Opened her mouth—closed it.

Did nothing.

(They are all cowards.)

I smiled at her anyway.

(It is getting harder to smile.)

The entry made Satoru stop in his tracks. Razor blades? What the hell...? He had to reread the paragraph twice, the sharpness of the words sinking into him with every line. It was hard to stomach—knowing that someone, one of the people who had once called you their friend, did this to you. Left you bleeding and didn’t even care.

He felt a fire burning in his chest now, a rage that was foreign to him. A strange protectiveness, something darker, almost suffocating. He didn't know how you had kept going through all this. And yet, you had. You smiled through it all, even when everything in the world was trying to break you.

Satoru stood up suddenly, pacing around the room. He was aware of how ridiculous this was—he didn’t even know you. But damn it, you deserved someone who would’ve fought for you. Someone who would’ve taken those blades from your hands and never let you feel alone.

February 14, 1914

Viscount Salvatore pulled out a chair for me today.

The smallest thing. A flick of his wrist. A glance in my direction. A murmured, "Miss L/N."

But I have not been spoken to kindly in so long.

For a moment, my eyes burned. My throat ached.

But I said nothing. I only sat.

And when I looked up—just for a second—he was already watching me.

(What a strange, strange man.)

Satoru’s fingers lightly brushed over the paper. He didn’t know what it was, but something about that entry—Viscount Salvatore pulling out a chair for you—made him pause. He didn't react outwardly, keeping his face carefully blank, but internally? There was a slight stir of discomfort. It was such a small, insignificant thing, yet it meant so much to you. A simple gesture, something that should’ve been normal.

He imagined the quiet moment, your surprise. The thought that such a little thing could make you feel seen, even for a second, gnawed at him. A frustrated sigh left his lips. Why did it have to be like that? If he were there—if only he were there, he would’ve shown you kindness, not just with gestures, but with actions. But that was a thought he quickly pushed aside, frustrated by how much time had slipped through his fingers. He kept reading, though.

February 20, 1914

I have decided. I loathe Viscount Salvatore.

He is insufferable. He speaks in riddles and always looks as if he is laughing at me. I do not know why I bother thinking of him.

(He held the door open for me today. Said nothing. Just waited.)

(I hate him.)

A faint chuckle escaped his lips as he read the next entry. You’d decided to loathe Viscount Salvatore now. "Insufferable," you called him. Satoru almost wanted to agree, though he couldn't completely share your sentiment. He had a feeling there was more to him—more that was left unsaid. Still, it was a funny thought. Viscount Salvatore being that frustrating, mysterious figure. Satoru was intrigued by how you wrote about him with such sharpness, but the words seemed like a cover for something deeper. He wasn’t sure what, but the tension between you two was palpable.

“Is it really that bad?” he muttered, flipping the page, knowing he wasn’t going to get an answer. He felt a flicker of something, but the rest of the entry, especially with the way he “held the door open,” left him feeling... unsure. He wasn't exactly proud of it, but maybe there was some part of him that didn't want you to find comfort in anyone else.

March 2, 1914

I found a dead rat in my desk.

Its body bloated, eyes staring.

Its tiny mouth open, frozen in a silent scream.

There was a note pinned to its belly. Still feeling generous?

I swallowed back the nausea and took it outside myself.

(It is getting harder to breathe here.)

Satoru’s expression hardened as he read about the dead rat in your desk. He closed his eyes briefly, forcing himself to focus. The cruel games they played—it disgusted him. He could almost feel the sickening weight of it, as if it were happening right there, in front of him. Who does that? He set the paper down and ran his hand through his hair, trying to keep his composure, though his jaw was tight.

You didn’t even flinch. You simply took it outside. There was an odd kind of resolve in the way you wrote that. No begging. No breaking down. Just... handling it yourself. It made him uneasy—how much you had to endure, and how little anyone had cared. He couldn’t imagine what you went through, not yet, but the pieces were starting to come together. The cruelty. The silence. The isolation.

June 20, 1914

I am tired.

No, not tired. Weary.

I wake up with my body braced, waiting for something—waiting for the next whisper, the next cruel trick, the next unseen hand that will shove me down the stairs when no one is looking.

I have not eaten all day.

(They will not break me.)

The word “weary” hit Satoru like a punch to the gut. He could picture you, slumped in exhaustion, never having the chance to recover. He could almost hear the quiet panic that sat beneath those words. The next cruel trick, the next shove—it was too much. His hand tightened around the paper as he read on.

He didn’t need to know everything to understand that what you were going through wasn’t just physical. It was something deeper. Something that made your bones ache and your heart heavy. And yet, here you were, still breathing, still defiant. He let out a breath, annoyed at the powerlessness he felt just from reading your words.

July 24, 1914

I am going to the party.

They said they want to start over. That it was all just foolish jealousy. That they want to be friends.

I should not believe them.

I know I should not believe them.

But I am so, so tired of being alone.

Just for one night, I want to pretend I belong.

Satoru frowned, eyes narrowing. The truth was already in your words before you even said it. He felt an odd mix of sympathy and frustration as you told yourself you were going to the party—hoping, wishing to belong, even for just one night. He had to read that part again, swallowing a lump in his throat.

He flipped the page; the diary ended. Satoru immediately scrambled to pull out another stack of papers from the binder.

Final Entries – Found Scribbled in the Dark on Stationary available inside the closet

(Archivist - Stray pages, ink smudged. Words scratched over and rewritten as if she could not make her fingers hold steady.)

July 25, 1914

They lied.

Of course they lied.

The music was loud. The air was thick with cigarette smoke and laughter. For the first time in years, I thought—maybe.

Then hands.

Grabbing. Dragging.

"Let’s see how perfect you are now."

They locked me inside.

A closet. Small. Cramped.

The door will not open.

It has been hours.

(Or has it? I can’t tell.)

No one is coming.

The change in tone was abrupt, and Satoru’s pulse quickened as he read about the party. He could feel the shift, the claustrophobia, the betrayal seeping through the paper. The scribbled words—he could almost hear you gasping for air, trapped in that small closet.

“They lied.” That one line stung. It was so raw. He couldn’t make sense of it. He couldn’t make it right. But he had to know—he had to understand why you were forgotten. He had to keep reading, even if it made his heart feel like it was crumbling under the weight.

???, 1914

How many hours has it been?

They will come back.

They must come back.

Please, please, please—

My throat aches.

I screamed until my throat bled.

No one heard.

No one wants to hear.

(They have forgotten me.)

Satoru’s hands clenched around the papers. They had broken you in ways that even time couldn’t erase. And he could do nothing. He gritted his teeth, struggling to stay composed, but it was impossible to ignore the ache that had settled in his chest. You’d screamed until your throat bled, and they had... forgotten you.

Satoru sat with his elbows on the desk, his fingers steepled against his lips as he read the next entries. He was quiet now, the usual restless energy in his body drained away, leaving only a tense stillness. The words on the page felt heavier with each line.

???, 1914

I am thirsty.

I am so thirsty.

If I press my ear against the door, I can hear the music.

(Another party?)

They are still dancing.

They are still laughing.

They are still living.

And I am here.

Satoru’s throat felt tight. He swallowed against it, as if somehow that would make up for the dryness that must have burned through yours. He could picture it too clearly—the way your lips must have cracked, your voice reduced to a rasp.

And yet, they were still dancing.

Satoru exhaled sharply. You were still there, forgotten, while life carried on just outside the door. The thought made him nauseous.

His fingers flexed against the paper. If I had been there... But he hadn’t been. No one had. That was the entire tragedy of it.

???, 1914

It is quiet.

No music. No voices.

Something has happened.

Why won’t anyone come?

Satoru’s breath slowed. You didn’t know. You had no idea that while you were trapped in that suffocating darkness, the world outside had shifted.

They left.

No one had opened the door. No one had checked. It wasn’t even malice at this point—it was worse. It was indifference.

His jaw clenched. You weren’t even aware that the world had moved on without you. You were just waiting. Waiting for a help that would never come.

July 28, 1914

Sirens.

War.

The halls are empty.

They have all gone home.

No one remembers I am here.

No one remembers at all.

Sirens. The first world war. The absence. His hand trembled. The emptiness of the halls. You had been forgotten amidst the chaos, the madness of the world falling apart. He hated the feeling of it. The helplessness. The way everything—everything—slipped away, leaving only that quiet, sickening silence. He muttered a curse under his breath, feeling a heavy weight in his stomach.

You had been alone. And it wasn’t just the physical isolation. It was the fact that no one even cared enough to remember you.

???, 1914

(Archivist - The ink is uneven, pressed too hard into the paper—her hand must have been shaking.)

I dreamed of Viscount Salvatore.

He pulled out a chair for me again.

Only this time, when I sat, he turned to me and said, "I see you."

I woke up crying.

(He will not remember me either.)

Viscount Salvatore was back in your dreams. And now, Satoru was reading about how you woke up crying. He shook his head slowly, his eyes closing briefly. Even in your lonely moments, he was there, haunting you—both a comfort and a torment. He could almost see it in his mind, the way Viscount Salvatore's distant gaze would have held some measure of regret, maybe even longing. But none of that would ever matter now.

“Damn it,” Satoru cursed under his breath. He didn't even know what he was mad at—himself, the Viscount, or fate. The whole damn situation. You didn’t deserve any of it.

???, 1914

There is no light.

I am afraid to sleep. Afraid I will wake up and it will still be dark. Afraid I won’t wake up at all.

I think I can hear something scratching. Or maybe it is just my own heartbeat.

Satoru shut his eyes for a brief second. That sentence—it was worse than the others. It wasn't just physical anymore. It wasn’t just being locked inside. It was the fear creeping in.

Afraid to sleep. Afraid to wake up and still be in the dark. Afraid to never wake up at all.

He felt sick. You weren’t even sure if you existed anymore. If you were real.

He let his head drop forward slightly, fingers pinching the bridge of his nose. It was just a diary. Just words. So why did it feel like they were clawing at something inside of him?

???, 1914

I had a Mother?

Satoru’s eyes flicked back to the page, scanning the sentence again.

His stomach twisted.

You were unraveling.

That was what this was. Not just hunger. Not just thirst. Your mind was fraying at the edges, breaking apart piece by piece.

He shifted in his seat, suddenly uncomfortable, a strange, suffocating weight settling in his chest. You had been alone for so long that even memories were slipping away.

You were forgetting yourself.

???, 1914

I dreamed of the kittens.

They were hungry. So was I.

I woke up biting my sleeve.

Satoru closed his eyes again. That dream—it wasn’t just a memory. It was your body crying out, pulling at whatever fragments of warmth it could find.

And when you woke up, you were biting your sleeve.

His lips pressed into a tight line. He didn’t want to think about that. He didn’t want to picture you curled up in the dark, trying to trick yourself into feeling full.

He ran a hand through his hair, swallowing hard.

???, 1914

I have started whispering my own name.

I am afraid I will forget it.

Satoru blinked. The words blurred for a second before coming back into focus.

You were losing yourself. The last thing you had—the only thing left. Your own name. And even that was slipping.

His grip on the paper was too tight now. He forced himself to relax his fingers before he crumpled it.

You had been so, so alone.

???, 1914

I do not want to die like this.

I do not want to die in the dark.

Satoru’s shoulders tensed, but he forced himself to read it again.

You knew. By then, you knew.

It was no longer just fear. It was a final, quiet understanding.

Satoru’s hand came up, fingers pressing lightly against his temple. He had read countless things in his life—reports, records, confessions. But this?

This was someone—you—begging the universe for something it had already denied you.

???, 1914

Did he ever think of me?

Did Viscount Salvatore ever notice that I was gone?

(I am so, so cold.)

???, 1914

I can hear it raining.

There is no hunger anymore.

No thirst.

Just cold.

So, so cold.

???, ????

(Archivist - Final entry. Ink smeared, nearly unreadable.)

If someone finds this—Please—Please remember me.

Satoru didn’t move.

He stared at the words, his vision blurring for a moment before sharpening again.

His throat felt tight.

His grip on the page softened, and he slowly, carefully, set it down.

Satoru wasn’t sure what he was supposed to do with this—this aching, gnawing thing in his chest. He didn’t have the words for it. But as he reached for the next stack of papers.

Newspaper Articles

(Archivist - Yellowed clippings, brittle at the edges. No one speaks of her anymore.)

DAUGHTER OF L/N FAMILY MISSING – UNIVERSITY REFUSES COMMENT (July 27, 1914)

Miss L/N, the only daughter of the esteemed L/N family, has been reported missing for over a week. The university has declined to comment, insisting that Miss L/N likely departed of her own volition.

Her parents, Mr. and Mrs. L/N, have offered a sizable reward for any information regarding her whereabouts.

SEARCH FOR MISSING HEIRESS ENDS IN TRAGEDY – PARENTS DECLARED DEAD (December 3, 1916)

After two years of relentless searching, Mr. and Mrs. L/N have perished under tragic circumstances. Their estate, heavily in debt from the investigation, is to be auctioned off.

Miss L/N’s disappearance remains unsolved.

RENOVATIONS UNCOVER HIDDEN CLOSET – HUMAN REMAINS FOUND (March 5, 1957)

Construction teams working on university renovations discovered a sealed-off closet in the west wing. Inside, they found skeletal remains, still clad in a deteriorated silk gown. A diary was found nearby, though much of its ink had faded with time. Officials report that the identity of the remains is unknown, as no records exist of any missing student matching the description.

No further investigation is planned.

THE DAILY GAZETTE

Est. 1896

Thursday, March 7, 1957

PRICE: 10 CENTS

MYSTERY OF THE FORGOTTEN GIRL: REMAINS DISCOVERED IN UNIVERSITY WALLS

Renovation Workers Uncover Skeleton, Raising Chilling Questions About the Past

By George L. Whitmore

SHIZUKA CITY—A routine renovation at one of the country’s most prestigious universities took a macabre turn last week when construction workers stumbled upon a hidden closet sealed within the walls of the East Wing. Inside, they found the skeletal remains of a young woman, her body curled as if she had simply lain down and never risen again. The discovery has sent shockwaves through the academic community, raising unsettling questions about how she came to be there—and why no one ever looked for her.

The identity of the deceased remains unknown. No records exist of a missing student from the time period estimated by forensic specialists—likely the early 20th century. But one thing is certain: she was left there. Forgotten.

A Name Erased

The East Wing, once a grand structure funded by old money and aristocratic influence, had been largely abandoned for decades before renovations began last fall. The university, now bearing the Gojo family name, was once under the patronage of another dynasty—one that, curiously, has all but vanished from historical record.

Researchers digging into archived documents found faint traces of a once-powerful benefactor: the L/N family. According to a 1907 university registry, the L/Ns were among the wealthiest patrons of the institution. From Arms dealings, their contributions were responsible for much of its early expansion. And yet, no descendants remain. No estate. No legacy.

A mere decade after their peak, the family seems to have disappeared altogether. Their name erased. Their wealth scattered.

And now, this girl—the girl in the closet.

A Harmless Prank Gone Horribly Wrong?

The discovery has sparked whispered theories among university staff and alumni. Some recall long-forgotten stories, rumors passed down like ghost stories in dormitory halls. Stories of a girl. Beautiful. Intelligent. Kind. Too kind.

“She was perfect, too perfect,” said one retired professor, who wished to remain anonymous. “People resented her for it. The way the faculty admired her. The way she carried herself. There were whispers, of course—ugly, jealous things. But back then, the school was different. There were rules about what could and could not be spoken aloud.”

While no official reports exist of bullying, former students who attended in the early 1900s recall the cruel pranks that were common among the elite circles of the time. Stolen books. Torn dresses. Whispered mockeries disguised as etiquette lessons.

Then there was the incident at a party—a party that took place just before the world changed forever.

“She went missing that night,” said another source, a woman in her seventies who had attended the university in the years following the First World War. “There were rumors, of course. But no one ever spoke of it directly. And then the war came, and everything was forgotten. Just like that.”

What started as a childish prank—locking a girl in a storage closet—became something else entirely when the world was plunged into chaos. Sirens screamed. Students fled. The university shut its doors. And no one, not a single soul, remembered to let her out.

A Legacy Stolen by Time

The timing is chilling. The L/N family vanished not long after. Their once-glorious estate burned to the ground under mysterious circumstances. With their wealth depleted in a desperate search for their missing daughter, they faded into obscurity, lost to history. Meanwhile, the university found a new patron—one with deeper pockets, stronger influence. The Gojo family.

“Nothing stays empty for long,” remarked historian Dr. Henry Carrington. “Power abhors a vacuum. One name disappears; another takes its place. That’s how history works. The question is whether it was simply fate... or something more deliberate.”

What Comes Next?

For now, the remains of the forgotten girl lie in the care of forensic specialists, who will attempt to identify her and, perhaps, grant her the dignity she was denied in life. The university has yet to release an official statement, though sources indicate there are plans to memorialize the discovery.

Still, the air remains heavy with unspoken truths. A legacy buried beneath floorboards. A name erased. A girl left to die in the dark, her existence fading from memory even as the institution she was meant to inherit flourished without her.

And now, decades later, she has returned. Not as a scholar. Not as an heir.

But as a skeleton in the walls of a university that no longer remembers her name.

Satoru understood what had happened.

---

1914

The first time they locked you inside, it was supposed to be a joke. A harmless prank.

“You’ll cry and beg to be let out,” one of them whispered, a cruel giggle curling around her words as she hid her smirk behind a lace-gloved hand. “Let’s see if Miss Perfect is still so polite in the dark.”

You cried.

But you didn’t beg.

Not that night.

Not yet.

It didn’t surprise you. You’d always known people resented you. You were the only child of the L/N family—their legacy was carved in the very stone of the university. Wealth, power, influence, all wrapped in a name that commanded respect. Your family had funded these halls, shaped them. Built them.

And you were meant to carry that weight forward, to live up to expectations that came with being the heir of such a name. You studied hard, spoke softly, helped others without a second thought. You tried to meet the world with grace.

But you had made one mistake.

You were kind. Too kind.

You didn’t wear your last name like armor. You didn’t command respect with a gaze sharp enough to cut or a voice cold enough to freeze. You didn’t move like royalty among commoners. You spoke gently, smiled too much, helped without expecting anything in return.

And that, apparently, was enough to make them hate you.

They called you perfect. A fraud wrapped in silk and sweetness. A girl born to wealth, yet untouched by cruelty. It made them sick to their stomachs. They told themselves your kindness was a mask. That you were pretending. That behind your soft smile, you looked down on them.

The whispers slithered through the hallways, filled every corner of every dormitory, echoed between the benches in lecture halls. “She must think she’s better than us.” The rumors crept, fed by jealousy and disdain, each one sinking deeper, until they made it their mission to tear you down.

It started small. Stolen assignments. Ink spilled all over your uniform. Books knocked from your arms as you passed, their laughter trailing behind you like a shadow.

But then the pranks grew worse. Razor blades slipped into the lining of your bag, waiting to slice your fingers. Your tea, laced with ink, stained your lips and tongue black for hours. Dead rats left in your desk drawers, bloated and stinking, their decaying bodies a cruel reminder of their hatred.

You had friends—or you thought you did. But when you looked to them, their smiles faltered. They said nothing. Did nothing. They looked away.

So, you endured it all alone.

Then came the night of the party.

You hadn’t wanted to go. But one of the girls, the one you still foolishly believed to be a friend, begged you. She said everyone wanted to start over, that they regretted their childish jealousy and were ready to put it behind them.

You wanted to believe it. You wanted so badly to believe that people could change, that cruelty wasn’t the default. You wanted to believe that if you just endured long enough, they would see you for who you really were.

So, you went.

The music was loud, thick with the beat of drums and the pulse of electric guitars. The air was heavy with smoke, alcohol, and the scent of youth gone wild. Laughter rang out, spinning around you as people twirled under lantern light. For the first time in years, you thought maybe—just maybe—you weren’t so alone after all.

But then, hands grabbed you.

They pulled you, dragged you away from the laughter, from the light, down the dim hallway that felt colder with every step. You struggled, but there were too many of them. Nails dug into your skin, and their breath reeked of whiskey and sweat.

They laughed. “Let’s see how perfect you are now.”

The closet was small. Cramped. A tiny, forgotten storage room in the corner of the building, filled with old books and dusty supplies. They shoved you inside.

You stumbled, tripping over the rough wooden floor, your hands scraping against the splintered walls. The door slammed behind you, the sound of the lock clicking echoing in your chest. You barely had time to press yourself against the door before it shut you in complete darkness.

“Let’s see how sweet you are after this,” they jeered, and then they were gone.

At first, you thought it was a joke. Any second now, they would open the door, laughing, saying it was just a prank. The music outside was still loud. The sounds of celebration filled your ears, muffling your screams and your frantic banging against the door.

They would let you out.

Of course, they would.

Wouldn’t they?

You banged harder. Screamed louder.

But no one came.

Minutes passed. Then an hour. Two.

Your fists were raw, your throat burned from the screams, but still, nothing.

At some point, you must have fallen asleep. When you woke up, your mouth was dry, your body stiff and cold. You were still in your party dress, but your shoes were gone. You had lost them somewhere, in the chaos of being dragged.

You banged again. Screamed louder.

Nothing.

More hours passed. Maybe a day. You tried to count the time, but it blurred. The darkness stole all sense of it.

Then, one night—though you couldn’t tell if it was day or night anymore—something changed.

The university went silent.

The once-bustling halls were empty. The voices, the laughter, the music—gone.

In the distance, you heard sirens. A sound that felt like the last thread of the world unraveling.

The world was at war.

Overnight, everything collapsed. Students fled. Professors disappeared. The university shut down.

And no one, not a single soul, remembered that you were still locked in that closet.

The hunger was unbearable at first. You pressed your hands against your stomach as it twisted in agony, but after a while, even hunger faded into the background. The thirst, however, never left. Your lips cracked, your throat burned, your vision swam.

But you were too weak to scream now.

At some point, you stopped feeling anything at all.

No one remembered the girl in the closet.

Days passed. Maybe weeks. Maybe months.

But in the end, it didn’t matter.

There was only silence.

When they finally reopened that part of the university—years, maybe decades later, during renovations—the workers found a hidden closet behind the walls. They found a skeleton, still curled on the floor, clutching the remains of a tattered dress.

No one knew who you were. Your records were gone.

The L/N family was erased from history.

Your parents had searched for you. Desperately. They spent every penny, called in every favor, tore the world apart looking for their only child.

But war doesn’t care for grieving parents.

They died before they could uncover the truth. Your home burned. And with them, the name that had once shaped this university disappeared from the records.

The buildings once funded by your family were renamed. The university you were supposed to inherit now bore another family’s name.

The Gojo family.

And you?

You had simply ceased to exist.

---

Present Day

Satoru stared at the newspaper article in his hands, the words blurring as his chest tightened. It felt like someone had reached into him, squeezing the air from his lungs until he couldn’t breathe. His vision wavered, the paper in his hands turning into nothing more than a smear of ink and empty noise.

He had spent the entire night digging. Searching. Prying through the layers of forgotten history no one had cared to remember. And now—

Now, he wished he hadn’t.

His chest ached. His stomach churned with the weight of it. He hadn’t expected to find this. He hadn’t expected to feel the crushing blow of reality, the terrible, suffocating guilt that twisted through him like a knife.

You had smiled at him.

how your fingers had trembled in his hands, how your wide, nervous eyes had held so much uncertainty, yet a quiet hope. And when you kissed him, your lips soft and warm against his, it had been the kind of kiss that felt like it was long overdue—like you’d been waiting a lifetime for someone to touch you.

And now he knew why.

You had been waiting for a hundred years.

A hundred years of silence. A hundred years of darkness. A hundred years of loneliness so deep it suffocated you, a cruel weight on your chest that no one had ever bothered to lift.

He thought about the closet. The cramped, suffocating space. The darkness. The silence that stretched on for years, unbroken. The pain of realizing no one was coming, no one cared.

The students who had shoved you inside. The laughter as they walked away, their voices fading into the distance while you were left to rot alone in a forgotten corner of the university. The friends who had seen it happen and did nothing. The ones who had turned their backs when you needed them most.

Satoru’s chest tightened further, a sharp pain stabbing through him. His teeth ground together, his jaw clenched so tight it felt like it might crack. His hands shook, trembled violently, as if they could somehow undo what had been done, erase the horror of it all.

He wanted to break something. Throw something. Tear through this cursed world and go back, back to that night, back to when he could’ve stopped it. To rip open that damn door and pull you into his arms, to tell you that you were never alone. That he would have fought for you. That someone—anyone—should have fought for you.

But it was too late.

One hundred years too late.

He sucked in a shaky breath, but it didn’t help. His lungs felt tight, and his throat closed up, like something was blocking the air. His hands shook as he traced the edges of the photograph in front of him. A group of students stood there, stiff and formal, their faces solemn in that black-and-white world of the early 1900s. They were so... distant. Detached. Like they were living in a world completely untouched by joy, by life.

And then there was you.

At the edge of the group, standing out like a ghost, yet so very present. Your soft features. Your gentle eyes. Your delicate, hopeful expression that somehow still managed to look so... lonely.

Beneath the photo, in delicate cursive handwriting, the caption read: "Class of 1914. Including Miss Y/N, the only child  of  the  L/N  family—our university’s first founding patrons."

Satoru’s breath caught in his throat.

Your name should have been everywhere. It should have been on every plaque, in every building, carved into the very bones of this place. Your family had built this school, laid its foundations with their blood and wealth. You had been the heir, the future.

And yet—

No one remembered your name.

Satoru’s pulse pounded in his ears, a frantic rhythm that seemed to echo in his chest. His fingers curled into the paper, the fragile edges crinkling beneath his grip. His heart hammered in his chest as he clenched his jaw, fighting back the urge to scream.

This school, his school, had been built on the L/N family name. Your family’s legacy was supposed to be immortal, etched into the very structure of the place. And yet, all he saw now were the names of the Gojo family—his family—everywhere. The library. The dormitories. The lecture halls.

Your family had been erased.

A sickening wave of anger washed over him. He wanted to scream, to tear the world apart. He wanted to shove the truth in their faces, shove it into the faces of everyone who’d forgotten you. Everyone who had abandoned you. But more than anything—he wanted to go back.

He wanted to go back to that night.

He wanted to break down that fucking door, drag you into the light, and tell you, "You weren’t alone. You’ll never be alone again."

But he couldn’t.

It was too late.

One hundred years too late.

He squeezed his eyes shut, but the image of your face lingered. You, the girl who had been forgotten. The girl whose name had been erased from history. The girl who had waited for someone to remember, to fight for her. The girl who had suffered alone.

No one remembered you now.

But Satoru did.

A/N: Did you get who Viscount Salvatore was?

Next Chapter 3 - (Tumblr/Ao3)

All Works Masterlist

[maxdibert]

Personal view, as someone who grew up in an abusive environment and is hyper-reactive to seeing children in distress or being mistreated by adults, including in fictional depictions, I never felt the kids in Harry Potter were in any danger from Snape. He’s bitchy and snarky, yes. But no more so than other teachers in Hogwarts. And from what I’ve experienced in the fandom, a lot of Snape fans are abuse survivors in some shape or form. He’s a complex character, and unlike a lot of fictional abuse survivors, he can actually be angry and rage. It’s very cathartic for people who have had to mask and suppress their negative emotions in real life.

It's curious how most Severus fans tend to be survivors of bullying or people who see themselves reflected in him because they went through similar experiences in school, or people who have experienced violence at home. Meanwhile, the haters are simply kids who have a terrible teacher and project that onto Snape, so they hate him.

If we're going to play the "I had terrible teachers, so I know how it feels" card, then I can use that too. Not only did I have terrible teachers—so bad that what they did was absolutely reportable and punishable—but in university, I even had professors who LITERALLY made students cry with their critiques. And yes, I’m very angry with those teachers. Even though I wasn’t always a direct victim, thinking about the teachers from my old school fills me with rage. And yes, whenever I’ve run into some of them on the street, I’ve made sure to say something to them in a super passive-aggressive way.

But the thing is, I don’t see any of them in Severus. Not a single one.

Severus has always reminded me of a literature teacher I had in my last years of school. He was a guy who taught classes to make some money while finishing his university doctorate—clearly, his goal was to be a researcher or teach at a university level. And you could tell from a mile away that he HATED having to teach teenagers. But hey, the school paycheck was good, right? I’m not going to blame him for that. The thing is, he had a degree in Philosophy and Literature and had a level way above that of a regular high school teacher.

I remember he was young. At the time, he seemed like an old man to me because when you're 16, anyone over 20 seems ancient, but he probably wasn’t even 35 yet. The thing is, he had no patience for nonsense. He hated childish antics in class, got annoyed by dumb questions, and if he explained something and someone asked the exact same thing two minutes later, he would clearly get irritated. I remember once a kid told him he had just read the latest Dan Brown novel, and this guy, with the most cunty smirk, said, "Well, I wouldn't know about that, Mr. X. I don't read mass-market literature." And it was like… lol why so mean? But I found it hilarious.

He was the only teacher who called us by our last names and never used informal speech, which was shocking to us because it never happened with other teachers. He rarely attended staff meetings or team dinners (a teacher who was actually abusive and spent entire classes physically humiliating 15-year-olds used to complain about that a lot). You almost never saw him interacting with other teachers because, honestly, I’ve always had the feeling that he thought his colleagues were idiots—and I don’t blame him. If I worked with that bunch today, I’d think they were idiots too.

Now, this guy was strict. Very strict. If you got a 4.9, he wasn’t giving you a 5, because you didn’t get a 5. He wasn’t going to be nice to you unless he thought it was strictly necessary. He wasn’t going to be warm, he wasn’t going to be friendly, he wasn’t going to be funny. He despised mainstream literature and bestsellers, believed certain books were absolute garbage, and thought people who only read that kind of stuff didn’t actually understand literature and lacked the braincells for it. You could agree or disagree with him, but his behavior wasn’t abusive.

Was he sometimes too blunt? Did he have incredibly sharp, sometimes unpleasant responses? Yes. And, funnily enough, this teacher was widely disliked precisely because he was one of the strictest ones. He was hated even more than the guy who groped female students or the one who called kids fat, gave them weight-loss tips, and told girls they dressed like prostitutes if they wore certain tops. But those guys used informal speech, gave you a 5 if you got a 4.6, and weren’t that strict, so people didn’t hate them as much.

That’s why Severus always reminded me of this guy. Ironically, I really liked him because I appreciated his sardonic, sharp humor, and he appreciated that I had read One Hundred Years of Solitude at 12 lol. But above all, he liked that, even though I never paid attention in his classes because I physically couldn’t focus on a lecture for more than 10 minutes, I never disrupted anything. I never got caught talking, never caused trouble—I was just drawing my stuff or reading things unrelated to the lesson, but I wasn’t bothering anyone.

And honestly, I think that’s all Severus wanted from his students: for them not to be a pain in his ass. And if he was an even bigger jerk to some, it was precisely because they got on his nerves the most.

The Weasley twins were total chaos and constantly acting like fools, yet they never have a bad word to say about Snape throughout the saga besides that he was kinda mean sometimes. Why is that? Maybe because they didn’t put the whole class in danger? Maybe because, while they were insufferable in the hallways, they knew they had to tone it down in Potions?

Only two people have a real problem with Severus as a teacher throughout the saga: one is Harry, who disrespects him from day one, constantly challenges him, talks back, breaks the rules, and does exactly the opposite of what Severus tells him. The other is Neville, who basically exists to give Severus seven consecutive nervous breakdowns in a single class.

That doesn’t make you an abuser—it makes you an adult who is sick to death of two pain-in-the-ass kids.

[iamnmbr3]

I would argue that it is still incestuous tho since basically she's the equivalent of a non identical twin that he met as an adult from a genetic standpoint. so like. literally the worst of all worlds. they made a ship both lovers and haters of thorki could both hate lol

Loki series writers: Loki finaly leart to care about someone other than himself

Loki,who saved Asgard from immature brother ruling, saved lives of Warriors 4 in Jotunheim, called for help when Odin fell into coma, saved Jane's life altho he doesnt know her, pardoned Warriors 4 their betrayal when he posed as Odin on the throne, was a great king for 4 years, saved Asgardians by bringing Grandmaster's ship, saved Thor's life by giving Thanos The tesseract & that way saved also all Asgardians(we could find more examples):

[katyspersonal]

One of my least favourite genres of "fans" in the fandoms are people who chronically mis-diagnose who is a drama-bent hater in any given discourse.

Like, for example, you know cringe Gehrman haters who not only have reasons TO hate this character that go completely against things stated in canon to begin with, but also consistently try to make a point about how fans of this characters are irrational and "try so hard for *gasp* CIS WHITE MAAALE", if not accuse them of being misogyny apologists? Yet they are "just silly people with their own opinions 🥺", but someone who points out how this behavior is obnoxious, unfair and makes fandom a worse place? Now THAT'S a bad person who stirs up the drama in their eyes! And not toxic people who made them retort in the first place! Similar situation with Godrick, minus the misogyny accusations bit.

Or, you know fans of Malenia and Miquella who are particularly obnoxious and will spread hostility and toxicity towards any fans whose reading of these characters is a single bit critical, if not straight up harass those with "heretical" readings of them? The loosers that will scream misogyny / media illiteracy / etc if someone (correctly) thinks these characters done some wrong shit, and who became straight up cultish because SOTE crashed their perfect pure innocent idol expectation that they kept using as excuse to be toxic? They are "just fed up with weird Redditors and try to cope with shitty Fromslop writing 🥺". However, someone who points out THEY are the actual problem in the fandom and have been such even before the DLC? Now, this is the bad person that stirs drama. Similar with Marika, only SOTE gave her toxic stans more means to harass "heretics" over the awful sin of giving her complexity and agency, rather than crashed their idol.

Like, yeah, sure. How daaaare you to point out unfairness in the fandom and react at fans bullying other fans for no reason! :т I have very concrete names in mind during typing this post and I am glad those people fucked off from my field of vision for good. I don't know who the hell taught them that bullying is completely acceptable but it is reacting at that bullying that is bad and immature. You guys should be less accepting of toxic people who deliberately cultivate hostility towards fans who did nothing wrong and then play victims when someone doesn't have it, instead of pushing that spineless "be a bigger person" crap. Being a pushover is not "bigger person". Also just because you also dislike/like a character that became the cornerstone of toxicity doesn't mean you should accept literally any nonsense your "fellow fans" do, like if you are some sort of "community uwu" that can't afford "losing" a single member, no matter how bad?

[hushedhowls]

its okay to be afraid, but saying you hate all women is immature and, whether you like it or not, misogynistic. you claim to hate everyone who makes the world worse, but you're not separate from that crowd, women-haters arent exactly helping are you ??

I'm sorry about your trauma, i am, but there is no excuse . you deny being a misogynist but you know it's defined by like... hating women.. right? defined by the thing that you do? and no matter what causes it misogyny is NOT okay. just because someone has a vagina doesn't mean they are the scum of the earth, grow up...

I HATE ALL HUMANS FOR THEIR NEGATIVE IMPACT ON THE WORLD.

YES, INCLUDING MYSELF AND ALL MY LOVED ONES. I HAVE SAID THIS IN EVERY POST BUT APERENTLY BITCHES CAN'T READ.

I'm not misogynistic if I hate everyone equally LMFAO

when someone says they hate all men because they were raped or abused by men, do you consider that sexist?

"just because someone has a vagina doesn't mean they are the scum of the earth"

not all women have vaginas, tryna defend women but not including all women, does that mean your transphobic ?!?!?!?!? D: (joking but I have never talked about only hating women and them being the scum of the earth. I've only mentioned hating women in relation to hating EVERYONE)

you are literally incapable of understanding most of the things I am saying.

also the definition of a misogynist is 'someone who is strongly prejudiced against women', which I'm not because the definition of prejudice is 'preconceived opinion that is not based on reason or actual experience'. I don't have preconceived opinions about anyone. It is a fact that every human is damaging the planet in some way and that is why I hate human behavior.

[inouerealm]

Not to be a hater but those terusai fans who say "OMG INDIRECT KISS σ(≧ε≦σ) ♡ σ(≧ε≦σ) ♡ σ(≧ε≦σ) ♡" when he drank from her cup sound like they never had any physical contact with another human being in their entire life

[k1ng-snak3]

I especially hate when people say Lucy's only personality is liking Atsushi, bc it literally isn't. She's actually was already fleshed out during the guild arc and the reason it seems like her only personality is liking Atsushi is bc the fandom only seems to care abt her in the context of Atsushi. Also regarding canon itself Atsushi IS essential to Lucy's character development, their relationship is the turning point for Lucy's character. Lucy would not have turned away from the Guild if not for Atsushi.

The one point I'll give the haters is we don't know much abt Lucy's relationships outside of Atsushi which I admit is unfortunate but that kind of applies to most of the Guild, since there hasnt been like, any extra Guild centric content and most of the members only get screentime/relationship development with one specific other character (Steinbeck and Lovecraft, Hawthorn and Margaret, Louisa and Fitzgerald, Poe and Ranpo).

Also even if you step into the haters shoes, Poe is arguably more centered around Ranpo than Lucy is around Atsushi (seriously even his backstory was facilitated by Ranpo's presence) but a good portion of the fandom adores him regardless.

(also disclaimer this isn't to say I think Poe is badly written)

ranting part three

why do some (not all) bsd fans hate the female characters so much? i don’t get it. like, everybody hates teruko for just DOING HER JOB because she was fighting sigma. then people say, ‘oh, i don’t like her because her childish personality is annoying not because she’s a woman just TRYING TO DO HER JOB’ and then their favorite character is ranpo. or, people will hate a female character because she ‘gets in the way of their favorite ship’. if you haven’t seen this before i’m happy for you, but an example is ‘lucy gets in the way of sskk!!’ seriously? like, seriously? that is so fucking stupid. (saying this as a sskk/taniatsu shipper) just ship whatever you want and let that character exist. and to those who deny this, if lucy was a man and akutagawa was a woman you’d hate akutagawa because she ‘gets in the way of atsulucy’ there’s also the ‘oh, her only personality is liking a man!!’ when we were first introduced to katai his only personality trait was liking a woman and the fandom still loved him. i don’t like that in any character, but i’m willing to put up with it if the author fleshes out the character’s personality later. i absolutely despise the way this fandom treats female characters, yeah, some of their writing isn’t the best but they’re still necessary to the plot. this has been lou. i’m sorry for all the rants i’ve been doing recently, but i’m pissed about a lot of things. thank you for coming to my ted talk.

[lotus-pear]

nothing can best the bond between a boy and his cat (ref)

[inkskinned]

i am an admitted summer girly but i have to say. winter food??? .... i have no arguments. divine. otherworldly. an absolute lineup of treasure. stew. mac & cheese. soups. hot cocoa. roast beast and who-hash. girl i quake. i feel like a mouse in a redwall book. fuckken rubbing my hands together with glee. my friend offered me a second snickerdoodle and my gay ass chuckled, "don't mind if i do." not a hint of fuckken irony. and you know what ???? DONT MIND IF I DO!!!!!!!!!!!

[secretly-a-trekkie]

EVERY TIME I DRAW REX HE LOOKS MORE AND MORE LIKE GEKKO AND IDK WHY OR HOW TO FIX ITR BUT HERE TAKE HIM

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[laniidae-passerine]

don’t get how you can watch iwtv and be a sincere diehard lestat hater. like the world’s biggest lestat hater is louis and that man can’t even commit to it for more than five minutes before literally hallucinating lestat wearing a wedding ring and talking pretty to him. this show is about louis and every road leads back to lestat for that man

[dandeleon]

urapocere 💙❄️

-> fan mv i based this heavily off of + english translation <-

->my adipocere animation<-