#“Hulk Vs. Thor Banner of War Part Three of Five”

[keycomicbooks]

Hulk #7 (2022) Chrissie Zullo Variant Cover & Martín Cóccolo Pencils, Donny Cates Story, "Hulk Vs. Thor Banner of War Part Three of Five"

#Hulk #7 (2022) #ChrissieZullo Variant Cover & #MartínCóccolo Pencils, #DonnyCates Story, "Hulk Vs. #Thor Banner of War Part Three of Five" In the third installment of the epic crossover between the HULK and THOR series, Iron Man interrupts a pivotal moment of Hulk and Thor's battle to settle a score. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA  https://www.rarecomicbooks.fashionablewebs.com/Hulk%202021.html#7  #RareComicBooks #KeyComicBooks #MarvelComics #MCU #MarvelUniverse #KeyIssue

[ghostmartyr]

Avengers: Endgame Thoughts

SPOILERS, obviously.

So I figure I’ll babble enough to keep all the genuinely spoilery content under an appropriately timed cut. Even though everything after this statement is full of expectation spoilers. The few key things that I can think about to mention are that I really appreciated the movie and enjoyed the highs and teared up aplenty.

Also that I think this is going to be a primarily negative post. Whoops.

Not because I think it’s awful. I want to emphasize that I don’t think it is awful, because I am very worried that I’m going to forget to say that.

There’s a base level of quality you can sort of expect from MCU movies, so I don’t generally feel the need to move beyond the role of passive audience member for them. Then Infinity War really impressed me, and I couldn’t wait to see how everything was going to wrap up when they really left the movie there, so my investment level piqued.

As a result, there are more thoughts than usual. About a movie I really did find to be of high quality, and probably would see again happily if planning to sit still for another three hours didn’t make me twitchy.

I liked the movie.

There are just some character decisions and plot mechanics and overall writing decisions that... really?

First thing that I don’t have much to say about but can’t rationalize having a complaint post with no mention of: Thor and Hulk.

People in charge of the movie, you had no problem including Captain Marvel when you had no earthly clue what to actually do with her. Her smile warmed my heart in every scene she graced, and while I was criminally disappointed she was not more involved, none of the material she was given made me feel like the people writing her didn’t care about her.

...

Actually, now that I think about it, this should not have just a Thor and Hulk complaint section. Like that was the idea, because I didn’t have much, because I don’t care (slightly different than the writers’ level of don’t care), but the whole...

...

Oy.

Here, once for flavor, with the knowledge that I’ll get back to it and repeatedly whine about it this whole post.

I find the fucking time skip wanting in too many ways for me to really forgive the film for.

Anyway, Thor and Hulk.

In short, no.

In less short, what are you doing.

Hulk I don’t have a serious gripe with, except my main complaint about Infinity War was how Banner (I should probably change how I name him based on which character I’m talking about, but I really just mean the entity represented by a particular actor so I can’t care that much) got used up as comedy relief. You can have comedic moments and characters. If you have transformed your character into a comedic moment, you’ve fucked up.

(See Thor in too much of this movie.)

But one of the interesting parts of Hulk’s general arc in the MCU was how Banner and Hulk were starting to negotiate for their place in their body.

Cue Endgame, cue time skip, cue completely glossing over how they make their peace with each other.

Avengers franchise, why?

I am not attached to Hulk or Banner or any of that section of the plot, honestly, but the potential of that entire element is shot and left for dead in the water. Then the floating corpse gets up and starts walking around as part of a cog of the story.

Hulk’s most interesting plot point basically happened in another movie that doesn’t now, and probably won’t ever, exist, and considering what Infinity War put the guy through as a character, my writing senses are hurt and sad all over.

Then there’s Thor.

I think he might fit into the whole thing I will soon get into about character resolutions that hit the right emotional keys solidly enough that you forget they’re playing the wrong song.

Mostly he picks up the “hole” (wrongly perceived as something that needs to be filled) left by Hulk leaving the walking gag scene party. Drinking himself into oblivion and disregarding self-care in the aftermath of an immense trauma is one of the film’s chosen humor mainstays.

My impression is that I’m the only person in my tight corner of the internet who doesn’t really like Ragnarok because its silliness felt like it was trying too hard. It’s my favorite of the Thor movies, but a bunch of the humor didn’t feel natural to me. Better than Infinity War’s handling of Hulk, and better than Endgame’s handling of Thor, just not my favorite tone.

Endgame sort of takes that element, jacks it away from its surrounding strengths, and rolls out a keg for it to drown in.

When the movie remembers to empathize with Thor instead of mocking him, there are some great moments. But he draws one of the shortest straws of the movie.

And the character resolution is...

Good fuck this is why I had to say I liked the movie. Because when I actually sit down and think about my problems with it, the rest of my brain just lounges to the side in horror, wondering what could possibly have been entertaining if such elements were included.

The very beginnings of my problems with the movie is that they kill Thanos.

I think he’s dead ten minutes in.

Then they skip five years.

Five years.

Ooooh my everything.

Okay so like, you know how you start reading something, or watching something, and your head immediately takes note that oh, this must be a dream sequence. The couple in a romance is suddenly way too hot and steamy for where the story has them in their development, a random bomb goes off, the guy who destroyed half of all life in the universe because no one can stop him in the last movie is killed in the first ten minutes of the next--

There’s like.

A rhythm. There’s a rhythm to how stories work.

When that rhythm is disrupted, the audience is left with a tangible feeling of wtf. Either that feeling enhances the other quality stuff going on, or it enhances the other Quality stuff going on, if you catch my drift.

You step into a vacuum.

It’s great for recreating that sense of absence. The world is irrevocably changed. It’s emptier. The heroes are broken. Their revenge doesn’t fix anything. They just. continue to exist, with losses they aren’t equipped to handle.

FIVE YEARS OF IT.

I have probably a longer list of things I want stories involving time travel not to do than is perhaps healthy. But maybe stories involving time travel should keep their act together better or I don’t know.

Bad Future ends are not something I appreciate, because often, they go grimdark just because they can, because they know it’s not the final future, so anything goes. You don’t have to treat it like any reality that matters, because it isn’t permanent.

This story... I would say it toes the line there, but in ways that grate on me thoroughly enough that it presses all the same buttons.

Thanos can die in the first ten minutes, and it doesn’t matter. We know it doesn’t matter, because it happens in the first ten minutes. ...Maybe twenty, to be safe. It’s early. But you have this villain who’s built up to a ridiculous degree, bizarrely succeeds in living up to his own hype, then you kill him off so that a younger version of himself gets top billing in the final battle.

Why?

I get why as far as the story is designed, but at some point in the process, this story is designed by humans. Humans who could have stopped and asked themselves if they were really telling the best version of this story they possibly could.

Thanos is defeated while his blight remains. I love saying that. I love that I can describe a story with those words.

But the initial defeat is so unsatisfying and bereft of life. All the energy of him as an external force for our heroes to unite against is bled out early, and to get it back, they really do just ship in a younger model.

Which does make sense. Younger Thanos’ motives are fine and reasonable. Just, as far as the plot design, the whole presentation of the movie’s setting feels like a dream sequence. It feels, very early on, like this will never be allowed to be forever.

Then that feeling lasts for five years.

Getting into the time travel thing.

Time travel is really hard to get right in stories. You want to change something, but the people doing the changing are products of what they’ve lived through. How do you honor that while still fixing the unspeakable evil that happened? How do you change the world while keeping the threads that made us care alive and relevant?

One thing I very much like is that Tony fights to keep what he’s gained alive. Good. The volcanic soil grew him something irreplaceable, and it’s perfectly reasonable for him to want to hold on to that, and I’m glad he does.

But then you have the other half of the story, where no one is able to move on.

My preference for time travel correcting things is for characters to either be trying to change their own future that they have yet to live through, or for them to trying to fix something that is so recent the characters are still wrangling with it as a piece of their present. I have more than a touch of “humans should not mess with these things they don’t know what they’re doing,” past a certain point.

In case it weren’t obvious, five years is pretty far past that point for me. It hits this awful uncanny valley sweet spot of people wanting to change a reality that never should have been vs. people who are willing to fuck up the world because they can’t let go.

I like superheros. I like correcting injustices. Save all the people. I like people fighting tooth and nail to fix things set in stone because these are their people, dammit.

I also hate seeing people so stuck in the past they refuse to make a future.

This movie screams both of those elements so loudly that it’s hard for me to really piece out how I feel about the story in its entirety.

I like that they don’t simply hit an undo button, and do bring everyone back in a way that lets the future that has already happened continue.

But then there’s Steve and Nat and just... fuck, dude.

Gun to my head, I’m a happy person. If everyone could be alive at the end, that would be my preference, I don’t care if it’s cheesy. But you have the choice between Hawkeye and Black Widow. The man who’s lost his family, and the woman who’s lost purpose.

Or something. I don’t do MCU meta.

The sense I get from watching is that Natasha feels like her life works better as a sacrifice. If they succeed, she doesn’t have children and a wife waiting at home. So clearly it makes sense for her to be the one to die. Her road ends to bring back the happiness of others.

Which...

I don’t know how to articulate my problem with this without moving on to Steve first.

So let’s do that.

Steve.

Steve, whose story ends with him going back in time and staying there.

Forget about how the story criticizes every movie that does time travel better than it. Forget about all the levels of not caring went into designing the time travel elements. If possible.

I do not like how Steve’s story is essentially about how there’s only one time and place for him to experience a fulfilling life.

It is the nature of writing stories that we want to encapsulate things. The perfect moment. The perfect set of emotions. The perfect time. Everything falls into place, and that’s how we want it. We’ll never get it better than that. Keep retreading that dead horse, because it was so good.

Steve and Peggy are beautiful together.

What I hate about them ending up together is that... there’s this obvious, painful belief that the world of the future doesn’t have anything left for Steve. Bucky’s there. Sam’s there. Billions of people have just found there way back. Steve’s lived in this century for years.

Reclaiming the past is more important than building a future.

Even though the story’s driving plot is about keeping their past maintained so they can have this future. Or something.

Steve doesn’t have a future. Natasha doesn’t have a future. So the story removes them from it, and calls that a clean, happy (if bittersweet) ending. They’re pieces that don’t work in this world. Their chances are gone. They can live in the past or die.

I hate that. I’m a sap who will read a million stories about someone having a single true love they can’t be without and no one else could ever compare and blah and blah and blah, but that somehow feels different from watching a character’s life play out for years, and seeing them come to the conclusion that they can never belong in this place.

Building a new home never compared to the old one.

That’s depressing as fuck.

Thor gets a piece of this as well, becoming more of a knight errant than a king. After going to so much trouble to become his people’s king and just. Geez.

I don’t think that this is a thing the movie as a whole is really trying to encourage. I think the people working on it just had different visions for what would be cool as a sendoff and so on. Tony’s insistence that they don’t undo the five years they’ve had, and Nebula’s... everything--those aren’t elements of a story that says you can’t grow and find a new place. You don’t have to keep on repeating what you know and nothing else. You really don’t.

But that feels very twisted around for some of these characters’ personal journeys, and as happy as I am for Steve getting his dance with Peggy, the idea that this is a person whose true happiness could never be in the future...

That lingers in a way that I can’t like, and colors a lot of the other resolutions.

.

.

I really enjoyed the movie?

Yay?

Even though no one cared even a little at all even once except to attempt to drag other movies about time travel.

This movie’s time travel mechanics are terrible.

They’re just bad.

When you drop the titles of that many other things that have time travel.

And say this isn’t like that.

You should. you should hope. that your thing could at least make a convincing case for making more sense.

This does not succeed in that.

How could you watch enough of those movies to know they had time travel, yet fail to learn anything about how to write time travel. How. Why did you. why. Dragon Ball Z has more internally consistent time travel.

Three hours well spent. The hours on this, maybe less well.

[thenerdparty]

Avengers: Endgame Film Review

Written by Shawn Eastridge Has it really been 11 years since the first Iron Man? The Dark Knight might have taken all the credit that year for revolutionizing the superhero genre, but Iron Man’s legacy has proved just as important. While other films in Phase One hobbled somewhere between decent and mediocre, Joss Whedon’s first Avengers exceeded any and all expectations. To this day, it stands as one of the greatest superhero films ever, and it paved the way for the remainder of Marvel’s Cinematic Universe.

Over the course of the past decade, the MCU has seen its fair share of highs (Anything directed by the Russos), lows (Thor movies not directed by Taika Waititi) and everything in between. But through it all, Marvel Studios has maintained a consistent level of quality, conjuring up box office numbers that made Warner Bros SO JEALOUS they ruined Superman in the attempt to catch up. (Hey, WB: I’m still available to help get you on the right track with the Man of Steel. Call me.)

But now, twenty-two movies later, it’s all come down to this. We’re in the Endgame now, the long-awaited BIG FINALE to Marvel’s Cinematic Universe.

Let’s be real, though - we all know this isn’t really the finale. The MCU will chug on and on forever. In fact, we’ve even got another Marvel movie right around the corner. (That would be July’s Spider-Man: Far From Home) And while that knowledge does dilute Endgame’s overall effectiveness - can anyone ever stay dead in the realm of comic books - it seems foolish to recognize Endgame as anything other than a monumental success.

Seriously, this ‘conclusion’ to the MCU’s recently dubbed ‘Infinity Saga’ satisfies on nearly every level, fulfilling arcs set up in prior films and providing proper send offs for characters we’ve come to know and love over the past decade. Instead of collapsing under the weight of its ongoing 22-film arc, the Russo Brothers, along with screenwriting duo Stephen McFeely and Christopher Markus, rise to the challenge and then some, wrapping things up with style, grace and a surprising amount of emotion. That is perhaps the most pleasant surprise: Endgame is genuinely touching in the way it thoughtfully concludes this ongoing story arc. You may find yourself dabbing the corners of your eyes more frequently than expected through the film’s brisk three-hour runtime.

This isn’t all to say that Endgame is without its fair share of flaws - and there are plenty that I’ll get into during the spoiler section of this review - but honestly, the nitpicks feel so minor when compared to all the things that work. Marvel Studios hasn’t just raised the bar for superhero filmmaking and ‘big finales’ in general. They’ve obliterated it.

There. That’s my non-spoiler reaction. MASSIVE SPOILERS await you ahead. So, do yourself a favor: if you haven’t seen Avengers: Endgame already, see it. Immediately. If you have any fondness for any of the films in this massive franchise, there’s no way you’ll be disappointed. Once you’re in the know, come back and check out the rest of this review.

Sound good? Okay. Let’s push forward.

. . . . .

Where Infinity War brought the comic book action early and often, Endgame’s opening moments are more meditative and somber. Our heroes have just faced a crushing loss. They’re still reeling from the devastation of Thanos’s infamous Finger-Snap Heard ‘round the Universe. Nothing will ever be the same.

After staging an effectively heart-wrenching opening scene, giving us a brief glimpse at Hawkeye’s family life before his wife and kids fade into ash, the Russos keep the mood low-key and mournful for the duration of the film’s first act. Then we get one of Endgame’s earliest and best twists: within the film’s first twenty minutes, the Avengers find Thanos and discover he’s destroyed the Infinity Stones to prevent anyone from undoing his monstrous deed. In an empty gesture, Thor chops off the purple dude’s head. It’s a brilliant way to kick things off, throwing the audience for a loop and suggesting an ‘anything goes’ vibe to keep us on the edge of our seats.

The story jumps ahead five years(!!) to find our heroes scattered and broken, attempting to mend together the pieces in a world still devastated by its new reality. I loved that the Russos let us wallow in our heroes’ misery for a bit. You really get a sense of the loss they’ve experienced, that the entire world has experienced. These scenes offer some wonderful character beats and conversations, something that has always elevated Marvel above the rest of the pack.

Scott Lang, a.k.a. Ant-Man, escapes the Quantum Realm (you saw Ant-Man and the Wasp, right?) to discover a significantly altered world. But he brings a message of hope with him: the duration of time he experienced in the Quantum Realm was only 5 hours, suggesting the potential for time travel. Maybe they can find a way to fix the devastation Thanos has wrought by traveling back in time?

P.S. Can I just take a moment to talk about how much I love Paul Rudd in this movie? Ant-Man has been on the periphery of the MCU’s big events and to see him take on such a big role in this movie was a huge thrill.

This glimmer of hope inspires the band to get back together and it’s genuinely surprising where some of them have ended up. Bruce Banner has finally made peace with his meaner, greener side, resulting in Professor Hulk, a version of the character that maintains Banner’s intelligence and personality. Thor never overcame his grief and has spent the past five years descending into drunken slobbery and gaining a significant amount of weight in the process. This provides one of the film’s best sight gags. Plus, it’s maintained throughout! Kudos to you, Russos!

And then we have Mr. Tony Stark himself, the key to figuring out how to make time travel work. But he’s moved on. He and Pepper have an adorable daughter. He has absolutely zero desire to lose what he has. Ultimately the realization that he can save the lives of countless billions - including one surrogate son Peter Parker - drives him to support the cause.

Endgame’s 2nd act centers around the newly reassembled Avengers time-traveling into the past to gather the Infinity Stones, bring them to their future and use them to ‘un-snap’ their fallen comrades. These sequences are fun and light on their feet. They’re especially effective in lieu of the grim opening scenes.

Here’s the thing, though: As much as I love this portion of the film and the way the time travel stuff is handled, I couldn’t help feeling there was a general lack of consequence to everything that happened during this sequence. Even when things skew from the team’s set plan, it doesn’t feel like a significant snag or an insurmountable obstacle. These moments are treated as minor annoyances before our heroes carry on with a new solution, nary breaking their strides or a sweat in the process.

It’s all fun in a Back to the Future Part II kind of way, but it’s treated more as an extended comedy bit than anything else, and to a certain extent, this robs Endgame of some level of suspense. Plus, it’s time travel. Once you throw time travel into the mix, all bets are off, and I couldn’t help shaking that feeling. After all, what’s to stop them from using this plot device again and again in the future, consequences be damned?

At the very least, the wackiness of the time travel sequence is balanced with some great character beats. I loved Thor’s tender moment with his mom. I loved Captain America vs. Captain America. I loved that Tony gets a sincere heart to heart with his dad, offering some much-needed closure. Robert Downey Jr. has never been anything less than wonderful in this role, but his performance in Endgame might take the cake. Honestly, everyone brings their A-game to the table and these moments ground the sequence, keeping it from getting too bonkers.

This sequence is also balanced with a genuinely tragic moment: Black Widow sacrifices herself to get the Soul Stone. I don’t know why this scene has been stirring up some people, because here’s the thing: this moment works perfectly. Natasha (Black Widow) and Clint (Hawkeye) travel to Vormir to obtain the Soul Stone. As established in Infinity War, the only way to obtain said stone is to sacrifice the thing you love most. Clint’s willing to take the plunge. He’s become a monster in the five years since his family’s disappearance (but an awesome, katana-wielding monster) and he doesn’t feel he deserves to see them again. Natasha knows this isn’t true and she’s willing to sacrifice herself to ensure Clint gets his happy ending. After all, he saved her all those years ago. It’s time to return the favor. It’s heartbreaking, but it feels right and Scarlett Johansson and Jeremy Renner sell every minute.

The plan is a success, but it's not without its snags. Past Thanos ends up getting involved when past Nebula tunes into future Nebula’s wifi and begins broadcasting everything future Nebula has seen, including the Avengers’ time travel plan. Thanos gets worked up into a tizzy and he and past Nebula devise a plan to get him into the Avengers’ future so he can ensure everyone snapped out of existence stays snapped out of existence. Also, why not wipe out everyone else in the process just for good measure? Because that’s what big, angry, purple maniacs do. Don’t question it.

Is it a bit weird that the Thanos the Avengers face isn’t the same Thanos so carefully fleshed out in Infinity War? Yeah, a little bit. To be honest, it makes things feel kind of impersonal. This Thanos feels more like the mysterious being teased in dozens of MCU post-credits sequence than the layered, thoughtful villain of the previous film. It’s a bit of a bummer, but it is what it is.

Ultimately, my biggest gripe with Endgame is the same gripe caused by Infinity War’s conclusion. We already knew the disintegrated heroes were going to come back for their obligatory sequels. Their arrival during Endgame’s epic battle to end all epic battles feels inevitable more than surprising.

And, look, let me be clear: Endgame’s climax is the ultimate superhero big battle you’ve been dreaming of since Nick Fury first name-dropped the ‘Avengers Initiative.’ I went nuts with the best of them when all our heroes returned from the abyss for this ultimate showdown, so understand my next criticism comes from a place of love. Once all the heroes show up, the stakes disappear. I didn’t have any doubt the Avengers would win. As a result, the climax is robbed of its suspense. It’s basically fan service to the nth degree, which again, I’d like to emphasize I was totally cool with. It just prevents the battle from conjuring up any emotional depth.

This isn’t The Return of the King. It's not the Battle of Hogwarts or the Death Star trench run or even the first Avengers' Battle for New York. It’s a big, flashy special effects extravaganza overflowing with crowd-pleasing beats, but lacking in genuine (here’s this word again) consequence. Again, I want to emphasize that I loved every second of it, but there’s a significant lack of loss during these scenes. Ultimately, Tony Stark sacrifices himself to save the universe and it’s absolutely BRILLIANT and heart-wrenching, but no one else seems in danger. Iron Man dies so that dozens of franchises can live on.

The remaining twenty minutes or so of Endgame are low key. We witness Tony’s emotional funeral, torches are passed (go, Sam Wilson, go!) and some unexpected-slash-exciting team-ups are teased (Fat Thor with the Guardians of the Galaxy? I am SO in.) But it’s during these quiet scenes that the Russos skillfully remind us what has always mattered the most: the characters. And I’m not going to lie, it’s difficult not to get choked up when Steve Rogers, a man who has sacrificed so much for the greater good, finally gets his happy ending, dancing the day away with the love of his life.

Big finales don’t get much more enjoyable or fulfilling than this. Marvel’s Cinematic Universe will go on and on and on. Inevitably, its quality will wane and fade, but we can rest easy knowing that the heroes that kicked everything off got the send-off they deserved. It might not be perfect, but it’s pretty damn great. Most importantly, it’s satisfying.

With the Infinity Saga, Marvel Studios has accomplished something extraordinary. They’ve touched countless millions across the globe without compromising the artistic quality of this multi-billion dollar franchise. We can rage on and on about Disney’s domination and how everything is just a corporate product and blah, blah, blah, but we’d be ignoring the fact that they got to where they are because they honored their source material and went out of their way to give the fans something special.

So to Kevin Feige and the entire team at Marvel Studios, cast, crew, writers, bean pushers, etc., I’d like to say thank you. You’ve earned every record-breaking penny. We love you 3000.

Now can someone please un-cancel Daredevil?? Come on!!

[smallerthanzer0]

so i finally watched endgame

and my brain hurts now. spoilery rambling under the cut:

me @ everything Clint did in the first half of this movie, despite recognizing that the movie intentionally started with his family being dusted to make his vengeance (?) spree seem a little more justified: 

after the amazing scene of paper football with Tony and Nebula (you know what would have been a cool thread to carry through to the end of the movie? THAT. Tony throwing the gauntlet to Nebula and her flicking it up and into the van like her first attempt at being the goalpost would have delighted me so much), the first part of the movie was... bad?

Tony with a wheelchair and IV being bombarded with exactly how much Earth had lost and completely shutting down had me B R O K E

like, I love MCU fanfiction, I live for those quiet reflective moments, but nothing about this was fun - not Professor Hulk, not depressed Thor, not Steve and Natasha still looking for solutions five years in - and by fun I mean ‘adheres to the things I liked about these characters in any way, shape, or form’

this movie happens because of a RAT

Tony and Pepper and Morgan are an adorable family and everything about what happened to them in this movie breaks my heart. he’s such a good dad they should have let him live and be a good dad. the conversation between him and Pepper about not being able to just sit on a solution was lovely though

i. okay. this is probably just me but I am salty about what they’ve done with Bruce Banner. His entire character in these movies was the balance between Banner and the Hulk, being anxious about who he could trust and what people wanted from him, and they don’t even care to resolve that in the movie other than a couple throwaway lines - and those lines are ‘i decided to stop fighting the hulk and become large and green permanently but I’m still smart and everything is fine now’. he’s a popular celebrity now whose capacity as a scientist is reduced to playing second fiddle to Tony Stark. I know these movies care more about tech than biological science but... he’s a genius too... let him be smart and actually work with Tony on things please...

like, give me just one scene of Tony’s solution not entirely handling the biological constraints of human being and Bruce fixing it for him. one scene with the two of them reflecting on how Tony’s given Bruce funding and a lab and gets someone who can understand his technobabble in return. come on

i understand that it’s completely possible for Ragnarok Thor to devolve into Endgame Thor, depression is powerful and it sucks, but they didn’t have to make him dumb. Either acknowledge that Infinity War broke him and let the people who care about him help, or don’t break him in the first place! i feel like even a Thor who had deemed himself unworthy of caring for his people would have just left entirely to wallow elsewhere, not stuck around to be an extremely visible disappointment to people who trusted him 

and then

and then

they had that scene with a subset of Avengers crowded onto couches and lying on table late into the night, planning a time heist, and I was HOOKED. this is literally everything I’ve ever wanted from an Avengers movie

Scott is the MVP for bringing us time heist. this part of the movie banged

i’m still furious about Thor just ABANDONING Rocket in an unfamiliar time and place but. you know what. i’ll live.

everything about the 2012 team was amazing (except 2012 Hulk, why is he allowed to be out during sensitive material transfers but not take the elevator?). ‘yeah, yeah, i know.’ Loki being the only one who spots this nonsense going down. Captain America’s total disregard for a clean fight that doesn’t destroy several stories’ worth of property. 

were there other ways to get Pym particles? yes. did I enjoy Tony getting to meet his father and coming to peace with his past that made me sure  he was going to die? eh. do I need more content of Steve and Tony, heist partners? absolutely.

this movie was so rude to Peter Quill, but I was so overjoyed at getting to see the GOTG opening again that it took a while to sink in

I love everything about Nebula’s prominence in this movie except the fact that she didn’t get to stab Thanos even ONCE. Her being an integral part of the team, past vs. present Nebula getting entangled, getting to see Gamora again and inspiring her growth this time around - Perfect. Stunning. Give that girl a trophy and the found family she deserves

au where they send Steve to get the Soul Stone and shit goes down please

I’m sad about Vormir but oh, do I love how they handled it. This is the best scene Natasha has in the entire MCU imo -  she makes a conscious decision to die for the goal and her best friend, chooses it again and again, brings her life full circle outside of what she’s been given in previous movies. What a badass.

I really thought Rocket was going to tell them that holding the Infinity Stones as a group would make them less dangerous, the way the Guardians did with the Power Stone, and they would... win together. I guess they just needed another gauntlet for Thanos to almost get on

Steve gets Mjolnir for the singular purpose of allowing them to put a 1:1 fight between him and Thanos in that lasts more than three seconds. loling at him getting to keep it for the rest of the fight though. someone needed a power-up :) 

look. even if I hated EVERYTHING else about this movie, that scene of Steve getting up one last time with a broken shield, ready to die standing, and having Sam’s voice crackle in his ear would make this worth rewatching. those portal openings were legendary.

hot potato with the Gauntlet fulfilled my Infinity War dreams, i can leave the MCU happy now

don’t give the danger glove that every single member of the opposing force will kill for on sight to the sixteen-year old please

once again crying over Peter Quill losing the love of his life, finding her on the battlefield, and being literally kicked in the nuts for it

RESCUE

Captain Marvel getting headsmacked by Thanos and not even budging made my entire day

and then that happened

i don’t even want to talk about it we could have had a happy ending and instead we went back to the Bad Movie from the first hour

and then they decide to make fun of Peter Quill one more time for good measure. fight me.

i’m not devastated, i saw it coming, but just... it didn’t need to happen. They could have given him a family and a home and peace but instead we get tragedy. a valid ending, but ow

they could have at least done the respectful thing and ended on him instead of finishing the funeral and going on to ‘Steve escapes his friends to pick up a dance and a picket fence life’ lmao

[gokinjeespot]

off the rack #1161

Monday, May 1, 2017

 It's a great week to be a geek. The TV adaptation of Neil Gaiman's "American Gods" starts airing now. Thursday, May 4th is Star Wars Day. The "Guardians of the Galaxy Vol. 2" movie opens in theatres on Friday, May 5th. Saturday the 6th is FREE COMIC BOOK DAY. Sunday the 7th is another CAPITAL TRADE SHOW at the Jim Durrell Arena where Jee-Riz Comics & Appraisals will be hawking their wares. Fly your geek flags high.

 Ben Reilly: The Scarlet Spider #1 - Peter David (writer) Mark Bagley (pencils) John Dell (inks) Jason Keith (colours) VC's Joe Caramagna (letters). This follows the "Clone Conspiracy" debacle as Ben tries to start a new life in Sin City. If you like your Spider-Man a little bit unethical then this book is for you. Ben also talks to imaginary people which can make for some confusion but it's a quirk that sets him apart from the other Spider-Men. I don't know if I'll keep up with this mentally unstable version but I like his new costume a lot.

 Batman & The Shadow #1 - Scott Snyder & Steve Orlando (writers) Riley Rossmo (art) Ivan Plascencia (colours) Clem Robins (letters). A murder in Gotham City sets Batman on the hunt for the killer with the victim's name giving us a clue to who that might be. Lamont Cranston's death leads Bruce to the Alps to visit an old teacher after some detective work talking to old associates of The Shadow. I liked how the similarities between the two dark crime fighters make this an interesting chess game between two masters of mainpulation. I wonder what the motive was if The Shadow did indeed kill his own descendant. Maybe the rest of this 6-issue mini will reveal the truth.

 Big Moose #1 - This double sized one-shot features Archie Comic's iconic dumbbell jock Marmaduke AKA Moose Mason. I did not know that he had the same name as a comic strip great dane, and I don't mean Scooby Doo. The first story "Moose vs. the Vending Machine" by Sean Ryan (writer) Cory Smith (art) Matt Herms (colours) & Jack Morelli (letters) is your typical dumb jock story that would fit right in an old Pep comic from the fifties. The second story "Have It All" by Ryan Cady (writer) Thomas Pitilli (art) Glenn Whitmore (colours) & Jack Morelli (letters) shows a more intelligent Moose juggling all of his stressful high school responsibilities. I felt for the guy, especially his struggle with an English lit paper. It made me suspect that Moose might be dyslexic. The last story "The Big Difference" by Gorf (writer) Ryan Jampole (art) Kelly Fitzpatrick (colours) & Jack Morelli (letters) has Moose making a new friend that's a little "after school special" but the kids will get the message. All in all a nice feature of a minor Archie character.

 No World #1 - Scott Lobdell (writer) Jordan Gunderson (pencils) Mark Roslan & Charlie Mok (digital inks) JUANCHOo (colours) Zen (letters). I picked this off the rack to read because of the sexy hot cover by Jordan Gunderson & Peter Steigerwald. Plus, Scott Lobdell wrote some comic books that I used to like. This one did not impress me. The Aspen Comics imprint seems to cater to good girl art fans, of which I am one, but a comic needs more than just T&A to keep me reading. I wasn't given enough information about the two main good girls in this debut to care about them so I won't continue reading.

 Wonder Woman #21 - Greg Rucka (writer) Liam Sharp (art) Laura Martin with Hi-Fi (colours). Part 4 of "The Truth" finds Veronica Cale getting ever closer to finding Themyscira and saving her daughter. I am looking forward to the conclusion of this story in Wonder Woman #23 to see what Ares' role is.

 The Old Guard #3 - Greg Rucka (writer) Leandro Fernandez (art) Daniela Miwa (colours) Jodi Wynne (letters). Two of the five team members are in the clutches of the bad guys so it's three to the rescue. This issue is a great example of a good writer making you care about the characters. Part of it has the origin story of one of the mercenaries. Another part shows how much two of the members care about each other. There's plenty of action over many pages beautifully illustrated by Leandro but also lots of action we don't see that is clearly implied in just one panel. That's good comic books.

 Deadpool vs. Punisher #2 - Fred Van Lente (writer) Pere Perez (art) Ruth Redmond (colours) VC's Joe Sabino (letters). Round two has 'Pool and 'Pun in a shoot out with the Don of the Dead, a crazy Mexican bad guy as deranged as Deadpool. Round three next issue should be fun with a new bad guy who you'll recognise right away. I can't wait

 Action Comics #978 - Dan Jurgens (writer) Carlo Barberi (pencils) Matt Santorelli (inks) Hi-Fi (colours) Rob Leigh (letters). Part 2 of "The New World" continues the review of Superman's origin story including his romance with Lois Lane and the birth of their son Jonathan. The identity of the villain is also revealed. What he has planned for the Man of Steel isn't anything new but it never gets old.

 Kill or be Killed #8 - Ed Brubaker (writer) Sean Phillips (art) Elizabeth Breitweiser (colours). Being spotted by the police while killing his last victim has complicated Dylan's life. It seems like every law enforcement officer is looking for him, which makes it even more difficult to find and kill someone else to keep the demon at bay. This could be the end of our killer vigilante.

 The Mighty Thor #18 - Jason Aaron (writer) Russell Dauterman (art) Matthew Wilson (colours) VC's Joe Sabino (letters). In part 4 of "The Asgard/Shi'Ar War" the Shi'Ar gods Sharra and K'ythri act like a couple of spoiled brats and decide to unleash their ultimate weapon to destroy the universe. The opening pages have the good guys seeking help from one of my favourite mutants. Russell's art is crazy good and he's close to Geof Darrow in the details that he puts on a page. When the force unleashed can take out The Destroyer in the blink of an eye you know the good guys are in deep doo-doo.

 Detective Comics #955 - James Tynion IV (writer) Marcio Takara (art) Marcelo Maiolo (colours) Sal Cipriano (letters). I was enjoying this issue right up until the very last page. It's one of those deus ex machina moments that I better get an explanation of or else "League of Shadows" will be the Detective Comics story that benches this book.

 Josie & The Pussycats #6 - Cameron Deordio & Marguerite Bennett (writers) Audrey Mok (art) Kelly Fitzpatrick (colours) Jack Morelli (letters). I loved the Michael Allred cover. I really appreciate that all the ad pages were gathered at the back so that we get to read an uninterrupted story. This is one comic book that I read just for fun.

 The Wild Storm #3 - Warren Ellis (writer) John Davis-Hunt (art) Steve Buccellato (colours) Simon Bowland (letters). If Aspen Comics had done as good a job as these people in redefining their cast of characters I would endorse their books. Here we have a fire fight that's even prettier than the one in The Old Guard #3 thanks to the work of John Davis-Hunt. New readers should not be afraid to pick this series up because it's got cool characters and Warren Ellis always entertains.

 Elektra #3 - Matt Owens (writer) Juann Cabal (art) Antonio Fabela (colours) VC's Cory Petit (letters). It's all out action as Elektra battles through Murderworld. Just when you think she's won her freedom, Arcade springs another surprise. He never fights fair. I really like the covers by Elizabeth Torque and would love to see a comic book drawn by her.

 Old Man Logan #22 - Jeff Lemire (writer) Eric Nguyen (art) Andres Mossa (colours) VC's Cory Petit (letters). Looks like Jeff is showing us Logan's greatest hits as he winds down work on this title. Maybe it will make some fans buy a few trades.

 Hulk #5 - Mariko Tamaki (writer) Nico Leon (art) Matt Milla & Andrew Crossley (colours) VC's Cory Petit (letters). I read recently that fans won't buy a Hulk comic book unless it's Bruce Banner as the big green galoot. Those fans are narrow minded and don't deserve to be called comic book fans. This book is great and has made the Hulk interesting to me again. I don't care who the Hulk is or who Iron Man is as long as there's a good story and nice art for the book. It's been 5 issues of this title hitting the racks and we haven't really seen the Hulk once. It doesn't matter because this story about Jennifer coping with the recent changes in her life is a good one.

 Infamous Iron Man #7 - Brian Michael Bendis (writer) Alex Maleev (art) Matt Hollingsworth (colours) VC's Clayton Cowles (letters). See, this is how you make a major change in an iconic character so that fans will want to read the book and not feel sick to their stomachs. I love this new version of Victor Von Doom. Brian has shown him evolving into the Infamous Iron Man instead of what happened with Captain America seemingly out of the blue saying "Hail Hydra". Here's another character that's been made interesting again and I will promote this title to anyone looking to read a good comic book.

 Ms. Marvel #17 - G. Willow Wilson (writer) Takeshi Miyazawa (art) Ian Herring (colours) VC's Joe Caramagna (letters). Okay, I don't get how Ms. Marvel and her friends defeated Doc.X but maybe it's because I'm an old luddite. I don't have a cell phone and barely know what apps are. I did appreciate the group hug that started this issue because I grew up in the sixties and that's what we wanted to do back then too.

 Star Wars: Darth Maul #3 - Cullen Bunn (writer) Luke Ross (art) Nolan Woodard (colours) VC's Joe Caramagna (letters). This young disciple of the Sith is a lot less interesting than I first thought. He is merely motivated by his hatred of the Jedi and that's seems to be all that he's about. One dimensional characters aren't that interesting. It's the evil auctioneer that is making me stick to this story.

 The Totally Awesome Hulk #18 - Greg Pak (writer) Mahmud Asrar (art) Nolan Woodard (colours) VC's Cory Petit (letters). The evil aliens find out what happens when their food fights back. Amadeus showed a side of him that surprised me and made me like this Hulk even more.

 Doctor Strange #19 - Jason Aaron (writer) Chris Bachalo (pencils) John Livesay, Victor Olazaba, Al Vey, Jaime Mendoza, Tim Townsend & Wayne Faucher (inks) Chris Bachalo (colours) VC's Cory Petit (letters). Yay, Wong is saved from Misery but I might be miserable after the next issue because it will be Jason Aaron and Chris Bachalo's last.

 Weapon X #2 - Greg Pak (writer) Greg Land (pencils) Jay Leisten (inks) Frank D'Armata (colours) VC's Joe Caramagna (letters). The bad guys are on the Warpath and the mutant super hero is outnumbered. Sabretooth and Old Man Logan are still free but it looks like that won't last. Once Greg adds in the Domino effect the gang will all be here. I like Greg Land's art a lot more with Jay's inks.

 Invincible Iron Man #6 - Brian Michael Bendis (writer) Stefano Caselli (art) Marte Gracia (colours) VC's Clayton Cowles (letters). RiRi meets with Stark Industries, M.I.T. and last but not least The Champions. I'm most excited about her possibly joining the young super hero team. I wish Marvel would find a way to change the title to Ironheart. RiRi has been wearing the armour for a while now and calling this book Iron Man is just awkward.

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