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[aficionadoenthusiast]

jason's 13 years at the super disciplined camp and several years as a leader of said camp mean it is very unlikely that he is any shade of feral, except for maybe a few minor idiosyncracies that all camp jupiter kids have because they all spent time at the wolf house, but since they all have these traits, they might be considered cultural rather than feral. however, annabeth chase, who was famously left alone until she was seven and was raised by an ancient greek horse man that used to live alone on a mountain, a barely sober god of mental illness, several other mythical beings based on animals, and approximately 37 different traumatized, exhausted, and desperate teenagers at an unregulated summer camp where she learned how to be scary by studying greek monsters, would definitely be somewhere near feral.

[avelera]

Speaking of random Jayce characterization notes, has anyone ever talked about all the magician posters he has around his childhood bedroom?

I count at least 2 in this pictures of what look like stage magic acts, between 1) the guy with the wand and 2) to the right with the rabbit (pulled out of a hat, presumably) both of which are common "stage magic" visual shorthands. What I love about these is that they are so clearly stage magic, not the real thing as seen in Runeterra.

This tells me that at some point in Jayce's hyperfocus on becoming the mage who saved him as a child (and tracking down ways to do magic himself), he went through a stage magic/prestidigitation phase. And a pretty in-depth one too, judging by the number of posters and the fact they're still up there!

So what I'd like to toss out to the crowd, especially to fic writers, is this prompt / question:

Does this mean Jayce can do magic tricks?

Because I'm not gonna lie, the idea that Jayce can pull out a coin or a card trick from his childhood hyperfixation, years before he discovered Hextech, absolutely charms me to the core.

[sailing-ever-west]

I gotta say I'm obsessed with what Luffy does to the typical "sunshine" character trope, in that he's an exception to the usual portrayal but perhaps the most true to it of anyone. He's not "sunshine" as in pure niceness and sweetness and innocence. He's sunshine as in The Sun.

He's joy and light and warmth, illuminating all the beauty of the world, but he's also powerful enough to kill and blind and burn. He's an everyday annoyance. He's the strongest force of nature that exists. His happiness shines bright for miles. So does his rage. You could look at him wrong and be screwed up for life. You never want to live without him.

I can't get over this.

[rosieofcorona]

i love the idea of solas and lavellan getting married over and over throughout their eternity together. sometimes it happens with a plan in mind, and others just when the mood strikes. sometimes they wed in quiet seclusion, with only the wisps and the spirits to witness, or sometimes with loved ones, when they're craving excitement and a brief visit home. occasionally there is tradition. more often there is not.

i can see it becoming part of their myth over centuries: clans marking the end of the final blight with a yearly party that looks quite a bit like a dalish wedding. it's not uncommon for couples to say their vows throughout the celebration, or to cloak each other in wolf pelts, or give carved trinkets in the shape of a hand.

and though it is difficult to substantiate through time and history, some clans claim to have seen them amongst their own revelers: the dread wolf and his bride, come to celebrate with the people, laughing and dancing and gone by morning, back to the fade.

[flowersforthemachines]

Some facts about Lucanis (and also Spite and the Crows) gathered from the banters

I went through all companion banters on DanaDuchy's channel after playing the game to write down all facts about companions/the world that I haven't seen brought up anywhere in the game as a writing reference (and for funsies).

Note: This list may not be exhaustive. I might have missed some something or didn't write it down because I considered it common knowledge. If you have anything to add, please DM me or send an ask! (do specify what banter the information is coming from, though)

Note 2: Posts from this series (mostly) don't include information from banters specific to quests or between companions and faction members. I plan to do another playthrough to capture more of those and will add any relevant info to the character posts.

Other characters' posts: Bellara, Davrin, Harding, Emmrich, Neve, Taash to be added tomorrow (or on Monday Jan 5th)

About Lucanis: 

Family and the past:

Lucanis learnt to cook while helping the kitchen staff at the villa when he was a little boy. One of his motivations was learning how to make churros

Side note: Lucanis mentions that cioccolata calda was his favourite drink when he was a baby, and he serves churros to a romanced Rook who picks cioccolata calda as their favourite drink. It’s all coming together! 

Lucanis wanted to be a Crow when he was a child (at least most of the time)  

All of Lucanis's relatives were Crows as well, and all of them were killed by a rival Crow house

Lucanis says Caterina would be proud of Illario hiding his plans well, as well as killing her 

Lucanis says that the hard part about setting Illario free would be convincing Caterina 

Lucanis says that nightlife was more of Illario's thing, and he never got out as much

On Crows and Antiva:

Viago still stares daggers at Lucanis for throwing his (Viago's) pet snake out of the window in a dream

Lucanis doesn't like it when people confuse murder and assassination ("Murderers are hobbyists, we are professionals")

Lucanis has taken contracts in Orlais

Lucanis doesn’t know Treviso as well as he once used to 

Heir didn’t train Lucanis

Lucanis says he has never killed an innocent “by his count” (other people may disagree) 

Lucanis doesn’t think of the Crows as a “big organisation” (unlike the Inquisition) because they stab each other too much

Lucanis became a mage-killer at Caterina’s behest (she wanted to tap into new markets)

The nickname “The Demon of Vyrantium” came from Tevinter news-sheets, though Lucanis thinks Viago started it

Lucanis says that there aren't any special tricks to killing mages. Though, if nothing else works, you can try pissing them off, as that could attract a demon that would eat the mage

Lucanis once killed half a dozen venatori while stuck inside an elevator 

Lucanis doesn’t consider himself a gentleman assassin, manners are less important than getting the job done

Lucanis sometimes spares his targets. He mentioned letting go of a servant who killed her master, as well as a 14-year-old boy. He thinks it’s wrong to kill people so young because they still have time to change

Lucanis doesn’t accept contracts without merit, and the merit is decided by the talon of the house

General:

Lucanis can make bread

Lucanis has never been to Ferelden

Lucanis isn’t interested in killing wyverns, just looking at them :)  

Lucanis has a pet snake 

Lucanis stays awake at night by cleaning his gear, exercising, studying Orlesian and knitting ("it’s just another kind of blade work") 

Lucanis doesn’t understand a lot of things people find attractive

(In a conversation with Harding) Thinking about cooking was one of the things that helped Lucanis stay sane in the Ossuary (the other was thinking about killing his enemies) 

(In a conversation with Davrin) Lucanis survived the Ossuary by shutting down and not thinking about anything except escaping

These two points sort of contradict each other. Either an inconsistency or Lucanis describing his experience differently to different people. 

The Wetlands ruined at least one pair of Lucanis’s boots

(If Rook chooses to save Treviso) Lucanis offers to pay for any supplies the Shadow Dragons may need 

Lucanis doesn't get a better bed because he's afraid of accidentally falling asleep 

Lucanis can identify the killer’s weapon and the height difference between them and the target just through the blood splatter left at the scene

Lucanis considers Grey Wardens dangerous 

Lucanis doesn’t like necromancy, because bringing people back to life is a waste of hard work

Lucanis finds the ice coffee from Minrathous offensive (Harding describes it as “snow, but made of coffee, sweet, and with cream and toffee sauce on top”)

Lucanis had never been in a romantic relationship before Rook/Neve

Relationships with other companions: 

Lucanis gets into reading Bellara’s serials (very passionately - they chat about it a bunch)

Lucanis is outraged that the Veil Jumpers don’t get paid for their work and offers Bellara his contract negotiator

Lucanis made biscuits for Assan

Lucanis is sceptical that the griffons will be safe with the Wardens

Lucanis think that Assan shouldn’t go soft (referring to the time he took care of a halla) because he is a predator at heart

(If Emmrich becomes a lich) Lucanis offers to hold a funeral for Manfred

Lucanis and Harding talk a lot about dreams (mostly silly things like showing up naked for the job, getting chased by someone/something etc.)

Lucanis thinks Harding is deadly with her bow

Lucanis offers to pay Harding for being his lookout/aide at the rate of 6000 gold per contract

Lucanis offers the help of his contract negotiator to Neve after he finds out she doesn't have one

Lucanis made deep-fried peppers for Taash

About Spite: 

Emmrich can hear Spite even when he doesn’t take over Lucanis’s body (at least from a close distance)

Spite is impartial to Emmrich, believing him more than Lucanis

Emmrich says it’s impossible to separate Spite and Lucanis without killing them

Emmrich encourages Lucanis to read to Spite to bring them closer. Lucanis agrees to let Spite pick a book

(If Emmrich becomes a lich) Spite asks if he and Lucanis can get rid of their skin too 

(If Manfred is revived at the Necropolis) Spite asks Emmrich to teach him how to use fire magic. Lucanis isn’t thrilled by the idea

Emmrich sets up wards to prevent Spite from leaving the room when Lucanis is asleep

Spite no longer sleepwalks after “Inner Demons” because he apparently understood the concept of space

By the end of the game, Spite has agreed to stop sleepwalking completely

Spite controls the wings (confirmed in banter with Harding) 

Spite wants to try swinging off the astrolabe at the Lighthouse

Spite is very excited about Manfred having hands and feet (Curiosity. Has. Feet!)

Spite finds the wisps in Neve’s room unnerving (as do Lucanis and Neve)

Spite likes to play with whetstones Bellara got for Lucanis (Bellara got them from the Irelin who supposedly got them from somewhere in Arlathan) 

Spite wants to try eating self-lightning candles at Blackthorne Manor

About the Crows: 

Crows frequently visit Nevarra and have received 20 contacts to assassinate the king. The King has been poisoned 7 times

Crows get a lot of contracts for Divine Victoria

Some seers in Rivain are powerful enough that there are contracts on them as well

Caterina once killed a man with a thimble

When Crows kill someone, most of the time they want others to know it was them (rather than presenting the death as an accident) 

The crows buried six different Eight Talons and rarely take contracts in Ferelden after the Zevran fiasco

[blogquantumreality]

[ID:

First image: A Reddit post in r/DiscoElysium by u/dratsabHuffman

Question about going fascist route

To amuse myself i researched revacholian nationalism as well as measure head's race theories etc etc and focused my character on "traditionalism".

Anyway, ive noticed that if i ever click dialogue options that are in tune with my character's political compass, i lose morale. Whats the point of having this as a mechanic if its going to be so detrimental and feels like the character doesnt believe he actually is this or something… is there anyway to overcome that kind of morale loss?

Second image: A reply post by u/recalcitrantJester

Being a fascist is a deeply demoralizing experience. You have to not only radically alter your worldview to make reality fit into your unhinged schema, but that worldview is predicated on the notion that the weakest, most unworthy degenerate worms on the planet are somehow overpowering and humiliating you on a moment-by-moment basis.

In mechanical terms too, the lowered morale also reduces your volition score—the more you indulge in your delusions, the less you are able to exercise self-control and self-awareness.

The point of fascism being mechanically detrimental—the ludonarrative theme—is that fascism is an unequivocally self-destructive ideology, the practice of which only serves to nurture that self-destructive urge and turn it outward. It's not like Dark Side points in KotOR where you can access cool new abilities and get to enjoy being such a nasty lil rascal; you are not supposed to enjoy being a fascist in Disco Elysium. Fascism is the act of self-deception in service of making your own life more painful, solely for the payoff of making life more painful for people you dislike.

/ID]

( Source reddit thread )

[pesky--dust]

Guys, I just realized something.

We know that many small details matter in Hannibal. Traditionally, seating positions at the table are important: they indicate the degree of closeness between the host and the guest.

Hannibal usually sits at the head of the table as the host. This isn't new knowledge in this fandom, but... have you ever thought about table seating positions in Naka Choko, Ko no mono and Mizumono?

In both Naka ​​choko and Ko no mono, after Hannibal believes that Will has killed both Randall Tier (true) and Freddie Lounds (not true), he is sitting across from Will - as if they are equals.

Screenshots from Naka Choko

Screenshot from Ko no Mono

However, do you remember how Will and Hannibal are sitting in Mizumono, during the last supper, when Hannibal already knows that Will is lying to him, that he didn't kill Freddie Lounds, that they didn't eat her meat?

Screenshot from Mizumono

Hannibal is sitting at the head of the table, alone. Will is sitting to his right - he is important, but he is not an equal.

Furthermore, the lamb served by Hannibal in the script is described in such a way that its ribs resemble hands folded in prayer, as if Hannibal was praying not only for Will to choose him, but also for Will to truly choose to be his equal.

This freakin' show, I swear...

[edsrosetattoo]

This is the best idea in the history of film.

[ladyshinga]

[nuninho2000]

Harry is such an under-appreciated character, which is somewhat ridiculous given that not only is he the protagonist but he’s a well-written and multi-faceted character, with a lot of nuances, a compelling backstory and great dynamics with many of the main characters. Yet parts of the HP fandom will literally hate on him for anything; today I ran across a post which blasted a twelve-year-old Harry for not financially supporting the Weasley, ignoring the fact that, you know, he’s twelve and the fact that the Weasleys would in no way ever accept Harry’s money.

Harry overcomes a lot throughout his life, and this is even before the whole Chosen One crap was placed on his very young shoulders. For the first eleven years of his life, Harry literally never experienced love, support, affection or even proper care. He was often neglected, at times outright abused by the Dursleys, and I think these years and these circumstances shaped Harry more than the fandom tends to recognise. A lot of his stubbornness and refusal to seek help from adults would have stemmed from this, as he spent eleven years believing that adults couldn’t or wouldn’t help him. His generosity and caring nature also probably stems from this, having experienced neither in early years of his life, he has a desire to share both.

Harry also has a deep aversion to fighting and negativity, and unlike Ron and Hermione, he derives no pleasure from arguing or fighting. He gets genuinely upset whenever Ron and Hermione take their verbal sparring too far, often snapping at them and telling them to let it go. Harry spent so many years in a volatile environment, so many years where a single wrong word or look could produce an explosion, that his natural instinct is to avoid conflict and arguments, which is somewhat ironic given the argumentative natures of both of his best friends.

Harry is a character who doesn’t change much over the series. This isn’t to say that he doesn’t grow or evolve as a character. He definitely undertakes his own journey, and goes from an isolated and insecure young boy into a strong and heroic young adult. But who he is at his core never really changes. He holds onto his goodness, his self-righteousness and his “saving people” attitude until the very end. If you look at his characterisation in the first novel compared to his characterisation in the last novel, it is remarkably similar. He is still a person who will walk into certain death to save others, still a person who believes in bravery and doing the right thing, and even if his faith in those around him has been tested and stretched – and in some cases broken – his general belief in the good in the world prevails.

Harry is such a genuinely good person, like, there are few characters out there who contain as much goodness and forgiveness as Harry does. He is always genuinely outraged and upset at what he perceives to be wrongdoings, such as Snape’s unfairness and favouritism or Umbridge’s reign of terror. He also refuses to kowtow to authority if he believes they are in the wrong, such as when both Fudge and Scrimgeour try to sway him to their sides. Harry’s genuine goodness and belief in what is right, in what is fair is one of his defining character traits, and it amazes me that a lot of the fandom does not seem to see or acknowledge this side of him.

I have always found Harry to be quite an isolated character, and I believe that this too stems from his upbringing and his life with the Dursleys. Growing up in an environment where he received no support, where he had no friends and no family members who paid attention to him turned Harry into a very self-sufficient and solitary person, and if you look closely at his inter-personal relationships, it becomes apparent that all of his close relationships are with people who are also isolated and/or lonely in their own way.

Ron and Harry bond almost instantly when the two meet on the Hogwarts Express, both delighted to make one another’s acquaintance. Despite his large family, Ron is also a solitary person, not being particularly close to any of his siblings and often feeling fierce competition with them. Harry not having had a single friend before in his life is keen to make one, but even at this young age can distinguish between a genuine offer of friendship (Ron) and a friendship which may come with strings attached or an inequality within the dynamic (Malfoy).

Despite Ron’s occasional jealousy (which is nowhere near as fierce or as prevalent as parts of the fandom would have you believe) Ron and Harry’s friendship is an equal partnership, mirroring that of James and Sirius. Both Ron and Harry have a penchant for trouble making, and Ron does occasionally come across as somewhat callous and cruel, but both have a deep desire to do good and believe in bravery and heroics, all of which bonds them and cements their friendship. I think they recognise the loneliness and desire for close bonds in one another, and both give and take over the course of the friendship, providing one of the strongest friendships on the written page.

Harry’s friendship with Hermione is somewhat different. While again, he has bonded with someone who is quite an isolated character and he is close to Hermione and obviously cares for her deeply, his dynamic with her is neither as free or as easy as his dynamic with Ron. He and Hermione are close to one another, but they are both closer to and connect better with Ron than they do with each other, and this is evident whenever the two spend long periods of time together without Ron’s presence, such as when Harry and Ron have their falling out during GoF or when Ron leaves them during Deathly Hallows. When Harry is with Ron one-on-one it is still easy and fun, but when it is just him and Hermione, things are different, and it really does show how integral Ron is to the Trio, and how his presence balances the dynamic within the group.

Harry’s relationships with people outside of the main Trio also reflect this tendency to bond with isolated and/or lonely characters, as evidenced by his close friendship with Luna and even his romantic relationship with Ginny. Both girls are initially presented as isolated characters who gain friends over the course of the books. Luna in particular is a very lonely soul, and I think Harry’s fondness for her stems from him relating to this loneliness.

Even Harry’s relationships with the adults in his life follow the same pattern, as the four closest adult friendships he has – Sirius, Lupin, Hagrid and Dumbledore – are all with figures who are quite isolated. Sirius, of course, being incarcerated for much of his life and having lost all his friends has become an isolated figure, and his relationship with Harry seems to combine that of cool uncle and nephew with the dynamic of best friends. As much as Sirius does genuinely love and care for Harry, there is a part of him that does see Harry as a James substitute, but the same can be said for the way in which Harry views Sirius, as a surrogate parental figure, as well as someone who can provide a link to his parents.

Lupin and Hagrid both also provide this link in their own ways, Lupin more so than Hagrid, having been a Marauder and someone who was close to both James and Sirius. Harry’s relationship with Lupin feels somewhat like a mentorship which gradually moves into genuine friendship. His relationship with Hagrid, of course, is just beautiful from the start and develops into one of the deepest and most heartfelt relationship of Harry’s. Hagrid, too, is another somewhat isolated soul, spurned for his freakish size and odd attachment to dangerous creatures.

Harry’s relationship with Dumbledore really deserves its’ own meta, I feel like entire volumes could be written about the nuances, intricacies and levels of that relationship, but once more, it shows Harry bonding with someone who has had their fair share of isolation and loneliness, and who can identify with the pain and struggle Harry faces over the course of the series.

All up, Harry is just a wonderful character, rich, multi-faceted and very endearing. I have always loved Harry for his big heart, his desire to do what’s right, his stubbornness and the determination he applies to every task he undertakes. He really is a woefully under-appreciated character and I often feel that the fandom ignores him and overlooks how amazing he actually is, and that is a real pity, because they’re missing out on a great character by doing so.

it’s really interesting to me how so many people on this site can give such intelligent and in-depth analyses of every single hp character except for harry himself. too often i see him reduced to “whiny” or “emo” or the OOC film version of him, and that’s so sad to me because he’s actually really brilliant and funny and passionate and selfless and courageous beyond his years and you’ve been missing out if you don’t love harry james potter.

[h3artw0rms]

So the gift Powder received from Ekko was a necklace with a blue peony.

And you know me from my Vi and Caitlyn post so of course I'll look up what the flower language of that means and it's the following:

And if you look closely, you can see the profile faces of Ekko and Powder in between the petals

In this reality, the two can't be together, as he wasn't HER Ekko. But Powder still means the world to him.

[spoondrifts]

something about vi never wanting anyone in her life to change. something about jayce not caring at all how much viktor has changed so long as he's alive. something about the way vi associates radical change with death, perceiving jinx's continued existence as a kind of necromantic horror—the way jayce would shatter fundamental laws of nature without a second thought in order to give viktor the best chance at survival, in whatever form that may take. transformation as rebirth vs murder, hextech vs shimmer. nature has made us intolerant to change, but fortunately, we have the capacity to change our nature. and then jayce, realizing that he hasn't changed at all, not really—that he is a scientist at heart, and he shouldn't have tried to be anything else. and then vi, realizing she has become someone unrecognizable—never thought my sister would turn bluebelly. and for both of them, it's too little, too late.

[probablybadrpgideas]

The Monster Manual but it's blatantly written by the monsters

[frangipani-wanderlust]

To be entirely fair, you can put together a great drama show for people to make spaghetti and not watch.

Audio drama. Radio serials. Podcast fiction. Trying simultaneously produce a TV show and a radio drama in the same broadcast, though, has already been tried and it ends up making both sides come out stilted and weird. You gotta pick a lane.

[mycroftrh]

Far worse, in my opinion, than the famous “he wouldn’t fucking say that” is “he WOULD fucking say that, as part of his facade, but you seem to think he would mean it genuinely”