#{Thread: Snowed In}

[jakeperalta]

"The show's not over until the mockingjay sings," she said. "The mockingjay?" He laughed. "Really, I think you're just making these things up." "Not that one. A mockingjay's a bonafide bird," she assured him. "And it sings in your show?" he asked. "Not my show, sweetheart. Yours. The Capitol's, anyway."

[mythrilthread]

These itsy-bitsy A7 books are three copies of white queen, red heart and snow white, blood red by @ofgeography

One copy was for me, one was send as a gift to the author, and one is for Goose @imaginariumpress who is generously helping me with actually delivering author’s copies for Fanfiction Writer’s Appreciation Day this year.

🩸 The color scheme was right there in the prompt, so here are the bloody tiny books.

🩸 The covers are white cotton hand dyed/painted with red ink; the same ink was used to paint the edges (I wanted at least some bleed, and ink does that);

🩸 Title pages feature the dark forest and the dwarf caverns;

🩸 The fancy drop caps and the page numbers are bleeding. I really love this effect for vampire stories, it’s so extra!

🩸 But probably not as extra as typesetting the entire book in blackletter, but it felt appropriate for the dark fairy tale vibe the stories got going on.

I had a lot of fun with this project, and I really recommend checking out the stories if you somehow haven’t already!

[loversmore]

“i believe in you so what’s left is for you to believe in yourself.” – han

for @hyunsung ♡

[purplebass]

Where you go, I go What if This Storm Ends?, Snow Patrol // Wuthering Heights, Emily Brontë // Sir Edward John Poynter, Orpheus and Eurydice // The Fragile Threads of Power, V.E. Schwab // Joseph Wright of Derby, Romeo and Juliet. The Tomb Scene // I Will Follow You into the Dark, Death Cab for Cutie // Home, Edith Whiskers

[sherwood-scribblings]

Sunrise on the Reaping theories + thoughts so far (pt 1)

here's a collection of the most likely and most interesting head-canons and stuff I've seen, both fandom-made and my own

NOT MINE BUT EXPANDED & CONNECTED BY ME:

• Tigress pov, as an audience member, maybe she's Haymitch's designer

• we got a tribute pov, a mentor pov, now we could get an audience pov because of the themes of propaganda she emphasizes... we could also get multi pov if she wants to do smth crazy and appease all fans

• Unreliable narrator, perhaps screwing with the reader's head on what actually happened in the games, capitol editing footage out

• Perhaps Tigress observes the games and originally starts off oblivious to the truth but the more she watches and helps Haymitch the more she begins to see the truth, and so the capitol punishes both her and Haymitch for it

• Lucy Gray is midnight, Haymitch/Maysilee is sunrise, Katniss/Peeta is sunset (symbolic of the progression of the games. Lucy Gray wiped out and forgotten, Haymitch the escaped glimmering sliver of change, Katniss the blazing fire and finale)

• Maysilee wore the mockingjay pin in the arena but the capitol edited it out of all the footage

• Themes of light vs dark, truth vs lies, the audience starts out unaware and conflicted but comes to see how things really are

• Katniss parents could appear??? Maybe we'll see Mr. and Mrs. Everdeen fall in love??

MY THEORIES + THOUGHTS:

• (canon) The arena is an illusion. Flowers, water, fruit, mountains, animals. It's beautiful, heavenly, too good to be true, it doesn't seem real... well, it's not real. Everything seems normal and like you know what it is, but the Entire Setting is actually poisonous and deadly. JUST like the theme of propaganda and lies, she says the book is about. The arena itself is a meta layer to things not being as they appear.

• the cover will have a mockingjay and a sunrise or sun-flare, gold against purple

• the "sunrise" in the title is symbolism, for a person and a theme, likely symbolic of Maysilee Donner because of her kindness and humanity and spirit casting light in the face of violence and war (the reaping). A light the capitol would've snuffed out, to hide the truth. (I have a whole essay on this + maysilee's importance pls check my feed)

• Maysilee is the real mockingjay, and very important, not just a random dead background character who passed down the pin to Katniss. We know how Collins' brain works. Look at TBOSAS. Look at how she foreshadowed Lucy Gray as early as the first book. 

• the mockingjay isn't just one person, but a symbol of resistance and goodness and freedom, that anyone can take on as a mantle, an idea rather than tied to one thing or person. Lucy Gray, Rue, Katniss, and likely Maysilee.

• a rebellion almost happened with the mockingjay pin and Maysilee and Haymitch and perhaps Tigress seeing the truth last minute, but the capitol snuffed it out and destroyed all the evidence of such a thing ever happening, including Haymitch's family and punishing Tigress, leading Panem and the readers themselves in the dark and at peace. Maysilee is the warm sun to bring the spark of a fire, her pin symbolically passes onto Katniss through her niece, thus passing on the resistance and legacy. ....symbolic of how the mockingjay had the will to survive, even when it was destroyed and wiped out.... It escaped and became stronger in the face of its enemies....

• ...for all we know, Katniss' dad didn't die in a coal mining accident, but perhaps was a rebel himself and the capitol planted explosions in the mines to get rid of him. we can't just blindly trust the narrative.

• If Haysilee is a parallel to Everlark, what if Haymitch's girlfriend is a Gale figure? This isn't just because I'm a haysilee shipper I'm built to be a multishipper I'm FIGHTING not to be biased I'm openminded, but i feel the haysilee content in my bones and it's definitely a possibility

• the capitol (and Snow) believes that humanity is vile, that humans will always give into instinct and fend for themselves, that you can't trust or love or anyone lest it lead to your downfall. So... If Ballad was about humanity's corruption, perhaps Reaping is about humanity's goodness (the bond between Haymitch and Maysilee, Tigress seeing the truth despite being a capitol/audience member, perhaps the Capitol cut the footage of that bond to prevent a rebellion like Everlark's relationship later induces) 

• Most people are saying this book will be super depressing and focused on the capitol's propaganda succeeding to stop a rebellion, and I do agree, but, that doesn't cancel out highlighting themes of goodness and friendship but rather enhances them. Perhaps that very thing is what we're missing from the footage, what the capitol succeeded in covering up, raw humanity being the thing that defies their propaganda the most, and punished anyone who acted otherwise (Haymitch, Tigress...)

PART 2 IS COMING SOON to address the fandom discourse with my personal thoughts on whether this book will be about Haymitch and if we need more District 12.

and why Collins would logically choose to tell this story (regardless of pov because that could be anything at this point she'll upset someone either way)

[not-that-dillinger]

"We're married"

《 from Raye Penber @first-frost-fallen-snow because that would be the funniest route to me also sorry for like disappearing I was focusing on moving out and now my fatigue is killing me 》

Ed awoke for once not slumped over his keyboard, yet also not in the empty apartment he'd moved into when he first moved to Japan. Though he supposed technically, the apartment he was in belonged to him, as did the bed he lay in, though both truly belonged to the man laying next to him. He squinted at the clock on his nightstand, at red LED numbers so blurry, only years of practice allowed him to decipher the time without having to put his glasses on. He still had time before he had to get up, a couple of hours before he had to get to work.

A flash of gold on the nightstand drew his eyes from the clock to the ring next to his glasses. It was the only piece of jewelry he owned, and far more expensive than anything he would ever purchase for himself. There was a similar ring on the other nightstand on the opposite side of the bed that belonged to the other occupant--Raye Penber.

Ed... still didn't know what to make of his new situation, let alone the man he was now legally bound to. He didn't hate him, certainly, though whether he trusted him was yet to be decided. Their marriage hadn't been Ed's idea, nor had it been Raye's. A necessity to facilitate the Kira investigation, it had been called, and Ed had only begrudgingly agreed to it for fear of opposition somehow being used against him as evidence and landing him in prison.

Thought of their marriage left an uneasy feeling in his stomach. He'd sworn when he got his job at Encom, and finally escaped his father's control that he would never put himself in any sort relationship where there was a power imbalance and they were not equals. He wouldn't put himself in a situation where he could be abused again. And yet here he was, a foreigner, far from anyone he could call a friendly face, barely understanding the language and culture, and though their partnership was supposed to be one of equals, it didn't feel that way.

Not that he had anyone on the other side of the Pacific he could call for help if he was able, anyway. His therapist, maybe. Though he didn't trust that the call wouldn't be monitored. Or an old rival, if he was desperate.

He felt trapped. He was relying on a man he barely knew to keep him from being falsely accused of mass murder. He was at risk, not just from his partner, but from the people in charge of the investigation as well, People he felt like were treating the investigation as nothing more than a game, where both his and his partner's lives were nothing more than disposable pawns.

How strange it was, that such a tiny band of metal could hold so much meaning. To others, it would have been a symbol of joy as bright as it's polished surface, but to Ed it had just replaced the physical handcuffs that had bound him to his legal partner to with a symbolic one.

[jonsnowunemploymentera]

I really don’t think we should be treating morality as a linear thing in ASOIAF because what often happens is that we start to stray from the actual conversations that we need to be having regarding the depths of making a moral choice and even the circumstances involved. To try and blankly paint any one character as the “most morally good” isn’t really taking us anywhere. And it certainly isn’t helpful when people in this fandom want to try and prove that characters are “grey” but not moral (what does that even mean??) because they did one “bad” thing. If ASOIAF stans were to have their way, then:

Jon is not a morally good person because he threatened Gilly

Dany cannot be considered to be compassionate because she sanctioned torture against the wine seller’s daughters

Arya cant be good because she has killed people

and so on, and so on….

But this is such a draining, and oft times frustrating, conversation to have because you see just how shallow the above listed examples are? Readers are listing only singular instances across a narrative that spans thousand and thousands of pages, and there’s absolutely no context involved. Why did Jon threaten Gilly? Why did Dany resort to torture and at one point did she do it? Who did Arya kill and why? And why do those singular instances negate everything else in their arcs?

What usually happens when we have the 12847647282th unnecessary conversation about who is the “most good” character in ASOIAF is that we start getting blanket statements with no elaboration. And the only people ever considered are Ned, Brienne, and Davos, and sometimes the children like Shireen or Tommen. Mind you, Ned and Davos are not perfect or without their own faults either; much has been said about Ned’s abilities as a father and it’s implied that Davos was not entirely faithful to his wife. And based on her current arc, Brienne will surely have to make morally tough choices regarding oaths and knightly honor. Plus theres the irony of including literal children when they have not been put in situations where they actually have to make morally difficult choices and live with the consequences.

ASOIAF shows us that people who are capable of incredible kindness and compassion are also capable of doing unpleasant things.

Jon threatened Gilly….because he was trying to save another child whom he believed to be at risk of human sacrifice(!!) and was stuck between a rock and a hard place. But why does that singular instance negate the fact that his arc has been about him standing up for the “lesser than”? Why does that negate the fact that he stood up for Sam against a superior when there was nothing to gain for him? Why does it negate the fact that he went out of his way to equip Arya in a way that society would have deemed inappropriate? Why does it negate the fact that he dedicated the entirety of his time as Lord Commander to fight an institution that had upheld racism/xenophobia for millennia? Why should we filter out all those moments of kindness, compassion, and deep empathy that Jon has even without him thinking?

Dany sanctioned torture….but she was trying to solve the murder of an innocent victim AND this brought her no joy. But why does that negate the fact that when she gained unimaginable power, she could’ve high tailed to Westeros to use it to her benefit and become queen, but instead chose to stay in Essos where she has no personal responsibility just so she could fight the institutional evil that is slavery? Why does it negate Dany who went to personally treat plague victims at great risk to herself?

Arya has killed some….but it’s in self defense or in defense of others who are disenfranchised. But why does this negate that she is one of the few people in the series how goes out of her way to show kindness and friendship to those who are not as economically or politically advantaged as she is (e.g., Mycah)? Why does it negate that she took fellow slaves under her protection when she herself had little power to fight for her own survival at Harrenhall? Why does it negate that when she saw those caged soldiers whom she was angry with for their actions, instead of leaving them to die instead offered them the only kindness she could at the moment: a drink of water?

Trying to have arguments about morality but stripping everything down to ‘x character did y bad thing (regardless of context) and that’s why they can’t be good’ is, to be blunt, ridiculous. And it isn’t a particularly interesting way to engage with the text. Character journeys, especially well written ones, are rarely ever in a straight line. There’s amazing highs and terrible lows. GRRM gives us so many characters like Jon, Dany, Arya, Sansa, Ned, etc. who even in their lows, have gleams of compassion and exceptional kindness. It doesn’t do anyone any good to filter those moments out to make the books more digestible; and I’m being a little generous here, because so many readers have a very shallow level of engagement with the series and it shows in conversation. And we also shouldn’t pit these characters unfairly against those who have never been in similarly difficult situations that required them to make hard choices. Because when we do, we start to completely miss the point all together.

[branwyn-the-half-witch]

The Wall and the Waning of Magic: 1/2

(this was originally a Twitter thread; re-posting here for ease of reading)

The Wall is an edifice created, best guesses conclude, some 8000 years prior to the events of A Game of Thrones; it was constructed by some combination of the First Men, led by Bran the Builder, those they called ‘Children of the Forest’, more rightly known as those who sing the song of earth (hereafter ‘singers’) and giants. It is patrolled by the Night’s watch, who protect the realms of men from what lies beyond; notably the Others, although this mission has been forgotten until very recently, with the so-called ‘Wildlings’ (Free Folk) taking the place of the great foe.

It is commonly accepted that the Wall is a net good, both in-universe and without, and that any distaste we may have about the necessity of the Night’s Watch pales in comparison to the horror that will occur when the Wall comes down.

I propose differently; I propose that the Wall is sickening and weakening the world, and it coming down will be one of the greatest moments of the tale – and moreover that the Wall was potentially always intended by its makers to be thrown down.

Magic Lingers

ASOIAF takes place in a world where magic is waning, to the point that learned men will insist magic is gone from the world entirely – and many of them consider this a good thing. The disappearing of magic is largely attributed to the death of the last dragons, and the revival of magic following Daenery’s miraculous rebirth of dragonkind seems to be proof of that.

However, the truth is more complex; we learn from several sources that magic is not entirely gone from the world, even prior to the dragons’ cradle-pyre. It is simply gone from the west of the world following the Doom of Valyria – further east, we are told, magic still exists and its practitioners endure, and even thrive in places such as Asshai.

More intriguingly is this from Maester Luwin, that supposes magic was fading even before the Doom, describing Valyria (a magical empire lasting thousands of years) as merely an ‘ember’. It cannot therefore solely be the death of dragons that caused magic to fade in the West.

The Sad Fate of the Singers

Westeros was once home to a large number of magical beings; unicorns, mammoths, direwolves, ‘great lions’ and, of course, the giants and the singers. All of these are now believed to be extinct, as per Maester Luwin above. Those who venture or live beyond the Wall know that this is not the case; these beings cling on, albeit in scant numbers.

We know that the singers fought and lost a terrible long war with the First Men, and that they retreated to the deepest forests upon the Pact that saw the end of the war. We know also that they were still present in the South in some numbers when the Andals arrived.

However, common wisdom says the singers have been extinct for thousands of years; we know they still linger beyond the Wall...but why? The North remained a bastion of the Old Gods, yet even the northmen believe them gone. Why did they not remain in the deep forests of the North? Why did their numbers continue to decline even after the wars? Why go beyond the Wall, closer to the Others?

The Evil of the Wall Magical and Mundane

The Wall is made of ice. This is an obvious statement to make, but its curious to consider what it means in the context of this world, where cold is the enemy and ice represents death, darkness and crucially – the Others.

If we take as given that Bran the Builder built the Wall, why was it made of ice, when his other claimed works are all of stone? The magic of the singers likewise is in earth and tree and water. So why is the Wall made of ice, the very symbol and strength of the enemy the Wall was built, allegedly, to keep out?

The Wall has its own collection of spooky, disturbing myths that have grown up around it, many of them centring around the Nightfort, formerly the seat of the Night’s Watch. The one that concerns us here is that of the Night’s King, allegedly the 13th commander of the Watch who took to wife a woman commonly been believed to be one of the Others – and from the description of her, that’s highly likely.

However, observe that the Night’s King brings that woman back beyond the Wall to his fortress – it does not keep her out, any more than it keeps out the two wights that awaken in Castle Black in AGOT.

But the Wall was created to keep the Others out, no? Coldhands indeed asserts that he, almost certainly some kind of dead man, cannot pass beyond the Wall due to the spells it is imbued with, presumably those created by the singers; but there is a gate.

The Black Gate, situated beneath the Nightfort, is itself a source of much theorising; it is magical, made of weirwood, and a sad construction that sheds a tear as Bran passes beneath it. The use of weirwood – and the face especially – suggest that this is the work of the singers, who made a door that only the Night’s Watch could open.

It seems unlike that the singers, aiding in the building of an anti-Others defence, would create a door that an Other could pass through; Bloodraven’s cave seems thus warded, so far successfully. But why is the Gate blind? Why is it described as resembling a corpse? This could be a function of the sheer age of the Gate, but I believe it to be more significant than that.

Of Silverwing

Queen Alysanne Targaryen made a visit to the Wall and visited the Nightfort in particular. The castle gave the Queen such bad vibes that she arranged it to be abandoned – immediately – paying for the replacement herself.

That’s quite a reaction, and one that should be contrasted with Stannis, who plans to make the place his seat (and note that Sam considers the possibility that the Black Gate is not permanent – which is very intriguing).

More interesting than Alysanne’s reaction to the Nightfort is her dragon Silverwing’s reaction explicitly to the Wall itself. She is disturbed by the winds from it – and I reject the notion that this was solely the cold, as the cold at Winterfell makes Vermax ‘ill tempered’, not disobedient and disturbed.

It is suggested that the Wall is anathema to creatures of fire – and yet Melisandre is seemingly stronger at the Wall than she is Asshai!

It is also suggested that Silverwing feared not the Wall but what lay beyond – but the Others had not yet begun to stir, so what was she sensing? I posit that the Wall was drinking in the magic that Silverwing generated, effectively draining her.

Also pertinent is the fact that Jon Snow loses all sense of Ghost when the Wall is between them. An unbreakable powerful bond that endures over great distances is rendered inert due to the Wall. This could be a matter of inexperience on Jon’s part, but it is worth bearing in mind.

Waning of Magic

Taking everything together, I propose that the Wall is draining the magic from the world. The magical peoples and creatures of Westeros exist only beyond the Wall, having died out everywhere else, notably the singers who have disappeared even from presumably safe strongholds.

Dragons, whose mere existence makes magic stronger (and possibly what is actually empowering Melisandre), mislike and possibly even fear the Wall, to the degree that Alysanne was deeply disturbed for long after. It needs must be noted also that the dragons of the Targaryens did not reach the size and strength of their forebears in Valyria, dwindling ever more with the years. Perhaps this was due to the Dragonpit, to the betrayal of the house’s women, tied so completely to its dragons. Perhaps it was something more insidious.

Where magic does exist still, it exists in the further East; in Qarth, Asshai and so forth. These places also had a lack of dragons post-Doom, also endured the Long Night, so it cannot be solely these factors. But they are much further away from the Wall; their magic is weakened but endures.

To touch also on the seasons as an aside, WOIAF offers some further credence to the Wall-as-problem. The seasons used to be normal, we are told, only in the most ancient tales. Tales presumably predating the Wall.

If the issue of seasons were solely one of balance between Ice and Fire, when why were there no world-ending catastrophes when Fire was ascendant? The Doom impacted only Valyria, after all.

We must return to the symbolism; where Ice is death, silence, darkness and inhumanity and Fire is life, song, light and passion.

TBC

[joyfulxgod]

~~~.~🪡~.~~~ || Hornet - Hollow Knight || requested by my lovely gf <3

Thank you to my lovely girlfriend for requesting this stim board!! :DD I know you're reading this :3 It took me a while to get to haha, but I hope you don't mind!! It's done now.

I was kinda nervous to show my girlfriend the stimboards I've been making- I'm very proud of them and was worried she wouldn't react as positively as I wanted. But I told her, and she said she really liked them, and requested this one!! :D A very self indulgent request haha, since I probably would've done hornet sooner or later, so I was very happy to do it.

And it's really nice that my first official request is from my girlfriend!! :D <3 tysm dear <3

[daemon-is-perfectly-unhinged]

Cole: This boy speaks of affairs he knows nothing about!

Jon, held back by Rhaegar: THAT IS TRUE!

Cole: He has no respect!

Jon: THAT IS ALSO TRUE!

[wavesoutbeingtossed]

Ugh now I’m thinking about the evolution of the topic of marriage/commitment over the years

I take this magnetic force of a man to be my lover -> I’d marry you with paper rings -> one single thread of gold tied me to you -> give you my wild, give you a child -> are you really going to talk about timing in times like these? -> all they keep asking me is if I’m going to be your bride -> I wouldn’t marry me either -> do something babe, say something -> you’re losing me

[craniumzirconium]

Yknow what’s funny?

It’s almost been 10 years since undertale released, 5 years since the first chap of dr, and some people STILL think that Chara and Kris are responsible for the PLAYER’S HEINOUS ACTIONS IN BOTH GAMES.

I WANT TO RIP MY EYEBALLS OUT.

The utdr fandom probably has some of the worst media literacy that I have ever seen (not everyone but Jesus Christ is it tiring to hear people use both characters as scapegoats)

[impossible-rat-babies]

Eyrie in 👘 for the screenshot meme?

eyrie doesn't have much of the traditional clothes they used to wear, sadly ;--; but it was a lot of natural materials--wool and leathers for keeping the warm in and water + cold out. a fair bit of layers to take on and off as the temperatures changed

[ffxiv screenshot meme]

[can-i-roll-for-it]

Two of my favorite ships roght now is FigAyda from Fantasy High and SnowBaz from Carry on and they both had their first kiss in a forest. Hmmmmmm

[decaflondonfog]

heart study #1 (chamber by chamber), 2023

pearl cotton and six strand floss on cotton

[a little snowbaz project because that one line just lives in my head rent free since i first read it. all my love and gratitude to bee who did not even hesitate when i asked ‘hey if baz and simon were colours what would they be,’ and to starry and leo who talked me through the many stages of the tying and braiding and binding phase of this piece]

detail shots under the cut because i just love how dynamic this piece can be 👇

[sirensofthefiveseas]

@cvpidpirates liked for a short starter

❛ trying to strangle someone usually counts as attempted murder. ❜ Monet murmured, not looking up from her paper as Caesar was 'disciplining' an assistant who had thrown out some papers that turned out to be important.