#{Answers from the past}

[askfordoodles]

"Young man, you cut that tsundere bullshit, I know what you're doing, I wasn't born yesterday." - Secret Brat Tamer Volkarin

[hellspawnmotel]

whatever *tezuka-styles your deltarune cast*

[dollsome-does-tumblr]

which group do you find the most absolutely delightful at bringing the lolz together??

[fashion4standusers]

For anyone wondering how they would make combat moves for ASBR Abbacchio. His GHA is literally the kicking meme

Also he said it. The thing

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[canon-gabriel-quotes]

Transcript:

Greetings, bestie.

Beautiful, fantastic, stunning, and intelligent as always.

But in my infinite wisdom and never ending judgment, I couldn’t help but observe you’re just a little dry.

Here, take this. It’s a big fucking jug of water. Chug the shit out of it.

Drink to your heart's content.

You will stay hydrated.

I’m starting my own 10 commandments, and this is actually at the top of the list, so for there to be piss, there must first be slurp.

So sayeth Gabriel, Judge of Hell, and judge of your bladder.

Drink up. And the urine will await you down below.

Audio source

[galentir]

Alternative universe where Luke and Reggie share the best werewolf vampire solidarity 🤝

[art-is-kayos]

Wailing Coffin Hong Lu and Gregor

[canisalbus]

I was watching a comp video of Barbie Nutcracker and about choked when I saw this dude

MACHETTE?!??!?!?!

Love your lil guys 💚

That sure is a creature.

[shanastoryteller]

Happy Birthday!! 🎊🎉 🎊 Can I have something for MDZS please?

a continuation of 1 2 3 4 5 6 7 8 9 10 11 12 13

Lan Wangji hears that Wei Ying is missing and it takes everything in him not to abandon his people and his family to go searching for her.

Xichen glances at him, concern shining plain on his face as the scout gives the rest of his report, but he does his best not to let any of his longing show on his face. He knows that his brother doesn't understand or approve of his relationship with Wei Ying but that doesn't mean he's ignorant of it.

After, when they're alone, he says, "Wangji, you can't-"

"I know," he says. Cloud Recesses burned and there's a war to be fought and he is the Second Jade of Lan - he has a duty to his clan that he does not have to Wei Ying, no matter how he feels for her. "Jiang Cheng will find her."

She's his fiance and his best friend and his other half in almost every way. He won't abandon her.

And if he takes too long, Lan Wangji can use that time to construct an acceptable reason to slip away and join him.

In the end, he barely has any time to worry before news of Wei Ying at the Jiang camp makes it through the grapevine.

Of course, it's accompanied by the ridiculous rumor that she and Jiang Cheng are going to attempt to sneak back into Lotus Pier to retrieve Sect Leader Jiang and Madame Yu. He doesn't believe a word of it until he finds out who else is currently residing at Lotus Pier.

Wen Qing and Wen Ning.

[desultory-suggestions]

I would like to give a shout out to the gullible folks. The people who were lied to with some ridiculous story by an abuser and taken advantage of. People who can't describe their situation to others bc they know it sounds crazy, but they have fallen too deep to escape.

You aren't dumb. You're so trusting and so full of love. It is not your fault others take advantage. There are people out there that will not lie to you like others have. Your trauma is valid even if the lies you were told were so outlandish people laugh when you try to explain the terror you lived through.

Don't stop loving. Don't stop trusting. Just... Learn how to be more selective with your trust. Because not all have pure intentions for you.

[underratedgrapeju1ce]

i wonder if sonic ever talked to shadow about what happened with other shadow...

sonics not a huge "talking about feelings" guy, but i imagine seeing shadow---even a fake version version of him---begging him for help as he deteriorates, would mess him up a bit

when the others ask where sonics been for the past few days, he brushes it off. free as the wind, remember! he does his own thing! but i dont think shadow would buy it.

he probably brashly interrogates sonic, assuming he was off being irresponsible. when sonic snaps that no one would believe him if he told them, that catches shadows attention.

he probably softens, just by a hair, and demands to know what REALLY kept him away. when sonic describes the Other world, shadow doesnt laugh, or tell him off for making up lies like sonic expected him to. and when he brings up the other maria, any trace of irritation in shadows demeanor is replaced with quiet shock.

little blurb under the cut. (i lied its like a whole ass chapter)

"...Told ya you wouldn't believe me," Sonic huffed a humorless laugh. "Chaos, it sounds even more insane when I say it out-"

"I believe you."

Sonic's hand paused where it was exasperatedly wiping down his face. Emerald eyes blinked up at Shadow, the gloved hand now hovering aimlessly in midair.

"...Huh?"

"Don't give me that idiotic look, hedgehog," Shadow seemed to snap, but his voice lacked any sharp, incriminating edge, "You're not remotely creative enough to come up with a lie that elaborate."

"There's a compliment hidden in there somewhere, I can feel it."

Shadow's round ear flicked in irritation, his eyes rolling and his shoulders heaving as he sighed. Ruby eyes closed, brows furrowed, carefully planning his next words.

"I know how you behave when you lie. This is not one of those instances."

There was silence, save for the far-off twittering of Flickies, muffled by the canopy of the forest. The sun was sinking now, casting orange flares in both hedgehogs' eyes. Sonic sighed, pinching the bridge of his nose.

"Well, nothing to do about it now," he mumbled, "I'm sorry I said anything. Doesn't have anything to do with you guys-"

"You said this world seemed to be some exaggerated form of paradise for you, to some extent?"

The blue hedgehog was a bit taken aback by how calmly and objectively Shadow was going about this, but... hey, it was Shadow. He balked for a moment, stammering his explanation.

"I... I mean, I-I guess? I'm not sure how creepy button eyes is an ideal lifestyle but-"

"I'm serious, hedgehog."

Sonic sighed again, averting his eyes to the ground.

"I..." Sonic laughed shortly, devoid of warmth, and threw his hand up in surrender, "Sure, yeah. I guess that's what the thing was going for, but obviously that creepy doll hellscape thing is not my idea of paradise. But Shadow, why is this-"

"Do you think I would be happier if Maria was here?"

Sonic's heart dropped to his feet, and he felt his veins run cold. His body was still for a moment, then he shrugged. Then he started to speak. Then he cut himself off. Then he put a hand to his face and stared at the grass through his fingers. The hedgehog noted how close the toe of his shoe was to crushing a small pink flower. He took a step backwards, then looked up.

"I-I don't know, would you?"

"I'm asking you, Sonic."

The blue hedgehog gave a huff through his nose, shoulders slumping in defeat.

"I mean," he spoke quietly, digging a fang into his lip, "I guess so? I feel like it's pretty natural to wish we didn't have to lose people we care about."

Sonic's thoughts flitted to his parents. He brushed it away for now.

Shadow looked thoughtful, deadpan, brows furrowed and eyes staring vaguely at the grass in front of him. Sonic didn't know why he felt like he was poking a grizzly bear. He knew he and Shadow had a tendency to compete rather than talk, so he supposed he expected the black hedgehog to dart off or hurl a Chaos Spear at his skull.

"I don't think I would be."

Sonic blinked in surprise, the tension dropping from his shoulders from when he'd braced himself for an attack. Shadow seemed surprised at his own answer.

"As dear as Maria is to me," the hybrid continued slowly, as if his words were an elaborate chess strategy, "As much as she would've loved this planet, and you---" Sonic felt a pang in his chest. "--what's done is done. If I could speak to her one last time, I would do so in an instant. But..."

Shadow looked solemn. He sighed again.

"It would be selfish of me, to undo the permanence of death. This planet is as dangerous and ruthless as it is beautiful. If people did not have mercy on the ARK, it would be no different here. Her illness would be expedited, and there would be nothing for me to do."

"But what if--"

"The best thing that I can do for Maria is keep this planet safe in her name. That is all."

Twilight now stained the sky softly purple, the faintest glimpse of stars beginning to flicker into existence, and the sinking light cast sunken shadows on the black hedgehog's tired face. Sonic figured talking like this was a fairly herculean effort. The chilled wind softly ruffled their quills. Instinctively, Sonic wanted to lighten the mood by making a jab about Doctor Frankenstein, or Night of the Living Dead, but taking one look at Shadow's exhausted face, he knew it wasn't the time.

The silence was tenuous, both hedgehogs unsure what to do with their feelings out in the open.

Sonic thought about how wrong the Other world had been, how uncanny and fundamentally terrifying it all was. He knew that thing, the puppet made of string and buttons and false fur...it wasn't really Shadow. But it still tried to help him. It was still Shadow's voice begging him not to leave, not to do this to him, not again. He knew the pain in its expression as the little girl in the blue dress unraveled was far from fake. As much as that fake world tried to create happiness, the only real, raw thing? Had been that pain.

Deep down, Sonic thought Shadow deserved to be a bit selfish, at least in this hypothetical, fantastic situation they'd created. And Sonic had the feeling that Shadow really, really wants to be as well. But, ever the realist, he doesn't even allow himself the fantasy. At least that's Sonic's guess. Maybe he's just projecting his savior complex again.

"Race ya home, faker?"

But Sonic also knows that living in a past as painful as Shadow's can be dangerous.

"You mean my home, or the fox's lab you sleep on the floor of?" Shadow smirks challengingly.

He's watched it consume Shadow before.

"That's a low blow!"

It's probably better off for both of them to just live in the present.

"Last one to Rouge's buys drinks?"

Shadow may not have his sister with him anymore, but, maybe the new normal isn't horrible.

"Oh, you're so on! I can taste my victory Shirley Temple already!"

"A Shirley Temple, are you a child?"

Maybe this freedom is what Maria wanted for him all along.

"You're gonna be crying like one when you lose!"

Shadow hmph's with a grin as his skates spark to life, glowing even brighter beneath the now inky black sky. With no warning, he darts off, leaving billowing ripples in the grass behind him. Sonic gapes for a moment, before his mind catches up and he peels away with an eager smile.

The blue hedgehog slows up near the end of their race, if only to see Shadow's victorious expression as Rouge opens the club door.

[aquanutart]

She is offering water to any lost travelers! However, it's so hot that the water has become tea, so she's adjusted accordingly!

[whilomm]

note: pollmaker is thinking of the USAmerican lottery system (powerball, mega millions, state lottos, scratchoffs, etc), but poll applies to other countries lotteries systems so long as its still the same concept of "big ol state sponsered gambling shit", but not like casino style gambling. u know what i mean, Lottos.

questions for the tags: how regularly, what stuff you play, if you have limits for yourself, if you feel like its a Problem for you, and for funsies the usual 'first thing youd do if you won the lottery' shit

reblog to have absolutely zero effect on your luck either way. just like, absolutely no change in luck whether you reblog this or scroll past. this is the luck neutral post reblog in the next 30 seconds or dont who give a shit

[kuixotic]

has anyone connected this, does anyone hear me

willpower of steel, fluidity of emotions, knowledge from the past, something like that

[stormofdefiance]

want to do a properly thought out write up on this but.... Sunday and Aventurine have so many parallels. Sunday the oldest of an orphaned sibling duo who wishes to sacrifice himself (in a sense) for his sister, Aventurine the youngest of an orphaned sibling duo whose sister sacrificed herself for him. The way Aventurine puts his left hand behind his back to stop it from shaking and Sunday who holds his right hand behind his back during particularly intense moments. Both who feel fundamentally alone no matter how many people they surround themselves with, who actively build self-destructive walls to keep themselves from others, who struggle to find a sense of peace and happiness for themselves, who hide every emotion behind a placid smile, who willingly transform themselves into actors within the grand theatre of life.