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#{ wolf | ic. }
potato-lord-but-not · 4 months
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put the podcast guys’ boyfriends (and non corporeal besties) in a room together to trauma bond
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puppeteerpoet · 20 days
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more people should talk about Rickon stark because wdym he has a soul-bound violent direwolf and he’s living with a wilding woman on an island full of cannibals and unicorns??? and he’s four years old???? Yet the one who lives in a cave with a talking tree is more talked about
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cable-salamder · 2 months
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They removed Akita from full canon because they knew her power over me would otherwise just be far too strong. Closeups:
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Anyways I guess this is like.. a redesign? mostly in order to better fit with what I’ve got going on with Fritz’ design. Aka I removed the animal heads because they’re bothersome (and confuse me), instead combining it with their hair.
Whether I’ve succeeded or not is up for debate.
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wyrmswears · 6 months
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yknow what, fuck you, [unhumans your previous elemental masters of lightning and ice and makes them best friends^_^]
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Ice is an unspecified eldritch being. He has an uncanny valley effect on humans that unnerves the majority of the team who in turn can't understand how Libber, Garmadon, and Wu don't feel unsettled by him. Eventually, the teams warms up to him, and though no one becomes as close to him as Libber is, everyone knows they can come to him if they want to hex their ex or get a demon exorcised (sometimes these are one and the same).
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Libber is a raijū and though this isn't common knowledge when she joins the elemental masters, news quickly spreads; she isn't great at keeping secrets. She DOES bite and Maya learnt this the hard way.
more art but also cw for death under read more
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thewatcher0nthewall · 7 months
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King in the North
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kosemsultanim · 1 year
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Catherine’s Costumes in Season 3 of The Great requested by anonymous
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ballgame · 6 months
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More sprites from the iam8bit Undertale vinyl.
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darkficlord69 · 1 month
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Fire & Ice
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Pairing: Cregan Stark x Jacaerys Velaryon
Warning: tastefully depicted smut (18+)
Word Count: 2k
Summary: When fire meets ice, the very walls of Winterfell seem to tremble. But is the wolf a worthy match for the dragon?
Jacaerys Velaryon sat beneath the sprawling canopy of the godswood, a single white flower caught between his slender fingers. He plucked its petals one by one, watching them drift down to the withered grass like fallen snow. A sigh escaped his lips, soft as the summer breeze, and his fingers, adorned with silver rings fashioned in the shape of dragons' scaly tails, stilled when a bee landed upon his pink nipple. He dared not move, resembling a statue of marble, all sharp curves and delicate lines, carved by a true master’s hand. He held his breath until the bee took flight, then allowed a small smile to break across his face as he prepared to rise.
But then, a shadow fell over him, long and imposing, blotting out the sun. Jacaerys looked up, squinting against the sudden darkness.
"Good day, my prince," came a husky voice, roughened by the chill of the North.
"You too, Cregan," Jacaerys replied mildly, his voice barely more than a whisper, as though he feared to break the stillness of the godswood.
"The lords of the war council request your presence in the solar," Cregan Stark said. "I had hoped you would care to join us."
Jacaerys let his gaze wander over Stark’s solid frame, taking in the man’s sturdy build. Those legs, long and strong beneath plain woolen breeches; that broad heavy chest hidden beneath layers of soft furs and leather; his hair, brown as autumn leaves, and his hard eyes, grey as winter’s ice—eyes that could thaw even the heart of a dragonlord.
He was lost in girlish thoughts, caught up in the rugged beauty of the Stark, when a soft throaty cough brought him back to himself. Cregan extended a gloved hand.
"Of course, my lord," Jacaerys said, taking the offered hand and letting Cregan pull him to his feet. "Anything you need."
***
The great hall of Winterfell rang with voices of discontent. Lord Umber’s booming shout rose above the rest, his face as red as his hair. “Straining our armies will only increase the risk of wildling attacks!” The room responded with a chorus of grunts and murmurs of approval. “Southron skirmishes are no concern of ours, I say!”
Lord Manderly, heavyset and lounging in his chair, responded in a bored drawl. “The South is as much a part of the Seven Kingdoms as the North. Sooner or later, one king or queen will force us to choose a side.”
“The Iron Throne will not look kindly upon our allegiance to Rhaenyra Targaryen,” Lord Hornwood intoned. Cregan Stark, seated at the head of the long oak table, had listened to enough prattle to make his head throb in annoyance. With a resounding thud, he slammed his large hands on the oak table, sending goblets rattling and silencing his bannermen. A sombre heaviness fell over the room, thick as the northern snows. The Warden of the North took a breath, his grey eyes hard and unyielding.
“We pledged our support to King Viserys’s heir long ago,” he said, his voice stern. “Never has a Stark broken his word, and I do not intend to be the first. Remember where your loyalties lie, my lords.”
With those words, dark and final as the grave, Cregan rose from the table, his wolfskin cloak trailing behind him like a shadow. Jacaerys Velaryon followed, a small, satisfied smile playing at the corners of his lips.
Once they were alone in the dim corridor of the Great Keep, Jacaerys’s mask of composure slipped, revealing the warmth beneath. “Cregan,” he said softly, his voice filled with genuine gratitude, “thank you.” The support of the North meant that his mother would be one step closer to claiming her birthright.
Cregan gave a curt nod, intent on heading to his chambers. But before he could take another step, he felt a firm yet gentle push, his back pressing against the cold stone of a column.
“Now let me show you how a dragon expresses his gratitude,” the prince murmured, a teasing grin curling his full, pouty lips. The words hung in the cold, still air, filled with a heat that made Cregan's blood pulse faster. Jacaerys moved with a lithe grace, every step a promise, every movement a dance of seduction.
Slowly, Jacaerys knelt before the Stark lord, his hands gliding up Cregan’s strong thighs. His touch was featherlight, just a whisper of fingers trailing over thick wool and leather, but it was enough to make Cregan’s breath catch in his throat. The prince’s eyes were dark, glimmering with mischief and desire, his expression one of pure intent as he let his fingers dance along the inside of Cregan's legs, feeling the muscles tense under his touch.
Cregan’s heart pounded in his chest, a heavy, insistent rhythm that matched the stirring in his loins. His hands flexed at his sides, fingers curling into fists as he fought the urge to pull Jacaerys up, to crush their mouths together in a desperate kiss. But he held back, held still, mesmerized by the sight of the prince at his knees, those nimble hands tracing patterns on his skin.
Jacaerys’s fingers found the edge of Cregan’s tunic, slipping beneath it, brushing against warm hair-covered flesh. The touch sent a shiver up Cregan’s spine, his breath hissing out between his teeth. Jacaerys looked up at him, his eyes half-lidded, his lips parted slightly, his breath warm against Cregan’s thigh.
The prince leaned in, pressing a soft kiss to the inside of Cregan’s leg, just above the knee. Cregan’s muscles tensed beneath the tender touch, his fingers twitching with the need to reach out, to bury them in the dark waves of Jacaerys’s hair. He watched, entranced, as Jacaerys continued his slow, torturous journey, his lips brushing lightly up the inside of Cregan’s thigh, each kiss a spark, each touch a flame.
The wolf stirred within Cregan, a low growl rumbling in his chest as he felt the heat of Jacaerys’s mouth moving higher. His desire, coiled tight like a spring, grew with every brush of those lips, every teasing touch. He felt himself harden, the ache of want becoming almost unbearable.
Jacaerys’s smirk widened as he felt the evidence of Cregan’s arousal beneath his hands. He looked up again, his eyes meeting Cregan’s, holding his gaze as he pressed a kiss to the sensitive skin just below Cregan’s hip. Cregan’s breath came out in a harsh exhale, his control slipping, his need overtaking him.
With a growl, Cregan reached down, his hands tangling in Jacaerys’s hair, pulling the prince up with a rough urgency. Their lips crashed together, the kiss fierce and desperate, teeth clashing, tongues tangling in a frantic dance. It was a kiss that spoke of hunger, of a desire that had been simmering beneath the surface for too long, finally unleashed.
Jacaerys responded with equal fervor, his hands gripping Cregan’s shoulders, pulling him closer, their bodies pressing together, fitting like pieces of a puzzle. The prince’s lips were soft but insistent, demanding and giving all at once. Cregan could taste the heat of him, could feel the fire that burned beneath his skin, and he met it with his own cold fury, his own wild, untamed desire.
Their mouths moved together, each kiss deeper, more intense than the last, as if they were trying to consume each other, to fuse together through sheer will. Cregan’s hands moved down, grasping Jacaerys’s waist, pulling him closer still, until there was no space between them, until they were one, bound together by the force of their need.
His lips left Cregan’s mouth, trailing down his jaw, his neck, pressing hot, open-mouthed kisses to the column of his throat. Cregan tipped his head back, a groan rumbling in his chest as Jacaerys found a sensitive spot, sucking gently, teeth grazing over skin.
The prince’s hands moved lower, finding hard planes of muscle, scars that marked his furry skin. He traced them with his fingertips, memorizing the shape of them, the feel of them, each one a testament to the man before him, to the strength and the honor that he embodied.
Cregan’s hands moved to Jacaerys’s waist, fingers digging into the prince’s hips as he pulled him impossibly closer, grinding against him, feeling the heat of his arousal through the layers of fabric. Jacaerys gasped, his head falling back, his eyes fluttering closed as pleasure coursed through him, his body arching into Cregan’s touch.
They moved together, lips meeting again in a fierce kiss, hands exploring, claiming, their breaths coming in ragged gasps. The wolf and the dragon, fire and ice, together in the dark, bound by a passion that neither could deny. And in that moment, they were lost to the world, to the weight of their titles and the burdens of their duties, lost to everything but each other.Jacaerys gasped, his fingers tangling in Cregan’s thick, dark hair as he pressed ever closer, his body melting against the northerner’s like ice before a flame. Cregan’s lips moved to Jacaerys’s neck, finding the pulse there and biting down just hard enough to make the prince hiss in pleasure.
“More,” Jacaerys demanded, his voice breathless, his eyes half-lidded with desire. “Show me how fierce the wolf can be.”
Cregan needed no further invitation. He lifted Jacaerys effortlessly, the prince’s legs wrapping around his waist as it was Cregan’s turn to press him against the wall. The cold stone was a stark contrast to the heat of their bodies, but neither of them noticed. Their world had narrowed to this moment, to the taste of each other’s mouths and the feel of their skin.
They were fire and ice, light and shadow, opposites drawn together by a force neither of them could fully understand but neither wanted to fight. Here, in the shadows of the keep, they were free of the burdens of their titles and the weight of their responsibilities. Here, they were just two dandy men, lost in the madness of each other.
Cregan’s hands found the laces of Jacaerys’s lacy smallclothes and pulled, the fabric sliding down the prince’s hips and pooling at his feet. Jacaerys shivered at the sensation, his hands gripping Cregan’s shoulders as the northern lord knelt before him.
For a moment, time seemed to freeze. Cregan looked up, his eyes meeting Jacaerys’s, asking a question without words. Jacaerys nodded, a silent answer, a trust given and accepted.
“Stay still now, woman,” Stark commanded and Jace whimpered at the order.
Then, Cregan’s lips were on him, hot and wet and hungry, and Jacaerys gasped, his head falling back against the stone. The world narrowed to that single point of contact, to the heat of Cregan’s mouth and the rough scrape of his beard against sensitive skin.
Jacaerys’s breath came in ragged gasps, his hands fisting in Cregan’s hair as pleasure coursed through him, building and building until he thought he might shatter from it. And then, with a cry that echoed off the walls of Winterfell, he did, his body tensing, his back arching, and then collapsing against the stone, boneless and sated.
Cregan rose, his lips curved in a small, satisfied smile as he pulled Jace into his arms, holding him close as the prince caught his breath. They stayed like that for a long moment, wrapped in each other, the only sound their breathing, the only warmth the heat of their bodies.
Finally, Jacaerys pulled back, his eyes bright, a lazy smile playing at his lips. “Well, Lord Stark,” he murmured, “I must say, your loyalty has its rewards.”
Cregan chuckled, a low, rumbling sound that sent a thrill through Jacaerys’s already sated body. “And you, Prince Jacaerys, are a demanding wench.”
Jacaerys leaned in, his lips brushing against Cregan’s ear as he whispered, “Only because I know you can handle me, oh Wolf of Winterfell.”
Cregan’s grin widened, his eyes darkening with promise. “Then you’ll have to show me again, you feisty dragonling,” he said, his voice a low growl.
Jacaerys laughed, a bright, clear sound that filled the corridor. “Oh, I intend to, Cregan Stark. Many times over.”
And with that, they slipped away into the shadows, leaving only the faint echo of their laughter and the lingering warmth of their passion behind them.
End.
Hi! Hope you liked it 🥰 Any form of feedback is greatly appreciated! 🫶
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scorpiusartistry · 2 months
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Hello! This is my first post here on this Tumblr page! Hi, I'm Scorpius! I decided the first thing I'll post here is the Stark direwolves from ASOIAF
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kcsplace · 8 days
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aliceof1cial · 6 days
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Underrated aspect of the book is how interconnected the Stark's are to their wolves and Lady being killed literally meant that a huge part of Sansa died that died that night too.
Both figuratively and literally, I mean. Lady's death represents Sansa's future losing of herself and her identity in King's Landing, because Lady dying literally meant that a part of Sansa was dead with her. When Ned killed Lady, he killed a part of Sansa; her innocence, her dreams. This even ties back to the warg and dream stuff. Sansa's being was buried with Lady.
And like, all of the other kids had their wolves for the majority of the time. Nymeria might not have been with Arya but the bond, their being, was still there.
Sansa doesn't have that, and I really wish more people explored this aspect of her. I think it further emphasizes how utterly alone Sansa is in this new world of hers. She doesn't have her father, her family, or even her wolf.
She only has herself.
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mighty-mations · 1 year
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jegus
spider-man across the spider verse promo but make it finn
this took too long
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praparuru-ume · 1 month
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A sketch of Ghost from a while back
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I feel so dumb for never having realized this before but I was thinking about the bookend in AGoT between the Others, the dragons, and two heroes: Waymar Royce and Daenerys Targaryen.
While squaring off against the Others, Waymar Royce asks for a dance.
Ser Waymar met him bravely. “Dance with me then.” He lifted his sword high over his head, defiant. His hands trembled from the weight of it, or perhaps from the cold. Yet in that moment, Will thought, he was a boy no longer, but a man of the Night’s Watch.
It’s notable that this scene is eerily silent save for the bits of dialogue. And when Waymar’s dance finally begins, there’s a notable lack of music.
The pale sword came shivering through the air. Ser Waymar met it with steel. When the blades met, there was no ring of metal on metal; only a high, thin sound at the edge of hearing, like an animal screaming in pain. Royce checked a second blow, and a third, then fell back a step. Another flurry of blows, and he fell back again.
I’ve always asserted that Ser Waymar is a failed last hero if we judge his success based off Old Nan’s blueprint.
So as cold and death filled the earth, the last hero determined to seek out the children, in the hopes that their ancient magics could win back what the armies of men had lost. He set out into the dead lands with a sword, a horse, a dog, and a dozen companions. For years he searched, until he despaired of ever finding the children of the forest in their secret cities. One by one his friends died, and his horse, and finally even his dog, and his sword froze so hard the blade snapped when he tried to use it. And the Others smelled the hot blood in him, and came silent on his trail, stalking him with packs of pale white spiders big as hounds—”
Both Ser Waymar and the last hero lost their companions and both had their swords shatter to the cold. Yet Waymar failed to complete one important step: find the children of the forest. The children are also known as “the singers”. So it’s notable that Ser Waymar attempts to dance without any music(ians) to accompany him. And because he does so, his dance ends in failure.
But then we have Daenerys Targaryen in the Dothraki Sea.
As Daenerys Targaryen rose to her feet, her black hissed, pale smoke venting from its mouth and nostrils. The other two pulled away from her breasts and added their voices to the call, translucent wings unfolding and stirring the air, and for the first time in hundreds of years, the night came alive with the music of dragons.
Dany performs a miracle in bringing dragons to life, the first person to do so in centuries. And these dragons sing a song that proclaims her, an exiled young princess and a widow, Azor Ahai reborn - the champion of fire, and warrior of light.
This bookend between the first and last chapters is so poignant. It’s not just that fire has returned to combat Ice. It’s that Dany brought back the music necessary to complete this dance. We start the book with a failed hero and end it with the rise of a true one; also interesting that Waymar’s end comes while he’s down on his knees whereas Dany rises to her feet reborn.
This makes Dany’s identity as the promised prince(ss) all the more impressive.
“He has a song,” the man replied. “He is the prince that was promised, and his is the song of ice and fire.” He looked up when he said it and his eyes met Dany’s, and it seemed as if he saw her standing there beyond the door.
Waymar failed because he didn’t have a song to accompany him. Yet Dany has a song to dance to. A song of fire.
I think this raises some interesting questions regarding the nature of this great conflict. There not only has to be a song to dance to, but it seems that there is a key distinction between the singer and the dancer. Rhaegar Targaryen failed to fulfill the prophecy because he was the singer and not the dancer. His role was to provide the hero’s musical accompaniment. In a way, it’s almost like he as the bard is the herald. And the herald is rarely, if ever, the main character. So notice how Rhaegar heralds the hero, the king, while looking at Dany.
But! - there’s different kinds of songs. Dany has one, made by her dragons. But it’s not be the only one. The children of the forest are heavily associated with the last hero and while Waymar Royce is dead, there lives another: Bran Stark.
Bran found the children, the singers, and is a step closer to completing the last hero’s journey.
Now Bran is an interesting case.
“Go,” Bran whispered to his own horse. He touched her neck lightly, and the small chestnut filly started forward. Bran had named her Dancer. She was two years old, and Joseth said she was smarter than any horse had a right to be.
He has a dancing horse but at some point has to leave her behind. So does that mean that he has to learn to do the dancing in his own way?
And I find it interesting that Bran has a female dancer horse because this creates a neat parallel with Dany, a dancer who may also be the stallion that mounts the world; if it’s not her, then it has to be her mount, Drogon. This is important if we consider that the last hero, Azor Ahai/the promised prince, the Stallion That Mounts the World, etc. are all different yet complimentary manifestations of one heroic legend.
But the issue of songs doesn’t end there because there still exists one Jon Snow, another version of the last hero and promised prince. Jon isn’t a bard but he has been positioned as being adjacent to dancers. I won’t harp on about Jon’s parallels with Waymar Royce because they’ve been done to death. But it seems that Jon, like Bran and Dany, will succeed where Ser Waymar failed.
Because not only does Jon have music to herald him:
That night he dreamt of wildlings howling from the woods, advancing to the moan of warhorns and the roll of drums. Boom DOOM boom DOOM boom DOOM came the sound, a thousand hearts with a single beat.
But he is also positioned as a last man standing among many dead heroes:
“Stand fast,” Jon Snow called. “Throw them back.” He stood atop the Wall, alone. “Flame,” he cried, “feed them flame,” but there was no one to pay heed. They are all gone. They have abandoned me.
And he has a sword that will not shatter against the cold:
“Snow,” an eagle cried, as foemen scuttled up the ice like spiders. Jon was armored in black ice, but his blade burned red in his fist.
It’s noteworthy that Jon is the son of a singer, Rhaegar Targaryen. The very singer who sang the song of ice and fire; and notice how Jon is clad in both. Plus he has been mentored by another, Mance Rayder, whom he eventually succeeds.
At a quick glance, it’s very interesting to me that Jon is constantly listening to songs beyond the Wall. There’s the song of the blue winter rose (which in a way heralds his own birth), the song of Joramun and the Horn of Winter, and many others.
It’s also noteworthy just how often giants are mentioned as the subject of songs in Jon’s POV chapters. I bring this up because of the Last of the Giants:
Ooooooh, I am the last of the giants, my people are gone from the earth. The last of the great mountain giants, who ruled all the world at my birth.
I think there is a parallel here between the dragons, the giants, and the children of the forest. These are all dying species, yet they linger on for the song of ice and fire still needs to be brought to completion.
And let’s consider where our heroes fit in all this. Dany commands the dragons, Bran learns from the children, while Jon begins to befriend the giants. All these creatures make musical accompaniments for our heroes to dance to.
Lastly, I’m inclined to think of the Stark girls though I’m not entirely sure where they would fit in all of this. Arya, at some point, trains to be a dancer:
On the way back to his chambers, he came upon his daughter Arya on the winding steps of the Tower of the Hand, windmilling her arms as she struggled to balance on one leg. The rough stone had scuffed her bare feet. Ned stopped and looked at her. “Arya, what are you doing?” “Syrio says a water dancer can stand on one toe for hours.” Her hands flailed at the air to steady herself. Ned had to smile. “Which toe?” he teased. “Any toe,” Arya said, exasperated with the question. She hopped from her right leg to her left, swaying dangerously before she regained her balance. “Must you do your standing here?” he asked. “It’s a long hard fall down these steps.” “Syrio says a water dancer never falls.” She lowered her leg to stand on two feet. “Father, will Bran come and live with us now?”
Now Arya is no singer, but her wolf is.
In another place, his little sister lifted her head to sing to the moon, and a hundred small grey cousins broke off their hunt to sing with her.
On the other hand, Sansa is no dancer but she is known for her ability to sing. And boy does she sing beautifully.
Her throat was dry and tight with fear, and every song she had ever known had fled from her mind. Please don't kill me, she wanted to scream, please don't. She could feel him twisting the point, pushing it into her throat, and she almost closed her eyes again, but then she remembered. It was not the song of Florian and Jonquil, but it was a song. Her voice sounded small and thin and tremulous in her ears. Gentle Mother, font of mercy, Save our sons from war, we pray,
In fact, a lot of Sansa’s songs are prayers for those who dance to the music of swords. Her songs are soothing, calming. And see this during Stannis’ assault on Kings Landing when she is able to calm Sandor and the noble women through the power of song. Hers is not a song to dance to, it’s a different kind though I’m not entirely sure what it entails. I do want to say, though, that Sansa is often paralleled with creates that take flight; various birds and bats. So she is a singer, much like the dragons.
I may have neglected other characters here, but I just thought it was intriguing that our main heroes (Jon, Bran, Dany, maybe Arya) are all positioned as dancers for the song of ice and fire.
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llutik · 5 months
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instagram user theflowermoonsuns commisioned a piece of arya and dany interacting
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thewatcher0nthewall · 5 months
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Who do you think send the winds, if not the gods?
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Osha, Rickon and Shaggy
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