#[Memories of Venice]

[canisalbus]

I find the thought of their modern versions having interests in medieval arts and traditions very cute, imagine Vasco learning how to play a lute and everyone questioning why not play a guitar or something similar. And even he doesn't know why, but a part of him tells him to do it.

Like deja-vus and weird desires of visiting Rome, commissioning fancy portraits and playing the lute while riding a horse in the country-side.

Same for machete, but he just accepts it as a hyper-fixation on the renaissance and moves on without questioning it much

.

[beforevenice]

memories and thoughts age, just as people do. But certain thoughts can never age, and certain memories can never fade.

// haruki murakami

[dontforgetukraine]

A memorial service was held in Lviv for 7-year-old Emilia, 18-year-old Daria, 21-year-old Yaryna, and their mother Yevhenia, all killed in the Russian strike on September 4.

Meanwhile, Russian propaganda was at a film festival in Venice. The film "Russians at War" had funding from Canadian tax dollars. Unless something changes, it will also be shown at a film festival in Toronto on September 10th. It received $340,000 from the Canada Media Fund, which receives funding from the Government of Canada (Source). It also had support from France’s Centre National de Cinéma.

This is some of what the Ukrainian Canadian Congress had to say about it. You can find more of their statements on their website. They encourage everyone to contact the Canada Media Fund to share views on the funding and that the screening of the film should be cancelled. Contact information is in the link.

The Canadian Government says it is very concerned about the influence of Russian propaganda. Then why is the Canada Media Fund using taxpayer money to fund: —A movie – Russians at War – made by a filmmaker whose previous movies used to be broadcast by Russia Today, a Russian propaganda outlet sanctioned by the Government of Canada? —A filmmaker who entered sovereign Ukrainian territory together with invading Russian armies, thus violating Ukrainian law, Ukrainian sovereignty and possibly breaching Canadian sanctions? —Why did this film receive $340,000 from the Canada Media Fund, which is funded by the Government of Canada? —Why is the Toronto International Film Festival (TIFF) screening a movie that seeks to explain away Russia’s genocidal war of aggression against Ukraine? Why is TIFF showcasing a film which blames “propaganda” or “the fog of war” for the Russian armies who invaded Ukraine and who rape, torture, murder and dehumanize Ukrainians?

The TVO (Ontario's public educational media organization) had this to say on the matter of the film.

Russians at War is at its core an anti-war film. It is unauthorized by Russian officials and was made at great personal risk to the filmmaker, who was under constant threat of arrest and incarceration for trying to tell an unofficial story. This film shows the increasing disillusionment of Russian soldiers as their experience at the front doesn’t jive with the media lies their families are being told at home. The film was produced by an Academy Award nominee with the support of cultural agencies in France and Canada because it is a documentary made in the tradition of independent war correspondence. We encourage people to see the documentary for themselves when it is available. It will be screening at the Toronto International Film Festival next week and will be airing on TVO in the coming months. TVO is an education and public affairs-focused organization. Our priority is to provide our viewers with important stories from across Ontario and around the world. TVO remains firmly committed to delivering high-quality and ethical content. We value transparency and integrity in our work and continue to uphold these principles in all our operations.” – TVO Media Education Group

This is naivety at best. No matter what, it's being complicit to white washing Russian war crimes.

Anastasia Trofimova, the documentary's filmmaker, has at least 11 films funded by RT. And as the DOJ in America has shown us recently, RT has direct ties to the Kremlin. To think she could get access and just film anything without the approval of the FSB is laughable. Nothing happens without their approval, and at the very least it would be a breach of OpSec.

And what she says gets even worse.

Trofimova was asked at the Venice press conference on whether it was “ethical” to humanize Russian soldiers, in light of war crimes committed by Russia’s army during its ongoing invasion of Ukraine.   “I find it a little bit of a strange question, if we can humanize or not humanize someone. So, are there lists of people who we can humanize and people who we can’t? Of course, we have to humanize everyone. This is a huge tragedy for our region, first of all, and for the entire world,” replied Trofimova.  “If we don’t see each other as people…  these black and white stereotypes about each other, this will only make the war continue. This will only make the hatred grow… unfortunately, that’s sort of the route taken by politicians, but I don’t think that this is the route that regular people should take.”

Of course she frames it as a great tragedy for Russia. "Russia is always the victim and should never be held accountable" is the common narrative and attitude. She didn't mention Bucha, or Irpin, or any of the other cities that have been wiped off the map. She doesn't acknowledge the ethnic cleansing being done by her country or why Russians are being regarded as something other than human due to their actions and behavior. She keeps talking about seeing people as people, but doesn't acknowledge the perverse racism and dehumanization her fellow Russians do to Ukrainians and the ethnic minorities within Russia. The soldiers in the Russian army carry this attitude to the battlefield. It's not hard to find this behavior in all the videos on Telegram.

To that point and in answer to a second question by the same journalist on whether she had seen the Ukrainian films in Venice, Trofimova voiced her disquiet at the ending of Olha Zhurba’s documentary Songs of Slow Burning Earth which is also playing Out of Competition. The audiovisual diary captures the impact on Ukrainian people and society in the first two years of the ongoing Russian invasion, which began in February 2022. “I found it to be really good, especially the first 15, 20 minutes… when people just started to find out that the war is beginning… I found it to be really strong,” said Trofimova. “The ending, though, I wasn’t that much of a fan of because it sort of contrasted Ukrainian kids and Russian kids, with Ukrainian kids thinking about what they can do to build a better Ukraine for the future, and Russian kids were just shown as marching and singing war songs. “I found this to be playing into that whole narrative that Russians, by definition, are these aggressive and awful people… you know that it’s in their blood to be to be this way."

Look, if she has a problem with how Russian children are being portrayed in the ending of that other film, then maybe she should look around and wonder why the portrayal is there. Ukrainians aren't the ones filling Russian children's heads with propaganda and revanchism. Your fellow Russians are sending their kids to school with backpacks with the fucking Z on them, or making them wear tank costumes in parades. I've read articles of Russians sending their kids to some form of military camp. It's Russian society that creates and reinforces standards to be awful people, not Ukrainians. Examine your damn society first. Look at the war crimes Russian soldiers willingly commit and record to post on Telegram. Listen to what your fellow Russians say about Ukrainians. It's not hard.

This is all grotesque manipulation and propaganda.

If you want to read this article these excerpts are from, here. I'm so disgusted I'm getting a headache.

[chalamet-chalamet]

‘Dune: Part One’ Venice press was amazing ✨✨✨

📸 by Julian Ungano

[inabigdanceskin]

Gondola, Venice, Italy. Sunday, 21 January 2024

[philhoffman]

Phil’s theater work in the 90s <3

[voguefashion]

Jessica Chastain wearing Gucci dress and Bulgari jewels, at the Memory premiere at the 80th Venice Film Festival on September 8, 2023.

[jupiterovprsten]

Venice 2011.

[chastainstuff]

like or bradleyjckson

[emcyan]

invisible cities, italo calvino // venice, italy

[picsforkatherine]

Jessica Chastain at the photocall for "Memory" during the 80th Venice International Film Festival

[myfavoritepeterotoole]

Peter O'Toole

The Merchant of Venice Shakespeare Memorial Theatre directed by Michael Langham designed by Desmond Heeley

Royal Shakespeare Company, Stratford April, 1960

Peter O'Toole as Shylock

*** https://myfavoritepeterotoole.tumblr.com/post/632475496460009472/plays-and-players-april-1963-charles

[beforevenice]

Be careful who you make memories with. Those things can last a lifetime.

// Ugo Eze

[daltony]

"Memory" Red Carpet - The 80th Venice International Film Festival

VENICE, ITALY - SEPTEMBER 08: Tony Dalton attends a red carpet for the movie "Memory" at the 80th Venice International Film Festival on September 08, 2023 in Venice, Italy. (Photo by Alessandro Levati/Getty Images)

[37storms]

Venice memories

[inabigdanceskin]

Venice, Italy. Sunday, 21 January 2024