#[ it needs to be saved for important reasons. ]

[balioc]

Looking at the world from a manager's perspective, you can productively model the pool of workers as being divided into a few basic groups, which are defined and characterized by their driving motivations.

Insert all the usual disclaimers for this sort of thing - this is the roughest type of rough typology. I pulled these categories out of my raw intuition, and possibly a few more would crop up with some additional thought. In reality, the boundaries of these categories are incredibly fuzzy, and almost every individual is actually going to be motivated by a complicated mix of all the relevant motivations; we're talking REALLY SIMPLE HEURISTICS here. Etc.

There have been other well-known worker typologies that share a lot in common with my thoughts here; this is mostly not novel, it's mostly meant to refine a few ideas for particular purposes.

Hustlers are motivated by concrete personal advantage. Most commonly, and most straightforwardly, they want money - as much of it as they can get. They may also be interested in fame, idiosyncratic perks, etc. They do whatever they have to do in order to get what they want.

No surprise: you see huge preponderances of these guys in fields that provide outsize concrete rewards, e.g. finance, the upper echelons of management, etc. But not every natural-born Hustler is in a position to enter a glitzy high-paying field, and in fact you find Hustlers all throughout society and all throughout the economy, finding or making hustles wherever they go.

Having Hustlers working for you is mostly pretty great. They get shit done. They can be induced to work incredibly hard - probably harder than anyone else, under most circumstances - and they'll shank their own mothers if the price is right. If you need anything really important from them, anything at all, it's just a matter of bribing them enough.

...they will also, of course, cheerfully shank you if the price is right. Hustlers aren't the only wellsprings of institutional politics and infighting, but they're the most dangerous ones; they're always potential rivals to everyone around them. Also, you need to keep the tangible rewards flowing in a steady stream in order to get anything out of them, or else they'll put most of their effort into jumping ship (one way or another).

Craftsmen are motivated by the desire to do good work in their chosen fields, for its own sake and for the sake of their treasured self-image as people who do good work.

As you'd expect, for the most part, they're excellent workers and should be prized. But they're not perfect workers. Common weaknesses and downsides include:

They tend to have their own ideas about How Things Should Get Done; they're often resistant to externally-imposed product/service requirements or process changes (and bad at implementing those things) (no matter how important or well-conceived they are), and they're very resistant to "just get it out the door, right now done is better than good."

Being driven chiefly by internal motivation is great, but sometimes it's useful to be able to push things along with external motivators, and Craftsmen are pretty resistant to those. They don't like working more or harder than they're naturally inclined to work, they mostly sneer at carrots, and sticks make them sad and unproductive.

It's important to note that, while noteworthy skill within a field correlates with having a Craftsman temperament and motivation suite - for obvious reasons - those things are not identical at all. Plenty of Craftsmen are bad at their jobs, or just average, and plenty of the best workers are most motivated by things other than the Excellence of the Work Itself.

Fanatics are a relatively rare and specialized group, whom you find mostly within a few specific sorts of culturally-valorized fields. They're motivated by a desire to be part of something Important and Good in a Broader Sense: to Save the World, or some smaller-bore version of that.

They make amazing front-line soldiers, in the sorts of institutions that have "front-line soldiers." They work super hard, and you don't even need to bribe them, you just need to keep them hopped up on inspiration.

The big problem with them is that they're mostly motivated by a feeling - the feeling of Being Righteous - and it's not easy to control where they get that feeling, in any kind of precise way. They're just as resistant to external motivators as Craftsmen are, or even more so, but they're also not being guided by an ideal of effective quality. (No, not even if their chosen cause is theoretically all about an ideal of effective quality, hem hem.) They will happily waste vast amounts of time and money doing useless things, or even counterproductive things, so long as they're engaged in tasks that hit the right psychological buttons for them. There's also a constant risk that a Fanatic will decide that his employer is unrighteous, or that one of his coworkers is unrighteous, and start an internal conflict; the risk scales in a more-than-linear fashion with the number of Fanatics you keep around.

The biggest group, unsurprisingly, is the Normies. In most fields, it is much the biggest group. Normies are motivated by the desire to be members in good standing of their communities, to have positive relationships with the people around them, and to live up to basic norms and expectations.

Managerial skills, in the traditional sense, are incredibly important with Normies. If you want them to do good work for you - and you should want that, as a manager, you've almost certainly got a whole bunch of them - not only do you have to keep them pointed in the right direction, you have to make sure that they're supporting each other. With Hustlers, you just have to throw money at them (and avoid their power plays); with Craftsmen, you just have to let them do their thing, and occasionally badger them into giving you what you need; with Fanatics, you just have to be inspirational; but with Normies, you have to lead, and construct a productive community. You have to set reasonable, achievable norms and expectations that will get you what you need.

This wouldn't be complete if I didn't talk about the Defectors. The Defectors are motivated by not working. They don't want to be there, they resent having to do their jobs, and their primary goal is to shirk as much as possible. They will, by default, put much more effort into shirking than into their assigned tasks.

Obviously, managers don't want to have to deal with them, for good reason. But they're out there, in large numbers - not always in the places and fields where you'd expect to find them - and learning to manage them is sometimes more viable than trying to get rid of them. ("Moving Heaven and Earth to find them jobs that will change their attitude" is often a good plan, although of course it's not always possible and not always worth it.)

Crucially, Defectors are not Normies. If you start with the assumption that the average baseline worker is lazy and sour, you will make some incredibly stupid decisions. There are some fields where, for structural reasons, you can expect that a very large number of your workers will be Defectors; this is a huge and complicated challenge, well beyond the scope of this post, and good luck to you if you have to handle it, but it's not the default.

----------------------

Once you have those categories in your head, and can play with them, a number of obvious-seeming ideas present themselves. Just a couple, for now:

Most high-level executives are Hustlers, or have strong Hustler tendencies, for obvious reasons. Most of the people around them are Hustlers, or have strong Hustler tendencies. This means that they tend to overweight the Hustler outlook, by a lot, when they try to model what their workers are like. More specifically, I'd wager that a lot of them intuitively divide the world into "good workers" ( = Hustlers) and "bad workers" ( = Defectors). This will lead to a heavy overreliance on tangible rewards, a systematic shortchanging of community-building, etc. Which is in fact just what we see.

In particular - crucially - Hustlers and Defectors are the only worker types who ever become more productive under heavy stress. Hustlers actually benefit from it, because it raises the stakes of the game that they're already playing. (If you succeed, you'll be king of the world! If you fail, you'll be shark food! Go go go!) Defectors suffer terribly from stress, of course, but they can sometimes be spooked into doing their jobs as opposed to doing nothing, and sometimes that's the best/easiest way to get something out of them. But stress is terrible for everyone else. Craftsmen lose their focus. Fanatics lose their hope. It's worst of all for Normies, because they take all their cues from the vibes around them; they're productive when they learn to associate work with comfort and happiness, and when you fill their working world with frantic desperation, you just put them in a permanent cringe state.

stop trying to pit your Normies against each other in competitions for status and rewards dear God what are you stupid

To some extent, you can control your institution by controlling what types of workers you have. But only to some extent. There are only so many Hustlers and Craftsmen to go around, and if you want them, you will have to (a) be able to identify them reliably on little information [HINT: you are probably very bad at this], and (b) provide them with what they want [tangible rewards / comfortable security and interesting work]. "We are going to employ only the good special people" is feasible if you're an outfit of four workers; at a dozen, it's already become a stretch; at a few hundred, uh, pfffffffft. If you want to operate at scale, you need to be able to make Normies do good work, there is no substitute for it.

[writing-for-life]

@embervoices , I had to put this in a reblog because it got too long for the comments (brevity is not my forte 🤣):

Yes yes yes! I’ve got several metas that riff on exactly the points you mention, also Desire not being the straightforward villain so many think they are; you’ll find them all in my meta-library:

(please don’t feel you need to read them though)

Or rather: If we look at the Endless conceptually instead of seeing them solely as, well, “not human but still people”, we get to a deeper meaning that will otherwise stay inaccessible. It starts with *when* Desire and Despair first enter the scene in the main run (right after The Sound of her Wings, when Dream… well, hears the sound of her wings 😩). The “big sister sets his head straight” is a valid surface reading of #8, but it’s also just that—a surface reading.

You can’t love and be close to Death if you don’t feel drawn to death.

Death can’t advise you without also being her function. She *is* death. The literal thing. And I’ll never tire of saying it, because every time he listens to her in the whole run, he gets closer to her in the real sense.

And another unpopular opinion: When NG coined the pithy phrase that one must change or die, and that Morpheus made his choice, he didn’t mean he just chose death (even if a felt 80% of people seem to read it like that, but that might just be what I see on my feed—other people’s mileage might vary). They were never to be read as mutually exclusive—it was always both. Because metaphorically, something needs to die to change—a viewpoint, a habit, a set of beliefs. And yet, it doesn’t entirely disappear. That’s exactly what happens—omnia mutantur, nihil interit. And Dream is the Prince of Stories—of course he relates to everything via a narrative *he* spins (he can deny it all he wants).

And yes, you can absolutely desire death—it’s so poignant that we meet Desire and Despair for the first time in #10, and also that they show as the twins on this occasion.

And then there is Brief Lives, when Desire (which is *also* a life force, and that’s important contextually in several arcs) actively pulls out of the scheming in more than one way: Dream even says, verbatim, he has no desire to “do this”, when he usually avoids even the word like the plague (and if he hadn’t done it, the ending might have been different, but that would have also been totally past the point). But the influence of his other siblings, or rather how he relates to them, is far more devastating in that moment. And while they all try as siblings, they are also their function. And in their function, they are NOT helping—again, it’s so obvious if we just look at when and how they show up for him:

Delirium made him go on the trip to find Destruction, Death told him off and made him change his mind when he had already abandoned the plan, Destiny advised him but also didn’t because he is what *must* happen either way, and Despair only showed up for him after Orpheus’ death.

Funnily enough, Desire, despite all their scheming, was always the only one who saved his ass (maybe not always for the most unselfish reasons, but they did it anyway). Not just once. Several times over. Overture is all I’ll say (during the actual events of Overture, but also in the flashback to Alianora’s story).

It’s all incredibly clever and heartbreaking at once…

”But He Loved, He Should Have Been Forgiven”

About Free Will, Responsibility and Agency: Lucifer and Dream as Foils

Did I finally jump on the Lucidream/Dreamingstar bandwagon? No, don’t panic (or be eternally disappointed 🤣), because that quote is actually from “Murder Mysteries”, a short story that also exists in comic form (drawn by P. Craig Russell). And while it isn’t officially part of the Sandman Universe (or even DC), I always saw it as somewhat of a blueprint of how NG (re)imagined Lucifer’s Fall. There is enough in Lucifer’s characterisation in the Sandman that makes it quite plausible as a sort of backstory, especially since it was written when the Sandman was still in full swing. But more about that later…

I’ve long wanted to write a meta about Lucifer and Dream as narrative foils, and since I’ve finally started clearing out my drafts, this was a good one to do right now because we are currently discussing “A Hope in Hell” in our community (join us!). Although I have to admit that this one is rather about what transpires when Lucifer decides to abandon their realm in Season of Mists...

When Lucifer learns of Dream's impending return to Hell to finally release Nada, it solidifies their own resolve to leave (I use they/them pronouns because of the show although comics!Lucifer is male presenting apart from the plumbing and also referred to as he/him). By the time Dream arrives, Hell is nearly deserted, with Lucifer basically expelling its last inhabitants. Lucifer tells Dream they rebelled long ago, and that they are not willing to “pay for that one action” anymore. And the most profound truth they share with Dream is the nature of ultimate freedom—the freedom to leave. This is also brought up many issues later, when Lucifer says to Delirium, "I told him, you know. I told him years ago… I told him that I owed him much for having given me the impetus to go. I told him there was always freedom, even the ultimate freedom. The freedom to leave. You don't have to stay anywhere forever.”

And that’s just… ouch. Not just because it so clearly shows that Morpheus also could have left had he just chosen to (then again, he wouldn’t be Morpheus if he had, and even more “then again”: he did in certain ways), but also because we generally see Lucifer as an antagonistic force. But here, they express something akin to gratefulness. And maybe even a hint of regret that Morpheus didn’t also choose the same way. They feel almost sorry for him (my guess is they actually do, and I can never forget their face at The Wake). But what do you do if even freedom feels like a cage?

All of this ties in neatly with the crucial truth about Hell Lucifer reveals: People are there because they choose to be (and that Hell doesn’t need to be a physical place: We can make our own—any place, even in our own minds).

...this is where you wanted to be.

Lucifer explains to Dream:

"Why do they blame me for all their little failings? They use my name as if I spend my entire day sitting on their shoulders, forcing them to commit acts they would otherwise find repulsive. 'The Devil made me do it.' I have never made one of them do anything. Never. They live their own tiny lives. I do not live their lives for them.”

He continues, “and then they die, and they come here (having transgressed against what they believed to be right), and expect us to fulfil their desire for pain and retribution. I don't make them come here. They talk of me going around and buying souls, like a fishwife come market day, never stopping to ask themselves why. I need no souls. And how can anyone own a soul? No.

They belong to themselves… they just hate to face up to it.”

Which brings me to one of the most important messages (one of many) of the Sandman: People must take responsibility (and in this particular case not only for their lives but also for their afterlives, which is also a recurring theme). Each person's soul is their own, and no one can take that away. Paradoxically (or maybe not), as Lucifer abandons their own responsibilities, they urge people to take responsibility for themselves: You can drop said responsibilities, with all that entails, as long as you also take responsibility for the fallout.

So what about the wider question of free will then?

Let’s look at Lucifer's rebellion and fall for that, because both raise a lot of questions. Dream tells Lucifer that he remembers them as passionate, and Lucifer responds, “I cared about so many things. I suppose that was why everything began to go wrong. You know… I still wonder how much of it He planned. How much of it He knew in advance. I thought I was rebelling. I thought I was defying His rule. No… I was merely fulfilling another tiny segment of His great and powerful plan.”

And this brings me right to NG’s short story “Murder Mysteries”, which isn’t really officially part of the Sandman Universe, but also… it totally is 🤣. In it, pre-fall Lucifer witnesses the destruction of an angel who killed another angel they loved. Raguel (the angel formerly tasked with said destruction who now walks on earth, coincidentally mentioned in the panel above as one who might also have rebelled) narrates, “‘That was not right. That was not just.’ Perhaps Saraquael was the first to love, but Lucifer was the first to shed tears."

Later, it is revealed that God orchestrated this situation to push Lucifer towards rebellion. God needed an adversary to run Hell and says, “Lucifer must brood on the unfairness of Saraquael's destruction. And that—amongst other things—will precipitate him into certain actions. Poor sweet Lucifer. His way will be the hardest of all my children; for there is a part he must play in the drama that is to come, and it is a grand role.”

Lucifer was basically set up by God, and this somewhat revisionist interpretation of their rebellion and fall opens up larger questions about free will, agency and destiny.

Because although Lucifer's actions were influenced by God, they still carried them out and are therefore fully responsible for them. And by choosing to abandon Hell, Lucifer was taking responsibility for their own life. They faced a choice: remain in Hell as a shadow of their former self, or move on and make peace.

This fragile peace is illustrated at the end of "A Season of Mists," when Lucifer and an old man are conversing on a beach. The old man, despite having lost everyone he loved, remarks that any God who can create such beautiful sunsets couldn't be all bad. After the man leaves, Lucifer admits (basically to God), “He's got a point. The sunsets are bloody marvelous, you old bastard. Satisfied?”

And in a way, even Lucifer comes to terms with their past once they take responsibility for it.

In a way, this mirrors Dream’s arc to a tee. One could certainly argue that he was set on his path by forces outwith his control: Whatever had to happen in cosmic terms was always bigger than Dream. The Fates also held a grudge against him and Orpheus, for more than one reason. Orpheus did make the Furies cry, and they never forgave him for that. Crucially though, he was also responsible for his own actions and carried them out. Only that Dream’s choice was ultimately a different one—or was it truly? Because what is the exact definition of “walking away”? He certainly did not abandon his realm like Lucifer because he ensured it was taken care of. There is no devil-may-care (no pun intended) attitude, because even when choosing death, Morpheus does care about his realm and the dreamers. Deeply.

It is the sole reason why the ending we get is the ending we get, and why we have Daniel as Dream in the end. And while Lucifer takes responsibility for their own life, Morpheus takes responsibility for his own death. But both Lucifer and Morpheus faced a choice: remain on their paths as shadows of their former selves, or move on and make peace. And both chose the latter.

And one takeaway for us, as the readers, might be that if we find ourselves in an intolerable situation, we can always walk away, even if the price may be high. This brings us back to the theme of freedom:

The price of freedom is taking responsibility for our lives, even if we haven't been fully in control of them. The freedom to walk away might not be the ultimate freedom, as Lucifer suggests, but it is significant.

Free will in the Sandman is a topic of debate, and I tangentially wrote about it before:

Destiny carries a book that contains everything that will happen to us, all there was, is and will be. Most of all though, it contains what must happen. One could say that in this universe, there is a strong element of predestination involved. However, complaining about a lack of free will and just pointing towards Destiny’s book also misses the point:

In the end, our lives are always our own (which is mentioned several times, directly or in a roundabout way: in Façade, in Song of Orpheus, in Brief Lives, in The Kindly Ones, in The Wake).

Your life and your death are your own

Some of us might have more to overcome than others, but the sooner we accept our unique challenges (which is not the same as being passive), the more we will focus on what we can change—or what we can meet with forgiveness and (self-)compassion.

Destiny and freedom as opposite sides of the coin matter far less than what we do with them…

[themagicalwriting]

Open letter to all GL fandoms with a dive in the Thai GL History created by @Kguardian0805 on X

Each GL brings something different to the table that helps to expand the industry that until 3 years ago was non-existent, only served for secondary characters with 10 minutes of screen time. FreenBecky not only designed but also built the table and they were the first to serve the main dishes and prove to everyone that it was possible, necessary and profitable.

And I'm not eliminating the importance of Tina & Aom, their film was Thai's first success in GL, so much so that it even won a sequel, but despite the international success, it failed to open the Thai industry to GLs. Because after Yes or No sucess GL entered a limbo for more than 10 years, with GL only appearing with secondary roles and seconds on screen.

It was only in 2021 with Chen, Saint and FreenBecky that things started to change because they announced Thai's first GL series and no one I repeat NO ONE but themselves believed it would work and there was worth it do it. Producers, companies, sponsors, fans even other actors continued to say that it would be a fiasco, a disaster so they all refused to support or be minimally associated with FreenBecky at that time.

But the girls and IDF were producing GAP for the right reasons and they didn't give up no matter the difficulties and the no's. Saint used all his money and his mother's savings to produce GAP and if he failed IDF would go bankrupt along with them. And was with a that perseverence and good representation mentality that GAP, the underdog show, beat all BLs in 2023 become a phenomenon and opened up the industry to GLs.

it was due to the success of GAP's exhibition on CH3 that made the channel want to produce and invest in their 1st GL; it was the success of GAP that moved Blank's CEO to make the series happen using a direct continuation of the story on her own terms and artists; it was FreenBecky's phenomenon that proved to GMMTV that GL is worth it so they finally stopped rambling and unshelve ML and their fandom unleashing their 1st GL; and the list of impact could go on with several other names and situations like the government support bc either directly or indirectly it was the success of GAP and FB that start the GL wave and made viable and visible our needs and existence as an audience to the Thai Industry.

admitting that DOES NOT make inferior your favorite couple/GLs because now with the industry growing many fans entered the industry for other artists/series and thats is a big win cuz was always the main goal of FB/IDF see that happening when they produced GAP, but please don't try to rewrite history or erase, belittle the sacrifices made by FB and IDF so you could today have a wave of GLs to choose your faves from; being true to this fact, liking FB or not, only proves your character and respect for the GL history.

So if u are a multifandom or just a GL enjoyer, respect everyone equally without differential treatment; if u are fans of other couples/series focus on them and appreciate their work, no need to minimize FB, their importance and work to value your fave,there is room for everyone. Remember if everyone always occupies different seats at this table, making different dishes, if the artists can respect each other and support, the fandom should at least respect each other or stay, know their place.

also stop harassing artists and their companies for things that don't belong to them, dont match their profile, each duo and company works in a different way; just demand for better productions and representation, better management of artists and not about other things. Lets make this space the most health possible we will disagre in a lot of things, we will fight over awards but pls be smart about it cuz a lot ppl, especially men, would love to see us fail, so stop playing their games but just uplift the woman in this field and the GL wave.

I wish all the best to all artists in GL world with special shoutout to MilkLove and their new series and Englot with Petrichor cuz I've been following their fight, struggles since 2022 and only wish the best for them over their really difficult company. Lets keep growing, all of us!

I wish all the best to all artists in GL world with special shoutout to ML and their new series and Englot with Petrichor cuz I've been following their fight, struggles since 2022 and only wish the best for them over their really difficult company. Lets keep growing, all of us

PS: I decide to share this thread here cuz dont only I agree but the GL world need that positivity and also really know their history and real adversaries which is a industry full of men, people who make GL and woman work difficult. Within our comunity and as woman we need at least respect each other and fully protect us from a place who always use and belittle our work and value.

[ilikekidsshows]

Many people said "CN is not a good fighter' and I just realized how the narrative really make it looks like that's really the case despite of him being supposed to be a fencer champion and know martial arts and I was?? Baffled?? He even beaten by Scarabella despite being more experienced in fighting than Alya?? Either this show favor the girls more to the point it want to show that boys are incompetent or the boys are really incompetent in universe idk

---

The Scarabella thing is a combination of three things, at least, in my view, and some are problems that were always there, while others relate more to the retool. 1) The writers are pushing this being a girl power show so the girls always have to be smarter and stronger than the guys. You can see a bit of this in the preretool show where the boy classmates are, to be frank, already depicted as a bit more stupid than the girl classmates. Compare what the boys get up to when they gather together (throw a frat party) with what the girls get up to when they gather together (fashion shows, planting trees, hatching get Adrien quick schemes). 2) Cat Noir/Adrien is too popular so his role in episodes and importance to the narrative have to be diminished as much as they can while still keeping him around enough for his toys to sell. I’m actually starting to think “and Cat Noir” was a purposeful decision to make the show more marketable that Astruc then didn’t want to commit to. 3) Ladybug has to be the greatest at everything ever, regardless who is being Ladybug at the moment. Ladybug can’t lose to Cat Noir because she’s the better/more important/stronger hero.

Please ignore how Ladybug’s “fighting ability” in most episodes with actual villains is running away while Cat Noir fights them head on. Please ignore how Ladybug’s strategy for physically strong or fighter type Akumas is to have Cat Noir fight them while she comes up with a plan. Please ignore every single time there’s a horde of enemies, outside of Rena Rouge’s introduction episode, where Cat Noir was worfed to make her entrance more impressive when she saves him (wow look, another pattern), Cat Noir is the one who takes them out. Please ignore how Cat Noir utterly destroyed Miracle Queen’s elite fighting force with the most broken superpowers at their disposal.

Like, before I was done with the show and fandom, I tried to avoid saying I think Cat Noir is the better fighter. I said it was a “matter of taste” instead of “Ladybug gets handed the most important powers and the writers obviously favor her and her fighting style so this comparison is incredibly unfair on Cat Noir”. But, even then, I have always thought that Cat Noir’s fight scenes are just more often actual fights versus Ladybug’s super planning skills making her the most important character ever. Miraculous leans into trickery in fights, because that’s Marinette’s strength and lets her be “the best in a fight”, but in terms of actual fighting ability, Cat Noir just shows more actual moves and strength and tactical thinking in a moment. In a battle shounen series, Adrien would be the better fighter, and Marinette would go through a training arc before she can best him.

We also have a bunch of evidence that Cat Noir is physically stronger than Ladybug from the OG show, but I could never say that straight-up, because, even before the retool made discussing this show into a minefield, Marinette stans were a fucking annoyance on the fandom who’d dogpile anyone who said anything that could be construed as “Marinette salt”, like, “I think Cat Noir is physically stronger and her wins are based on strategy and not strength”. The reason this statement would rub people the wrong way is because Marinette is always needed for the win condition, so she has to be better, even though Sailor Moon is the worst fighter among the Sailor Scouts and still has the purification powers. There’s also the sexisim of the girl character needing trickery to win, while the guy wins in honest hand to hand more easily. After all, the Miraculous fandom’s logic is that pointing out obvious writer biases means you actually hold those biases.

In a fight between any type of Ladybug and Cat Noir, Cat Noir will lose because it’s Ladybug. In addition, the boys are provably depicted as more incompetent than the girls, especially when they're shown doing something side by side. But, if we look at actual fighting accomplishments, Cat Noir has more impressive fight scenes under his belt than Ladybug, because the people making this show are actually pretty sexist in what they actually show their girl characters doing.

[mxnsterbabe]

Male Gargoyle/Female Reader SFW Wordcount: 6,091 Commissions | Ko-fi | Masterlist Part 1 (here), Part 2 (coming soon!)

You're a new volunteer at the halfway house and a dear friend of Esmeralda; you expected working here to be tough, but you didn’t expect to fall in love with one of the monsters seeking shelter here.

The halfway house loomed in front of you like something out of a gothic novel, all sprawling stone and ivy creeping up the walls. The rain had turned to a light drizzle, just enough to make the night feel colder than it should.

Tugging your jacket tighter, you glanced up at the carved arches of the doorway, wondering—not for the first time—if you were out of your depth. Then the door swung open, and there she was.

“Finally!” Esmeralda’s voice carried like a warm embrace. Her smile flashed sharp and bright, and even though you knew what she was, it still startled you to see her teeth. “You’re late.”

You laughed, stepping into her embrace without hesitation. Her arms were cool against you, but that was Esmeralda—cool to the touch, always warm in her way. “Blame the weather,” you said. “The train was slow, and so am I when it comes to resisting bakery stops.”

She pulled back and gave you a knowing look. “I told you to bring something. If you didn’t, I’ll be forced to scold you.”

You reached into your bag and produced a paper-wrapped box. “Raspberry tarts,” you said smugly. “Because I know you too well.”

Esmeralda’s grin widened as she plucked the box from your hands. “You do, darling. This is why we’re friends.”

Friends was a soft word for what you were. Not many humans knew what Esmeralda was, and even fewer stuck around once they did. You’d never cared. She had saved your life once, and you owed her for that. Besides, the world was far more interesting with a vampire for a best friend.

She stepped back and gestured for you to come inside. The house was just as impressive on the inside as it was on the outside. High ceilings, dark wood, and the kind of place that felt like it should come with a ghost or two.

“I can’t tell you how happy I am that you’re here,” she said, leading you down the wide hallway. Her dark hair bounced as she walked. “The timing is perfect.”

“It always is. Sometimes, I think fate brings us together at just the right time. Every time.”

The place buzzed with quiet energy. You caught movement from the corner of your eye—something tall and shadowed slipping into another room.

Esmeralda waved a hand dismissively, either at your comment or whatever you thought you’d seen. “This time, it really is. I have some associates who could help us secure long-term funding, but they’re going to need convincing.” Her heels clicked against the floor, echoing through the hall as she stopped by an arched doorway and turned to face you. “That’s where you come in.”

“Me?” You blinked. “You want me to dazzle some vampires into handing over cash?”

“Not quite.” She smirked. “You’re a journalist. I need you to help record the residents’ stories. Show the work we do here—how important it is. You’re good at that, and the residents need to socialise with someone they don’t see day in, day out.”

You hesitated, looking around again. The house had a strange, quiet pull to it. “You think they’ll open up?”

“They will.” Her smile softened, just enough to feel genuine. “They just need a reason to.”

Esmeralda gestured for you to follow her further into the house, her heels clicking rhythmically on the wooden floor. “I think you’ll find the residents are more varied than you might expect,” she said, her voice tinged with pride. “This place doesn’t just offer shelter—it’s a second chance for some, a lifeline for others. If we’re going to convince my associates to fund us, they need to see the real impact we’ve had.”

You nodded, adjusting your bag on your shoulder. “You think their stories will do the trick?”

“They will,” she replied firmly. “Though it depends on how well you can connect with them. Some are easy to talk to. Others... less so.”

Before you could ask what that meant, a blur of movement caught your eye. A small figure came rushing down the hallway towards you, barefoot and clutching something to her chest.

The girl skidded to a stop just inches from colliding with you, her mossy green hair clinging damply to her face. Wide, watery grey eyes darted between you and Esmeralda, her pale cheeks flushing an earthy pink.

“Oh! I-I’m sorry!” she stammered, her voice barely above a whisper. She shifted nervously from foot to foot, clutching what looked like a shiny silver trinket against her chest. “I didn’t mean to... I wasn’t looking where I...”

“It’s alright,” you said, smiling to put her at ease. You crouched slightly, meeting her eye level. “No harm done. You all right?”

The girl nodded quickly but didn’t speak again. Esmeralda placed a gentle hand on her shoulder, her tone soft. “Maisie, this is the friend I told you about. She’s here to help us tell our stories.” She turns to me. “I thought you might like to start with Maisie?”

Maisie’s mossy hair swayed as she shook her head rapidly, eyes wide with alarm. “Oh, no, no. I wouldn’t know what to say.”

“Maisie’s an open book,” Esmeralda said to you, ignoring the girl’s protest. “Shy, but sweet as they come. Or,” she added with a hum, “you could start with Laurent and Olivier. They’re the oldest residents, so they have the most history to record.”

“Oldest?” you asked, raising a curious eyebrow.

Esmeralda nodded. “And the most stubborn. Olivier can chat for hours, but good luck getting Laurent to open up.”

Before you could respond, heavy footsteps thudded from the opposite direction, drawing your attention. Two towering figures appeared at the end of the hallway, their presence as imposing as it was magnetic. One was slightly darker in tone, his grey-green skin like moss-covered stone, his massive frame a wall of muscle. The other was a shade lighter, with a more angular build and sharp amber eyes.

“Maisie,” the darker one rumbled, his voice low and steady. “Give it back.”

The lighter one sighed, crossing his arms. “You know stealing isn’t a game, right?”

Maisie squeaked, thrusting the trinket forward. “I’m sorry, I didn’t mean anything by it!”

Esmeralda leaned in. “Meet Olivier,” she said, nodding towards the lighter figure, “and his twin, Laurent.”

They strode closer, the hallway seeming to shrink under their sheer size. They were massive, nearly seven feet tall, with broad shoulders that seemed to stretch the very definition of imposing. Their skin, textured like weathered stone, shimmered faintly in the dim light.

Your gaze caught on Laurent first, the larger of the two. His face was broad, with a wide, squashed nose, sharp, heavy brows, and tusks that curved slightly from his lower jaw. The glow of his amber eyes cut through the shadows, steady and unreadable, but there was something about the way he carried himself—stiff, upright, every movement deliberate—that made your chest tighten.

He looked like he’d been carved from stone itself, all strength and immovable purpose, and yet the detail of him was captivating: the faint cracks across his forearms, the way his massive wings, folded tightly against his back, curved with a natural grace.

For a moment, you forgot to breathe. He was terrifying. He was magnificent.

He was staring right at you.

You forced yourself to focus on Olivier instead, who offered a crooked smile as he took the trinket from Maisie. His features were similar to Laurent’s—squashed and intimidating—but there was a softness to him, in the way his golden eyes glinted and the slight curve of his lips. “I hope we didn’t scare you too badly,” Olivier said, his tone teasing as he turned the trinket over in his claws.

You shook your head, managing a smile despite the fact that your pulse was still racing. “Not scared. Startled, maybe.”

Laurent’s low, rumbling voice cut in, deeper and rougher than Olivier’s. “You looked scared.”

The words hit like a challenge, his gaze boring into yours with a quiet intensity that made the air feel heavier. Your throat tightened as you tried to find your footing again. “First time meeting a gargoyle,” you said, keeping your tone light despite the unease creeping into your chest. “I wasn’t expecting statuesque giants in the hallway.”

Olivier’s laugh broke the tension, his grin widening. “Statuesque. We’ll take that as a compliment.”

Laurent’s expression didn’t shift, but something in the flicker of his eyes told you your attempt at humour had landed poorly. He glanced briefly at Esmeralda, then back at you. “We’re not statues, that’s a myth.”

It wasn’t quite defensive, but there was a weight to the statement, a quiet correction. Your cheeks warmed under his scrutiny, though you weren’t sure if it was embarrassment or something more disconcerting.

“Well,” Esmeralda interjected smoothly, her tone placating, “I think introductions are overdue. Laurent, Olivier, this is my friend. She’s here to help us with some important work.”

Laurent’s stare lingered for a moment longer before he turned his attention back to Maisie. “You need to stop taking our stuff.”

Maisie mumbled another apology, clutching her mossy hair nervously before darting down the hallway toward her room. Her bare feet barely made a sound as she vanished into the shadows. You watched her go, relieved that she seemed more embarrassed than upset.

Laurent and Olivier lingered for a moment longer. Olivier gave you a small, hesitant smile, the kind that seemed polite but guarded. “It was nice meeting you,” he said, his tone warm; but still laced with caution.

Laurent, on the other hand, didn’t bother with any pleasantries. His amber eyes flicked over you briefly, unreadable, before he turned and walked away. Olivier followed a moment later, the two of them moving in sync, their massive wings shifting slightly as they disappeared into the house.

You exhaled slowly, the tension in your chest easing now that they were gone.

“I’m sorry about Laurent,” Esmeralda said softly, drawing your attention back to her. Her dark eyes held a mix of amusement and sympathy. “He has... a way of putting people on edge.”

You crossed your arms, still feeling the weight of his gaze. “He’s intense - and intimidating. Is he always like that?”

Esmeralda tilted her head thoughtfully. “Most of the time, yes. Laurent is...” She paused, searching for the right words. “Complicated. Fiercely loyal, deeply protective, but also very guarded. He doesn’t trust easily, especially humans.” Her lips quirked into a small smile. “Don’t take it personally. It’s not you—it’s everyone.”

You raised an eyebrow, still curious. “Olivier? He seemed... nicer.”

“More approachable, certainly,” Esmeralda agreed. “Don’t let his smile fool you. Olivier is just as wary as his brother. The two of them are inseparable. They’ve been through too much together to let anyone else in easily.”

“Oh?”

Her tone shifted slightly, quieter, more serious. “I could tell you more, but it’s not my story to share. That’s for them to decide.” She gestured down the hallway, as if to indicate the direction the gargoyles had gone. “If you want to understand them, you’ll need to hear it from them. Separately.”

You frowned, puzzled. “Separately?”

Esmeralda nodded. “Laurent and Olivier rely on each other. That’s not a bad thing, but it’s... limiting. They rarely speak to anyone else, and I think it would do them good to branch out. Even if it’s just for this project, talking to you individually could be important for both of them.”

You hesitated, unsure if Laurent’s gruff demeanor was something you could break through. Still, there was something about him—and Olivier—that intrigued you. You wanted to understand why they were here, why they stayed when so many others seemed to move on.

Esmeralda smiled, her sharp features softening. “Take your time. They’ll open up eventually. Just be patient… and persistent.”

You nodded slowly, already thinking of how to approach them. “I’ll try.”

“That’s all I ask,” she said warmly, motioning for you to follow her further down the hallway. “Now, let me show you where you’ll be staying.”

***

The room Esmeralda had set aside for you was beautiful, in a way that felt almost too much. The ceilings were impossibly high, the bed large enough to swallow you whole, its dark wooden frame heavy and ornate. A tall wardrobe sat in the corner, its doors slightly ajar, revealing neatly folded blankets that you didn’t need.

The entire space was cold; not freezing, but just enough to keep you shifting under the covers.

Then there was the snoring. It rumbled low and steady through the wall, like some great beast slumbering on the other side. You guessed it might be one of the residents—a werewolf, maybe? Whoever it was, they were sleeping far more soundly than you.

Frustrated, you kicked the blankets aside and padded over to the tall windows that opened onto the balcony. The latch creaked faintly as you slid it open, stepping out into the night. A chill breeze hit you immediately, raising goosebumps along your arms, but it was a relief after the oppressive stillness of the room.

The view was eerie. Beautiful. The sprawling grounds of the halfway house stretched out below, dark shapes of trees swaying in the faint wind. Above, the moon hung bright and full, casting everything in a silvery glow.

There, perched on the roof like a gargoyle carved into the building itself, was Laurent.

Your breath caught. He was perched on the very edge of the roofline, his wings partially unfurled, silhouetted against the moonlight. His massive frame was still, his head tilted slightly as though he were watching the horizon. He looked like part of the house, his dark skin blending into the stone.

You took a quick step back, hoping he hadn’t seen you. The last thing you wanted was to disturb him—or worse, have another uncomfortable interaction like earlier.

The faintest movement of his head confirmed he’d already noticed you. His glowing amber eyes locked onto yours, even from a distance. There was no going back now.

After a moment’s hesitation, you decided to take a leap of faith—literally. Climbing up onto the roof seemed like a terrible idea, but staying silent felt worse. You couldn’t explain it, but something about Laurent’s presence pulled at you. You grabbed the nearest part of the latticework and started to climb.

The wind picked up as you scrambled higher, the cold biting at your fingers. The angle was steeper than you’d thought, and halfway up, your foot slipped.

A startled gasp escaped you as you lost your balance. Before you could fall, a massive hand closed around your arm, pulling you up with startling strength. Laurent’s grip was solid and unyielding, his claws barely brushing your skin as he steadied you.

“Careful,” he rumbled, his voice low and rough. “You’ll get yourself killed.”

Your legs trembled as you clung to the edge of the roof, heart racing more from the near fall than anything else. “I-I wasn’t—”

“You’re scared,” he interrupted, his gaze sharp, almost accusing. “You shouldn’t have come up here if you’re afraid of me.”

“Afraid of falling,” you snapped, your voice steadier than you expected. “Not you.”

His expression flickered, surprise flashing across his heavy features before settling into something unreadable. Slowly, he pulled you fully onto the roof, setting you down with more care than you’d expected.

“Hmm,” he muttered, his deep voice more thoughtful now. “You’re braver than you look.”

You sat smiled and carefully, legs crossed, and your hands braced behind you for balance. The roof slanted enough to make your stomach churn if you looked down too long, so you fixed your gaze straight ahead instead. The cold stone beneath you seeped through your clothes, sharp and uncomfortable, but Laurent’s steady presence made the discomfort bearable.

He hadn’t moved far, crouched on the edge of the roof like he belonged there, his wings partially spread to balance himself. The moonlight outlined him in silver, catching on the rough texture of his mossy-green skin and the faint cracks that ran across his arms. His claws flexed once, idly, before going still again, his focus still somewhere in the distance.

The silence between you stretched, heavy and unfamiliar. You glanced at him from the corner of your eye, watching the way his sharp, angled features caught the light. His face was undeniably strange—his nose wide and squashed, his jaw prominent and square. His glowing eyes were the most striking, unblinking as they reflected the faint light of the moon.

Odd, you thought. Odd, but not unattractive. Certainly unconventional, but there was something compelling about the strength in his features, the way his stillness made him seem carved from the roof itself.

When he finally turned his head to look at you, the weight of his gaze knocked the breath from your chest. He wasn’t just watching you—he was studying you, those amber eyes sharp and expectant.

You fumbled, sitting up straighter. “I—uh...” The words caught in your throat as his expression remained unreadable. “Esmeralda thought I should talk to you.”

His brow furrowed slightly, one of his wings shifting closer to his body. “Why?”

You rubbed at the back of your neck, feeling the cold bite of the wind there. “She’s... She’s hoping to get funding for the house. She thought that if I recorded the residents’ stories, it might help convince the people she’s reaching out to.”

For a moment, Laurent didn’t respond, his gaze sweeping back over the horizon. You wondered if he was ignoring you entirely when he finally said, “I know she’s been struggling.”

His voice was low, rough, but there was something softer beneath it. You tilted your head, surprised by his honesty. “You do?”

He nodded, still watching the trees sway in the distance. “She tries to keep it quiet, but it’s obvious if you pay attention. Fixes that don’t get finished. Rooms that stay empty longer than they used to.”

You swallowed, unsure of how to respond. He wasn’t wrong—Esmeralda’s determination to keep the house running sometimes masked just how precarious things had become.

“She thinks your story could help,” you said quietly.

Laurent’s jaw tightened at that, his claws flexing again. “I don’t tell my story.”

It wasn’t harsh, but it wasn’t exactly welcoming either. You braced yourself, determined not to retreat. “Maybe this time, you should.”

“No,” Laurent said flatly, his gaze cutting back to you.

The weight of the word hung in the air, as immovable as the gargoyle himself.

You hesitated, frustration bubbling under your skin. “I’m not asking you to bare your soul or anything,” you tried, keeping your tone even, calm. “It’s just—Esmeralda really believes this could help the house. You’re the oldest resident. Your story matters.”

“I said no.” His wings flared slightly, a restless motion that seemed involuntary, and his claws scraped faintly against the stone roof.

Your irritation flared, pushing past the unease in your chest. “Why; what are you so afraid of? Esmeralda has done so much for you, she deserves—”

“Enough!”

His voice cracked like thunder, louder than anything you’d heard from him before. It rolled over you, heavy and full of raw anger. Laurent turned toward you fully now, his massive frame towering in the moonlight.

“Do you ever shut up?” he growled, his tusks catching the faint light as his upper lip curled. “Take the hint and fuck off!”

The words hit like a slap, sharp and final. For the first time since arriving at the house, you felt real fear, a cold knot tightening in your stomach. The sheer size of him, his claws flexing at his sides, the tension radiating from every inch of him—it was overwhelming.

Your heart pounded as you scrambled to your feet, stepping back toward the edge of the roof. “I’m sorry,” you stammered, barely managing to get the words out. You turned, gripping the stone ledge as you clambered awkwardly down to the balcony.

When your feet finally hit solid ground, you turned back instinctively, catching sight of him still standing on the roof. The shadows draped over him like a second skin, his wings tucked tight against his back, but he didn’t look at you. He stared straight ahead, as if you’d already disappeared.

The knot in your stomach tightened further. You wanted to call up to him, to try again, but something stopped you. Maybe it was the flicker of guilt in his eyes, the one he tried to mask with cold indifference. Or maybe it was the sharp edge of your own fear.

You turned back to the hallway, your chest still tight as you opened the door quietly. You hadn’t made it far when a vaguely familiar voice stopped you.

“Are you alright?” Olivier stood just ahead, his expression a mix of concern and something softer. He glanced toward the balcony, his wings twitching faintly. “I was looking for Laurent. Did something happen?”

You sighed, running a hand through your hair. “We talked. Or... tried to. He got angry. I pushed too hard, and he told me to leave.”

Olivier’s brows furrowed, and he stepped closer, his broad shoulders hunched slightly. “I’m sorry,” he said quietly. “My brother... he has his reasons for being the way he is. That’s not an excuse, but I hope you understand.”

You nodded, still rattled. “I didn’t mean to upset him.”

Olivier gave you a faint, apologetic smile. “He knows. He just... needs time.”

You smile awkwardly, trying to stuff down the flicker of guilt growing in your stomach. “Yeah, I know.”

***

The next few days passed in a blur of activity. You kept yourself busy, determined to avoid crossing paths with Laurent. If he didn’t want to talk, fine. There were plenty of other residents willing to share their stories, and you threw yourself into listening to them.

Maisie was the first. The young kelpie was painfully shy, her mossy hair dripping faintly as she sat across from you in the sunlit sitting room, her knees drawn to her chest. She’d come from a small loch in the Scottish Highlands, the last of her kind in that area. Her voice wavered as she explained how the world had changed too much for her kind to survive, her watery grey eyes filled with a sadness that seemed far older than her youthful appearance.

“Humans don’t leave offerings anymore,” she murmured, twisting a strand of mossy hair between her fingers. “They drain the lochs... build over everything. There’s nowhere left for us.”

Her words stayed with you long after she returned to her room.

Lucas was a different story entirely. The boisterous werewolf cornered you in the kitchen as you were grabbing a drink, pulling you into a sprawling conversation over a shared pot of coffee. He was charming and open in a way that felt effortless, leaning against the counter as he recounted his life before the halfway house.

“I used to live in the city,” he said, stirring sugar into his cup. “Worked construction, went out on weekends, the usual. Then I met someone—human, obviously—and things got... complicated.”

You tilted your head, intrigued. “Complicated how?”

Lucas’s grin faltered, his golden-brown eyes dimming slightly. “She found out. Couldn’t handle it. One night I shifted in front of her by accident, and that was that. She told people. I had to run.” He shrugged, a casual motion that didn’t quite mask the tension in his shoulders. “Esmeralda found me before things got worse.”

It struck you how casually he spoke about something that had likely upended his entire life. The ease in his tone felt practiced, a cover for something far deeper.

You wanted to press him further, to ask how he’d really felt when everything fell apart, but the slight twitch in his jaw warned you to tread lightly.

“Well,” you said instead, offering him a small smile. “It sounds like you’ve found a place here. Even if it’s... not what you planned.”

Lucas exhaled, the tension in his shoulders easing slightly. “Yeah, it’s not bad. Esmeralda runs a tight ship, and the residents aren’t half as scary as they look.” His grin returned, broader this time. “Most of them, anyway.”

He didn’t say it outright, but you could hear the unspoken Laurent in his words. The conversation drifted to lighter topics after that, but even as Lucas returned to his usual charm, his story lingered with you.

Later that evening, as you wandered the hallways, you found yourself drawn to the little-used staircase that led to the third floor. You’d avoided it until now; Esmeralda had casually mentioned that only one resident stayed there, and even she hadn’t offered much detail.

The stairs creaked under your weight, the air growing cooler as you ascended. The third floor was darker, the faint scent of dust and something older curling in the still air. Shadows clung to the corners, and for a moment, you wondered if you’d imagined the faint movement flickering just out of sight.

Then a voice, low and whispery, broke the silence.

“You’re brave... or foolish.”

You froze, your breath catching. The shadows shifted ahead of you, curling and stretching until they coalesced into a shape—not quite solid, not quite human. A pair of faintly glowing eyes blinked into existence, and you realised you were face-to-face with something dark and shadowy.

“I heard you don’t like visitors,” you said carefully, your voice steady despite the prickling unease that crawled up your spine.

Rio’s shape rippled, his outline flickering like smoke caught in the wind. “Most of them don’t try to talk. They... avoid me.”

You took a tentative step closer, tilting your head. “Why’s that? You seem... well, intimidating, sure, but not terrible.”

A sound that might have been a chuckle escaped him, soft and dry like paper crumpling. “That’s... generous. What do you want?”

“I’m recording stories for Esmeralda,” you explained, watching the shadows shift around him. “About the residents, their lives. She said it might help the house.”

Rio was silent for a long moment, his glowing eyes narrowing slightly. “A human,” he murmured, almost to himself. “She sent a human.”

Despite the odd flicker of fear still clinging to your thoughts, you crossed your arms. “Are you going to let that stop you?”

His form seemed to grow taller, darker, before shrinking back again. “No. Ask.”

The exchange was brief, fragmented, but he answered you, his words drifting like smoke in the quiet hallway. When you eventually thanked him and left, you couldn’t shake the sense that you’d just glimpsed something rare, something no one else had seen.

Esmeralda’s delight later was almost infectious, but even as she praised you for managing to talk to Rio, your thoughts wandered. No matter how many stories you gathered, one glaring absence loomed in your mind.

Laurent still hadn’t spoken to you, and you were starting to wonder if he ever would.

***

Maisie sat cross-legged on the couch, her mossy hair draped over one shoulder as she carefully plaited it into thin, uneven braids. You were perched on the other end, notebook in hand, jotting down details of her story between her shy pauses.

“I suppose,” Maisie murmured, her voice as soft as the brush of water against stone, “I was lucky Esmeralda found me when she did. I didn’t... I didn’t know where to go.”

You glanced up, offering an encouraging smile. “You’ve been here a while now, though. Do you feel safe?”

Maisie nodded, her fingers still working through her damp hair. “Safe, aye, but it’s... different. Always worrying someone will notice something.” Her gaze dropped to her lap, her voice quieter now. “People don’t like what they don’t understand.”

Her words sat heavily between you, both of you lost in thought until the murmur of voices from the next room pulled you back.

Esmeralda’s voice, low and sharp, carried through the doorway. “You don’t think they’ve figured it out, do you?”

Maisie froze mid-braid, her watery grey eyes snapping to yours. You shook your head slightly, motioning for her to stay quiet as Lucas’s reply drifted through the air.

“It’s just talk, Esme,” Lucas said, his tone calm but edged with unease. “People in small towns gossip. It doesn’t mean they know anything.”

“What if they do?” Esmeralda shot back, her usual poise slipping. “What if someone’s realised what we are? You’ve heard the rumours as much as I have. Strange sounds. Lights at night. The halfway house full of strangers. They’re putting things together.”

Maisie’s hands trembled, her braid forgotten as she leaned closer to you, her voice a whisper. “Are they talking about us?”

You pressed a finger to your lips, trying to focus on the conversation.

“They’re always going to talk,” Lucas replied, though his voice sounded strained now, the usual easy charm missing. “It doesn’t mean we’re in danger. We’ve dealt with this kind of thing before.”

“This is different,” Esmeralda insisted. “I know when someone’s watching. I know when someone’s looking too closely.”

There was a pause, the kind that felt heavy with things unsaid. Then Lucas spoke again, softer this time. “If someone’s onto us, we’ll deal with it. We always do. You’ve been keeping this place running too long to let a few nosy villagers bring it down.”

The tension in Esmeralda’s voice didn’t ease. “I won’t let them hurt anyone. Not again.”

Your stomach tightened at her words, and you could see Maisie clutching her knees, her knuckles pale against her mossy skin. You wanted to tell her everything was fine, that it was just paranoia, but the edge in Esmeralda’s tone made it hard to believe even yourself.

Maisie’s whisper barely broke the silence. “Do you think... they’ll come here?”

You didn’t have an answer. Instead, you closed your notebook and gave her a reassuring smile you didn’t quite feel. “Let’s not jump to conclusions,” you said softly, though the uneasy knot in your chest told you you’d both heard enough to worry.

Maisie’s fingers fidgeted with her braid, unravelling it as quickly as she’d plaited it. Her watery grey eyes darted toward the doorway where Esmeralda and Lucas’s voices had been, their absence now replaced by an uncomfortable stillness.

“Maisie,” you said gently, closing your notebook and setting it aside. “We can pick this up another time, yeah?”

She blinked, her mouth forming a small o of surprise before she nodded quickly, her mossy hair swaying. “Aye, I—thank you,” she mumbled, standing so quickly that the hem of her long skirt caught on the couch. She tugged it free and all but darted out of the room, her bare feet silent against the hardwood floors.

You sighed, running a hand through your hair as you stood. You didn’t blame her. Whatever Esmeralda and Lucas had been talking about had set both your nerves and hers on edge. There was no use pushing her now.

Stepping into the hall, you nearly collided with someone solid—someone massive. Your heart skipped as you looked up to find both twins standing there, blocking most of the narrow hallway with their combined size.

Laurent, as always, looked like he’d been carved directly from the walls—stoic and unmoving—while Olivier’s brows rose slightly, his expression more open but just as unreadable.

“Sorry,” you said, stepping back and trying to gauge whether they’d heard the conversation too. From the way Olivier’s amber eyes flicked toward the sitting room door, it was clear they had. Neither of them said anything, and you felt the awkwardness thicken around you.

“So, uh,” you started, fumbling for something to say. “What brings you to this end of the house?”

Olivier gave a small smile, though it didn’t quite reach his eyes. “Just stretching our legs.”

Laurent, on the other hand, didn’t so much as blink. He stood there, his wings tucked close, a hulking silhouette against the dim light of the hallway.

You cleared your throat, glancing between them. “Well, nice to, um, bump into you. Again.”

Olivier’s smile widened just a fraction, but Laurent simply turned, his massive frame moving further down the hall. Olivier followed without another word.

Later, when sleep refused to come, you found yourself wandering into the kitchen. The faint hum of the refrigerator was the only sound at first, until a low, familiar voice startled you.

“You’re up late.”

Laurent was standing near the counter, his hulking frame somehow looking out of place amidst the cosy clutter of the kitchen. His wings shifted slightly as he turned, glancing at you with those glowing amber eyes.

“So are you,” you replied, leaning against the doorway.

For a moment, you thought that was the end of it. Then, awkwardly, he gestured toward the kettle. “Tea?”

The word was stilted, almost uncertain, and you blinked.

“Sure,” you said, your voice softer now.

Laurent reached for a small container, and your eyes widened as he set it on the counter. It had your name written neatly on the label.

“You knew where my tea was?”

He shrugged, the movement oddly stiff. “Esmeralda said it was yours. You leave it in the same spot.”

You stared, caught between surprise and something warmer. “I didn’t think you’d notice.”

His claws brushed the edge of the container as he opened it. “I notice everything.”

You didn’t comment, instead watching as he ambled about the kitchen.

Laurent moved with a quiet efficiency that seemed incongruous with his size. The kettle hissed softly as he poured the steaming water into two mismatched mugs, his massive hands surprisingly deft as he worked. His shoulders hunched slightly to accommodate the low cabinets above him, and every shift of his wings made the kitchen feel even smaller.

You watched him from your spot near the table, caught between awkward silence and an inexplicable pull you didn’t entirely understand. He seemed too big for the space, too solid, like the room itself might give way before he did.

Yet, there was something mesmerising about the precision of his movements, the quiet strength in the way he handled something as simple as making tea.

The air between you was heavy, uncomfortable. You wanted to say something—anything—but the words refused to come. Laurent didn’t seem inclined to break the silence either, his amber eyes focused on the mugs as he let the tea steep.

Your fingers tapped absently against the edge of the table, the tension stretching taut. “I, uh... I didn’t mean to push you before.” The words slipped out before you had time to second guess them. “When I first got here. I just… I was trying to help, and I think I overstepped.”

Laurent didn’t respond right away. Instead, he reached for the mugs, his claws brushing the handles as he turned to hand one to you. His eyes lingered on yours for a moment, the glow in them unreadable.

“I don’t like being pushed,” he said finally, his voice a low rumble that resonated through the small kitchen.

The sound sent a shiver down your spine, something deep and instinctive that wasn’t entirely fear. You nodded, fingers wrapping around the warm mug. “I get that. I just... wanted you to know I’m sorry.”

His gaze lingered on you for a moment longer, his tusks catching the faint light as his jaw shifted. “You meant well,” he said eventually, his tone gruff but not unkind. “It’s fine.”

The tension between you didn’t entirely dissipate, but something in the air felt different. You took a deep breath, lifting the mug to your lips—

A sudden crash from somewhere in the house shattered the quiet, the sound sharp and violent enough to make you jump. The mug slipped in your hands, hot tea splashing onto your fingers and sending a spark of pain through you.

Before you’d even registered it, Laurent was already moving. His wings flared slightly, casting shadows across the walls as he straightened to his full height.

“Stay here,” he said, his voice low and commanding.

Another sound followed—a muffled shout, unfamiliar voices carrying through the hallway. Laurent’s head snapped toward the doorway, his body tensing like a spring ready to release.

“Who the hell is that?” you whispered, your heart pounding as the voices grew louder. Laurent didn’t answer. Instead, he stepped toward the door, his massive frame blocking your view as the sound of heavy footsteps echoed closer.

[ultimategenshintournament]

Ultimate Ship Tournament: Round 4

Propaganda below cut

Zhongchi:

Zhongli gave Childe engagement chopsticks and they both have two friendship dialogues about the other which is usually done to signify they have an important/close relationship which ik we’ve been yapping about for years but it’s true and cute and I love them

Eimiko (submitted 3 times):

Literally so canon. Yae waited for her for 500 years and did everything to try and get her to see sense. When the Archon quest starts they both have very different views on eternity and Ei's changes, and Ei is very rigid and stubborn and serious, and Yae is stubborn in her own way and she teases Ei, and Ei can talk to someone that isn't worshipping her.

I could just start and end with "lesbian". They are "long time friends" and Miko clearly cares deeply about Raiden, as she helps the traveler because she wants to save Raiden. Also, Miko can remember all of Raiden's combat moves, which I can't do for any of MY friends. When Ei and Miko talk (flirt) in the Plane of Euthymia, they're so happy to see each other. Also, Raiden trusted Miko with her gnosis, which no other archon has done and is something that clearly would not be given away without extreme trust. When the traveler points out that Miko and Ei enjoy teasing each other, Miko responds with a wink. They are almost always talking about or to each other. I don't even need to explain "Pretty Please, Kitsune Guuji". Also this: "Locking herself away in the Plane of Euthymia when she clearly wants to be out—It's rather stubborn, but cute, don't you think?". They clearly care for each other and want the best for each other, and have always been together for hundreds of years. They bring out the best in each other and there's a lot to explore in their relationship in terms of forgiveness, reconnection, and fluff or angst, they are just really cute together and have a LOT of canon lore so you don't need to dig very deep to about how much they love each other bc its right there!!!

Beiguang (submitted 4 times):

You can just tell someone on the writing team ships it. Every time one pops up, there's a good chance the other will at least get mentioned. "I compensate her in other ways", going on a trip together, straight up flirting. "Chess".

WIVES - They play chess together in the jade palace - Ningguang dressed up to impress Beidou for lantern rite - The sexual tension???

Canonically they're married, jk. Propaganda, just that one lantern scene. Them literally being the dragon and the phoenix, which is a symbol of marriage. The way that Beidou is the only one that doesn't lose chess on purpose to Ningguang, Ningguang calling Beidou to petty work for no reason. Ningguang ignoring Beidou's fines. Literally all their scenes together, like it's not even hinting atp.

[createandconstruct]

ooooh I just had a thought. how do u think Midoriya and All Might reacted after your story Needed? like when All Might got his memories back? was there loud celebration or quiet happiness?

Definitely quiet happiness. I imagine the two of them oversleep, Izuku drifting off in the midst of telling some highlights from their 10 months of training, Toshi following soon after. (But not before reveling in this boy and the peace across his sleeping face). They wake up well past the time classes have begun. Toshi having not set the alarm he couldn’t remember and Aizawa and the other teachers having left them be, figuring they both needed the rest. Izuku’s a ball of guilt at first but Toshi’s content to putz around the apartment—slow to rise but quick to insist Izuku not run off to class last minute. (It’s selfish but he wants the kid to stay—needs him to). Toshi takes in the pictures, Izuku timidly and then more confidently giving context to each one. The time and places, the names to faces he doesn’t know. Not that there’s very many. So many of them (from pictures to newspaper clippings) including or being just of his green haired boy. (Izuku’s been to Toshi’s dorm enough to know the embarrassing amount of memorabilia well but he still can’t help but feel his face go hot at the way his mentor looks… like he always does as he takes it all in—happy, proud).

The two leave the dorm for the mess hall just before noon. Warm, despite the cold breeze outdoors. 

There’s no fanfare, no explosion, or burst when the memories return.

They eat lunch together, tour the school, and even drop by a few classes—this time Toshi lets class A swarm him, despite Aizawa’s continued protests. 

Izuku skips practical training to walk Toshi around—it’s not that much of a loss, it’s sometimes better to skip, save the embers for something more important—until soon enough it's later in the afternoon and they’re heading back to the student dorms. 

Izuku doesn’t even realize it’s time. A little part of him has forgotten All Might’s current condition. Walking instep with his mentor, who wears his usual smile, it’s like all is normal. 

It isn’t until they reach the door that All Might comes to a stand still. Izuku turns back, expecting something wrong but…

“All Might…?”

There’s no distant look, no glazed over eyes, nothing to indicate anything has changed. 

There’s only a slight shine to All Might’s eyes and a deep fondness along his smile lines. 

Izuku can’t get a single word out before he’s gathered up in his mentor’s arms. 

For Toshi, remembering is like adding oxygen to a fire. There’s been warmth, so much of it—every time he looks at this boy who has so obviously become his own he feels it—but its source is still just a recently lit flame. Something that would certainly grow with time, but also something that has just started. He can’t fully know its depth, or feel its potential to burn until it suddenly comes alight with every memory of the last eight years. 

One moment he’s walking at Young Midoriya’s side, feeling lighter than he has in years and the next, he’s standing beside his boy, his Izuku, his pride and his joy, his reason for being, even when he’d forgotten. The warmth never disappears; it simply blazes. All encompassing. His memories, old and new, fit snugly together, so that in an instant, he’s once again himself. 

So that the growing little flame is once again the unconditional fire he knows as love.

He pulls his boy tight against him and relishes in the journey—one he can finally remember—one that brought him right here.

As Izuku reaches round to hug him back, his heart aches with unshakeable certainty:

It was worth it.

All of it.

[atqh16]

It really annoys me when people say things like "sai/shikamaru/gaara/etc was a better friend than Sasuke", when that was never the point. It wasn't a competition. Even if it was, Sasuke was the one who opened up and connected with Naruto first before anyone else. Yes, even Hinata, who acknowledged Naruto but hid away, and therefore, there was never a solid connection between them.

Sasuke and Narutos friendship was about 2 kids connecting over their shared trauma and loneliness. They might not have gotten along well, but they always recognized and acknowledged the hurt the other was feeling because they felt it in themselves.

Their connection deepens even more as a team but it was always Sasuke who opened up first. Sasuke who shared his food. Sasuke who looked for Naruto when he didn't come back for dinner. Sasuke who asked Naruto to share the advice he got from Sakura about tree climbing. Sasuke who saved him from falling off of it. And most importantly it was Sasuke who jumped in front of Hakus needles to save Naruto.

Sai, Shikamaru, everyone else connected with Naruto AFTER he had made something of himself. After he had managed to prove his worth. Naruto never had to do that with Sasuke. Even when Sasuke ran, he still acknowledged Naruto as someone who was important to him, and it's WHY he has to leave (among other reasons). Sasuke could not retain and maintain the level of cold, calculating, and lethal drive that he felt he needed in order to kill Itachi. Naruto was his weakness. Naruto was proof that his humanity existed. That he is more than the revenge he exhausts himself to achieve. That's what made both of them so important to the other.

I'm sorry honey, but no one can be a better friend to Naruto than Sasuke. Sasuke is Naruto's best friend and soulmate.🌙☀️

[lord-squiggletits]

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

[arashi-no-saxlphone]

as much as I would like to believe that Frederick and Asuka could be friends again, like, Freddy is building that rocket as fast as he can to kick his ass before the residual FoC and Gear power leaves his body. I'm sorry. I know I'm the Asuka apologist but dude. Nearly 2 centuries of the most unimaginable agony and festering sense of betrayal, compounded by Asuka goading him intentionally on multiple occassions (his reasoning behind all this goading aside) he is not just going to be able to let that go.

Asuka's crimes against humanity are one thing, you can argue til you're blue in the face about that and there's actual ground to cover there, but what he did to Frederick and Aria is like... damn dude. You, without their consent, turned them into gears. You lied about it to their faces too. Aria, someone who is cited as having her identity and who she is as a human being be one of the most important things to her, trusted you to put her into cryosleep because you said you'd find a way to save her so that she could be with Frederick. She didn't want that, she wanted to stay and spend the time she had left with Frederick instead, but she let you convince her cause she trusted you. And you took away her body, identity, and autonomy. You took Sol's humanity from him following that, lied to him about it, and then spent 200 years pissing him off so bad on purpose to make sure he'd always be there to help you fix everything. Oh, and then you made him kill his wife that you mutilated. Twice, essentially.

I love you Asuka, but shit, that's all kinds of levels of fucked my man. Frederick justifiably hates you really REALLY bad. I hope we get something in Dual Rulers settling this, cause Frederick just letting that go even following the events of Strive is just kinda unrealistic.

[dualnaturedscientist]

"How would Maddrix be the key to saving them? We can help rescue the others. Someone had saved you from that place already. Atomic Steele, but you had escaped from them when you had woken up. You must have mistaken him for one of those responsible. I assure you. You aren't in danger with Atomic Steele or Eletric Blur. He only wished to save you. Come with me to my spouses former lair. We will talk about and have the others escape. With our help." Evangeline thought hard bout this. "Will I be able to speak with Matthew? I need him to be there. He's the key to saving all of them. He's the key to defeating Myra." Tristan remembered what Matthew had told them. It made him reluctant to agree. "Would that be the only way you'd come with us willingly?" The woman took a moment before responding. "Yes. It would be the only reason I would come with you. To speak with Matthew. He is the key." Tristan didn't want to force Matthew to be around this woman. It was crucial, though. He will ask his father-in-law to come to the lair to speak with Evangeline afterward. If he declines, she would be shit out of luck. He won't force him to go. She would have to make do with them helping. If Matthew didn't want to face her again, he won't. "I'll bring you somewhere safe, where we can talk. If Matthew chooses to speak with you, he will. If not. You will do make do with just us." Evangeline thought for a moment. That was a better possibility. "Yes. Please tell him he can greatly help end an evil operating. That he could free innocent souls from the dreamless slumber. I will come back with you, no trouble from me." With that said, Wordman took a hold of the woman. "Hold onto me tight." The woman did as instruction and held onto Tristan tightly. They flew off and found Atomic Steele and his friend Electric Blur. "I found her. You don't need to look any further. Let's meet back at the lair now." They were surprised by the cooperation from Evangeline but nodded. "We will be right there." With that said, Wordman took off for the warehouse with Evangeline in his arms. The chaotic four pondered about the little church grim. It still hadn't relinquished the leg from Patricia. Each time they attempted to take it back, the dog would start to growl. It was intimidating, to be honest, considering the dog looked dead himself. Patricia hopped over to the creature with something in hand, getting a bone that was kept around. "Hey, look at this. A bone just for you! If you give up my leg, you can take this." She had just taken the random bone from a bag that was on here. The church grim had given the bone a curious sniff but seemed to look his nose up at it. They were ready to come up with solutions for getting her leg away from the dog when they heard someone at the door. Tristan and come in with Evangeline in tow. Followed by Atomic Steele and Electric Blur. So that's the one who tormented Matthew along with Drake. Gene immediately went onto guard. This woman was someone his fathered feared. "I'm back. We have found Evangeline, and she agreed to come with us with one condition. Matthew comes here so that she can talk with him." Gene felt reluctant. It was clear that Matthew wanted nothing to do with Evangeline, but this was a serious matter. "I will phone him and ask if he'll be willing to come here and talk. If he says no, that's tough cookies for you, lady." He gave the woman a harsh look. "Of course. Please. It's incredibly important. He could free all of them. Myras is not dead. She can't be. There's a reason for it, and Matthew is the only one who can face them." Gene frowned at that. "Alright. Let me contact him right now." With that said, Gene dug his cellphone out from his pocket. He dialed his house number in, knowing his fathers would answer it. "Hello?" It was Carl who picked up this time. "Hey, dad. I need to speak to pops. It's important." Carl seemed hesitant but agreed. "Alright, he's right here." Carl handed over the phone to Matthew.

"Hold on a minute, some weird guy is staring at me. Probably some bum trying to get change off of me." Comments like that had ensured he would absolutely be relieved of guilt for what was to happen next. A smile spreads across the figure's facial features, revealing inhumanly sharp teeth glinting in the street lights. A hand quickly shot out, taking a hold of the rather obnoxious man. "What the hell are you doing-" A scream soon pierced the quietness of the night. It quickly became a horrendous gurgling noise. The cellphone in the man's hand had fallen in the process. Leaving the person on the other end to become worried and confused about what was happening to the man. It didn't take very long for the man to become completely still. The figure allows him to finally fall to the cement below, licking at his blood stained lips in satisfaction. "The night, it is still so young. I don't think I shall waste another minute on you." Like a ghost in the night, he had vanished. As if he were never there. Leaving only the grotesque mess he had made for others to find. Unknown to him, there was a witness to this who had seen the whole thing. Watching in complete and utter fear. The figure grinned, it was as if he were seeing the world through different eyes. The opportunities that awaited him. It sent a shiver of excitement up his spine. His thirst might have satiated but he wasn't satisfied with only that. Oh no. There was so much more he had in mind for this city. Just wait till morning until they discover his little surprise for all to see. It wasn't until hours later did he finally return to the house. Feeling pleased with himself. Carl shot up in bed, heart racing so fast within his chest. Calming down once realizing he was in bed with Matthew. It took the retired scientist to recognize his surroundings. "That's right.. we're at Gene's place." The dream he had woken up from was already fading from his memory. It was rather absurd, recalling what he could. He could've sworn the dream was incredibly vivid and felt so real. But the little bits of the dream that he did remember became fuzzy and distant in his mind. Carl wasn't as quiet as he thought. Matthew had woken up. "Love, are you okay?" His voice had brought Carl from his thoughts. "Matthew, dearest. I hadn't meant to wake you up." He frowned, feeling guilty as he wanted his husband to get as much rest as needed. "It's alright, I needed to get up early anyway. Don't feel bad, my darling. I'm worried about you, though.” He gave Matthew a smile. “It was just a dream. I was just startled from a dream. I don't even remember what happened in it anymore. I'll be fine.” Matthew pulled the other into his arms, holding him in such a comforting manner. Placing a loving kiss to Carl's forehead. “Even so, I've still got you.” The former scientist blushed. Matthew still had such an effect on him even after all this time. “Thank you, my love.” They had stayed like that for a good while. It wasn't until Carl noticed the time that he forced Matthew to get out of bed and to get ready for his community service. Though there was something that had been bothering Carl since waking up. He had not remembered going back to bed after his conversation with Gene last night. No matter how much he tried to, it just kept coming up blank to him. Carl sighed, he must've been that tired that he didn't remember. He was getting up there in age. “I could stay back. Margaret won't be very happy about it but I don't want to leave you if you're not okay.” Carl smiled once more. “I'm not going to be responsible for what she'd do if you tried. You're also expecting a new face there, aren't you?” Matthew looked surprised at that. He had completely forgotten about that. And Carl did make a point. Wincing at the thought of what Margaret might do if he actually did skip out on it. Though for Carl, it would've been absolutely worth it. Whatever punishment she'd dole out, he'd endure for his dearest husband. “Go get dressed now.” Matthew chuckled at that before doing as he said. Leaving Carl to this thoughts.

Carl still felt unsettled by the dream, it was like he was walking through a mist. Yet at the same time it was like someone or something was controlling his body and actions. The dream was scary, but also ludicrous. At one point Carl thought he saw someone who looked like his old narcissus ex boyfriend who he never thought about again until now. Carl just let out a sigh and shook his head. 'It was just a nightmare.' Carl reassured himself. He remembered how reading how the mind and senses can trick the body into thinking something is real when it isn't. His strange dream was just one of those cases. Carl decided to get out of bed and go downstairs. He was going to try and help his son and other son-in-law deal with this strange and frightening case of kidnapping. Carl pushed away the issue of the nightmare and headed downstairs, ignoring the feeling of dread in the back of his mind. Carl also did not pay attention to that fact that his mouth was no longer dry and that there was no glass cup on the nightstand when he got up that morning. Atomic Steele surveyed the area with caution and an intense gaze. He was going over the area looking for something out of the ordinary. Something that had bothered his friend and teammate Electric Blur. Something in this seemingly abandoned area affected Blur's powers. "I wasn't sure what just happened. It felt like I was suddenly communicating emotionally with a strange energy wave that was being transmitted from there. I felt uneasy and scared...but also sad for some reason." That is what Blur told Atomic when she came back to their hideout looking shaken and worried. She told him she never felt anything like that before, not even from the fallen B.E.A.W labs. Atomic Steele offered to check it out for her as the young heroine wasn't keen on returning to the spot. While Electric Blur was being comforted by her other teammates, Atomic followed the directions the heroine had given him to the location where she felt the strange and unsettling energy. What Atomic Steele found when he got there was a large but abandoned warehouse surrounded by an empty field. The area was surrounded by a rusted, wired fence. The place looked like it hadn't been used for years. Still, the normally brave yet brash young hero couldn't help but feel a child go up his spine. His gut and instincts telling him there is something dangerous here, something evil. Atomic Steele walked up to the doors of the warehouse. He grabbed at a rusted handle and tried opening it. To the hero's surprise and growing caution, the door easily unlocked. Atomic Steele took a deep breath and steadied his nerves. He then proceeded inside the warehouse in a slow pace, ready to discover what laid inside. "Oh hello there Matthew. Cutting it a bit close are we." Miss Dewey lightly teased the former villain as he just came into the library to start his community service. "Sorry about that Miss Dewey. I had some problems this morning but I'm here now." Matthew replied, feeling a bit embarrassed about cutting things close. He really didn't want to leave Carl and Gene alone during the family crisis that was happening but at the same time he really didn't want to test the limits of his second chance at freedom from prison. Miss Dewey gave the man a look of sympathy and concern. "You know, if there is a serious problem going on at home, I wouldn't mind helping you fill out some forms to request a temporary leave from your community service." The librarian offered. Matthew smiled in appreciation at her kind gesture. "Thank you Miss Dewey but I'll be alright." Matthew responded. "So has the new service worker arrived yet?", the former villain asked. Miss Dewey smiled and nodded. "Yes he is here. Matthew, allow me to introduce you to Frank Leigh." Matthew glanced over to the man Miss Dewey introduced. He looked to be a few years older than Victor but still younger than Matthew and Carl. He had dark hair and light, blueish gray eyes. The man gave a friendly wave to Matthew. "Hi nice to meet you." Frank spoke in a kind tone. @dualnaturedscientist

[shorthaltsjester]

god. i’ve been chewing on vex’s “save him.” to percy when she died in c3e114 for her knowing percy’s one-track vengeance mind reasons but i’m currently rewatching/reading through transcripts for unrelated rotting reasons and was reminded of the moment in c1e102 after both the twins had been killed (vex via power word kill iirc & vax via disintegrate) and vex was brought back only for the moment the fight ended to ask “where’s vax?” and her horror to realize her and her brother had both been dead and now only he was and that he’d been left alone (and she’d been left without him) and when vax came wandering out of the woods as a revenant but still undoubtedly Vax how vex was ready to accept him without question even when percy raised the very real question of vax’s identity, given that they were fighting the perversion of death and i’m just head in hands about the consistency and the heartbreak that is the twins and the fact that vax’s deal to ensure he would not lose his sister ensured that vex would lose her brother and regardless of the circumstances vex accepting whatever version of him she might get to keep: the one who walks loomingly out of a fey forest and the one who speaks stiltedly at her wedding and the one who is stiff as he returns her embrace while she explains the children who carry her legacy (and his as well, she’s ensured).

like. nearly 30 years ago vex came back from death knowing she left her brother behind only to soon learn that he’d be returning to not-quite-death in a matter of (little) time and that she’d have however long her life would be left to live without him. and then she’s on a battle field fighting to free a version of her brother that isn’t quite right, that is dead and isn’t, who is lost to her but still in her grasp, and she thinks she’s dying and she begs the man she’s gotten to spend a lifetime with (nearly the same length of a life that her brother’d gotten) to save him. and i wonder if that was a plea to save vax in the sense of somehow bringing him back or to release him to the raven queen, so that vex could be in the reach of her brother again, not the matron’s champion, even if she was dead alongside him.

[another-goblin]

SPOILERS for 2.2 and Aventurine's message

So his stone was completely destroyed, and the IPC knows about it. I've also got the feeling that he wanted to free himself from the IPC. So why, at the end of 2.2, does he act as if most of 2.1 didn't happen? I mean, why would he expect a rise from Diamond? He clearly still has full support of the IPC too.

Can you even be Aventurine the Stoneheart without aventurine the stone? Is Diamond going to give him a new one? 

I hope he's up to something. Otherwise, it doesn't make much sense.

I'm also a bit confused about this. Didn't it all happen exactly according to his plan? How was it foiled?

[scionshtola]

thinking about the corishtola wedding made me think about the scions pre-corishtola getting together knowledge of them so

tataru: guessed cori had feelings back in hw when she found the letters cori wrote to shtola (who was in the lifestream but cori wanted to feel like she was talking to her). guessed about shtola when they reunited. the number one corishtola shipper forever

thancred: 1 of 2 witnesses to the exact moment shtola realized she loves cori. keeps it to himself except when shtola is mad at him in shb.

minfilia: the other witness to the exact moment shtola realized she loves cori. it doesn’t come up for obvious reasons 🥲

urianger: he was not really around for the real pining but he was front and center for the formation of their initial friendship, more than any of the others. he has an idea based on things shtola says and does in shb but doesn’t say anything to her about it bc shtola is a bit upset with him

alisaie: this one i’m less sure about lol she and cori get close in stb when shtola is not around much so she’s kind of unaware til shb when she really sees them together and that’s when she’s just waiting for them to get together

alphinaud: has assumed they were together for years already, probably since around the time they left ishgard for gyr abania. maybe he’s the number one corishtola shipper actually

[beanghostprincess]

Saw this on twt and felt the sudden need to do it!!! It's pretty much obvious just seeing my account but here you go

[saetoru]

If you had to choose (meaning the other dies) who would you choose to save Geto or Gojo?

🧍🏽‍♀️

this has to be the cruelest ask i’ve ever received

i would save gojo