#[ AND WELL OFF I WENT I GUESS ]

[secretsimpleness]

Sometimes I want to bring Morrigan but then I remember I play as a face-tanking rogue and I bring Wynne. Warden Cousland, Morrigan, Wynne / Dragon Age Origins (c) Bioware

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[likealittleheartbeat]

I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.

The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.

So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.

So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.

[benveydraws]

ms and mr divorce

[starrysharks]

i want to delete my twitter account so fucking bad

[roots-symphony]

do you think the reason agatha’s trial felt weird is because she was the only one who did not actually buy into the mythos of the road since she knew the truth? like that was why no perspective change and all the other reasons why people thought it was a fake trial

[hella1975]

so there's a reason my new job got back to me so quickly about my application and that's bc it's an absolute fucking shambles like actually perfect timing for me to decide to rewatch the bear bc i have never more felt like ive been thrown into a broke on-its-knees establishment trying to crawl its way up the ladder where i am somehow a godsend to them. my old job was crazy and shambolic in the sense that the industry is just Like That but this one?????? insanity. every 5 mins i am questioning what im doing with my life. ive already had a walk-in fridge moment

[dxxtruction]

its probably meant to be somewhat ambiguous but it seems most likely that armand was gaslighting louis so that he didn't trust himself and daniel didn't trust him. he also seemed to basically get what he wanted by instigating a fight and igniting some passion, we see by next ep's start it probably got resolved with sex and absolution. idk the talamasca angle is not as interesting a story

Ask is in reference to this post: HERE

That's cool. You're able to hold that I'm able to hold mine. Interpretations are just that. I will say it doesn't matter whether Armand planted them, or not, because he still ends up gaslighting Louis in the 2x04 argument anyway. It’s effectively gaslighting even if they are telling the truth here as they see it because of how things stack up and what's said.

It is basically how you said, and I'll just go ahead and expand for anyone who might not see it so clearly. Initially, it seems he's more or less trying to just get Louis off his case for the photos, and is willing to throw him, his mental state, and character under the bus, to do so. But Louis already straight up knows him of doing manipulative things, of this exact sort, in the interview before this event even occurred - Namely that Armand is making himself look far more approachable, and better to Daniel, even after they'd both agreed to basically tear this guy to shreds, which makes Louis look worse by default, and goes against what they agreed to both do. Armand has a repeated tendency to fall through on his promises, or promise things, but then take it his own direction when it suits him. In all cases, he does keep obstructing Louis interview, especially when it comes to Daniel, and won't fully admit to it. - this is why Louis' so reactive, among just the fact he has trauma related to being denied his own interiority, fullness, and freedoms, because he's Black, and in society, seen less human. Armand simply doesn't help his case by denying it, even if it were actually his truth that the photos weren't his doing. (Note; Armand has also faced horrific dehumanizing traumas, but in such a differing way I don't think he's able to empathize with the same way Louis been dehumanized in life. I argue a little if Louis is even able to do more than simply hold a lot of sympathy for Armand, as they really are not a lot alike in both their interior and exterior reality. I don't think that sympathy goes both ways often.)

The way he's also keeps behaving like the bigger person in this reinforces the belief Armand wants out of Louis, making him 'see' it, and probably also to Daniel as well who's definitely overhearing this (this particular part has a chance of being unintentional however, if he was only really intending to deescalate, but it still keeps the same effects).

Not only making Louis look like he's crazy to assume it, but denying he'd been doing anything wrong of the sort (by simply at no point coming forward and saying something reassuring of Louis reality along the lines of, 'I have been doing those things, it's just not this, and those weren't my intentions to hurt you with it, I'm sorry' or simply 'okay, I did it, sorry'). As well, it doesn't matter how much Armand's truthful, Louis is someone who necessarily does need reality checks like that, because he suffers from hallucinations, and as he's finding out, memory lapses, and not providing them will make him jump to presume it could be his own symptoms. Also, at one point in the argument, he actually throws out that Louis is insane, if it needed to be anymore obvious. Which is derogatory, if arguably true, though reinforces that Armand's behaviors to 'stop or aid his madness' in prior instances were all a-okay, and all necessary. There's nothing wrong with him, and what he's doing, its all Louis. (His intentions to deescalate, if anyone wants to take on that idea, would've changed by then. It reads as a pattern to me mimicking of the promises falling through.)

Anyway, I'd be saying in my interpretation that him willing to keep this up, even though the photos had nothing to do with it, just shows how much he'd actually use any situation that arises to manipulate/control Louis, and mess with Louis interview, as opposed to orchestrating or planning situations, so he can then also manipulate with it. With all intentions or not, it doesn't really matter. Which makes his manipulation more realistic, honestly. A better portrait of who Armand is tbh.

I don't claim this transcript as 100% accurate, but it's as close as I can get it:

L: Four Fred Steins in the album, four. You made me look foolish. 

A: You just assume it was me. 

L: Well, it wasn’t me. 

A: You sure about that? 

L: Excuse me?

A: I take it back. 

L: Take it way fucking back. 

A: It was probably an honest mistake from the staff.

L: You think I need to be coddled, hyped up, lied to? 

-cut-

A: You’re being Lestat! 

L: Go call on him, see what happens. 

A: A little ridiculous… It's the staff, dear.

L: I’m being ridiculous? You wanna see, you wanna see ridiculous? 

A: No, Louis, it was an honest mistake. You knew it.

L: AAAH

A: You weren’t here- 

L: LA LA LA LA

A: -And more and more of them-

L: LA LA

A: They got through! 

-flashbacks-

A: This isn’t about Lestat! 

-more flashback-

L: You lobbed at Daniel, and disrespected me. 

A: no no no no no no.

-flashback-

L: and over and over and over it’s always the same damn thing. 

A: You trying to trick me?

L: I don’t know I’m just your God now. The abandonment, and aren’t we both cut throat? 

A: You won’t believe me, when I was here. I’m the one who can see! 

L: Alright, first off, first off. 

A: You are insane! 

-fb-

L: You always do this! … We’ll be done with Daniel any day now. Now, knock it off. Its about the record, this is my interview. You hear me? The whole interview that will be heard by me. 

A: In a future that you won’t see!

-fb- 

L: No more! Will you go to speak without asking first. No more! Will you ever flirt around on your years. 

A: Oh, come to Dubai, Louis says, but not me. 

-Then I can’t make out anything-

Sex and absolution I do agree with as well. Like they did do that. I don't think either were expecting it to go that way from the beginning, though, as in neither started or orchestrated a reason for argument just to have makeup sex. That being somewhat normal for them after a big argument like that would not surprise me however. A certain interpretation I take of them having sex after (given the argument) was more that (it seems to me) part of the accusations here is that Armand is 'flirting' to win over Daniel's favor, and trying to get with him? Maybe even back together with him? (Centered a lot around Armand telling him his little love story with Lestat.) If not, just turning him against him. So having sex could reinforce Armand had/has no intentions of leaving, further obstructions wrt Daniel, and/or infidelity. That it's 'me and you' and not 'you and him'. (Which could be the real lie depending on how you want to take it here lmao. And is so bound to fall through because... Armand doesn't keep his promises, not even to himself it seems since he turned Daniel).

Again all interpretations are just that, so long as it can be legitimately supported by the text, and isn't grossly insensitive. The Talamasca just adds to the whole scene to me more than it detracts from it. The outside world necessarily has influenced both of their inside worlds, and further how they interact with each other in both, and is the cause behind of a lot of their behaviors and reactions. Talamasca causing those to erupt sort of points to that. It's real. The whole narrative actually feels more concrete and like there's a world outside who can still influence them if they were the one's doing it. Sometimes I feel people want to center Louis a bit too much in the story, which is fair, it is his story, he has a narrative that should be centered, but it is also other people's story as well. They are playing roles here in it.

Also this is why I really wonder if they'd ever revisit this? I'm a little peeved about it being so hidden tbh. There seems like so much added context and we're denied most of it from the music and constant flashbacks. Fingers-crossed maybe Daniel was recording it? IDK.

[evil-mcytblrconfessions]

tumblr kww fandom was formed seperately from most other social media corners of the fandom. and that leads to silly things like the commonly used name "kww collab" and kenfies vs kenifies. and probably more. cedar if theres any more im forgetting that u know of say them pls

(in response to this confession)

[firestorm09890]

opened up my folder of touhou bookmarks and nearly started hyperventilating how the FUCK did he get in there

[jonsnowunemploymentera]

Melisandre is one of my favorite minor POVs mostly because of how GRRM plays with the all-powerful mage trope. See the deconstruction with her is that despite her antics, she’s actually very powerful and all her visions are legit. It’s just that she absolutely sucks at interpreting said visions, mostly because she has all these preconceived notions and is very stubborn about them. And even when the answer is staring right at her (literally), she just doubles down. And it can be very frustrating as a reader, to be quite honest.

Like she’s been super gung ho about Stannis Baratheon being Azor Ahai/the Prince that Was Promised, though only R’hllor know why, to the extent that she will flat-out ignore any evidence to the contrary. Her visions in ADWD essentially scream that Azor Ahai is someone different (not Stannis!) but good ol’ Mel just won’t budge.

There’s this very hilarious interaction in Jon’s 10th ADWD chapter that essentially spells out all of her problems with visions and prophecy, with Jon serving as the reader’s proxy in some ways.

This interaction happens during Alys Karstark’s wedding feast and Patchface drops some of his weird jingles, which Mel very unsettled by. So she’s turns to Jon and is like, “ugh that dude is so creepy, all my visions tell me so”. And Jon’s reaction to this is super funny, because he’s like:

“You see fools in your fire, but no hint of Stannis?”

Wow Jon lmao

He just had to call her out like that, unprovoked. But his frustration makes sense. He’s constantly been asking about Stannis’ whereabouts but Mel’s responses just aren’t very satisfactory (in his opinion).

Then we get this next line which really just says everything about Mel’s stubbornness and perfectly embodies the deconstruction of the all-powerful seer trope.

“When I search for him all I see is snow.”

So Mel looks for Stannis, whom she believes to be Azor Ahai, in her fires but doesn’t find him. Instead she sees “snow”. And this part tracks with her POV too. We know from her chapter that she constantly sees Jon in her visions. It’s how we get the very interesting “I pray for a glimpse of Azor Ahai, and R’hllor shows me only Snow” line.

So one would think that Mel might go: “Hmmm I look for the prophesied savior, but I don’t see Stannis. Instead, I only see Snow. I don’t doubt R’hllor’s power so if my visions are true, then maybe I need to rethink a few things”.

One would think…

But nope!

And Jon’s like “Hey maybe you’re not seeing Stannis because he’s super dead, ever think about that Mel?” And she proceeds to spout the usual Azor Ahai stuff and even mentions Dragonstone:

“When the red star bleeds and the darkness gathers, Azor Ahai shall be born again amidst smoke and salt to wake dragons out of stone. Dragonstone is the place of smoke and salt.”

To which Jon’s replies, “uhhhh news flash Stannis was not born on Dragonstone so that doesn’t track”.

Obviously this is Jon’s skepticism but I like to think that he took the reader’s place here. Because many of us have asked ourselves, why oh why would Mel think of Stannis just because she saw Dragonstone? Like yeah, he’s the Lord of Dragonstone but he wasn’t born there. It’s quite a valid question and how does Mel counter it? She doubles down and twist herself into a pretzel to make Stannis fit (even though he doesn’t fit at all!)

Really, Jon’s reaction is essentially what would happen if someone dropped me into the world of ASOIAF and gave me the chance to meet Mel and ask her a few questions. I’d be quite frustrated, just as Jon is here. And to be fair, the reader has a lot of auxiliary information (e.g., Jon’s parentage) that Mel doesn’t have.

But then the next few lines really illustrate just why poor Mel can be so frustrating. Because Jon’s follow up is,

“And what of Mance? Is he lost as well? What do your fires show?”

And what does Mel say?

“The same, I fear. Only snow.”

…??!

Mel!😭

Seriously, I cannot! This is the exact same situation as with Stannis. She looks for a king but only sees Snow. This makes me wonder then, based on previous wording, if she’s specifically looking for “the King Beyond the Wall” (not just “Mance”) and only seeing Snow - at this point, Jon has all but supplanted Mance.

So once again, one would think that Mel would go: hmmmm I look for the King Beyond the Wall but I see Jon Snow and not Mance Rayder. Seeing that Mance’s power has been diminished and Jon Snow is now taking control of the wildlings, maybe I should re-evaluate a few things”.

Yeah, one would think…

Homegirl is trying her best, she really is. But sadly, her best can only get E for Effort.

And at this point the reader is just done with Mel, and Jon is too:

“You are seeing cinders dancing in the updraft.”

He doesn’t even bother to phase it as a question lmao. He just calls her out and doesn’t care.

And we’re in his POV so he’s thinking of the lower case “snow”. Also, why in the hell is Mel referring to Jon like this?

Anyway, this is why I think Jon serves as the reader’s proxy in this conversation because it’s like a thinking exercise (facilitated by the narrative) that ultimately goes nowhere because Mel is so, so stubborn.

Because if we really break it down:

R’hllor/the Narrative: Who do you see when you search for the king/Azor Ahai?

Mel: Jon Snow

R’hllor/the Narrative: Ok…and who do you see when you search for the King Beyond the Wall?

Mel: Erm, Jon Snow…

R’hllor/the Narrative/the Reader: Great! So say it with me. The king you’re looking for is J-

Mel: STANNIS BARATHEON!

R’hllor/the Reader: …?!

And before anyone claims that this is a misdirect, Mel really is seeing Jon Snow. Straight from the horse’s mouth:

“I am seeing skulls. And you. I see your face every time I look into the flames.”

Friend….I don’t even know what to say anymore…

[ofmdee]

🍒

[wikiangela]

.

[burymeinwillow]

Hellooo I didn't see someone asking this before but maybe I'm blind. I was thinking of starting to watch Bonanza and Dr. Quinn. I am interested but I'm a little afraid of how big they are so to speak? I thought asking you what you like about them would be cool? Your posts are so nice!

I love westerns and I don't need romance romance but I am also not feeling the newer series like Yellowstone if that makes sense? So I thought maybe Bonanza and Dr. Quinn would be the ones to try.

Hello!! Both VERY good and fun shows!! But yes both can definetly feel like quite the undertaking, especially Bonanza (looks at the 14 seasons)

If I'm to say what I like about Bonanza we might be here a while and this post will get very long, it is my favorite tv show after all, but I'll try to keep it short! I really overrall enjoy the characters and family aspect of it. All the adventures and situations they get into and how they interact with each other and the people around them. Bonanza is more of an anthology series, where each episode has it's own plot and the series doesn't follow one main plot (well I guess the main plot is following The Cartwrights and the stuff they get into each episode). The anthology-ness of it sometimes might make it easier to watch, cause honestly you can kinda skip around the episodes and seasons and watch the ones that you think sound interesting plotwise if you don't feel like starting from the beginning and watch all the episodes (or if you start at the begining to familiarize yourself with the characters and get tired of watching it in order). But keep in mind this is a long TV show that started in 1959 and ended in 1973, so the show look and feel rather different in the later seasons than in the first ones, but naturally it still follows the same premise. You REALLY do not have to watch all of it in order to enjoy it.

In Bonanza you kinda have everything. You got humor, drama, action, extreme sillyness and more dramatic darker themes and lots of other things and I really like that! there is romance also but it's more like.... what girl is Joe dating this episode and then you never hear about her again. and also

While Dr. Quinn is probably best to watch from the start and work your way through it. It's alot more heavy on the romance side tho (the cheesy campy good kind of romance mind you). It's a very feel-good and sweet TV show that also isn't afraid to get dark and dramatic and also being cheerful. I like it cause it gives me a wierd 90's romance drama nostalgia that I really love along with family drama.

HOWEVER if you feel like trying out some other older western shows that aren't as lengthy as Bonanza and Dr. Quinn, I can recommend these:

The Magnificant Seven (1998-2000)

The Young Riders (1989-1992)

Bordertown (1989-1991)

Little Men (1998-1999)

I also totally understand not vibing with newer shows like Yellowstone! Personally I really don't watch alot of newer westerns cause they feel to gritty for me. I prefer the vibe of the 60's-90's westerns.

[pushing500]

We left Loyalty's Meander at the same time our last guests did. Apparently, the horrible murder-cult vibes weren't enough to deter them, so now we have allies! That's nice, I guess.

Blackthorn learned to walk while we were road-tripping and I couldn't get this scene from Ice Age out of my head while I was trying to draw it so you just get the scene instead.

Thanks to the vehicle mod, it only took us eight days to get here, so here we are! I can't wait to see the ship!

hmmmmmmmm

there is... no ship

That is problematic. We'll try to mine into those mountains and see if there's a ship hidden in there somewhere, but I fear this may call for some Dev Mode intervention from Ecthuctu themselves...

Duchess now is not a good time

Curly, that is RUDE. Ecthuctu will not be impressed by this slight, mark my words... Terrible things are coming for you.

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[starry-bi-sky]

me: *making MCD lore -- specifically about the Old Gods of Ru'aun that were forgotten after the rise of Lady Irene -- for fun*

me: *trying to come up with Magick Users Lore*

me: *remembers that Zoey once introduced herself as a fairy before she became an elf*

me:,,,,,humans used to be fairies. Elves and Fairies lived amongst one another (along with the other mythicals) until something happened that resulted in a group of fairies losing their wings but not their magic.

me: these wingless fairies did eventually start losing their magic though, as generations went on and their numbers grew, their magic began to dwindle. they eventually lost their magic identifiers -- pointed ears, sharp teeth, etc -- until they became known as modern day humans.

me: the fairies that didn't lose their wings eventually went into permanent hiding due to being hunted down by humans and wingless fairies (later to be known as magick users).

me: they were being hunted because the wingless fairies/humans believed that they could regain their wings (or their magick) if they ripped the wings off the fairies/consumed them/stole their magick.

me: there are little to no written records of fairies, and the ones that do exist are held in the yggdrasil forest where humans cannot find them. nobody knows where the surviving fairies are because their locations weren't written down, and the elves that did know have long since passed and/or disappeared.

me: by the time MCD happens, fairies are considered a myth and humans/mortals have no idea that they are descended from them. also the reason meif'wa and other species can be magick users is because some of the wingless fairies evolved into different species.