#<3 this was a lot of fun to answer!

[nidbaesenpai]

Dare you say this love could just save you

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[ryssbelle]

Just two kids who got left behind

So now we got Clay's side of the cave in!! He didnt really have time to process any of the emotions he was feeling due to having to immediately run for his life, then guide others to safety alongside Viva.

This was made mostly in response to this fun little tag by @zivazivc

I wasn't planning on drawing it up so soon but AUGH I had to, also ty I pride myself in drawing raw emotions

Btw I do read all the tags and comments I get on my posts I'm very happy to have crushed you all thoroughly 💖

[mvshroombae]

Hello there! I'd like to request a drawing of your favourite Stardew Valley character in your favourite season :)

Also I happened to stumble upon your account and I love your artwork!

Krobus picking out a pumpkin in fall + little guy antics

[megastrikeback]

based on the

[airenyah]

A LOOK AT STYLE'S JOURNEY | Ep 3

(Overview | Ep1+2 | Ep4 | Ep5 | Ep6 | Ep7 | Ep8 | Ep9 | Ep10 | Ep11)

I really wanted to drop this before Episode 4, but the thing is I really really really struggled with this episode. The first two episode were very clear to me, so clear even that I managed binge-write my first post within a single night after having spent the previous night rewatching the episodes and taking notes. I kept asking myself the question "Style does this and acts like this, but why?" and quickly found my answers. But looking at episode 3? I really struggled with the "but why".

But let's get into it anyway. Not that I finish this post only when the final episode drops lol.

~~~ Spoiler warning for episode 4 ~~~

Pronoun situation: In my first meta post I kept up with their pronoun use on a scene by scene basis. This time I won't do that, because Fadel and Style consistently use the rude guu/mueng pronouns for each other throughout the entire episode without any significant pronoun changes.

To recap: when we last saw Fadel and Style together in episode 2 Fadel ambushed Style in the locker room and basically declared war on Style. Style launched counterattacks. They did not part on the best of terms.

No. 1: RAWR

The very first sequence at the heavy metal bar is where my first problem already arises: I am undecided on whether Style went there on purpose to find Fadel or if he went there of his own accord to have fun and just happened to run into Fadel completely by chance. Because you could make arguments both FOR and AGAINST Style showing up specifically for Fadel.

AGAINST: Style does look kinda surprised when walks up to Fadel. When they're chatting by the counter Style says he's here all the time (which is something he doesn't say about the running track or the gym – two spots that we know he only went to for Fadel). We also don't get to see Style looking at the notebook like we do before he bugs Fadel at the running track for the first time or later in the episode when he shows up at the support group meeting. What's more, Style doesn't really attempt to stick to Fadel no matter what until Fadel either physically gets rid of him or just walks away. Instead Style leaves of his own accord to have fun with people who aren't Fadel and also seems perfectly content to do so.

FOR: When Kant looks through the notebook in ep2 after Bison hands it to him we can see that the bar is in there. So Style should know this bar is one of Fadel's go-to spots. Style could be feigning surprise when he walks up to Fadel to make it look like a chance meeting and he could also be lying about being there all the time.

Whether or not Style came to the bar in order to seek out Fadel specifically or not, when he walks up to Fadel and sits down next to him it's all in a friendly manner. His behavior has an air of Oh hey there person that I know, let me say hello! to it.

Style is once again trying to involve Fadel in an amiable conversation despite their confrontation last time they saw each other. Or maybe he's trying to involve Fadel in an amiable conversation because of the confrontation last time they saw each other. Style's friendly approach makes it clear that he's not holding any grudges about it. Fadel is not up for a friendly conversation, though. In the scene by the counter he says a total amount of two sentences to Style (or even just one, if you don't count the "no" as a single sentence). Style tries to get Fadel to socialize, to get Fadel to come out of his grumpy shell and go dance with him a little bit, to loosen up and scream a little bit. Fadel won't budge. So Style gives him his space and walks off, but not without inviting Fadel to follow him just in case Fadel miraculously changes his mind. After Style clinks bottles with his (new?) friends he looks back at Fadel and nods at him before getting busy with his friends.

I want to talk about that nod for a quick moment. Because as an introvert who tends to be quiet and shy in a crowd (especially a crowd of strangers or people I don't know well) I have my fair share of experience of being alone in a crowd. And I adore that Style is making contact with Fadel again, even though he already walked away and their conversation is actually over. As I've mentioned in some tags before, some of Style's core personality traits really remind me of a dear old friend of mine. We had a time in our late (ish) teens where we'd hang out at our youth leader's flat every day. My friend and my youth leader would often play Magic: The Gathering, which is something that's really not my thing and so I'd be "left out" that is I'd be chilling next to them doing my own thing or just watching them, not understanding shit. They'd be in the middle of a game and my friend would sometimes randomly look up and nod at me like that or he would pull faces at me or do some other random shit to communicate with me for a second before focusing back on the game. These small gestures were something I always really appreciated because they made me feel included, even though I had no interest in the game and couldn't really be part of it. The way Style nods at Fadel reminds me of that. He's making contact with Fadel across the room, involving him, including him. It's a nod kind of like Hey, I see you. And yeah, Fadel doesn't really want to be seen, except deep down maybe he does.

Which brings me to the choking scene. Style is having fun with his friends (or random people he just met??). He spots Fadel, excuses himself and walks over. Almost as if he saw Fadel standing there all on his own and decided to talk to him because "You're supposed to have fun with your friends at a place like this". As if he doesn't want Fadel be all alone. So he walks up to him and starts another conversation. We get another confirmation that Style isn't holding any grudges about their confrontation in the locker room, because he actively teases Fadel about it. I'm not even sure Style is purposefully being flirty here, I think he really is going more for a playful callback to the locker room confrontation, mixed with a challenge of "So? Are you gonna go rough on me again? I dare you to do it again!"

What's more, I think at this point his brain is set to I must hit on him, so I must drop flirty shit whenever possible. So when he says Fadel looks sexy, while there sure is some truth to it and he certainly finds Fadel sexy in general, I don't think he really 100% means it in that specific moment. It's almost more as if he's saying it out of habit, just for the sake of dropping flirty shit and compliments at any given opportunity.

All in all, that night at the bar Style isn't really being annoying or flirting with Fadel on purpose. He spends the night trying to make friends with Fadel again, trying to make amiable conversation, trying to involve him in friendly banter, trying to genuinely connect with him. As if to get Fadel to open up and come out of the shell that he has deeply buried himself in. And I think what this interaction also shows is that Style is starting to have positive feelings towards Fadel. It's the beginning of Style genuinely liking Fadel more than he dislikes him. Style is slowly starting to worry and to care about him.

No. 2: The Best Way to Burn Calories

Now for this scene we know for a fact Style is here for Fadel specifically. Once again, Style blurts out flirty shit and once again it doesn't sound entirely genuine as if he actually means what he says. Kant has sent him on a mission to hit on Fadel, but Style still hasn't quite figured out how to get through to him. Fadel continuously ignores or even blocks Style's attempts to make friends with him or to genuinely connect to him and the flirting also doesn't seem to be working. (Oh, Style. If only you knew just how well your genuine flirting at the gym worked on Fadel 🤭)

Style knows very well that Fadel is annoyed by him (Fadel even explicitly tells him that it's a bad morning if he sees Style). And I think at this point Style has decided that if he can't be a positive presence in Fadel's life he'll simply just be a negative presence then. Since that will still bring him closer to his goal than being no presence in Fadel's life at all would bring him. So he just shows up, bugs Fadel to remind him of Style's existence and also drops flirty shit at any given opportunity while he's at it regardless of whether he genuinely means what he says in that moment or not. And while I'm sure there is some truth behind Style's words, I think a lot of the flirting really is more of a routine now, a habit. Since that is what he was hired to do after all.

Side quest: Body and Heart

One thing this scene touches on is that Style definitely isn't in it just for sex alone but that he desires an emotional component as well: he explicitly says he wants Fadel's body AND his heart. As I said, I don't think Style really meant the flirting here, but I do think there is some truth to his words, namely his desire to not just have meaningless sex but to also be in love.

I think, unlike Kant, Style actually isn't too big on casual one-night stands. I think he enjoys flirting around, because Style is an attention hoe, but if I had to guess I would say most of the time he doesn't end up actually sleeping with anyone. Style is charming and I think he has a lot of fun with flirty banter. And he definitely loves the attention: in episode 1 he clearly enjoys it when the girls are admiring his waist that he proudly shows off at the bowling alley, in episode 2 he gives Fadel permission to look at his naked body, and then later in episode 3 he also looks very happy and satisfied after those girls call him "hot" when he's dropping of the car keys at the host club.

Style loves the attention, he enjoys the flirty banter, but I think sleeping around no strings attached isn't truly his kind of thing. We get another hint of this in episode 1 when Kant claims "[Y]ou’re in no position to call me out when you’ve been playing around just the same". Style replies "I don’t know what you’re talking about" in a disapproving tone and with a skeptical face.

In fact, in Thai he says:

อะไรของมึงว่ะ [àrai - kŏng - mueng - wâ] what - of - you - [rude particle]

I haven't checked this phrase back with a native speaker yet, but I've often heard it in the sense of Wtf is your problem? or Wtf is up with you? or Wtf are you talking about? To me, the English subs sound almost more like Style is deflecting Kant's statement while in Thai to me it feels like Style is actively disagreeing with Kant's words (feel free to correct me on this if I'm wrong @happypotato48 🙏).

Like, Style clearly doesn't approve of Kant's accusations and immediately goes attention seeking to highlight that that is what he's all about:

Going with the crop top shot specifically because I'm SURE some of you will really appreciate it lol

The literal translation of what he says here is actually more like "I'm just checking my rating":

กูก็แค่เช็คเรตติ้งกูเฉยๆว่ะวะ [guu - gôr kâe - chék - ret-dting - guu - chŏiie chŏiie - wâ wá] I - only - check - rating - I/my - just - [rude particle]

Style wants eyes on him, not hands, and he wants to be rated the hottest person in town by everyone who takes just one single look at him, thank you very much.

What's more, right before this exchange he also tells Kant to quit his one-night stands and get a real lover, so we know Style is very much team "having a boyfriend is a good thing". Style not being too big on meaningless one-night stands will also be reflected later in episode 3 when Style tells Fadel " What kind of man do you take me for? I might look like I play around, but I’m damn devoted to love. I want to date*" when he complains about Fadel ditching him right after their hook-up as well as in episode 4 when Style tells him "I'm not just anyone. I need clarity" when Fadel points out "Some people [have sex] countless times and never called it anything" after Style asks what their relationship is now that they've hooked up twice. We see it also in the way how enraged and genuinely hurt Style is in episode 4 after the stunt Fadel pulls in the kitchen. For Style, sex isn't just sex and I think as impulsive as he can be he still makes very deliberate decisions about who he actually sleeps with.

Kant may claim Style plays around just like Kant does, but the thing is that night at the bowling alley? It's Kant who finds himself someone to spend a fun night with while we see Style leaving the bowling alley all by himself without his own hook-up. You could even make arguments about how Style doesn't actually like doing the pursuing and much rather prefers to be pursued. But more on that later.

*(Actually, literally he doesn't say "I want to date" but "I want a faen" -> confirming once again Style is Team Steady Boyfriend)

No. 3: Sweet Meat

Just like in the scene at the sports field right beforehand, Style continues to be an annoying presence in Fadel's life, if he can't manage to be a positive presence. For this scene he even turns up his annoyingness level a little more than at the running track. What's very interesting here compared to the meat stall scene from episode 2 is that here in episode 3? Style doesn't give a shit that Fadel turns away and walks off without buying anything. In episode 2 he was very quick to yield in order to keep Fadel from running away, but this time Style doesn't care that Fadel just ditches him. When Fadel has gone, Style immediately hurries after him. He's already got his next move planned.

No. 4: Burger Burger Burger Burger

I think Style tries out a different strategy here: maybe if he helps Fadel, Fadel will finally soften up to him. What's also interesting is that every word out of Style's mouth suddenly sounds a lot more genuine now compared to what he was spouting at the running track or at the market earlier that day. And I think it's because he (thinks he) is helping Fadel.

Style likes to help. We see this in the way he agrees to help his best friend by hitting on some weirdo guy (yes, of course he's also getting a car out of this deal, but I think part of the reason why he agrees to the deal is also because he genuinely wants to help Kant find love), we see this in the way he immediately takes orders from customers no questions asked in episode 2 right before he meets Bison, and we'll see this even later this episode when he throws himself into the fight despite having no fighting skills whatsoever, just because he thinks three against one is unfair and wants to help.

And if we go back to the thought that maybe, just maybe, Style actually doesn't like to pursue others then it's no surprise that his words here suddenly sound a lot more genuine now that he (thinks he) is helping Fadel compared to his half-assed attempts at flirting earlier that day on the sports field and at the market. Helping people is Style's thing. He's back in his comfort zone which means now he can be much more sincere in his words and his actions again, because there is less of a need to pretend to be a type of person that he just simply is not.

Which also results in Style being much more playful again rather than annoying. For example, when he calls Fadel a "good-looking chef" and shoves him with his his gigantic burger bun. Or when he teases Fadel about being shy. Or when he asks Fadel "You hungry?" after they end up on the ground. This time I actually believe Style's words. Where the flirting at the running track and the teasing at the market felt more like a task where Style was mostly just saying words to get the job done, now that he's back in his comfort zone it sounds like he actually means everything he says again.

There is also some sort of sincerity to Style's desire to help. Fadel, however, does not want Style's help and tries to send him away. Style reminds him that Fadel should probably be making burgers instead of wasting time arguing with him and also points out that Fadel's own brother, who is supposed to be here helping him, is nowhere to be found and that he, Style, is in fact right here by Fadel's side helping him, supporting him. I think Style is being a little overly dramatic when he says "All I ask from you is a little decency" in order to get Fadel to soften up at least a little bit and to get him to accept Style's help, but I also think Style does genuinely desire at least some form of recognition for his support as well. But Fadel won't budge and once again just abandons him.

No. 5: This Is A... kitchen

Trouble arises at the diner and once again we see that Style likes being helpful, because he rushes into the kitchen, immediately ready to help serve the customers. And this time his desire to help is real. It might also stem a little from his desire to fix things, because it is his own fault that the restaurant is overrun and so part of him might want to make up for that, too. What matters, though, is that it's not just another attempt at getting close to Fadel like earlier when he was promoting the restaurant. Fadel blocks him once again, but Style insists. And I think he really hits the nail on the head with this:

I haven't yet looked at Fadel as closely as I have at Style (oh how I wish I had the time, though *cries in university student*) but I do think that this is ultimately something Fadel will be forced to learn over the course of the series.

Anyway, Fadel tries to send Style away again, but Style refuses to go and lists a number of arguments as to why he should in fact go serve tables instead of going home. He ends his arguments by telling Fadel to learn to accept help and then then determinedly tells him that he'll go wait the tables himself. Once those words are out of his mouth he looks at Fadel almost with a bit of a defiant expression on his face as if he's waiting for Fadel to object again.

But this time Fadel says "Fine, you can wait the tables" and Style nods and raises an eyebrow in surprise and happiness, like Wait?? I can?? For real?? You're actually letting me?? I don't have to fight you some more?? You're not throwing me out again??

When Style goes to change into the uniform right there in the kitchen, I don't think he's doing it to be flirty or anything like that at first. I think in the heat of the moment he genuinely forgot that changing rooms (or in this case, bathrooms) exist. I think he wanted to follow Fadel's order as quickly as possible so that he could start helping as quickly as possible. That is, until Fadel tells him off and sends him to the bathroom. Style responds by playfully teasing Fadel about being shy. Style is in an excellent mood now because it's one of those rare occasions where Fadel accepts Style's presence rather than trying to get rid of him. And while I do think Style changes in the kitchen anyway in order to tease Fadel, I don't think he's necessarily doing it to tease Fadel for sexy reasons but rather for playfully petty reasons. Because Fadel keeps scolding him and yelling at him and when Fadel tells him off for changing clothes in the kitchen, Style does it out of spite. Like Oh, you don't want me to change in the kitchen? Well, in this case i DEFINITELY have to change in the kitchen, then. I will say, though, that there is definitely a little bit of an Oh, you're NOT shy? Well, prove it, then! in there as well. But I don't think that this thought is Style's main focus here, because apart from this one look that Style throws Fadel right after he's pulled his shirt over his head...

...from what the camera shows us he seems more focused on the clothes and the action of changing them rather than on Fadel's reaction to him getting naked:

We, the audience, were shown Fadel's reactions to Style getting undressed and I think if Style had taken note of these reactions, the series would have made a point in showing us that Style notices Fadel's crisis. And our chatty cat here would have 100000% teased Fadel about it. What's more, Style has no idea just how much of an effect his naked body had on Fadel back at the sauna. Style has absolutely no idea that Fadel went and fantasized about him afterwards. So Style does not (yet) know that his naked body is one of the strongest weapons he currently has in the fight for Fadel. So Style does not (yet) realize that he could be using his body in a much more deliberate manner. And I don't think he realized it in this scene either, because as I said we would have been shown his discovery. So Style leaves the scene none the wiser, but eager to help and absolutely stoked that Fadel actually lets him for once.

No. 6: Death by Spatula?

Unexpectedly, Fadel drops lore of himself and I think that piques Style's interest because Fadel almost NEVER drops lore of himself. Pretty much all the things Style knows about Fadel are things he got from other people (like all the information in the notebook) or things he found out by himself (either because he's picked up on them in all their interactions so far or because he actively did some research like when he looked up Fadel's name). There are only two other instances where Fadel himself revealed something about himself to Style:

When Style finds him at the gym, Fadel drops that he doesn't like it when it's crowded and that this is why he likes going to the gym at night.

When Fadel tells Style that he runs a burger joint in the "sensitive nipples" scene and also mentions that he does everything by himself. Although this incident barely counts, because Fadel didn't really give this information voluntarily but was instead kind of forced to since Style had found the pin of his restaurant.

Usually, Fadel refuses to reveal anything about himself. But now Fadel is overwhelmed by the many customers and in his stress he lets slip that he doesn't need money and that he only runs the restaurant for fun. When Fadel then also claims not to be rich, Style immediately finds it sus. Lucky for him, though, he won't make the right guess until later in the episode and so he manages to escape being prematurely murdered with a spatula. But Style doesn't know that.

Instead, Style just got a lot more intrigued by Fadel. This is one of those incidents that make Style want to get to know Fadel out of his own curiosity and not because he wants to help his friend and is getting his dream car as a reward. Style is starting to take a genuine interest in Fadel as a person and his positive feelings towards Fadel grow.

No. 7: First Bites

When Fadel wordlessly hands Style the burger it's the first time that Fadel is actively reaching out to him. Reaching out to him in a friendly manner that is, not to ambush him in a dark locker room and start a fight. And Style is absolutely delighted that Fadel is finally taking a step towards him instead of walking away from him like he usually does. And Style being Style, he of course has to immediately make a big deal out of it: "Are you finally folding? Was it because of how hard working I am? You like me now, don’t you?"

Actually, I wanna take a little detour to the language side of things again. The English translation has a question tag only on the last sentence, but in Thai Style actually uses question words that give a sense of "right?" or "isn't that so?" at the end of every single one of these questions.

นี่มึงเปิดใจให้กูแล้วใช่ป่ะ [nêe - mueng - bpèrt - jai - hâi - guu - láew - châi bpà] [interjection] - you - open - heart, mind - to, for - I/me - already - right?

I actually really like the expression he uses in Thai: he says เปิดใจ [bpèrt jai] which consists of the words "(to) open" (เปิด) and "heart, mind" (ใจ). To me, that gives me the feeling of Style not just asking Did I manage to win you over? but more of a feeling of You are finally opening (your heart) up to me, right? You are finally letting me in? which I think is a much nicer image in regard to Fadel's character and Fadel and Style's relationship.

มึงเห็นความขยันความตั้งใจกูแล้วใช่ไหมล่ะ [mueng - hĕn - kwaam kà-yăn - kwaam dtâng jai - guu - láew - châi măi - lâ] you - see - diligence - intention, determination - I/my - already - right? - [particle]

I don't know if others feel the same way, but in the English translation the "hard working" part mostly makes me think of Style working hard with helping at the restaurant before this conversation. A more literal translation of what he says in Thai would be "You've seen my diligence and determination, haven't you?" and I'm sure he's actually more referring to his determination and relentless efforts in getting close to Fadel.

I just really like the way Style phrases all his questions here in Thai. Fadel has enclosed his heart deep within him in very thick and high walls and no one gets access to it. And Style's task isn't that he has to get Fadel to simply just fold to him, surrender to him, but what he actually needs to do is to search for a way to reach Fadel's heart. His options are either to tear down Fadel's walls by sheer force or to somehow get Fadel to trust him so much that Fadel will willingly unlock and open up the doors leading to the depths of his heart. And it's like Style is asking You're finally letting me in, right? You're finally recognizing my diligent efforts to reach you, right? You no longer hate me, right? You like me now, don't you?

And I don't think Style is necessarily flirting here and means to ask if Fadel likes him romantically. On the surface, yes, he is definitely also asking if the flirting (attempts) have worked and if Fadel is starting to fall for him. But I think a lot of this is also about how he has on multiple occasion now tried to form a genuine connection with Fadel. Just in this episode alone we can see it in the way he asks Fadel if he likes heavy metal at the heavy metal bar and then tries to get him to socialize, tries to include him. We can see it the entire time at the restaurant just now where he's voluntarily helping because he genuinely cares. There are even more instances in the first two episodes, which I talk about in my first meta post of this meta series. Style has tried to bond with Fadel multiple times now but Fadel has always blocked his attempts and I think a big part of Style also wants to know if Fadel is finally starting to have at least friendly feelings towards Style. That Style is finally going from being an annoying presence in Fadel's life to being a pleasant presence in his life.

But Fadel shoots him down. "Don't get your hopes up. This is your wage." (Fun fact: in Thai Fadel actually tells Style not to เวอร์ [wer], which is a slang word coming from the English word "over" and, if I remember my Thai friend's explanation from a month ago correctly, is used to indicate that what someone is doing/saying is "too much", so what Fadel says here could be taken as "don't exaggerate" or "don't be so overly dramatic" or "don't be so hyped")

Style immediately complains that the burger is too little of a wage, but also won't let Fadel take it away from him again, insisting on eating it anyway. It might not be much of a wage, but that burger is important to Style. When Fadel sends him home, Style dramatically laments being exploited and thrown away. I think this is yet another one of Style's attempt to get some friendly banter out of Fadel. But Fadel isn't having it. Fadel makes it clear that he wants Style gone asap and Style is annoyed that Fadel keeps making him leave. I think Style is genuinely enjoying hanging out with Fadel at the burger joint and also genuinely wants to stay. His positive feelings continue to develop.

Special shout-out also to the way Style loudly goes "Mmh! Mmmh!!" while chomping down on the burger to make sure Fadel knows exactly how much he's enjoying Fadel's food. Which isn't just food in this instance, no, the burger also stands for an unspoken thank you for helping me and symbolizes the first time Fadel has actively reached out to Style on his own and done a nice thing for him. Style is making sure Fadel won't miss just how much he appreciates this gesture.

No. 8: A Fly on the Wall

Oh, how desperately I wish we knew at which point of the conversation between the brothers Style came in exactly! This is going to drive me insane, because I have no idea just how much of the conversation Style overheard, which unfortunately is important information for the interpretation of his interactions with Fadel from this point on. Most of all I really NEED to know if Style happened to hear this specific line:

Fun fact: in Thai he doesn't actually say "you wanted to rely on" but he says (ที่)มึงจะไปอยู่ด้วย [(thêe) - mueng - jà - bpai - yòo - dûuay] which should translate to something like "(that) you were gonna be with" or "were gonna live with" (disclaimer: I didn't double-check this with a native speaker) which sounds much more like a serious relationship to me rather than when phrased as "dude you wanted to rely on". And we'll get the confirmation of an ex-boyfriend later in the episode.

Now the question is: DOES STYLE KNOW ABOUT THE EX-BOYFRIEND NOW?? DOES HE KNOW FADEL WAS IN LOVE BEFORE?? PLEASEEE I NEED TO KNOW 😭😭😭

In my quest to find an answer to these questions I did come across a strange background noise that comes right after this line, though. A background noise that could very well be interpreted as Style sliding open the door. So for the sake of my own sanity I'll go with Style only having heard this part of the conversation for sure:

F: Why did you bring this up? K: I just want you to tell your brother how pipe dreams always end. In this line of profession, no one waits for you.

This is yet another incident that gets Style genuinely curious about Fadel, about who he is exactly. Style will certainly be wondering about what that profession is from now on. And he will certainly be wondering about what that profession could be after he watches Fadel beat up three grown men like it's nothing. And he won't know that he will have hit jackpot with his guess.

No. 9: Private Show

Where the masturbation scene from episode 2 confirms that Fadel feels genuine physical/sexual attraction to Style, this scene confirms that the feeling is mutual on Style's side of things as well. Style, too, finds Fadel's body hot. What's more, he never stops looking at Fadel. And not just at his body, but throughout his fantasy, Style is always searching for Fadel's eyes. In fact, he rarely takes his own eyes off of Fadel's face, and when Style does direct his eyes somewhere else it's always only for a very short moment. I think this once again shows that Style desires an emotional connection next to a physical one as well. Sex isn't just sex to Style, he wants more with it.

It is said that eyes are the windows to the soul, so another reason for the intense eye contact could be that Style also wants to stare deep into Fadel's soul to get to know him better in a quest to find answers to who this mysterious person really is. Because by now Style is genuinely curious. He has genuinely started to care.

Remember how I mentioned that arguments could be made for Style actually liking being pursued more than doing the pursuing and that I would get into this later? Later is now.

At this point I want to plug @clemelntine's extremely interesting perspective on the two sexual fantasies that we've gotten so far and what that means for the storage room hook-up. I'm not gonna reiterate everything, but I do want to pick up on what she says about Style specifically:

No matter how much he annoys Fadel in the day to day and how much he seems to take the upperhand in those interactions, when it comes to sex he likes in the idea of letting Fadel do what he does/wants.

In Style's own fantasy, Style is sitting back, he's letting Fadel take the reins, do the work. This is also in line with @secriden's excellent meta on Style's true desire being to be pursued, which I also really encourage you to read. Again, I won't repeat the entire post, but she highlights how Style will downright create opportunities for Fadel to lay his hands on him and how "every single time Fadel even shows a HINT of wanting Style, he immediately falls pliant, like he can't wait to let Fadel take the reins" (quoted from @secriden). And we see this desire in the fantasy too. Style imagines Fadel being the active one while Style gets to sit there and enjoy. Our little attention hoe here likes it when people are actively after him.

I was struggling to really make sense of Style this episode. In the first two episodes, whenever Style was being annoying there would be some sort of trigger for it. I was confused especially in the beginning of this episode, because I didn't understand how and why Style would go from trying to genuinely bond with Fadel at the heavy metal bar to being annoying at the running track and at the market when nothing seemed to have triggered it. I could tell Style was being annoying on the sports field and at the market, but I really couldn't figure out the "but why?" of it all. But if we look at his behavior through the lens of "Style actually prefers being pursued over doing the pursuing", I think it makes more sense. Style prefers for others to put in the effort of pursuing and now that he's forced to do the pursuing himself he doesn't really know how to go about it, especially when the person he's trying to woo has walls high up to the sky and continuously shoots him down. Style shows up and drops flirty lines but he doesn't even really mean them because he doesn't actually want to do the pursuing. The inauthenticity in his insistent approach is what makes him annoying in those scenes. And it's also not what works on Fadel – it's when Style is being genuine that he actually reaches Fadel, like when he was helping him wait tables (which Fadel recognizes by rewarding him with a burger) or when Style was being playfully flirty in the sauna (which results in Fadel fantasizing about him at night).

No. 10: Mark Style Down As Scared AND Horny

We will later learn that Style doesn't believe Fadel about needing more money for the restaurant and was just acting stupid to gain Fadel's trust, but when I first sat down to take notes for my meta I wasn't sure if Style was being entirely accurate/truthful when he said this, since he witnessed Fadel taking on three grown men only after that whole conversation about the restaurant. So why would he feel a need to gain Fadel's trust before that? At first I thought that maybe Style did believe Fadel for a moment there, especially also because he presented Fadel with an excuse as to why he was working there right away and then also sounded a bit too sincere when he offered support to Fadel. However, on second thought I'm now thinking that maybe he really does distrust Fadel's claims from the start.

Outside the host club Style approaches Fadel and I don't think it's with the motivation to flirt with him but rather to find out why exactly Fadel would be here stripping for some ladies. It's a bit odd that he immediately offers Fadel an out of "You need the money for your restaurant, right?" when he's trying to get answers, but maybe this clumsy approach at digging for answer is already part of Style playing dumb on purpose to gain Fadel's trust. But why would he need to gain Fadel's trust when he hasn't even seen yet what Fadel is really capable of?

While it is true that up until the "why are you working as a stripper" conversation Style hasn't witnessed the real danger that Fadel poses, there've still been enough incidents to make him suspicious of Fadel. It already starts right during their first meeting when Fadel won't let Style get near his car. That's weird, Style finds it weird. Next thing Style knows is that Fadel also doesn't have any papers for said car which is very odd again. In episode 2 Style gets a little hint of Fadel's dangerous side when Fadel ambushes him in the locker room. In episode 3 he learns that Fadel opened the burger place just for fun rather than to earn money and that apparently Fadel isn't rich and yet somehow still has the resources and the time to run a whole restaurant for fun. Shortly after that he (likely) overhears something about a "profession" which clearly can't refer to the profession of being a burger joint owner. Style has enough reasons to be suspicious of Fadel, even before he witnesses Fadel's badass fighting skills. Style has reasons to gain Fadel's trust and to stay on his good side, especially since Style himself is hiding ulterior motives and can't risk Fadel getting suspicious of his own true intentions. So Style plays dumb, offers Fadel an out, and when Fadel takes that out Style raises his eyebrows and hesitates for a moment like Oh, okay. We're going with the lie, then, before he offers Fadel support.

The conversation gets interrupted by those three men looking for a fight and for the first time Style gets to see just how dangerous Fadel can get when he wants to. This is where Style truly realizes that something really is very, very OFF about Fadel. It's no longer a joke or a gut feeling, no, this is confirmation that something here is incredibly shady. And Style wants to get to the bottom of it.

No. 11: Hit by Apollo's Ball of Prophecy

There've been a few incidents that got Style curious about who Fadel really is behind his thick walls and his tough exterior, a few incidents that got Style curious about Fadel's lore. But watching Fadel take on three grown man without any major problems and having them run away in fear was the last straw. Style's motivations officially change. Getting Kant's car is less important now than finding out the truth about Fadel. Style definitely exaggerates a bit when he says that Fadel must be some kind of hitman, is being dramatic as usual. It won't be much longer until Style finds out that Apollo has actually hit him with the gift of prophecy.

No. 12: Rise Up

Style is determined to find out more about Fadel's life and promptly shows up at yet another location he knows Fadel will be at. I'm not sure Style was aware this meeting was gonna be about grief and loss before he arrived and saw the sign. At least from the notebook it's hard to tell because the drawing only shows a group of people sitting in a circle of chairs with the caption "rise up". That could really be about anything. For me personally, my first association (especially in combination with the words "rise up") would be a Christian bible study group, although I doubt that Style, having been raised in a predominantly Buddhist country, would necessarily have this specific association with that image and those words, too. Point still stands that nothing about this image strictly points to loss specifically. (Technically we could say that since there's no address in the notebook, Style might have googled "rise up" in order to figure out where to go and seen on the website that it was a meeting for grief and loss. However, as we didn't actually get to see Style do any research and find this information, I'm just gonna run on the assumption that he genuinely didn't know and that maybe he got the address via Bison or something. Or maybe he actively stalked and followed Fadel, idk.)

Style stops in front of the sign, double-checks that he's at the right place, and then nods in determination, kinda like alright, let's do this, then, before he enters.

Another reason why I don't think Style was aware what this group meeting was gonna be about before he arrived is the way he's kinda confused when the group leader asks him to tell his story. The group leader elaborates ("Something you’ve lost, or the changing point in your life.") and Style, who was looking at the group leader while listening to his explanation, turns his head to look at Fadel right after the group leader says the word จุดเปลี่ยน [jùt bplìian] (= changing point). He stares at Fadel as if he's wondering Did he lose something? Was there a changing point in his life?

Style can't dwell on it for too long, though, because he has just been asked a question and now needs to come up with a cover story.

And this is where Style really starts to get out of line. He dishes out a story about some dog, which I don't really want to get into right now since at the point of me writing this we're only 4 episodes into the series and who knows, something might as well happen later down the line that could recontextualize Style's story (looking at you, Boonterm mention! 👀), but I think it's safe to say that Style isn't too involved in his story emotionally. When he cries, the crying is cringe and it's NOT because Dunk is a bad actor (far from it!!) but rather it's because Style the character isn't taking himself seriously here. This is also highlighted in the smug look and nod he shoots Fadel in the middle of his crying performance:

His behavior is very disrespectful, but I don't think he's being disrespectful on purpose. I think this is another one of his idiot boy moments where he is just really fucking stupid. Style is impulsive and doesn't think things through a lot and I think in this scene he is also so absorbed in his goal of getting to the bottom of Fadel and his mysteries that his tunnel vision on his goal prevents him from realizing the effect his actions can have on those around him, the consequences his behavior could bring. We saw it before that Style sometimes doesn't see things as much of a big deal as they actually are when he doesn't think much of texting while driving (as elaborated in my ep1 meta). Besides, his behavior has worked out pretty well for him all episode, with the worst consequence being Fadel simply just walking away from him, and Style even got to celebrate small victories like when Fadel made him a burger. So why would Style be changing his behavior now? There is no reason for Style to act differently, and so he continues to bug Fadel as usual and it genuinely doesn't occur to him that his behavior could be disrespectful or out of line.

Maybe if Style had had more time to dwell on the thought of Is Fadel here because he's lost someone? he might have realized that the situation was a lot more serious than he had originally thought and that his words/actions were gonna be out of line and that he shouldn't have been doing this, but alas that is not what happened. He didn't have the time and so he immediately gets distracted fabricating an elaborate story to answer the group leader's question and doesn't spend a single one of his brain cells thinking about his behavior and its consequences. He will soon learn about the consequences, though, because Fadel is seriously pissed now.

No. 13: Giving You What You Want (But Is It?)

Fadel is pissed and goes to confront Style in the privacy of a random storage room. Style is obviously lying to Fadel through his teeth. I do think there's some truth to it when Style says "I have my own problems. You’re not the only one" but whatever problems in life Style currently has (especially if there's anything connected to loss and grief), these problem's really aren't at the forefront of his mind right now. We know for a fact that Style is lying when he explains that he found the support group via the internet, that meeting Fadel was a coincidence and Fadel doesn't buy it either. What we, the audience, also know but what Fadel doesn't necessarily guess is that Style is also lying about how he is hitting on Fadel because he likes him and because he wants him. "Nothing more than that" he says, but as the audience we know that this is also bullshit because we know he was specifically sent by Kant and that a car is waiting for Style when he succeeds. What we also know, though, is that Style is definitely physically/sexually attracted to Fadel, so when Fadel offers to hook up with him, who is Style to say no?

I think this nc scene surprised a lot of us because it didn't go the way most of us were expecting it to go. As has already been pointed out in various posts by various people, Style is surprisingly passive during the entire act (at least, that we get to see). They have next to no eye contact, Style doesn't initiate a single kiss and barely touches Fadel except to hold him and to run his hand through Fadel's hair. But why is that?

Many a thing has already been said about this scene and about the characters' motivations and I don't think there is one specific interpretation that is the One Truth. I think many truths exist in this scene at the same time and there are many factors as to why the characters were acting the way they were acting. Emotions are complicated and sometimes you can have many of them simultaneously.

An interpretation that I haven't seen floating around yet is that part of Style's passiveness could also stem from the fact that he was caught off-guard. I don't think he was expecting Fadel to go Alright fine, have me, then. In fact, I think when Style told Fadel "I like you" and "I want you" those were mainly empty words again. Because this time he didn't seek out one of Fadel's usual places in order to to hit on him, but because he wants to find out the truth about Fadel, wants to figure out the reason why Fadel is so shady. But then he ended up pissing Fadel off who then promptly started a fight with him and Style needed to cover up his own intentions when he threw those words into Fadel's face. Style says "I want you", but he doesn't actually mean it in that moment and his actions do not reflect the I want to bang you sentiment at all either. We've all seen the sauna scene, we know how Style behaves when he actually wants to get into Fadel's towel pants. And this isn't it. So when Fadel suddenly and uncharacteristically does let Style get into his pants gets into Style's pants, I think that throws Style off and he momentarily doesn't know how to respond to the situation.

Plus, as @nnnn99999 writes in her meta, there is also the emotional disconnect. At this point of the story, neither of them is in love with the other just yet. Yes, there is mutual physical attraction and yes, by now Style has taken an interest in Fadel beyond the car, has started to develop positive feelings for Fadel and has at times actively enjoyed interacting with Fadel, but they still have their own motives and intentions and emotionally they simply just aren't quite on the same page yet. Style desires both body and heart, but both of their hearts simply aren't properly in it just yet. I don't think Style minds hooking up, he's definitely consenting to it and also enjoying it, but it's just not quite what Style dreams of, not like this. In a way, yes, it actually is what Style has dreamed of because his fantasies of Fadel doing things to him rather than him doing things to Fadel are now becoming reality, as @clemelntine beautifully explained in her meta, but in the real situation there's one important detail missing from Style's fantasy: the intense eye contact. In addition to Fadel's body, Style also wants that emotional connection. We've seen this times and times again whenever Style has tried to make friends as well as to genuinely bond with Fadel, and this desire extends also to the sex.

And lastly I want to leave you with @braceletofteeth's excellent tags on this post, which is something that I think also factors into why Style goes from being proactive to being passive in the blink of an eye:

#Fadel said he would give himself to Style #and Style let him do that #he barely touched Fadel except to hold him and caress his hair #he reciprocated the kisses but did not initiate them #he didn't try to take any more of Fadel than what Fadel willingly gave him #[head in hands]

During the entire nc part I kind of get the sense like Style is waiting. Waiting to see with a certain curiosity what Fadel will be doing next, what Fadel wants to do next, ready to happily take up whatever Fadel offers. Style is letting Fadel control the situation completely and doesn't push him once.

No. 14: Kiss or Slap?

Once again we see that Style isn't too much of a fan of casual hook-ups. And while I do think part of his motivations for saying the things he says and for trying to stop Fadel from abandoning him again is because making Fadel his boyfriend specifically rather than just hooking up with him is his goal here after all, but I do think that Style isn't lying this time. He's just a bit too annoyed when he asks "What kind of man do you take me for?" for it to be an act. I think he is genuinely offended that Fadel would think of him this way. And I think he's genuinely a little upset and hurt that Fadel is perfectly happy to sleep with him and to ditch him immediately after. We get foreshadowing to Style being very much Team Anti Hit-and-Run in episode 1 when he tells Fadel "It ain’t like me to hit and run" in the context of an actual car crash and earlier this episode when he laments "Oh, the nature of man. He will exploit you and then throw you away". Style is very much not happy with this turn of events and it's not purely because he hasn't yet completed the mission Kant has sent him on. We also get another hint of Style looking for a connection in his hook-ups in the way Style is looking at Fadel when they're getting dressed while in contrast Fadel has turned his back to Style completely, avoiding eye contact and avoiding any interaction:

Another thing that I want to point out is that Fadel says "I gave you what you wanted" and "We agreed on it" when Style tries to stop him from leaving. However, they didn't exactly agree on anything? Fadel started kissing Style before they could even come up with any terms and conditions and the thing is when Style said he wanted Fadel, he never said he wanted Fadel only once. And he also never said he wanted Fadel to run away immediately afterwards.

So Style puts up a fight. He firmly stands between Fadel and the door, blocking Fadel's way. Fadel threatens to punch Style if he doesn't move but Style refuses to stand down even though he knows very well from personally witnessing it that Fadel is perfectly capable of punching him if he wished to. Despite that, Style is not scared of Fadel. I think Style takes Fadel's sudden willingness to sleep with him as a sign that Fadel has finally developed some sort of positive feelings towards Style after all, too. And Style is confident enough about it that he trusts that Fadel wouldn't hurt him. When Style says "You like me" I don't think he necessarily means it in the sense of you're in love with me or you're crushing on me. I think he's calling out Fadel's change of heart (that is negative feelings turning into positive feelings) and is making it very clear just how confident he is about Fadel not hurting him. I'm not scared of you. I've become a positive presence in your life now. You wouldn't dare to injure me. It's a counterattack to Fadel's threat. But Fadel's trauma runs deep. And so he punches Style because giving him a bit of a beating is still better than risking to face the consequences of what might happen if he lets anyone get behind those thick high walls. And he punches Style also a little bit to put him in line for his cockiness.

And also, I may be a Style apologist and a Style enabler, but after that shit Style pulled at the group meeting that punch was totally deserved.

Please don't expect me to write a proper conclusion bc my brain is absolutely fried now bye <3

(Overview | Ep1+2 | Ep4 | Ep5 | Ep6 | Ep7 | Ep8 | Ep9 | Ep10 | Ep11)

[atrueneutral]

Any thoughts on warlock!Tav? I don't know which would be more fun, having Raphael as a patron or Raphael being jealous of Tav's patron 🤭

They were four moves in, and Tav had yet to learn why Raphael had called her to the Devil’s Den.

She doubted it was as simple as a ‘friendly match of lanceboard’; there was always something just shy of his ambitious reach, and she was waiting for when he would be forthright about what that something was.

Thus far for their appointment, the fiend (in his mortal disguise) offered only polite pleasantries; an inquiry about how she was faring after being rid of the tadpole, a recommendation that she try a glass of ‘perfectly aged wine he’d been saving for her’, and, of course, a ‘friendly’ game of lanceboard (to ‘personally witness her strategic skills in action’).

And here they were; barely talking as she concentrated with a pinched brow on what move to make next, all while Raphael stared at her with a glint in his eye and the faintest of smirks on his lips.

She was a piece down (lanceboard was not a strong suit of hers), meaning he was in the lead.

Which was probably the main reason as to why he looked so arrogant and relaxed.

Tav bit her lip in question of whether to move her priest or send out another pawn.

“Am I correct in the knowledge that you’ve been in a pact with your patron for a few years?” he asked.

More pleasantries - so that the scales of their appointment didn’t tip towards awkwardness.

“Yes, that’s correct,” Tav answered softly. The reply was automatic; all attention was centered on the game before her.

She wanted to win - especially when her opponent was none other than Raphael.

The white priest slid to a free space, and, in response, Raphael swiftly mirrored a similar move with his black priest.

“Tell me about this patron of yours, my dear.”

Her previously focused gaze flicked up from the board to meet that oh-so-devilish glint, and, in response, Tav’s eyes mirrored his in forming a glint of their own; it was a mischievous twinkle that her fey patron would appreciate and applaud - hence why the pact was offered to her to begin with.

After all, it wasn’t every day that a mortal outtricked a trickster in the middle of a dangerous wood.

“They’re from the feywild,” Tav said, her brow pinching again in pretend consideration of her the next (literal) move. Yes, lanceboard was assuredly not her strong suit, but games involving ‘Reactions from Raphael’ were a favored pastime she excelled in. “I’d ask if you knew him, or of him, but he never gave me his name…”

She glanced up, and at the mention of ‘him’, a muscle twitched in Raphael’s cheek.

“Perhaps you could describe this patron, and I would know their name? I’m versed enough in the archfey and the dealings of their ilk,” he said with the offhanded shrug of a shoulder.

What a wonderful idea!

“That’s a wonderful idea!” At that, Tav mentally bid the game of lanceboard farewell. She lifted a foot to sit on the cushion with her and rested her elbow upon her knee. Her cheek leaned into the palm of her hand, and a wistful expression was painted upon her face. “With as often as I think of him, he should be easy enough to recall…”

Raphael’s glint was becoming lost to an approaching fire on the horizon.

“He’s tall, dark, handsome - the classic, romantic type from the stories. His hair color reminds me of yours, actually, but it’s a fair bit longer - goes past his shoulders, and not a strand is out of place. Now that I think about it, he’s about your height, too. Slightly less broad-shouldered, more wiry I’d say, but still quite muscular. Not sure what he was doing in the middle of the woods without a shirt, but, hey, that’s the fey for you…”

None of it was true; Puck was a small and sprightly creature with rosy cheeks and other impish features. His hair was not long and tidy, having been an unkempt mess adorned with twigs and leaves at the time of their meeting, and also unlike her false rendering, the fey’s childlike frame had been dressed in greenery and animal skins.

“He’s very strong! Lifted me easily - ah, forgive me. That probably doesn’t help you much…”

Raphael was battling a sneer, and his relaxed pose was becoming less relaxed the more she went on.

So Tav did the next best thing.

She continued.

“There was a…” She tried to find the correct word while miming in the air with her free hand. “Certain regalness about him. I thought he might be a part of some high court of some kind. He appeared in fog and left in fog, but not before offering me a pact - which I accepted, naturally.” Tav sighed. “The whirlwind encounter, however brief it was, left me breathless. I’m so grateful to have lost my way in the woods that day.”

Raphael looked livid, and she could imagine Puck clapping.

She pushed a pawn forward. “Do you know of any fey by that description?”

“It is unfortunate that I do not,” he deadpanned.

The glint had long been lost to the fire of his burning stare.

“I believe it’s your move, Raphael.”

The cambion worked his jaw, and his tongue ran across his top teeth, emitting a slight sucking sound.

He was determining his move, but it was not a move involving lanceboard.

Tav dropped her innocence along with her tone.

“You’re not jealous, are you?”

His tone dropped to match hers. “And if I was, Little Mouse?”

Humored, she huffed a breath and smiled.

“Why did you have me come?”

Raphael glanced at the board and aggressively (recklessly) took her pawn with his priest. “I wished to become your patron.”

Oh…

An exciting prospect that she’d thought about but never considered as being a possibility...

His interest in her… did it mirror her interest in him?

“I’ll tell you what,” Tav snatched his priest with her rook. “If you win this match, I’ll see what I can do about breaking my pact with Puck, and I’ll happily sign a new pact with you.”

Disdain drained the color from his face.

“Puck,” he sneered, and it was then that he knew he’d been played. “Like attracts like! I should not be surprised that one chaotic wretch of a creature was drawn to another!”

“On the contrary, surely you also believe that opposites attract?” Tav smiled with a tilt of her head. “Or have you changed your mind about wanting me, a ‘chaotic wretch’, to be your warlock?”

Raphael’s silence was confirmation that he had not changed his mind (though it disagreed with his contemptuous stare and scrunched nose).

A moment passed.

“And if you win, my dear?”

“I want a written and signed letter from you stating that you lost our lanceboard game and that you were jealous of Puck.”

The huff that left him was not the humored kind.

“I agree to the terms of this match, and you are to forfeit should I get the slightest whiff of any tricks.”

“Good thing my sleight of hand work doesn’t smell,” Tav said before dramatically cracking her knuckles.

 Raphael’s eyes narrowed. “No cheating of any kind, you fey-touched miscreant.”

Tav’s bright laugh filled the room, seemingly disarming her fiend of an opponent.

Her poor skills in strategy were likely to lose the match for her, but Tav was not bothered by the potential loss.

She’d won the more important game.

[sleepis4theweak]

I just saw your post on Mikey doing angry stimms and had to ask for more /nf since this is the first time I've seen someone draw angry stimms for a character (it's not that common from my perspective)

Thank you- love your artstyle so much!!! :D

(P.s. I also get angry stimmys too sometimes)

Aww- thank you so much for this ask! I am really, really happy you liked it!! And yeah I feel like angry stims aren't talked about as much...

Anyways I was really super excited to draw more- still using stims that I have done, though these are a little more uh... aggressive? I wanted to preface this by saying that I do these gently, or they are stims that I've replaced with something else hehe :)

For my angry stims a lot of it is based on frustration so it's kinda a lot of flailing? Like aggressive shaking. The biting one isn't something I've done in a while- and is one that I would try to do gently (would not recommend that one lol), and the punching of the thigh is something I tend to do (gently) when I'm hella frustrated with homework :)

[silverskye13]

I need to ask, though:

*How* long has he been in the water?

The earliest "he is surely in the water now" mention I can see is Etho stepping backwards after the splash - he's stepping through the water that's why it's hard. The Bdubs hug feels like "not yet" cause Etho shouldn't be up to his shoulders then - but it might be the starting to lead in point, 'm unsure? And the singing moment might indicate the start of charming?

Honestly, I love everything about this. I love everything about every your text, the way you manipulate details and atmosphere. When I'm trying to remember my first read, it's. A lot of suspence. I know something will come, it might be Bdubs - it surely is Bdubs, and I expect him to catch Etho unaware. The murder talk, the danger that I anticipate - it's not there yet, but I'm waiting for it, and the tune, the hug, the splash, the buckle - all of them feel like fakeouts to keep the pressure. And the bells are ringing, the hints are all there, but they're so carefully weaved into everything else they might be just words.

And then the question sounds, and the horror hits.

With frantic scrolling up, re-reading, getting even more terrified, and begging for Etho to do something.

It's high mastery, imo.

Oh man, thank you so much for the kind words :D I'm glad you liked the fic, and that the suspense/horror came together so well! I don't write straight horror too terribly often? And I was trying to really stretch some muscles with this one, to see what I could do.

For when exactly Etho gets in the water: I didn't really define that for myself. I wanted him in the water to happen in the space between cues in the story. But I can talk about the things that happen around that.

When Etho sees the stone on the still water, he is getting his first glimpse of the creature. Something is watching him from across the unnatural stillness of the river. When he thinks to himself, "I'm on the dock and I'm safe," the siren song has started and he's been charmed. Up until this point, he's shown some amount of caution [walking quietly on the dock, making sure he isn't wearing anything heavy besides his sword, prioritizing what activities he does first] but when he suddenly and overtly drops caution for "I'm safe on the dock", he's being lied to by something else. And, after emphasizing that nothing can drag him into the water against his will, he reaches over the side of the dock and touches the water willingly.

The rest of the story after that is, to me, the siren justifying sounds and sensations that would break the spell. Etho hears himself shuffling on the dock -- that's just BDubs walking up behind him, nothing to worry about. Etho feels a sense of danger and unease -- well, BDubs is talking about killing Grian. Etho hears the creature moving towards him in the water -- BDubs has his legs over the side of the dock and is kicking around. BDub's eyes are the wrong color -- well, the sunset is reflecting off them, making them red.

Somewhere in these cues, Etho starts shivering, because the water is cold, and he's standing in it.

I also tried to weave in a little bit, the idea that Etho knows he's being charmed? Mostly to do with the end, when he finally gives us the reason why he came to the water in the first place: he wants to see and hear his friend again, and the monster's illusion is the only way he can. But he knows enough to be cautious. He doesn't want BDubs to touch him -- it could be the monster, keep your distance. He feels fear at the idea of deep water, something that nearly scares him out of the illusion, but when he's given the chance to break it [checking his heartbeat to see if it's unnaturally calm], it's knowing he'll stop seeing BDubs that makes him decide not to check.

Etho's flaw in this is he thinks he has more control than he does. He hasn't "come to the water" until he's stepped in. But the truth of the matter is, as soon as he decided he wanted to see BDubs again, he was already willing to be deceived, and someone can't be dragged in against their will.

"How long have I been in the water, BDubs?" [When did I fall for the charm?]

"Does it matter?" [The minute you missed hearing my voice.]

There are other little things I had fun with: the start and end of the illusion both have to do with armor, something that should protect him, but is useless when it isn't worn. Every time Etho makes the mistake of feeling safe, he can see the creature [in the river at the start, when it's trying actively to drown him at the end]. The fact that, when BDubs jumps in the water, Etho shouts "Keep your distance!" and Tango mentioned they would be listening for his scream, to come rescue him. The fact that BDubs straight up says "You're not scared of me, the monster, you're scared of the deep water. But people drown in shallow water all the time."

I dunno! Fun little things that up the stakes a little. This was a really fun one to work on :D

[puppppppppy]

I'd kill for Asriel. Your Asriel art made me cry. Thx /pos

thankyu ^_^ heres a drawing of him drawn in 2013 style deviantart

[muzzlemouths]

Since you're working on a new fic/au, this might be a good time to ask: how do you start creating a new story? Do you start with an outline? Do you open a word doc and go in guns ablaze? What's the process on that I'm very curious

I sat on this ask for a couple days because I've been struggling with figuring out how to answer it, since the actual answer is that I don't have a process. Not one that sticks, anyway.

For DMD, I had a clear, concise idea in mind for how it would start, how it would end, and a few scenes that needed sorted in between. But the "outline" looks something like that one post:

Most of my fics that end in "?" for the final chapter look like this.

In terms of my oneshots and drabbles, I very rarely have any sort of outline in mind. I'll get an idea for a scene that I want to see, and I'll just start typing until it's finished. Anything over 3k words normally has me writing down some notes for direction, at least.

As for DFtR, due to the nature of that story (what with having three alternate routes) it was pretty much required that I write a full outline, otherwise I would undoubtedly lose track of some details.

My newest au, Easy As Pie (formerly Stardust Hotel) also has a full outline, though it is far more simplified than the one for DFtR, and acts more like guidelines for me to follow with only the necessary/important information established, which still leaves me with room for changes where/when necessary.

For example, here's an excerpt from that outline which has the main bullet point (What that scene is "About") and then a brief description of the room underneath that I can use as a descriptor, while writing everything else around it. That is, the dated appearance of the room is the main focus, and everything else that occurs in this scene will be written as a secondary focus.

Occasionally I'll also include brief phrases/conversation just to ensure that said lines make it into the fic, and so I don't lose track of what is meant to be happening in that moment. Those bits normally look pretty silly (at least to me). Here's one of them!

And that's my process! It's kind of a mess, but it works for me, so that's all that matters haha

[suddenly-stickmin]

GUYS!!!!!! CHECK OUT THESE SCREENSHOTS I TOOK FROM THIS SUPER SECRET STICK DATING SIM GAME?!?!?!

HAPPY VALENTINES DAYYYYYYYY here are the edits without the text boxes! <3 <3 <3

[sergeantjessi]

Idk how to make gifs but could you please make one from the failboats 39 challenges video where Doug’s like: 😑😊😁

(at about 10:45)

He looks so impish and cute I can’t!

Hello there! I hope this is what you had in mind. :) You are so right he's so cute

(Beating Kirby with 39 "FUNNY" Challenges..)

[captainrufflebanger]

World constantly changes. It's a natural process

Something is lost due to the mortality of nature's design, something is found for the first time.

It makes me nostalgic. I miss yesterday. I'll miss tomorrow. I'll never stop missing something.

But one thing that doesn't change is you drawing Alcina Dimitrescu. I hope it stays the same

I got this ask and at first it had me worried, but it's actually quite sweet. Well, bittersweet, but I appreciate the sentiment nonetheless.

Ironically, in a literal sense, me drawing Lady D has changed! This was the first time I drew her (in a drawpile with a friend lol) back in 2021 and now we're here! Not too shabby for three years if I say so myself 😤

Lady D is literally the reason I started seriously drawing again after an artblock of 6 years, I'M NOT GIVING HER UP WITHOUT A HELL OF A FIGHT so don't you worry, dear anon 💜

[oddsconvert]

My brain: make friends! Send asks! Exist in more then just your blog!

Me: but what if I'm scared of friends!?!?!

Anyway, can I request Ronan catching Issak hurting Henley?

Flowers for author. 💐💐💐💐💐

Friends!!! It's official! No being scared! <3 I am so sorry for the delay with this but I hope this ticks your boxes! :D

---

“How do you sleep at night?”

Henley stirred awake, his world a blurred mess of throbbing pain. Crusted sleep clung to his lashes, he blinked fiercely to chase away the haze. He could only just about make out a hulking silhouette looming over him. When his vision finally sharpened, he instinctively clutched his scratty blanket closer to his heaving chest - his futile shield.

Cold dread flooded Henley as he saw Izaak, free of the chains that usually rattled with every twitch of a muscle. The chains that kept Henley safe and sound, out of harm's way. Far from Izaak’s reach.  Izaak's fists were clenched so hard his knuckles were white, his face contorted in a feral snarl. Panic squeezed Henley’s chest like a vice. He was a rabbit trapped in a fox's den. 

“Wha-?” Henley’s voice was a hoarse rasp. He’s half-convinced no sound left his lips at all. 

"Oh, did I interrupt your sweet dreams, Henny?" Izaak's voice was a low growl, sending shivers trickling down Henley's spine. That nickname. The way it dripped with mocking familiarity, but years of ingrained fear hid within it. It made all the hairs on Henley’s arms stand on edge. 

Izaak suddenly lunged forward. One massive hand clamped around Henley's throat, squeezing every last drop of air from his lungs. Henley's wrists burned in protest against his chains, straining as he fought for a sliver of slack, a desperate inch to reach his throat and fight Izaak off. "You," Izaak spat, barely containing his rage, "are the reason for my suffering. The cause of my anguish. Every scar on my body has your name written on it.."

Tears pressed from beneath Henley’s eyelids, and he shook his head furiously. Passionately. No. It’s not true. He’s not responsible for this. He didn’t land them here, he didn’t start all of this. This is all Izaak’s doing. This is the price he has to pay. 

“So answer the question,” Izaak demanded, now nearly crushing Henley’s windpipe as he choked and wheezed, “How the hell do you sleep at night? No. Scratch that shit. Better yet. How do you live with yourself? After what you’ve done to me?”

“I-Izaak, pleas-”

Izaak’s fist came at Henley with such speed it was like a cannonball. It connected with a sickening crunch as Henley felt his nose cave in, and hot-white pain erupted. The force of the blow sent him sprawling, the floor rose up to meet him with a jarring thud. He lay helpless. Cool blood dripped from his nose and pooled on his lips, he could taste the metallic tang. 

“You dare call me that again, and I’ll put you six feet under this fucking cement. Understand?” Izaak seethed through gritted teeth, with spit spraying and a vein pulsing from his temple. Izaak didn’t even give him the second to respond, Henley was still reeling and seeing stars. “I SAID, “DO YOU UNDERSTAND?!” he roared. 

“Yes!” Henley wailed miserably. Tears mingled with blood and dirt. He sniffed pathetically and whimpered as new pain flared through his obviously broken nose. He stayed glued to the floor. Too afraid to move, to even dare lift his head up. Henley didn’t see Izaak reaching for his long curls of hair and wrenching them in his fist. Yanking his head back, Henley’s Adam's apple bobbed against his collar as he gasped and gulped back the fear.

“‘Yes’, what?” Izaak whispered. It was hard to miss the element of enjoyment in his voice. It sounded like old times. Must feel like it to him too. 

But Henley immediately knew what he was looking for.

“Yes, sir!” Henley gasped out. There’s not a beat of hesitation. Izaak can say many things about Henley. A bad pet, he is not. 

Henley’s head smacked to the ground, his forehead banging against cold, unforgiving cement as Izaak threw him out of his hand. He’s on a warpath. He paced back and forth, contemplating what to do next. 

Izaak's foot then swung into Henley's gut. The air whooshed from Henley's lungs in a strangled scream that ripped free from his throat. The world lurched sideways, a wave of nausea crashing over him. Bile rose in his throat as pain lanced through his abdomen. Izaak unrolled Henley from his cocoon and straddled his hips, slamming his palm over Henley’s mouth, “Shut the fuck up! Don’t you dare make a sound.”

Henley obeyed. He forced himself to seal his lips, now sobbing silently and huffing through the pain. 

“You got us into this fucking mess. You deserve everything you’ve got coming to you. I’m going to make you wish you were never born-”

“I already do-” Henley croaked.

Izaak doesn’t hold back anymore. He unleashed a flurry of punches, raining blow after blow down on Henley. Henley’s already-battered body convulsed with each hit - he twisted and flailed in a desperate bid to shield himself from the onslaught. It was no use. Darkness cornered his vision, and ringing screeched in his ears. His entire body was slowly growing limp.

Henley squeezed his eyes shut, waiting for the sweet relief of unconsciousness. He waited for the next punch. And waited. But it never came. Confused, Henley cracked open a swollen and purpling eye.

Izaak was no longer looking at him, and a flicker of raw terror replaced the unhinged rage that had plagued his eyes before. Henley groaned as he lifted his pounding head, and turned to follow Izaak’s petrified stare.

A shadow shifted at the top of the stairs, a tutting sound emanating from the darkness.

“What are you doing to my boy?” Ronan asked, cool as a cucumber on the surface, but fury bubbled below. The calm facade didn’t last. Ronan flew down the stairs, and pulled that oh so familiar remote from his pocket. In the blink of an eye, Izaak was a quivering, jittering wreck as his shock collar lit up and shocked him stiff. He collapsed from Henley’s body like a tonne of bricks. His screams pierced the sound barrier - his fingers scrabbled and ripped at the collar, kicking his legs and bucking his entire body. Ronan punched the button again, and again until the screaming stopped. It’s just silent gargles, with drool dribbling down the edge of Izaak’s blue lips. 

Ronan threw Henley a single, and quick look as he bolted past. It wasn't a look of reassurance, but a quick flicker up and down to acknowledge him. Reaching his locked cabinet, Ronan fumbled with the combination and finally, the cabinet swung open, and he snatched a vial and syringe, and a length of rope.

He wastes no time in racing over to where Izaak is heaving and panting on the floor, and stabbing the syringe in his neck. Izaak roared, a sound that curdled the blood, but it was cut short by a weak gasp as the muscle relaxant began to take hold.

“There, there. That should settle you down, big-un,” Ronan chuckled, patting Izaak on the chest.

“F-ffuc- fuckk y-yoou,” Izaak slurred, his eyes rolled like pinball machines in their sockets. Henley watches as all the tone in Izaak’s muscle depleted and he flopped lifelessly. Izaak lay sprawled on the floor, a pathetic mew escaping his lips as the muscle relaxant coursed through his veins. His previously violent thrashing had dissolved into a pathetic trembling, his limbs heavy and unresponsive.

Henley's cry echoed through the basement. Now that the threat was neutralised. "You didn't tie him tight enough, sir! He almost—!" His voice choked on the rising panic, his gaze locked on Izaak's slack form. “He was going to kill me.”

Ronan paid no mind to Henley, the shivering wreck that he was. Instead, he focused on yanking Izaak’s arms behind his back. With rough rope, he bound Izaak's wrists together with a vengeance, the knots pulled tight, drawing a choked gasp that did little to faze Ronan. Next, he secured Izaak's ankles with another length of rope, the slack yanked out until Izaak's legs were splayed uncomfortably wide. Finally, with a cruel twist, Ronan bound Izaak's ankles to his secured wrists, hog-tying him in a position that screamed discomfort. Izaak's gasps faded to choked moans as his body contorted in a way it wasn't meant to, forced into an arched bow.

Ronan left Izaak on the ground and approached Henley slowly. With a touch that could have been gentle or cruel, he cupped Henley's bruised and bloodied cheek. Henley flinched at the contact, a hiss escaping his lips. Ronan’s eyes flickered over the damage and he tsked, disappointed. Then his eyes met Henley’s and locked in. “Do you really think I’d let him break one of my favourite toys?”

“He - He got pretty close, master.” Henley snivelled. He flinched as Ronan’s arms moved, expecting another blow, but instead, his arms wrapped around Henley’s tiny frame in a sudden and suffocating embrace. Ronan’s grip was tight, possessive, leaving no wiggle room. Defeated, Henley sagged into the hug and rested his head on Ronan’s chest, letting his eyes flutter shut. It was always easier to give into this than brave the pain. Ronan began to stroke Henley’s hair, twirling it in his fingers. It wasn’t a gesture of genuine affection and Henley was never under the impression that it was. It was Ronan’s sense of ownership. Like Izaak’s claim was the bruises and scars. Ronan’s was more inside than out. For Henley, at least.

“Shh Shh. Come with me. I’ll get you patched up, little one”. Grunting with effort, Ronan hoisted Henley to his feet, a hand wrapped under his armpit to guide him up the creaking stairs.

Ronan turned at the very last step, leering at the sight of Izaak, bound and subdued. "That little temper tantrum of yours was cute, pet" he called down, his voice heavy with sarcasm. "But playtime's over. Now, you get to lie there, nice and quiet, and contemplate all the fun things I have planned for you when your little cocktail wears off. I want you to feel every second.”

----

Taglists!:

Henley taglist: @livelaughwhump @kira-the-whump-enthusiast @sorrowful-hyacinth

Ronan taglist: @kira-the-whump-enthusiast

Izaak taglist: @emmettland @kira-the-whump-enthusiast @sorrowful-hyacinth @whumpsoda

Drabble taglist (which I forgot existed and have recently rediscovered assdfghjkl so will be using from now on unless you would like off it <3 ): @whatwasmyprevioususername @whumpsday @sparrowsage @whumperfully @wolves-and-winters @canislycaon24 @happy-little-sadist @darkthingshappen @whumping-in-the-dark @vagabouund @turn-the-tables-on-them

[bmpmp3]

audiiiiiiiine