#<2 we appreciate our aros no matter their origins

[aro-culture-is]

Aro culture is knowing I'm only able to talk to other aros about the fact that I'm aro due to trauma and be accepted because allos will go *shocked gasp* and give me unwarranted advice, ignoring and speaking over the fact that I love being aro.

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[therealvinelle]

Vinelle (and muffin since I know they'll see this too~!), I don't know if you guys have made a post ranking the Twilight books and why (including Bree and L&D if applicable) but I'd love to hear your opinions! (also if you could rank the Twi movies from least worst to most worst and why that'd be awesome too! 030 hi key love your rants on the movies and would love to hear y'alls thoughts more on them)-Sw

You’ve caught us out, anon.

And thanks to you, we spent last night watching Breaking Dawn Part 2 so we could rank it. @theoriginalcarnivorousmuffin hadn’t seen it at all, while I half-remembered it from years ago. A terrible time was had because that movie was unwatchably bad.

Since this ask was sent jointly, our answer was co-written.

So, without further ado, movies first:

1. Twilight

This is a bad movie, but it’s recognizably a movie. The scenes are connected, there are things it did well, and we could tell you what the plot is. The awkwardness, for instance, is very well done. The weaknesses are glaring, the main one being that the film never sells us on the characters of Bella and Edward, nor on their relationship, relying instead on the audience knowing they’re in love because- well, they’re in love.

Diving deeper into Edward and Bella, there’s an understandable explanation for this. Edward of the books is terrifying, and I don’t think there’s a translation to screen that could have kept the romantic atmosphere surrounding him that we see from Bella’s point of view.

Bella can listen to Edward eating Biology and how he explains that it means how much he loves her and not blink. An actual audience hearing that dialogue will have second thoughts.

Right out of the gate, Twilight has a very difficult task: Salvage Edward Cullen while still producing a somewhat recognizable character who will take the same actions (or near the same actions) that Edward Cullen did in the book.

In the effort to make Edward palatable but save some of his original character he loses his more terrifying lines (as well as his hilarious ego) but becomes weird, awkward, and vaguely creepy. Edward Cullen of the films is that weird, friendless guy in your high school who you feel kind of bad for but don’t want to eat lunch with.

Bella faces a similar transformation. Bella’s insecurity is completely removed (or else the screenwriters somehow failed to notice it). As a result, we get this strange antisocial girl who is too cool for school because she’s a stuck up bitch.

Between Edward, this creepy guy who sits next to her in Biology, and Bella, this girl who enters school too good for everyone else, we see no reason why they would ever be interested in one another.

In an attempt to make these characters likeable they made them both unlikeable and boring. The film series as a whole never recovers from this (indeed, the quest to make Edward look good keeps leading to stranger and stranger places). 

It also forgets to explain why the Cullens live among humans, they’re attending high school… because. It’s a movie that explained to us all those terrible 2010 era memes and “still a better love story than Twilight”. And frankly, those memes were great, better than the movie. Case in point.

Everything is weirdly blue, which is atmospheric but also makes everything and everyone washed out. Everyone is super pale, so you have Mike looking just as vampire-y as Edward. However, it’s recognizably a movie. It introduces the characters, recognizes that the audience needs to be informed of things that are important to the plot, and most scenes are in some way connected to the plot. This is more than can be said for the other films, which is why it lands the top slot.

2. Eclipse

Eclipse earns its second place by process of elimination. The remaining three were worse. Eclipse also features Edward being cuckolded mercilessly, which is hilarious. Oh, and Victoria playing Riley, that was another beautiful scene.

Apart from that it’s just a deeply boring, borderline unwatchable movie.

Special shoutouts go to:

The opening scene of Riley getting turned, a ridiculous and poorly executed scene that served no purpose for the movie whatsoever.

Rosalie dropping her backstory without any context, Bella walks up to her and Rosalie launches into this horrific story for no particular reason. Both her and Jasper’s backstories could have been cut, as they served no purpose to the story and felt really thrown in there.

The many, many redundant scenes. The Victoria chase that ends with the Cullens and Quileutes squabbling could have been cut entirely. So too could the Seattle subplot with the newborns and Bree.

It’s a movie that isn’t about anything in particular, so it throws subplot spaghetti at the wall to see what sticks. It dutifully regurgitates the Jacob/Bella/Edward love triangle while also trying to convey that Bella’s about to lose her mortality, while also trying to introduce suspense and excitement with the newborns. It fails to execute either of these, and it also fails to tie them together.

3. New Moon

The movie that wanted to skip itself.

This movie had two jobs, show that Bella is depressed when Edward leaves and convince the audience of Bella and Jacob’s strong friendship. And apart the rotating shots and the occasional Stewart voiceover, the former becomes one of those “just stay with us on this one, guys” failures, and the second is failed on every level. Jake and Bella are much closer at the beginning of this movie than they were in canon, and a montage of Bella hanging out with her buddy is just that, it’s a montage of Bella hanging out with her buddy. It speaks volumes that Stewart’s voiceover has to remind us she’s depressed and Jacob is helping her heal, because there’s no indicator on screen that this is happening.

This, in turn, makes Bella/Jake as weak and unconvincing as Bella/Edward was in the previous movie. We just have to take on faith that these people are important to each other because that’s what we’re told.

There’s also the wolves, who are completely butchered. In the books, there’s this great mystery with bears in the woods, there’s Bella wondering why Laurent ran off, there’s build-up, then when we find out what’s actually been happening it’s a satisfying explanation, all the pieces come together really nicely. This is not the case in the movie. Meeting the pack is just weird in this context, because we never wondered who they were. Bella is randomly invited to breakfast, we meet Emily with the scarred face who won’t ever have a line again, and that’s it, these characters don’t become important to the movie in any way. It’s a pointless scene that could have been cut, much like so many other scenes in these movies.

Apart from that, the Volturi scene from the books is butchered so I hardly recognize it, and Alice, Carlisle, and Edward’s characters are assassinated to an impressive degree considering they were barely in the movie.

It was hard to watch.

It lands third place because somehow, Breaking Dawn was worse.

4. Breaking Dawn Part Two

I’ll just list the positives: the intro was very pretty and promised a better movie. It was also long, which we appreciated because it took away from the movie’s runtime. (This is not at all an exaggeration, a lot of the time watching all five movies was spent looking at the remaining runtime and groaning.) The Tommy Wiseau sex scene in the sex cabin was uncomfortable, but the fact that it would have fit perfectly in The Room made it funny. The Romanians were genuinely, unironically, great, because of all of Carlisle’s trashy friends, these were the only ones the movie didn’t try to convince us weren’t trashy.

This movie ranks above Breaking Dawn Part One because of the things listed above.

Apart from that, something all of these movies, but especially the last four, suffer from is that they don’t have plots so much as they have a check list of things to put in the movie before they can call it a wrap. This movie is the worst offender of that, and it’s made worse by the film’s expectation that the people are fans who already know what’s happening, and therefore don’t need anything explained. I’ll explain what we mean by that.

We get Bella waking up a vampire, and absolutely nothing is explained. If you don’t know what happened in the last movie then fuck you. Bella then goes hunting, we get the hiker, we get the mountain lion, she goes back to meet Renesmée, finds out Jake imprinted on her daughter, we get the sex cabin, the handwrestling with Emmett. The Charlie problem is introduced (poorly), only to be solved a scene later with emotional payoff that had absolutely no buildup. All of these things, and the rest of the movie as well for that matter, feels like we’re just crossing items off a list.

Since the audience is expected to already know the story, the story only bothers to explain about half of what’s happening, if half. Who’s the lady living with Charlie? If you don’t know, don’t worry because it’s not important anyway. When did Kate and Garrett fall in love? If you don’t care, that's understandable, because they’ve barely interacted in the movie. Who are the Amazonian women? Do they have names? Don’t worry about it. Did Alistair actually leave, if so did that have an impact? Well, Bella stared at a window for a few seconds.

Every so often the characters will start quoting the books, and it’ll be completely out of place because these movies veered off course long ago. Carlisle references his great friendship with Aro, a friendship that was only briefly mentioned at the beginning of the second movie. Aro randomly starts talking about how scary human technology is.

All of these scenes feel like Marcus is telling the story, he’s just listing events waiting for the story to be over, and forgets a lot of pertinent details because he doesn’t care enough to remember them. There’s no effort to tie these scenes together, no effort to build up to anything.

There’s also one significant failure, and this is a failure shared by all five films, but it affects the plot (I use the term “plot” loosely) of this movie which is why it gets a special shoutout here. Vampires in these movies look human. The fact that Bella has to ask Edward is Gianna the secretary is human says it all, because in the books you know instantly, there’s not even a question. This makes the Charlie subplot ridiculous, because Bella looks and acts the same as ever. She had a trashy makeover, maybe, but she’s still Bella. Watching her get human acting classes after we watched her act perfectly human is just silly. Now, we’re all for suspension of belief, but this movie just pencil drew a moustache on her and the audience is supposed to go “My god, Bella, I didn’t recognize you!”

We then get to the atrocious fight scene, which was somehow worse than I remembered. It was also oddly long for a giant fake out. This scene took significant run time and it turns out to have 0 effect on the plot. And when we get back to the real world, the tonal shift is extreme. You can’t go from Jane being choked, dragged across the snow and face eaten by a wolf to her standing around chilling. We could have skipped it entirely, just had Alice touch Aro’s hand, and he goes “Ah, I see, cheerio.”

The end credits were pretty funny, “here are these random characters with bit parts in previous movies, isn’t this nostalgic?”. Nice try, movie. The fact this came after an extended clip show of the great romance of Edward and Bella, through blurry montage images that failed to be convincing in their original films let alone this one, just made it even more hilarious. Hope you didn’t completely ruin the director’s career, though honestly you should a bit.

5. Breaking Dawn Part One

As you can probably tell by the above entries, the fact that this is the worst one is really saying something. All the movies were hard to watch, but this one required pure strength of will to power through.

The big issue is that Breaking Dawn shouldn’t have been split in the first place. However, it was, and that meant that we got a movie that was almost entirely filler. (Followed, somehow, by a movie that was also largely filler.)

We get everybody preparing for the wedding. What do Mike and Jessica think of Bella and Edward getting married? What’s that, you don’t care? Well, now you know anyway. We get the full wedding, as in the whole fucking thing, including the afterparty. We get Bella and Edward traveling to their island, and there’s filler in the filler where they go clubbing in Rio. We then get every minute detail of the wedding night followed by every minute detail of the honeymoon.

There’s fanservice, and then there’s this. This was live action fanfiction.

NOTHING that in any way is relevant to the story happens, the closest we get is Irina looking stoned. Too bad the Denali’ refusal to help out in Eclipse was cut from the last movie, in fact I’m not sure they were mentioned at all previously in these movies (I think maybe Edward had a one-line reference in Twilight?) so this means nothing to people who haven’t read the books.

We then get to the pregnancy arc, which could have been Rosemary’s Baby but is instead as outrageously boring as the first half of the movie was. The director must have realized as much, because he gives us Jacob’s alpha plot that should have been cut from the movie (yes, I know it was in the books, but the thing about adaptations is that things have to go. For the record, I think Meyer should have cut it too). That subplot was straight out of an anime, by the way. Jacob claiming his ancestral rights as alpha while listing off his titles and the soaring music, was… every shounen anime, ever. Complete with the shitty voice acting.

It was a soul-crushingly boring movie.

-

Something that screws over the last four movies is that they were made to feed the fangirls, and generate revenue because the producers knew the fans were coming to watch the books they liked come to life, so they just had to throw scenes from the books and into the movies and let the magic happen. This is a terrible way to adapt something.

Special shoutout too to having to watch Taylor Lautner run around shirtless in four out of five movies. That was very uncomfortable and none of us needed that in our lives, Lautner included.

Super special shoutout to the fact that we disagree with nearly all the casting.

And this isn’t the post for that, but all of the characters were butchered. Some more than others, and some more insidiously than others. It’s the big things, like Carlisle’s character being turned on its head since he thinks all vampires are damned, exactly the opposite of what he thinks in the books, and the little things, like Jasper and Bella being buddies who bicker fondly in New Moon. 

Then the books:

1. Midnight Sun

HANDS DOWN. This is easily our favorite thing to come out of the entire Twilight franchise.

Edward is every kind of crazy at the same time, all the time, and it makes every single sentence packed with delirious entertainment. Reading this book is having a stroke, a psychotic episode, and watching five different true crime shows all at once. We adore every letter of it. (That’s no exaggeration, we even laughed about Edward capitalizing “Son” when Carlisle refers to him as “son” in conversation.)

The book was more than we’d dared to hope for, one of those rare books that makes you go “This was written just for me.”

2. Twilight

The one that started it all.

Vampires are wonderfully creepy. Things like Bella staring at Carlisle acting like the mundane town doctor shortly after learning just how old he is, Alice explaining how vampires kill all, and the uncanny valley perfection of the Cullens all add to the otherness of these vampires, and the general atmosphere of the book.

The love story is convincing. Edward seen through the eyes of Bella is wonderful, the red flags are there but if it weren’t for the books that followed we wouldn’t have decried the ship the way we do.

3. Eclipse

Breaking Dawn is the more interesting book, but Eclipse has less things we outright don’t like. We get to know all the characters better, Edward and Bella are their usual beautiful selves, and it’s overall peak Twilight.

4. Breaking Dawn

Would have ranked much higher, we like what it did. Without it we wouldn’t be in this fandom now, as it brought so much amazing content. The baby plot is fine by us, Carlisle’s friends are great, the Volturi confrontation is a beautiful, if bleak culmination of preventable events. There’s a lot of great stuff in this book.

Unfortunately, and there’s just no diplomatic way to put this, so I’ll just come out with it: there’s too much Jacob.

He no longer had a reason to be in the story, given the way Eclipse ended he had every reason not to be in it. In spite of that we get an entire third of the book from his point of view, and then damned if he’s not shoehorned into the last third as well. He added absolutely nothing to the story, he was just there taking up space and being possessive of a toddler. His POV section was tough to get through, and his presence in book three was just painful. He should have been cut.

5. New Moon

This was the book we had to power through. There are some very good things in it, most notably the Volturi scene, but the Muffin and I enjoy Twilight for the vampires, and that makes Laurent and Hallucination!Edward the highlights of the part of the book where Edward is gone.

There’s also the fact that Jacob isn’t a very compelling character. He has to carry the book now that the Cullens aren’t doing it, and he simply isn’t up for it.

-

Yes, we’re aware that these books are ranked according to how much Jacob is in them. We don’t even hate him, not at all, it’s just that he’s boring.

(That being said, the books at their worst are better than the movies at their best. Jacob narrating his perfect playdate with Renesmée would still be preferable to… I’m trying to think of a good scene from the movies. Hm, nevermind.)

As for The Short Second Life of Bree Tanner and Life and Death, only I have read Bree Tanner and I don’t remember it well enough to give a proper assessment. I was bored with the OCs, though, bored to tears, throughout that book I was itching for Victoria and the Cullens. We have not read Life and Death, but we’re offended by its existence so it ranks bottom.

[volturiwolf]

The Volturi Princess - A Felix Volturi x fem!Reader Story (part 3)

No of Words: about 5313

Mentions of: Abandonment, Abortion, Anxiety, Blood, Bruises, Coma/Comatosed State, Death Emotional Abuse, Emotional and Physical Pain, Gaslighting, Greece/Greek Language - with translation, Heartbreak, Italian Language - with translation, Manipulation, Murder, Pain, Panic Attacks, Pregnancy, Suffering, Suicide/Suicidal Thoughts, Swear Language, Throwing Up/Puking, Witches/Wizards/Witchcraft

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part 1 part 2

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"The Volturi Princess " Tag List (reply if you want to be tagged or removed):

@felixvolturisprincess @singerj2002 @mrtony-stank1 @ikissedthescarsonherskin @alecvolturiswifeforever @hshehdyhd

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Felix’s POV:

We have been traveling for over a year now, Demetri tracking Carlisle and us following behind him. Demetri located him across the Atlantic, so we swam across the ocean to reach him. Almost a year and a half after leaving Volterra, we tracked Carlisle while he was working as a doctor somewhere in the northern United States. He was surprised to see us, but we kept our austere facade to maintain our sovereignty towards him. He welcomed us gladly in his small house.

It was a two-story building, and it smelled of old wood and mold, but I guess that was the best he could do for now. The living conditions around here did not seem to be ideal. Apart from the Volturi and the Egyptian coven, no other vampire lived comfortably, in castles, mansions, or even big houses; most vampires were nomads, traveling around and living by hunting whenever they could. So, Carlisle actually living in a house, even if it looked like this, was way better than living the nomad life.

“Jane, Alec, Demetri, Felix. To what do I owe this pleasure? Can I offer you anything?” Carlisle had always been one of the kindest of our kind, too compassionate for a vampire.

“No, Carlisle, thank you, we’re good. We are on a mission, and we have a few questions for you.” Jane took it up to herself to start the conversation.

“Please, sit down so we can talk.” Carlisle offered us to sit around the table that was in the middle of the ground floor. We each took a seat at the table. “So, may I ask what it is all about? I don’t think I have personally acted in a way to upset the Volturi.”

“No, indirectly, you haven’t.” Jane continued. “We wanted to ask you a few questions regarding (Y/N). We think that you may have heard by now that she has left Volterra.”

“Yes, word came around. I met a few nomads from Europe some time ago, and they told me that (Y/N) left Volterra, probably permanently.”

I tried to suppress a sob that was fighting to leave my throat. Carlisle knew that (Y/N) left, everyone knew that (Y/N) left. They didn’t know she left her mate behind, and they shall never find out that she was my mate. I didn’t even want to think about the possibility of (Y/N) being in danger if anyone found out that we were mates. I had too many targets on my back to risk anything happening to her.

It was my turn to intervene. “Have you seen her? Has she ever come around here?”

Carlisle turned to face me. “I did. Once. She stayed with me for about a year; that was about 6 or 7 years ago. She tracked me through her memories. She has become quite skilled at that.” Demetri and I looked at each other confused. (Y/N) could track as skillfully as Demetri now?

Carlisle continued. “Anyway, she seemed concerned. She told me she had been traveling for quite some time, but she felt like she was missing a piece of herself, of her past. For a few months, she wanted to learn more about me, my job, how I was doing with the whole “animal blood” diet, simple curiosity really. She had been training herself to abstain from human blood, so it was easier for her to go hunt with me. She told me..”

Carlisle turned to look at me now. “She told me about your bond, Felix.” So, she has felt our bond, too! “She told me that she was scared for you, for your safety within the Volturi. She was worried about all of you, but particularly you, Felix. Being her mate means you are basically a target for anyone who wishes to harm (Y/N). She told me she ran away to protect you. As long as no one knew of your bond, you were safe. The traveling and meeting the world was just an extra benefit for her and her gift.”

“Her gift?!” We all exclaimed in unison. (Y/N) never claimed a “gift”, so how could this be possible? Did she lie? Did she even know about her gift?

“Before you say anything, she didn’t even know what her gift was. It is way more complicated than you think. I guess she’d appreciate it if I gave you an idea about it.” Carlisle paused for a few moments. If my heart was beating, I swear it would have stopped by now.

“You know how, for example, Jane, you can induce mental pain, or you, Alec, can restrict anyone’s senses?” The Twins nodded at Carlisle. “Well, (Y/N) can do both, and so much more.” We were kind of shocked. No one has ever had a gift similar to the Twins; that’s why they were in the Volturi. Because they were unique.

“(Y/N)’s gift is copying others’ gifts. That’s why she could also track me; she had copied Demetri’s gift.” Carlisle pointed at Demetri, who looked utterly shocked now.

I would lie if I said I didn’t feel the same way or scared even. I was not scared because of (Y/N); I was scared for (Y/N). This newly-found discovery meant she would be way more important to Aro than we ever thought. He wouldn’t just let her go - not that this was his intention before, but now, she would be even more precious to him and his cause; she would now be the perfect weapon for him to use against other vampires. I had to find her and warn her.

“Do you know where she is now?” My voice came out more stern than I intended it to be.

Carlisle nodded his head slightly. “I may know where she is now. Before she left, she was trying to find out as much as she could about her parents. I assume that was the “missing piece” she was referring to? Anyway, she may be after her parents. I mean they do know her nature better than any of us does. Don’t forget that (Y/N) is half-witch. No one could ever teach her how to be one; only her father could be the one to do so. So, if I stand corrected, she is looking for them. And there’s only one place that (Y/N) has ever linked to her parents.”

“Greece.” Demetri stepped in. Demetri was the only one who could understand (Y/N)’s connection with Greece; it was their birthplace, their origin, their true home.

“Exactly. If you find her parents, you’ll most likely find her. Even if she’s not with them, it will be easier to track her if you have her parents’ assistance.”

We nodded and we stood up. “Thank you for your help, Carlisle. You were most helpful.” Jane spoke for all of us.

“It was my pleasure.” Carlisle led us to the door, but before we left, Jane turned to him one last time. “We think we can trust you that this conversation stays between us.”

“Of course, Jane. Have a safe trip and take care of yourselves.”

“You too.” Alec smiled at Carlisle.

What Carlisle said at the end had me worried for (Y/N). “I hope you find her soon. Her parents never had the best reputation around.” What kind of people was (Y/N)’s family anyway?

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Tracking (Y/N) proved to be way more complicated and debilitating than we thought it would be. We assumed that the closer we were to Greece, the easier it would be for Demetri to pick up her tenor. We were wrong; we were going around blindly, not a clue about (Y/N)’s whereabouts. Even when we finally set our feet on Greek ground, we still didn’t know where to start looking for her. Nobody had a clue where she could be; we didn’t even know her birthplace.

Demetri took it upon him to start his research in a place he knew well enough: Athens. Athens was the capital of Greece’s civilization for many centuries, but, at the time of Demetri’s birth, during the Byzantine times, Constantinople emerged as the center of the Eastern Byzantine Empire, while Rome remained the center of the Western Byzantine Empire.

Athens was not regarded as highly as it used to, during Pericles’ “Golden Century”, as the 5th century BC was known. It still was an important and historical city, but it has lost its title as the “capital” eons ago. The city was taken advantage of by both “allies” and Ottomans and seemed to have lost part of its previous glory. Still, it was beautiful; I may have been quite “old” myself, but I could still admire the history around me.

It reminded of (Y/N)’s stories and books; knowing Ancient Greek history was one of the first things she took an interest in. The fact that she was able to travel to Athens, with or without Aro, quite a few times also developed her fascination regarding the Ancient Greek arts, philosophy, and overall way of living. Of course, it wasn’t easy being a woman then, or ever really, but she was more financially privileged than the average Athenian - vampire wealth had always been an actual thing, and Aro always prided himself to be a “collector” of wealth (and talented vampires for the matter).

We arrived in Greece at a transitional stage; the country has been experiencing a war against the Ottomans for a few years now, and it was evident around the city of Athens. There were many casualties during the war, many damages around the streets, the houses, and there seemed to be a climate of misery and decline.

Yet, the country had recently elected a prime minister, who declared Nafplio, a city in Peloponnese, as Greece’s capital. That was our next stop, as we couldn’t find anything in particular that could indicate (Y/N) being in Athens. Apart from the poor living conditions, the country was experiencing a plague pandemic wave, which killed even more people, but authorities worked hard on containing the cases, and it seemed to have been working.

Still, without a single clue about (Y/N)’s location, the only thing we could do is go around searching for any possible information. We could only travel at night, and hide during the day; Greece, just like Italy, had always been blessed with sunny days, for the majority of a calendar year.

It wasn’t ideal with us being vampires, but Volterra was an ideal strategic location for the Volturi to travel across the vampire and human world, rule, and impose their laws whenever it was needed. Just like always, we now also had to be secretive about our existence.

I thought about how lucky (Y/N) was in that situation; being a non-fully vampire, she didn’t “glow” in the sun like us. She had a more healthy-skin-like glow, a healthy and subtle glow that made me even more attracted to her - if that was even possible. That basically meant that she could technically go anywhere and everywhere; the weather did not affect her, the sun did not affect her.

I started getting frustrated and disappointed. It wasn’t only (Y/N) I had in my mind; apparently, during the years of the Greek Revolution, many vampires, Greek or non-Greek, started secretly fighting to claim territories for themselves.

We knew that it wasn’t part of our duty, but it wouldn’t hurt if we could actually claim Greek land for the Volturi. Having both Italy and Greece under our control could mean more power, more resources, more blood. It only seemed natural; the three Volturi kings were born in Greece, all three of their wives were born in Greece, Demetri and Chelsea were born in Greece. (Y/N) was born in Greece.

Greece could easily become an extension of our territory - Italy was already ours in its entirety - and it would only be the start. It would be easier to control and deal with any possible riots from other covens - the Egyptians and the Romanians in particular. We didn’t fear either of them, but the Romanians have been holding resentment towards the Volturi for a couple thousand years, so anything could be expected from their side at any moment.

I shared my thoughts with the Twins and Demetri. They all agreed that it was a plausible plan; it would show others that the Volturi are still as powerful as they have ever been, and should be feared. Besides, we knew that just the four of us would be able to subjugate any vampire that crossed our paths. With the Twins’ powers, Demetri’s tracking skills, and my strength, it would be impossible for others to resist or challenge us.

We started interrogating any vampire we found wandering or hunting at night; none of them worthy enough to fight us or even gifted enough to join the Volturi. It was quite easy to find the leaders of these “newly-made” covens, or alliances, as they seemed. Because none of them inspired loyalty to each other; none of them was a coven in the sense the Volturi were. They were more like vampires who came together to fight for territory control; I doubt if they would even manage to stay together for one more day. They did not only lack loyalty towards their "leaders", but also discipline, principles, and basic rules of survival and solidarity towards the other members.

It was quite easy to take over any “coven” in Southern Greece, including the island of Crete. We started moving north, taking over the territories of Thessaly and Epirus, something which the Greek humans did not manage to acquire from the Ottomans yet. We were to take over Macedonia and Thrace next, but we were met with an unexpected obstacle.

Every vampire we would interrogate regarding these two territories would say the same thing: none of them knew who owned them, but whoever tried to claim the territories never returned back, dead or alive. The mystery that surrounded the person or people behind the leadership of these areas made their skin crawl; they all refused to “help” us any further, no matter how much Jane, Alec, and I tried, which made me kind of worried, or more like curious, but I didn’t want to show any weakness or let them question my effectiveness.

Every one of them was just a “normal” vampire; we were better, stronger, gifted, and we have proved that we can bring results every single time. No other vampire has ever dared go against us; we wouldn’t allow them to question us now either.

We continued traveling up north, determined to face whoever it was behind the territories there. I didn’t pay attention to the slight pain in my guts as we were traveling through the country, but it was becoming more and more intense as we continued going north.

We didn’t know how we would find the vampires behind this “operation”, so our plan would be to act in any way possible to provoke them into coming out of their “hiding spot”. For a few days, we were rummaging any small village we could find, killing the villagers and draining them of their blood - not a very “Volturi tactic" may I say. We were supposed to hide our existence, not challenge our luck by killing so many people; yet, this was the only way we thought that could possibly lurk the vampires out of their “comfort zone”.

As we were traveling through Macedonia, we came across a rather developed town, compared to the villages we have seen before. The city was surrounded by tall stone walls. There were a few rivers on its western side, forests and mountains on its northeastern side, and swamps and marshes on its southern side. We couldn’t hunt freely here, at least not during daylight; there was no way we would go unnoticed if we started hunting anywhere in the area. We decided to run through the forests, see if there was a place we could stay for a while; if there was a human or more we could feed off of; if there was a sign of the vampires or (Y/N).

During the last few weeks, I’ve been thinking that our mission has been more about expanding our power and influence, and not as much about locating (Y/N). Actually, it felt more like locating (Y/N) was more of an afterthought now. We lost the purpose of our mission; the reason we came together all along.

It wasn’t as if we would actually be directly benefiting by the territories we claimed; we were still working on behalf of the Volturi. We didn’t ask the kings to claim Greek territories; yet, we did, because we felt obliged to consider their own good once again, this time at the expense of finding (Y/N). Once again, we became the victims of the influence they had on us, and we played their game.

“Why are we even doing this?” I yelled frustratedly. My friends turned to look at me.

“What do you mean, Felix?” Jane seemed slightly annoyed. “We’ve come here to claim the territories, to show these savages who the boss is here.”

“No, Jane, they are not savages, we didn’t come here to claim territories, and we don’t have to show them “who is the boss”. They already know that the Volturi rule the vampire world. No. No. We came here to search for (Y/N). Not to “claim territories”. Not to “show them”. We came here for (Y/N). We..We lost our purpose. We lost the true meaning of our mission. We just started claiming the land for the Volturi, for Aro. We..We forgot about her.”

My eyes were stinking with venom. I felt weak, I felt as if I betrayed her. I promised to myself that I would bring her back home, that I would protect her. It’s been so long and we still haven’t found her. We just kept wasting time on things that shouldn’t matter to us. We should not care about expanding our influence, our territory, our power. We should care about bringing the Princess back.

Jane lowered her head apologetically. “I’m sorry, Felix. I didn’t know you felt this way. I have to admit it though; we did lose track of time and we forgot about the actual purpose of this mission. We once again forgot that (Y/N) has always been way more important than any power in the world. I’m sorry. We all are. I promised you we’ll start searching for her right away, okay?”

I nodded affirmatively. We had to find (Y/N) as soon as possible. We were not only running out of time but also out of hope that (Y/N) was in Greece or anywhere else, that she was alive. We got so distracted by our conversation that we didn’t notice we were being watched until we all started screaming in pain. I fell on my knees, the pain on the back of my head unbearable, and that’s when I blacked out.

----------------------------------------------------------

I didn’t know how much time passed being unconscious. It felt like a new sensation to me; being a bit over 2000 years old, I haven’t lost my senses once - except for the times Alec liked to play games on me. I didn’t feel like myself; it didn’t feel right. I didn’t like being restricted of my senses, especially now, especially here, in an unknown place. My mind was blurry and I couldn’t see anything distinct around me; I couldn’t see almost anything. I tried to move my hands around but I couldn’t as if the tightest rope in the world was holding me in place.

“No need to fight, sweetheart.” I heard a woman’s voice. “There is no way to escape.”

“Who are you? Why am I here? Where are the others?”

“Felix? Is that you?” I heard Demetri’s voice on my right.

“Demetri? Is that you? Where are Jane and Alec?”

“I am here.” I heard Alec’s voice on my left.

“Me too." Jane replied.

“Alexandre, please, I cannot start with this again.”

Suddenly, I could see again. I was still physically restricted, but my eyes could see them crystal clear and my mind was in order once again. The woman in front of me was very imposing, though of average size. Her long, curly hair framed her face beautifully and her piercing red eyes were piercing through my soul. The man standing next to her was only a few centimeters taller; he had short, straight hair, and his eyes were looking between the four of us sternly. Who were they even? Why were we even here? Why us? As if she read my mind, a woman spoke to me.

“Oh, deary. We’re not going to tell you who we are. But you are going to tell us what you, Volturi guards, are doing in our territory!”

“How do you know who we are?” I exclaimed. Of course, everyone knew the Volturi as the authority of the vampire world, but not all vampires around here have ever met us specifically, or any other member of the coven for the matter.

“Your crest, dear. I have known that crest for far too long. Way before you were even born. I see that dear Aro never changed it. He does like to remain in his same, old ways after all. Never changing, never moving forward, still imposing his “laws”, I’m assuming?” The woman seemed to know way far about the Volturi and Aro. She became a danger for our coven, from the moment she and the man abducted us. She should have never done that; they both would be punished for their actions.

“Dear, I won’t get punished..for anything. You, on the other hand, are in a pretty difficult situation. You see, my husband and I are not going to let you get away until you tell us why you are here.”

“Pain.” I heard Jane saying. The woman turned to look at her but she didn’t even flinch. I heard Jane screaming in return.

“Oh, sweetheart. Your powers won’t work on either of us. You see, I am a shield, so don’t even try to hurt us. On the contrary, WE can hurt you just as much, if not more.” The woman smiled evilly, while Jane was writhing in pain.

“Please, stop hurting my sister.” Alec pleaded, unable to use his gift against the couple.

“So, you are the “Terror Twins”. Alec and Jane, I see.” The woman knew their nickname? “Oh, yes, I do, dear.” She turned to look at me. “You see, I was once part of the Volturi. Technically, still am. However, I left, way before any of you joined the coven. To put it into perspective, I was there when Didyme lived but I left way before she was killed. Dear Marcus has never been the same ever since. I still feel somewhat of a connection to the coven, though I am able to make my own decisions because I managed to escape them. We were actually passing by Volterra a few times. I wonder how you never noticed us, though our powers would practically make us mentally invisible from Demetri, over here, or any other vampire, really.”

She knew Demetri, too?

“Felix, dear, I know all of you and about you. You see, my dear daughter has a special connection with all of you, a kind of friendship neither my husband, nor I quite understand. It wasn’t easy for her to keep her memories secret; though she is an amazing shield - which makes me so proud, she is kind of “vulnerable” when she is sleeping. And my husband’s magic is quite strong and easy to penetrate her mind and memories when she does eventually sleep.”

Her daughter? Could that be…?

“WHERE IS SHE?” The question slipped out of my mouth without even thinking about it first.

My anger could not be controlled right now. I was pushing myself to my limits to break my fetters, to no avail. Were that woman and that man (Y/N)’s parents? I started making some connections here and there; they looked similar to (Y/N), though so different at the same time. Their immortality, their red eyes, their confidence, and their aggression did not remind me of (Y/N). She had a pure face, a face of kindness, she was not like them.

“You think so? Alexandre, can you please call (Y/N), agapi mou?” The woman turned to the man, and the man started moving his fingers in front of him, creating some sort of a wave around him.

Within a few seconds, the door burst open and the first thing I saw was a red silky fabric flowing around the air. When the fabric settled down slowly, I saw her for the first time after so long. She has changed..a lot. Her (Y/E/C) eyes were replaced by piercing red ones, with a slight hint of (Y/E/C) around the pupils. Her eyes apathetic and stern; her facial features more defined; her hair reached a little below her shoulders, straight and shiny, like her father’s. She still looked as beautiful as ever.

She stared at us, focusing her eyes mostly on me. Her heartbeat sounded steady and strong. I was relieved; she was still human, they had not turned her fully vampire yet. She took a few steps farther into the house, her feet bare but surprisingly clean, no dirt, no grass had stained them. She stood right beside the woman, who I now knew was her mother and Aro’s daughter.

“What are they doing here?” Her voice came out stern, yet it was music to my ears.

I missed her voice so much. I missed her so much. Our mate bond, weakened by the distance and time spent apart, slowly started forming again. I felt it; I felt my existence becoming meaningful again. I felt my breath hitching in my throat, her presence provoking so many different feelings and emotions inside me. However, she still seemed cold and distant, and I couldn’t quite read her face. Did she not feel the same? Has she forgotten me? Does she hate me now?

I saw her gaze getting softer, even compassionate? She approached me and bent down slightly, placing her left hand carefully on my right cheek. She stared deeply into my eyes and I closed mine, leaning on her touch. It was the purest moment I have experienced in my 2000 years of life.

I opened my eyes and stared at her. I saw golden flakes scattered in between the red in her eyes. Once again, she took my breath away. It felt as if I fell in love with her all over again, a unique feeling of refreshment. We were lost in our own little world. She smiled slightly at me, the first time she did after such a long time.

“Enough! (Y/N) get away from him, now!” (Y/N) was forcefully removed away from me by her mother. She was looking at me pleadingly and then turned to look at her parents with such hatred. I’ve never seen her like this ever again, not even with Aro.

“YOU. WILL. NOT. TELL. ME. WHAT. TO. DO!” If looks could kill, (Y/N)’s parents would be dead by now. Her hands started lighting up, bright purple flames rising up. She was trying to intimidate her parents, but neither of them looked concerned in the slightest. She turned to us and with a dance-like move of her hand, we were finally freed of our fetters.

It was her father’s turn to speak. “(Y/N), let’s take this outside.” With a jerking motion of his hand, we all found ourselves, outside, in their house’s front yard.

“They’ve come to take you back to Volterra, back to Aro! Don’t you see it? They don’t care about you! They just want to please their master.” The words came bitter out of her mouth. She had a clear resentment towards the Volturi. “I will not let them take you away from me! Not again!”

“I know, mother, I’ve read their minds, too. Yet, I don’t see why YOU seem to think that you can make the decisions for me. I am my own self. I can make decisions for myself. And I get to choose what I do with my life.” (Y/N)’s voice was certain, powerful, in control. “They are not bad people, mother. They just have to follow orders, just like you followed Aro’s orders, just like I followed yours. That’s not going to happen anymore. I am taking control of my life!”

The sweet, little girl I got to see my whole life was becoming a strong, powerful woman right in front of my eyes. She was radiating power; she was taking control of her life. She was..my everything. She was becoming independent, her own self. To say I was proud of her, would be an understatement. She has always been special, but this newly-found power has clearly given her way more confidence and trust in herself.

She would finally be able to rule the Volturi. If she decided to come back to Volterra, she could definitely take over the coven. No one would be able to resist her or her gift. My thoughts were quickly interrupted when her dad started shouting in Greek.

Demetri, who was standing right next to me, saw the look of total confusion in my eyes. “I’ll translate for you.” I nodded at him. “So, her father says: Enough with this nonsense, (Y/N). Your place is here, with us. You owe us; we taught you what you needed to know about your magic. We taught you how to use it, how to develop it. You didn’t know enough to defend yourself back then.”

“Now, (Y/N) says: I don’t owe you anything. Yes, you did teach me how to use my magic, which I inherited from you. But, you gave me away to Aro. You couldn’t defend me or yourselves against him. You just offered me to him, as if I was a present for his birthday or something.”

“Now, her mother says: You, at least, owe it to yourself to get away from these tyrants. You know they don’t deserve you, so why are you still defending him? It’s that man, isn’t it? Now, (Y/N) says: That man has a name. Now, her mom says: You know, his name means “lucky”, "happy" in Greek. Yet, he hasn’t been that lucky or happy at all, has he? We read his mind, (Y/N), he’s not worthy of you.”

“Now, (Y/N) says: Guess what? I have also read his mind, and I have also read the two of you, as well. Don’t you think that it is only you who can read my mind while I’m sleeping! I’ve been reading your minds any chance I get! I know how you’ve been planning to use me, as a weapon against the Volturi! Guess again! I’m not going to let you manipulate me anymore! And that man deserves EVERYTHING in this world!”

“ENOUGH!” Her father shouted and threw a dark red glowing sphere, hitting (Y/N) and knocking her on the ground. My heart dropped at the sight, but she quickly stood up and gathered so much energy in her own hands, attacking her father with a powerful hit.

He got wounded, his face slightly cracked from his forehead to his jaw, yet he didn’t give up. He was about to attack her once again when his wife stopped him. She was looking at me and nodded to her husband. I heard (Y/N) screaming, but I didn’t make out what she was saying, as I started screaming myself and felt myself getting tossed in the air. Then, everything went black once again.

[skylights422]

@ace-and-aro-wlw-positivity created a Q&A for aspec authors/writers, and as an aspec author, I am excited to participate and answer as many of their questions as I can. Under a cut since it became really outrageously long.

1. What was your inspiration for your character(s)? Are they modeled on yourself, a person that you know, or a character that’s already been established?

Typically I’d say my characters are a mix of general inspiration from other stories/characters and then bits and pieces taken from myself. I try not to make any of them like a clone of myself or another character, try to mix it up, possibly with mixed success but that is the goal.

2. How much, if any, has your character(s) changed since they were first created? What caused this change?

Oh wow, okay I have characters I still use from grade school and middle school, and those characters have changed/grown a lot. Most notoriously (to me) though are my two fellas Euphranor and Kadri. I created them while daydreaming in middle school while watching those science videos in class about how I could make a more parody-like version of said videos, Kadri being the energetic and comically sadistic teacher and Euphranor being the constantly irritated and foul-tempered student. The core of their designs and personalities haven’t totally changed (Euph is still a hot-head and Kadri still likes to troll him), but they’ve become far more nuanced as characters as their story become more involved and serious. They’ve also become softer characters, with Euph having a Heart of Gold and Kadri being a bit morally grey but generally compassionate and friendly. I think the cause of this change and others comes from a mix of things, for one I simply got older and what I wanted out my characters changed a bit. But also I think it’s because I spent so much time with those characters in my head that I couldn’t help but develop them more fully, which in turn made me want to give them a good story. Also, everyone is definitely more queer now then how they started, largely because I became more aware and comfortable with my own queer identity and spent more time in queer spaces (though with Euph I actually just realized he had to be gay because I every het relationship I envisioned for him fell totally flat and yet imagining him as having crushes on guys just seemed to work better/make more sense, and that was an earlier decision).

4. Do you intend on publishing your story one day? Why, or why not?

I definitely do! I have many, many stories I want to publish, as books or comics or tv shows or films. I’ve always wanted to publish some of writing since it’s one of my main passions and have always taken inspiration from the stories I consumed. I just love writing and would want to be able to do it as my main career, the key will just be figuring out how to focus on one project long enough to finish it. xD

5. Surprise fact! Give a random fact about your character(s), whether it’s their favorite color, food, or even song!

Euphranor loves to sing! He hums to calm himself down and even full on sings to vent his feelings sometimes. Kadri loves literature and video games, and blackberry pie is his favorite food.

6. Admit it, you have a folder on your computer of the various types of picrews you’ve created for your character(s). Would you mind posting a few (or five)?

*VIBRATES* MY TIME HAS COME. I absolutely have way too many picrews of my fellas so I won’t post them all, just two each for the core four of my main novel project. First, Euphranor:

(yes he is a Hufflepuff)

Kadri:

(also since I dragged the Hogwarts houses into this Kadri is Ravenclaw)

Ena:

(I put her in Gryffindor)

And finally, Fiera:

(Right now I have her in Slytherin. She could also be in Ravenclaw though)

7. Time to get serious for a bit. There’s been heavy debate on having non-human characters identify as ace, aro, non-binary, etc., but never actual humans. As someone who’s aspec, how would you explain to someone who’s allo why this can be and is seen as hurtful?

I mean, as a sci-fi fan I definitely love if the non-human characters are queer coded, but it’s definitely important to include human representation as well, and I think there are a few simple reasons for that. One is that queer people are, in fact, humans, and therefore our stories deserve to be told as they are in reality as well as how they could be in fiction. The other is only writing us as inhuman implies you consider our identities as fictitious or too strange for a human to have, and queer people already have to deal with other forms of erasure and invalidation in real life. (Also, not everyone is a fan of sci-fi/fantasy, and they should still be able to read stories where they can see themselves)

8. It’s a sad reality that many stories in mainstream media don’t have characters that are aspec, not to mention without resorting to harmful stereotypes. Besides there being nothing wrong with IDing as aspec, why did you choose to have your character ID as such? What would you tell other authors who’re interested in writing characters that are aspec, but are afraid of offending the community?

I have a huge list of aspec characters, which definitely started happening more once I was aware of my own asexuality (and later, aromanticism), since I realized that I could make my own aro and ace characters and then just went wild with it lol. It’s also easier for me to write since I can actually draw from personal experience somewhat for it. Beyond representation having aro and ace characters also allows you to explore more facets of human emotions/the human experience, so that’s always fun.

As for how I would advise allies looking to write a-spec characters, my main advice would be to remember that we are an incredibly diverse group of people, and so while no one a-spec character will resonate with every a-spec reader, an a-spec character written in good faith will definitely speak to some of us. Write them as an character first, and when it comes to things like how their attraction does or doesn’t work and what they want out of relationships, figure out what works best for them. Really, if you’re concerned your character would be offensive in some way you can always make a post asking about it, many of us are happy to offer constructive advice and appreciate that someone is wanting to put in the effort to write about our experiences. Reading or listening to anecdotes from an array of a-spec people is also a good way of getting ideas of how to portray us, and there are various resources for that (the tags, AUREA collects anecdotes from arospec individuals, and probably more than I can think of offhand)

9. If you’re comfortable with sharing, what is your characters’ identity? Do they use any microlabels? Does theirs reflect your own?

Unsurprisingly I have many characters who are aroace (Fiera is one of them), and Ena is bisexual and gray-aromantic. Kadri was originally supposed to just be bi/pan but has become increasingly aspec, will they end up gray-aro as well as grey-ace? Will they end up as a pan oriented aroace? I don’t know yet, but they sure are a pan a-spec. My most recent project has exclusively aro-spec protagonists, Valentine is aroace, Cedar is demiromantic, Raelene is cupioromantic, and then Clematis and Hadyn are presently just Aro and might stay that way. My aroace characters are often styled after my own aroace experiences, while other a-spec characters aren’t as much.

11. Why do you think that not just representation is important, but GOOD representation? Can you offer any examples?

Well, I think there are a few ways to make ‘good rep’. There is the ‘this character helps bring awareness/educate about the community’ and then there’s ‘this character just resonates with certain a-spec people a lot’, and the main reason I think it’s important is because rep should be for the people they’re representing. So if rep hurts the community or totally fails to be relatable to anyone who’s actually a-spec, then it missed the whole point and is doing just as much to leave the community feeling left in the dust as no rep. Of course things do get complicated when the community is divided on whether the rep is good or not, which I imagine will be a common occurrence, and many examples of rep probably fall into the grey area between Good and Bad, but generally people should aim to tell stories that will help more than hinder the people you are telling your story about. (Although I also think that the long term end goal is to get to the point where there is enough representation that it doesn’t matter if some of it is ‘bad’ or not, since I feel like that is the true state of normalization, but that is sadly not yet the case)

12. What’s the genre of your most recent story? Do you always write in this genre? If so, what other works do you have? If not, why did you pick it?

My most recent story (with Valentine) is fantasy, inspired by shoujo style anime series like Cardcaptor Sakura, while Euph’s story is more dystopian urban fantasy? His exact genre has shifted around a lot and will probably continue to do so. In general, most of my works are fantasy in some way or another. A few are more sci-fi or horror based, but definitely the majority are fantasy whether that be magical girl type stories, urban fantasy, superheroes, or dark fantasy.

14. What’s a brief biography of your character? Is their history, personality, and/or looks similar to your own?

I’m going to go with Fiera here. The short version of her backstory is that she and her older brother were born to neglectful parents, and while their grandmother was attentive emotionally she also lived far away. Her brother discovered magic, long thought forgotten, but killed himself shortly after, leaving Fiera alone and confused. She then made a point to dedicate herself to studying the theory and history of magic in the hope that she may someday understand why her brother would take his own life so suddenly like that. She has a down to earth personality and is very observant, and has a great deal of ambition and focus for tasks. She naturally has a more lighthearted and curious personality, but has become more somber since the death of her brother. While she always struggled with sustaining personal relationships, it’s only recently she started using her power of observation to be more manipulative and always keep a cool, pleasant demeanor. She has a love for fashion and sewing, as well as an interest in chemistry.

She isn’t really based on me at all backstory or appearance wise, and only slightly takes after me personality wise. Our main similarity is that we both can be quietly observant and don’t tend to get outwardly angry very often, and that we are both aroace. But I am nowhere near as focused as her, am terrible at lies/manipulation, and have different interests. I’m also way more prone to energetic rants and blunt statements than she is.

15. What are the themes of your story? Is it a lighthearted adventure, or are we talking deep, ocean-sized levels of angst? Why, or why not, did you choose them?

The tone of Euph’s story is kind of all over the place due to how often I’ve tweaked it, but there are certainly oceans of angst for all the protagonists. There’s just also decided remnants of the wacky humor from when the story was predominantly a comedy, and a lot more scenes of the characters just relaxing or goofing off than might be typical in a high tension drama adventure. My story with Valentine is generally much more lighthearted, though there will be some deeper moments for character development (and also because I want it to have a slightly gothic vibe, just Because)

16. How long have you been writing? Has your style changed from when you first began to now? What are some tips you’d give to those who’re interested in writing a story of their own, be it professionally or as a hobby?

I’ve been writing in some capacity just about as long as I can remember, and so my style has definitely taken various shifts depending on how old I was and what I was taking as my main inspiration at the time. Sometimes I went for more sarcastic and whimsical narration regardless of the events happening of the story, sometimes I went for a more quick modern-ish style, sometimes I would focus more or less on descriptions or dialogue. I don’t really know where I’m at right now though.

What I would advise to anyone wanting to sit down and write is to be patient and kind with yourself. Nine times out of ten what sounds epic in your head will come out at first as clunky and all over the place. But that is pretty much the whole purpose of first drafts; the clunky first draft crawls so the second draft may walk so the third draft may walk a little faster so the final draft may run. The other thing I would advise is to absolutely experiment, and see what works best for you. There is every kind of writing advice out there imaginable, much of it contradictory, so really you just have to mess around with styles and perspective and dialogue and see what happens, which stuff you liked and which stuff you didn’t.

17. What’s your process for writing? Do you plan your story out first, write whatever you want then edit later, or both? How might this help others?

My writing process is pretty much a mishmash of writing whatever comes to me, then planning, then writing, then using a bunch of character building exercises to have fun but make no progress in the plot, then neglect the project for months, then write some more or maybe plan. I don’t know how much this would help others, though I have found when I set goals with deadlines and some external pressure (nanowrimo, reward system implanted by friends, etc) I am far more productive, so perhaps that is something others could try if they struggle with staying on track?

18. Your book’s become quite popular, easily reaching the New York Times Bookseller list, and now, you’ve been picked to lead a writing workshop. It goes swimmingly, and afterward, someone comes and tells you that your book not only inspired them to write a story of their own, but also helped them discover and accept their identity. What’s your reaction?

Mostly I would just be flabbergasted, but also extremely pleased and honored to have been able to provide any kind of help or assistance to my readers.And I would feel very happy for the person, since that sort of inspiration is great to come by.

19. Are there any published stories out there that feature aspec characters that you also read? Do you have any suggestions?

Unfortunately not that I can think of! I am peripherally aware of some ace characters, but they aren’t in stories I personally consume. I hope to find more though!

20. Just for fun, write down a paragraph of your most recent writing. It can be an action-packed scene, some witty dialogue, or a colorful description that you really enjoyed. (Be sure to properly tag any possible triggers!)

Well, my most recent finished work would be the clunky first draft of my novel. So, here’s a silly conversation that entertained me to write:

Once they had bought the food, they went back to the park to eat. 

“You know, Fiera, I have come to a realization.” Kadri said.

“Oh? What’s that?” Fiera asked.

“Store snacks are not as filling as restaurant food, nor as refined, but they are decidedly addictive.” he said, munching on Twizzlers.

“Yep. That’s what makes them store snacks. Plus, I couldn’t get any really nice stuff. I’m not made of money.” Fiera explained.

“Which brings me to my next question, how exactly are you financing our meals? You don’t seem to work a job of any kind.” Kadri said. Fiera was almost surprised that he knew about jobs, but decided not to ask about it. 

“You’re right, I don’t. But my parents leave me about sixty bucks a week so that they can do what they want without me starving to death in their absence. After yesterday and just now, I’m down to like eight bucks, and the next payment comes in three days, so after this stash goes it's dollar store snacks only.” Fiera explained.

“I see. Fascinating. And these drinks you bought us, why are they vitamin drinks?” Kadri said,looking over a vitamin water curiously.

“Because we definitely aren’t going to get any vitamins from chips and candy.”  Fiera said simply.

“There is logic to that, I suppose.” he said. There was silence for a few moments.

“Um… Kadri?” Fiera said after a while.

“Yes, Fiera?” Kadri said.

“You know you can’t eat a whole bag of Twizzlers in one go, right?”  Fiera said.

“I don’t see why not. If it is not going to give me the nutrients I need, it may as well provide me with the maximum level of pleasure it is capable of.” Kadri said.

“Yeah, but you’ll get sick. And we have limited supplies.” Fiera countered. Kadri looked at the bag of Twizzlers in alarm.

“These are poisonous in large doses!?” he exclaimed.

“What? No, not poisonous, they just make you sick because they’re candy. All candy does that if you keep eating it.” Fiera said.

“Commoners lead dangerous lives, it would seem. I shall never forget this betrayal.” He said to the bag of Twizzlers, putting it down and taking the vitamin water instead. 

[arotechno]

The Origins of Aspec Discourse: History and Reflection

Disclaimer: If you’re an exclusionist, just block me. Don’t reblog this post or come into my inbox with your unwarranted opinion, because I will just block you instantly. This is an intracommunity post so aspecs can know our own history, and it is not about you or what you have to say about aspec people. We are beyond the point of civil discussion.

Disclaimer 2: I’m an aro blog but my asexuality is really going to come through on this post more than anything. I don’t have much info here about aros specifically. Given the amount of aro erasure that exists, this should not be a surprise.

On the Arocalypse server, we’ve been having a lot of discussions lately about the discourse, its origins, and its implications. As someone who found the aspec community before the discourse started and watched it tear my community--and myself--apart over the last few years, I feel the need to put all of these puzzle pieces together so that we, as a community, can know where we’ve been, and hopefully determine where it is we’re headed.

History and Origins of the Discourse

Because of the way tumblr’s search function works or has worked in the past, it is difficult to pinpoint the exact origin of the discourse. The earliest usage of the tag that tumblr will show me comes from 2014, and the post in question (which I will not link as I do not have the OP’s permission; you can find it yourself if you’re that curious) alludes to intracommunity discussion, nothing about the discourse as it is referred to today. The earliest instance of that comes from 2015, which lines up pretty precisely with my own personal recollection of when things really went to shit.

But it didn’t start then, not even close.

Courtesy of unofficial aspec historian @aphobephobe, here are a few accounts of the history of ace discourse, so I don’t have to restate it all myself (this should go without saying, but warning for aphobia throughout the links below):

(1) How the ace discourse stemmed from and evolved alongside other types of LGBTQ+/queer discourse

(2) A rough timeline/how the discourse escalated on both sides

(3) A history of the terms used to refer to non-aspec people

All of this is speculation, but the spark that truly ignited the first wave of ace discourse as we know it today may have been The Trevor Project’s addition of asexuality to its training materials and the firestorm that erupted from there. Aphobes and TERFs like galesofnovember were outraged that the Project would create suicide hotlines for ace people, and tried to convince them not to. Rightfully, aces and aros were horrified, and that is likely what ignited tensions beyond the existing invalidation and arguing.

Interestingly, I don’t remember seeing any of this in 2013 when I joined tumblr, or in 2014 when I first discovered asexuality and aromanticism. Most of the people who were involved in 2010-2012 era discourse aren’t involved anymore, often due to burnout. The second wave, the one we’re living in right now, is the one I remember kicking off in 2015. This wave was likely sparked by the #GiveItBack campaign. After GLAAD insinuated that the A in the LGBTQ+ acronym stood for ally, aspecs pushed back against this and campaigned for GLAAD to correct its mistake. The organization listened, and this may have been the catalyst for renewed hostility between aspecs and non-aspecs. The rest is history (detailed recollections of how anti-aspec arguments evolved can be found in link 1 above).

Reflection

Over the last four years, I have watched ye olde discourse come back with a vengeance seemingly out of nowhere and take what I knew to be a welcoming community on the rise and eat it for breakfast. We talk about the Aro Renaissance and us coming back from the dead, but the truth is there’s been a target on our backs from the beginning. The arguments have just devolved, worsened in hostility, become circular. While 2010-2012 era discourse reads to me as less organized and less widespread, 2015-present era discourse comes across as the same systematic, formulaic discourse that tumblr is famous for; there is no nuance, and everyone involved is left feeling emptier than they did going in.

That’s not to discount its profound impact, especially on young or questioning aspecs; on the contrary, the discourse seems to have actually worsened over the years. I don’t know when dealing with this became an everyday struggle for aspecs, but no matter how hard we try to pretend we’re pushing through it, it always seems to come back down on us, harder.

The arguments involved in the ace discourse have devolved so much and become so repetitive that all potential for reasonable discussion was thrown out the window ages ago. I don’t mean to imply that the discourse was ever well-intentioned, but in the beginning there could have been some kind of mutual understanding. But those days are long behind us now.

Over time, the discourse has spread beyond tumblr. It isn’t just about tumblr drama anymore, and even the language we use to describe the discourse has changed over time to reflect that. In fact, if tumblr’s search function is to be believed, the earliest usage of #ace discourse wasn’t until 2014-2015. Tumblr has a tendency to wrap these kinds of conflicts up into neat and tidy bows, where someone could ask you for your opinions on x, y, and z discourse and you could be expected to have an answer. In 2015-2016 or so, no one even used the terms exclusionist or inclusionist, at least not as widely as they’re used now. We called people who were arguing against aspecs “ace discoursers”. Now, the exclusionist/inclusionist dichotomy, to me, suggests several things.

(1) The argument has devolved into a never-ending debate over whether or not aspecs, by virtue of being aspec, are part of the LGBTQ+ community. When you ask somebody about ace discourse, that is what they’re going to think of. But that angle destroys all of the nuance and ignores the seven or eight years of baggage that this “debate” carries with it. The discourse has never been just about who’s LGBTQ+ and who’s not. It has roots in prejudices that go so much deeper than that. It’s based in arguments that go so much deeper and get so much nastier than that.

(2) It turns the ace discourse into a piece of identity politics that you can be expected to have a stance on, regardless of your involvement. A lot of aspecs don’t want to come anywhere near the discourse or call ourselves inclusionists because it reduces our struggle to just exist in peace without being mocked, scrutinized, erased, and harassed at every possible moment to an opinion that can be changed if you debate with us enough.

(3) It makes it easier to treat the two sides of the discourse as equal. Most people involved in the discourse now weren’t involved in 2010-2012. Exclusionists are able to assert their cause as a noble one by presenting us as being on equal footing and claiming their goal is to protect the LGBTQ+ community while ignoring both the community’s history and the history of the complex and long-running discourse that they have stumbled into, one based explicitly in TERF rhetoric. Going back to my first two points, this isn’t a simple cut-and-dry “debate” between two equal sides. There is a history here that the exclusionist/inclusionist dichotomy sweeps under the rug in order to package it as something either more trivial (so aspecs are easier to mock) or as something more digestible for the uninitiated (so the discourse continues to spread beyond tumblr).

Sometimes I wonder how much of our collective aspec history got lost in the mix. I wonder if we became so focused on defending ourselves that we forgot how to make ourselves better. Sometimes I fear that somewhere along the way we lost some aspect of our radical and unapologetic origins in order to seem unimposing. There are a lot of discussions that get started now that would have been resolved years ago had none of this happened and put our community development on hold. Imagine where we could have been by now. I can only hope that, with the knowledge of how we got to this point, we can make it to wherever it was we were going.

I was reluctant to make this post, as staying quiet has always felt safer than speaking my mind. But I have been silent for four years, and I could not watch this go on anymore without saying something. Perhaps I needed the closure.

Making a change takes courage and it takes solidarity, and I think that might be what the aspec community needs most of all right now.

If anyone else has further documentation to contribute to the cause, especially if you were around 2010-2012, I’d really appreciate that. For now, I’m going to retreat back into the shadows and go back to not touching the discourse with a 10-foot pole.