#<-this is still their real ship name right?

[rivetgoth]

The fact that I’ve seen a few people try to analyze I Saw the TV Glow through a lens of it being about like, fandom and obsession with media and nostalgia being bad ?? is genuinely blowing my mind. Obviously there’s the fact that this movie is as unambiguously about being trans as it can possibly be without just saying outright “this is a movie about being trans” but I also think this is crazy because I would say it actually has one of the most unambiguously positive relationships with concepts like “media consumption” and “nostalgia” that I’ve seen in a movie.

Like, to say it’s a shallow interpretation of the film to call it “about media/fandom” (and especially a negative depiction of such things!) is putting it quite kindly because I kind of feel that anyone who utters such sentiments didn’t actually understand the core element of the entire movie: “The Pink Opaque” is not a show. Commentary the film makes about watching “The Pink Opaque” cannot translate to commentary on watching shows broadly because the movie spends half its runtime making it explicitly clear that “The Pink Opaque” may be a show that exists in a literal sense but is not one in a figurative sense. “The Pink Opaque” represents the possibilities of childhood and innocence. Innocence that still is not free from judgment—Owen gets told the show is for girls, Maddy’s friend accuses her of sexual harassment on account of her sexuality while they were watching it together—but it’s the moment in your youth (or any time! it doesn’t have to go away!) when the possibility of queerness and more explicitly queer utopia feels real to you. The external pressures to conform are still there but you can tune them out if just for a moment to envision a future and a life for yourself free of it and living authentically. I think this is an experience all LGBT people can relate to, but in the case of ISTTVG it’s very explicitly primarily focusing on queer femininity, predominantly transfemininity, but in Maddy’s case as well she is a queer woman (I’ve seen some interpretations of her as transmasculine but I disagree personally). Hence the on-the-nose nature of it being PINK.

What feels very genius about Schoenbrun making it about a show though is that it’s so generational, right? For all of us LGBT people who grew up in the age of screens that WAS where a lot of that early imagination going wild resided. The first time you explore a new name is on anonymous forums. The first time you explore your masculinity or femininity is with which character you relate to in a show, or which gender you select in Pokémon. Movies and shows with “queer subtext” or even without give young LGBT people the chance to envision relationships and futures for themselves, what many grow up and call “shipping.” You have your first gay crush while watching your favorite movies. You envy those of your true gender while watching your favorite movies. Amongst many other things when Maddy watches “The Pink Opaque” she’s given access to a world where two women share this intimate connection and overcome obstacles together. When Owen watches “The Pink Opaque” they’re given access to a world where femininity is a real option for their future.

The relationship these characters have to “The Pink Opaque” is a net positive and the movie makes that so incredibly obvious when Owen goes back to rewatch it later and finds that it’s nothing like how they remembered, it feels childish and immature and dumb. That is a bad thing. This is a bad thing. The movie wants you to see this as a bad thing. This is the result of repression, of conversion therapy, of violent coercion into normative lifestyle—That sense of limitless possibility is destroyed and the idea of accessing one’s transness, of imagining this utopia where you CAN be yourself and live as a woman, strong and beautiful on the other side of the screen as said in the film, is lost. Now you tell yourself it feels silly, it feels childish to imagine such things, it’s not nearly as deep and meaningful as you believed it was when you were younger and less inhibited, or it’s at the very least easier to tell yourself that. Owen’s feeling embarrassed is of note here. If it weren’t for these external pressures that have been internalized they very well may have been able to still enjoy the show, even as they’ve aged and grown and matured, even if their perspective has changed a little. But they can’t. Not yet, at least.

I feel kind of out of my mind seeing people try to approach it through a lens of commentating on media consumption because it’s so deeply missing the layers of what’s actually being said… and not even in a wildly obfuscated way. The movie is ABOUT the relationship these characters have to “The Pink Opaque” and how the loss of that is a bad thing. How you can possibly watch it and see it being about some kind of growth from obsessive media consumption is mind boggling to me. Seeing multiple reviews and posts in tags about it is crazy. One thing I really like about this movie is that it so confidently argues for a more positive interpretation of being obsessed with “fantasy” and the childlike wonder of the limitless possibilities of fiction. I think that’s a very very trans narrative, as I mentioned it feels tied deeply into Queer Utopia, and I find it much more bold of a stance to take. In a world where people tell trans individuals (and especially trans women) that their identities are works of fiction or products of the imagination or even caused by excessive media consumption, to embrace these things and turn them over and use them as a symbol of the whimsy and innocence and excitement that first ignites that spark as a positive, thrilling, beautiful thing is very cool.

[il-predestinato]

ELLE LMFAOOOO EVIL TWINKS IS ICONIC

You know… at first I thought: who does Oscar Piastri think he is!?

But now I choose to embrace his confidence chaotic evil. Talented chaotic evil. I hope he does damn well in F1. And the more hate I see for him on F1blr, the better I want him to do.

Lando/Oscar is filled with potential. #McLaren #McEvilTwinks 🥰

[festering-bacteria]

some more shippy drawings :33 some polycule stuff n some w/ just abe n confucius bc i haven’t drawn just them yet.,,.

[hauntingblue]

Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me

[isfjmel-phleg]

🫥

[mummer]

i've connected the three dots (quentyn&gerris qhorin&mance theon&robb).......... the where was i i should have died with him cinematic universe . I've connected them

[xerith-42]

Guys I'm so dumb. Why am I calling them Blazein as the ship name and tag? What the fuck is wrong with me?

Obviously their ship name is White Milk and Bacon.

I will correct this egregious mistake post haste

[charlesemersonwinchesteriii]

For dating game: Donna Noble for a non Mash option from something I'm pretty sure I've seen you reblog stuff from, BJ, and Klinger

I can't believe I got 2 Donnas for this game and neither were the MASH one haha. And yes I AM a Doctor Who fan but like with Twin Peaks I'm only a shallow fake one because I only feel really passionate about RTD era :( sowwy again. I'm 0 for 2 today. But at least I didn't skip MASH s1-3 AND I didn't skip the 9th Doctor AND I read Laura's diary + Dale Cooper's tapes. So now everyone has to give me a little headpat and forgive me and say they're not mad at me thank you <3

Donna Noble

I couldn’t handle Donna QwQ I couldn’t match her energy it’s very sad :( I feel like I would do the exact opposite of what the Doctor did for her in terms of bringing out her most amazing qualities. And I do really try to highlight and praise the qualities of people in my life!! I just don’t know if I could help her reach her full potential. Which sounds like one of those weird therapy-talk approaches to relationships but unfortunately sometimes when you really admire someone you actually do start thinking about things like “am I supporting her journey effectively” and all that. But this is just a date right so it can just be a casual thing. I feel like Donna is someone with whom I could straight up be like Hey so I was never socialized properly and your last relationship ended comically terribly so do you want to like try practicing dating with each other? I think it could be fun! And then eventually she could move on to find happiness with Mr. Temple :)  

Wait actually sorry quick tangent if Donna doesn’t remember the Doctor what does she think happened to her fiance from way back when. Does she. Does she remember the giant alien spider or. Hang on--

BJ Hunnicutt

BJ Hunnicutt is the human equivalent of Disneyland. Everybody in the entire nation is absolutely obsessively feral over it it’s sooo beautiful it’s sooo fun you just HAVE to experience it it’s a quintessential expression of the American dream blah blah blah. But I will never attend this overpriced (constantly borrowing money) and overcrowded (too much competition from the rest of Mashblr) theme park. I do not care for its fastpass system (willingness to cheat on his partner) or its uninspiring coaster design (anger issues), and I am further offended to hear of the constant introduction of cost-cutting measures that harm visitor experience (growth of mustache). Not even the prospect of purchasing a fully functioning Cogsworth clock (chance to join the Punnihawk polycule) is enough to tempt me. It’s not happening. I am going to Dollywood (Maxwell Klinger).

Maxie my beautiful girl Maxie whomst is so very adored by me

My wife my kitten my sweet snuggly wuggly good time gal. My Dollywood. Know that I love and adore Maxwell for eternity <3

BUT. I must love her from afar because I couldn’t in good conscience waste her time when I figure there must be a more compatible match out there, ya know? Like, I know hardly anything about baseball and I wear the same clothes every day and I don’t eat red meat so I can’t even share those beloved hotdogs. Max deserves the Best as I’m sure we all agree, and we know he wants a serious long term partnership. I want the same thing, so I know that such a lifelong, committed relationship should be with someone who finds themself more easily compatible with Max’s tastes and interests.  

On an unrelated note, Charles sure seemed to get super into baseball in War For All Seasons, huh? :) And we know he cares a lot about his clothes, as we see him hiring a personal tailor at least once! :) And he was surprisingly eager to get to share in Max’s hotdog delivery in The Grim Reaper, too! :) So many random fun facts in this world \^w^/

[badwolfwho1]

Was just about to start reading Garth Marenghi's Incarcerat but alas it's actually a sequel so I should really pick up Terrortome first.

[imperiuswrecked]

BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!

BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!

As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.

Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.

Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.

Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.

Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.

BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.

For more information about the character's history here is a breakdown of her appearances in Marvel Comics.

The Incredible Hulk (1968) #256 - Sabra's Origin

On the cover of Sabra's origin issue is the image of a dead Palestinian boy.

continued...

As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.

This is Marvel Atlas (2008) #2 page on Israel

Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.

That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.

The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."

Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.

The Prickly Symbolism of Cactus Fruit in Israel and Palestine.

“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”

When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.” 

"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.

However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.

The Sabra & Shatila Massacre 1982

The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.

The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.

Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.

For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.

Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.

Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.

Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.

"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.

Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.

Marvel Super Hero Contest of Champions (1982) #1-3

Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.

Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"

The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.

Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.

A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.

The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.

Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!

The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.

I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.

The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.

Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers

Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.

Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.

Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.

X-Men (1991) #67-69, 72-73

Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.

She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.

Excalibur (1988) #120-121

Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.

Uncanny X-Men (1963) #366, 367, 379

Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.

X-Men (1991) #111

Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."

New X-Men (2001) #131-132

Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."

JLA/Avengers (2003) #4

Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.

Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.

Excalibur (2004) #5

Flashback two panel appearance of Sabra on Genosha.

Civil War: X-Men (2006) #1-4

Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.

Civil War (2006) #6

Sabra fights on the side of Tony Stark/Iron Man.

Union Jack (2006) #1-4

The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:

Marvel Encyclopedia, New Edition (2019)

In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.

Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.

To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.

Later Navid gets hurt and Sabra checks on him, he tries to apologize;

Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.

Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.

The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.

Secret Invasion #6

Cameo one panel appearance of Sabra in Israel fighting a Skrull.

Astonishing Tales (2009) #6 - Astonishing Tales: Sabra

Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.

"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.

The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.

It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.

This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.

Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."

Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.

Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.

Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."

Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.

Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.

Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.

I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.

History of the Marvel Universe (2012)

Cameo Appearance.

Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1

Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.

X-Men (2010) #31, 34-37

In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.

X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23

Sabra aids the X-Men.

Captain America: Steve Rogers (2016) #18

One page Cameo, Sabra appears to have completed a mission and gathered files.

Avengers (2018) #11

Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!

Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.

At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.

Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.

Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.

Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link

Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link

Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.

I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.

Use the Captain America tags to Boycott Sabra.

If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.

Find a Protest near you

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[zorobff]

how to disappear. (opla!zoro x fem!reader)

synopsis: joining luffy’s crew made you believe that you’d finally escaped your former pirate crew and nightmare of a captain for good. that is, until a certain butler starts looking a little too familiar. good thing zoro’s keeping a close eye on you.

warnings: opla spoilers (ep 3), some direct dialogue from opla, mentions of verbal/physical abuse, kuro is just a weirdo tbh, reader is called a bitch, protective zoro, for the sake of the story sham and buchie joined the black cat pirates after reader left

word count: 4.7k

“this guy is full of shit.”

you knock your shoulder into zoro’s wider one. “be nice. and so what if he is?” 

zoro gives you a pointed glare. “then we should turn around and look for someone who can actually help us find a ship.” 

“all business, as per usual,” you reply, with a purposefully dramatic sigh. “why can’t you have a little fun?” 

“what about this is supposed to be fun?” zoro spits out the word like it’s poisonous. “this is the blandest village i’ve ever seen.”

you scoff. “now you’re the one that’s full of shit. nothing’s ever bland with us and you know it.” 

the us in question was your newly formed pirate crew… if you and luffy could even be considered that. having left the ship you’d been on a few years ago, you were in search of a new crew. luffy was persistent and charming — when you’d crossed paths in shells town, it took little to no time for him to convince you to join his hunt for the one piece. zoro and nami, on the other hand, had yet to follow in your footsteps. 

“well, considering that we’ve only been traveling together for a day and a half and i’ve already escaped a marine base, defeated a marine captain, and fought a clown with devil fruit powers… i’d actually have to agree.” 

you can’t help but giggle at his sarcastic delivery. “be grateful, zoro. not many pirate crews are this fun to be on, trust me. oh wait, that’s right, you still haven’t officially joined—”

“tell me about your old pirate crew,” interjects zoro, your comment having piqued his interest. 

you notice that the playful atmosphere dissipates. “god, where do i even start?” 

zoro answers that for you. “why did you leave?”

“starting with the hard hitting questions, huh?” you joke, mostly to stall. you clear your throat before you answer. “well, it was different. nothing like what luffy has going on. he actually cares about his crew… and even those who aren’t technically on it.” 

at that, a smile tugs at the corner of zoro’s lips. even you crack a small grin. although as you continue speaking, it fades. 

“on my old crew, we were dispensable. anytime something went wrong, our own captain would threaten to kill us. it was… scary, to be completely honest. there were so many times when i thought i’d die with that filthy crew. and i never wanted that. so as soon as we docked at shells town, i left.”  

zoro’s jaw clenches as imagines the things you’d seen and been subjected to. “this old captain of yours sounds like a real—”

“he was a nightmare,” you tell him. “he didn’t care that i was the only woman on board, he treated me just as horribly, if not worse.” 

zoro stops so suddenly that it takes you a second to realize he’s not walking alongside you.

“what do you mean by that.” the way zoro phrases the inquiry doesn’t even make it sound like a question. more like a demand. his narrowed eyes are fixed solely on you. holding his gaze feels… intense. 

you can’t help but glance away as you answer him. “he was just a bit of a creep.”

before zoro has the chance to try and extract more information out of you, a familiar voice calls both your names. you’re not really sure when you and zoro had fallen behind but from where you currently stand, the rest of your group looks miniature. or perhaps it’s just the massive size of the mansion behind them that makes luffy, nami, and usopp look pocket-sized in comparison. 

“why’d you stop walking?!” your captain shouts, hands pressed on each side of his mouth to amplify his voice. “get over here, we’re about to go in through the top secret entrance!” 

you vaguely make out usopp gesturing for luffy to keep his voice down. you’re sure that would warrant another comment from zoro about his reliability but he’s too busy staring at you with that expectant look in his eyes. 

“we better catch up,” you tell him, heading in the direction of the deluxe home. 

he allows you to dodge the subject and sighs, walking in long strides to catch up to you.  

“i’ve never seen a house this big before,” luffy admits, admiring the mansion along with the wellkept greenery surrounding it. 

“awesome, right?” usopp gloats, walking around like he owned the place. “kaya’s given me an open invitation to drop by anytime i want.” 

“wow.” you’re not sure if luffy was just going along with usopp’s act or if he really believed him. knowing the devil fruit user, it was more than likely the latter. “all this for just one person?”

“well, she lives here with her butler and a few other staff,” usopp replies, leaning against the stone well that sat in the middle of the lawn.

“money really shows you who people truly are,” nami mutters, eyes scanning the property. “most people only care about themselves and what’s theirs.”

zoro is quick to throw the insult back at her. “sounds like someone i know.”

you roll your eyes at his comment, though you make no effort to disagree with him. nami was a little on the materialistic side. 

“and a small staff makes for easy pickings,” she continues, proving your point.

“we just got here and you’re already planning on robbing the place blind?” you ask though you already know the answer.

“at least a little blurry,” she smirks, following behind luffy and usopp who walk toward the entrance. 

you and zoro share a look. one that says disappointed but not surprised. 

going under a shrub shaped as an arch, you’re met with a beautiful pond. you admire the pink lilies that float at the top and the bushes that were intricately trimmed into the shape of various animals. even if the people that lived here were filthy rich, at least they had good decorative taste. 

“so if you have an invitation, why are we going around the back way?” luffy ponders.

usopp’s answer is nonchalant. “oh, i never use the front entrance. like i said, this is the vip entrance reserved for special guests.”

zoro scoffs. “this guy’s definitely–”

“don’t start,” you groan, cutting him off. 

abruptly, usopp freezes and spins around, attempting to usher your crew back. “you know what, there’s actually a more exclusive entrance this way–”

the sharp swoosh of a knife cutting through the air and burying itself in the ground between usopp’s feet cuts him off. from the direction the kitchen utensil was thrown stands a heavyset gentleman with his face wrinkled in anger. his demanding voice booms through the garden, “the hell are you doing here, usopp?” 

the dark-skinned boy fumbles over his word. “buchi, buddy, uh, kaya’s expecting me.”

“another one of your lies,” the man – seemingly named buchi – seethes, grabbing him by the collar. “you ain’t welcome here and you know it.”

“i know nothing of the sort,” usopp retorts, keeping his cool even when he was practically being lifted off the ground by his shirt. “i’m here to give kaya an extra special gift.”

before buchi can get another word out, a feminine voice calls out for your companion. coming down the steps is a frail looking girl in a pink dress. on her arm is a man dressed in a crisp suit, presumably the butler usopp had mentioned earlier. though, from where you stand you can’t see either of their faces too clearly. 

“what a wonderful surprise,” she exclaims, breathlessly. 

“kaya!” usopp exclaims, returning her enthusiasm. buchi has no choice but to let him go, begrudgingly. usopp makes sure to shoot him a smug look before walking towards the young girl. “happy birthday.” 

the butler clears his throat, not afraid to intrude on their special moment. “usopp, we’ve discussed this before. you mustn’t show up unannounced.” 

“nonsense, klahadore.” kaya smiles warmly. “have you come to tell me another story? i do love hearing about your adventures.” 

“i’ll do you one better,” usopp smirks with such confidence that even you’re left wondering what kind of surprise he has up his sleeve. “i brought some of my crew!” he gestures back towards the four of you, proudly. 

your excitement vanishes. “oh. the surprise is… us.”

“well, that’s boring,” luffy agrees, just as disappointed as you are. 

kaya, on the other hand, is none the wiser. “it’s so nice to meet you. you must all stay for dinner.” 

klahadore lowers his voice. “miss kaya, it is a bit last minute. i’m afraid the kitchen hasn’t prepared for any extra guests.”

“please,” begs kaya, softly. “it’s my birthday. can’t be too much trouble can it?” 

giving in, klahadore purses his lips. “anything for you, miss kaya.” 

luffy claps his hands together. “alright! when do we eat?” 

“you don’t. not dressed like that, at least.” the butler directs himself to a staff member with teal colored hair. “sham, kindly show usopp and his friends to the guest suites. you will bathe and change before dinner.”

she follows his orders and leads the way. luffy, usopp, nami, and zoro trail behind her and you go to do the same. however, all it takes is a quick glance to stop you dead in your tracks. usually, you weren’t one to stare but klahadore’s face. that stare. so dark and depraved. 

“yes, miss?” he asks, holding your gaze. “can i help you?” 

“n-no, i…” your throat goes dry as you attempt to recover smoothly. “i just wanted to, um, thank you for being so hospitable.” 

his lips curve upwards into a sinister grin. “the pleasure’s all mine.” as if to confirm your worst fear, klahadore uses his palm to readjust his glasses. his beady eyes gauge your reaction closely.

the familiar gesture sends chills down your spine. appearance-wise, he had changed drastically but his aura was still just as menacing as you remember it. he was still the corrupt pirate captain you used to serve under. you feel like a weak and helpless subordinate all over again.

“klahadore!” giggles kaya. “you’re smiling! that’s certainly a rarity.”

he hums. “i’ve simply come to the realization that having guests once in a while can truly be a delight.”

his sickeningly sweet tone makes your stomach turn. just the fact that you were standing in front of him – captain kuro – again after all these years was nauseating in itself. last you’d heard he had died at the hands of captain morgan. how was this even possible? then again, he wasn’t dubbed kuro of a hundred plans for no reason. he always had a trick or two up his sleeve. you assumed this was no different. 

“hey, you comin’?”

you turn around to see zoro waiting for you. he meets your gaze for a moment. the softness of his eyes is a stark contrast to kuro’s. it’s a breath of fresh air. he then shifts his attention to your former captain and you swear his eyes darken. 

“yeah, sorry,” you mumble, trying not to look shaken as you walk up the steps. 

zoro follows behind you, this time closer than before.

“why would anybody even need this many clothes?”

“it’s not about need with these people, luffy. it’s about want,” nami spits, thumbing through the various fabrics on the wall. 

“at least she’s rich and nice,” luffy replies, innocently.

nami rolls her eyes. “yeah, letting us stay for dinner must be her idea of charity work.” 

“what are we even supposed to wear?” luffy continues, uninterested in nami’s criticism of the rich. 

“anything you want. when are you ever going to get the opportunity to wear things this nice?” 

you step out from behind the changing board where you’d swapped out your old tee and cargo skirt for an elegant satin dress. it was a stunning shade of olive green and frilly lace decorated the edges. not to mention, it hugged your curves in all the right ways.

nami’s eyes widen. “see, she’s got the right idea. you look amazing.” 

you smile, bashfully. “honestly, i feel amazing.”

“you look the same to me,” your captain shrugs.

nami shoots him a death glare but you intervene before she can scold him.

“way to keep me humble, luffy.”

“no problem!” 

at that exact moment, a freshly showered zoro arrives donning a silk robe. he eyes the multitude of garments that cover every inch of the room, not particularly impressed. 

“there you are. don’t you think she looks nice?” nami asks him, gesturing towards you. she doesn’t notice how you shrink under zoro’s gaze. neither does he, as his eyes take their time raking over you, from top to bottom.

he hums. “suits you.” with that, he sets off towards a chair in the corner of the room.  

“seriously?” sighs nami, exasperated. “are you two physically unable to give compliments or something?” 

“hey, doesn’t that butler seem familiar to you guys?” zoro asks, promptly ignoring nami’s complaint. 

his question causes your breath to hitch. you’d pushed the kuro problem to the back of your mind while you were in search of a suitable dinner outfit. you figured that as long as your crew was by your side, he wouldn’t dare try anything. and even if he did… well, you’d seen what had happened to axe-hand morgan and buggy. 

“yeah, i think he was at the last dinner party i attended,” nami replies sarcastically, taking a handful of dresses behind the changing board. 

as he takes a seat, zoro grumbles, “i swear i’ve seen him before.” 

“where?” you can’t help but ask, fiddling with the lace on the neckline of your dress. 

“so far, i’ve got two suspicions. a wanted poster or funky bar on mirrorball island. you ever been?”

you know zoro’s teasing you, judging by the grin on his face. after all, funky bar was known to get insanely rowdy; never would he imagine finding someone as gentle as you there. but what he didn’t know is that it happened to be one of kuro’s favorite bars. per his request, you and the rest of the black cat pirates frequented it often, so he was more than likely right about having seen kuro there. he’d probably even seen you in passing, once or twice. thankfully, he doesn’t seem to have any recollection of that.

the thought of zoro knowing about your past forms a knot in the pit of your stomach. would he think less of you for having joined such a ruthless crew at one point in your life? what if it put a strain on the friendship you’d worked so hard to form? 

“i’ve, uh, heard of it,” you decide to reply, pushing down your worries for the time being. 

he tilts his head slightly, thinking out loud. “then again, i have seen a lot of wanted posters and bars in my time as a pirate hunter.”

you feel a grin creep onto your face. “probably more bars than posters, huh?”

zoro mirrors your smile. “shut up.”

by the time dinner rolls around, the entire crew is doing what they do best. 

luffy is stuffing his face, nami is attempting to swindle one of the staff, zoro is hanging by the drinks, and you’re hanging by zoro. 

“hey zoro, you gotta try this!” luffy calls through a mouthful of food.

“i’ve got all i need right here,” he mutters, taking a swig out of his champagne flute. 

“you know, i don’t think i’ve ever seen you choke down something that isn’t alcohol,” you comment, watching the way he downs the glass in one go. 

dryly, he replies, “that’s because i haven’t.”

“very on brand.”

“ladies and gentlemen,” calls out that voice from the top of the stairs. “may i present… miss kaya.”

arm in arm, kuro and kaya walk down the steps, all eyes on the birthday girl and her stunning gown. well, except you. your eyes never leave the so-called butler by her side. your jaw clenches when he has the audacity to meet your gaze and hold it. shameless bastard. 

once they reach the bottom, merry leads kaya to the guests while kuro takes his post at the bottom of the stairs… right next to the drink table. before you can think about steering yourself and zoro away, kuro speaks.

“forgive me if i am speaking out of line, madam, but i must inform you. you look positively radiant,” he purrs, soaking in your appearance. he looks ready to pounce.

you can’t stop your eyes from rolling. good to know he’s the same pervert he used to be.

looking between you both and sensing your discomfort, zoro steps in. “and you look familiar.” 

kuro’s head stiffly turns to face him, eyes peeling away from you. “highly doubtful, sir.” 

“funky bar? mirror ball island?” 

“funky bar?” kuro repeats, disgusted. “well, i can assure you i’ve never patronized that type of establishment.” 

while it was amusing to see your highly esteemed former captain lie through his teeth, the tension between him and zoro was unbearable. 

“well then.” zoro continues with his little interrogation. “ever been on a wanted poster?”

you cringe at his bluntness. sometimes it seemed like he had less of a filter than luffy.

kuro puts on a scandalized face at the question. “sir! such an accusation is highly offensive.” tugging on his collar, he goes to remove himself from zoro’s probing. “now, if you’ll excuse me, i’m going to help prepare the dinner table.” 

he leaves, en route to the dining room. zoro’s eyes follow his figure until he disappears, squinting as he racks his brain for any further recollection of this suspicious butler. 

you sigh. if zoro was going to continue being so relentless, you were sure the night would end in bloodshed and uncovered secrets. 

“keep this coming,” zoro demands, handing the empty wine bottle to sham. she takes it with a glare. 

“would it kill you to say please?” you ask, slicing the slab of fish on your plate into smaller pieces.

“the service here is shitty. why should i have to be polite?” 

you scowl. “remind me to never have dinner with you again.”

zoro turns to you with that cocky grin of his. “what if i asked nicely?” 

his quip makes your heart flutter but you manage to keep your composure. “you can try your luck.” 

before he can respond, usopp speaks up. “luffy, isn’t there something that you wanted to talk to kaya about?” 

luffy gesticulates enthusiastically with his fork. “oh, yes! usopp told me that you own the whole shipyard.” 

“well, actually, my parents founded the shipyard and merry’s been running the business since they… passed. but all that’s about to change. tonight, at midnight, i will become the sole owner.” she smiles somberly. 

“well, that’s great,” luffy says, raising his drink at her. “because we want to buy a ship from you.” 

“ah, i see. usopp mentioned that you’re sailors.” 

“nope, not sailors. we’re pirates!”

you’re certain at least three people at the table choke on their food, yourself included. 

“this ought to be good,” zoro mumbles behind his glass.

you’re too busy coughing into your napkin to chastise him for finding this entertaining.

“pirates?” kaya repeats, unsure of how to react. 

“yup! we haven’t sailed together for very long but we’ve already defeated an evil clown, raided a marine base, and taken down a captain with an axe! for a hand!” luffy holds up a fist, presumably to impersonate axe-hand morgan.

“sounds a lot like your adventures, usopp,” kaya says, turning to the brunette.

all he can do is laugh dryly. “yeah, that’s… that’s crazy.” 

“and we’re just getting started!” luffy continues, climbing up onto the table.

“someone put me out of my misery,” you mumble, looking down at your plate to ignore the secondhand embarrassment.

a tap on your shoulder answers your plea.

turning around, you find yourself face to face with kuro once again. “madam, a word please?”

“might i ask what for?” zoro cuts in before you can so much as think of a response.

kuro offers him the most forced grin you’ve ever had the displeasure of seeing. “i’m afraid that is between the lady and i.”

the swordsman turns to you, scanning your face for any ounce of discomfort. “you okay with that?”

you inhale, figuring it was finally time for you to confront the darkest part of your past. it was silly to assume you would be able to ignore him throughout your entire stay here. besides, you were sure zoro, just like the rest of your crew, would be on standby if kuro got brave enough to try anything. “sure. just… keep an eye out.”

zoro understands completely. truthfully, you didn’t even need to ask – he always looked after you. “got it.”

you push yourself out of your seat and smooth out your dress. you allow kuro to lead you to the doorway – he was smart enough to know that was the farthest you’d let him take you. 

“what do you want, klahadore?” you seethe, folding your arms.

he arches a brow. “why must you call me that? it’s ridiculous.” 

you tilt your head with faux innocence. “oh? is that not your name? must have misheard.”

he gives you an irritated look, dark eyes drilling into you.

“i remember that look,” you mutter, your memory serving you well. “it’s the same one you’d give me before you’d threaten to slice me to bits with your claws.”

kuro has the audacity to chuckle dryly. “but i never did, did i? although there were certainly times times where i should’ve.”

“what you should be is dead,” you hiss bitterly. “when i heard the news, i knew it was too good to be true.”

“you wound me, kitten,” he drawls, reaching up to fix his glasses. 

the condescending nickname makes your skin crawl. it carried so many awful memories of your time spent with the black cat pirates. it reminded you of just how weak kuro viewed you — nothing but a helpless, pitiful kitten in his eyes. typical of the man that abused his authority and treated you with not a single ounce of respect. 

he continues, putting on a sweet tone. “after all these years, stuck waiting hand and foot on that spoiled brat, there’s nothing i’d love more than to hear my favorite crew mate say my real name.”

you snap at him. “i’m no crew mate of yours.”

he sighs, dramatically. “sadly, you’re correct. after all, you did slip off the ship the moment we docked in shells town. locating you on an island crawling with marines proved to be nearly impossible. we had no choice but to leave without you.”

“that’s exactly why i chose to escape there.” 

“and to this day i can’t for the life of me figure out why you would ever do that. why would you want to leave us? leave me?”

you actually laugh right in his face. “is it really that hard to figure out? you were evil. you threatened and harassed me on a daily basis.”

“so your solution was to join that ragtag crew?” he glances at the table. “it’s pathetic, even for you.”

you lean into his face, lowering your voice down. “i’m happier than i ever was on your shitty crew. every day i wake up grateful that i managed to escape you.”

you see that vein on his forehead bulge before he’s gripping you by the chin. “listen here, you little bitch–”

the shiny silver of a sword slides between you and kuro, coming to rest against his neck. his adam’s apple bobs as he gulps anxiously, releasing you. thanks to zoro’s sword, it seemed as if he finally remembered where he was. you were no longer on his ship, he was no longer allowed to treat you like the dirt he walked on. not without someone noticing, that is. 

“why don’t you step away?” zoro offers simply.

that much was a kindness. usually those who found themselves on the end of zoro’s blade(s) weren’t lucky enough to receive a warning. however, the swordsman didn’t wish to cause a scene. at least not when you were right there and everyone was watching with shock from the dinner table.

kuro obliges, stumbling back. he meets kaya’s horrified eyes, feeling ashamed that he allowed his act to slip. surely this would cause some setbacks in his plan. with no excuse for his uncharacteristic behavior, the raven haired man scurries away and up the stairs.

zoro turns and locks eyes with luffy, giving him one singular nod. luffy returns it, jumping out of his seat and going after the butler. quiet murmuring breaks out at the dinner table, everyone surely confused. 

sheathing his sword, zoro directs his attention to you once more. “are you alright?” a calloused hand comes up to grip your chin, much like kuro had. however, this time, the touch is gentle. loving, almost. you welcome it.

“yeah, i’m… fine.” your heart is beating out of your chest and it has everything to do with your close proximity to zoro.

he tilts your face around, inspecting every inch of it. once he finishes, he pulls back. his demeanor goes serious once more. “we need to have a talk.”

you nod. “i know. i’ve been keeping some things from you guys and–”

“just tell me what’s been going on,” he demands. “and don’t overcomplicate it. you can be straightforward with me.”

his sincerity makes you start over, this time far more candidly. “klahadore used to be a pirate. i was part of his crew. he was my… captain.”

the shame in your voice pulls at zoro’s heartstrings. didn’t you know there was no reason to feel guilty with him? “is that it?” 

you open your mouth to speak but come up empty. all you can do is furrow your eyebrows at his unexpectedly dismissive reaction.

“i knew it,” zoro continues, annoyed. “i knew i’d seen him on a wanted poster before. just didn’t have any proof.”

“wait, so you don’t– you really don’t care?” you ask, still avoiding eye contact. “me being a former black cat pirate doesn’t bother you?”

he shrugs. “you said it yourself. ‘former.’ all that matters is that you got the hell out of there. and away from that creep. would he always put his hands on you like that?”

you blink a couple times, sighing. “his temper was really bad so–”

that seemed to be enough for zoro. “i’ll kill the bastard,” he hisses. “wanted to slice him to bits the moment i saw him grab you.” 

though it’s a violent threat, you can’t help but smile. the idea of zoro being so protective that he’d kill a man just for touching you made you blush. pirate love language, you suppose.

“well, i wouldn’t have stopped you,” you tell him, more than ready to see your former captain go.

zoro clicks his tongue. “nah. could’ve stained your new dress with his blood. i never would have been able to forgive myself.”

“so you do have a soft spot,” you tease.

“only for pretty things.”

“do you mean me or the dress?” 

now it’s zoro’s turn to become bashful. though, his lack of response is an answer in itself. you can’t help but giggle. 

a loud bang from upstairs interrupts your moment with the green-haired man. you assume luffy had gotten his hands on kuro… or vice versa. zoro must be thinking the same thing judging by the way he instinctively rests a hand on the handle of his blade.

“you should go up there,” you tell him. “i’ll stay with kaya.”  

he gives you a nod, though he doesn’t make any effort to leave. he stands there like he wants to say something… or do something. before you can think about it too much, you pull him in by the collar and crash your lips onto his. they’re slightly chapped and taste like the wine that’d come from the cellar – it’s pleasant. his large palms come to rest on your lower back; his hold feels tight and secure. 

when you finally allow yourself to pull away, you’re biting back a smile. “kick his ass for me.” 

“will i get more of that if i do?” asks zoro, wetting his lips. they now taste like the cherry lip gloss you’d borrowed from kaya. he takes a step forward, attempting to close the gap between you two once more.

you shrug, pushing him away by the chest. “go help luffy and we’ll see.”

you both know that means yes.

[sinning-23]

Calling Them By Their Full Name

OPLA Headcannons! I thought htis was a funny little thing lol. Anyway enjoy

Warnings: slight mentions of nsfw topics but nothing too serious

Sorry for any spelling errors!

Luffy

-ohhhhh that did not sound like your usual happy, loving voice.

-he knows he fucked up and now he’s hiding from your wrath.

-“MONKEY D. LUFFY, GET YOUR ASS IN THIS KITCHEN. NOW.”

-you could hear a pen drop from how quiet the ship got

-ok so maybe he ate that super expensive, super special dessert you had been saving for a while now. And like, it was going to go bad! All he wanted was a little taste! Than a taste turned into accidentally eating the whole thing.

-He was gonna tell you, honest! But it had proven obvious you found out before he could. He seen you round the corner with RAGe on your face and tears in your eyes.

-"TRAITOR!" You yell, throwing a tired punch to his chest.

-“I’m sorry mami, I’ll find you another one. Promise.” He hums, peppering your face with kisses, squeezing your face between his palms when he did.

-There’s no way you could stay mad at him for long

Zoro

-whoa whoa whoa why are you so ANNNGRY

-hated when you call him by his full name like that, makes him feel like a child being reprimanded

-“RORONOA GODDAMN ZORO.” You boom, Nami’s jaw dropping at the sound. Even she could tell you were pissed

-he’s the sassiest mf alive so he’ll probably just be like, “who the hell are talking to woman?!”

-“You’re a real piece of work you know that??” You’re still yelling and he wastes no time rolling his eyes at you and grabbing you by your waist, the action shutting you up.

“Wanna stop yelling and be a big girl and tell me what’s wrong?” He teases, that stupid smirk you love falling over his features at your speechlessness.

-It’s not often you say his full make but when you do he makes sure you’ll never forget it that same night.

-“Say my name baby, real loud.” He groans, a hand around your throat to steady spent body as he slams back into you

Sanji

-I know thats not a cigarette i smell Vinsmoke Sanji."

-awe hell. Yout tone is deadly. he tried he damndest to stomp it out before you rounded the corner but nope.

-You never use his full name like that. Never.

-did he just get chills?

-"Of course not my love!" He lies throigh his teeth but before he can say anything ese you re lips are on his, you fist gripping the fabric of his shirt.

-He knew he was caught, the taste of tobacco mixing with your usual mint. You pull away, smoothing his shirt out with a warning smile.

-"Don’t lie to me again, I’ll always know when you do, Black Leg." You explain , taking the small cardboard box from his pocket and walking off.

-Even though it was ment as a threat, he couldn't help but feel hotter than ususal. God he loved it when you talked all serious to him.

Bonus: Mihawk

-You know better than to use his full name. Orr to even call him anything besides the usual endearing pet name.

-So when he hears his name called with nothing short of rage, hes trying to figure out who you think you’re talking to.

-"Dracule. Mihawk." You spit, holding the empty bottle in your hand

-Ok so your rage was warented cause he managed to drink the entire vintage bottle of wine you'd been saving...it wasn’t like it was on purpose!

-He doesn’t even bother to look up from his book, just barely giving you a slight glance when you were right in front of him, pointing to the bottle.

-"Id watch your tone darling." he warns, smirking at the way you purse your lips and turn away with a fierce attitude he'd be sure to deal with later.

-“Oh shove it up your ass Dracule.” You scoff, trying to quicken your pace but failing when he’s already behind you, his much larger hand holding your wrist as you yelp.

-His look says it all. You’re screwed.

-So now you’re sitting pretty, bent over and counting each time his hand meets the sore and slightly reddened flesh of your ass.

-“Now, what’s my name again darling?”

[physalian]

What No One Tells You About Writing Fantasy

Every author has their preferred genres. I love fantasy and sci-fi, but began with historical fiction. I hated all the research that historical fiction demands and thought, if I build my own world, no research required.

Boy, was I wrong.

So to anyone dipping their toe into fantasy/sci-fi, here’s seven things I wish I knew about the genres before I committed to writing for them.

1. You still have to research. Everything.

If you want any of your fantasy battle sequences, or your space ships, or your droids and robots, or your fictional government and fictional politics to read at all believable.

In sci-fi, you research astronomy, robotics, politics, political science, history, engineering, anthropology. In fantasy, you have to research historical battle tactics, geography, real-world mythology, folklore, and fairytales, and much of it overlaps with science fiction.

I say you *have to* assuming you want your work to be original and unique and stand out from the crowd. Fanfic writers put in the research for a 30k word smut fic, you can and will have to research for your original work.

2. Naming everything gets exhausting

I hate coming up with new names, especially when I write worlds and places divorced from Earthly customs and can’t rely on Earthly naming conventions. You have to name all your characters, all your towns, villages, cities, realms, kingdoms, planets, galaxies, star systems.

You have to name your rebel faction, your imperial government, significant battles. Your spaceships, your fantasy companies and organizations, your magic system, made-up MacGuffins, androids, computer programs. The list goes on and on and on.

And you have to do it all without it sounding and reading ridiculous and unpronounceable, or racist. Your fantasy realms have to have believable naming patterns. It. Gets. Exhausting.

3. It will never read like you’re watching a movie

Do you know how fast movies can cut between scenes? Movies can balance five plotlines at once all converging with rapid edits, without losing their audience. Sometimes single lines of dialogue, or single wordless shots are all a scene gets before it cuts. If you try to replicate that by head-hopping around, you will make a mess.

It’s perfectly fine to write like you’re watching a movie, but you can’t rely on visual tricks to get your point across when all you have is text on a page – like slow mo, lens flares, epically lit cinematic shots, or the aforementioned rapid edits.

It doesn’t have to, nor should it, look like a movie. Books existed long before film, so don’t let yourself get caught up in how ~cinematic~ it may or may not look.

4. Your space opera will be compared to Star Wars and Star Trek

And your fairy epic will be compared to Tinkerbell, your vampires to Twilight, your zombies to The Walking Dead, Shaun of the Dead, World War Z. Your wizards and witches and any whisper of a fantasy school for fantasy children will be compared to Harry Potter. Your high fantasy adventure will be compared to Lord of the Rings.

You can’t avoid it, but you can avoid doing it to yourself. When people ask about your book, let them say “oh, you mean like Star Wars” to which you then can say, kind of, except XYZ happens in my book. These IPs will never fade from the public consciousness, not while you exist to read this post, at least, but Harry Potter isn’t the only urban fantasy out there. Lord of the Rings isn’t the only high fantasy. Star Wars isn’t the only space opera.

Yours will be on the shelves right next to them, soon enough, and who knows? You might dethrone them.

5. Your world-building is an iceberg, and your book is the tip

I don’t pay for any of those programs that help you organize your book and mythos. I write exclusively on Apple Notes, MS Word, and Google Suite (and all are free to me). I have folders on Apple Notes with more words inside them than the books they’re written for.

If you try to cram an entire college textbook’s worth of content into your novel, you will have left zero room for actual story. The same goes for all the research you did, all the hours slaving away for just a few details and strings of dialogue.

There’s a balance, no matter how dense your story is. If you really want to include all those extra details, slap some appendices at the end. Commission some maps.

6. The gatekeeping for fantasy and sci-fi is still very real

Pen names and pseudonyms exist for a reason. A female author writing fantasy that isn’t just a backdrop for romance? You have a harder battle ahead of you than your male counterparts, at least in the US. And even then, your female protagonist will be scrutinized and torn apart.

She’ll either be too girly or not girly enough, too sexy, or not sexy enough. She’ll be called a Mary Sue, a radical feminist mouthpiece, some woke propaganda. Every action she takes will be criticized as unrealistic and if she has fans who are girls, they will be mocked, too.

If you have queer characters, characters of color, they won’t be good enough, they won’t please everyone, and someone will still call you a bigot. A lot of someones will still call you a bigot.

Do your due diligence and hire your army of sensitivity readers and listen to them, but you cannot please everyone, so might as well write to please yourself. You’re the one who will have to read it a thousand times until it’s published.

7. Your “original” idea has been done before, and that’s okay

Stories have been told since before language evolved. The sum of the parts of your novel may be original, but even then, it’s colored by the media you’ve consumed. And that’s okay!

How many Cinderella stories are there? How many high fantasies? How many books about werewolves and witches and vampires? Gods and goddesses and celestial beings? Fairies and dragons and trolls? Aliens, robots, alien robots? Romeo and Juliette? Superheroes and mutants?

Zombies may be the avenue through which you tell your story, but it’s not *just* about zombies, is it? It’s about the characters who battle them, the endurance of the human spirit, or the end of an era, the death of a nation. So don’t get discouraged, everyone before you and everyone after will have written someone on the backs of what came before and it still feels new.

[mokulule]

While I fail to focus after my night shift have a peek at another of my brain worms

Untitled, I am still waiting for that moment of divine inspiration. Ship: Dead on Main (Danny/Jason)  Fandom: DP x DC 

The only sounds in the Batcave were the bats chittering amongst themselves high above. Bruce rubbed his chin absently as he took in the information displayed on the large screens with narrowed eyes. Something wasn’t adding up. Somebody was lying.

No matter how many times he looked over the information, that was his conclusion. It nagged at him that he didn’t know what, if any, information he could use. He hated being so in the dark. 

A silent notification in the corner of his screen alerted him to a call from the Watchtower. He took it and Superman’s face appeared in a smaller rectangle on the center of the screen. Bruce kept outwardly placid but from behind the cowl nobody would see the way his gaze instantly zeroed in on the massive black eye Superman had acquired, and the general strain around his unhurt eye and mouth. He was worn out. 

“Phantom has been apprehended,” Superman said with a long sigh. It had clearly not been an easy fight. 

“I’ll be there,” Batman said and ended the call. Maybe they’d finally get some real answers. 

He stood and walked towards the zeta tube. Another call came in, this time on the comm in his cowl. 

“Hood,” he greeted.

“Hey, old man. I’m at the location. You were right it’s absolutely crawling with the white suits and their weaponry is not like anything I’ve seen before.”

Bruce felt like a hand squeezed his heart. Hood out of anyone knew his weapons, if he didn’t know them they weren’t on the market. He absolutely hated asking any of his kids to walk into an unknown situation. Unfortunately he didn’t have any other options. 

“Be careful, Hood.”

“Aww, is that worry I detect?”

“Just don’t take unnecessary risks,” Bruce cautioned.

“You wouldn’t have asked me if you didn’t think it was necessary, old man. Don’t worry, I’ll get you your intel.”

Bruce grunted. Jason was right. He wouldn’t have asked if he didn’t think it was important. Didn’t mean he had to like it, nor the fact that Red Hood’s criminal reputation made him perfect for breaking into a government building; even if Hood was seen the Justice League kept plausible deniability. 

Everyone knew Red Hood was a wild card. 

“Check in regularly with Oracle.”

He could practically feel the way Jason rolled his eyes at him.

“Not my first rodeo, B.”

With that the connection cut off. Bruce couldn’t help the bad feeling he had about everything. 

He really hated this stage of an investigation. 

Two months ago the US government contacted the Justice League about a problem. Several bases of a government agency named the GIW had been hit by a malicious creature they called Phantom. The attacks had been gaining in severity and frequency and their measures had so far failed to stop it. 

Since then, a member of the Justice League had arrived too late to five such attacks. They’d stood no chance against Phantom, who’d then disappeared, living up to the name.

To their eyes Phantom was outwardly a humanoid, possibly a meta or alien. The GIW called him a ghost from a different dimension.

They had been at a loss of how exactly to contain such a powerful foe, who not only could go toe to toe with their heavy hitters like Superman, but also disappear by means unknown. This time they’d been prepared. They’d had various team configurations ready to go depending on who was available. 

Something that seemed to have paid off, but Bruce did not like that Clark was injured. Because if Clark was injured…

A zeta tube ride later and he met Superman on the Watchtower. Something that hadn’t been apparent on the call was the sling Superman’s left arm was in. Another visible injury added to the swollen eye. 

“Is everyone alright?” He had to ask.

“Nobody’s permanently hurt.” Clark hurried to assure as they started walking towards the interrogation room, but there was a but. Bruce kept his stare steady until Clark tiredly elaborated: “But nobody got out the fight unscathed. John won’t be walking for a while. J’onn is suffering from psychic backlash. Diana has some broken ribs and scrapes and you can see my own wounds. Everyone is tired, it was a long fight.”

Batman’s lips thinned. At least there had been no casualties. 

Almost as if reading his mind. Superman added quietly. 

“We got there while the base was still standing. Phantom made eye contact with me for a moment, before he unleashed this… sonic attack…” His face turned pained, as he looked for words that came halting. “It was a scream, I can’t describe it, it felt- it felt like I was dying. None of us could get close.”

Superman looked away.

“When it was over the base was gone, eradicated, like the others. There was just a large crater. Who knows how many people were still in there.”

Bruce set a hand on his friend’s shoulder. It was never easy to deal with casualties. 

“The one good thing about it was that the scream seemed to drain quite a bit of energy from him.” Clark barked a laugh, short and hysterical. Bruce knew Clark would have rather faced Phantom at full power if it meant more people had lived. 

“And still it was all we could do to subdue him. We barely won.”

They barely won. Superman, Wonder Woman, Green Lantern and Martian Manhunter, and they barely won. The knowledge sat like a heavy ball in Bruce’s chest. 

Now, maybe they could get intel that wasn’t most reluctantly handed over by a government agency, that didn’t even want to reveal what their alphabet soup name was an abbreviation of. “We had to turn off the ‘Ghost Shield’ to get Phantom inside the base, so we at least know it works, even if for some reason it doesn’t protect the GIW bases,” Superman remarked.  

Bruce hnn’ed to show he’d heard. It was one more discrepancy among many.

Batman entered the observation room with Superman at his back. Wonder Woman was there and he quickly took in her unusually disheveled appearance, she looked tired and uncomfortable, shaken (but whole, safe). He nodded in greeting and she gave him a tight smile in return. He turned to the observation window and felt his breath stick in his throat.

Phantom was- 

The glitchy footage they’d managed to get on earlier encounters couldn’t have prepared him. Bruce felt his jaw clench. Phantom looked young. There was still a hint of baby fat stubbornly clinging to his cheeks. He was short and wiry like Tim but maybe a bit younger than Jason, technically an adult, but to Bruce he still looked painfully young. The overall glowing and the slowly seeping green wound at his hairline didn’t take away just how human he looked. 

Bruce looked at Phantom and saw a kid. Worse, supposedly a dead kid, a ghost, if the most basic of their intel was to be believed, which even that he wasn’t entirely sure of.

A weight was heavy on his shoulders. He had to remind himself that he had found evidence of Phantom throughout history and if a ghost was truly what he was, he was most likely a very old, very powerful spirit, for whom age didn’t matter. It would be a mistake to trust the youthful appearance. 

He was chained to the chair both by wide cuffs at his wrists and ankles so he could only move very little. The cuffs were the best they had when it came to meta power suppression cuffs with some added ghost specific sigils courtesy of Zatanna’s research. She would have liked Constantine to look them over too as that sort of thing was more his area of expertise, but he’d been off on one of his extra-dimensional missions since long before this started and they hadn’t been able to contact him. 

The cuffs kept Phantom here in any case and he didn’t look happy about it. His lips were a flat line and the thick black brows were drawn together over narrowed green eyes. His head was held high (stubbornness? Pride?), chin tilted in a way that showed off a bright green-purple line around his throat, which had it been red and on a human would have looked like rope burn-

Bruce looked to Diana and he suddenly understood part of her discomfort.

“He was about to use another sonic attack, I didn’t see any other way.” Her words were quiet, regretful, but she faced his gaze head on. Bruce nodded. She never would have used the lasso like that under normal circumstances. It was incredibly worrying how much it had taken to subdue him. 

For a moment the three of them just stood there in silence, watching Phantom watch the door.

It was finally time for answers. 

Bruce didn’t make any outward sign that he was about to move, but of course Clark caught on even before he’d moved, stepping aside letting Bruce take point. They went into the interrogation room, Diana staying back to observe and be ready with security measures, they didn’t know for sure would even work.

They entered the room and immediately sharp green eyes locked onto him. There was a quick glance towards Superman, but the eyes quickly focused back on Batman. There was a calculating sort of intelligence behind those eyes. 

That was one question immediately answered, but it was one he could have inferred. It was very hard to believe the claim that this “ghost” was non-sentient, when he specifically targeted the bases of a specific government agency and nothing else. Though of course they could have had something that attracted the ghost, but nobody could look at Phantom and think non sentient. 

Now the question was, why?

Bruce sat down in one of the chairs on the other side of the table from Phantom. Clark had a moment’s pause before he joined them. Bruce pulled out a tablet from underneath his cape and laid it carefully out on the table, turning it on. At this point most people in the room with the Batman would have started getting nervous, but evidently not Phantom. He was still just passively defiant, not to mention he hadn’t yet said a word.

“Phantom, is that your preferred manner of address?” Bruce decided to start out neutral. 

There was a glitter of amusement in green eyes and the barest uptick of his lips, but he remained silent. Bruce could do silence. 

The silence stretched between them until Clark broke it.

“Why do you destroy those bases?”

Phantom glanced to Clark and his earnest question, then back to Bruce, barely raising an eyebrow, like as if to say “really, this the best you can do?” Bruce resisted the urge to sigh. Clark was usually a better foil for him at interrogations, but then most people didn’t choose total silence.

Bruce decided to be frank with him.

“We are trying to understand your motivation. That’s all.” He studied Phantom’s face which had settled into a stony glare. “But first I’d just like to know if it’s alright to call you Phantom and what your pronouns are? We have been using he/him based on your appearance but you might have another preference?”

The glare softened a bit and for a moment Bruce actually thought he’d lured a response out of him, but Phantom just looked away. Incidentally drawing attention to the line at his throat. A sudden thought occurred to him.

“Are you so hurt, that you’re unable to speak?”

Phantom slowly looked back at him. He seemed to actually be contemplating giving some sort of answer.

That’s when his comm clicked on barely audible.

“The GIW has been in contact,” Diana informed him quietly over the comms. Phantom stiffened across from him, his gaze narrowing like a cat - so they could add enhanced hearing to his powers. “They are requesting we hand over Phantom.”

Bruce looked straight at Phantom as he spoke, “They have no jurisdiction in space. I presume you declined?”

“Of course.”

Phantom’s face turned unreadable for a moment. His gaze went from him, to Superman and the opaque glass that hid the observation room. Finally he huffed. 

“Phantom, he/him is fine.” His voice had an echoey quality to it. 

It seemed they were finally going somewhere. 

-

They were not going somewhere. 

Even hours later Phantom kept up his silence. They’d held several breaks. Phantom had been offered food and water but had declined nonverbally. 

They were going in circles, trying the same questions again and again. Prolonged silence didn’t help any either. 

If only J’onn was an option, but he was already suffering from psychic backlash from trying to go into Phantom’s mind during the fight. 

So far the only things Bruce could add to the certain facts were that Phantom was sentient, intelligent and didn’t like the GIW to the point that he would commit mass murder to take them down. 

And Bruce would just really like to know why? Because with the kinds of powers he’d shown off he could have easily killed the members of the Justice League sent to apprehend him. He seemed to have no qualms about killing, yet he’d stayed his hands?

Bruce had hoped that meant Phantom considered them at least somewhat neutral in this conflict. But apparently not neutral enough to talk to. 

Clark had tried and Diana had tried. Nothing helped. 

Bruce was considering his options, when the door opened. 

“B, I need to speak with you.” That was Tim, he looked pale. Something had happened. Bruce got up, Clark following. Bruce decidedly ignored the sudden curiosity from Phantom. They closed the door and walked down the hall. When Bruce felt they were far enough from Phantom he stopped.

“Red Robin, report.”

“We’ve lost contact with Hood.”

Bruce’s heart dropped cold into his stomach. No. It couldn’t be. 

“When?”

“Two hours ago is when he last checked in. He’s since missed several check-ins.” Tim’s hands tightened into fists at his sides. “Could be he’s just not in a position to respond, or they have scramblers in the base.”

It was likely, in fact very likely that was the case with how secretive the GIW were being, but two hours were a long time to miss check-ins. Clark’s hand landed on his shoulder which he only now realized how tense was, but no, now was not the time to relax or calm down. He shrugged Clark’s hand off and stalked back down the hall.

The GIW were mum about any details. There was only one person who could tell them what Jason was facing in that building.

He burst into the interrogation room and slammed his hands on the table. That got Phantom’s attention his eyes widening before narrowing and his lips splitting in a snarl that showed off fangs, but Bruce sneered right back.

“We lost contact with an agent sent to infiltrate a GIW-base, you will tell me what you know about them, or so help me I will make you wish you stayed in that dimension you came from.”

“Batman, please, maybe you should step out-“ Clark began good hand hovering shy of Bruce, but he was interrupted by the bark of laughter coming from Phantom.

And then he laughed and laughed and laughed. 

Bruce punched him. Clark pulled him back. 

Phantom slowly turned his head back to look at them, working his jaw. 

“There we have it after all. Your true colors: attacking a chained up captive.” He wiggled his fingers drawing attention to the wide thick cuffs dwarfing his wrists. His eyes held only cold judgment. “But don’t worry, Batman, your agent has nothing to fear from the GIW unless they are dead.”

Bruce couldn’t help the flinch and he felt Clark do the same. Something in the very air stilled then, making it hard to breathe. 

“You,” Phantom began standing up, right out of the restraints as if they weren’t there, “are going to explain to me what that reaction means…“ He carefully put his hands down on the table and leaned forward in a way that made it very apparent he was holding himself back. He glared holes into Bruce’s skull with blazing green eyes. “Unless you want your agent back in pieces.”

-

Psssst. this is actually the beginning of the fic where this is from (CW: relatively graphic aftermath of vivisection)

So basically Phantom is public enemy number one, or at least top of the US government and GIW's shit list XD Huh, "Wanted: Dead or Alive", might actually be a pretty fun title, what do you guys think?

[milkzoro]

fuck around & find out

summary: y/n is curious to how aces devil fruit powers work

a/n: i wanted to do ace cuz first, uhmm that’s my man. and second!!! the vibes are sooo fall rn & i love the cold weather,,,, so enjoy <3

warnings: MDNI, pussy eating, backshots, cowgirl, soft!ace (i luv him)

☆彡

~

it’s the cold months on the ship that have you cravinggggg some warmth, whether that be from your heated blankets, your warm coffee in the mornings, or late night fires with the crew… you just loved the warmth, especially this time of year. the ocean was getting colder the more up north we sailed causing freezing mists to come up and hit the deck. you’ve been hanging around ace more often too, attracting to him like a moth to a lamp. while he was back on board, you took advantage of your friendly little flame~

you are laying together with ace all cuddled up and cozy in his bed, he has a campfire scented candle burning brightly in the corner of his room. admiring the man before you makes your tummy feel warm and nostalgic.

he has you so close, arms pressed side to side as you’re both laid against the pillows resting on the back of his headboard. one of his hands start to peak out of the blankets, he stretches his fingers before hyping you up, getting you ready for his next move. “mkay i call this,,,, wizard fingers.” you can never take him seriously, your cheeks are so sore from all the smiles he’s stolen from you. wizard fingers??? this can’t be real.

ace wiggles his fingers before you as you see each one of them ignite with small little flame. you giggle. “shouldn’t they be called lighter fingers? you literally look like you’re about to go burn a candle.” he groans next to you. “oh my god y/n. you didn’t let me finish!” you stare at his hands as he starts to manipulate each of the flames from his fingers.

he pulls four of them back into his fist leaving just his index finger ignited. the flame starts to form little letters. each flash was a letter from your name. flash. flash. flash. you smile even more, he’s such a dork.

“it’s pretty cool, i know.” he smirks “wasn’t like i was even practicing or anything.” you think he’s so full of himself but you can’t help but admire, he warms your heart. your cold hands are on his body as he still has you close. his powers are so interesting. all of this came from just eating a fruit? you can’t contain your thoughts as you think of all the possibilities, he’s so warm.

maybe it was the skin on skin that were feeding your delusions but you couldn’t stop yourself from thinking of what he feels like.

he tucks his hands back away under the covers moving to hold your hands in his. you still haven’t answered him, your mind was still deep in the clouds. “okay maybe i was practicing,, getting it legible was kinda hard.” he laughed and you felt his chest move against your arm. “hmm?” you recollect your thoughts. ace looks at you. “were you for real not listening, y/n. that was cool! right!?” he looks at you to make sure you are finding this entertaining. “ahh sorry just not thinking right haha-” you mumbled and he looked puzzled, he shifted under the blankets to wrap his arms around you and pull you in a hug. his chin rested on the top of your head. “what do you mean.” his body burned hotter trying to warm you up.

“jus thinking about you- err well your devil fruit powers.” you curse yourself. but glad that you’re faced with his chest instead so that he couldn’t see the embarrassment on your face right now. he laughed at you again. “what’s so special y/n. i just get warm. ‘m happy you like it though.” his arms tighten around you, squeezing you softly. your tummy was doing flips again, the way he had a grip on you sent shivers to your core. the feeling of his firm, scorching arms had you craving more from him. you knew he was teasing you though. he always would, he knew how much you loved his fiery touch and playful behaviors.

you’re face to face with him again, seeing red flames in his eyes. heat spreads to your face as his eyes lock on yours, waiting for any reaction from you. you’re lips hesitate to speak. “you- you get warm… everywhere?” your eyes avoid his. his hand gripped your thighs right below your ass, softly tugging on you to get your leg wrapped around his torso. you feel his hot fingers brushing away the stray hairs that were messily covering your face. it burned hot. his face proved that he found your embarrassment amusing.

“wanna find out?”

~

ace kisses you softly. his hot hand reaching up the softness of your shirt and leading themselves to your perked nipple. his hands are so rough, much different than the way his lips feel. he kisses the side of your mouth and whispers softly to you, “you’re still so cold?” he giggles as he watches you squirm at his touch.

“ace, your portholes are open. it’s fucking cold in here.” you whine trying to keep his heated fingers on you. his amused grin has you needy and irritated. you reach for his hands again. “just a second babe, let’s get ya shirt off.” ace helps to fully undress you with sturdy hands. a shiver leaves your body, covering you in goose bumps as the cool sea breeze hits your skin. “i’ll getcha all warmed up baby.”

he takes his hands and starts massaging the creases of your hips. kneading and pulling on your plush skin, slowly working his tepid hands all the way up your torso. the heaviness in his touch relieved so much within you, moaning at his warmth and his strength. he is manhandling you with you such softness and love.

hot palms come up to cup under your breasts tenderly, dipping his head down and sucking against your pretty nubs. his tongue swirls around each one leaving a string of warm saliva connecting from your buds to his lips. “are we gettin there, pretty? how do you feel?” wanting more, you pull him so that his chest meets yours. he buries his face into your neck and softly suckles. his breaths are hot there. “m still cold ace, wanna feel you” you whine for him.

his lips curl into a smile against your skin, he knew exactly what you craved. “how do you want it angel?” his clothed thigh pushes against your needy cunt, collecting many fifty whines from you. his fire ignited something warm inside of you, you need it to burn brighter.

his body shuffles down the bed, inching his face to be face to face with your sleep shorts. ace wants your juices dripping down his face, seeing you twitch for him has him starving. impatiently, he removes your shorts and panties, tossing them to the floor. he takes your hands with his own while he plays with you devilishly with his tongue, squeezing your palms slightly when he feels you try to move away.

his tongue attached to you like a magnet, chasing every move, he wouldn’t let you get away. he squeezes your hands again, “that’s it baby, such a good girl.” his tongue drawing little clouds on your swollen clit. “doin so good, can’t get enough of ya y/n~” he gulps all of your juices, sucking you clean. “haah- fuck acee. mm so close.” the tip of his nose brushed against the point of your clit as he slid his lips to your weeping hole, drinking even more of you.

he flicks back and forth from your hole to your clit with his tongue. removing one of his hands from yours, he reaches for the plump of your thigh. he squeezed harshly, assuring you to cum for him. his tongue moved swiftly with your slick allowing you to reach your orgasm. “ace! ‘m cuh- cumming!! shiiit right there haa-“ the sight of his glistening face sent an aftershock to your cunt, his smirk was so sexy while he was covered with your juices.

ace’s cock ached in his boxers, there were little dark spots littered across the fabric from his precum. “can ya do one more for me baby doll?” whimpers leave your lips while your head slightly nodded for him. “you did so good fa me y/a~ now you ready to feel this dick cupcake?”

~

your pussy was already sopping for him but still there was a little resistance when he slid into you. ace moaned breathily at the feeling of your tight walls clenching around him. “fuuu- shit y/n- feel so fuckin good mmmf~” his hot hands pushed down on your low back as your pussy was busy sucking around his cock.

your eyes watered at the shear width of him, he was spreading your sore cunt so deliciously. you felt your second orgasm start to form within your overstimulated core. he reached your cervix with one final slow push. once fully fitted around his length, you fucked back on him, slowly grinding your ass against his hard thighs.

ace tried to muffle his moans with his hand but you stripped them from him, he couldn’t be quiet. his deep moans echoed in his small cabin, ricocheting deep in your pulsating cunt. you throbbed for him, he curved upwards directly hitting your sensitive spot. ace gripped both sides of your ass to speed up his pace. pulling you hard against his reckless thrusts. he was getting sloppy. each thrust was met with the clapping of your cheeks on him, he groaned with each contact hit.

“wanna look atcha-“ he flipped you around to face him. you whined at the sudden emptiness but sighed as he soon filled you back up again. “don’t worry mama, wasn’t gonna take it from you.”

his voice was going blurry in your ears, dick so good you’re hearing auditory hallucinations. he took hold of your hips again while you sat on top of him, he rocks against you slowly.

you miss his mouth, his warmth~ wanna taste him again. your arms detach from his shoulders to hang loose around his neck, forehead rested against his while he fucks up into you. you’re ready, you wanna cum around him. pussy numb from feeling his tip abuse your cervix. “mm so close ace, please fuck me-” nonsense spilling from your lips, he is fucking you dumb.

your eyes are heavy as you try to line your lips up with his, drool sliding around both of your faces. he connects with you and sucks feverishly on your swollen lips. ace begins to pull you up and down on his veiny cock, bouncing you sporadically. the tightness in your eyes not helping you postpone your orgasm. “mmm ahh huhh- f-fuckk gonna- agh i’m cumming baby!!!!” the pleasure washes over you like a tsunami, it’s almost too much. your legs start to tremble as you effortlessly squeeze and clench around his width. “fuck cum in me ace- warm me up~” your wall’s are contracting around his poor, twitching cock while you milk him~ his breaths were shaky and irregular as he chased his own release.

“y/nnn-“ his husky voice filled your ears as you saw him cum inside of you. hips shuttering as his orgasm strikes him. pretty black hair sticking to the beads of sweat stuck to his forehead, his eyes tightened as he grunted out your name a few more times. glistening before you, he looked so ethereal..

~

* we are cuddling and warm and soo in luv !!! *

[thagomizersshow]

Ranting about how JP is not a good critique of capitalism made me want to talk about a sci-fi monster movie that is an excellent AND highly relevant exploration of anticapitalistic themes: Alien (1979).

First I want to say that if you haven’t seen Alien, please do so before I spoil it for you. It’s not just one of my all time favourites, but also one of the greatest pieces of science fiction ever created. For real, please go watch it.

The biological aspects of Alien are often the most talked about themes in the movie, which is fair, because they’re simultaneously very interesting and in-your-face. Most viewers remember the movie for the gory sexual imagery, not for an authentic depiction of class struggle. I actually wrote a video essay a while back that I never made about how our innate disgust and resulting fear of parasites/parasitoids is the primary driver behind the xenomorph’s ongoing popularity. I’m not immune to this aspect of Alien’s eternal intrigue, that’s for sure.

However, there’s one narrative element that makes Alien ripe for class analysis, especially today, and that is the film’s portrayal of artificial intelligence.

AI in Alien is consistently shown to be hostile to the crew, but not because of a glitch, like HAL in 2001: Space Odyssey, or because they decide to rise up against their oppressors, like in Terminator. No, what makes Ash, the android, and MOTHER, the ship’s AI, so threatening is that they are doing exactly what they were programmed to do — whatever it takes to ensure corporate interests. In this case, they are programmed to ensure the survival of an extraterrestrial monster at the cost of the crew.

The audience isn’t privy to all the things that Ash does to meet this goal, but at the very least he breaks quarantine protocols, does a shitty job of watching the facehugger, lets Kane join the rest of the crew for a meal (when they still don’t know what it did to him!), plays dumb once the xenomorph is on the loose, and attempts to murder Ripley when she discovers his mandate. If it weren’t for Ripley being a determined badass, Ash might’ve gone unnoticed until the whole crew was dead and the Weyland-Yutani Corporation had their mitts on the alien so they can cause another catastrophe.

This horror, that you will encounter AI whose programming doesn’t care if you live or die, is what makes Alien’s take on the subject so relevant. Dipshits like Elon Musk or some shitty tech journalist might try and convince us that ChatGBT scary because it can fake being human, as if Skynet is right around the corner.

No, the real horror of AI is that the people in power (our bosses, our politicians, etc.) are going to use it to exploit us, just like how they use everything else.

In the end, it takes being skeptical of things that seem trustworthy for Ripley to defeat Ash. The audience finds out from the Nostromo’s captain, Dallas, that Ash was a last minute addition to the crew, as chief science officer. This is a role that inherently engenders trustworthiness in the face of the unknown, especially for a crew that is basically a bunch of working joes. It’s not unbelievable to conceive this was purposeful by Weyland-Yutani to make Ash above suspicion. That, combined with literally naming the ship’s AI MOTHER, of all things, shows that the company is deliberately weaponizing aesthetics to foster a positive relationship between the crew and their AI agents.

Alien serves as a reminder to be vigilant as we enter the AI boom, because these programs will be used to exploit us, and corporations WILL try to cloak this purpose behind relatability, convenience, and trust. The AI we encounter is more likely to be Ash or MOTHER than it is to be Data or Skynet.