#<- written by a girl who has only seen up to s3 DO NOT SPOIL

[mulders-too-large-shirt]

i think that if mulder ever confessed to scully how he hooked up with (what he believed to be) a vampire in his suicidal haze while she was missing, she would be mournful over how terribly he suffered in her absence, and touched in his trust in her to share that. but also she would make some terrible "i vant to suck your blood" jokes and ask if he felt seduced. which is why their dynamic is great.

[pondermoniums]

A Rant Nobody Asked for About Stranger Things season 3.

feat. my personal pet peeves.

Disclaimer: when I first watched Stranger Things 3, I massively enjoyed it. I thought it finally captured the 80s aesthetic and vibe with the colors, the neon, and music. I even enjoyed it the SECOND time I watched it, although I was officially aware of some major flaws by that point.

1. The Coca Cola flex.

CocaCola has been all over this show ever since Tommy handed Steve one as a makeshift ice pack after his fight with Jonathan in s1. And then by season 3 it’s just....obnoxious???? And so unnecessary??? Karen Wheeler’s drinking one by the pool in episode one. Billy knocks into someone during his first day being flayed, and a coke rolls over the concrete.

LUCAS DOES AN ENTIRE MONOLOGUE ABOUT NEW COKE.

I mean, Jesus, we get it. CocaCola basically owns Georgia, where a lot of American TV shows are filmed.....but......you’re literally CocaCola. This kind of flex is entirely unnecessary and therefore pathetic.

2. Karen and Billy

Okay, listen. I thought their interaction in season 2 was H I L A R I O U S.  But I’m someone who has looked 21 since I was 14, thanks to being an early bloomer. I get it. The cocky prowess of looking older than your peers. Getting to look adults in the eye and get that tiny bit of respect with nothing more than just looking like they do. And, as a writer, the contrast between thirsty, older Karen with young and equally thirsty Billy is an odd pair of puzzle pieces that fit really hilariously - largely because it’s so unexpected, maybe. And frankly, I think it’s one of the first scenes where Dacre’s acting really made my eyes fall out of my head, he did so well.

But it should have ended there.

I’ve been to a LOT of public pools in my day (I’m 26 but hush), and I have NEVER seen older women thirsting over the lifeguards. Ever. It’s predatory - an attribute most women understand all too well - unprofessional, and just downright gross. Their whole interaction in s3 is for “the male lens,” which Hollywood really needs to figure out by now is outdated, predatory, disgusting, and not good writing.

3. Glossing over Billy Chugging Chemicals

Bouncing off of #2, is Karen’s total negligence of Billy’s condition. Many people have pointed it out before, but a row of mothers being completely ???? about Billy’s condition is a raging red flag of bad writing.

(Also that it was written by men, because women are hard-wired to be super aware of other women - a tactic of living on guard in a man’s world all the damn time. So you can always count on a mother, grandmother, or a brave teen/20-something to be the one to walk up to a person who doesn’t look well in order to check on them, even if you’re complete strangers. It’s happened to me, and I’ve done this for other people.)

These women literally stare at him for every shift of work he has, and they.....don’t do anything????

Karen WALKS IN ON HIM DRINKING CHLORINE. It actually took me the second watch-through to realize what he was doing in that storage room, and god, my heart just broke. It’s the only time we actually see a glimpse of Billy making himself flayed like the others. It’s so fleeting (maybe because we already get so much pain from his plot, and we do see what happens with the other flayed people) but it’s also one of the reasons, I think, that we have a whole fanbase ready and eager for his return.

We didn’t get a good glimpse of him poisoning himself to the point that he has to rely on the MindFlayer to stay alive. I’m not saying any of us want that, no way, but that’s my personal headcanon: in s2, Will was super protected and therefore capable of being separated from the Flayer. All of the Flayed IMMEDIATELY low-key drowned themselves in ice water to lower their temperature, and then chugged chemicals. They all die twice.

4. Billy. Just......Billy.

This poor boy’s plot was so pointless. It’s a special thing: creating such a good character and then doing fuck-all with him. The moment you realize his only purpose in season 2 was an introduction is....the beginning of a lot of disappointment. And no, he DIDN’T serve as an antagonist for Steve, because what happened? He slowed Steve down.

That’s it.

He doesn’t keep Steve from helping the kids in the tunnels. He doesn’t break him and Nancy up. He doesn’t gloriously out Steve’s bisexuality to the town by being his shameless lover.

He literally does nothing except just......be there? Looking gorgeous and providing a juxtaposing characterization for Max. That’s all. Billy’s treated like an accessory.

Then we arrive to season 3 and....I guess the only justification for his plot is sort of classic Greek tragic hero. He’s the new Keg King whose hubris makes him stand too long outside the warehouse, and thus, his downfall.

But here’s what’s wrong with that: Steve Harrington.

We were so spoiled with good writing for Steve. Steve had an incredibly refreshing and valid character AND redemption arc. Frankly, all the good writing goes to Steve in this show, so we expected the same writing to go to the other douche bag king of the show.

And we didn’t get it.

5. 80s Bullshit vs. Modern Audience

You can tell they’re trying to straddle the line between, “this is how people talked back then,” and, “this pertains to a modern audience.”

Example: Mike saying to Will, “It’s not my fault you don’t like girls.”

I know they did multiple takes of this scene with different variations of this line, and that’s the one the editors settled with. Regardless, I know I am not the only person who screeched with rainbow pride for Will’s sake. And it’s not the first time they’ve touched on very hot modern topics. Hopper touches on homophobia in season 1 - a fact I completely missed until I read an interview where the actor, David Harbor, mentions it, himself. Then I rewatched season 1 and realized, sure enough, he reacts poorly when Joyce tells him that Lonnie calls Will a f*g. It’s not even fatherly, “that should be my son, how dare he.” It’s straight up, “this kid might not be worth finding if he’s gay.”

Of course there’s the more obvious occasions where Steve calls Jonathan a queer and Neil Hargrove should come with his own neon trigger sign. Slut is a term that’s carelessly thrown around (as high schoolers are wont to do, sure).

But the thing that’s bothered me the most is Steve saying to Billy, “Were you dropped too much on your head as a child, or what?”

Maybe it’s just me being extremely sensitive to mental health stuff (also, WHY does Steve ironically get all the triggering lines? lol), plus he says it very soon after we finally know why Billy behaves the way he does. Just.....*long sigh*. I hurt, okay. Some parts of this show really hurt, and I don’t like “it was the 80s” as an excuse.

6. Lucas and Kali or, the Diversity Check Marks

One black kid. One. Then they gave him a sister. Cool. Somebody give these people BLM awards.

*eyes roll so hard my cat chases them across the floor*

You know what this reminds me of? The East Asian actor who trended in movies like The Goonies and Indiana Jones.

The only thing that even remotely makes this small drop of diversity okay, is that they made Lucas a major player in The Party, and cast a dope actress to be Erica Sinclair, and likewise made her a linchpin in the Scoops Troop plot.

But touching back to #5, you can’t use “it’s the 80s” as an excuse, nor can you say, “it’s white bread Indiana.”

BUT but but but Kali!!!!

You mean the character in one episode? Two, if you count the opening of season 2.

Listen. For all the bipoc folks who wonder, “Do white people realize how.....WHITE everything is?” as a white person, I can absolutely say: 

Yes. We. Do. Fucking. Notice.

• • • • •

Well. That’s all lol If you made it this far, I’m sorry and thanks lol 

Tip your artists and comment on fics because lord knows that where my seratonin comes from.

[technoskittles]

Catradora fic rec list

I mentioned making one of these awhile ago and I’m finally sitting down and compiling some of my all-time favorite fics. I’ve read a lot (like, a LOT), but I feel like a few of those really deserve an extra shout out.

I’ll separate them between multi-chap and one shots, but other than that they won’t be in any particular order. I’ll also try my best to tag the authors here on tumblr if I can find them, but if not, just lemme know if you see your fic and I can edit this later.

I’ll also be including ratings/word count/trigger warnings/etc

(I’ll mostly be including common tw’s so please make sure you also read the tags for anything that may affect you personally! Also, if I miss any, please keep in mind that it’s been awhile since I’ve read some of these so I may not remember all of them!)

Key:

[E] - Explicit 

[M] - Mature

[T] - Teen & Up Audiences

[G] - General Audiences

And for the multi-chap fics:

(O) - Ongoing

(F) - Finished

(?) - Not finished and they haven’t updated in awhile so the author probably died

So let’s get started! (Get ready for a long post obviously)

Multi-chap fics:

1. upper west side by ceruleanstorm (F) [T] ~190,000 words

TW: past child abuse, alcohol abuse

@princessofgayskull

I feel like this is definitely one of the top must-reads for all Catradora fanfics. I know I’ve seen this on a couple different lists but I’m including it on mine as well because it really is just that good.

The chapters are lengthy (but in a good way!) and the story really takes its time to flesh itself out. The character development of the characters as individuals is beautifully done and wonderfully realistic. The pacing of the development of Catra and Adora’s relationship is also sweetly slow, a steady slowburn that invokes that deep-rooted yearning feeling mirrored by the characters themselves.

It’s a really clever premise that takes place in the modern world but implements the canon universe in the form of the book that Adora’s writing that ties back to her and Catra’s shared childhood. The way that aspects of the show were revamped into this fic are so creative and I just....ugh. LOVE.

This fic also has a oneshot compilation that takes place after the events of the final chapter which is currently ongoing and I HIGHLY suggest checking that out as well once you’ve finished this. 

The sister fic for those interested: she’s god (and I found her) (O) [T] ~40,000 words

2. The Devil Is In (The Details) by SeasInkarnadine (O) [M] ~58,000 words

TW: Graphic Depictions of Violence, child abuse, emotional abuse, use of recreational drugs, Major Character Death

@seasinkarnadine

This is a really great fic where Adora is an undercover cop who sidles her way into one of the largest gang syndicates to bust whoever killed Hordak, a big gang leader and drug trafficker, whose death was originally ruled as an accidental overdose. Her and Catra (one of the gang members) both know foul play was involved and work together to figure out the truth.

The dynamics between these two is so casual and hilarious but still has those gut-wrenching moments that really ground you and realize that their relationship is dysfunctional on a few levels. The exploration of Adora’s conflicting feelings towards Catra hurt in such a good way as she realizes that she does genuinely care for Catra, but also is aware that what she’s doing will eventually screw her over and land her in jail. It’s the best kind of underlying angst and I highly recommend it.

Another really great selling point that I particularly love is that Adora is deaf in this AU and the author really shows this in such a realistic and natural way that shows she really knows what she’s talking about. It makes the dynamic between the two even more interesting considering that Catra also knows sign language which give the two a lot of moments of mutual understanding that doesn’t extend to the other characters. It’s something that the two of them have that’s sort of just for them to be on that level of understanding and it’s so great.

Also, Morgan is just a great writer in general and I highly suggest checking out more of her stuff (her art too!). She’s one of the writers I’ve looked up to since my beginning days in the fandom and it’s still amazing seeing all the great stuff she puts out.

3. Skinny Love by Maychup (O) [M] ~100,000 words

TW: past child abuse

@maychup

Another staple of big fics in the catradora fandom but for good reason. This fic is a wonderful exploration of events taking place after S1 illustrating Catra & Adora’s relationship in a different path that the rest of the show takes. It focuses heavily on their past experiences with each other and how that affects their current situation being on opposite sides of the war. 

This fic is older, published just after S1, so canon divergence is an important aspect of its build. But the way the story is written is so beautiful and grounded that it’s still interesting even now knowing what really happens in the show. 

Their dynamic is kind of back-and-forth, with Catra figuring out what Adora means to her and vice versa and where the two of them want to go from that point. It has so many sweet moments and steamy ones as well (btw, there’s a lot of smut) and the exploration into each of the character’s pysches is so compelling and intriguing.

4. Faded With Feelings by yesimgay (F) [T] ~24,000 words

TW: recreational drug use

This was such a cute, short multi-chap fic. It’s a bit older but I think it’s still one of my top faves. 

A modern au, Catra & Adora are roommates post-college and trying to make their way in the adulting world. Catra has ADHD and smokes weed to help with that. One day Adora accidentally eats a couple of her edibles and cute shenanigans ensue. And that’s just the first two chapters.

The rest of the fic goes on to the girls figuring out their feelings for each other, especially Adora who, in this case, isn’t really sure of her sexuality. All-in-all, a really cute fic that’s a nice break from all the angst that typically saturates the fandom.

5. Chasing the Spotlight by holymountain (?) [T] ~20,000 words

This is an AU where Adora is hired to be Catra’s, a pop singer, bodyguard. There’s so many cute moments in this, though admittedly it’s been about 6 months since it’s last updated so be sure to keep that in mind.

6. we’ve been making shades of purple out of red and blue by darklady21 (?) [t] ~24,000 words

An “and they were ROOMMATES” au. In this one though, Catra and Adora don’t actually know each other and really only get to know each other over time. It’s cute and has a lot of interesting interactions between the two, but it hasn’t updated in about 7 months.

7. Tuning Out by FaiaHae (?) [T] ~2500 words

I actually really loved the whole concept of this fic but it hasn’t updated in like, an entire year so...only read if you’re okay with the fact that it probably won’t ever be finished haha

8. burnt sugar by jeserai (O) [G] ~11,000 words

@jeserai

Oh god YES this fic. The classic “fake dating” au except Catra is a rich kid inheriting a business who essentially hires Adora, a broke college student, to go on a date with her to this big business function. There’s not a lot to say about it other than that without giving too much away, but the fic is about halfway done at this point so it’s a pretty short read as of now.

Just be warned, it’s currently on a MASSIVE cliffhanger so if you wanna wait until it updates I totally understand lol

9. still waters by summerson (O) [M] ~28,000 words

TW: Graphic Depictions of Violence, Major Character Death, Rape/Non-Con, self harm

A “The Last of Us” AU. Personally, I’m not super familiar with TLOU because I could never get into the game myself, but this fic is so well done and the writing style is so interesting and well-executed that I still love this fic to bits. But obviously, for those of you who are aware of TLOU, you already know that this fic is going to contain quite the fair share of angst so be ready.

10. Whispering Dreams by dragonesdepapel (F) [T] ~7500 words

It’s been awhile since I’ve read this one so I don’t remember everything, but I do remember really enjoying the writing style and the construction of this fic. It’s a short read, but it’s totally worth it

11. please could you be tender by erce3 (F) [G] ~40,000 words

@figbian

please please PLEASE go read this fic. I’m actually begging y’all to go read this one I loved it so much it’s still one of my top 10 faves out there.

This fic is set in a modern setting where Adora & Catra were childhood friends and are in college and god it’s just SO. GOOD. The writing style and composition of the flashbacks with the present events is so beautifully done and organized and I really cannot hype this fic up enough GO READ IT

12. buried a hatchet (it’s coming up lavendar) by erce3 (O) [G] ~12,000 words

on the note of that last rec, I highly rec their other work which is currently in progress. It takes place after S3 but it’s an exploration on if Catra and Adora got trapped in the portal instead of Angella and FUCK this person is genuinely amazing go read their stuff

13. Senior Year by SimplyAbsolute (O) [E] ~98,000 words

@simplyabsolute

This is a really cute fic about Adora and Catra in their final year of college and I guess for me personally it really just hits hard because I’m also in my final year of college lol. But really, it’s a great fic and I suggest checking it out. It’s actually only got one more chapter left too so it’s almost done!

14. Assassinating Adora by Wicked42 (F) [T] ~13,000 words

@wicked-42

TW: Graphic Depictions of Violence

Jeez this fic was a real rollercoaster of emotions. I loved every bit of it. 

Basically, some people try to assassinate Adora and Catra stops one of them, but both girls are still inflicted by the poison and....it just gets crazier from there. Don’t wanna spoil it too much but this is a must-read for sure.

And this one may seem like cheating but I’m gonna plug one of my own multi-chap fics here

15. Pure Feeling (O) [T] ~30,000 words

TW: brief mention of sexual assault in Ch 5

This is a modern AU set after all the kids have been out of college for a few years. 

Adora and Catra were childhood friends but ended up drifting apart and falling out during their college years. Fast forward about 6 years and they run into each other again, except now Adora has a daughter and is struggling to balance her life as a single mother. Overtime the two girls work on rebuilding their friendship and somewhere along the way might even realize that they’re feelings for each other never really went away. But of course, like all things in life, this isn’t an easy process and they run into more than a few complications - internal and external.

One Shots:

(there’s so many of these I’ve loved so I’m really going to try and narrow it down to about 10. If yours didn’t make it, no offense! I just have WAY too many to include and this post is already so long haha)

1. The Interlude That Never Ends by FMLClexa [M] ~2500 words

TW: Major Character Death, brief mention of sexual assault

Okay I’m gonna be honest: If you ignore all the other fics on this list, READ THIS ONE. This is absolutely my #1 favorite without a doubt. It’s a soulmate/reincarnation au and it’s so wonderfully executed that I honestly cannot even begin to tell y’all how much I love this one. It’s old and one of the first fics I ever read, but it’s so timeless and excellent and I promise you won’t regret reading it. I know I’ve read this about a million times over.

It’s been a whole year and this has held my #1 fave position the entire time. READ. IT.

2. after party by summerson [M] ~2000 words

TW: recreational drug use

God this fic was so great I read it last night and I’m still in awe in how well it was written and the emotions it managed to invoke in me. My favorite scene is the part where Catra tells Adora “I love you” because it’s so raw and desperate and I vibed with it so hard. It’s really difficult trying to tell someone how much you love them with just a few simple words because they really just don’t convey how much you love them and it’s so frustrating and GAH this fic was fucking great please read it.

3. jigsaw by jeserai [G] ~2500 words

@jeserai

This fic is so great and I felt so warm inside reading it. Definitely read if you want sweet, slow friends to lovers burn.

4. Vicious by SeasInkarnadine [M] ~3500 words

TW: Graphic Depictions of Violence, Rape/Non-Con

I really highly recommend this one if you can get past the trigger warnings. It was so well written and very suspenseful with the juxtaposition of the timeline between current events and snippets of what had happened just hours before. But the ending is really sweet and the way that Catra cares for Adora after the whole thing squeezed my heart to pieces.

This is one I’ve read a few times over because of how much I love it. Def in my top 3.

5. Basement by spookyscaryskeletons [G] ~2800 words

This was such a great rendition of “Adora and Catra are forced to talk” and the emotions were raw and bleeding and I love the character portrayals. 

6. Coming Apart by Whorls [E] ~13,000 words (or ~6,000 words each chap)

@crazy-pages

Okay this fic technically has two chapters but I’m including it here in the oneshots because the chapters are identical in the sense of story but the only difference is that in chapter one Catra is a cis woman and in chapter two she’s a trans woman pre-op. Other than that the chapters are identical so it’s mostly based off which experience you would rather have while reading.

This fic was. So. Fucking. Good. Sen did such a fantastic job with both aspects of this story and I love it to bits and pieces. The smut in the beginning is delicious as can be, but then towards the latter half it absolutely sucker punches you with feelings but in a good way. I really, really fucking love this fic and I think it needs more attention than it initially got so I’m imploring you all to please go read this fic. It’s fantastic.

7. Seconds That I Cannot Replace by Mogatrat [M] ~7800 words

TW: child abuse, underage(?)

This is a really heartbreaking fic set before canon. It’s about all the times that Catra and Adora started a romantic relationship only for Shadow Weaver to come in and ruin everything by constantly erasing and resetting Adora’s memory. I still think about this fic from time to time. Give it a go.

8. Come morning light by dragonesdepapel [T] ~1800 words

TW: Major Character Death

Another one that’s technically two chapters but it’s the same events, just covers the perspective of each girl. Adora’s dying and asks Catra to stay with her.

Basically this fic ripped my heart out and I still think about it sometimes.

9. someone you like by caela [T] ~5100 words

oh fuck me yes this fic. A modern au where Catra sorta stalks Adora on instagram and accidentally likes an old picture. Fluffiness galore.

10. When You Came Calling by ActuallyMe [E] ~5200 words

TW: Major Character Death

A 1940′s Mob AU where Catra is a private eye and Adora married high-ranking mob boss Hordak...who’s just been murdered.

Really great one shot. Personally I would’ve loved to see more come of this but it’s great on its own.

And once again, this is cheating but here’s a couple oneshots of my own that I wanna plug real quick

11. hang tight (all you) [T] ~9200 words

Modern AU fic set when Catra and Adora are in high school. Adora struggles to come to terms with her sexuality in an discouraging environment as well as the fact that she’s had a crush on her best friend since middle school. Personally I think this was one of my best works and a lot of other people seem to have liked it too so yeah!

12. as my World d[ivides] [E] ~2500 words

TW: Rape/Non-Con, Underage

One of my darker fics, but still one I’m pretty proud of. Without giving too much away, Adora suffers from a trauma and engages in unhealthy coping mechanisms and Catra enables her because no one’s taught them any different.

[mantra4ia]

Desires: Lucifer season 5 on Netflix

Created: August 21, 2020. Last Modified: August 22, 2020.

Preface: Alright my Lucis, here’s the sitch: it’s been a minute. Life got a bit chaotic I wasn’t able to start season five quite on time when it premiered on August 21st because I haven’t finished the great 2020 Lucifer rewatch. I’m nearly done however and should be able to jump into it either later today or tomorrow, which is why beforehand I want to — as I’ve traditionally done for a few seasons — create a desires list and keep a tally throughout the season to see how many are met. I am going to try to pace myself, not binge, and watch a single episode a day so don’t spoil me. Likewise I will tag my spoilers. Here we go... #21DaysofLucifer

Season 3 and 4 Roundout - Desires Fulfilled / Questions Answered

✔We’ve seen other demons “like Maze” and a bit of what havoc they can reek. Well sort of. To be quite frank, although it was cool to see them possess the recently deceased, it wasn’t as impending doom as I was expecting. They didn’t seem nearly as disciplined or intimidating as Mazikeen, even Dromos, more bored and desperate.

✔ We’ve seen a little more or the heavenly host in Remiel. Remi was cool, if a bit intense. Her character, and her affinity to Amenadiel was a nice foil to see how far his character has come in evolution. But again like Uriel was for Lucifer, she kind of became a driving force character device to push Amenadiel’s growth. So I wonder if we’ll get to see more of her or not.

✔ (s3) The backstory of Lucifer’s arrival in LA, finding LUX, and making a deal with Amenadiel.

✔ (s3) Cain finally went to hell, YES! Not that I didn’t like Marcus Pierce/Tom Welling, there were some great interactions there, but I just think he was a wishy-washy antagonist based on how he was written and I can’t wait to trade up for Michael.

✔ Maze finally had some happiness and attachment to this silly mortal coil and it slipped away! Why Eve why? I love Maze’s bonding with humans, Linda, Trixie, Chloe. But I love that after a Millennia of serving, and then watching Amenadiel and Linda be happy in a family unit, that she might actually make her own and my hopes were dashed. 

Things we got that we didn’t even know we wanted. SO GOOD:

Season 4 ep 8: Amenadiel bonding with Caleb and confronting community violence, police brutality, and systemic racism. It was a rough episode to be sure, but absolutely needed,

Chloe talking Lucifer down and out of a self-hatred spiral and his transformation into full-fledged devil and back again.

Lucifer playing Creep on repeat while missing the detective (even after insisting in a therapy session that “he’s not a teenager playing Adele on repeat) and Mr. Said Out B**** trying to rob Lucifer and gun point and ultimately get rich. What a fun twist.

The Dan and Maze Los X’s fight. They are wicked good at laying down the  hurt on the criminal element and I was wondering when they’d pair up again after dispatching Warden Perry.

The devil in a bar fight! I mean, it’s only fair since the ladies had their brawl. I love how this fight sequence was filmed in bursts of slo-mo from various angles, involved everything from fists, to tasers, knives, bottles, and the infamous pool cue, and they picked the perfect song for pacing (Jake Bugg, Lightning Bolt, could listen to it all day on repeat.)

Time for all good demons to go home / Enough, you will bow down to your king. Go home! (aka appropriate use of Devilish intimidation face)

Amenadiel vs Remi 

A Rocky montage with Lucifer and Amenadiel / Amenadiel’s face the first time Lucifer drives the Corvette

Lucifer at the roller derby

Chloe the YA fangirl

Maze teaching Trixie about knives, with each handle decorated in a different toy.

Amenadiel and Chloe catching up: your father is so proud of you. Like and angel BOSS!

SEASON HIGHLIGHTS:

★ (s3) Amenadiel taking Charlotte home

★ Dan being comforted in his grief by Amenadiel

★ Amenadiel’s wrath and the brotherly duo tag team to lay the hurt on the drug dealer that got Charlie killed. It’s been a while since we’ve seen warrior angel ready to dispatch anyone in his way. And it was glorious!

★ (s3) Lucifer’s almost driving lesson with Trixie “Morningstar”

★ (s3) Maze torturing Lucifer by making him think he’s the Angel of San Bernadino

★ (s3) Amenadiel and Lina helping to dispose of Lucifer’s wings

★  Lucifer kicking Julian, Tiernan’s son, through a glass pane window

★ The goodbye kiss between Lucifer and Chloe

 DIDN’T LIKE:

☒ (s3) Cain playing guitar and singing. What is he, a crime lord, a top cop, or an act that the improv club wouldn’t take? 

☒ Eve. I liked Eve, but we mostly got to see one side of her around Lucifer, and a kind of floundering an confused side when she was with Maze. The side that I would have liked to see more of was the maternal side that came out when she briefly talked about Abel or was interrogated by Trixie. That made her more layered.

☒ Father Kinley. That dude is just meh.

☒ Dan’s broken heart and rebounding with Ella. Don’t get me wrong, its a good arc, but I don’t see it lasting

☒ (s3) Abel and Reese. Those were two side stories I could have done without, although they had great moments of humor. I quite enjoyed Reese’s character, and although I didn’t like Abel Lucifer’s stick-figure comic illustration of Cain fighting with him over a rock was quite enjoyable.

WHAT I TRULY DESIRE: SINFUL SEASON 5, my BURNING QUESTIONS, and SPECULATIONS

Obviously, don’t spoil anything for me, but if any of my desires end up coming true in any of the first eight episodes maybe drop me a hint in the comments...

A big time jump. We need to see the lasting impact of Lucifer’s absence. I know that time in hell works differently per that episode where Lucifer saved Chloe and almost got stuck in a loop, but we still need enough time to elapse that the impact is felt on the mortal side. Or, we need to see the passage of time through a series of events without Lucifer, like a montage of character development. At least a year or so, if for no other reason then Trixie is growing up and I actually want to see her take driving lessons with Lucifer.

Last season Maze gave baby Charlie a gift, something she’d wished she’d had growing up, and previously had alluded to the language of demons, her many siblings, and teased her mother, the mother of all demons. Will we finally get to meet Maze’s mom Lilith (or however they address her)? And, in spite of Mazikeen’s found family, she still has restlessness and abandonment issues. Will her mom finally finally bring her peace, or will clashing with her resolidify Maze’s purpose on earth?

A Decker/Mazikeen team-up or girls night out 2.0 would always be appreciated. At this point its probably 4.0 if you count the bar fight and the bachelorette party.

Will we see tougher, scarier demons, or are they just warmup to the really scary depths of hell?

Speaking of hell, more hell. Tons of hell. I want to know the minutia of all the mechanics. If Lucifer’s gotta be down there in self-imposed exile, he may as well show us around. Pour us a drink.

Will Lucifer see Cain in Hell? Not that I’m dying to see more of “sad Cain” but it would be interesting to see a more dark or desperate or cunning side to him at least now that he’s actually neck deep in torment. Or, alternatively, I’m hedging my bets that he could be a good candidate to light the fire under Lucifer’s *** to get of hell back to the earthly realm. Even in hell, I’m betting Cain would have a soft spot for Chloe, and if news reached Lucifer that Michael were trying to abscond with his life and with Chloe, it would give Cain and Lucifer one last bit of “A-Hole brothers” common ground to bond over. Like “Brothers, am I right? Go kick, get Chloe back, I’ll still have enough guilt to torture me with in a few thousand years when you get back,”   

Will Lucifer fall into peril in hell of once again potentially getting distracted and stuck in a hell loop? Will his servants be satisfied with his return? Will Amenadiel bust him out.

Mr. Said Out Bitch needs a role reprise. He’s been in every season opener 2-4, we’ve gotten to know his undergarments very well.  Its high time we get to know his name and story. He’s put in the work!  

Amenadiel should be running LUX in Lucifer's absence. We got a tease of that in previous seasons (remember when he asked what would Lucifer do?) its time for that to come to fruition. Plus, any excuse to put DB Woodside in a suit, just because he wears them so well. It would also be interesting if, after that tragedy he’s experienced, Amenadiel will start taking after Luci. Maybe not the punishing, not yet, but wanting to seek out evil and corruption. It has been teased since s1 “fall as I did.” Perhaps he’ll start developing a taste for his bother’s line of work whereas he found it repugnant in the early days

Dan and Maze or Dan and Ella pair up. Both Dan and Maze are due for some happiness.

An Azrael reboot, when need more of her. She’s the angel of Death for pity’s sake. I don’t know if the original actress is still available or if they would have to recast, or if the character concept by Netflix would even be the same, but I need Azrael to be capable of sweet and unassuming and on a coin flip downright menacing.

More of Lucifer as a godparent, bless! And maybe a cool montage of “cousin” Trixie and Lucifer co-babysitting Charlie please.

Whilst on the subject of Lucifer and parenting, and without putting Trixie too much into harm’s way, I need to see what “I would do anything to protect that little urchin” looks like. Trixstar ride or die.

Father Frank, come back! I need a cameo or recurrent role pleeeeease.

Trixie in every episode. This is non-negotiable, much like chocolate cake. Beatrice is an all-star. In fact, I’ve decided that when Dad/God finally does show up, Trixie needs to be the one to get to know him / introduce him first. She’s been captain on the celestial cheer squad for four seasons, she’s earned this.

Who's going to see through Michael's facade first? I mean, I know that trailer shows Maze torturing it out of him, but as far as intuition goes, I've got a 50/50 split between Trixie and Linda, with an honorable mention to Dan.

If Michael is Lucifer's twin, does he have the same angelic compulsion skill set? Or something different? And will it work on Chloe or is she universally immune?

A “be like Mike” pop-culture reference. ******Spoilers: ******* all the trailers have revealed Michael already, so they owe us this for letting the steam out.

As far as pop-culture, how many movie and TV references will we get from Lucifer and ensemble this year? I expect A-game, from sci-fi to 80s action, on par with the previous likes of Parent Trap, Star Wars, Home Alone, Kim Possible, and Rocky.

Will Amenadiel’s necklace make a reappearance, even after he put it around Caleb’s neck in the morgue? Heavenly artifacts have a way of causing trouble in this show.

Will what finally learn what, if any, significance there is to Lucifer’s ring? Again, as all my fictional writings will attest, I really kind of want it to be a stolen little trinket from him Dad.

Plot twist: will we get to see Hell and the silver city all in one season, or is that too devilishly good to ask? It would be intriguing if Lucifer fell from Heaven for rebelling and now some threat like, for example, the mother of demons would pose a threat to the gates such that Lucifer was called upon to defend them. Not expecting anything Endgame level with a host of Angels popping up like sorcerers...but it is food for the imagination.

Plot twist: will Michael, duplicitous twin that he is, be revealed as the reason that Lucifer does not lie and can’t stand liars? Will be get a Michael back story? Is he perhaps the true rebellious son? see: my original fan conjecture here.

Additional links to previous recaps, roundouts and wishlists: 

Season 1: Best Moments // Season 2: Predictions, Desires, Roundout, Best Moments // Season 3: Speculations, Quick-shot summary 

[laufire]

In depth fandom ask: the last fandom you joined bc I can't remember it now

Well, I guess the last fandom I’ve properly joined --making a few edits, starting yet-another-WIP etc.-- is Black Sails, so. Plus I want to talk about it a little, spoiler-free, in case you decide to watch it ^-^ (I’ll leave that to the s3 post I need to finish...).

Top 5 favourite characters: Max is my number one, without a doubt, and of the rest of my faves Silver has an edge... but the remaining positions are a tough fight between Flint, Jack, Madi and Miranda, and I honestly can’t choose DD:

Other characters you like: Mr. Scott, Anne, Idelle, the Maroon Queen, Billy, Eme, Abigail... This show has a lot of great characters tbh.

Least favourite characters: I still loathe Peter Ashe with every fiber of my being. Alfred Hamilton is obviously The Worst(TM). And though it hasn’t grown into hate (yet), I don’t like Woodes Rogers one bit ¬¬

Otps: Flint/Miranda, and the combos in Flint/Madi/Silver and Anne/Jack/Max (in no particular order at the moment because I just HAVE TONS OF FEELS ABOUT THEM ALL).

Notps: I don’t have strong NOPE feelings towards anything, but I’m not into Eleanor/Max (which is a dynamic I actually really like BUT that I’m glad it doesn’t return to shippiness LOL); Eleanor/Rogers (I might be indifferent towards Eleanor most of the time but I haaaaaate Rogers for her. RUN GIRL), Flint/Vane (booooooooring).

Favourite friendships: Max & Silver (THE duo I swear), Jack & Max, Flint & Silver, Idelle & Max (I might not have said so before but I guess I like a little conflict LMFAO), Billy & Flint (NOT a friendship, but their relationship absolutely cracks me up I swear. “Who’s Billy?” XDDD).

Favourite family: Madi’s family, which is all I can say without getting spoilery. I just. *lies down on the floor overcome with emotions* xDD

Favourite episodes: the problem with binge-watching (okay, I’ve taken s3 more slowly but) is that they all kinda blur together LOL. Hmm. The season finales are all *chefs kiss* so far (sometimes in a very painful way... I’m looking at you s2. Though the ominous Flint/Silver moments in the s3 were A LOT too); any in which I get to see Max & Silver scheming together ofc. And the first handful of eps in s3 were particularly enjoyable to me because I was drowning in PURE ANGST and Flint & Silver feels xDD (I can’t NOT believe the fandom seems to call one of those “the shark date” asñldfjasdfñl).

Favourite season/book/movie: oof. I honestly can’t pick; s1 is probably the “least” because the others include better moments for some of my secondary faves, and because there’s a plot that’s really hard to watch... BUT it has things on it I adore to pieces too. s1-2 doesn’t have Madi (major drawback xD), and s3 is after one of my faves’ death... but frankly they’re all neck and neck so far.

Favourite quotes: “I am ruined over you” always comes to mind DD: “Liked is just as good as feared”; Max combo with Eleanor about sand (typing that down made me think of Anidala LMFAO. The scene itself is very different though! xD) in the s1 finale; “in another time, in another place, they would call me a queen”; “this ends when I grant them my forgiveness, not the other way around”, Mr. Scott’s “No. Only YOU.”... honestly, this show’s dialogue is just too good(TM), I could just quote it all back xD. And of course, I HAVE to mention “WHO’S BILLY”. It’s the law.

Best musical moment: the score is perfection all around, but given that I never skip the intro just to listen and watch it... yeah, the intro xD

Moment that made you fangirl/boy the hardest: well, I *might* have lost it the moment CAPTAIN FLINT COMES OUT TO LONG JOHN SILVER OVER A BONFIRE, IDK XDD

When it really disappointed you: the fact that I won’t get to see a fully fleshed out Mr. Scott-Silver dynamic is MAJORLY disappointing, let me tell you. That Flint’s actor didn’t somehow get his mother (aka Maggie Smith aka Professor McGonagall aka Lady Violet) on the show too ¬¬. LOL.

Saddest moment: character’s deaths of two of the characters listed on “top 5”/“others you like” xD.

Most well done character death: the hanging in 3x09 was well done and served its purpose.

Favourite guest star: for a value of “guest star”... I’m going with Idelle.

Favourite cast member: Jessica Parker Kennedy is the one that I know and love for other projects she’s done.

Character you wish was still alive: THE ONE WE TRAGICALLY LOST IN 2x09.

One thing you hope really happens: I’m cheating because I know there’s some of that in s4, but I want to watch more Flint/Madi interactions pls.

Most shocking twist: well, I wasn’t spoiled for Mr. Scott’s plot in s3 so I was (pleasantly) surprised by that xD

When did you start watching/reading?: a little over two weeks ago; I watched (devoured) s1-s2 and 3x01-3x04 in a few days because I wanted to meet Madi, and then I tragically had to slow down :(((

Best animal/creature: I will always love Treasure Islands’  parrot that Silver named after Flint LMFAO.

Favourite location: Nassau aka Max’s ~domain xD. And Miranda’s house.

Trope you wish they would stop using: noooooone. I love the tropes this show reuses LMFAO. Romantic Betrayals(TM), triumvirates, “good things happen in the dark/away from civilization”, the power of narratives, social climbing and revolt... bring them oooooon.

One thing this show/book/film does better than others: quite a few xD. But one that really stands out to me is the dialogue; both the ~deep and sorrowful type (there were so many quotes where I had to take a break to freak out properly lol), and the humorous ones.

Funniest moments: I know I’m repeating myself, but I recently rewatched the pilot to edit some scenes and I keep remember the WHO’S BILLY one xDD (which I maintain it was Flint trolling him. He could give Abigail a rundown of Billy’s whole life story AND he shamelessly checked him out that one time. Flint knows who Billy is, he’s just an asshole xD). Really, all the scenes between Billy and Flint in that episode are comedic gold lmfao. Billy’s “oh dear I fucked up” expression when he tells Flint the crew has started to think him weak and Flint looks half a second away from murdering him right there, his WTF face at Flint’s antics with the stolen page... Gold, seriously.

Couple you would like to see: I meannnnnn. I would’ve been very happy if the show had decided to go with Flint/Madi/Silver, for one. Bonus if Miranda could’ve been included. Or just explicit Flint/Silver in poly arrangements (THEY ARE IN LOVE, IT’S JUST ~COMPLICATED XD).

Actor/Actress you want to join the cast: MAGGIE SMITH DAMMIT.

Favourite outfit: literally everything Max wears in s3. Eleanor’s s1-s2 outfits were things I’d love to wear too. Flint’s ~dramatic coat. Miranda’s collection of supposedly-puritan-but-showing-the-goods dresses xDD (and ofc her London clothes), Jack’s clothes (he’s Nassau’s fashion icon lbr).

Favourite item: the books!! Especially when Flint gave Miranda “La Galatea” as a gift (given that sometimes he reminds me of my OC Latoya, you might understand the freakout I had when he gave the other member of my OTP a book titled like that xDD).

Do you own anything related to this show/book/film?: no, but I kinda want to. I did have a Treasure Planet computer game I tragically can’t find... it was about collecting money in increasingly difficult scenarios LOL. And I probably have more pirate-y/Treasure Island theme stuff. I had a long pirate phase xD

What house/team/group/friendship group/family/race etc would you be in?: Max’s because I like being on the winning team, thanks xD (though I do ~align more with Flint and Madi’s lbr...).

Most boring plotline: Eleanor and Vane’s ~romance is not at all badly written... but the fact that I find both of them boring kinda ruins the whole thing because I always wish that time went to someone else xD. Also, Blackbeard. Meh.

Most laughably bad moment: n/a.

Best flashback/flashfoward if any: the London flashback where Miranda goes to Flint’s house unannounced to take him to an art gallery, she finds him half-naked and he gets all awkward about it lmao. And then they hook up in the carriage :DDD

Most layered character: we get to explore Flint and Silver the most. Silver’s development in particular is something that never ceases to impress me ngl.

Most one dimensional character: except the one-note characters I wouldn’t really call anyone completely one-dimensional, tbh. Though I do think the fandom attributes more complexity to Thomas than it’s seen in canon? Like, I like what I see; I think he’s functional, he works well, and he adds wonderfully to Flint’s (and Miranda’s) story, but I don’t see him as a full character in his own right. Which is perfectly fine for the narrative so far, but I fear it might fall apart for me at the very end.

Scariest moment: I never know what to say in this... I mean, I guess Flint killing a man with his bare hands in the pilot Like That was scary xD. I understand why Silver freaked out LOL.

Grossest moment: any of Max’s interactions with Vane tbh. Stay away from her ¬¬

Best looking male: Flint has that ruggedly handsome thing going on for him, if you’re into that (and sometimes I do appreciate his ~aesthetics... very sad he shaved his head in s3 though. Like, I get you did it for the Angst, honey, and trust me, I Feel U, but still). I feel like I might be forgetting someone, but seriously, none of the dudes in this show so far do anything for me LOL. I can honestly say I love them for their personalities xDD

Best looking female: I have a weakness for Max, but Miranda, Madi, Anne, the Maroon Queen, Idelle, Eme... all of them are gorgeous in their own way. This show is good for sapphic women’s enjoyment in that sense xDD.

Who you’re crushing on (if any): I could crush on any of the women mentioned above tbh.

Favourite cast moment: I have literally only seen this post about an interview where Flint’s actor says he’s too old to party with The Youth of the cast and just wants to chill on the weekend... with bonus Max and Eleanor’s actress talking about how Vane’s once climbed the side of a building up AND back down. I’m with you, Toby Stephens, you don’t need those shenanigans xDD

Favourite transportation: the Walrus, for sentimental reasons LOL. I liked stolen Spanish warship too.

Most beautiful scene (scenery/shot wise): lots of good ones, though I think my fave might be the one of Miranda sitting by the window in London. Or the one of Charles Town burning down, I liked that :))) (I remember thinking “Flint better go full Daenerys on them”. And he did! It was nice xD).

Unanswered question/continuity issue/plot error that bugs you: n/a, so far.

Best promo: n/a.

At what point did you fall in love with this show/book: I liked it from the word go, but the moment that TRULY cemented it for me was in 1x03, with Max making a decision that I... frankly didn’t expect. It made things worse for her in the short-term, the storyline itself was difficult and disturbing to watch and I still have some mixed feelings about it. But what it said about her as a character and how her journey goes after that... I was in awe of her, and of the show.

[papermoonloveslucy]

SPEECH FOR CIVIC ORGANIZATION

February 4, 1949

“Speech for Civic Organization” (aka “Liz Debates Alaska in Town Forum”) is episode #29 of the radio series MY FAVORITE HUSBAND broadcast on February 4, 1949 on the CBS radio network.

Synopsis ~ Liz, anxious to win the approval of an important dinner guest, simply agrees with everything he says. The guest is so impressed with her intelligence that he invites her to be a speaker at his next civic forum.

“My Favorite Husband” was based on the novels Mr. and Mrs. Cugat, the Record of a Happy Marriage (1940) and Outside Eden (1945) by Isabel Scott Rorick, which had previously been adapted into the film Are Husbands Necessary? (1942). “My Favorite Husband” was first broadcast as a one-time special on July 5, 1948. Lucille Ball and Lee Bowman played the characters of Liz and George Cugat, and a positive response to this broadcast convinced CBS to launch “My Favorite Husband” as a series. Bowman was not available Richard Denning was cast as George. On January 7, 1949, confusion with bandleader Xavier Cugat prompted a name change to Cooper. On this same episode Jell-O became its sponsor. A total of 124 episodes of the program aired from July 23, 1948 through March 31, 1951. After about ten episodes had been written, writers Fox and Davenport departed and three new writers took over – Bob Carroll, Jr., Madelyn Pugh, and head writer/producer Jess Oppenheimer. In March 1949 Gale Gordon took over the existing role of George’s boss, Rudolph Atterbury, and Bea Benadaret was added as his wife, Iris. CBS brought “My Favorite Husband” to television in 1953, starring Joan Caulfield and Barry Nelson as Liz and George Cooper. The television version ran two-and-a-half seasons, from September 1953 through December 1955, running concurrently with “I Love Lucy.” It was produced live at CBS Television City for most of its run, until switching to film for a truncated third season filmed (ironically) at Desilu and recasting Liz Cooper with Vanessa Brown.

REGULAR CAST

Lucille Ball (Liz Cooper) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon.

Richard Denning (George Cooper) was born as Louis Albert Heindrich Denninger Jr., in Poughkeepsie, New York. When he was 18 months old, his family moved to Los Angeles. Plans called for him to take over his father’s garment manufacturing business, but he developed an interest in acting. Denning enlisted in the US Navy during World War II. He is best known for his  roles in various science fiction and horror films of the 1950s. Although he teamed with Lucille Ball on radio in “My Favorite Husband,” the two never acted together on screen. While “I Love Lucy” was on the air, he was seen on another CBS TV series, “Mr. & Mrs. North.”  From 1968 to 1980 he played the Governor on “Hawaii 5-0″, his final role. He died in 1998 at age 84.

Ruth Perrott (Katie, the Maid) was also later seen on “I Love Lucy.” She first played Mrs. Pomerantz (above right), a member of the surprise investigating committee for the Society Matrons League in “Pioneer Women” (ILL S1;E25), as one of the member of the Wednesday Afternoon Fine Arts League in “Lucy and Ethel Buy the Same Dress” (ILL S3;E3), and also played a nurse when “Lucy Goes to the Hospital” (ILL S2;E16). She died in 1996 at the age of 96.

Bob LeMond (Announcer) also served as the announcer for the pilot episode of “I Love Lucy”. When the long-lost pilot was finally discovered in 1990, a few moments of the opening narration were damaged and lost, so LeMond – fifty years later – recreated the narration for the CBS special and subsequent DVD release.

Gale Gordon (Rudolph Atterbury) and Bea Benadaret (Iris Atterbury) had not yet joined the cast as regular characters.  

GUEST CAST

Frank Nelson (Mr. Barton) was born on May 6, 1911 (three months before Lucille Ball) in Colorado Springs, Colorado. He started working as a radio announcer at the age of 15. He later appeared on such popular radio shows as “The Great Gildersleeve,” “Burns and Allen,” and “Fibber McGee & Molly”. This is one of his 11 performances on “My Favorite Husband.”  On “I Love Lucy” he holds the distinction of being the only actor to play two recurring roles: Freddie Fillmore and Ralph Ramsey, as well as six one-off characters, including the frazzled train conductor in “The Great Train Robbery” (ILL S5;E5), a character he repeated on “The Lucy Show.”  Aside from Lucille Ball, Nelson is perhaps most associated with Jack Benny and was a fifteen-year regular on his radio and television programs.

Steve Allen (Scott Campbell, Expert on Alaska) was a talk show and variety host as well as a published composer. Although he was seen with Lucille Ball on awards and quiz shows, their first time acting together on screen didn’t come until 1978′s “Lucy Calls The President”.  In 1980, Ball appeared on the premiere of “The Steve Allen Comedy Hour”. He died in 2000 at age 78. 

TRIVIA: Madelyn Pugh and Bob Carroll Jr. were writers for the Steve Allen radio show and left that job to write for “My Favorite Husband.”  They paid Allen to write his own show one week so they could focus on creating a script submission for “My Favorite Husband.”

EPISODE

ANNOUNCER: “As we look in on the Coopers tonight, they’ve settled down for a quiet evening at home. Liz has discovered an intelligence quiz in a magazine, but she’s having George’s attention, because he is lost in a gripping, blood-curdling murder mystery.” 

George is reading “The Mummy’s Tummy” but Liz spoils the ending to get his attention. George can’t seem to answer any of the IQ questions correctly. 

Q: “What is the name for the chemical formula H2S04?”  

A: Sulfuric Acid

Q: “What does it say on the lid of a United States mailbox?” 

A: Pull Down

Q: “For what was Ma Ferguson noted?” 

A: The first woman Governor of Texas

George decides to quiz Liz, asking her a few questions. 

Q: “What is the poop deck of the ship?” 

Liz’s Answer: “The deck where the sailor’s rest when they’re pooped.”

Real Answer: “A raised portion of the rear deck.” 

Q: “Does sound travel faster or slower in water than it does in air?” 

Liz’s Answer: “Next question.”

Q: “Chicle is the main ingredient in chewing gum. Where is the largest deposit found?”

Liz’s Answer: “Under theatre seats.”

Liz realizes that they aren’t very smart and should probably do something about it. Dr. Guilfoyle, author of the quiz, suggests that a score under 50 needs to be addressed.  

Liz is going to send for his book “How To Improve Yourself.” 

LIZ: “Look at the people who recommend this book: Truman and Goldwyn.” GEORGE: “Harry Truman and Sam Goldwyn?” LIZ: “No, Sam Truman and Harry Goldwyn!” 

Harry Truman (1884-1972) was the 33rd president of the United States from 1945 to 1953, succeeding Franklin D. Roosevelt after his death. He implemented the Marshall Plan to rebuild the economy of Western Europe, and established the Truman Doctrine and NATO. Sam Goldwyn (1879 -1974) was a film producer best known as the founder of several motion picture studios in Hollywood. 

A few days later, the book has arrived and Katie the Maid notices Liz is engrossed in it. Liz states that the Doctor has three rules to impress people: 

Learn Ten New Words a Day

Be a Good Listener

Have One Subject Down Cold So You Can Steer The Conversation Around To It

Liz’s has already got her ten new words and has put them in a sentence.

LIZ: “By assiduous application, I have promulgated a plethora of altruistic ubiquity and lugubrious perspicacity.”

The telephone rings, it is George telling Liz he is bringing home an important person named Mr. Barton, to dinner.  

LIZ: “How important is he, George? Sirloin, T-bone, meatloaf, or hash?” GEORGE: “Strictly sirloin.” 

George explains that Mr. Barton is the one who picks the speakers for the open forums in town. George wants to get picked to be one of the first speakers so he can impress his boss, Mr. Atterbury, and possibly land a raise. George warns Liz to be herself and not try to impress him. 

Liz decides to enact rule #3 and cracks open an encyclopedia to pick the subject.  Much to her surprise, the subject she randomly picks is bees!   Walking up to the house that evening, Mr. Barton (Frank Nelson) confides in George that he is looking forward to meeting a simple housewife, since in his line of work the women are always trying too hard to impress him with their intellect.   George introduces Liz to Mr. Barton, who immediately notices that her vocabulary is amped up. Unfortunately, Liz is using the wrong words most of the time, saying ‘plethora’ for ‘pleasure’ and ‘diversify yourself’ for ‘divert yourself.’

George assures a nervous Mr. Barton that Liz is ‘just an old fashioned girl’.

MR. BARTON: “Sounds like she’s had too many Old- Fashioneds!” 

An Old Fashioned is a cocktail made by mixing sugar with bitters and water, adding whiskey or brandy, and garnishing with orange zest and a cocktail cherry. It is traditionally served in a special glass called an Old Fashioned glass.  A variation on this wordplay was used on “I Love Lucy” in “Million Dollar Idea” (ILL S3;E13) in 1954 when Lucy (disguised as an average housewife selected at random) describes the taste of Aunt Martha’s Old Fashioned Salad Dressing to deliberately encourage buyers to cancel. 

LUCY: “Looks like Aunt Martha had too many Old-Fashioneds!” 

In the kitchen, George tells Liz to stop using fancy words, so Liz moves on to rule #3 - her special subject: bees!  She no sooner starts buzzing about bees when she is chided by George. 

GEORGE (sternly aside): “Liz! Haven’t you forgotten? Mr. Barton’s forum!” LIZ: “Well, I’m for ‘em, too!”

Coincidentally, Lucille Ball was one of several actors known as ‘Queen of the ‘B’s’ - which referred to ‘B’ pictures - films that were done quickly, on a budget, with lesser-known actors. In 1963′s “Lucy’s Barbershop Quartet” (TLS S1;E19) Lucy suggests they sing about bees! 

Mr. Barton tells George he is going to sponsor a Shakespearean Company, if they can convince the City Council to fund them. 

LIZ: “To bee or not to bee!” 

"To be, or not to be" is the opening of a soliloquy by Prince Hamlet in William Shakespeare's play Hamlet, Act 3, Scene 1. In the speech, Hamlet contemplates death and suicide. It is one of the most quoted phrases in all of literature. To Be or Not to Be is a also the title of a 1942 film starring Lucille Ball’s good friend Carole Lombard and Jack Benny, who later became her next door neighbor. The plot concerns a troupe of actors in Nazi-occupied Poland. The film was released one month after Lombard was killed in an airplane crash.

George drags Liz into the hall again, warning her to stop talking about bees! After telling him to “mind his own beeswax”, Liz reluctantly agrees just to listen attentively and agree with everything Mr. Barton says. This works so well, that Mr. Barton barely acknowledges George, but only talks to Liz!  He is so impressed by Liz, he offers to have her on the panel of their very first forum on Saturday night!  She instantly agrees!

Two days later she learns that the forum’s topic is “the effect of jet propulsion and supersonic flight on the future of aviation.” But Liz is un-phased. She has been preparing by buying a new dress, which she tells George has ‘a dive bomb neckline.’  

George and Liz role play to prepare for the forum. Against George’s advice, Liz intends to talk about the Wright Brothers!  

Orville and Wilbur Wright were inventors and pioneers of aviation. In 1903 the Wright brothers achieved the first powered, sustained and controlled airplane flight; they surpassed their own milestone two years later when they built and flew the first fully practical airplane.

At the meeting that night, Mr. Barton announces to the assembled crowd that their aviation expert, Colonel Davis, could not make it. 

MR. BARTON: “He started her from Los Angeles, but he got slightly mixed up in a snowstorm and has just cabled us from Bombay, India.”

Bombay, India is the capital city of the Indian state of Maharashtra. It was formerly renamed Mumbai in 1995 to better reflect the city’s roots and cut ties with its British origins. Coincidentally, a few months after this broadcast, the 1942 film Bombay Clipper was re-released. Although the Lucy gang never traveled to Bombay, it was mentioned in 1955′s “The Hedda Hopper Story” (ILL S4;E21) when everyone was looking for Mrs. McGillicuddy. 

RICKY (Into phone): “Do you have any flights numbered 930? You do? Where's it coming in from? Bombay?” LUCY: “Bombay?” RICKY: “Well knowing your mother... No, even she wouldn't fly from New York to Los Angeles by way of India.”

Instead, Mr. Barton announces that the guest speaker is a famous authority on Alaska, Mr. Scott Campbell (Steve Allen). Unfortunately, Liz knows nothing about Alaska - so she starts to talk about the Wright Brothers instead!

In 1949 Alaska was not yet one of the United States, but was a US territory. The statehood movement gained its first real momentum in 1946 and Alaska was officially proclaimed a state on January 3, 1959. To mark this event, Desilu created a special episode of “The Westinghouse Desilu Playhouse” in which the Ricardos and Mertzes travel to Nome to cash in on a land deal, although no actual filming was done in the 49th state. 

In 1952’s “Lucy Gets Ricky on the Radio” (ILL S1;E32) Lucy presciently (but incorrectly) answers the question “What was the last state to be admitted to the union?” by saying Alaska. At the time, the correct answer to the question was Arizona, admitted on Valentine’s Day 1912.

MR. BARTON: “No!  When are you going to get to Alaska?”  LIZ: “Let me get the plane invented and I’ll fly up there!” 

With nothing else to talk about, Liz starts to talk about bees, but Mr. Barton quickly cuts her off and turns the podium over to Mr. Campbell, who launches into a serious speech about the welfare of the children of Alaska. He suddenly turns to Liz and asks “Who is responsible for these children, Mrs. Cooper?” 

LIZ: “You really want me to answer that?  Wilbur and Orville Wright!” 

In the bedtime tag, it is 4 o’clock in the morning and Liz is eating crackers in bed. Wrestling them away from her, George gets cracker crumbs all over the bed. A few seconds later, Liz is eating an apple!  George takes it from her. He hears her eating a third time and goes to grab whatever it is away from her.  

GEORGE: “Whoah!  What was that!” LIZ: “A glass of cold milk. Goodnight, George.”

End of Episode

Bob LeMond reminds listeners that Lucille Ball will soon be seen in the Paramount Picture Sorrowful Jones. 

[sasuhinasno1fan]

Save a cat, get cheese buns

I have only ever written one (1) ML fic before, not counting an AU I did for a klance week, and I think it is very obvious here, but I really wanted to try @marichatmay. MariChat is my top fav of the love square and after watching part 2 of s3, I just wanted to write fanfic for this fandom. It’s also very obvious puns are not part of my every day vocab. I struggled to fit a few in there, so don’t expect more than maybe one in the rest of the month’s fics. I hope you like this anyway. I was inspired by Kiki’s Delivery Sevice. I know for this au, Chat is usually an actual chaton, but I decided to switch it up a little. Also side note, Tom and Sabine aren’t Mari’s parents in this fic. She grew up with her grandfather Fu and met the couple when they offered her a place to stay in exchange for helping out at the bakery. So, please enjoy. Witch AU

“Plagg? Plagg?” how did this happen? She arrived in this small Parisian town only about 2 weeks ago with her broom, Plagg and a fully packed bag in hand. She had gone out on her own as was tradition in her family of witches. She met Sabine and Tom who offered a place in their home in exchange for help out in front and doing deliveries – though seeing how clumsy her landings were, she could tell they were starting to reconsider that one, even though she never destroyed any orders. If Plagg wasn’t stealing cheese related pastries, he was laying all over the fabrics for Marinette’s lucky clothing. he’d been sleeping in the sun up in Marinette’s attic room and when she came back after doing a delivery he wouldn’t move for, he was gone. She hadn’t been too worried, he wondered around, getting into trouble. He lived up to his name of plague and bad luck, despite his owner being able to give good luck to her clothing items. But it became the evening and he wasn’t back. Nor was he back the next morning or that afternoon. She knew Plagg, he wouldn’t disappear like that, not when he complained about always wanting food and Tom and Sabine spoiled him with it. His disappearance didn’t make any sense.

So here she was, putting off orders she’d received for her blooming business to look for the only piece of home she had in a brand new place.

“Plagg!”

“Marinette!” the dark haired witch turned to see Luka and Rose riding up next to her. Luka had been one of the first people she met when she arrived. His calm demeanour and the way he seemed to read her – and everyone one else – helped her feel a bit more at ease. Rose was a walking sunbeam who stood out when you placed her next to her more dark loving girlfriend, but they were one of the sweetest couples Marinette had met. Ok so maybe Sabine and Tom beat them, just a little.

“Are you ok? You seem stressed. Is it creator’s block?” Luka asked.

“I wish. Plagg is missing. He went out yesterday and he hasn’t come back yet. It isn’t like him. He might go missing for a while, but then he always comes back begging for food. Have you seen him?”

“Well, it’s a little hard to miss a sarcastic talking cat.” Rose pointed out. “But I’m sure he’s fine. You said he belonged to your grandfather?”

Plagg did originally belong to her grandfather, the only other person of magic in her life. He created healing potions and balms and stood out even more as a warlock by having a turtle as his main familiar. Plagg might of belonged to her grandfather, but he’d always been hers.

“Yeah, but disappearing like this isn’t like him. I’ve already checked the cheese shop he’s always trying to sneak in to. He doesn’t like any other cheese pastries except for Tom’s, so I can’t even begin to think where he could of gone.”

Luka had a thoughtful look on his face before turning to look at Rose. “What about the guy Alya mentioned?”

Rose brighten and started to slap Luka on the back, who didn’t even flinch.

“Of course! Alya’s been looking into this guy who’s been going around taking care of all the town’s cats. Everyone calls him Chat Noir because he’s always in this black cat eared beanie and a whisker face mask.”

Chat Noir?

“He’s got to be about your age but no one has ever reported their child missing so my guess he isn’t even from here. The colony apparently lives at the old music hall, if you’ve ever seen it.” Luka threw out.

“I have! I’m going to get my broom and check. Thanks guys!” Marinette yelled as she ran back towards the bakery.

Hopefully she would get lucky and Plagg would be there. And maybe she could met this Chat Noir guy.

                                                    _________

It was strange to be on her broom without nails digging into her purple dress or a black ball of fur curled up precariously on the front of her broomstick. She just hoped Luka’s suggestion was right. She landed in front of the old music hall. Before it was shut down, she could see that it would have been the place to be, but now wear and tear had lessened it’s splendour The front doors were still attached and the bottom glass of the doors had been replaced the a flap big enough for cats to get through. She took her luck with the door and opened to the sound of cats scattering. The carpeted floors were torn up, no doubt from the many cats using it as a scratching post. There was a mild smell, but from what she could see, there weren’t any accidents anywhere. Marinette wondered if this Chat Noir guy got litter boxes for all the cats in the building. She could see a few glowing eyes in easily reaching hidey holes, but none with the unnatural green of Plagg’s eyes.

“Plagg? Plagg, are you here?”

“Can I help you?” a voice asked.

Spinning around, her heart in her throat, she stared at the guy standing not far behind her. He had to of picked up sneaking skills from the cats because she didn’t even hear him. Like Rose said, his messy blond hair was mostly hidden by a cat eared beanie and half of his face was hidden with a black face mask with white cat whiskers printed on it.

“You scared me.” Marinette said, breathing so her heart would restart.

“My apologies Purr-incess. Didn’t mean to make your fur stand on edge. Just the last person who came here was the reporter girl and she promised to come through the back entrance next time she wanted an interview. Cats are usually up front here and I hate to scare them every two seconds by coming through the door.” his green eyes took in Marinette in the purple dress and broomstick in hand. “I hope you’re not here to look for a familiar. Most of these felines aren’t great around people yet.”

“Um, no. I already have one. His name is Plagg and he’s obsessed with cheese. he’s been missing since yesterday and I haven’t been able to find him since. Have you at all seen him? His eyes are like a green glow stick, they’re really green.”

Chat Noir’s eyes lit up. “So you’re the Marinette he was talking about. Right this way princess.” he said, gesturing down the hall like some kind of prince.

She was cautious, but he did know her name, so she followed him. He opened one door and put a finger up to his hidden lips before taking her hand and leading her up the stairs. She had to guess that he was taking her to the theatre's booth.

“Ow! Stop biting me!”

“Plagg!”

she didn’t bothering waiting for Chat Noir as she ran to the top of the stairs where she saw Plagg in the middle of a little kitten playroom, getting attacked by 3 kittens, all using him as a chew toy.

“Marinette help me!” Plagg begged. Other than looking very uncomfortable, he seemed to be ok.

“Alright kittens, leave the poor guy alone. Chew any more and you’ll turn him into a Rex.” Chat Noir called, slipping out of his shoes before stepping over the barrier and pulling the kittens off of Plagg, before picking him up and handing him to Marinette.

Plagg’s claws dug into her shoulder as he clung to her. “Never let me leave the room ever again.”

“What happened anyway? I came back from the delivery and you were gone.”

“I found him running from Minnie. she’s kinda the resident leader.” Chat Noir said.

“I did not run!” Plagg defended.

“Oh, of course not. You were trembling with excitement when she drove you into a corner like she would do any street dog. Looks like your kitty likes it ruff.”

Marinette couldn’t tell if he meant that pun but she was starting to get an idea that he liked them. He wore black and was called Chat Noir.

“I don’t like him.” Plagg grumbled.

“Hey, I feed you my cheese buns last night because you wouldn’t eat the cat food I offered. That was my dinner.”

“Well I saved you the trouble of really bad cheese buns. Clearly you haven’t had a Dupain Patisserie cheese bun.”

Chat Noir’s eyes glowed in amusement. “They’re a little far from my territory, but I have had their macaroons. they’re meow-vellous.” he looked proud of that one. “He’s ok, by the way. Checked him over for as long as he let me hold him and brought him up here because the kittens don’t care much who comes up here. He makes a pretty great foster dad.”

“My first and last time!” Plagg yelled, Marinette moving her head away from his screeches.

“Well, thank you for looking after him. I’m glad to know he was in good hands.” Marinette thanked.

“No problem. I don’t know what your skill set is, but maybe you could find a way of keeping him out of trouble? Something tells me this isn’t his first time.”

Marinette looked at Plagg, who was still sulking and twitchy from being around the kittens. He was pretty good at getting into trouble. Maybe she would have to pick him up next time he wanted to be too lazy.

“I’ll do my best. I should get back. Thanks again.”

“Not a problem princess. don’t hesitate to come again.” he offered, bowing like a prince.

On their way back to the bakery, Plagg complained about the things he’d been through but she could tell it was just him complaining about everything. From what she gathered, Chat looked after all the cats himself, changing litter, filling food and water bowls, catching any sick cats to get them checked out. that’s why Chat hadn’t seen Plagg when he came wondering into the music hall when his curiosity got the better of him. He’d been bringing back the kittens from their check up when he heard the ruckus and saved him.

“He must be doing something pretty well to have the money to pay for all that. I know what a simple check up costs for you.” Marinette pointed out.

“Don’t ask me. He can’t even get decent cheese bread. They were hard.”

“Hard? Like they were stale?”

“Tom’s given me stale bread as a toy. They weren’t fresh, that’s for sure.”

money spent on the cats but old bread for dinner? Could he be spending all his money on the cats? She wanted to show him how much she appreciated him looking after Plagg. Maybe a simple cheese bun could be the key? She looked down at Plagg, who was still going on his ‘woe is me’ spin. Of course, she was going to have to steal a few before she feed her poor attacked familiar.

                                                     ____________

“Why are we here?” Plagg whined.

Marinette rolled her eyes. Plagg was obviously back to his usual self. She did noticed that he did stick closer to her on the broomstick, so he clearly wasn’t taking any chances.

“I just want to thank him for looking after you. he’s obviously got his hands full with all the other cats and he gave you his dinner.” Marinette pointed out.

Plagg pouted. He didn’t like admitting he was wrong, but she knew that he had a heart of gold.

She floated down to the back of the music hall, like Chat Noir had asked her to. A few cats watched her land, growling when they saw Plagg, who growled right back.

“Down guys. No need to growl. I’m sure if you asked nicely, purr-incess here would be happy to give you a ride.”

Chat Noir came from the back entrance, hefting a large bag litter in his hands.

“I didn’t expect you back so soon. You missed me, I’m sure. I’m paw-sitivly purr-fect to be around.”

“Ease up on the puns or I’m feeding these to Plagg.” Marinette warned, holding up the basket that was in her hand.

“A gift for me? Why princess? We barely even know each other. If you’re asking me to run away with you, just know I’ve got about 40 children to bring with me.”

Marinette got the feeling puns and flirting was this guy’s way of talking. She hoped if she dug a little deeper, she’d find something a bit different.

“Something to say thanks for looking after this one. I’m sure he was a handful.” she said, waiting till he dropped the bag of litter and dusted off his hands to hand him the basket. It had cheese buns as well as a few other filling pastries. “They’ll last you a while.”

“Dupain Patisserie? My, my, you spoil me. I didn’t mind looking after him. I’m just glad you two found each other again. I’ve got to ask though. Purple dress and black cat means your a witch right? What brought you to our small town?”

Marinette shrugged. “Most witches go out on their own at my age. There was something about this place that just drew me to it.”

“Well, hopefully our meeting didn’t make you look at things in a bad light.”

“I’ll survive I’m sure. Besides, my skill set is making lucky items. I think I’ve got a bit of protection.”

Chat Noir got close, leaning down a bit so he could look her in the eyes. “I think we lucked out with you princess.”

She couldn’t help but to laugh. She didn’t know Chat Noir that well yet, but something told her she’d be surprised with what she discovered.

[dayna-scully]

ncis s4 lb

season 3  |  season 5  |  season 6  |  season 7  |  season 8  |  season 9  |  season 10  |  etc

4x01

you can’t ever convince me ziva and tony weren’t sleeping together between s3 and 4

worried boyfriend tony

I was hoping maybe save me

she needs her dad kill me

we love you too 😭

she got dad to come home

he’s supposed to be dead/apparently he’s gotten better

they were 10000% fucking lets 👏 be 👏 real 👏

“when I need to be” quick question: what the fuck

skinny summer mcgoo

they use the same safe house over and over again

why wasn’t I with ziva?

she’s scared, not that she’ll ever admit that

4x02

I wonder how different the show would have been if they’d always written tony and Abby as being mature and serious the majority of the time - the childishness gets really really annoying, and there’s such a change in quality when they are more mature

dad’s home!!!

4x03

uuuuuUUUUGH I forgot how early Tony’s undercover stuff started

now that gibbs is back there’s so much tension between z/t

perhaps because z is jealous of the “mystery girlfriend”

tfw you’ve already got a girlfriend but you’re still checking out your totally platonic professional work partner’s ass

ziva is definitely a daddy’s girl in a way that Abby isn’t, Abby’s sugar sweet and spoiled, but ziva is the one that really needs the emotional support

I wonder if ziva ever actually thought about having kids with tony before tali

I wonder if tony thought about it too

has anyone ever told you you’re attractive/my brother 😂

you’re a geek, not mentally deranged

crime!!

4x04

Timothy Jimothy McGee

4x05

uhoh Tony’s worst nightmare

personally I prefer a good shag 👀

I think it’s good to keep in mind throughout all episodes that tony and ziva have already seen each other entirely buck-ass naked

I’m not blowing on you again

again: what the fuck

totally normal

👀

now is not Paris

why do you wanna look at a dead guy’s junk Anthony

4x06

I don’t totally understand ziva’s derision of Halloween, they do have Purim in Israel (and in Jewish communities in general) it might not be as dark and spooky as American Halloween but still

maybe it’s different in the states but amber alerts are only when they know the kid’s been abducted

I mean now they do know she was abducted but that was AFTER

according to someone called Scuttle Butt

so tony and ziva are watching movies together outside of work 🤔

4x07

UGH jeanne

zeevah! Zeevah!!

this has to be the stupidest thing anyone’s ever done/then why are you following me/I don’t fricking know (it’s cause you love her you doof)

i can see down your shirt right now/I don’t think your new girlfriend would like that/what are you talking about i don’t know what you’re talking about/I’m talking about you and the fact that you no longer stare at every woman when they pass you by

so 1) tony is not as good at hiding this undercover assignment as he thinks he is, 2) ziva observes him enough to notice that his behaviour has changed and 3) ziva is the only one he is STILL checking out

not worth dying over

I’ll remember that

my son, tony (!!!!!!!!)

gibbs was unfortunate(?) enough to be stuck with the most loyal set of ducklings

4x08

the only thing I DO like about the jeanne/la grenouille plot is jealous ziva

this cannot be admissible in court even with proper chain of evidence

totally platonic to be touching the entire side of your work partner’s body with your own tony would definitely sit that close to McGee by choice right it’s not just ziva

lee looks like a ballerina

sometimes they really go hard with the imperialistic propaganda

4x09

nepotism: both Sean and Troian getting jobs on ncis

MySpace im….okay

Jenny’s only here for the hot goss

see I don’t think Jenny realizes he’s talking about jeanne, I almost wonder if she thinks he’s talking about ziva

4x10

McGee thinks ziva’s in love with me (she is)

dad and grandpa are fighting and the kiddies don’t like it

pimmy jalmer

🎶sexually frustrated “platonic” partners🎶

you two done playing grab ass

you described everything in my bedroom (why weren’t they endgame?)

I do feel bad for tony. He was definitely put in a bad situation where he was taken advantage of (by NCIS/the director) without anyone to confide in, and of course it ended really, really badly

how can ziva even tell but anyways of course she’s jealous

the usual/the usual what - oof. That expression hurts. Poor ziva

you got that moustache in a box, don’t you

4x11

sexual harassment training

LICKING YOUR COWORKER’S FACE IS TOTALLY APPROPRIATE BEHAVIOUR ZIVA DAVID

why are you touching dead naked people?

I suppose at this point the viewers didn’t know that jeanne had anything to do with the undercover stuff tony was doing

ziva is concerned about her boooyfrieeend-seriously though

what part of inappropriate touching don’t you understand

romantic or not, ziva seriously gives several shits about tony and his well-being

dadman to the rescue

did Jenny…also not know????

ziva is so, so concerned ugh bb

4x12

I don’t know what my moas would be

unreservedly romantic tony

ahh, you two got married and didn’t tell me

I think it’s scary!

oh ziva.

why does ziva being so concerned make gibbs so uncomfortable 🤔👀

your other phone is never on silent

IT LITERALLY DID NOT OCCUR TO ZIVA DAVID, INTERNATIONAL INTELLIGENCE AGENT, THAT TONY COULD HAVE A GIRLFRIEND

LOOK AT THAT FACE

HOMEGIRL’S WORLD JUST GOT FLIPPED UPSIDE DOWN

oh z

so the pictures that mossad had at the beginning of the season of z/t - could those have been from the agents watching tony and jeanne now?

4x13

when your wife and your girlfriend are in the same room

sounds like you have something up your wazoo

when your boyfriend has two super intense daughters who could both kill your painfully and without evidence

ooh petulant ziva

I’m certain that they used the same hall for jeanne and Tim’s apartments

“it’s important to appreciate the competition” EXCUSE ME TONY the competition for WHO??? Ziva??????

what the FUCK tony

those two are unusually motivated to find sharif 👀

4x14

what’s a little state sanctioned kidnapping between friends, eh?

mark harmon was on st elsewhere, wasn’t he?

maybe now gibbs gets why ziva’s so concerned

z is so pretty in this episode

4x15

so Tony’s so in love with jeanne that he doesn’t notice ziva dancing provocatively in front of him, but not so in love with jeanne that he’ll get in between ziva and someone who’s attracted to her

he’s also a ziva-to-English translator

oh tony

Dead Man Walking

oh dear poor z

you didn’t make her promise not to destroy it, mcgee

brain training to figure out how ziva knows the dude

aquasmurf

meetcute

so does my spleen

we finish each other’s-sandwiches

her technique 👀

falling in love with a dying man is a fantastic idea z

(Professional follow-up)

oh z

red light behaviour!!!!!

the look on your face says you are

what’s that look on your face

gee tony if you’re so in love with jeanne why are you also so in love with ziva

are you okay?

good guy tony

4x17

I’m pretty sure that mausoleum exploded in Bones too

so. over. abby.

why do they just shit on ziva all the time on this stupid show, everyone she loves dies

when you break up with your girlfriend but she’s still jealous of your wifee 😬

4x18

she’s wearing Roy’s hat ��

oof, boy’s got a face like a brick house

I don’t want to see you naked, either tony

cold elbow

or maybe you said something when you should have said something

I’m so not interested in this melodrama 🙄

not good?

4x19

oh tony

4x20

ziva is totally unimpressed by these shenanigans

uncomfortably reflecting upon McGee’s book and ziva looks like she’s about to cry 👍👍👍👍👍👍👍👍

campfire!

4x21

all these investigators and none of them can figure out that it’s kort

4x22

jeanne, on a fishing expedition and tony, regretting his response

ziva, studiously avoiding tony’s face while tony processes his regrets

bad news from the, um, dentist? / something like that OOPS TONY OOPS

😍😍😍😍😍😍😍😍😍😍😍

she looks so hurt, ouuuch

like

she must realise how much in love she is with tony, even after roy

A GIRL LINGERS

long enough

tony/zeevah

that was...astonishingly cruel

like I can’t even comprehend

“it’s because you’re a good person” YOU DON’T DESERVE HER DINOZZO

you fuck

he’s right/he is?/i am?

4x23

noooooooooo

yeeeeeeeeees

buying a house is a loooooot

“Tony’s never vulnerable” maybe not around you, jeanne 👀

ha! I’m a normal man! I hate my wife!

I don’t know if I’m getting this ziva outfit mixed up with the one in bury your dead or if Something actually happens in this episode

something happens in this episode

so you’ll help me?

rip my little bi heart, she loves him

love you too, jeanne

poor z

4x24

I think sometimes she pretends not to know movies just to hear tony talk about them

OH NO THE BAR

to dry eyed mice

i have seen this episode an unhealthy number of times

I have a funny feeling, doctor

straight to voicemail, just like always when he’s with her

oooh z

tony?/what?!

why do you monitor tony?/i don’t monitor tony/oh yes you do, like a mother with a toddler

or a woman with a wayward lover

so if he’s profiling you, z, that means...there’s some truth to it?

tony is with his girlfriend, and you are worried about him

he is my partner, and my partner said he would be here and...and I have this not so good feeling

cut tooooooo a gun

aaaaand now to bury your dead.......

[theworstbob]

the thing journal, 4.9.2017

scattered thoughts on the things i took in over the last seven days. this week: hannibal s3, bad cop/bad cop, the lobster, netflix teen mystery drama (yeah i’m not gonna type the name out, i ain’t finna deal with a fandom), joey bada$$, the big nowhere, win it all

1) Hannibal, season three: Boy, we sure did spend half the season stumbling aimlessly around Italy, didn't we? No no no, give me another abstract montage with fun camera tricks and eight layers of symbolism, Mr. Neftali, I was gonna say, it's been a few scenes since we've had a montage, when are you gonna deliver another one? FUCK IT! THERE AIN'T GONNA BE A SEASON FOUR! INDULGE ALL YOUR WORST IMPULSES! The show picked up once it got to the Red Dragon plot, and one would have to imagine that is due to the fact of, um, the plot existing at that point?, but I think this show took these characters about as far as they could go. This was a good place for it to end. I'm not sure how far they could have gone having everyone speak to Hannibal through a wall for 13 episodes (it was starting to get tired even after a few episodes here). I did enjoy the Red Dragon episodes, that was the Hannibal I loved in the first two seasons, and it built well toward the ultimate ending (or penultimate ending, yay post-credits sequence, do set up that fourth season, no no no definitely gonna happen). Not Hannibal at its best, but close enough and still good enough when it was On that it I'm still OK calling Hannibal one of my favorite series of all time.

2) Not Sorry, by Bad Cop/Bad Cop: I DERIVED VALUE FROM A DIVE INTO YOUTUBE COMMENTS I went into the comments under a Bombpops song just to see what they were like, and they weren't... as bad as I expected? Not good, but at least not explicitly hateful. But someone in the comments mentioned this band, and I was intrigued enough by the name to check 'em out. (I check out new-to-me bands if they're recommended by a trusted source or if they have a dope name.) And that YouTube comment was right, this album fucking rules. "Cheers" is another item in the long list of things I love named Cheers, the closer is superb, and just, there's so much punk/rock goodness, and I can't believe I heard about them via a fucking YouTube comment.

3) The Lobster, by Yorgos Lanthimos: yoooooooooooooooo My chief disagreement with this film is that it's sort of a waste of a fantastical premise. Maybe I'm just spoiled by BoJack Horseman, but I think the premise that single people are turned into animals was mostly wasted, didn't provide for any interesting background jokes, didn't create moral dilemmas when the woman asked the dude to catch rabbits, was barely even a concern through the second half of the film. It only sticks out because so much of the rest of the film was executed superbly. I loved where the film took the main part of the premise (you have to find a mate, you have to share one defining characteristic with that mate; on the outskirts of civilization are Loners). The dialogue is so stilted and unnatural and performed in a highly mannered way, and once you get to the Loners and there's this woman speaking freely and naturally, it really adds to The Leader's power (and that's such a fucking cool performance, too, on its own), and it makes it more pronounced that the dude and the woman never quite break from their practiced way of talking, never quite breaking from the society that instructs, "This is what love is. Loneliness is dangerous." It's also some of the bleakest comedy you'll ever see. It's an odd fit for John C. Reilly's big ol' heart, but he makes it work as he always does, and MY GOSH THE HEARTLESS WOMAN. I WANT A WHOLE MOVIE ABOUT WHAT THE HEARTLESS WOMAN GOT UP TO BEFORE COLIN FARRELL CAME ALONG.

4) Netflix Teen Mystery Drama, s1, cr. Brian Yorkey: So, one good thing, I loved how the show delineated Today from Yesterday, making Today cold and Yesterday warm. It's a simple thing they did, but it gave the show a distinct look and let them do some neat visual stuff with the flashback structure, like I'm not sure I stick with this show if it weren't such a cool thing to look at. Because fucking yeesh. This is a show about stupid people who keep secrets. Literally the entire show doesn't exist if any character told the truth to anyone else in this show at any point. Half of this show is one character saying to another, "I can't tell you that yet" or "I'm not at liberty to discuss that" or "You'll have to find out for yourself" or "This stays between us." I'm hesitant to say it's bad writing, these are TV professionals and I’m a yutz with a blog, but I found it highly disagreeable. And that sucks that the show was written like this, because there's something great about this idea of how kids hurt each other without realizing what they're doing because they’re idiots who don’t know how to be people. I thought it was fascinating that, as these horrible things were happening to the main girl, they kept cutting to the main dude being on the margins, observing the events but not doing anything helpful, and if the show had a tighter focus and could have followed that arrow more closely, it would have been so much better for it. I know this was based on a novel, and while I will likely not read the novel, I have to imagine the novel is better, because the novel doesn't have to fill 13 hours of television with All The Things ALL THE THINGS and pad itself out by having people lie to each other until it is time to make the revelation ("Why can't you tell me now?" "Because you have to wait." "For what?" "Episode nine." Like if you won't be real with each other at least be real with me), and it can be about just The One Thing. That sounds so much better than this show, which feels overstuffed and, I just, I have to ask, season one? Season one. Are you kidding me. How are you going to find 13 more hours in this universe, about these people. Like, I'm good. It's like Broadchurch, I will respect that there's other seasons, but I think y'all did what you came to do in the one. Honestly, between this and the American Psycho musical, I have no idea how Next to Normal is so good. (Compliment sandwich! The main girl was a really cool character, and it was so easy to imagine this being a show about Natalie from N2N in an alternate timeline. Also, I kept count, the exchange "Hey." "Hey." appears in this show four times.) Wow that was hella paragraph for something I wasn't keen on.

5) ALL-AMERIKKKAN BADA$$, by JOEY BADA$$: Hey. White man, here, trying to offer critical assessment of an album called ALL-AMERIKKKAN BADA$$. ...Maybe it's not my place. I mean, it's not really my place to offer criticism on, um, anything, but ESPECIALLY an album about what it's like to be black in America, and not just the Trump America (though he's not happy about that, either), but in an America that has always hated black people, Trump only making that subtext text. I kept thinking "break-up album with America," but that sounds reductive, as did "To Pimp a Butterfly with mainstream ambitions," and while I don't wanna reduce this, I DO still want to say those things. It's good stuff. That's all I can say, really. (Also, there’s a spate of pop artists trying to get by with all-caps names or song titles. This absolutely earns the ability to slam that Caps Lock key. You hear this shit, PARTYNEXTDOOR? This is all-caps music.)

6) The Big Nowhere, by James Ellroy: One good thing about The Thing Journal is that I have an excuse to read physical books on the bus AND read all the books my dad has been giving me for Christmas the past few years! I'll cop (ha!) to not being overly invested in the plot. Oh, boy, a story about a serial killer who's into some weird sex stuff, that's new to me, no tell me about the perverted twist that made the killer what he is, oh wow so fucked up. What I really loved this book was the realistic version of Los Angeles in the 1950s, what with the cops walking around spouting racial slurs as people do heaven and hide their homosexuality. We always get caught up in the notion that the '50s were a more innocent time, our nation is currently being run by people who want us to take us back in time, but like people were doing fuckin' heroin in the '50s. The '50s were shitty, too. I found spending time in this version of Los Angeles valuable. It's a gritty cop drama, sure, but it more than earns its grit. This has been Bob! Attempts To Review a 30-Year-Old Novel Set 60 Years in the Past!

7) Win It All, dir. Joe Swanberg: So one of my favorite lyrics of all time, I can't remember if I've brought this up here or elsewhere but I'm prolly gonna bring it up again, is from Frank Turner's "Recovery:" "Broken people can get better if they really want to/At least, that's what I have to tell myself if I am hoping to/Survive." While only having seen two of his works, this and Drinking Buddies, I feel comfortable saying Joe Swanberg has a deft handle on depicting the person from that lyric in film. My initial impression was that the film didn't do enough to prove the main character deserved redemption (minor spoiler, insofar as this film has a plot, but he does sort of spend the entire film lying to the woman he's falling in love with), but the more I've thought about it, the more I'm thinking, who am I to decide who deserves redemption? He's trying. At no point in his life has he not been trying. He is aware he has made bad choices, and he is keenly aware of his flaws. (His reaction to the contents of the bag is priceless. Jake Johnson is a treasure.) If he makes an honest effort, why shouldn't he get better? No one deserves to be broken, either.

[laufire]

Black Sails s3

This one took me longer because RL got in the way LOL. I’ve loved it as much as the other two (even if I am IN PAIN over you-know-who’s death DD:). I don’t know when I’ll have the time to finish the last season, but I wanted to post about this one before starting it; otherwise it’d accumulate with the 10+ and counting metas I want to write about this show once I have the full picture LMAO.

Max

As always, I have to start with her because she’s THE FUCKING BEST. This woman is currently competing for the number one spot among fictional characters in my heart LOL (I mean. I have loved Caroline Forbes --who I actually think Max has a lot in common with lmao. Everything I love is the same, as I always say-- for too many years for her to ever be truly dethroned; unless something goes really wrong with Legacies I guess. However, it’s still remarkable that a character could make me doubt).

I’ve absolutely adored her plot this season; watching her growing sphere of influence, the way she affects and upends others’ lives. That’s very much being present since season one, especially with her and Silver in tandem (I have a lot of Thoughts(TM) about those too as a driving/disruptive force in the show --they’ll go to one of those metas--; I’m put off by the fact that I didn’t get to enjoy them conspiring together this season lol. Though her reaction to the fake Long John Silver letter was kind of hilarious xDD. Still. I kind of wish we’d seen the scene where Silver tells her he renounces to his part of the price. It could’ve been very interesting --I guess he could’ve told Jack but that wouldn’t’ve been as good, so this is my headcanon).

The most obvious storyline where this manifest is in her relationship with Anne and Jack. I love everything about it, but well. I have to admit, the ~betrayal/different sides element appeals to me xD. I like that Max prioritices herself and her safety. That she sees the writing on the wall with the English invasion or with Vane’s execution and acts accordingly, the way she calculates her decisions and forms alliances without letting past grievances get in the way --with Eleanor, Rogers, Mrs. Mapleton...--, the choices she makes because she doesn’t want to be “on the outside looking in” ever again and how they always end reverting in her benefit, ultimately (I’m getting ahead because I am spoiled of quite a few things about s4, but I LOVE that eventually she mends her relationship with Anne and Jack. Because it fits into this: how even the possible mistakes and emotional compromises she makes are within a very specific frame that works out for her in the end).

Her relationship with Anne gets even better this season. I think my favourite scene is where Max tells Anne that she nows Anne “cannot fathom leaving me”. Can I get this woman’s confidence LMFAO. But seriously. I luff them. I love how Max convinces Jack of going along her plan to replace the gold with good easier to transport (and how THAT ends up being Flint’s treasure asdñlfkasfj. MY GIRL DIRECTLY CAUSED THE EVENTS IN TREASURE ISLAND OKAY) by appealing to their mutual love for Anne. That she trusts Anne with the story about her father. That she knows just as well as Jack that Anne wouldn’t give up the treasure so easily and she’ll try to save him (and that Anne won’t stomach the thought of Jack being tortured because she couldn’t bear MAX’S torture. My heart).

Another highlight of the season for me was her relationship with Eleanor, which keeps being a huge surprise no matter what xDD (even if, again, never in a shippy way. I’m very glad the season doesn’t go there). I love the reversal of expectation in a general fandom landscape: how ultimately, Eleanor doesn’t have an emotional hold over Max (and that she lost it as early as 1x02, IMO. I’m not saying “Max doesn’t feel anything about Eleanor”, but the truth of the matter is, narratively Eleanor serves Max, not the other way around. And I’m happy and relieved about it, ngl), and that the same isn’t true the other way around. I thought two very telling scenes where a.) Max hosting parody trials of Eleanor that paint her under a completely undignified light, but clearly deriving no pleasure from it: it simply was yet another thing she does for practically, level-headed political reasons; and b.) that Eleanor orders Rogers’ men not to hurt Anne in the exchange because Max’s love for Anne.

Continuing down with Max’s relationships, I’ve grown to really like hers with Idelle. I think Max find Idelle fun, likeable, uncomplicated (the scene where Featherstone tells Idelle he hopes his pardon doesn’t diminish her attraction to her was hilarious and clearly the moment Max was enjoying herself the most in the whole season lmfao. BTW, I kinda liked Idelle/Featherstone since the moment he told Jack he wasn’t concerned because “he was in love with a good woman” and Jack was like “Idelle??”. Yes, it’s fun because client-falling-for-sex-worker is a pitiful cliché, but here’s the thing: he’s right xD. He didn’t say “I’m in love with a woman who loves me”. He said he was in love with someone GOOD and Idelle IS a good woman, dammit xDD).

Max doesn’t concern herself much with the idea of Idelle going behind her back because Idelle loves her, respects her, and is a loyal friend (and yet clearly sees Max exactly as she is and doesn’t have any delusions about it. Luckily for her Max is probably the type to feel angry but not vengeful about this lol, if only because it could reflect on her). And Max is right about that. But I love that Idelle still has it in her to take a different path by allying herself with the pirates. I’m curious about the reasoning being after Max makes Mrs. Mapleton madam again; it’s clear the girls aren’t happy about her and she didn’t seem like she took good care of them in s1, to put it mildly, so there’s some of that, but I like to think part of it was Idelle going, “seriously Max? I’m right here! I could be the Madam!” xDD.

Her dynamic with Mrs. Mapleton was really interesting too; I like how she too puts aside any old grudge and decides to put her bets with Max over Eleanor or Rogers, because she has confidence that Max and her methods (“I choose to let the players reveal themselves to me, least I make an enemy out of someone I might wish to call a friend one day”) will outlast them (btw, that line/her approach in general --as well as Silver’s “liked is a good as feared” MO--, kind of reminded me to Sansa Stark’s “If I am ever queen, I will make them love me.” line. Food for thought). Yet I think Mrs. Mapleton instructed Georgia to  attempt to ~seduce Max to get information out of her, which is very much in line with her. I loled at Max’s reaction basically being “gurl, who do you think you’re talking to. I practically invented this. GTFO” xDD

Basically, her entire storyline this season was pure gold. I love how all of those dynamics come from her maneuvers to keep herself safe, in power, and with influence (because those go hand in hand). I love her pride and her confidence, the way she refuses the scraps Eleanor and Rogers intend to give her at first (and how she firmly says to Eleanor “people do not speak to me that way anymore”, how she establishes a new normal between them), and how she pays her way out of trouble/into power with the gold she stole from Flint & co xDD.

My favourite moment of hers is devided between “in another time, in another place, they would call me a queen”, and “I AM Nassau” (that made me decide that if I ever write fic where Max needs a last name for any reason, it’s going to be Nassau. It is law), and how meta they’ll turn out to be :DD. I also have Thoughts about the evolution of her styles (beyond the obvious “omg she’s soooooo beautifuuuuul” lmao) but I’ll leave that for another show-encompassing meta too :P

Madi

She catapulted herself to Forever Fave status pretty quickly (I may have too many of those in this show.  W h a t e v e r  xDD). I love how self-assured she is (“when I speak my men listen, and they do as I say”), and how she always thinks of the big picture (like when she fought her impulse to order her men to fight against the pirates after one of them beat one of hers). And I have a lot of Feels about how this is explicitly linked to her heritage, her mother and father, their ~legacies.

Speaking of: one of the few major spoilers I seem to have avoided was that Mr. Scott was Madi’s father LOL. I was DELIGHTED by that reveal, and how it makes you reconsider his story. His relationship with Eleanor could’ve been a frankly off-putting cliché, but this completely circumvents that; it’s true that he’d shown more independence from her than I would’ve expected in another show, by leaving her side to do his own thing and further contributing to her vulnerability. But giving him a real* family, one that he prioritises over Eleanor and HID FROM HER, using her position to their benefit... That’s on a whole other level.

*I know some people are going to object to this qualifier. Fandom gets like that about found families, adopted families, etc. And I get it, but this is NOT like those situations. Mr. Scott was Eleanor’s SLAVE, FFS. That is incompatible with being her family, her father figure, no matter what she thought. And I love that the show made it explicit, when Madi tried to talk about his “two daughters” and he said “NO. ONLY YOU” in his deathbed (I might or might not have cried, okay. It may be one of my favourite scenes in the whole series). Especially when there’s a very obvious trend of characters of color COINCIDENTALLY being written as prioritizing white characters over their biological families, at the cost of their health and even their lives (I am still not over Monty being forced to kill his own mother to protect Octavia in The 100. Fuck that shit, seriously). Black Sails deciding to do the oposite here is FUCKING REVOLUTIONARY and I love it to pieces.

Another thing I loved is that they picked an actress that looks more like Mr. Scott than like her mother or Max (darker skin etc.): aka how the few black female characters that usually get what Madi will from Silver --that ~eternal devotion, willing to go against anything and anyone for her etc.-- tend to look.

Unsurprisingly, I like Madi/Silver VERY MUCH lol. I like that he is immediately ~drawn to her, in a subtle way, and viceversa (like in the scene where he’s still in the cage watching how she has trouble breathing after seeing her wounded father, or when they hug after his death). All their talks about power, responsibility, succession etc. are really good. And her concern for him is as palpable as probably inconvenient for her xD. I love the scene where she holds her hand as his leg is treated, or her worry one Silver calls himself a “one legged creature”. Though my favourite might be when he smiles when she shows concern for his state after killing Dufresne, and she’s like “well duh, if you fall apart the alliance between my people and yours is screwed” xDD

And though there hasn’t been much development yet on that side, I’m already so onboard with Flint/Madi/Silver lmfao. I love that nod of ~acknowledgment between Flint and Madi with the Maroon Queen’s voiceover about how Madi will have as much authority as Flint in his own ship xD. Her concern about Silver’s relationship with him is kind of ironic knowing that they’ll eventually find themselves more aligned between them than with Silver, by virtue of their many commonalities LOL. And there’s already traces of that ot3 feels, like when Madi tells Silver that the mistake of those “other people close to Flint” that he’s so scared of following to the grave was trying to deal with Flint alone (Madi’s seduction technique: kindness, understanding, and offers of partnership. I dig it).

I want more scenes of and with her mother, too. And between her mother and Silver, since apparently the Maroon Queen trusts him among all the pirates NOT to betray them for money (Jack saying the irony wasn’t lost on him and Flitn was hilarious xD) and that has to be thanks to Madi’s opinion of him. I’m kind of bitter we never got a Mr. Scott & Silver scene, too, especially after Silver and Madi become romantically involved. I love that stuff.

Miranda

I could just upload a bunch of gifs of various crying/in pain/etc. states here because WORDS CANNOT EXPRESS THE PAINNN. I was ~feeling Flint’s grief the entire time, I swear (though... did it have to express itself by shaving his head... asking for a friend). The violence he kept inflicting in her name (her word will be the last word); how he convinced his crew, Silver included, to go into the storm rather than surrendering, for her (and narratively speaking Silver is right, he did conjure it xDD). How fucking tired he is of it all (“you can talk your way part it”, “I don’t know that I have any more lies left in me”).

As far as I’m concerned he could be hallucinating her the rest of the show (I’m going to miss seeing her so much... especially in light of the ending), as painful as I find those scenes. At this point “But when I lost you... I am ruined over you” is an instant tear-jerker, ugh. So is Flint wantint to let go and “be with her”, and ghost!Miranda saying she’d resent him for giving up. Though my favourite is when Miranda basically describes herself as his “maker”, about how she ~shaped him *clenches fist*. I love those kinds of ships.

BTW: I think the moment Rogers mentioned Thomas, Miranda’s ghost, Flint, and I, yelled “HOW DARE YOU SAY HIS NAME” on the inside xD

Flint & Silver

Sometimes fandom gets it right because the relationship between these two is... A Lot. A LOT. I anticipate a lot of suffering on my part in the near future xD

I loved the evolution in the first half of the season, from Flint telling Silver that “in my head, you’re not welcome”, or Silver resenting that Flint’s words convinced HIM (HE’S the convincer!! It’s not supposed to happen to ME!! xDD) and rambling about how Flint is “able to ~conjure the reality he desires”, to Silver finally confessing about his part on the Urca gold robbery (which I’m at least 60% sure Flint suspected already tbh. That was not one of Silver’s best lies lbr) in order to force Flint to “account for ME” --but ofc still grabbing the nearest weapon as he confeses, just in case xDD. I am also incredibly delighted by the fact that the fandom calls that episode “shark date” asdñflkasjdf (*Flint and Silver barely manage to kill one shark*; Flint, challenging: again? *Silver grins*. Shark hunting = foreplay now, apparently).

I want it known that I end up ENRAGED every time they talk about their ~partnership lmfao. It comes off very intimate and gives me too many feelings xD. “When you and I talk with one voice, we can convince them of anything”; “your words opened that door [Flint convincing the Maroon Queen to spare their lives and join their fight]”; “you didn’t tell me the journey into the dark feels good”; “he doesn’t know how to say no to the both of us at the same time”; “I’m afraid I will be the end of you”. JUST STOP YOU ASSHOLES XDD

One of my favourite moments is when Silver convinces Flint to live. To go on, to talk to the Maroon Queen without a safeguard (that knife would’ve been his doom) and get her on their side (which Flint does with a super passionate speech about fighting England’s empire. ILH). Another is when Silver tells him he enjoyed killing Dufresne WITH HIS PROSTHETIC LEG OMFG (I personally think killing Dufresne was very valid of him lmfao), or Flint says Silver enjoyed punishing Dobbs (which in Silver fashion, worked perfectly for him because it made Dobbs MORE susceptible to him). Though obviously everything pales when compared to the scene where CAPTAIN FLINT COMES OUT TO LONG JOHN SILVER OVER A BONFIRE LMFAO. I loved that scene; it was so gentle. And then Silver made it about him and their relationship xDD (this show is not subtle). Flint’s apparent lack of concern about Silver replacing him is stressing me out though. I dread the series finale xD

Outside of Flint/Silver, Silver’s journey remains awe-inspiring. I just... love him. I love that he gave up his share of the Urca gold because he had to hold onto the crew, but that he is terrified of their bow to take care of him. His concern for his image in front of them was heartbreaking and hit waaaaay too close to home, too. And I wonder how he’s going to react to Billy’s King Long John Silver stratagem xD

BTW, I lowkey shipped him with Muldoon LOL. They should’ve had ~tender sex~~ (on screen, I headcanon it did happen off-screen, whatever) at some point (if only so there was one measly mlm sex scene in the show amidst all the rest. It’s troubling, to say the least, that there’s not a single one when it has a queer male lead tbh. And I get why they didn’t go that route with Flint outside of Thomas and can even see why they didn’t do it with Flint/Thomas even if I judge the hell out of them for it, but given how they go out of their way for the other options... yeah, I side eye them).

Jack

I LOVE HIM SO MUCH AND I WISH HE HAD MORE SCREENTIME, OKAY. Every time he opens his mouth the show gets just a little bit better, if you ask me xD. “If you’re going to behave like children, I will be your daddy” WHO SAYS THAT JACK XDD.

I loved him even more when he decided to deny Rogers & co the cache, Spanish invasion or not, to not give up and assure ��his legacy”. And OF COURSE he could write his intentions in a way that only Anne would understand (Max reaaaally understimated him there). Their relationship remains the sweetest (weird adjective, maybe, but it’s true) part of the show, btw. I love that how Jack describes how hurt Anne would feel after knowing she might’ve unwittingly betrayed him. Or when he knew Anne giving up to easily meant she had a plan and he cheerfully told Rogers Anne would find a way to save him xD (the scene where he absolutely drags Rogers about his privilege --“but did I make up a lot of ground to catch you!”-- is perfect. And their reunion kiss was so, so cute.

Other highlights were when he threw away the key of the cache in front of Flint to secure it, or made his pitch to be his fellow captain in the fight. I also take a petty pleasure in the fact that Vane sacrificed himself when he went to his rescue LOL. 

I like that he convinced Blackbeard to fight alongside them, but sweetie, you have NOTHING to prove to that asshole. His opinion is worthless (between his “strife is good” and Vane’s “comfort is for women” takes... ugh. They remind me of the exact discourse among leftism I hate okay xDD. In Vane’s case I at least get where he’s coming from and I even agree in part, but Blackbeard is even more boring).

Misc

-I love Billy’s more and more insidious antagonism towards Flint lmfao (yes, Flint is also one of my Forever Faves. This is compatible AND the kind of thing that would make me appreciate Billy more. I love irreverence, period). It starts with subtle ways of trying to poison Flint and Silver’s relationship (telling Silver Flint doesn’t see him as an equal, sending Silver to deliver Flint’s message instead of Flint himself, etc.). I laughed at him saying he’s all for Flint sacrificing himself for the crew since it’d be the “first selfless thing I’ve seen him do!” lol. Or that he “wants a good view when things catch up with Flint and the world makes sense again”. And ofc, creating the legend of Long John Silver. You just know he remembered Flint’s out of left field “I AM YOUR KING” and said “not on my fucking watch” xDD. And I love the irony of him being the one delivering black spots LOL.

-Did it really took that long for Anne and Flint to share some freaking words smh. Barely, but I’ll take it. I liked the moment where Jack references Max as “Anne’s lost love” and Flint does that Closeted Queer Observing A Queer Couple Look lol (he did the same when he was witness to Max and Eleanor’s fight. You need more queer friends, Flint :P).

-I liked Mrs. Hudson from the moment that she told Eleanor that the only difference she saw between her and other ladies is that their families have better lawyer --which meant Eleanor was the first one she could be rude towards xD--, and accused her of living of her father’s nepotism LOL. I hope she ends up in a good place and safe back with her kids.

-I can’t say I care much about Vane or his relationship with Eleanor, but his death and her hand on it were very well written IMO.

-I find Rogers so inherently unlikeable in every way LMFAO. And as hypocritical as it might sound, part of it is the extramarital affair ngl. I hate storylines where a man married to a more “conventional” woman is ~attracted to one he perceives as “stronger”, “fiercer”, and more worthy of himself (as if his opinion on the matter is worth shit) --only to eventually try and make the new woman more conventional once he “has” her. This one hasn’t gone all the way there but it has traces of that trope and I loathe it with all my heart.

-The only moment I managed to pay attention to Blackbeard was when he mentioned he had shrapnel advancing towards his heart, and for anyone who knows me a little, you know it’s because my brain linked that to Tony Stark lmfao. *Sighs* I just never like any version of Blackbeard, period. I find them so boring. He’s the opposite of Long John Silver that way, because I’ve loved every single version I’ve encountered so far.

-The way Spain is portrayed in this show is so... unusual. Especially for USA content in my experience. One day I’m going to have to do some more research and write about how Spain (and in particular Spanish violence -inter and intranational) is portrayed across the ocean.