#<- they got mentioned so. tags

[1nm806]

hi... @crutchie-69 ( @the-woild-is-y-erster thought u might wanna see this too.. unsure tho!)

there was never silence in the manhattan newsie lodging house, but any volume was immediately doubled the moment any games were taking place. the current players sat around the card table were loud, mostly yelling at a pair of gamblers - both of whom wore matching wide grins as their fellow players shouted about them cheating at cards.

eventually, dimes - the shorter of the two - excused himself, walking over to the door, dodging the occasional piece of cutlery thrown at his head over his (definitely 100% totally fairly won) winnings, laughing loudly as the yelling quickly turned back on racetrack.

he readjusted his brown hat as he heard the italian say: "cmon fellas, one last game, double it - all or nothin!", and quickly slipped out the front door of the house. maybe he wanted to stick around and see if racer got soaked, but if he came back home with one more bruise from his own idiocy, shoe would probably take away his pack of cards. standing on the steps, he was focused on tucking his shirt into his shorts - too focused to realise that someone was also trying to leave the building. the only thing that tipped him off that that was an exclamation of surprise from behind him, and then someone walking straight into the back of him, knocking him down onto the street with a thud.

scrabbling to stand up before anyone saw him lying on the floor, dimes turned around to see a pair of the manhattan newsies, though he only recognised one of them. crutchie was making his way down the stairs, followed by some other guy the queen's newsie hadn't met before.

as the small boy brushed himself down, mystery boy opened his mouth to speak.

"you alright? took a fall and a half there, kid," he said. dimes gaped up at him, blinking slowly like a small child that was looking at some animal for the first time.

"dimes? buddy, if you have some memory issue now i ain't sure how i's gonna tell eel bout that-" came the concerned addition from crutchie, as the black haired boy's mouth opened and closed like a fish's before he blurted out:

"youse sound funny. whys you sound like that?"

there was a beat of silence, before the stranger burst out laughing, as crutchie desperately tried to do some level of damage control after dimes' impulsive words.

"i'm irish, kid. i have the accent still," mystery-irish boy responded once he'd stopped laughing.

"oh.. then the accents funny. youse still sounds weird, either way, i thinks," dimes tilted his head, face scrunched up in confusion. "who are you anyway? i ain't ever seen you 'round here."

"you'se ain't a newsie from this borough, dimes," crutchie pointed out - damn his sense, dimes thought the guy should stop spending time with davey, "of course you ain't seen him."

"the lads call me socks, on account of mine," said the no-longer-mysterious irish guy, gesturing at his (definitely odd) pair.

"dimes," came the response from the scrawny boy, as he looked socks up and down, "you gamble?"

"not against the kid who jus sent half the lodgin house into uproar with his cheating," socks smiled. goddamn it, he had sense as well! what was with all these hattan boys learning to use their brains?

"it wasn't cheatin, it was tactical choices used to win."

"definitely cheating."

"it weren't cheatin! i ain't ever cheated in my life! there ain't no proof-"

"alright, alright," crutchie cut in, shaking his head with amused exasperation, "dimes, we all know yous a cheater. and we also all knows you gots to run back to queen's or else eel'll send outta search party."

that got the kid's attention, though it didn't stop him childishly sticking his tongue out at the older boy for cutting him off. "fine! i's'll be back soon, nd youse nd your ir'sh newbie better not be here turnin your boys against my games!"

with that final comment, dimes turned on his heel and started the walk back to queen's, the last thing he heard was crutchie and socks saying something and laughing before he turned the corner, silently wondering where exactly irish people came from and if he would be laughed at for asking. geography wasn't his strong suit.

[kodzukay]

i‎ made these edits back when only the heartslabyul‎ manga‎ was out and i‎ LOVE how the manga‎ depicts the‎ inherent horror of overblotting

but the‎n LO AND BEHOLD⁉️⁉️

i‎ had SUCH a "BOOM SHAKALAKA‎ ⁽⁽`o(≧ᗜ≦)o´⁾⁾ YESSSS GAAAAAWWWWDDD"‎ moment when azul‎ fr 'cried' the blot

C'MON‎ LEONA 🙏🙏🙏🙏🙏GIMME‎ I TOLD‎ U SO PRIVILEGES AGAIN🙏🙏🙏🙏🙏IM MANIFESTING 🕯🕯🕯

part 2‎ here + a yapfest‎

part‎ 3 here

[ciderjacks]

dad issues

+

(I think they were all fundamentally affected by what they saw and just collectively decided not to share the upsetting details)

[amelia-yap]

internal screeching

[agenericfae]

oops it's been a... little while.... :3

uhhhh here take a martyn!! he's reentered my circle of lil guys in my skull (my ocs have been hogging it)

yay crane wives lyrics OH MY GOD I JUST REMEMBERED IM GOING TO ANOTHER CONCERT IN LIKE A WEEK

:D

[tehcherrya]

For those of you who never knew as it's a detail one can easily miss (especially depending on which aspect ratio you're viewing in) but a lovely detail at that: Pippin was in the hobbit band in the background!

He's the one playing the banjolele!

These shots I have of the scenes where he is most visible are from the Fullscreen edition (A DvD I own and often watch for the different viewing experience). I believe in the Widescreen edition their heads are cut off by the aspect ratio-- so it's easy to miss!

And for those of you who haven't put it together already, yes! That is our beloved Merry standing next to him as they both watch Frodo dance.

Mind you, Merry is not in the band. A few scenes prior he was actually along the precession line of bringing in Bilbo's Birthday cake. He probably came up to the platform to talk to Pippin, give him a mug of something to drink and inevitably snatch him away for some mischief. Because after this brief scene, Pippin is then absent from the stage-- he and Merry are going to go swipe some fireworks!

[shira-ceres]

[Blend]

[deerspherestudios]

Hello hello! I'm excited to announce my submission for the Monstrous Desires 2024 Jam: Astronought is out! 🌑🎉

If you're interested, I really hope it's not with the expectations that it'll be similar to MO. I really wanted to try out different things with a new character and had a lot of fun with the process!

Be sure to heed the general warnings, and if you're sensitive to body horror,,, maybe sit this one out hjhs (tbh it's my first time attempting it so it's probably not even that graphic but just a heads up! There will be mentions of fleshy things!)

Anyhoo, I don't know if MO enjoyers will like it, but it's certainly a game I made! If there's any bugs/issues I'll get to them as soon as I can! Maybe you'll like it, maybe you won't; I made it, so have it! <3 /aff

[plutonious]

hm. going insane over @teethmongerrr's freaking MTTV on Air au. I'm plagued. can someone put me down. they're objectkins.

[marigraphia]

I've had this pose ref saved for a while and the Superman set photos just gave off the same energy 👉🏻👈🏻

The reference is this photo of Katharine Hepburn as Antiope and Colin Keith-Johnston as Theseus in the 1932 play 'The Warrior's Husband' (and I'd love for people to turn into a draw your otp meme pls pls pls this pose is so good)

And also, of course, the Superman (2025) set photos

[dreadark]

so why is Luka obsessed with Hyuna anyway?

(mostly just trying to get my thoughts on Luka down before blink gone rewires my brain)

every pet human is extremely limited in freedom, but Luka's case is definitely the worst literally even his birth was by Heperu's design... he can't control any aspect of his own life, from his participation of ALNST (twice!) to what he eats on a daily basis

*translations all by whatafruit

humans have no power over segyein, and Luka doesn't even have any power over own his own body so what can he have power over, then?

other humans, of course

most obvious in round 5: Luka would've had an easy win even if he barely tried, but he goes out of his way to provoke Mizi anyway until she finally snaps... and he smiles as he's beaten

because this is his "power." he successfully manipulated Mizi into reacting, proving he has some control over the situation no matter how pointless it is in the grand scheme of things, this is all he can influence, so he makes the absolute most of it and this control is so important to him he doesn't care about his own physical injuries

it's Hyuna talking in this comic, but clearly reflecting Luka's own mentality

while for Hyuna it's likely just her love for singing and performing (whatever happens, they can't take this away from her) for Luka I imagine it's the ability to influence others from the stage (crushing his opponents, but also shaping his fanbase?)

...so back to Luka -> Hyuna

it’s mentioned more than a few times that Hyuna’s a really talented performer, but seeing their respective stat pages really drives it in

(think the “superiority test” Hyuna was put through relates to this also)

Hyuna doesn't seem to have been created in any special way like Luka was… she just has a natural affinity to performing. and that's enough that she’s considered a real rival to Luka—Luka, who was literally made for this, and put through constant hellish training on top (the pain of having your heart stopped...) to mold him into the perfect idol

to Luka… if he can’t dominate Hyuna, he can't even take pride in his own ability (that everything he's forced to go through amounts to something?). and power over other humans is all he has, so he needs to overpower Hyuna (also he likely admires Hyuna’s talents at the same time, which just adds to his twisted feelings)

so since his ability isn't enough... by making someone think of you, only you… that’s another way of having power over someone, isn’t it

“your life is mine” “I told you I only wanted one thing”

whatever exactly happened with Hyunwoo… well that certainly worked. both removing Hyuna's most important person and making Luka someone she can't not think of (oh and he doesn't seem particularly interested in Hyunwoo despite how similar the siblings are in personality? Hyunwoo was even the first to approach Luka, not Hyuna so it's likely because he doesn't have his sister's talents)

but you know how his intimacy(?) value for her is only 70% I figure that's because she escaped, so they could never actually face off onstage... maybe he's disappointed in her "wasting" her ability

what all this amounts to is that she did end up escaping his control, and he never even got to compete against her. so until he can somehow completely overpower her, he'll be obsessed with her

I wonder if this represents his final effort to that... ultimately, he values control over his own well-being, so if he can goad Hyuna into killing him, then doesn't that cement his power over her?

and maybe "saves" him from this hellish life too

kind of a tangent, but I really like how their designs contrast this dynamic Luka looks really angelic and androgynous, so from appearance he seems fragile and like someone to be protected (which even Hyuna seemed to be tricked by when they were younger) and Hyuna obviously looks the stronger one in comparison (very #girlboss (lol...))

but their relationship is one where Luka's trying to control her and Hyuna's trying to escape it... that "beautiful lady" line of ruler of my heart always felt somewhat uncomfortable, and then learning it's actually pitiful (가련한) instead of beautiful is... ...it's a very gendered dynamic, if you get what I mean. despite their surface-level appearances going against what's considered typical

[goodknightsweetcookie]

Had an idea for a comic and was upset that I’d probably never draw it, then remembered that the cookie run comic creator is literally a thing that exists lmao

[puppetmaster13u]

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

[sparrowlucero]

this is the iconic dinosaur horror jurassic park wishes it was

[clockworkreapers]

so we all know the main characters of course... but these two I really like in the books- for very different reasons

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.