#<- tag too long but had to close the parenthetical

[trans-elrond]

master gardener trailer is here!! it's paul schrader's latest film with joel edgerton, sigourney weaver and quintessa swindell

[kadoodles-on-ao3]

It's been a while since my last aside so I felt like sharing what I've been working on in my free time! I promise I'm not lazy, I'm just busy and also really like starting new projects halfway through working on 8 other projects for some reason haha

Speaking of starting something new when I haven't finished something I started previously, Minh and I were planning on making a collab Shulkelia one shot for Valentine's Day! Obviously that didn't pan out haha but it's still being worked on and it's extremely cute and fun :) Hopefully it will be ready to post sooner than later! And I also will hopefully be able to work on Constellations soon as well!! (Seriously I feel. SO. bad about my hiatus, especially since I know how many interesting and fun rough-draft ideas we brainstormed up for it that are just waiting to be finalized and shared with the world!!)

Another thing I wanted to do for Valentine's Day but extremely missed the boat on was mass dumping the few good NSFW Shulkelia pieces on here (with a planned warning ahead of time as well as copious tagging and hiding under readmores, of course!), including a full translation of a doujin! However, it being a nearly 20-page comic with dialogue and onomatopoeia all over the place meant I couldn't go the normal route of putting the translation below the art, it would just be way too messy and confusing. So, I decided to open up Photopea and replace the Japanese text with my translation! I felt bad about editing someone else's work (still do haha) but there was just no other way to do it, there is. SO so much onomatopoeia in there that it would be a nightmare to do it any other way. But that fact also contributed to why I still have yet to finish the translation: I got wayyy too ambitious in my typical perfectionist way, and decided to use the clone tool to edit out the hiragana and katakana handwriting for the onomatopoeia and place English text in their places, rather than just put it in small, parenthetical text next to the original writing like manga translations typically do. And oh my GOD I should never have done that there are literal HUNDREDS of characters I had to painstakingly edit out and I'm STILL not even done yet no no no... But I'm so close to finishing it!! I have only a couple pages left and then it's good to go!! Expect to see it along with the other NSFW art of them (again, with multiple warnings far ahead of time plus careful tagging to make sure you won't see it if you don't want to!!) in the near future!

Not XC related at all, but my most recent project has been making an Ao3 site skin (and, in the process, learning how CSS works) and it's been really satisfying! It's nothing super fancy, but it does create a noticeable improvement from the default (in terms of clarity/organization/readability, no offense intended at all of course!) and I'm very pleased with it so far! Once it's done I'll share it here, complete with notes on what each piece is doing to the layout and how, so anyone can use it and tweak it how they like! :)

I unfortunately haven't made any more progress on Xenoblade 3, sorry to say. And actually... it's partially because I'm worried that I'll end up liking Noah so much that I'll get even more distracted from writing Shulkelia or Xenoblade 1 in general haha... Like I'd never give up on that of course, 1 and its characters will always have a special place in my heart! But I can see myself getting swept away by The New Guy TM, much like I do with new project ideas popping into my head...

My FFXIV x Xenoblade 1 crossover has made some good progress! I've now finalized the outfits for over half of the characters I plan on making, after hours and hours of trying different chestpieces and dyes to get them as close to their canon outfits as possible! In fact, maybe I could share a little more about what exactly I'm doing, to show how I was having too much fun and made it a bigger thing than it had to be, to help explain why it's taking so long haha:

So originally the idea started out as "what FFXIV job best suits the playstyle/archetype of each of XC's playable characters?" (and I have a whole host of notes in my head about why that is from both a gameplay/kit perspective and a fandom-y General Vibes/Aesthetic perspective, which I will for sure post along with the pics). And if I could draw well, it probably would've ended there: I'd just have made some art of the cast posing with their weapons and call it done. But since 1) I can't draw the things I see in my head like I want to and 2) I like to over-complicate things for fun, I decided to pile onto this idea by not only adding more characters of (XC SPOILERS!!!) Alvis, Egil, Meyneth, and Zanza to the roster (including in terms of what jobs suit them each and why!) but also recreate everyone in-game! (I really wanted to do Dickson as well, but unfortunately there are absolutely zero mustache options that look like his :< There's only one that's even remotely similar, but the face is completely wrong for him (what facial features look like are tied to faces, for some reason; the Mustache Facial Feature creates a different type of mustache depending on which Face option you pick) so there's no way to make a character that looks sufficiently like him, at least to my standards. Maybe one day they'll add one that fits...? If they do I will for sure make Gunbreaker Dickson a reality!) This resulted in me needing to not only sit down for hours in XIV's character creator ensuring every detail was as close a match to their designs as possible, but also opening up 8000 tabs in Eorzea Collection and looking through every. single. last. glamour option. in the game for each. and. every. slot. for each. and. every. character. to find out how closely I could translate their weird (affectionate) XC clothes into weird (affectionate) FF clothes. Combine that with my stubbornness in wanting them to look as accurate as possible resulting in making two different outfits per character based on whether or not they can equip/glam the gear as the job that suits them most, (plus the fact that I'm doing [again, SPOILERS!!!] Mecha-Fiora in addition to Homs!Fiora as well as having three [three!] different job options for Shulk based on varying levels of both XC and XIV spoilers to avoid ruining twists for either game), and the fact that I went a step further and decided to also make alternate-race versions for the main party (that sounds... bad lmao. fantasy races, like elves and catboys and such) like half if-these-characters-were-instead-created-by-the-XIV-designers-in-an-alternate-timeline-what-race-would-they-probably-make-them-judged-by-me-like-their-jobs-on-both-lore-and-Vibes-TM and half if-the-XC-gang-existed-irl-and-played-XIV-what-would-they-make-their-characters-look-like, and reminder that each of these versions have two different outfit variants and each outfit needs a minimum of 4 and a maximum of 7 separate pieces each that also need to be dyed and have multiple different options to try on for every character and... it took a teeeeny bit longer than I was expecting to get through haha. But that's not at all to say it's a chore to get through; it's certainly been a process yes, but I've been having a lot of fun the whole time :) Finally getting every element just right, from all the details in character creation down to their eyebrow shape to finding the best option for every armor slot dyed just the right color, seeing it all come together and actually look quite a bit like the character is so satisfying! I can't wait to share them all, I hope someone out there enjoys the results as much as I did creating them! :) Oh, and I also will be making a glam list for each outfit as well as sharing my notes on what I picked in the character creator, so if you want to do an in-game/WoL cosplay as someone or maybe even make an alt named after one based on my recreation of them then it'll be easy for you! :)

Even though I haven't been keeping up with my fanfic writing as much lately, I do still get little ideas for things quite often and am typing them down in my doc for later! I have a gigantic backlog of things I could write: fanfics long and short, Shulkelia fics and Genfics, non-fanfic concepts both XC-related and not... rest assured, even if I'm not posting on here or Ao3 my mind is always buzzing with something and I'm always wanting to create more!

[washymylifeaway]

KyouHaba Fanfic recs

Hiya! How much do I love KyouHaba? Yes. This is one of my favorite ships and one of my comfort ships <3 KyouHaba has got some amazing fics, so even if they aren’t really your thing, you should still read this :D Anyway, onto the recs!

As always, pls check WARNINGS, TAGS, and SUMMARIES for fics before reading (esp since KyouHaba usually deals with darker topics and not all of them tag/warn for it!) and make sure you’re taking care of yourselves (since mental health is key!) Stay healthy loves <3

CP:

Close to the Chest by darkmagicalgirl (T) 61.1k // THIS ONE man anyway I just love the progression of their relationship and the way this fic is written! The way we really go into who Yahaba is really what makes this fic great! Also there's some slightly ~angsty~ IWAOI so look out for that hehe.

Police Dog by surveycorpsjean (E) 34.9k // if you’re super against like any *furry* implications, pass this one LOL. But TBH I don’t like furries, but this one was pretty great (hence why it’s here LOL) and they make me laugh. Also I really like some of the head cannons for Kyoutani in this one and the writing style is super freakin’ good, so it’s definitely worth the read~~~ Pls CHECK TAGS AND WARNINGS cause there are a couple REAL spicy scenes in this one ;)

Team Mom by All_My_Characters_Are_Dead (T) 2.7k // so as I was going through this tag (because that’s what I do LOL), I remembered this fic and I love it. Like yes Yahaba is the fear factor and yes Kyoutani is the DAD. I really like the team dynamics in this one, and the first years make me laugh pls.

Camellias by kiyala (T) 1.9k // I love this fic and when I starting looking for this ship, it was the first one I thought of hehe. I really love magic and their interactions are so cute and the PLANTS ARE DOING THE MOST. Pls read both in the series, cause domestic KyouHaba is best KyouHaba ngl LOL. I love the plants, and if you read the second one, someone tell the trees to stop bullying Yahaba.

Sixth Time’s the Charm by tsumekakusu (T) 2k // ok THIS was SO FREAKING funny, please Yahaba how dumb can you get LOL. The number thing made me facepalm so hard, but the ending was cute and that’s all that matters, right?

Sleep by GangstaCrow (T) 5.5k // the plot twist…. omg…. I had to pause and take a moment of silence for the people suffering because of LL… Poor Kyoutani….. But this is a really funny but cute fic at the same time :D

a little bit funny, this feeling inside by postcanons (G) 5.4k // PLEASE THIS ONE omg crow matchmaker ftw. Like I said, I really love magic and this one is just so freaking funny. Also, very informational curtesy of one Kyoutani Kentarou.

meet me at the fucking pit (and let me hold your hand) by anyadisee (T) 5.4k // IF THE TITLE ISN’T MAKING YOU LAUGH ALREADY WHAT ARE YOU EVEN DOING????? (JK but am I really?) This was SO funny and it KILLED me,,, like all the conspiracies and how everyone was so seriously invested in it. Yes, CHAOS.

if not, winter by knightswatch (M) 54k // YES THIS FIC. THIS ONE RIGHT HERE. I love the development of their relationship,,, IT’S SO GOOD. Like when our boy Yahaba goes on that really friendly field trip and Kyoutani takes matters into his own hands? UGH YES. And when they visit? CUTE OMG. Yes this fic is it.

Isolated Parts by darkmagicalgirl (T) 3.3k // I love this fic cause old men KyouHaba are funny (fight those refs) and I love the nonlinear plot. It really adds another layer to the fic itself, and slowly unraveling the plot through the different years was SO IUAHFJF. I really loved it and piecing everything together :’)

Magicked by HoneyBeeez (T) 8.4k // CHECK TAGS, I love KyouHaba Hogwarts fics, and this one is SO good! We do love some slightly oblivious Yahaba and fake delinquent Kyoutani LOL. Though there is some violence and homophobia so if that puts you off, steer clear of this fic :)

stardust by InkCaviness (G) 1.4k // like I said, in love with KyouHaba and hogwarts fics, anyway,, this one was so short and sweet! It’s full of fluff, and honestly, if you like KyouHaba, read this entire series cause I really love these KyouHaba works :’)))))

New:

knightswatch // GREAT writer, but most of their KyouHaba works are explicit/mature, so be careful as you go through their works! My fav T one? all you have is your fire by knightswatch (T) 6.4k, but they’ve written some of the best KyouHaba I’ve read (they’re just mostly M)!

kiyala // another amazing writer and their works usually alternate between G and E LOL. But, all of their Gs are amazing, and rn my favorite was between Room To Grow by kiyala (G) 50k or Cost by kiyala (G) 1.1k cause it was either secret doggy relationship or magic LOL. But all of their fics are worth reading, and there’s a large variety of AUs!

snoqualmie // I love this writer, but they don’t have much KyouHaba (enough that I would put them here though LOL) My favorite? Mixed Signals by snoqualmie (T) 7.8k // it’s a really cute fic and I love the hc that Kyoutani has the good family! It has like a semi continuation (I think it’s in the same verse as it), but Jan. 6 features the sisters again! (Also yes for veggie fiend Kyoutani,)

tale as old as time by crossbelladonna (series) 30.2k // AHH this series is fully of such good KyouHaba fic!!!! I really love all of them but my favorite is through open doors by crossbelladonna (T) 4.3k // I love soulmate AUs and salty Yahaba is best Yahaba. Also at the end when the coffee incident happens, I love Kyoutani :’)

Words Not Spoken by Dogsocks (series) 51.5k // this is a continuous fic series (meaning all the fics are in the same verse and related to one another), but it’s so FREAKING good and I love reading it!!! It’s got some mentions of ABUSE, and things like that so please read the tags carefully!!!

kyouhaba week by InkCaviness (series) 6.7k // I loved KyouHaba week (all of them are just such AMAZING fics and tropes) and my favorite from this list was stardust by InkCaviness (G) 1.4k // I mentioned what I loved from it above, but it truly is a great fic :D

Kyouhaba Trash Week 2016 by HoneyBeeez (series) 28.9k // all three of these fics are SO good. I literally cannot choose a favorite because I loved all of them :’) Like no joke, just go read all of them because singing Kyoutani? Yes please. And also like the tattoo one was SO ajksdhfkjshdfjkln I LOVED IT AND DON’T GET ME STARTED ON THE HOSPITAL ONE. I loved loved loved the ending, and her going to the school? UGH ADORABLE. These fics were some of my absolute favorite KyouHaba fics!

Venom and Vulnerability by darkmagicalgirl (E) 48.3k // OAAJKSFNKJ I LOVE THIS ONE YES. The concept? AMAZING. Execution? FLAWLESS. This is a GREAT fic and it’s done SO WELL,,,, I realllllly loved the plot in this and their teamwork is making the dream work! WARNING check the tags and warnings cause there’s smut, (non kinky) bondage, and death!

it's tradition. by hicsvntdracones (T) 5.5k // this fic made me want to die from second hand embarrassment. GOD, the awkwardness and really the way they went HARD on those dares PLEASE. If you don’t mind feeling embarrassed (and even if you do) go read this fic cause it’s V funny and the comedy factor cancels out the embarrassment LOL (does it? That’s what I’m tellin myself LOL).

An Equivalent Exchange by Chibs (E) 14.5k // PLEASE THIS WAS FUNNY,,,, like chill Kyoutani, Yahaba is trying his hardest okay? BUT NOT HARD ENOUGH anyway it’s a happy ending in the long run and no one dies :D how nice is that <3 (but the baby agenda? yessssir.)

The Wall Thing by rideahorse (M) 6.8k // THE TENSION :0,,, but I love how many fics go based on that one KyouHaba wall slam in the middle of the Karasuno match LOL. Also, I love the dynamics they have in this one and the way fighting ~is their communication~ Some smut is here so WARNING and they do something about the tension LOL obviously :))) Constantly curing KyouHaba is good, happy Kyouhaba.

Sixteen by surveycorpsjean (E) 13.4k // Yahaba is a basic btch and Kyoutani does football LOL. Honestly, I think that’s a pretty good summary (jk) but what’s a fic without some good tension ;) Also, cheerleader Yahaba lives in my brain rent free and I would like to propose it live in your head as well :D Aren’t I such a kind soul~

Safe in Your Hands by shions_heart (T) 8.9k // um soft KyouHaba? I think yes,,,, this also do be a common trope in the KyouHaba realm, but I’m not complaining,,,, it’s a good trope :) There IS ABUSE in this fic so big warning here! Check the tags and warnings! But the real mvp is the girl on the bus and points to Yahaba for playing spot the difference unintentionally.

The Sweetest Smile by FindingSchmomo (T) 6.6k // cake making! Yes! Bakery! Yes! It’s a great time and think about it, Kyoutani, our baby, working in a bakery making cakes? UGH my heart :’D Yes Oikawa is right, a cute grumpy puppy making flowers (CUTE VERY CUTE) and it doesn’t help that Kyoutani looks like a total bad boy in this fic too :DDDDDD

wear your love like it's made of hate by parenthetic (renaissance) (T) 3.3k // we are starting this off with the alt title totally worked and I would’ve read it either way LOL. Also, the ending was funny and thinking about why everyone was wearing it would’ve been so confusing to the other teams (also shout out to Yahabas line and Kyoutani calling his eyeliner a whore). But yes to random sexual tension, this is KyouHaba nation.

captain's orders by whitemiists (G) 3.7k // okay we love Watari in KyouHaba nation (surprised I haven’t talked about loving Watari yet but better now than never right?), but also Yahaba being messenger for Kyoutani (baby first years are ajhsajdfh). I love this trope and also I love rooftop lunch crew is yes :D

Running In Place by cleiioo (T) 33.3k // GUYS OMG THIS FIC. CAUTION ABUSE AND RUNNING AWAY AND BAD PARENTS SELF DEPRECATION I COULD GO ON BUT BOTTOM LINE IS BE CAREFUL READ TAGS! This fic is UGHHH YES. First, twenty questions make another appearance, and DUCKS. Yes, ducks. But this fic is just written really well, and honestly Kyoutani might be a tad bit ooc, but it’s okay, you don’t even notice. Distracted by the amazing writing :)

Something About Fate by patteh (T) 4.6k // SOULMATES! And then they were soulmates :D I love a good soulmate denial AU, and this is no exception. I loved Yahana’s backstory in this, and I think it set up a great framework for the plots progression! Also, the ending was really cute (and we all know, I’m a sucker for a cute ending :D)

toeing the line by masi (T) 2.7k // the mcDonalds cause WE’RE LOVING IT! But this was a fun read cause a. it goes pretty fast and b. communication exists? ANyway, I like the ending cause Yahaba is one smooooooth btch! It’s just a lot of banter (playful and not), and I’d read tags jic for this fic :)

bumblebee by shizuoh (T) 1.5k // he got sht on by a bumblebee. Points for creativity Yahaba, points. But this is just a fun, random AU where pepperoni on pizza is a universal aggrievance (esp the infused on cheese kind,,, I feel you Yahaba), we disown furries (for good reason), and you confront people staring at you! This IS a flirting 101 textbook. (also yes Yahaba, murder Mattsun!)

The art of fighting in heels by boxofwonder (T) 8.7k // yeah don’t question this fic. It’s like,,, you just kinda,,,, well,,,,,, I mean who doesn’t want to read about Iwa fighting in heels? Like you’re not thinking about magical guy Iwa? Maybe you should. (the way the summary has nothing to do with KyouHaba, I swear they’re a main component, but no thoughts just Iwa in sailor moon cosplay.)

yahaba vs. the miyagi captains by blessings (T) 3.7k // I love this hc and I wish there was more of it because Yahaba picking fights with everyone is fun and I like the chaos :D Like honestly, the creativity of some of the burns? Just amazing, it filled me with serotonin. I’m not kidding :0 But like, Kyoutani having to make sure that he doesn’t go overboard was askfkahf.

Love the One You Hold by shions_heart (T) 3k // f tough KyouHaba, I’m here for the soft, loving KyouHaba. Like mushy feelings KyouHaba, the kind which makes me feel singler than I already am single. Reassuring of feelings and ajsfdhla KyouHaba. The ending is KYAAA!!! Caution for implied bad parents!

a thousand and one roses by rorarot (T) 3.4k // I love florist Kyoutani and it’s honestly a crime I didn’t recommend more florist Kyoutani fics :( Points for the pun, Yahaba, points. Also, the progression of their relationship was YES, and this fic was SUPER cute :D

It Takes Two by Poteto (G) 24.1k // IT’S COHESIVE KYOUHABA WEEK! I really loved this fic and I enjoyed how they incorporated each prompt into each day! There is homophobia and running away so be careful when reading this fic, and check the tags!

So I Like Your Dog by helloyesIamtrash (G) 4.8k // FIRST, this is within a series of soulmate AU fics (all in the same verse) and SECOND, this was really good! I loved the way Yahaba’s family are a bunch of late bloomers and how YAHABA DIDN’T LET THE MF RUN AWAY. Yes communication, WE LOVE AND STAN.

but tonight i'll need you to stay by InkCaviness (G) 2.2k // the feels were strong with this one :’( Pushing my SOFT KyouHaba agenda. But I LOVE this one for the feels and also because they don’t dance around it. Just straight forward, random a confessions. It’s a great time. But also, I can’t believe he slipped LOL.

Down River Road by carafin (G) 4.4k // I love list fics, I think they’re great and I think I might just have a thing for lists in general (LOL). But also, I love the growth both of them undergo over time and the interactions with Oikawa in KyouHaba fics are always fun :)

I (Heart) You by darkmagicalgirl (T) 3.6k // I really like this fic. Like REALLY like/love. Maybe it’s the ending where Yahaba goes ham on that one guy. Or maybe it’s the magic. I think it’s just cause it’s written spectacularly. But no seriously, it’s a great fic and I really loved the AU :D

Five Times Kyoutani Failed to Say 'I love You' (And One Time He Didn't) by patteh (T) 3k // a 5+1! Yes! TBH I don’t understand the importance of saying ily to your significant others (maybe it’s just because I don’t understand romance very well LOL someone explain it to me), but if it’s important to them, IT’S IMPORTANT TO ME. Also, Kyoutani is dog agenda, full force ahead.

Baby steps (or 'Yahaba's guide to applying eyeliner on a grumpy puppy') by ghostsgf (G) 1.5k // more Yahaba and eyeliner fics! Of course :D If you can’t tell, KyouHaba nation and I really love Kyoutani + eyeliner, so yes. Eyeliner. But also, fractured arms and toilet adventures!

baby don't hurt me by orphan_account (M) 4k // LET ME BEGIN THIS WITH THE A/N AT THE END. YES I AGREEEE. Also SMUT alert but like nothing really happens? And again, while I don’t 100% get the ily thing, this one makes more sense to me and I can see why Yahaba got angry. We love crying boys though ahaha.

Retrograde by dreyars (T) 19.5k // AJFJLSFJLASD ANGST THE ANGST AND I- I love amnesia fics, they have such GREAT angst potential (which was totally used in this fic YES!) and UGH this fic. The feels you go through while reading this but ALSO THE ENDING! YES I LOVE. IN LOVE. THEY’RE IN LOVE YOUR HONOR.

restless by Crawlingthroughashes (T) 2.4k // PLEASE the petty Yahaba agenda is back and the way I ajfhdjkadshlf when he started his plan. BRB CRYING (of laughter ofc). Also the CONFRONTATION. Smooth Yahaba, oh so very mf smoooooth (very much so nailed it). Sugar high trick-or-treater in bunny slippers.

The Time Yahaba gained a boyfriend by sammysosa157 (T) 3.8k // PLEASE I saw the post for this fic and it was SO funny! I really loved this prompt, and the execution of it was done really well. Boo for weird food combinations, though ig if you’re in college and you’re broke, you gotta do what you gotta do :/

wanna give you a kiss by Slumber (T) 2.8k // kith give kithes muah muah (omg I’m so sorry you had to read that no regrets tho ahaha only shame). But this fic is SO cute and boyfriend chicken is fun :D Like the fluff in this fics is just so AJKKJAF and like Watari knows best.

Touch by tetskuroo (T) 2.4k // aihdjk PLEASE. This is SOFT! KYOUTANI! and non a hole but pushy! YAHABA! There is HUGGING cause WHY NOT! But the soft Kyoutani agenda is getting pushed hard today LOL. I mean the mans starts to turns the waters works ons. What more could you possibly need? (other than a cuddle session cause why tf not >:( and me to write normally LOL)

what the night does to the day by deathbyglamour (G) 9.9k // AHH HOGWARTS! I realized I forgot to add this fic to the Hogwarts list and I was so angry at myself. The potion version of our get along shirt :) I loved this fic and their relationship development was lovely :DDDD

Curiosity killed the cat, but satisfaction brought it back by Asimi_Shadowborn (T) 30.6k // I love magic AUs and this was ahdjsjjfjs. The trope was amazing, the execution was flawless, and the communication? Nearly nonexistent just how we like it :’) it’s a great read and you’ll regret nothing.

Baby, I bought a dragon by tetsuskitten (T) 1.1k // AJKSFHKJ WITCHES. I love them being witches/warlocks cause IT’S AN AMAZING TROPE DUH. But like the dragon made me laugh, the conman Kuroo is KJAFN. But yes, THERE’S ANOTHER FIC AND IT’S AJSHKJASF YES READ <33333 (why didn’t I just put it as a series, cause I forgot and then I got lazy, leave me be.)

Thorne-blessed by fish_wifey (T) 19.4k // (again, another that HAS ANOTHER FIC but then I was too lazy to transport it up to the series section deal with it.) But THIS YES. First tattoo artist Kyoutani is a sight to see. But also, Yahaba is baby. And like the ending of how it all got resolved was so satisfying and the conflict execution was really creative :D CAUTION FOR THIS ONE, some bullying and violence-ish!

what a wonderful kind of day by qingting (G) 1.2k // PLEASE. I love it when Kyoutani talks to animals, it fills me with joy. But also, ofc points to Yahaba for the new nickname, dog whisperer. Cute and I like it more than Mad Dog chan. Also, Kyoutani’s thoughts on Yahaba were funny and are worth the read LOL. I like pats too, Shiromaru.

what becomes of broken hearts by plumtrees (T) 8.1k // OOOOF some angst right here. Like I’m in paiiiiiiin. But you should read it so we can be in pain together :’D Like the way we had to witness the falling out AND the break up to be happy again. UGH. Just don’t think too much and jump in.

we both know what we know by Slumber (E) 4.7k // UHH EXPLICIT FOR A REASON LIKE WITHIN THE FIRST SECTION I THINK BUT THEN IT CONTINUES AHHAHA. But also, riling Kyoutani up and just teasing him in general? Fun times (at least Yahaba thinks so LOL). But like also, random thought but the comments on the (fake) IwaOi divorce made me laugh LOL.

new constellations by thealmostviki (G) 4.3k // reincarnation AU, but it’s like non linearish! It’s really good and the writing is very eloquent :D I really loved this fic and the ending was UGH adorable! I love references and the way they still feel things in the next lives :’) Milk and honey guys, milk and HONEY.

FINALLY DONE. WHEW. I hope you all enjoyed these fics, and ik my commentary got/was super bad but pls just pretend like you’re not seeing it. I swear once upon a time it was informational but now it’s just me writing random sht down LOL. Again, I love KyouHaba so this honestly was a lot of fun to make (even if I kept complaining about it) and I ended up not splitting the list hence why it’s so long! I hope I made all of you into KyouHaba lovers cause it’s one of my favorite ships :D

[mittensmorgul]

The Tumblr Beta Version: an objective analysis

I was tempted to just type “it sucks.” And while that is an objective analysis, it’s not exactly helpful. I’ve sent several requests to @staff and @support to restore my account to the old tumblr dashboard format, and received the same automated reply twice now. I’ll copy/paste it here so everyone is on the same page:

(lol, I had to go back and edit this, because apparently the beta version doesn’t display block quotes on the dash. So I’ve also put the block quotes in italics... hopefully it’ll display properly... note after editing: nope, it doesn’t display italics either... how the heck am I supposed to differentiate quoted text? I’ll start each quoted bit with an asterisk, I guess...)

*Thanks for reaching out about the beta dashboard.

*We're currently testing it out, and your account seems to have been selected to take part in the test. Thanks for your patience while we work on it! At this time there is not a way to opt out of testing. You may see your Tumblr experience return to normal as we continue testing.

WE CAN ONLY HOPE.

*In the meantime, check out some of the new features available only in the beta dashboard:

OKAY TUMBLR, IF YOU INSIST, though I would MUCH rather have back all the functionality I personally invested into this website through xkit... you know... making the site ACTUALLY FUNCTIONAL. Let’s see what this beta version has given me instead of functionality:

*Change Palettes: Go to the person icon, then click "Change Palette." You'll find the classic Tumblr blue, dark mode, and a few other color palettes for your dash.

So I tried out all the color palettes. In addition to the ones mentioned here, there’s one that’s trying to look like a green screen terminal that gives me flashbacks to the early 80′s. There’s a reason we stopped using green screen terminals... Another one is “canary yellow.” It’s very yellow. The “classic tumblr” isn’t actually classic tumblr... all the post boxes are dark blue with grey type, not white with black type. And all the other colors are the insanely bright fluorescent of the new Dark Blue standard tumblr scheme. Which means links are practically invisible unless I highlight them. It’s migraine inducing. The one theme with a light colored background is called “Concrete” or “Cement” or something like that and even that only works for about half an hour before the migraine aura really kicks in. I just want my Old Blue via xkit back. You know, what tumblr actually used to look like. I don’t want any of these horrible color palettes. None of them work for me.

*The new "meatballs" menu: This is where you can copy the post link, unfollow the Tumblr who made or reblogged the post, or report a violation to our Community Guidelines.

I could do all of this from the user menus with xkit, too. I don’t regularly report violations or have the urge to block people I have chosen to follow. Why on earth would I want to do any of this? And why would I want these features located directly beside the post link copy feature? 

You know what I do miss? I miss the xkit timestamps feature. I didn’t have to hover dangerously close to the KILL IT WITH FIRE meatballs menu in order to see when a post was made, and in this era of disinformation and misinformation spreading around this site faster than Covid-19, being able to see when a post was ORIGINALLY created is a far more useful feature than an easier way to block people. For reference: I currently have three blogs blocked. Two of them are pornbots. One is a nazi. If I don’t want someone’s content on my dash, I don’t follow them. This “feature” is entirely useless to me.

*A quick note: Pagination is not supported in this beta test, but we're collecting feedback to send to our engineers.

THIS IS THE ABSOLUTE WORST. This beta test might actually be tolerable if I wasn’t trapped into endless scrolling. If I could page through my dash, refreshing it every ten posts or so. You know why? Because once I scroll about 30 posts down my dash, tumblr starts overheating my laptop under the load of ALL THOSE POSTS. Things start malfunctioning-- it takes longer and longer to load new posts the farther I scroll. And the keyboard navigation (both page down and hitting J to advance to the next post, and even just using the down arrow to scroll as I read a long post) freeze and stop functioning. One of my laptop fans has actually begun to malfunction.

You know why this wasn’t a problem on the old version? If the data load got to heavy, I could open a post in a new tab, click view on dash with xkit, and voila! Brand new tab! I could close the malfunctioning tab and everything would be refreshed to normal! But without pagination, THAT IS IMPOSSIBLE.

Also, after reblogging a few posts, the beta version of this site breaks, and doesn’t open a post tab to add commentary or even tags. It just... reblogs the untagged post with no warning whatsoever. You know... that’s really really not cool. I tag EVERYTHING. Well, almost everything. The tags are the only way to keep track of the 40k+ posts on my blog. And warn people that I am posting potential spoilers, or other specific content. It’s REALLY inconvenient to have to either immediately go to my blog to edit the post and add tags, or even comments. The alternative is to scroll up to open individual posts I want to reblog in a new tab, and then reblog directly there. Ironically enough, THOSE pages actually open with xkit installed, and everything (surprise!) functions perfectly there.

It’s perfectly reasonable to understand why this specific issue has limited the number of posts I reblog. Reblogging content should not be this much of a hassle. Creators have been complaining for a while that reblogs have drastically slowed down, and I think making it even more annoying and difficult to reblog posts will not help this problem.

Also, with xkit enabled, there’s a function that auto-loads images as you scroll, so the images are always visible BEFORE they appear on screen. I don’t have to look at the colored boxes and wonder if this is a post I’ve already seen or something I should sit and wait for. Don’t even think about watching tumblr videos. Loading priority is given to the ads that you cannot pause or dismiss, so that video loads and plays in choppy two second bursts instead of being given priority. Since that’s the content I am actually here to consume, it kinda makes me want to do the opposite of patronizing anyone who advertises here with graphically intense ads. And then when you scroll away, with xkit, gifs and videos you’ve scrolled past STOP loading and playing, which I think might be contributing to the intensity of the resource hogging that’s literally melting down my laptop.

And for reference, I have a pretty decent little gaming laptop. A blogging platform shouldn’t be driving it to the brink of frying itself. I didn’t realize just how much xkit worked to streamline this and provide basic functionality to this site.

*And lastly, if you're an XKit user, know that the XKit team is working hard to update things on their end to make it compatible with the beta dashboard.

And this doesn’t even begin to scratch the surface of what I’ve lost without xkit. And this is a really REALLY garbage response to user complaints. “Oh, yeah, sorry we made our site suck even worse, but those nice people who do our jobs for free will surely fix our garbage soon!”

Dear wonderful people at @new-xkit-extension, I love you, and I miss you, and while I wish xkit worked with this beta version I’ve been forced into living with, I truly feel for y’all who are trying to deal with this nonsense on behalf of all of us.

And to the folks at Tumblr... maybe try to just... make your site actually more like xkit. You know, actually functional. None of these special new features are useful or functional to me. I respectfully request for a fourth time to be removed from this inane beta test.

Give us OPTIONS. Let us display ALL THE TAGS without having to click a button. Let me have back my Activity+ that actually allowed me to interact with people from my dash! That showed me real-time inline notifications in a way that I could reply to with a single click! Bring me back to my column of open messaging conversation icons so I have easy access to the people I talk with throughout the day instead of closing them all every time I refresh the page. I already feel socially isolated in freaking quarantine, please stop shutting off all my avenues of communication!

Let us have pagination! I mean, maybe it wasn’t the best idea to force heavy users of this site into a beta version that doesn’t allow us to opt out until your engineers had actually figured out how to make it work in a very basic way.

*Let me know if there's anything else I can help you with!

YES. PLEASE REMOVE ME FROM THIS BETA TEST NOW. I have let you know exactly what I want from this site. I just want it to ACTUALLY WORK. For someone who spends 12+ hours a day on this site, this beta test version is NONFUNCTIONAL. PLEASE ALLOW ME TO OPT OUT. I AM LITERALLY BEGGING YOU. I WILL ACTUALLY PAY YOU CASH MONEY TO ALLOW ME TO OPT OUT OF THIS AND GO BACK TO HAVING A FUNCTIONAL BLOG AGAIN. WHAT MORE DO YOU WANT FROM ME?!

PLEASE! 

I AM OFFICIALLY AT THE END OF MY PATIENCE FOR ENDURING THIS NIGHTMARE.

(one final quick note... I’ve only been back on my dash long enough to make the parenthetical edits-- i.e. adding italics that don’t display and then adding the asterisks at the beginning of each section of quoted text, and already my laptop is overheating again. For reference, I originally typed this entire post from within my tumblr inbox page-- which still functions normally with xkit-- and spent over an hour on it. My laptop was fine the entire time. Clearly the issue is this beta version of the website. I will never forgive tumblr if y’all fry my literal only portal to the outside world at this time. PUT ME BACK TO NORMAL NOW. THIS IS ABSOLUTELY INFURIATING AND ENTIRELY UNACCEPTABLE. Thanks)

(oops apparently i lied... when the asterisks and the previous final note failed to display, I thought that seemed suspicious, and realized that I literally needed to refresh my entire dash in order to see edited changes. Funny how xkit enabled me to do that in real time, which is just another bit of functionality I’ve lost with this beta program. Please guys, this is really, really not working for me at all, just put it back.)

[altumvidetur]

Haikyuu!! Fic Recs (MatsuHana)

Fic Recs Masterpost

So, I was thinking about the coronavirus pandemic and what I could do to help people out. I’m isolated because I’m at higher risk, so I can’t really offer to go out for my elderly neighbors or my family… but I thought I could try to help keep people entertained.

Because I don’t have an AO3 account right now, I’ve been compiling fic recs for my own amusement for a year or so. And I thought – maybe that’s the time to share these with everyone? So everyone will have plenty of things to read while they have to stay at home, or even to escape anxiety a little bit if you’re forced to go out.

Of course, these cater to my own tastes, so you may find stuff you don’t like around here. I never include works in progress. The Mature and Explicit works will be in italic. I ask you to READ THE WORK’S TAGS before continuing, so you won’t find anything that makes you uncomfortable.

I’ve decided to split it in a series of posts, starting with my OTPs. So here we go with some MatsuHana!

rated m for, by orphan_account

He should have known that there was a Specific Reason™ why it was so absolutely vital that he and Matsukawa specifically meet for a reading of the script. He should have known that there had to be some evil catch beyond sitting in a tiny, cramped studio with his newly sworn enemy.

Hanamaki stares at the title of the script he’d so gracefully neglected the night before.

FORBIDDEN PARADISE

“Excuse me,” Hanamaki starts, raising a pen in the air while staring blankly at the packet in his free hand. “Just to clarify, you want me to record a boy's love CD with Matsukawa?”

of weather, of leisurely tensions, by b_minor

Two boys share an umbrella.

Don’t Lie, Bright Eyes, by tookumade

“Where do you see yourself in twenty years?”

It’s nearly one in the morning and Matsukawa, tucked up comfortably in bed next to Hanamaki, is on the verge of drifting off into blissful sleep when the question stirs him.

“Why are you trying to give me a late-night existential crisis?” he mumbles.

-

(written for Haikyuu!! MatsuHana Week - Day 4 - leaving home)

Roses, by h_lovely

(Summary by me: slow burn, friends to lovers, things are kinky, I’m pretty sure this is the best MatsuHana I’ve ever read.)

You’re in Pink (and I’m in blue), by Hyeyu

Takahiro held his gaze a few seconds in silence before he sighed. "...It's only been a week, okay? S'not serious yet."

“Not serious yet?” Something jumped in Matsukawa’s jaw and he abruptly released Takahiro’s hand, sending the petals cascading to the ground. Takahiro was going to have to clean them up before the others started streaming into the clubroom, and wouldn’t that be fun. “You’re coughing up fucking flowers, Hanamaki.”

“Yeah, tell me something I don’t know.”

-

Hanamaki Takahiro has 99 problems and Hanahaki flowers make up 98 of them.

Good Bad Ideas, by tookumade

When Oikawa asks his friends to help out at his nephew’s birthday party, they get a little more than they bargained for.

(written for Haikyuu!! Rarepair Week - Day 1 - beginnings, celebration)

texting (with a capital S), by parenthetic

Hanamaki breaks his No Texting In Class rule, and it's all downhill from there.

Wet Your Whistle, by darkmagicalgirl

Hanamaki gets a job as a bartender. Matsukawa likes his uniform. (Alternatively: Matsukawa tries to ignore his huge crush on his friend-with-benefits. He fails.)

[obnoxious clucking noises], by parenthetic

On the last night of their last training camp together, Oikawa has a bad idea, Hanamaki goes along with it, Iwaizumi sort of wishes he had better friends, and Matsukawa proves himself to be particularly adept at intimidation tactics.

Love Doesn’t Come with an Instruction Manual, by plumtrees

Seijou 3rd years (now college freshmen) go to ToyCon. Oikawa has a spaz attack over Star Wars, Iwaizumi is his designated babysitter, Hanamaki is adorable, and Matsukawa doesn't know how to deal.

Here Today And There Tomorrow, by tookumade

A first meeting on opposite sides of the volleyball net, and chance meetings afterwards without it.

A Ring of Cream, by plumtrees

Hanamaki has never been one for grand romantic gestures, has never been one for romantic gestures at all, but Matsukawa's a stubborn guy.

Who can't bake for shit.

Iwaizumi and Oikawa (mostly Iwaizumi, really) to the rescue.

Morning Glory, by darkmagicalgirl

On their days off, Hanamaki and Matsukawa's mornings follow a sort of routine.

Even Though It All Went Wrong, by plumtrees

It hadn’t always been so cold. Matsukawa remembers a time where the sun shone high, its rays bright and its heat pleasant like a blanket against his skin. He remembers Hanamaki holding his hand, remembers his cheeks hurting because he’d been grinning so much. Hanamaki had opened his arms wide, and Matsukawa ran straight for them, like he’d been magnetized. He picked up Hanamaki easily and twirled them around, danced with him until they both tumbled along the grass, laughing like idiots.

He remembers because it’s all he can do now.

Crescendo, by plumtrees

Day 1 for MatsuHana Week: Online

-

The voice continues to feed him instructions, the deep rumbling purrs reverberating across his body, each hiss and click of a consonant like a sharp bite, each roll of his tongue a slide of silk against his overheating skin.

Fuck, he loves it.

Somewhat Well-Kept Secrets, by tookumade

“Why don’t they just… date already?” said Iwaizumi.

-

(written for Haikyuu!! MatsuHana Week - Day 2 - cream puffs, in the background)

It Seemed Like a Good Idea at the Time, by plumtrees

Day 3 of MatsuHana Week: Tattoos and Flower Shops

-

Hanamaki, cheeks as pink as his hair, says, "I was drunk."

"Okay?" Matsukawa prompts.

"And it's way too expensive to laser something this big."

Holy shit. "Okay?"

"Look, can't we just go with 'I made horrible life decisions in college that are now coming back to haunt me' and move on?"

morning, noon, night, by b_minor

A day in the life of two losers in love.

on the anatomy of crushes, by carafin

A part-by-part dissection of their relationship. Medical school AU.

-

‘See you tomorrow?’ Hanamaki asks. He’s still smiling faintly, still carrying about his usual air of quiet self-assurance, but there’s no mistaking the hopefulness in his voice. ‘On the bus, I mean.’

‘Yeah,’ Matsukawa says, and tries not to make it sound too much like a promise. ‘See you tomorrow.’

(Falling in love is really, ridiculously easy.)

Dating Is Not A Nine-To-Five, by tookumade

“What if,” said Hanamaki in a whisper, “we walk in and there’s a yakuza member getting his tattoos done, and he tries to kill us because we saw his face?”

-

(written for Haikyuu!! MatsuHana Week - Day 3 - tattoos and flower shops, coffee shop)

To Fit Myself In The Spaces Between, by tookumade

It's late, a boring movie is on TV, and the remote control is nowhere in sight—and that suited them just fine.

(written for Haikyuu!! MatsuHana Week - Day 4 - midnight, no control)

It’s not even close to your birthday, by squidmemesinc

The shoes look like they could be some kind of gothic lolita item, with thick, tall heels and Mary Jane straps that have little silver hearts on them. The socks are simple except that they run all the way up to his mid-thigh; the crisp white makes enough of a contrast with his skin that the colors flatter each other, rather than subdue them. Then there's the dress. It's just plain black, short and slim, though the skirt flares out at the waist. Takahiro's eyes run up it, stalling where it cuts off around the shoulders and has a wide boat neck trim with a thick ivory collar. The final piece is a simple pink ribbon—not even a necklace, just a ribbon—tied around his neck with the bow in the back.

Where Was I, When The Rockets Came To Life, by tookumade

In a city like this, there wasn’t much of a chance that they would meet again, and given Hanamaki’s current career of choice, if they did, then it was more than likely to be because of a cruel joke set up by fate. He was not about to let his heart be broken now. He had more important things to think about…

-

(written for Haikyuu!! MatsuHana Week - Day 5 - glasses, piercing)

not like the movies, by bravely

“Here,” he says, offering the thumb back to Hanamaki. Absentmindedly, Hanamaki licks it back off. “Thanks.”

Then he blinks.

“Wait,” he says. “Shit, wait. Was that supposed to be romantic just then?”

“ — Well.” Matsukawa clears his throat. “You tell me, I guess?”

No One Else Like You, by auber_jean

"It’s not at all liberating to finally have it said out loud, because it makes it all that more real, and Matsukawa was doing really well pretending that he wasn’t in love with his best friend."

With the turn of graduation, Matsukawa finds himself choosing between a future that he has planned or something more.

live it up, drink it in, by puny

Hanamaki's not a detective, just a wing spiker with a hangover, but he's gonna figure out who gave him all these hickeys if it damn well kills him.

Begin, by Karasuno Volleygays

It's the last day of their high school years and the first day of the rest of their lives. As they spend the night under a blanket of stars, they can't help but wonder where will they go from here?

Playing Doubles, by squidmemesinc

“We always said we were going to fuck at every possible time of day,” Takahiro says, rolling his hips gently over Issei’s.

“I do remember saying that once. Do you have the calendar on hand?”

Captured Light, by plumtrees

“The smile you’re wearing in this photo,” Hanamaki continued, just a little bit sad, “you haven’t smiled like that in a long time.”

Matsukawa looked at the photo again. It was awkward; it always was, seeing himself through Hanamaki’s lens. He’d never really focused on himself whenever he looked at the photos Hanamaki took of him, but now his eyes actively trailed over his face, the crinkle of his eyes, the twinkle in them from the light reflecting off of his cellphone, the smile wide enough to show an entire row of teeth.

He tried to emulate the expression, only to realize how foreign it felt on his face.

-

A love story like most love stories, stuck between busy days and too little time spent together.

Matsukawa learns to take it easy, and Hanamaki is his teacher.

Marks, by Andramion

The room is quiet when Issei gathers the pillows under his arms and lies down. He presses his nose into his shoulder, closes his eyes and focusses on the barely-there touch of fingertips to his skin.

Hanamaki always does this, every single time.

Sure, by kiyala

Beginning university brings a lot of changes with it. As Iwaizumi and Oikawa deal with going to different universities, Hanamaki thinks about his own relationship with Matsukawa.

nebulas, by tothemoon

“You'll have to let me think about it,” Hanamaki says to him while they're looking at soup stocks in the supermarket one evening, because he knows being with someone is not as simple as he'd like it to be.

(At this, Matsukawa does not fret. He goes for the snack aisle, instead.)

Settled, by kiyala

Hanamaki and Matsukawa go for a walk in their hometown in the middle of the night, and reflect on the things that have changed since high school.

Staking a Claim, by iwaizumemes

"Do you think they can tell?"

"Tell what?"

"That we've fucked in all their bedrooms."

something of a disaster, by latenights

“This is the part where you make a wish and blow.”

“Now, let’s not get too hasty—“

“I meant the candles you bastard.”

that’s you get (for waking up in vegas), by skittidyne

“There was an Elvis?” Hajime asks.

“He was the officiator. It’s the cliché, right?”

“…Officiator of what?” Tooru asks with a look down at Takahiro’s hand.

“You can borrow my phone to pull pictures from for our wedding album.” Issei reaches over and grasps the hand with the ring on it. Everyone is staring at their clasped hands like a three-headed lobster just crawled onto the table. “You were both the best men and I was very, deeply touched by how affected you both were at the ceremony,” he says in a perfect deadpan.

(( or: iwaizumi does not want to be the responsible one, and thus they suffer the consequences, or, perhaps, 'suffer' is a bit too strong of a word ))

Wilds, by AngryKitten

Makki waded back to him, two handfuls of stones dripping lake-water. He was grinning, like he always did, like their lives were one great joke that Matsukawa only occasionally understood. Hanamaki tipped his hand, and the rocks tumbled out into the bottom of their canoe.

“For later,” Hanamaki said.

Parting Words, by kiyala

Matsukawa confesses his feelings for Hanamaki at graduation, knowing that they're unrequited. Hanamaki's not so sure about that.

we could be the greatest team, by anyadisee

Oikawa mock-gasps. “Makki! You should know that I was genuinely planning on talking about strategy! I just thought it would be polite to wait for Iwa-chan and Mattsun to get back. But since you brought the topic up”—Hanamaki opens his mouth to protest, but is ignored—“have I told you how amazing Iwa-chan is? Like, he’s just the best boyfriend ever.”

“Wow, I never would’ve guessed what with, you know, how much you’ve been talking about it,” Hanamaki deadpans.

Oikawa waves a hand airily. “Don’t be jealous that my boyfriend is so sweet and romantic.”

Now it’s Hanamaki’s turn to raise eyebrows. “Excuse me, but did you just indirectly drag Issei?"

[in which hanamaki and oikawa get competitive, matsukawa and iwaizumi are good boyfriends, and the rest of seijoh somehow get involved.]

chocolate, by tellalie

“We have to do something,” Mattsun says.

Tides That Bind, by rubyfiamma

Matsuhana Fluff via prompt #19. Things you said when we were the happiest we ever were.

Room to Talk, by holdontoyourhulahoops

In which one snarky comment from Yahaba makes Hanamaki realize he's been a dirty hypocrite all this time.

The Best/Worst Places to Cry in the City, by AngryKitten

“Okay this is going to sound weird, and I get it if you want to say no, but I know a good place to cry and it’s only like a block from here. If you need to, um, let that out or something.”

Matsukawa gets hit on while crying in public and it might be the worst thing that has ever happened to him. Or it might be the best.

plus one, by orphan_account

"Did you know we're dating?"

"What? Says who?"

"Says everyone apparently."

"Oh," Hanamaki frowns for a few seconds before shrugging and turning his attention back to the chocolate fountain. "Nice."

Making Sense, by kiyala

Sharing an apartment does very little to help Hanamaki deal with his feelings for Matsukawa. Perhaps that's not such a bad thing.

and indeed there will be time, by plumtrees

Between volleyball and the looming end of their high school years, Hanamaki thinks he’s already dealing with more than enough, thank you very much.

Unfortunately, no one else gets the memo.

-

Alternatively: “I am not in love with my best friend!” says Hanamaki Takahiro. Nobody buys his bullshit.

snakes, meth labs and something like love, by orphan_account

"Did you know snakes can give birth to between ten and 150 babies at any one time?"

Matsukawa tenses. "And how many have you, um— How many have you found?"

"Four," Hanamaki sighs, voice shaking slightly with what sounds like pure, unadulterated defeat. "So far."

Flamingo, by JanaRumpandRCJawnn

Summary by me: series with Trans!Makki, dealing with transphobia, and a nice lovely characterization of Ushijima.

it’s cold out there, by bishounen_curious

Seijoh's parties are always a mess, but this one takes the cake.

he’s a looker but i really think it’s guts that matter most, by respectableflourish

His fellow first year loves volleyball, has a chill factor verging on glacial, partakes in the type of verbal repartee Takahiro has only ever dreamt of finding in another person, and just so happens to exhibit an eyebrow and eyeliner game that is on another fucking level.

my heart beats for contract law, by orphan_account

"You had an emotional breakdown in a McDonalds drive-through."

"Mmm."

"And proposed to me."

"Shhh."

"In a McDonalds drive-through, Hiro."

Takahiro huffs out a nervous laugh, keeping his eyes closed. "You love it," he repeats, nuzzling closer.

services i can provide, by commovente

“So, what’s this?” Matsukawa asks. “An apology?”

Hanamaki drawls the words out, but he’s rambling. “I mean, I was actually going for a bribe, but. You know what, Mattsun? I’m nothing if not adaptable, so. Yes. Consider this an apology.”

it’s easy being with you, sacred simplicity, by earlgrey_milktea

a conversation at half past three.

poolside, by tothemoon

At eighteen, it'd been a matter of wading.

At twenty-five, Hanamaki tries not to fall in headfirst.

need a little sweetness in my life, by orphan_account

The smell of freshly baked bread, watching his cakes rise, listening to customers endlessly praise his desserts? All that is great but, Matsukawa thinks as he shuffles closer to the counter to greet him, the best thing about his job is the man standing in front of him.

And he doesn’t even know his name.

Lemonade, by carriecmoney

“Seriously, after Oikawa’s Oikawaness, Iwaizumi with the shoulders and the intensity and the caring about people shit and you with…” Takahiro gestures at Matsukawa’s everything. “That. What am I?”

Sing For Me, by rideahorse

The first time he hears Matsukawa singing, it’s in the shower, post-practice, when Matsukawa is likely positive no one’s around to hear it. Takahiro doesn’t even know what to think at first; Matsukawa sings just as he talks, voice a low timbre, barely changing pitch as it navigates through some melody that is so familiar yet unreachable in Takahiro’s mind. It’s English, too, so Takahiro wouldn’t understand it anyways, but that’s beside the point.

The point is that the locker room suddenly feels ten times hotter and Takahiro feels like he might melt into a puddle of very gay and very confused sludge.

Realisations, by kiyala

In which Hanamaki realises that Matsukawa is a werewolf, and has a few other realisations while he's at it.

Magical Mishaps and How to Deal, by plumtrees

Hanamaki Takahiro loved Matsukawa Issei. Sometimes. Mostly. When he wasn’t being bull-headed or overly-difficult. Which wasn’t a lot of the time now that Hanamaki thought about it. Shit. But he digressed.

Demon-mating was a for life kind of deal. Certainly not a decision one could make out of the blue, without years of prior thought and much meditation. The day he asked for his mother’s blessing, the day he planned to ask Matsukawa to be his mate, she had told him If you’re sure you’ll be happy with him, then all I hope for is that he says yes and by some miracle he did and here they are now and Hanamaki could say with all the certainty in the world that he loved Matsukawa Issei with all his heart and soul(s).

But some days…dear gods, some days…some days he just made it really, really difficult.

-

Or: Matsukawa accidentally turns Kindaichi and Kunimi into babies and guess who has to help him clean up his fucking mess.

Pink and Yellow, by hotcocoa

Hanamaki is beautiful, Matsukawa is supportive, and both of them are the luckiest boyfriends in the world.

hang out fall in love, by carafin

In which Hanamaki's humble medical practice is threatened by an intractable asshole a witch doctor who's just moved into the shop down the street. Medical/Witchcraft AU.

-

As far as Hanamaki’s concerned, and as far as bad life decisions go, setting up your witch clinic right next to an actual, proper, medical clinic is practically akin to setting up an all-you-can-eat buffet right next to a gym. Or a sex toy shop next to a church. Or a vegetable patch next to a goat farm. Or – yeah, the point is, this Matsukawa guy has totally cornered the market in Terrible-Life-Decision-Making-Skills.

Baby It’s Cold Outside, by dancingwithwings

Matsukawa looks round. And – heaven help him – he’s greeted with the guy from a couple of apartments down, the guy who dyes his hair to look like a strawberry for reasons unbeknownst, looking so disgruntled, so bedraggled, so akin to a drowning cat, that it almost makes him laugh out loud. The guy is barefoot, wearing only a towel. And the look on his face might turn Matsukawa to stone.

In which the fire alarm goes off, Hanamaki is in a towel, and Mattsun just really needs to study.

Zenith, Nadir, by tookumade

A former god realises that it's time to say goodbye.

Parallel Lines, by orphan_account

Yesterday night, Matsukawa had told his parents that he was joining math club, which lead to several confused smiles from them as they tried to figure out his change of heart.

“Didn’t you say you were allergic to competitive math?” His mom had asked. “I mean, don’t get me wrong, we’re very supportive of your decision, but-”

Fortunately, or maybe unfortunately, they’d let it go because no sane parent prevents their child from joining math team, which is intellectually beneficial and looks very nice on college applications. This, in turn, prevents Matsukawa from having to explain that he’s joining- dear god- because of a crush.

this isn’t exactly how i thought i’d spend my adult years, by jadedpearl

When Hanamaki coughs–hacks–the guy, who's been near comatose this entire time, opens his eyes and looks over a little, seemingly with the least amount of effort possible. "Bless you," he says, but his eyes are still sleepy. Hanamaki turns his head and stares at him. "I didn't sneeze." The guy looks a bit surprised. "What?" "I coughed." "So?" "Who the fuck says bless you when someone coughs?"

The Courage of Stars, by FairyLights101

It wasn’t supposed to be like this.

Then again, not many things were.

sugar pink liquor, liquor lips, by h_lovely

His lips still taste like sugar and liquor; they’re rosy and plush as they fit softly against Matsukawa’s own.

What would you do (if I told you that I la, la, la, loved you?), by Frenchibi

5 IwaOi moments as seen by Hanamaki and Matsukawa ... +1 moment of revenge :'D

Shoulda Known, by fxvixen

He quickly composes his face to look concerned. “What’s the matter there, sport?”

The groan cuts off.

Hanamaki lifts his head, a few strands of hair flopping onto his forehead. He narrows his eyes at Matsukawa’s attempt of a poker face. “Never call me that again.”

~or~

matsuhana feels and cuddles

Time and Distance, by kiyala

Matsukawa is attending university in Kyoto. Hanamaki comes to visit.

Kaleidoscope, by tookumade

Fall in love in five cities.

press play, by airblends

“Makki, you want in on our intro?” Oikawa gestures with his hand.

“Nah, I already promised Issei we’d do one for his channel. There are only so many intros a man can film in a day.”

“Issei, huh?” Oikawa’s lips settle into a knowing smirk. Iwaizumi coughs into his fist, gently prying the camera from Oikawa’s hands to turn it off.

Hanamaki’s face burns up, his cheeks a fiery red. “We’re just friends,” he says, the phrase rolling off his tongue by sheer reflex. He has lost count of how many times he’s typed it into the comment section beneath his videos. At this point he might just start to believe it himself.

New Ground, by kiyala

About new cities and new relationships.

Trusting Things Beyond Mistake, by twinkrevali

"‘I–’ Hanamaki starts, then stops, turning to face the lake and frowning as the words fail to reach him.

Matsukawa pushes himself up to look at Hanamaki properly, hands resting in his lap.

‘You,’ he prompts, and Hanamaki looks at him, eyes shining.

This must be, he thinks, what they call a moment of clarity."

Would You Rather, by jadedpearl

“Y’know,” Hanamaki says, stretching his arms above his head, “I don’t even get why Oikawa is the popular one. If this was an anime, I’d be the main character.”

The setting sun burns his edges gold, alights the sharp planes of his face. Matsukawa looks away, faces forward, towards the houses that wind out of sight.

“What makes you say that?” he replies easily, because things have always been just that, with Hanamaki.

too scared to say (that i want you), by urieskooki

"How could he not hate me if he knew?"

Falling in love with your best friend sucks.

one-way ticket, by noyabeans

post-chapter 258.

-

in an alternate universe, they would be the ones on that screen, feet solidly planted on the smooth ground of the tokyo gym and the smell of air salonpas around them.

take my hand, take my whole life, too, by earlgrey_milktea

matsukawa and hanamaki, a few years down the road, and years to go, together.

all our stolen moments (i’d spend forever with you), by earlgrey_milktea

quiet moments between matsukawa and hanamaki.

it's all worth it, in the end.

Switched Jerseys, by chromyrose

After practice on an afternoon shortly before the Spring High tournament begins, they’re the last two people changing in the club room. The weather is starting to turn for the colder, and Hanamaki sighs when the cool air touches his heated skin after he takes his jersey off. He feels a warm hand on his back, and looks over his shoulder...

oh we’re fading fast / i miss missing you now and then, by earlgrey_milktea

It’s strange, missing someone. You find them in every thing you do, and you think you want them back, but you don’t. Not really. Not now, not like this.

-

issei and the quiet that hanamaki left behind.

i thought i could tame these memories to keep me company like a housecat, by earlgrey_milktea

So he stayed here, in a house that hasn’t been a home in a long time, with a cat that keeps looking out the window as if waiting for someone that isn’t coming home.

-

takahiro and the empty house and lonely cat that issei left behind.

those days are dead and gone (but we’re still here), by kythen

They're graduating today and Hanamaki doesn't want to get out of bed.

stranger things, by tinypersonhotel

In 2012, the men’s national volleyball team took home the bronze at the Asian Cup. Tokyo Skytree opened to the public. Also, the dashing Hanamaki Takahiro and painfully cool Matsukawa Issei started a radio show out of Aoba Johsai’s abandoned A/V room and accidentally became the two most popular guys in school.

Daily Password: [ ], by tookumade

“Neko Atsume?” Hanamaki says sleepily when he recognises the song coming from his phone. He opens his eyes with a mystified smile. “You’re still playing?”

-

(written for Haikyuu!! MatsuHana Week - Day 1 - music)

tell them i love you, by tookumade

“Are you two serious about it, though?” Oikawa says dubiously after training when they’re leaving the clubroom together. “Could you seriously tell each other ‘I love you’?”

“Of course we’re serious!” protests Matsukawa at the same time Hanamaki says, “Of course we can!”

-

(written for Haikyuu!! MatsuHana Week - Day 3 - romantic gesture)

like a river, by astersandstuffs

“Is that a confession? Are you actually confessing to me right now?”

“Hm. Yeah.”

-

Or, they still have a lot to learn (and maybe that's the thing about being together).

Baby(sitting), Maybe, by tookumade

“One day,” says Hanamaki, “we’ll look back on this and laugh.”

“Mm-hm,” Matsukawa hums.

“It’ll be a cute little story. We’ll tell our friends, and they’ll laugh along with us. They might even be sympathetic.”

“Mmmm…”

“You’re absolutely right, sympathetic is reaching way too far.”

-

(written for Haikyuu!! MatsuHana Week - Day 6 - children, bonds)

Matsuhana Week 2017, by h_lovely

Day 1: music//relationship goals Day 2: competition//petty Day 3: romantic gesture//fairy tale Day 4: in danger//leaving home Day 5: food//science Day 6: children//bonds Day 7: on video//surprises

A God for Every Season, by timkons

Mortals have all kinds of foolish tales, like how Hades and Persephone's annual reunion causes the seasons. Matsukawa knows better.

Habenaria Radiata, by tookumade

Hanamaki turns onto his side so that they’re facing each other, and his smile is warm; Matsukawa feels his heart skip a beat, as it always does whenever this happens, and he wonders when he’ll ever get used to it, when it’ll become normal enough that he doesn’t get butterflies in his stomach every time Hanamaki smiles at him.

(Probably never, if he’s being honest with himself. He is content with this.)

take my heart and put it in your pocket, by Frenchibi

Issei blinks. “I ain’t drinkin’ any of your froofy Christmas Latte thingies.” “Orange Caramel Mocha.” “What?” “Vanilla Chai Latte.” “Ew.” “Cinnamon Hot Chocolate.” Issei rolls his eyes, resigned. “Fine. That doesn’t sound too awful.”

Remind Me, by tookumade

For Hanamaki and Matsukawa, their first meeting consists of a small accident, a terrible first impression, and the start of something new—maybe something better.

(In which they learn to keep trying, and to try again.)

like twinkling lights and the warmth of your hand, by earlgrey_milktea

mattsun and makki go on an impromptu date.

in a daze, by wyverning

The sound of a camera shutter goes off, and Issei lazily cracks open an eye to see Hanamaki grinning down at him, phone held loosely in one hand.

“That was the best Kunimi impression I’ve ever seen,” he says by way of explanation.

Clueless, by Elleh

If anyone had asked Issei how he’d thought his night would end, he’d have never said: catching my best friend moaning my name while fucking himself.

There’s an odd second, between Issei entering their room and sliding the door of the bedroom open, in which Issei is still oblivious. Skin prickling, a sudden dryness in his mouth, but oblivious. He’s taking his shoes off when the first moan catches him.

He stills right on the spot, a shoe hanging from his finger, the other hand half-way to opening the bedroom. Issei swallows, images of Hanamaki with a girl from the hotel, that’s why he didn’t want to come with us drink, the bitter taste that realisation leaves behind. Issei shouldn’t care Hanamaki’s having sex with someone, but the sourness turns into rage—and maybe disappointment. He’s gonna have a serious conversation about boundaries and, you know, could you let me know in advance, so I find—

“Issei… Mmmh, fuck.”

IOU, by Karasuno Volleygays

Matsukawa Issei goes in for a tattoo and ends up with an interesting new friend in Hanamaki Takahiro. Soon his visits to his tattoo artist's studio in the back of a restaurant become a highlight of his days, and that's before feelings start to wriggle their way into the picture.

take a screenshot, it’ll last longer, by h_lovely

It’s all fun and games until someone pops a boner in a staff meeting.

lapsus linguae, by astersandstuffs

“I’m literally your best friend,” Matsukawa says.

Takahiro pauses. “Shit. You’re right.”

Reflex, by hiuythn

Nobody likes to talk about how Hanamaki and Matsukawa met, which is a shame, because they both think it's the funniest fucking thing to ever happen to either of them.

my way home, by tookumade

Matsukawa has been sitting at their freshly-placed dining table and staring at his copy of their new apartment keys for at least an hour.

(Hanamaki checks his watch. Okay, five minutes; same thing.)

first light, by tookumade

Iwaizumi and Oikawa immediately break out into booing and gagging noises, because as much as they both think themselves mature and reasonable people, they are honestly idiots. Matsukawa just grins and takes a sip of his own beer, pleased, but Hanamaki is frozen, eyes wide and a blush creeping across his face in a way that had nothing to do with the beer.

Tactical Retreat, by Karasuno Volleygays

After years of getting their asses handed to them by the seemingly psychic Iwaoi bond, Issei and Takahiro opt to spend the rest of their paintballing trip engaged in other activities.

Mirror Flower, Water Moon, by h_lovely

Matsukawa’s gaze lingers on Hanamaki. He’s talking about something, ranting on and Matsukawa isn’t sure about what at this point. He should be listening really, how rude of him. But spring has just sprung and the little pink petals dotting the sidewalk match so pleasantly with the strawberry shade of Hanamaki’s short-clipped hair.

(Or, a study on timing and how to get it right.)

quidditch gloves, parchment, and custard cream, by h_lovely

After class, Matsukawa finds Hanamaki in the tall cushy grass by the lake.

[hazinhoodies]

No Love Lost (Part 1)

Harrison Osterfield x CF!Reader

A/N: uh hi. so this is a lot. this was going to be a one-shot originally but then it hit 15k words so here’s some of that. I did as much research into cystic fibrosis as i could (thats what cf means btw). Thanks to @loverholland who helped me edit this (and future parts). Also this is my submission for @starksparker summer writing challenge. I had the prompt of “I know you. What’s wrong” and its used pretty bad but this will make up for it hopefully. its a whole mess of aus. there some fuck boy in there, some best friend. brace for impact.

Word Count: 3.2k

Warnings: talk of death, talk of hospitals, talk of sickness, swearing,  messing with tenses, a ridiculous amount of parentheticals (yes they’re supposed to be there), cheesy writing

Harrison was sweet. You had to admit it. One of the nicest people you’d ever come by. He was your best friend all throughout school, he stuck by you through all the coughing fits, your plethora of medicines, and the multiple times you’d caught bronchitis or something along those lines, not to mention all the other things that come with being a teen in high school; drama, puberty, stress. You were insanely thankful that he put up with all his own problems as well as yours, health or otherwise, and everything that came with having cystic fibrosis.

You were diagnosed at five, after the third time you’d caught pneumonia. Most people are diagnosed before the age of two but either a) you weren’t screened for it at birth or b) your doctors missed something. Just your luck.

You didn’t really know what it meant at first. Just that now you had to take these medicines, pills, and use inhalers (which hurt on bad days). Your favourite part was always the gummy vitamin that you had to -no, got to- take. You heard your mom talking about how important it was that you cleared your airway every day and that you did some of, if not all, the exercise the doctors wanted you to take. They made your lungs burn.

Your mother, however, felt guilty. She blamed herself for your sickness, but her guilt was helping no one affected. She should’ve known that you were growing too slowly and that your breathing problems weren’t normal. She feels horrible.

But if she had and you’d been diagnosed earlier or later or exactly when you were, you would still have cystic fibrosis.

You started to understand what it was at the age of eleven after you’d decided to research it yourself. You knew better than to WebMD it. Long since being diagnosed, you weren’t looking for a cure, just an understanding of what this meant for you.

You found out too much. Things that you were certain a normal 11 year old wouldn’t know about. But you weren’t normal. Anything but.

You found out that the average person with cystic fibrosis died at the age of 37, it’s most common in Northern Europe and least common in Africans and Asians. Although not recognized until the 1930s, certain aspects of cystic fibrosis were identified as early as 3,000 BC, likely due to the migration of people, gene mutations and nourishment. One in Four people have cystic fibrosis. About eighty percent of people with cystic fibrosis die from it. There’s no known cure, if there is one at all.

Your first (and only, so far) double lung transplant happened about a year later. You remember the feeling of knowing something was wrong too vividly. Headed down the stairs, your twelve year old self had already run through your extensive morning routine but you couldn’t shake the feeling of something caught in your lungs. You had to breathe through your mouth to feel like you were getting anywhere near enough oxygen.

“Have you cleared your airways yet” Your mother had asked upon hearing how rough your voice sounded when combined with how much your chest heaved when you breathed. You nodded and she asked you to go to it again. It was on your way back down the steps when it had become instantly more difficult to breathe. Calling for your mom, your voice was weak and wheezed its way through the words. It felt like you were suffocating. You gripped the stair railing tight in your hand as you felt your vision start to tunnel. With whatever luck you still had, you made it to the bottom of the stairs without collapsing and she rushed you to the hospital.

You don’t know what they did to make it better temporarily but you remember being hooked up to all sorts of antibiotics to slow the mucus build up while they found a pair of lungs for you. A month later and they had found a pair. You spent the next while in the hospital from the surgery while the doctors monitored you.

Lung transplants either work or they don’t. There’s no in between. No ‘it works but could be better’. They do, or they don’t.

Your mother would tell you when you were older that yours almost didn’t work. You almost didn’t wake up, but you wouldn’t remember any of it when she told you so.

You were overjoyed when you got to go back to school, you knew you weren’t healed, you still had cystic fibrosis, but you were doing better. That’s when you met Harrison.

With Harrison, you felt like you could be somewhat. He didn’t know about your CF at the time, you held it back to not drive him away. You suppressed coughs as much as you could. He was good though. A good person, a kind soul. So good that when you were with him, you were normal. You felt like a normal kid. You forgot about the multiple inhalers that sat on the bathroom counter and the bottles of pills next to them. You forgot about the doctors, and your enzymes or lack thereof. With Harrison, you forgot you were dying.

He started to get curious when you were missing school a lot and played it off as a cold when you would cough a lot at one time, but Harrison isn’t an idiot and you’re his friend; he knew something was up.

So you told him. You told him you had cystic fibrosis. He seemed confused so you continued on. You explained that while it also affects your pancreas, intestines, and kidneys, it meant your lungs were weak and prone to infection. Mucus builds up inside your lungs and other parts of your respiratory system. You told him that if your lungs get worse then you’ll likely need a transplant.

He nodded along and promised that he understood but you knew he didn’t fully understand what it meant, just as you had.

You didn’t tell him you were dying.

Not then. Not at all.

He’d found out on his own that it meant you were dying. You never asked how. The pair of you were in your living room at the age of fourteen, in the middle of a game of Mario Party. The computer Boo was winning. You could tell that something was bothering him but weren’t sure if it was something to ask about, you did anyway.

“Haz? What’s bothering you?” You spoke as the Luigi on the screen moved 6 spaces.

“Nothing, I’m fine” He stared distantly towards the screen, it’s more likely he’s looking past it.

“And lying. I know you. What's wrong?" No response. "Harrison, tell me” You refused to press any buttons, letting the die on the screen roll above your characters head until he gave you an answer.

Harrison looked down into his lap, fumbling with some of the buttons on the remote. His voice comes out small and meek, “You’re dying”

“No, I’m not,” Some weird instinct told you to lie about it and protect his feelings, but the glimmer of hope he had when he looked at you made you wish that you hadn’t said that. “I mean, I am. But I’m not bad” You hesitate on ‘bad’, unsure of how you want to phrase things. You knew you had to be careful of what you say. “I’m not even on a transplant list yet,” His expression shifted to worry, “It’s a good thing” He somewhat relaxed. “It means that I’m managing it well. And I am. I take care of myself, take all the medication I need to. It’s a lot but I do it”

The look on his face made your heart go soft. Somewhere between worry and relief, happy and sad.

“I’m sorry I didn’t tell you sooner” You whispered, your gaze falling to the floor. You felt bad about telling him, that’s for sure. But for once you wanted to be normal.

“It’s okay,” Harrison’s voice was almost as quiet as yours, the overly happy game music playing in the background (it really didn’t help with the mood). He looked over at you and your expression made his heartbreak. “Hey,” he grabbed your attention, “This doesn’t change anything. No love lost, yeah?”

You nodded. “What I meant is that you don’t have to worry about me” That was the end of it. You rolled a five.

The next few months saw a shift in your relationship. It’s not that you spent any less time together, quite the opposite actually. Harrison wanted to spend so much time with you, most of which consisted of the two of you doing anything either of you could think of. More games of Mario Party (you won more often, he’d say he let you but he definitely didn’t), going out for food, bowling, laser tag, you name it.

He also took care of you. No matter how much you said you didn’t need it and you didn’t want to bother him, you’d get text messages at the same time every day asking if you’d taken your enzymes, or cleared your airways, or if you were close to running out of anything.

Harrison was sweet. He was sweet to you and you couldn’t be more thankful.

High school came and the world watched on as the two of you grew closer than ever. He was there as soon as he could be whenever you were in the hospital and even if you weren’t, he was at your house or you were at his as much as you could be.

Looking back, you weren’t sure how you didn’t see it.

While you were still Harrison’s best friend, he spent time with a lot of other girls. You weren’t dumb. You saw the way they looked at him. Their looks were anything from ogling or as if he was the moon. Their never-ending night light. The one that lit up the dark for them.

It was cheesy and sometimes (usually) gross, but he never looked at them that way. Even while his arm was wrapped around them in the halls he was either making some joke towards you (you’d say he was bullying you, but you weren’t that hurt) or laughing at something someone else had said or done.

Every two weeks there was a different girl on his arm. It didn’t really make sense to you. He was so nice and caring towards you but then these girls that he claimed to have feelings for barely got a second glance from him.  Even still, part of you wanted to be in their position, if only for the title that came with it.

You fell in love with Harrison slowly. Like when you come home late and don’t want to wake anyone, so you shut the door precariously, even the small click after it’s shut is too loud. Or like waiting for a flower to grow. Checking on it until you saw the first sprout and then the first leaf.

Your sudden realization, your ‘click’, was when you’d heard one of the girls talking about him after they’d ended things. You weren't sure if you could call it a breakup, we’re they even official? Who knows.

Water ran from the tap in the bathroom as you washed your hands, you couldn’t help but listen to the conversation she was having on the far side of the room. It was whispered and sobbed but you still managed.

“What’d he say?” Her friend, you thought her name was Olivia, places a comforting hand on her shoulder.

“He just said he didn’t feel anything for me anymore” Harrison ex-thing, her name was Erica, (she was one of the “you are the moon” starers) barely got out the last word before sobs racked her body, her upper body and torso shook forcefully with each one. She was really hurt. “Said that there was something about someone else. I don’t get it. It was three weeks how could there be someone else”.

If it was three weeks then why are you so worked up over it? You fought not to roll your eyes.

“Erica, I told you that he was a bad idea. I told you that he’d hurt you. And you still…” Olivia trailed off with a sigh. Some best friend.

“I don’t know. Maybe I thought I could change him or something. Fuck, I don’t know. He’ll always be a fuckboy I guess. Can’t wait to see who he’s got next week” Sarcasm drenched her words. She sniffled, wiping her eyes.

You dried off your hands and left the bathroom.

It hurts to hear people talk so horrendously about your best friend. That wasn’t the Harrison that you knew, the Harrison you knew was gentle and caring and wore his heart on his sleeve. What about you made him that different?

Harrison came over that night, you helped him with his English paper and then the two of you retreated to doing your own things on your phones. He laid on your bed and you used his stomach as a pillow, lying perpendicular to him. Your legs hung off the bed a little, but you didn’t care.

The room was silent for at least fifteen minutes with the exception of the odd chuckle followed by the other asking to look at whatever it was they laughed at. That was until you piped up. Your mindless scrolling only lasts so long before you fall into your own thoughts.

“Heard Erica talking about you in the bathroom today” You let your hand fall to your chest, phone facedown against your sternum. Harrison didn’t really talk about the girls he was involved with. At least not with you. You weren’t sure why but never pressed.

“Yeah? What’d she say?” His eyes didn’t leave his phone.

“She was talking to Olivia, I think it was Olivia. The one who sits next to Tom in English”

“Yeah, Olivia” Harrison confirmed.

“Yeah her. And she -Erica-  was saying about how you broke up with her and said that there was someone else. And then Olivia said something about how she warned her not to go for you because you’re a bad idea and you’d only hurt her and shit like that”  

“Sounds like Liv” Harrison chimes in.

“Then Erica said that she thought she could change you or something like that? I don’t know. It was just weird to hear them talk so bad about you when what I see is the polar opposite” You started your scrolling again.

“People talk Y/N. She was just upset I guess. That’s okay” You nodded and there was a moment of silence

“Just out of curiosity. Why do you go through girls so fast?”

“I just don’t feel anything with them really. I know what I want, and sadly it’s things that I don’t think they’d ever be able to give, or have, or be”

“What do you want?” Your question threw him off guard and he had to pause for a second.

“I want pure love. It’s not driven by lust. A kind of love where I don’t have to worry about what I look like or how I act around them because I know they’ll love me just the same. One where we have electric conversations one moment and then the next we’re in silence but it’s fine. Because it’s comfortable. I want to have a connection. I want the kind of love where you’d die for the other person. I’d die for a love like that. And it’s something that I don’t think I could get from Erica or Megan or Hannah. No matter how long we’re together”

“But you’re not even going to stick around long enough to see if there is all that with them?”

“No. I know it makes me sound like an asshole but I know what I want. I just have to wait until that love realizes what they want”

You thought for a moment. Maybe it made sense? In some weird, twisted, ‘i’m an asshole but don’t want you to think so’ sort of way. “Okay” You trailed off.

“Also we were only a thing for like three weeks why is she this upset”

“That’s what I thought!” The two of you laughed and settled back into a comfortable silence.

You’d since learned to trust what you knew about Harrison, disregarding parts of what was said that night. He was kind, and took care of you, and cared deeply about so many things. You knew about his reputation, but you didn’t care. He was your best friend, and what kind of friend would you be if you changed your opinion based on what other people said. Certainly better than ones who date the guy who broke your heart (*cough* Olivia, *cough cough*) The same one who warned you not to date him.

And sure enough, the following week, Olivia and Harrison were together.

Olivia was the longest he’d been with someone that you knew about. A whole eight weeks was a record for Harrison. It almost made you think that maybe he was capable of finding love on his own. And that made you happy. Happy for him.

Then there was that damn click. That fucking leaf. The one that made you sad when you saw them in the halls, her hand in his. The same one that made your stomach drop when he'd kiss her cheek before class.

Although his time never wavered with you, you couldn't help but wish it was you under his arm. With his lips against your skin.

High school ended, Harrison went on to drama school. It fit, he’d always been dramatic (haha very funny Y/N) but you were proud of him for pursuing his dream of acting. You’d gone onto university as well. Although the two of you didn’t see each other nearly as much, you were still his best friend, and him yours. The texts to take your meds had changed from whenever you had to take one to only every morning, and the two of you would talk that night.

June Twenty-Second. You’d finished all your exams two months ago. Still riding on the high of being a university graduate, you didn’t expect for it to drop so fast.

You were put on the transplant list your sophomore year of university. But you were getting worse, you’d moved up significantly since being put on. June Twenty-Second is when your doctor told you that if you couldn’t get one of the next few lungs, you’d be out of time.

When you’d discovered that you were dying when you were eleven, you struggled to cope with it. Slowly but surely, you’d learned to accept that you couldn’t live forever, and if you’d been asked a month ago how you felt about death, you know how you would have answered. You would have said that it’s a part of life. That every journey has its end. You would have said that no matter what you did you couldn’t change anything and you were okay with dying. Maybe it was your time.

But when your doctor finally, officially tells you that they don’t know if they'll get you a pair of lungs in time, one thing comes to mind.

I’m not ready for this.

Immediately followed by another thought.

Harrison

Tags:

haz tags:

@summernykole @hjosterfield @imagines-andshizz @thequeensardine @artemisiaarm @sincerelymlg @butithasntkilledyouyet @bitchymathematician @ixchel-9275 @honeyyhuggs @nedthegay @ohyouremymedicine @awkwardfangirl2014 @parkerpeterholland @screeching-student-unknown

@osterfieldholland01 @happymagicbee @headsup-itsmostlypeter @starlightfound @spideyyypeter @empressdreams @isabellyduh

Others who i think might enjoy or hate me for it (or already do)

@wazzupmrstark @parkerpuffwrites @parrkerspeters @nnatasha @lamptracker (really i just want you to read this)

[why-this-kolaveri-machi]

Fic: Come As You Are (1/11)

THIS IS FINALLY HERE OH MY GOD. 

Summary: A series of codas/tags/missing scenes to every episode of the first season of TItans. In the first episode, our protagonists are moving towards each other, but first, they each navigate the existential nightmare that is their own mind.

Warnings: SPOILERS for the whole series, some swearing, lot of dense parenthetical nonsense and fancy formatting. Dick and Rachel marinate in their own anxiety. I’ve also taken the liberty to fill in some gaps that were left by canon.

this is meant to be a companion series to my episode recap series. i’m in the midst of my worst writer’s block ever--it took two whole months just to write this chapter; i’m still far from happy with it, but if i looked at it anymore i was going to scream--but i hope to finish both the recap series and this fic series before s2 airs this fall. 

(s/o to @cautiousamber whose continued love for the show and for what it's doing delights me always)

Come As You Are

1.01

Strange things live inside Rachel’s head.

When she was little, people around her would come to her in her dreams in coloured silhouettes, glowing and wailing, ripped into pieces by monsters that lurked in the shadowy corners of her mind. As she grew, the figures grew more refined, more recognisable, but they never stopped screaming; when she heard words, it was only the monster that spoke.

I WILL NEVER LEAVE YOU, RACHEL

The years passed, and the dreams started to leak into the real world: she would see strange, fresh scars on Melissa’s arms while trembling in her arms after another DREAM; hazy, coloured halos followed people she knew and horrible things happened to people she hated; the monster would stare back at her in the mirror now, eyes inky black, leaking venom into her veins. TRUST ME, the monster would say, calm while everybody else screamed, and Rachel, well. After a point, she forgot to scream, too.

Then one night, she dreams of a little boy on the trapeze who watches his parents fall to their deaths, and the monster does something it has never done before: it laughs.

-

“Master Dick, I trust you received the package I sent you last week?”

Dick idly doodles a large ‘R’ on his notepad while wedging his phone between his shoulder and his ear. “I did, Alfred, it came in just this morning. Thanks. I, uh,” he makes the edges sharper, the ends like knife blades, “I should’ve called to let you know earlier.”

“Yes,” Alfred says crisply, “You should have.”

He twists the pad until it looks like the R is in motion, bounding across the page. Two tables over, Detective Oyode flings a casefile onto his desk in disgust. Across the room, Johnson is eyeing Dick with suspicious disdain. The air is heavy with the smell of stale coffee; there’s a lingering whiff of cigarette smoke from the balcony where Carter, Takashi and Mulligan take smoke breaks twice every hour, on the dot. The floor buzzes with steady chatter, the clicking of computer keys and ringing phones. Dick’s active cases tray is screamingly empty.

“I’ve been busy,” he says. “Settling in, and all that.”

“I see.” A pregnant pause. “And I suppose your new responsibilities as a police detective is the only reason you requested that I send over your modified batarangs?”

“Birdarangs,” Dick says, without thinking.

“Ah. Yes.” Alfred’s voice turns fond. “It’s been well over a decade since you came up with that convention, Master Dick; I must confess that it is good to hear it again. More than anything… it is reassuring to see that you haven’t decided to retire Robin altogether.”

A knot of anxiety tightens somewhere behind Dick’s sternum. This is about as secure a line as he can get without actually using the comms in his Robin suit, but it’s still jarring to hear someone just—just say it aloud like that. Especially after—

Dick’s grip on his pen tightens and he scores across the ‘R’ with such ferocity that the nib tears through the paper. Johnson’s put his coffee mug aside and is starting to walk in his direction and if Dick tenses any more he’s sure he’s going to do something he’ll regret. “Sorry, Alfred,” he says. “Something’s come up; I gotta go.”

“Very well, Master Dick. I hope that you will continue to keep in touch.”

“Bye.” He slips the phone in his pocket, gets up, and tosses his ruined pad in the wastebin. He neatly sidesteps Johnson, swipes the abandoned casefile from Oyode’s desk, and hurries out of the precinct.

-

(it’s all right. you’re beautiful.)

Now that (she’s) put some distance between (her) and (her) attackers (hot metal projectiles where there should be nothing but fire, but she can’t—she can’t—), the molten panic that’s been fuelling (her) escape abates, just a little. (She) slows to a walk, pulling (her) coat close.

(it’s cold, but she’s known colder.)

The further (she) walks from the woods, the less desolate it is. There are more buildings here and more people, turning to look at (her) as (she) walks by them. Almost on instinct, (she) turns into a gas station and makes (her) way into the bathroom, coming to a stop in front of a grimy mirror. (She) is all edge and glorious skin, shining and sharp.

(beautiful. you will know it. and more importantly, they will too.)

(She) empties her purse to find documents and keys and a dozen little opaque clues as to (her) identity. (She) is Kory Anders, and the name is both everything and nothing at all. It is everything because it fits, slots into place effortlessly in her mind like she’s known it all along, but doesn’t trigger a cascade of memories, or anything other than flashes of light and bone-deep cold (and unimaginable pain).

No matter. She is Kory Anders, and this is as good a starting point as any. Besides, she is sure that the real her has a taste for adventure.

-

When the fight’s over, Dick changes into regular clothes a couple of dead-end alleyways over and limps back to his car, trying very hard not to think about Batmobiles, or Batcaves, or anything bat-related whatsoever. His shoulders ache with tension and his knuckles feel pulverised—he isn’t quite used to being the ones delivering all the punches yet. There’s blood and glass in his hair and the acrid stench of used smoke pellets lingers around him like a miasma; he’s stuffed his costume and weapons back in the case, but there are still red smears around the lock and—

—he’s not even entirely sure he’s managed to leave the site of the fight clean; or if he’s gotten all the security cams in the alley; it’s been so long since he’s done this and even longer since he’s done it alone—

(All right. Deep breath. Deep breath. Another one. And another one.)

Everything feels even more absurd when, later in the night, he’s stuck in downtown traffic, trying to breathe past bruised ribs and the bite of glass shards in his fingers. It wasn’t supposed to be like this; moving this far from Gotham was supposed to be the start of a clean break. He’d been slowly working up to visiting Wayne Manor one more time (one last time, but he can’t—he can’t bring himself to—) to return the Robin costume, trying to reconcile the memories of safety and comfort he had under Bruce and Alfred’s care with yawning isolation of that gigantic mansion, the stomach-dropping terror that he would be abandoned (again) if he failed (again), and the anger that never seemed to stop simmering regardless of how much he punched, how much he cried, how much he laughed.

Being Robin without Batman feels like something vital’s been cut out of him, but just being Dick Grayson isn’t enough for all the evil in the world.

Dick stumbles into his apartment building, trying very hard not to make carrying a giant silver briefcase in the dark seem suspicious. He enters his apartment—dangerously open to the world but devoid of shadows—and lets himself slump onto the sofa. He’s going to (clean his costume and equipment, scrub the security cam feeds, clean the car of bloodstains and evidence, destroy the copy of Oyode’s file that he’d made, type up a report for his personal log) but for now he closes his eyes and—breathes.

Just—

Just for a minute.

-

The city is drab and cold in ways Rachel is entirely unused to; for some reason, she thinks of old white bedsheets turned grey from use and wear and repeated washing over years and years. Melissa ripped one of them into rags the last time Rachel DID SOMETHING STUPID, knocked over a vase, cut her hand on the shattered pieces, and dripped blood all over the kitchen floor. Melissa’d spent an entire afternoon scrubbing at bloodstains, refusing to answer to Rachel’s tearful apologies. (The voice told her to break the next vase over Melissa’s head, which made Rachel want to vomit.)

Melissa had washed the blood out of those rags as thoroughly as she could, leaving them even more dirty-grey than they were. That’s what the city looks like: wrung of colour, washed and washed again into grey submission—

“We’re here,” the officer in the front seat of the car says, dropping Rachel abruptly out of her thoughts. She’s taken into the precinct and asked to sit inside a windowless room; it isn’t until the officer that’s trying to get her attention touches her shoulder and she flinches, light and sound and terror rushing in, that the numbness abates and the voice snarls KILL HIM!

can’twon’tdon’t—

The officer looks shocked for a moment before his expression softens and he backs away. “Somebody will come talk to you now, okay?” he says, and leaves. Rachel waits and picks at the fraying edges of her sleeves, wishing—not for the first time—that she’d brought her phone along. It’s not like she has anybody to call, really; she just wants something to do that’s not staring at the walls (of an interrogation room, this is an interrogation room) and trying not to think about how desperately alone she is right now.

A few minutes later, Detective Dick Grayson walks in and introduces himself. Rachel jolts at the sight of him; she can hardly hear what he’s saying over the chorus of holy shit! holy shit! that’s taken over her mind, because holy shit—this is the little boy on the trapeze. He glows blood-red, and every movement of his leaves behind smudges of light and colour and life in this otherwise cement-grey room.

She holds his hands, tells him, you’re the boy from the circus; he frowns, but doesn’t tell her she’s crazy, or stupid, or BADWRONGEVIL. Dick Grayson promises to help her, and for the first time since watching her mother fall to the floor with a bullet hole through her head, Rachel feels hope.

-

Kory Anders is on a plane to the United States.

Twelve hours ago, she didn’t know her name; now she not only has an identity, but a destination, a purpose (a mission). Everything from swiping cards to speaking a dozen different tongues to summoning fire to her fingertips to the clean, beautiful effortlessness of throwing an asshole across a hotel room has been… intuitive; she thinks as she does, moves as she feels, learns as she touches. She doesn’t know what she will find when she lands (knows without really knowing that where she is going is both impossibly vast and comically small) but she’s going to start with looking for the girl in the photo and see where that leads her.

(--to a bubble suspended in infinite nothingness, shackles around her wrists and feet—)

And if that means burning up a few more entitled assholes along the way, so be it.

[yaz-the-spaz]

Last Line Tag

I was tagged by the absolutely lovely @empty-altars to post the last line written of a wip, of which i currently have like 8 and y’all know my indecisive ass can’t ever pick one thing for shit (@heather why did you even tag me for this you know i can’t ever pick just one thing lmao) anyway i managed to narrow it down to 4 so without further ado:

“What if we had a fivesome?” Niall says.

- From my ot5 roadies au (fun fact this fic has literally been like 95% done for months, it really only needs like one or two more scenes, it’s just a matter of when i’m gonna get up off my lazy ass and work up the energy to actually finish it smh)

Fuck the ice lolly, Liam thinks, dropping it to the rocks.

- From my peter pan ziam/ot5 au (that’s actually the second to last line but the last one was kind of boring so i went with that one instead lol, also i feel like i’m never gonna be finished with this fic cause i have like close to 45k written at this point and still have no fucking clue where it’s going @self: binch wtf r u doing)

The skin is still so raw and it stings when Zayn’s warm hand grazes against him, but in a good way.

-From my ziam bdsm kink fic (that i’ll also probably never finish at this rate cause it’s been like 54390583497 years but then again it was the same with the roadies fic and i finally managed to get off my ass long enough to nearly finish that a few months back so who knows maybe one day this will be finished too or at least almost finished like that one lol) 

Niall sighs, a sulky expression on his face. “Not that either of you’ll believe me, but I’ve seen things, yes. And not just here either.” “Things?” Louis repeats, eyes sparkling curiously. “Things like what?”

-From my mermaid ziam au (i don’t actually have anything to add here i just wanted this to have a parenthetical statement to match all the rest lmao bye) (actually wait i just remembered this is two lines not one but the second line’s only interesting when put together with the first one so yeah, in case y’all didn’t already i’m a mess double bye)

Tagging @ohthathurt @somewhereisaplacethatziamknow and idk whoever else who writes sorry i’ve been working on the 2.0 fic for like two days straight and my brain is fried and i can’t remember anything rn and i know i’m probs forgetting a shit ton of people but if you wanna do this feel free :) (and as always feel free to ignore if you want)

[krixwell-liveblogs]

Arc Thoughts: Infestation

(Mid-Arc Thoughts)

So! That’s all the members of the Slaughterhouse Nine accounted for!

Let’s take a look at the second half of Infestation, as well as Infestation as a whole!

A jumble of recap (part 2) and predictions, whoops

Part 2 of Infestation has been significantly less continuous than part 1, consisting of eight largely separate chapters following roughly the same format - a POV character is approached by a member of the Slaughterhouse Nine, the Fellowship member in most cases wanting the POV character to join the team.

Besides the introductions of upcoming antagonists, the most important chapters for the main perspective of the story outside the Interludes are definitely 11a and 11g. Because of the events of these chapters - or rather, the nominations leading to them - Rachel and Alec will both be targeted by the Slaughterhouse Nine in upcoming chapters, something that will likely cause all of the Undersiders to get involved even though they’ve been divided into their own territories. Notably, Rachel is willing to “see what this test is all about”, and is probably the Undersider most fit to actually succeed without help, so there is genuinely a risk that she might end up joining the enemy.

The only other nominees we saw who accepted the offer of becoming Slaughterhouse members were Oni Lee and Hookwolf. Oni didn’t work out, but I could see Hookwolf actually successfully becoming a member and then backstabbing the rest of the team.

Meanwhile, however, the Slaughterhouse Nine apparently don’t give a shit about whether you want to join them, even though they have a habit of showing enough courtesy to ask/warn the nominees. If you’ve been nominated, they’ll test you, no matter what, so Colin, Amy and Noelle (and by extension Coil) need to watch out as well.

Judgment

I think I was right to do Mid-Arc Thoughts. Part 2 of Infestation, the Interludes, could very easily have been a separate Arc. Sentinel and Parasite are more interconnected than Infestation proper and its Interludes. As a result, Arc 11 as a whole feels quite bisected, and it’s hard for me to think of it as a whole at all.

Part 1 was a pretty decent Taylor story about bystanderism and dealing with the infestation that was the Merchants, with the looming threat of the Slaughterhouse Nine being very much in the background. It had solid throughlines, bookends (Taylor waking up from a nightmare at the beginning, feeling optimistic about the same things at the end), and worldbuilding re: the Dandelions and Cauldron, and generally works excellently as a standalone Arc.

Part 2 was more formulaic, in a sense, but in a good way. It let me loosely know what to expect but still left room for each Interlude to do its own thing, and what they did was usually pretty good. There were some fantastic chapters in there, most notably Interlude 11h.

And while the Interludes were largely separate from each other, the formula and the minor pieces of continuity connecting the chapters - from small details like Coil acknowledging Leah’s death to bigger things like 11a and 11h taking place at the same time, or the mystery of the Newbie and what happened to Hatchet Face, or Oni Lee being taken in 11b and showing up again as part of Hack Job in 11h - made the sequence of Interludes feel like a whole rather than just... a set of events.

Overall, Arc 11 is very good, but I do feel it works better seen as two stories, two Arcs.

The Arc title

I don’t think this has changed much since the Mid-Arc Thoughts. Infestation still refers primarily to the Merchants. You could argue that it also covers the Slaughterhouse Nine, but I don’t think that fits anywhere near as well.

Prediction review

From Arc Thoughts: Parasite:

So what do we have coming up?

As mentioned earlier in the post, this Arc ended with Dragon finding out Taylor’s identity and starting a search for her. I don’t think that’s a plot that’s going to be left dormant for too long, so there’s a good chance Dragon will play a role in Arc 11, or maybe Arc 12.

She did appear, but not for this particular plotline.

Meanwhile, the Undersiders will need to try to stay away from the Slaughterhouse Nine. They will fail, that much I’m certain of, but whether they’ll fail in the next Arc or later remains to be seen.

Two of them were specifically sought out by Slaughterhouse Nine members, and the rest are coming after those Undersiders to test them.

So yeah. They absolutely failed to stay away from the Slaughterhouse Nine, and it’s gonna get worse. :P

When it happens, though… well, there’s little reason to hold back against Jack Slash in particular. But even if someone does try to kill him, I think they’ll fail. I could see the story’s climax happening in two years, but I highly doubt we’ll be skipping ahead enough for it to happen in fifteen.

We didn’t quite get to this point yet. This prediction’s gonna have to carry over to Arc 12.

We might also learn more about Imp/Aisha (though with the reveal that Imp was Aisha, that’s become less of pressing matter since we’ve had a chapter getting to know Aisha as a civilian before) and how she ended up on the team… I wish I could see Brian’s face the moment Aisha probably told him straight that she has powers now and she knows about the Undersiders. :P

No luck there. Aisha is the one Undersider we didn’t see in this Arc at some point or other - almost like Wildbow forgot to include her... ;)

And now, predictions from the Mid-Arc Thoughts:

Given the number of Interludes, my main prediction is that these Interludes are for the Slaughterhouse Nine, starting or more likely ending with Jack Slash. Eight members, eight Interludes.

Correct, besides the part about Jack Slash. Though he did show up in the first one to start after the gimmick of the Interludes had been confirmed.

Knowing that the Interludes were done for the purpose of celebrating the anniversary of Gestation 1.1, the number might just be the result of 1 regular Interlude plus 7 bonus Interludes for the week of celebration, but that seems too perfect for Wildbow not to use that for the Fellowship even if that was the case. (If this is how it shook out, I do feel like that slightly increases the chances of Jack Slash going first, though that depends on when Wildbow got the idea for the week-long marathon of Interludes.)

I don’t know if this was the case - though the lack of “(Anniversary Bonus)” on Interlude 11a suggests it might’ve been, that tag was also missing from 11d and 11h. (I don’t know if that was by accident or to indicate that he would’ve done them even if he hadn’t decided to do an Interlude marathon to celebrate the anniversary. If it’s the latter, then why 11h rather than 11g?)

But if it was that way, it still makes a lot of sense that Siberian went first, with 11a being one of the two most important Interludes in the Arc. The parenthetical comment was caused by the assumption that Jack Slash’s Interlude would be most important, so while I was wrong about which one it’d be, I was correct about the underlying idea - that one of the most important Interludes would come first.

That said, I could still be wrong. If the Interludes aren’t for the Slaughterhouse Nine, I don’t have a clue who they’d be for. Maybe some of the other villains in town? Maybe one of the Wards or Protectorate members as they learn of the Merchants’ collapse? Perhaps even a short check-in on Dragon’s progress in finding Taylor?

Nope.

Also, given the marathon, I suspect these Interludes might each be a bit shorter than the average recent chapter.

I don’t know. They didn’t feel any shorter, at least. Maybe he wrote them in advance?

So yeah, whatever Wildbow has in store for me, I’m sure it’ll be good. If perhaps brutal. :)

That it was!

Predictions for Arc 12

I’ve kind of accidentally covered just about everything already, but let’s summarize:

We know that Bitch, Armmaster, Hookwolf, Noelle, Regent and Panacea are all now targets for Slaughterhouse testing. This might be lethal for some of them, as I doubt the Slaughterhouse members will hold back. However, I doubt we’re losing Bitch, Hookwolf or Regent - Bitch and Regent because plot armor and Hookwolf because he’s probably the most competent fighter out of all of them, besides maybe Armmaster, and better equipped defensively than anyone except maybe Noelle. Besides plot armor, it would be more interesting to have Bitch actually join the Slaughterhouse Nine and become an antagonist - at least temporarily - than to have her just die.

Other than that, a couple predictions from the end of Arc 10 remain active:

Dragon’s attempts to locate Taylor and communicate with her may come back in Arc 12. However, it might end up being a bit much to have that on top of the Slaughterhouse plot (though that didn’t stop us from learning about Dandelions in the middle of a Merchant brawl), so it’s possible that gets pushed back to Arc 13.

And, if someone attempts to kill Jack Slash, they will either fail, or do it too late.

But yeah, if I were to describe what I think Arc 12 will be like in one word, it’d have to be intense.

I am pretty curious to see how the Arc deals with the fact that there are other characters we care about who are going through the same thing as two of the Undersiders. Maybe we’ll have some Interludes to help out with that? Though it is worth noting that Wildbow seems to have a rule against using the same POV character for two Interludes (which is probably part of why Alec wasn’t the POV in 11g, besides Cherish’s power and personality being better illustrated from within her own head), so he’d have to show us the perspective of someone else close to the action. Perhaps even one of the attacking Slaughterhouse members, though that might be a tad redundant.

Primarily, though, I think we’ll be focusing on Taylor and the other Undersiders doing what they can to protect Alec, and maybe Rachel if she does eventually decide to tell the others anything.

So yeah. See you soon, as I dive into Arc 12!

[snihplod]

get to know me tag.

Tagged by @pine-apple-chan​ ily bro

Rule one: tag nine people you want to get to know better.

I am lazy and have been sitting on this for too long so if you see this consider yourself tagged pffft also the parentheticals are me being me

Rule two: bold the true statements:

I am 5'7 or taller

I wear glasses (only at home)

I have at least one tattoo

I have at least one piercing

I have blonde hair 

My abs are somewhat defined

I have or had braces

I love meeting new people

People tell me I’m funny (idk why though)

Helping people with their problems is a big priority to me

I enjoy physical challenges

I enjoy mental challenges

I’m playfully rude to people I know well

I started to say something ironically, now I can’t stop saying it

There is something I would change about my personality

I can play an instrument

I can sing well

I can do 30 push-ups without stopping

I’m a fast runner

I can draw well (?!?!???)

I have a good memory

I’m good at doing Maths in my head

I can hold my breath underwater for over a minute

I have beaten at least two people in an arm wrestle

I know how to cook at least three meals from scratch

I can throw a punch

I enjoy sports

I have learned a new song in the past week

I’ve gone running at least once a week in summer

I work out at least once a week

I have drawn something in the last month

I enjoy writing

I have done martial arts

I have had my first kiss

I have had alcohol

I have scored a winning goal in sports

I have watched an entire season of a TV show in one sitting

I have been to an overnight event

I have been in a taxi

I have been in a hospital/er in the past year

I have beaten a video game in one day

I have visited another country

I have been to one of my favourite band’s concerts

I have at least one person I consider a best friend

I live close to my school/university/college

My parents are still together

I have at least one sibling

I live in the US

There is snow right now where I live

I have hung out with friends in the past month

I have a smartphone

I have at least 15 CDs

I share my room with somebody

I have a crush on a celebrity

I have a crush on someone I know

I have been in at least three relationships

I have asked someone out or admitted my feelings to them

I get crushes easily

I have had a crush for over a year

I have been in a relationship for more than a year

I have had feelings for a friend

I have break danced

I know a person called Jamie

I have had a teacher with a last name hard to pronounce

I have dyed my hair

I am listening to a song on repeat right now

I have punched someone in the past week

I have known someone who has gone to jail

I have broken a bone

I have eaten a waffle today

I know what to do with my life

I speak at least 2 languages

I have made a new friend in the last year

[seenashwrite]

Hey! I was wondering if you could help me out a bit? I'm about to post a one shot, as I was wondering what I put st the top other then how many words and such? I'm just beginning to actually post stories and I want to get things right haha. Sorry if I'm disturbing you or anything!

Oh lovely @spookyphsyco - you have come to the right type-A advice-giver. And you have graciously made this about me, so that I don’t have to. [wink]

Legit apologias if any of what’s below the cut seems patronizing. I’ve tried to inject snark to make it an easier read. I also say sh*t, possibly other blah-blah of a potty-mouthed nature. 

Short version:

Status: Word Count: Category: Rating: Character(s): Pairing(s):Warnings: Author’s Note(s):Overall Summary:

Essentially I put what I like to see, with ever-so-slight, atypical tweaks. Long version/breakdown is after the jump. The ones with stars I think should be exactly where I put them, with the others shuffled however you’d prefer.

* Status:

Complete 

Part ___ of ____

for multi-parts (a.k.a., a mini-series) 

IMO, the ones around 2 or 3 parts; for me, it’s treading on “series” territory after 3

I just stick a ____ after “of” til I’m sure about how many parts

In-Progress 

could stick this after “part __ of ___” thought I find that redundant - this is definitely to be used for series, and which part you’re on should’ve already been noted above, a la “Title: Part __”  

* Word Count:  

I just round up the decimal point if it’s close to/over halfway to the next number, so…. 3,422 could be ”3.4K” or “3.5K”, whatever you like

If you put 3,422 it scares the shit out of people, even though that’ll maybe take 15 minutes to read. Maybe.

* Category: 

A.K.A. - what’s the genre?

The top ones you’ll see are “angst”, “fluff”, “smut”, “crack”, “real person fic/RP/RPF” - confusingly, I also see RPF = “role play fic - advise just type out “real person” and “role play”

I also see “series”, which, whatever - I’d prefer knowing that right off the bat at a glance, hence “status”, that’s up to your pref  

I mostly see Category kick off with either that, or something indicating what’s to come in terms of the life expectancy of your story line, followed with the above genres

Others by life expectancy would/could include:

drabble

imagine

request/”ask”

head canon

Side note: “cannon” = big boom, artillery-style; “canon” is short for canonical, a.k.a. - the official last word on fill-in-the-blank, so for us - the scripts/what we see on the show, Kripke, the writers, the actors, etc.

multi-part

one-shot

alternate universe/AU (which could branch into “AU: Historical”, “AU: Fantasy, “AU: Science Fiction”, etc.)

cross-over

Now, if it’s a cross-over that I want to be a surprise? I don’t mention the title of the movie/book/show If it doesn’t matter? Stick it in the Category (so “Crossover: Brooklyn 99″) plus it’ll also be made clear via the Character(s) category by listing them after the SPN peeps & before the O.C.

I personally don’t use those main five (see above, RE: anal-retentive stubborn mule) as they are too vague for my taste. 

When peeps pass my stuff along or in the rare instances they put me on a rec list, I couldn’t care less when they whip me under one of those or tag it as such, because that’s common parlance that I’m willfully eschewing. I sleep just fine on my fanfic pillow at night.

I use words like “behind-the-scenes canon-compliant”, “mystery”, “introspective”, “melancholia”, “friends-maybe-more”, “family”, “canon-compliant”, “friendship”, “adventure”, “humor”, “parody”, “spoof” - all [IMO] give a clearer idea without spoiling the plot

Special Nash Note regarding a specific pet peeve of mine that you can certainly take or leave, I won’t adore you any less:

Regarding Real Person Fic - the authors who disclaimer the tar out of these Wear. Me. Out. Just own it if you’re gonna do it, no caveats. I more-than-snark/borderline ranted about this here - surprisingly succinctly - should you want to see why

Take home: I find being really specific in your category helps keep your warnings/author’s notes blessedly tight & trimmed, more on that below. 

Rating: 

On this, I essentially use what I see around town, which is “Any”, “Teen & Up” and “18+” - or variations on this.

Nine outta ten, I’m going with “Teen & Up”, because I most always have dense, meaty plots or dry humor that require a fairly well-read person - I’m not being an asshole, it’s for their benefit. They’ll find it boring and/or too complex, it’s not their fault, they just haven’t had enough years on the planet to knock out a lot of books, y’know? 

Character(s): 

I list the not-mines first, and shut it down after maybe three or four, then cap it off with O.C. mention(s)

Sometimes I’ll do a parenthetical - like “Castiel (mentioned)” or “Crowley (briefly)” - because some people hate certain characters but love you or love the plot in general, so if they know someone they don’t like is only gonna be there vaguely, they’ll likely still give it a go

If there’s more - the minor not-yours or minor O.C.s - just put “various” at the end & and move on 

Also nice on multi-parters/series for you to only list the characters that appear in that specific post

I phrase the primary O.C.(s) like: “Female O.C./Reader/You”, something of that ilk.

Negates the need for “Reader Insert” in the categorization, because… well, it’s not how books are arranged online or in stores or in libraries. Perspectives [1st/2nd/3rd] are just that - perspectives - they aren’t genres.

Pairing(s): 

N/A if none, of course

This is one I am completely leaving up to you.

Having said that - dig through other folks’, see what tickles your fancy.

If you dig through mine - I think one I straight up said “Sam x Reader/Female O.C.” because it was an Ask, so the end result was pretty much out there, and on another I put something cheeky like “Endings are better when you don’t know what’s coming.”

And really, aren’t they?  Lookit, I figure if back on your Master Page/Master Post, you’re gonna end up categorizing them by “Angst” with sub-cats a la “Dean x Reader”, etc., may as well blow your wad from the get-go. 

Also remember this is coming from someone who keeps their O.C.s as vague as possible, so that anyone can imagine themselves in the character’s shoes. That’s for reader satisfaction. 

The selfish reason is because I want “Y/N” to die in a horrific fire where it is alive for >65% of the charring. It is so distracting. I’ve now digressed, tangent-style.

Warnings: 

Writing detailed canon? Or an AU that’s cribbing on canon? Whip a little “Spoilers up to Season _″ or what-have-you right out of the gate. 

Otherwise…. okay, biggest over-arching tip:

Things either ARE or they ARE NOT - refrain from going down a huge explanatory road here, a la “Could be considered this, but also could be looked at as that, and there’s sometimes….”

Oh. Sweet. Lord. Bring the chariots & take me now.

There’s a word for this, and it is “dubious”.  

So: “dubious non-consensual situation(s)”; “dubious incestual situation(s)”; etc. 

It’s the formal way of saying “YMMV”, a.k.a. “Your Mileage May Vary”.  I am likely not going to read into the threat of fill-in-the-blank if I’ve not experienced fill-in-the-blank. That’s why it is an “in the eye of the beholder” sort of jam - it’s open to interpretation….

…..but you gotta make sure it is - if Dean and Sam kiss each other with tongue, even once? That is incest. Not dubious. Nope. 

If there’s stuff possibly of concern that you’re not balls-out detailing, the tidy word for that is “allusion”. 

So: “allusion to past sexual trauma”; “allusion to past physical assault”; “allusion to sexual encounters”,etc.

On that last one: again, meaning off-handed comments about rolls-in-the-hay, not anything specific with vivid detailing.

Might want to tack “eventual” in front of these in certain circumstances - more on that in a sec. 

(PS: Writing tip? Shit in the past that made the characters who they are? Leave it there. Allude to it. Unless it is actually happening, no one caaaaaares - we only care about any ripple effects potentially impacting the current story.)

Language - again, things either ARE or they ARE NOT. 

I don’t care if it’s twice or every-other-piece-of-dialogue, or only in a couple of chapters - “mature language” or “coarse language”. Boom. You’re done. Covers cursing and dirty talk and the lot.

Sexy Times - yeah, it may say “smut” under your category/genre, but it doesn’t hurt to toss a clarification or two  

Some folks consider smut “he touched me here” and some folks don’t consider it smut til “he ran his tongue here”. 

I’d go with “graphic sex” or “explicit sex” if you have any wavering on the issue of what to put. But, again: it either is, or it isn’t - if it’s not allusion, then it’s graphic/explicit

Some folks tack on really, really, really specific facets here, where I think a parenthetical would do, and one that covers a gamut, so:

Graphic Sex (anal) this covers digital penetration & toys

Graphic Sex (multiple partners) this covers three-ways and four-ways and… and…. and….

Graphic Sex (kinks) this covers role-playing and toys and voyeurism and… and… and…

Side note: I have noticed that dog-in-heat genre - A/B/O, right? - is listed separately from kinks. Not my jam, so ya got me, I ain’t your gal to consult on this area

I’m not going on - you catch my drift. People who list every type of toy and kink baffle me. Cover the spread, move on, you can always put an asterisk and stick it below the “read more” to be as specific as you like. 

I say this because if a person’s not into “toys” in general? Why on earth would they read on after that warning above.  Also plays into my whole “stories are often better when you don’t know the end” stance. Because they are, dagnabbit. 

Some folks tack on “unprotected sex”, and fine, okay. Would suggest that if you want to add on some sort of advisement of “don’t do that”, “glove up”, “be safe” and what not, you whip an asterisk on there - “unprotected sex*” - and stick it in an Author’s Note post-story, more on those in a sec.

Violence - go with “graphic violence” and “mild-to-moderate violence”

The latter implies TV-level gore/horror, and the former implies movie/cable TV-level. 

If you want, you could quantify it that way - like “show-level violence” or “movie-level violence” (if doing Avengers or Star Trek or whatnot)

Side note: if you’re going for no-holds-barred, Ash Vs. Evil Dead-level action?  Go on & stick “horror” in your category/genre, methinks

Character Death / Major Character Death  

I have never understood this as a warning, seek advisement from someone else on this point. Legit.

That is a major plot point. Why in this world people would want to spoil themselves on major plot points is beyond me. 

Besides, can we stop treating readers like infants? You’ve given an age range/rating. You’ve said there’s violence. You’ve categorized it as angst (or “sorrow” or “mourning” or WHATEVER) and that paints the picture for me, an over-18 adult, one who has heeded the violence and sorrow alerts and has chosen to proceed. YMMV. Nash don’t get it. I’ve gone all tangent-y again. 

Warnings, Part Two - Stories With Two Or More Parts:

So let’s say there’s a kidnap-and-ransom that involves the villain making a threat of raping the captive. But it happens in Chapter Five. 

That “allusion to non-consensual situation” is, of course, told to the reader up front, and here’s the times when you may wanna tack “eventual” on it. 

Then have an “Additional Warnings” or “Chapter Warnings” section on just this chapter post. They chose to read the thing after seeing that broad warning, I know, but it’s still nice to warn them so they aren’t reading it on lunch break at the office or something.

Side note: when doing multi-parters/series, just copy/paste all this stuff on top of each post, then tuck this “extra” note below the overall warning items

Author’s Note(s):   

N/A 

Use this liberally. There should not be a ton to say after you’ve done all that’s above.

The exception here - as in, a “regular appearance” kind of Author’s Note since it doesn’t really fit anywhere else, is an acknowledgment of any editor(s) who may have assisted.

Another to file under “common parlance” - they are called “Beta(s)”/”Beta Reader(s)” around here, even though technically a beta would be someone who’d be your first reader of the final product, post-edit, and pre-publish. [shrugs]

Advise you not wax poetic on their awesomeness - takes up too much space - do your gushing privately, no one cares about your excited feels for that person [sorry-not-sorry] 

Plus it’s kind’ve bizarre - for me, at least - to see effusive praise heaped upon an editor should I read on and find myriad mistakes I’d naturally assume they missed, which brings me to an example of another unneeded note….

…the one post-beta acknowledgment that goes “…so any mistakes below are all mine”.  ????  What, so you had ‘em do all that for you, followed by ignoring the errors they pointed out? Error’s an error. I suspect they mean not altering verbiage or flow or a suggestion of that ilk, but still. Just acknowledge them by their “@” and move on. I digressed.

Regarding challenges - and this is a “Nash Thing” - I advise you don’t put the challenge info here, above the story. 

All it does it lengthen your top note and keep people from the story once they’ve decided to read. I actually went back & re-formatted for this on a lot of my stuff because it made the top part way too long. 

I suggest you put “Author’s Note(s):Post-Story” and lay it out there - the challenge name, whose challenge it is and the prompt. Why?

If you tell readers the prompt - and another “Nash Thing” is that I don’t bold mine - they will subconsciously be on the lookout for it, which takes away the point of the challenge - to seamlessly integrate a random thing

Other “post-story” can be any inspiration you may’ve used - like songs or the details on a cross-over piece. 

For cross-overs, this is a nice place to do a little “Various characters/settings used, verbiage style and minor plot points inspired by Joss Whedon’s Buffy the Vampire Slayer”. 

Plus, you can put links to vid clips or pics of the cast or links to the song or c&p lyrics of the song - whatever. Point is, it doesn’t take up story space so readers can pass it by if they so choose

* Overall Summary: 

My preference is that this is the last thing I see before I start the story, because I’ve seen all the details above, I’m almost sold, and this is what’s going to get me to scroll. Well, initially. First-scroll page-closers are another topic. 

“idk, i’m not good at these/i suck at these/omg these are so hard/i can’t really say”   –  No, no, no, you said plenty. You just told me you write garbage & that I shouldn’t waste my time.

Sometimes these will be a handful of sentences, and I’ve found that when I’m being cheeky on a parody/humorous story, that’s when they tend to be longer - mainly because I’m really trying to drive home that this is not merely “fluff” or “crack”. It’s what I said it was in “Category” - it’s “humor” and/or “parody”. 

Normally: one-to-two short-ish sentences or three quick sentences. 

No really. 

No, really. I don’t care how long the story is. 

Now, the novel-length ones? Maaaaybe a quickie paragraph of, say,4-to-5 brief - BRIEF - sentences for the umbrella. Then - like we were talking about with the chapter specific warnings? - you can delete the “overall” summary or tack on underneath a sentence about the chapter below IF something pertinent should be noted/you’d want to know it if you were the reader.

Am I an asshole if I put examples of mine? Eh. Here you go, and I stuck an example of an atypical A/N below, as well as what my longest looks like. The Mobile Master has pretty much the same descriptors as the story post itself, but none of the rest of this stuff - if the summation grabs ‘em, then they’ll click through for more of the scoop.

A Delicate Desiccation - they’re told about melancholy, but my stories had been out for awhile, so I *did* pop an atypical A/N (because it wasn’t really a warning, per se) on there to tell the regulars that this was a darker piece than they’d be used to; if I told more than I did in that summary - and shit, I give a big ass breadcrumb via the title card, not to mention the wording of the summary - it would wreck the ending.

Top of the World - novel-length, and readers get blips of a summary for each chapter (at least, on AO3, as FFnet doesn’t allow for it). The chapters average 10K. I did not come to play. It’s structured to read like you’re watching a season of behind-the-scenes-canon SPN, I’ve been clear I’m doing it in tandem with the active season(s), so I’m not gonna warn them “SPOILERS!” every chapter. I’m tired. I’m old. My fingers hurt, Spooks. My keyboard’s angry with me.  

Hope this helps! Or at least didn’t give you a headache. You’re ahead of the game already, just by asking the question. I think you rock. And I’m always right about knowing these sorts of things about people.

So sayeth the Nash, so say we all. 

[kentuckertv]

nashville cmt rayna connie britton

‘Nashville’: She’ll Never Get Out Of This World Alive The beating heart of Nashville has always been Connie Britton’s Rayna James. She’s the character creator Callie Khouri built this series around: a strong yet sensitive artist; a music-industry survivor working in a genre that alternately reveres and discards middle-aged women; a creative soul with a strong business sense; a fierce mother, lover, and maverick. There’s a reason why Charles Esten’s Deacon Claybourne cries more easily than Rayna: She’s the strongest person in any situation she’s handed. (And Esten really is a first-rate crier—for years now, he has teared up much more quickly and convincingly than any other cast member.) WARNING: SPOILERS FOLLOW FOR THE FEB. 23 EPISODE OF NASHVILLE.

Only fans who hadn’t read that Connie Britton was signed for 10 of the fifth season’s 22 episodes could have been shocked by what happened on Thursday night. Another big clue? The episode’s title: “If Tomorrow Never Comes.” The only song title more on-the-nose would have been to swap out that 1989 Garth Brooks hit with Hank Williams’ more profound “I’ll Never Get Out Of This World Alive,” from 1952. The car accident Rayna was in last week caused a chain of medical events that ended in her death. The episode, directed by creator Khouri with great care, was constructed around what proved to be Rayna’s hospital death bed: All of the show’s major characters were given a scene with her, to say good-bye even at certain points when it was not at all certain that Rayna was indeed dying.

It was interesting to see how the new CMT, Marshall Herskovitz-Ed Zwick-produced Nashville has streamlined the cast to its essential personalities. Thus, beyond Deacon and Rayna’s daughters Maddie and Daphne (Lennon and Maisy Stella), the show found a way to bring Hayden Panettiere’s Juliette Barnes stumping down the hospital corridors. (A secondary revelation that would have been the climax of an ordinary episode: Juliette walked without crutches!) Scarlett needed a final benediction that she is worthy and talented, even if it seems as though every character Scarlett encounters eventually has to get around to telling this trembling rabbit that she’s a brave soul.

(Couple of random parenthetical questions here. Did no one think to contact Rayna’s sister Tandy before the former’s demise? And was the tech billionaire Zach Welles’s storyline just a red herring, or something that didn’t pan out once the season progressed? Don’t tell me he’s now going to go predatory, buy out Highway 65, and fire everyone. Bucky needs a pension.)

The most surreal moment—and if I’m being honest, the moment I laughed out loud at, from surprise and great pleasure, I assure you—was the magical appearance of Rayna’s late mother at her bedside to speak soothing words to her. She was played by no less than Carla Gugino, looking glamorous, showing a lot of leg. Yup, Rayna’s hallucinations are first-rate ones; why did we never see more of them?

Frankly, I’m not that invested in the rest of the series from this point on. Those coming attractions, featuring the return of Eric Close’s Teddy and his control-freaky parenting mode, is exactly what I always liked least about this show. But of course I’ll keep watching. Yes, I’ll watch Deacon try to cope with both his sadness and with Maddie and Daphne, even as I dread the Maddie aspect of that, because you just know that for this all-too-believable young woman, it’s all about her. Her melodramatic emotionalism is enough to drive a grown man to drink, which I hope does not happen to Deacon. (Well, I sorta do: I still cling to my long-time fantasy of the alternative-world Nashville, the one in which Deacon is a wild-man, alcoholic, self-destructive genius who goes out in a blaze of glory. See Rip Torn in 1973’s Payday for what I wish Chip Esten had been handed as a reward for all his good work.)

Anyway, back to the Nashville we have. Scarlett and Gunnar? Could not care less about their old on-again, off-again. Juliette and Avery? They’re good for squabbling comic relief, but I’m so not into The Ministry of Juliette Barnes, Gospel Star. Nope, without Rayna, it’s going to be one long slog through the back end of the presumably final season. And, Lord, as much as I’ve enjoyed this noble effort, please let it be the final season. Britton is already out there, picking and choosing between new series pilot scripts, and booked on Colbert’s Late Show next Monday. Deacon, write the “tag” on that final song, release the collaborative album that’ll give the world The Ballad of Rayna and Deacon, and then we can all let Nashville go.

Nashville airs Thursdays at 9 p.m. on CMT.

Read more: ‘Sun Records’: Elvis Presley as the Captain America of Rock ‘Fargo’ Sets Premiere: Our Nowdonchaknow Guide to Season 3 ‘SIX’ Postmortem: Edwin Hodge Talks Chase’s Backstory, #BlackRiflesMatter Patch

[teachanarchy]

Seventy years later and Nazis still haven't figured out how to be funny.        

Memes and the alt-right go together like peanut butter and jelly that's been spread into the shape of a swastika. Internet memes are, by and large, the currency in which these young nationalists trade, eschewing the stuffy, articulated treatises of Mein Kampf in favor of more virality-friendly catchphrases and image macros to be proliferated around image boards and subreddits.

Additionally, the movement is in and of itself a semi-self-aware meme that seems to only exist within the safe, anonymous spaces of the internet. Just as memes tend to be cringey and ineffective when taken offline, one of the alt-right's most publicized IRL events, the "DeploraBall" was widely regarded as a colossal shit show due to the physical and ideological infighting.

Shitposting for keks is also trickier to dismiss when done out in the real world without the mask of anonymity. White supremacist and human punching bag Richard Spencer, the poster child of the alt-right, has claimed his "Heil Trump" chanting at a post-election rally was done in the spirit of "irony." This jives with Spencer's calls for "peaceful ethnic cleansing" at the 2013 American Renaissance conference but serves to highlight the notion that darker machinations often lay beneath the group's claims of simply wanting to troll SJWs.

We've put together a field guide of some phrases and memes white supremacists share with each other so that, if you happen across one in the wild, you'll be able tell whether your old college friend, Gary, is simply a fan of 11th century history or secretly wishes to eradicate all non-whites.

Pepe the Frog

If Richard Spencer is the human mascot of this group, Pepe the frog is its meme version. Much has already been said about the amphibian cartoon's ascension from fringe web comic character to neo-Nazi mascot, including by the Clinton campaign.

Despite the disingenuous incredulity offered by the alt-right (and garden variety Trump supporters) after the ADL added Pepe to its official list of hate symbols, there is no reason to believe that anyone using the character today is at all unaware of the Nazi sentiments attached to it and should therefore be regarded as complicit in spreading said sentiments with his or her usage of the cartoon. Plausible deniability divorced itself from Pepe usage a long time ago. The swastika was once an innocent religious symbol too. People have a tendency to ruin nice things.

Cuck/Cuckservative

Another one that's been covered to death so we needn't spend too much time on it. Trump supporters have long called those they disagree with "cucks," because wanting everyone to have access to healthcare is apparently akin to letting a stranger fuck your wife.

The white-supremacy twist on this oldie but goodie is the additional fear mongering of the cuckoldry being carried out by a person of color. Louis CK became 4chan's public enemy #1 target for race-based cuck meming in 2014 by daring to have stand-up material that broached the subject of white privilege.

Be careful about accurately judging intent and seriousness if you hear someone use "cuck" these days. As "normies" gained familiarity with "cuck" as an alt-right insult, the term began its toothless third stage of life as lefties playfully and sarcastically insult each other with it à la the "thanks, Obama" meme.

Deus Vult

Screencap via YouTube user Starbot Dubs

Crusader iconography has long been tied to Islamophobia, so white supremacists didn't have to tweak much when they lifted this Latin battle cry from Pope Urban II's first crusade. Translating to "God wills it," deus vult re-emerged, after nearly a millennium of hibernation, in a 2015 YouTube video of Christian Syrians bombing ISIS. Since then, alt-right message boards have glommed onto the words, using them as if they were a divine permission slip for wishing death upon Muslims. Vandals even tagged the phrase on a mosque in Scotland in December.

As with Pepe, the window is rapidly closing on claiming innocence when using the phrase.

Moon Man

Borrowing the crescent moon 80s McDonald's ad character, Mac Tonight, white supremacists co-opted this wholesome fast food mascot (ironically based off of black music icon, Ray Charles) as a face for text-to-speech rap song "parodies" (that aren't worth linking to) which explicitly describe myriad gruesome scenes of murdering black people, while dredging up every epithet you can think of. It's like if Stephen Hawking's computer and Weird Al had a really racist child that had an internet connection but no creative talent.

This is just a meme meant to get a rise out of you, of course. There's no true animus there, right?

(((Triple Parentheses)))

Perhaps you've noticed a number of your favorite Twitter accounts surrounded by triplicate parentheses. This is the result of a concerted solidarity effort to take back and render ineffective an alt-right tactic of marking—starring if you will—Jewish journalists.

Conceived of on neo-Nazi podcast The Daily Shoah, these parenthetical "echoes" were written around the names of Jewish journalists and public figures when mentioning them on Twitter. The idea was to aid anti-semitic Twitter search efforts. Twitter has since updated their search function to drop the parentheticals, thereby rendering this hateful branding tactic pointless. You can still see it, as used in the video title below, as a sort of racist vestigial organ.

"Global Special Interests"

All you need to know is that when Donald Trump uses this phrase, a contingent of his base hears "Jews." So now you know to be a bit concerned if cousin Wendy starts peppering that into the family newsletter come Christmas.

Operation Google

We've all encountered that one person who feels personally slighted by his (yes, his) inability to publicly use the n-word while black people have carte blanche. 4chan, that shitty friend writ large, pulled a code word scheme straight from the KKK playbook after Google launched a program meant to filter out such obscenities in searches. Cries of "CENSORSHIP!" rang out, and the crafty teenagers quickly formulated a code of replacing filtered racial slurs with tech company names (Jew = Skype) and Fight Club references (trans person = Durden). The spurious logic behind this scheme was that if enough of them started calling black people "Googles" online, the tech behemoth would eventually have to censor their own pages. That never happened, of course. Instead, a couple dumb Tweets like the one below cluttered up Twitter for a minute.

WE WUZ KINGS

The Black Egyptian Hypothesis is a widely disputed theory that the Egyptian pharaohs (and citizens they ruled) were more dark-skinned than how we picture them today. Despite this being a fringe theory, the alt-right has adopted it as another weapon in their arsenal for denigrating black folk.

Typical Kings/Kingz/Kangz memes revolve around low-effort posts wherein the poster mockingly asserts that, were it not for (implied non-existent) white oppression, black people would be royalty.

Dindu (Nuffin)

Look for this phrase primarily in comment sections of stories about slain African Americans. "Dindu nuffin" (often abbreviated as "dindu") is a bastardization of "didn't do nothing," in reference to the claims of innocence that parents, friends, and community members make about the victims of unlawful police shootings.

Even in cases not involving police or criminal acts, black people, simply referred to as "dindus," are still the targets of alt-right memes. The presumption of guilt every time a black person is injured or accused of a crime is the small price these white supremacists are willing to pay for the opportunity to mock grieving mothers.

Free Helicopter Rides

"Death flights" were a common form of extra-judicial execution during the Dirty War in Argentina and following the 1973 Chilean coup wherein dissidents were flown over the ocean in an airplane or helicopter and pushed to their death. From 1976 onward, thousands of political opponents to Argentina's Admiral Luis María Mendía and Chile's Augusto Pinochet were murdered in this manner.

This wanton disregard for human life is hilarious to many in the alt-right. Starting in mid-2015, certain boards began suggesting progressive political opponents be given "helicopter rides."

Die-hard fans of this murder meme can even purchase whimsical "Pinochet's Helicopter Tour" T-shirts (which we won't link to) that will fit even a 3XL-sized Übermensch.

[ricardosousalemos]

Massive Attack: Mezzanine

“Trip-hop” eventually became a ’90s punchline, a music-press shorthand for “overhyped hotel lounge music.” But today, the much-maligned subgenre almost feels secret precedent. Listen to any of the canonical Bristol-scene albums of the mid-late ’90s, when the genre was starting to chafe against its boundaries, and you’d think the claustrophobic, anxious 21st century started a few years ahead of schedule. Looked at from the right angle, trip-hop is part of an unbroken chain that runs from the abrasion of ’80s post-punk to the ruminative pop-R&B-dance fusion of the moment. 

The best of it has aged far more gracefully (and forcefully) than anything recorded in the waning days of the record industry’s pre-filesharing monomania has any right to. Tricky rebelled against being attached at the hip to a scene he was already looking to shed and decamped for Jamaica to record a more aggressive, bristling-energy mutation of his style in ’96; the name Pre-Millennium Tension is the only obvious thing that tells you it’s two decades old rather than two weeks. And Portishead’s ’97 self-titled saw the stress-fractured voice of Beth Gibbons envisioning romance as codependent, mutually assured destruction while Geoff Barrow sunk into his RZA-noir beats like The Conversation’s Gene Hackman ruminating over his surveillance tapes. This was raw-nerved music, too single-minded and intense to carry an obvious timestamp. 

But Massive Attack were the origin point of the trip-hop movement they and their peers were striving to escape the orbit of, and they nearly tore themselves to shreds in the process. Instead— or maybe as a result—they laid down their going-nova genre's definitive paranoia statement with Mezzanine. The band's third album (not counting the Mad Professor-remixed No Protection) completes the last in a sort of de facto Bristol trilogy, where Tricky’s youthful iconoclasm and Portishead’s deep-focus emotional intensity set the scene for Massive Attack’s sense of near-suffocating dread. The album corroded their tendencies to make big-wheel hymnals of interconnected lives where hope and despair trade precedent—on Mezzanine, it’s alienation all the way down. There’s no safety from harm here, nothing you’ve got to be thankful for, nobody to take the force of the blow: what Mezzanine provides instead is a succession of parties and relationships and panopticons where the walls won’t stop closing in.

The lyrics establish this atmosphere all on their own. Sex, in “Inertia Creeps,” is reduced to a meeting of “two undernourished egos, four rotating hips,” the focus of a failing relationship that's left its participants too numbed with their own routine dishonesty to break it off. The voice singing it—Massive Attack's cornerstone co-writer/producer Robert “3D” Del Naja—is raspy from exhaustion. “Dissolved Girl” reiterates this theme from the perspective of guest vocalist Sarah Jay Hawley (“Passion’s overrated anyway”). On “Risingson,” Grant “Daddy G” Marshall nails the boredom and anxiety of being stuck somewhere you can’t stand with someone you’re starting to feel the same way about (“Why you want to take me to this party and breathe/I’m dying to leave/Every time we grind you know we severed lines”).

But Mezzanine’s defining moments come from guest vocalists who were famous long before Massive Attack even released their first album. Horace Andy was already a legend in reggae circles, but his collaborations with Massive Attack gave him a wider crossover exposure, and all three of his appearances on Mezzanine are homages or nods to songs he'd charted with in his early-’70s come-up. “Angel” is a loose rewrite of his 1973 single “You Are My Angel,” but it’s a fakeout after the first verse—originally a vision of beauty (“Come from way above/To bring me love”), transformed into an Old Testament avenger: “On the dark side/Neutralize every man in sight.” The parenthetically titled, album-closing reprise of “(Exchange)” is a ghostly invocation of Andy’s “See A Man's Face” cleverly disguised as a comedown track. And then there’s “Man Next Door,” the John Holt standard that Andy had previously recorded as “Quiet Place”—on Mezzanine, it sounds less like an overheard argument from the next apartment over and more like a close-quarters reckoning with violence heard through thin walls ready to break. It’s Andy at his emotionally nuanced and evocative best.

The other outside vocalist was even more of a coup: Liz Fraser, the singer and songwriter of Cocteau Twins, lends her virtuoso soprano to three songs that feel like exorcisms of the personal strife accompanying her band’s breakup. Her voice serves as an ethereal counterpoint to speaker-rattling production around it. “Black Milk” contains the album’s most spiritually unnerving words (“Eat me/In the space/Within my heart/Love you for God/Love you for the Mother”), even as her lead and the elegiac beat make for some of its most beautiful sounds. She provides the wistful counterpoint to the night-shift alienation of “Group Four.” And then there's “Teardrop,” her finest moment on the album. Legend has it the song was briefly considered for Madonna; Andrew “Mushroom” Vowles sent the demo to her, but was overruled by Daddy G and 3D, who both wanted Fraser. Democracy thankfully worked this time around, as Fraser’s performance—recorded in part on the day she discovered that Jeff Buckley, who she’d had an estranged working relationship and friendship with, had drowned in Memphis’ Wolf River—was a heart-rending performance that gave Massive Attack their first (and so far only) UK Top 10 hit.

Originally set for a late ’97 release, Mezzanine got pushed back four months because Del Naja refused to stop reworking the tracks, tearing them apart and rebuilding them until they’re so polished they gleam. It sure sounds like the product of bloody-knuckled labor, all that empty-space reverb and melted-together multitrack vocals and oppressive low-end. (The first sound you hear on the album, that lead-jointed bassline on “Angel,” is to subwoofers what “Planet Earth” is to high-def television.) But it also groans with the burden of creative conflict, a working process that created rifts between Del Naja and Vowles, who left shortly after Mezzanine dropped following nearly 15 years of collaboration.

Mezzanine began the band’s relationship with producer Neil Davidge, who’d known Vowles dating back to the early ’90s and met the rest of the band after the completion of Protection. He picked a chaotic time to jump in, but Davidge and 3D forged a creative bond working through that pressure. Mezzanine was a document of unity, not fragmentation. Despite their rifts, they were a post-genre outfit, one that couldn’t separate dub from punk from hip-hop from R&B because the basslines all worked together and because classifications are for toe tags. All their acknowledged samples—including the joy-buzzer synths from Ultravox’s “Rockwrok” (“Inertia Creeps”), the opulent ache of Isaac Hayes’ celestial-soul take on “Our Day Will Come” (“Exchange”), Robert Smith’s nervous “tick tick tick” from the Cure’s “10:15 Saturday Night,” and the most concrete-crumbling throwdown of the Led Zep “Levee” break ever deployed (the latter two on “Man Next Door”)—were sourced from  1968 and 1978, well-traveled crate-digging territory. But what they build from that is its own beast.  

Their working method never got any faster. The four-year gap between Protection and Mezzanine became a five-year gap until 2003’s 100th Window, then another seven years between that record and 2010’s Heligoland, plus another seven years and counting with no full-lengths to show for it. Not that they've been slacking: we've gotten a multimedia film/music collaboration with Adam Curtis, the respectable but underrated Ritual Spirit EP, and Del Naja’s notoriously rumored side gig as Banksy. (Hey, 3D does have a background in graffiti art.) But the ordeal of both recording and touring Mezzanine took its own toll. A late ’98 interview with Del Naja saw him optimistic about its reputation-shedding style: “I always said it was for the greater good of the fucking project because if this album was a bit different from the last two, the next one would be even freer to be whatever it wants to be.” But fatigue and restlessness rarely make for a productive mixture, and that same spark of tension which carried Mezzanine over the threshold proved unsustainable, not just for Massive Attack’s creativity but their continued existence.

Still, it’s hard not to feel the album’s legacy resonating elsewhere—and not just in “Teardrop” becoming the cue for millions of TV viewers to brace themselves for Hugh Laurie’s cranky-genius-doctor schtick. Graft its tense feelings of nervy isolation and late-night melancholy onto two-step, and you’re partway to the blueprint for Plastician and Burial. You can hear flashes of that mournful romantic alienation in James Blake, the graceful, bass-riddled emotional abrasion in FKA twigs, the all-absorbing post-genre rock/soul ambitions in Young Fathers or Algiers. Mezzanine stands as an album built around echoes of the ’70s, wrestled through the immediacy of its creators' tumultuous late ’90s, and fearless enough that it still sounds like it belongs in whatever timeframe you're playing it.