#<- made a last name for her

[sapphicmcmean]

piper: added annnabeth, rachel, reyna, shel, calypso, hazel, nyssa, and lou ellen to a chat

piper: gm beautiful 💕

piper: wtf whyd it make a groupchat

piper: left the chat

reyna: ... It's 3pm???

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[mychemicalbrromance]

#1 like a prayer fan none of you understand (insane)

[choccy-milky]

seb wants to be pet, too 😤💕 ((TYSM to @angel-fr0m-venus for asking how seb would react to clora petting all the cats around the school/hogsmeade BAHAHA. like a neglected puppy, thats how🐶))

[tee-dohrnii]

Unnamed half-gnome daughter of Gale and my tav Stelle

[aletterinthenameofsanity]

Does it ever hit you that Martha sat down in New New York and told the Doctor that she needed his honesty more than she needed to go home and that religious music played in the background at that scene and it was almost framed as a confession, in the most religious sense, and go a little bit feral? That as early as her third episode, she was framed as his equal, equally divine, equally a doctor, able to confront him, able to make him honest, able to sympathize with him, able to abide with him? That so few companions have ever spent so much time in one time period with the Doctor (1969/1913, for example), being with him/her, not running, just staying? That for every fucking thing Ten did wrong as John Smith/after coming back to himself in Human Nature/Family of Blood, he trusted her enough to leave himself vulnerable and human in her care, because he trusted her as a Doctor, because she was just as much a Doctor as he was? That Martha was, more than any other companion of the Tenth Doctor's, his equal, that her final speech about not being second was not just talking about her not being second best to Rose but about being second best to him? That she finally understood what had been true from the moment that they met and she closed Stoker's eyes and the Doctor realized that she had not just bravery and cleverness but a kindness that he had forgotten, that Martha Jones, more than anything else, has been and always will be The Doctor?

[buglaur]

i've been playing the game in my own time but i gotta share this lil angel cus she's the cutest toddler my sims have ever had

[aangarchy]

Everytime i get reminded of "toph's" concept art, i always think how weird it would have been to just have an adult man hang out with three kids for months

[starry-bi-sky]

Love and hate can sometimes cross wires - DPXDC Ficlet

She props her up against the far wall, and kneels before her, fingers deceptively gentle against her cheek. Danyal is cold and trembling, her once bronze skin now dull. She meets her other half— self— sister— mother— predecessor’s eyes, and they are still wet. But now they are sharp, focused on Her face.

Danyal takes a shuddering breath, one that wracks itself down her spine. One that She can feel sinking into her — their? — shared soul. “You’re going to kill me.” She says, matter of fact, something like grief choking in her voice, making it shake.

She blinks at Her mother—sister—friend— predecessor, a feeling She knows is horror but thinks is hatred filling up Her lungs. Her cool palm trails kind down to her throat, Her talon fingers wrapping around the fragile skin. With very little effort, She could break her little neck. “Yes.” She murmurs, a sound only the two of them can hear. “I am.“

Her mother-sister-other half— predecessor shudders again, and yet makes no sound. Simply goes limp with acceptance in her arms. She doesn’t bother to even fight; she looks tired. Make it quick, it’s like she says.

I will. She promises, running the gentle padding of Her thumb along her jugular. It’s the only mercy She thinks She’ll ever give. But first…

“Give me a name?”

(Mother— sister— mine—) Danyal stares at Her, confusion parting her slowly paling lips. There’s silence between the two, thickening the air like the rise of an oncoming storm. Hurt and rage begins to toil beneath Her skin. Was the thought of naming Her so abhorrent, that she’d rather not say a thing at all? Her name is nothing?

Before She can take Her anger out, Danyal breathes in sharp. The sound is painful, jarring like jags of broken glass. She raises a hand, her palm — rough and calloused, proof of her fourteen years of life, of hardship — finds Her cheek too. It’s almost loving, the way Danyal swipes her thumb across Her skin, her clammy fingers tucking a strand of hair behind Her ear.

An emotion sweeps across her, boiling and toiling, burning hot and consuming her whole. Thick, bubbling in her throat, curling behind her teeth and under her tongue and tinging her peripherals with spots. An overwhelming emotion.

It must be hatred, she thinks. What other feeling can encompass one so much?

When Danyal breathes out, so with it comes a name; “Layal.”

Danyal always did love the nights.

(If you ask the Mother of Monsters why she killed Danyal al Ghul, she’ll tell you it was because she loved hated her.)

[ryllen]

imelda

but she also sounds the friendliest when calling ravenclaw

[ dress ]

[fuumiku]

Alexa play Washing Machine Heart… Been having that Succession quote on the mind

[kitnita]

★ — comments from jason robertson, nils lundkvist, matt murray, jake oettinger & matt duchene (+ britt wedgewood & jason's girlfriend) on scott wedgewood's goodbye post via instagram; july 28, 2024

[nesperus]

i genuinely despise hazbin hotel’s designs so much i’m giving myself an hour to redesign every main character. here’s charlie.

[no-where-new-hero]

omg I need your thoughts on the terminally o line author culture bc ngl it makes my eye TWITCH, there are authors I deliberately avoid even tho I've heard their stuff is good bc they're like that 🙈

HHHHH oh good lord, okay, from how I see it, there are two angles on this, both aggravating and sad: the official decree one and the spontaneous ecosystem one.

The officious one is that the nature of publishing nowadays demands an author have an online presence. You need Twitter/X. You need to let every potential reader know your book is coming out. You need engagement through reviews and pre-orders incentives (if you buy now you’ll get a special keychain!!) and word of mouth assurances from your peers that yes your book is as cool as you say it is. You need a newsletter with links (more buying! more voting on lists that are simply popularity contests!) and promises you’re still working on the next thing, don’t forget about me in the morass of everyone else doing the same thing. You need an Instagram and TikTok now to post pretty pictures and videos because one or two authors made it big off this kind of promotion and now everyone thinks it’s the ticket to the bestseller list (sadly, it seems to be working). You need an OnlyFans (a joke but I do recall a twt spat that was a joke/not joke about how rupi kaur will always be more beautiful than her critics and people who took issue with the conflation of beauty with talent). At the end of all this, you’re basically an influencer, a content creator creating content for the content you should be focusing on creating, the finished novel. And the novel itself seems to be disappearing behind the masks used to promote it (fanfic-style tropes, moodboards, playlists, memes) until I now no longer trust the book that I’ll pick up to have any resemblance to the enticements that brought me here. I’ve seen an author or two complain about the stress all this self-promotion generates, but it’s become such an entrenched part of the industry, I think people just accept it. And thus spend too much time online hoping that if they tweet just a little more, produce just one more reel, maybe that’ll be the difference between a sale and no sale.

The other side of this, distinct but obviously connected, is the ecosystem created by this panic of being perpetually visible coupled with the fact that so many of the new authors came of age during the rise of internet fandom culture. That opinionated community mindset that blurs the line between anonymity and friendship is the lens they bring to their own work. I mean, it makes sense I suppose—if you love yelling about characters and words, why wouldn’t you do that once you start to produce your own? This really came home to me hearing about that reviewbombgate “scandal” and how people involved were in reylo circles and that was used to provide receipts. You’re interacting with your readers and peers about your intimate work but they are also all strangers. They will not always give you the benefit of the doubt, and now—as opposed to the past when maybe the worst that could happen was a handful of bad reviews in newspapers—you will either be tagged in hate reviews, sub-tweeted, explicitly called out, demanded to atone for your sins. It’s no longer the morality of consumption but the morality of production. Of course, the easy answer is just log-off, touch some grass. But that can work only when you and everyone else are separated by anonymous accounts or when you have no platform to maintain. As an author trying to make your livelihood from this, suddenly it’s do or die. We’re in a strange moment of authorship bringing the Internet’s echo-chamber and claustrophobic into the real world (this is a lie: publishing now is no longer the real world. But it looks like it) and thus you can kind of no longer escape things.

Will the average reader who isn’t aware of all these machinations care about reviewbombgate? Would a reader browsing at Target think about the controversies around Lightlark? Very likely not. But the impression I’m getting more and more is that the average reader isn’t the one buying all the books. Or shall we say—a bestseller’s status relies on bookstore stock. Bookstore stock is only huge when they know a book will be a good investment. They’ll only know a book is a good investment if it and its author has street cred based on booktokkers, bookstagram, bloggers and reviewers (have you noticed how many books out these last maybe 1-3 years have these kinds of accounts thanked in the acknowledgments? Yeah), and THESE are also chronically online people who will Know. And decide the cast of fate.

Honestly, @batrachised, I see why you avoid these kinds of writers, though I wonder how long it’ll be before the disease becomes epidemic.

[cerealbishh]

"You really care about me."

"Yeah. I really, really care about you."

"I- I really care about you too."

"No, but... I like, really, really care about you."

[kingfakey]

meet amelia. 💎