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[thatsrightice]

78

[abstractfrog]

THE GLORIA SCOTT - part 2, and a follow up to my comic for the first half of this scene! thanks sm to @crashingmeteorz for allowing me to source validation for my whimsical cosmic approach to this moment <3

[daily-odile]

staring

[lskamil27]

WEEPING ROSEMARY is an rpgmaker game, whose DEMO is now FREE and available to download! 

Follow the story of Ophelia as she returns back home, as something unsettling works in the back...

GENRE: Drama, Psychological, Daily Life, Elements of Horror & Creepy, and sliiight hint of Romance

CONTENT WARNING: CG depicting Gore & Upsetting Imagery, Hints of Emotional and Mental Abuse, Mentions of Suicide, Hints of Familial Abuse, Medical Settings ( for those who have fear of it ), Unhealthy Dynamics & Relationships, and Brief Mentions of Sexual Language

Have fun !! [ LINK HERE ]

[brother-emperors]

CARRION EATER

this is some kind of standalone idea. the original version was much more goofy, crassus was going to cover up pompey's mouth and say, 'no, no. he's got a point. let him speak,' and then pompey was going to bite his hand and say, 'you're not even supposed to BE here.'

then I read a review about a staging of julius caesar that sounded like it got REALLY mean (because it involved improv since it seemed like the intention was supposed to be interactive with the audience) and decided to add some teeth into it.

(also yes, I broke the 180 rule. it’s fine. usually I try to include panels that show characters walking around when I do that, but this comic was a standalone, so instead pretend that I’m spinning the theoretical cameraman around on an office chair or something. or that the camera is a ghost.)

also because titling something Carrion Eater and then NOT having it get a little mean and nasty in the dialogue seemed. like a waste.

eventually, I'll figure out a design for lucullus that I like, I keep wanting to draw other characters when I draw him, so he might need a new hairstyle.

ONWARDS! this is playing off of this scene

To this Lucullus retorted that Pompey was going forth to fight an image and shadow of war, following his custom of alighting, like a lazy carrion-bird, on bodies that others had killed, and tearing to pieces the scattered remnants of wars. For it was in this way that he had appropriated to himself the victories over Sertorius, Lepidus, and the followers of Spartacus, although they had actually been won by Metellus, Catulus, and Crassus. Therefore it was no wonder that he was trying to usurp the glory of the Pontic and Armenian wars, a man who contrived to thrust himself in some way or other into the honour of a triumph for defeating runaway slaves.

Plutarch, Pompey 31

the romans are fightingggggg 🍿🍿🍿

finally, the painting panel is taken from Giovanni Battista Tiepolo's The Triumph of Marius (through the Met's Open Access/Public Domain use policy etc)

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

[cubedmango]

「30歳の童貞に片想いすると魔法使いになれるらしい」 (from cherry magic volume 11 special edition) — english translation

[ferronickel]

Hail, flatter! This one, who is a layperson of the arts and comixcraft, has a query for you:

So like, what is flatting?

I've seen your flats in Wifwulf, and I've read about the flats in Looking Glasses, and generally get that it results in an image with similarly coloured areas sharing the same false-colour.

But like, how is it then used? The final images seem to contain more colours and shading, so why not just go straight to this? Why do false colours get used instead of the real ones? How do you pick the colours and how many get used?

How come this is a thing that a whole other person can do separately? I guess that's because it's time consuming - so it saves time somehow?

Thank you! I come in the spirit of humility wishing to relieve my ignorance of your noble craft!

OHOHOHO!!! You've activated my trap card and now I get to ramble about comics craft! And in my area of professional expertise, too! Be prepared for a long post

I'm going to start with the last part of your question:

How come this is a thing that a whole other person can do separately? I guess that's because it's time consuming - so it saves time somehow?

So the thing about comics is that it is one of the most intensely time consuming mediums to create. One person can make comics on their own fairly easily, but it takes forever to produce. Consider that I've been working on Looking Glasses for 18-19 months and have drawn about 87 pages. Now, the western comics industry expects issues to be produced monthly, generally 24 pages in length. It's very difficult for a single person to work at this rate, so the labor of producing comics has been divided. Generally these jobs become:

Writer (writes the script)

Editor (edits the script)

Artist (draws the lineart)

Colorist (colors and renders the art)

Letterer (adds balloons, dialog, and sfx)

Flatter (sometimes 'color assistant' they take the art and prepare it for coloring)

This isn't comprehensive though, there are a bunch of other jobs, like designers and layout artists. Occasionally the artist job gets broken into Pencilers (who sketch the art) and Inkers (who ink the sketch). Basically, by splitting the work amongst a number of people you can produce comics much faster. Not all of these jobs are required, and creator-owed books might have artists do their own coloring and lettering, while big work-for-hire books might have twice as many people working so they can pump out a spider-man book every other week.

Okay, so why Flatters?

Flatting at it's most basic level is just coloring inside the lines. You take a black and white page of art, and you have to fill in every part of the page that will eventually be colored. It's a pretty time consuming task depending on how involved your lineart is.

Flatting a page of Looking Glasses doesn't take me all that long, usually less than a half hour, which is pretty quick. Looking Glasses pages tend to be... optimized for flatting though. There are only ever a few characters and there aren't a ton of background details.

You mentioned Wifwulf (created by my longtime friend and collaborator Dailen Ogden), here's one of it's pages:

Basically everything that's a different base color, (every tree, plant, bit of moss, character, etc.) needed to be picked out separately. Each page of Wifwulf took me a few hours to flat. If Dailen had been doing that themself, those hours would have really added up, but instead they could spend that time drawing and coloring. Now, that said, these pages have a lot of texture, so it's hard to see exactly what I did.

Here's an example from a comic I worked on early in my career. (Lineart by Patrick Custodio)

The writer for this comic loved to put in these incredibly complex crowd scenes, which is something the artist excelled at drawing. I was coloring and flatting at this point on the book, and before I could even start coloring properly, I would need to flat for like eight hours. (I have a much more efficient method these days) It was frustrating because I just wanted to work on the actually creative part, but the majority of my time was spent on something monotonous. As soon as I got the writer to hire a flatter for me, coloring a page would take me only one or two hours, not nine or ten.

So that's why flatters exist, mainly to ease the workload on colorists.

But like, how is it then used? The final images seem to contain more colours and shading, so why not just go straight to this?

Flatting serves a couple of purposes. It's main function, like I said above, is just coloring in the lines. After finishing your lineart it has to get colored in, so in a layer below the lines, you add colors.

The secondary function is preservation. I like to work in a way that is non-destructive, basically, at any point in the process I can restore an earlier version of the drawing if I make a mistake or don't like something. Flats are integral to this.

In digital art, there's this thing called anti-aliasing, where the edges of a line or shape have a drop off of pixel color or opacity. It makes the edges look smoother or blurrier. The three dots on the left are Anti-Aliased, while the one on the right is Aliased, there's no drop off, just hard pixels.

Anti-aliasing is fine until you need to change the color using the paint bucket, or select using the magic wand...

See how the anti-aliased art doesn't play well with these tools, but the aliased art does? So with something like Wifwulf, the final art is going to be full of texture that makes it impossible to select anything again once it's painted. By having a dedicated aliased flats layer under the rest of the artwork, you can always re-select any part of the image you want.

I always leave my flats layer alone, and do any detail work in layers above. For example when I was painting this, it really helped to be able to select just the titan so I could work on those paints without worrying about brushstrokes overlapping the rest of the characters.

One of the other things you can do with flats is quickly selecting certain elements. On most pages, I flat my panels, figures, and background elements separately. Later, with a single button press, I can select just the characters in the scene, or entire panels at a time, which makes things like shading a whole lot easier.

Why do false colours get used instead of the real ones?

If you're flatting for other people you often don't know what the final colors are going to be, so you just pick random ones. Garish colors can be helpful because it makes it obvious that they're not the final colors. Why don't I use the correct colors on my own pages when I'm flatting? Habit, mostly. It's also faster to grab random colors than to track down the correct ones. Sometimes two different things will have the same final color but I like to flat them with different colors so I can select them individually if I need to.

You can see the process a bit here. In my flats, Lancer's spade (eye? eyes? thing) is a different color from his tongue, even if they end up being the same white in the final image. This would help if I ever needed to select just his eyes for some reason. You can also see how I select his body fur color and then add details on top, like his colored fingers and the grey on his arm. Those elements have blurry anti-aliased edges, and it would be impossible to re-select them without flats.

How do you pick the colours and how many get used?

I use the default "additional color set" palette in clip studio and just work my way through it. I pick row and work my way down (for a change of pace I vary which row I start with). How many is mostly dependent on the artwork. You just keep going until you run out of individual objects to color. I have worked on pages where I've run out of colors on this palette and had to start making up more. Typically a page of Looking Glasses only needs around 20-30, though.

So! That's flatting! It's a little known job, and it's how I got started with my comics career, so I have a lot of thoughts on it. I was trying to be concise (lol), so I hope this all makes sense, but I'd be happy to clarify or answer any other questions about this process. I know I didn't really go into how I flat my work, so I can make that post if anyone is interested.

[fumifooms]

was not expecting how head over heels i'd fall for marchil- i stg there's something they put in the sauce like goddamn! and i've loved seeing your posts analyzing their dynamic, really helped articulate what i was feeling. i was wondering if you had any fic recs, or any recommendations for ships with a similar vibe? i'm hungry for them...

I know right, marchil gripped me in a chokehold out of nowhere and still hasn’t let go… The sauce was designed by the demon for me to get addicted specifically. It’s been too long since I haven’t written fic for them. I’m still chipping away at my Marcille & Chil arc analysis I know I always mention it and I started the draft in January but I SWEARRR… Season 1 is ending next week :/ On the upside I’ll probably be more focused. After that analysis, which is only analyzing in depth like one aspect/half of their intertwined arc btw so who knows there might be a part 2 one day, I kept thinking it’d prob be my last marchil analysis but let’s be real, probably not. Every week I find something new to point out about them aah…… Dungeon food, ahh, dungeon food…

Fanfic rec wise, well first I have my own marchil fics, to which I mostly recommend Grind Me Down Sweetly, and then feel free to browse my marchil bookmarks for what seems good! I don’t know what your tastes are but Shroomyystar makes super good angst (and smut), my favorite being 'Til our fingers decompose, keep my hand in yours about Marcille getting deathly sick and the dilemma to confess or to not confess, incredibly haunting piece of bittersweet but soul-crushing angst AND character study. Like wow! Chilchuck I need to throw you in a river. I want you beside me is cute bedsharing banter. From me to you makes my head spin and makes me shake my screen. And- *gets dragged off before I can mention more* Meanwhile on the flipside, Anita_Amai (the first ao3 marchil writer, still going strong 👏👏) is especially great at offering short and sweet pieces, the tone is usually light and comedic and it always makes me smile and giggle, gives me fluff attacks, the fics always a strong good scene or theme idea too. Just browse and pick any, it’s a good time. There’s soo many more. Honestly I recommend just diving into the ao3 tag and start reading. You can start by kudos and read the highest ones first to dip your toes and get the community classics one out. Early on there was a recurring anon writer who did great bittersweet domestic confession stuff like this one, lifespan angst oughh... Wherever you are now thank you for all your work 😭💖 A lot of new marchil writers are starting to post too! A csm asaden fanfic writer legend just joined the tag so marchil will probably finally get some multi-chaptered fanfics haha~ But yess there’s unrequited angst, there’s self-sabotaging angst, there’s domestic fluff, there’s falling in love and bantery fluff, bunch of good stuff <3

As to ships with similar vibes: The closest I’ve seen so far is honestly weirdly close, it’s the protagonists from a romance comedy josei called Dame na watashi ni koishite kudasai or Please love useless me! I don’t want to spoil but there’s even the guy needing to move on from a doomed love + emotional distance issues and the gal slowly invading his personal life/social circle and my god… They were coworkers, he was rude, he’s a workaholic, he’s reliable, she’s sunshine and needs to get some reality checks... The banter. THE BANTER. He represses and she copes by simping for fictional characters. He made, like, a mutual aid community for ex-gangsters. They dress up in silly costumes sometimes. They’re weeeird about each other in an unlabelable way before dating in a way (in a fun marchil in canon way). It’s so funny she’s cracking open his convoluted personal drama like her morning newspapers. There’s more there’s so much more. Give up on your dreams, make money, love loses 🔥🔥 It’s honestly just a great fun read, it’s such a mood. Haven’t read the sequel yet but there’s one so really if it hooks you you’ll be fed well and for a while. The greatest bits are too spoilery but here, have the vibe.

Howl’s Moving Castle, specifically the book, and there’s a ton of themes and narratives that are so fitting for them that I couldn’t possibly all list, I already made a post on it here if you’re interested in all the details and similarities and my AU thoughts haha.

Teen Titans 2003 the show, Beast Boy x Starfire. THAT’S RIGHT I’M A BBSTAR, BAM! 💥🫶 Jokester that’s dependable x sweet and idealistic but strong and protective. Short gremlin and tall beauty. Friends-coworkers to lovers. Very soft fluffy slice of life ship I like it a lot, and I wrote a fic for it hehe. Might do more one day, I have a bunch of prompts written down and a series I really wanted to get to sob.

I almost forgot to mention Shrek. It’s SO FUNNY how well it goes sometimes… Chil Shrek, Laios Donkey, Marcille Fiona. I want to say Mickbell could be Farquaad but even Mick doesn’t deserve this slander… Shrek 2 fear that he’s not prince charming enough for her oughh. Laios getting to be a horse good for him good for him. Winged Lion singing I need a hero. Someone stop me.

There’s also zenmiyo from Touge Oni but no one reads that </3 I gotta get to my review/lore analysis about that manga it’s sooo good a fave read of mine from last year. Like it’s so fucking good. It keeps just ramping up and getting more crazily good. Scrolling through some pages rn and it’s a unique blend of comedy, philosophy and awe-inspiring visuals and creativity. Well, sort of like late Dunmeshi actually. If it had a fandom any bigger I’d be all over it constantly. And I’d also recommend Harahara Sensei / Timebomb Teacher if it had any english translation, one of my fave mangas also. It’s about mafia, and a goody two shoes willing to go through a corruption arc to save her sister x stern rude mafioso who’s there bc he’s poor and on a revenge mission, never had any other option growing up etc etc. Ok he’s not that Chilchuck but the dynamic does have that "grow up and see the world for what it is, a shithole. It’s been hell for me" vs "ok you have a point. But also have you considered not sacrificing your humanity and emotions in a self-destructive pursuit" (not that she’s in the position to talk lmaoo) like ohh my goood him throwing his popsicle stick in the fire that she lit over a corpse, it haunts me.

From the marchil Discord it’s also fun to notice ships some of us share… Csm asaden, some combination of LotR elf x short guy, fair amount of dunmeshi ships overlap too. Haven’t found the overall common thread quite yet and I’m forgetting many that have come up but lol some off the top of my head.

[solarpunkani]

Oh yeah also wanted to share with the Sunflowers that this weekend I’m gonna do one of those invasive plant pulling events in a local park!! Its gonna be my first time going to one and I’m excited (and a lil nervous but yknow). A friend’s also coming with so I don’t gotta be alone, which I appreciate because A: nervous about going alone and B: she doesn’t even like plants or outdoorsy stuff so we have to stan her putting up with my idea of Fun Activity being ‘yanking plants out of the ground’

All this to say I urge yall to go live out your solarpunky dreams. And apparently the native plant society’s website is a good place to start finding events like these.

[merakiui]

someone needs to shake the jade worms from my brain because he is consuming my every thought.

[thatsrightice]

96

[bmpmp3]

11 fish

[beastsovrevelation]

My Good Omens fanfictions are kicking off. Or, should I say, Lady Crowley is. In one of the stories, she was supposed to end up with Hastur. No, she decided she wants to be with Michael.

I guess, I'll need to come up with a seperate F!Crowley x Hastur storyline, because I'm not letting go of that ship.

F!Crowley x Michael... I like the sound of that. I really do.

Has happened to all of us, hasn't it? Your superior in the military waltzes in, and seduces the love of your life. Not to mention, that's his pregnant girlfriend, and when he finds out, it's too late.

Whatever, Calla Crowley can still end up an astronomy-obsessed, equestrian pastel goth, if General of the Heavenly Host is her stepmother.

I must say... In one story she's with Satan, in the other she'll be with Michael... Lady Crowley, honey, you keep pulling the Olympians. Good for you.

P.S. - I don't know how accurately to Good Omens I'll portray Michael, since I haven't seen season 2, and it doesn't matter. I have a very particular way I like to see the figure. Honestly, if she isn't the General, and the leader of angels in Good Omens, it's a crime. Because, if she is, why haven't I seen her in armour/uniform in any of the screencaps?.. Either way, her version I intend to paint is amazing.

[mamawasatesttube]

this is still one of the most metal things kon has ever said. god DAMN

[menlove]

academic writing is starting out w one thesis and landing somewhere totally different

[fideidefenswhore]

another instance of dissonance that became really apparent in tmatl...when thomas boleyn has the office of lord privy seal, it's a sinecure, hardly mentioned (Monseigneur, more often, i don't actually know where that comes from, tbh...he did have an overbearingly ostentatious title in his early days of parliament-- Thomas Ormond de Rochford Cheval[i]er*, try saying that ten times fast-- but that was before anne's rise, so), when cromwell has the office, it's a signal favour of high esteem and also an anchor of long hours and ceaseless, difficult work.