#;RÉSJ.

[tybaltsjuliet]

no, because. i am, like, losing it, losing it, over that júlia and death picture.

júlia meets death alone and none of the people who have held her hand in life are there. the nurse is not there, and romeo is gone before, and tybalt is gone before, and júlia has heard the servants from the country say that death comes in a face you know, so you will not fear him, but, oh, death looks so like tybalt she swears she can feel her stilled heart breaking.

júlia was a daughter of the feud and lived her whole life surrounded by death. there were hot-tempered servingmen whose names she scarcely learned before they came to blows in the marketplace with their montague counterparts; one of her grandmothers, that everyone whispered was poisoned by their enemies; her uncle, whose face she could never quite recall for all her mother wept over him.

but for all the death surrounding them, tybalt was the first one who died that she knew. that she cared about. and now she has met death, and he has tybalt’s face, and she wonders who was there to meet tybalt when he was killed. or if he endured it alone.

[dailymercutio]

Day 27: men of culture and taste

[saltavenegar]

Hi tumblr I started animaticing the duel. I’m insane so I want to have the scene before hand as well. Was only able to finish the pre-scene before school starts back up again, but hopefully I’ll continue over winter break! Incase I don’t lmaoo ^^^

[fufferfluffer]

lehetsz király

[antou404]

Elope

[i-am-aci01]

I was playing around with my video upscaler and made an upscale (1080p) version of the Párbaj mixing multiple settings to make it look as natural (less artificial) looking as I could.

[musical-trash-goblin]

Look at this goofy lookin daddy long legs ass slenderman mofo

[cto10121]

It is Time(tm)

[tybaltsjuliet]

ooh can you elaborate on why paris/tybalt? i've never seen that ship before and i'm intrigued

@pureanonofficial here you go, too!

so. my fondness for this ship is entirely the fault of homonnay zsolt and szabó p. szilveszter, who played paris and tybalt respectively in the budapesti operettszínház rómeó és júlia. zsolt and szil happened to be real-life chaotic best friends and thus delivered a crazy degree of chemistry whenever they were onstage together, and i am pretty sure they and the RÉSJ fandom are the entire reason why paris/tybalt is even a thing.

(although i’d be willing to hear a case for the gounod opera, also, in which apparently it is tybalt’s *dying wish* that juliette marry paris, which sounds perfectly heterosexual and normal of him, for sure. i will report back after i see it this fall.)

anyway. a little more about them in RÉSJ. paris and tybalt don’t really have much more time on stage together in this than they do anywhere else, but, oh, boy, do they make the most of it. as you may be able to infer from that gif i reblogged earlier, zsolt plays a PEAK sleazeball paris, and it fucking rules. while paris is looking at tybalt like he wants to eat him in that scene, he is ALSO making fun of tybalt for being in love with júlia/asserting his dominance over tybalt by showing that he *knows* tybalt is in love with júlia. there’s something about it that just oozes “problematic 1940s film noir bisexual who is a threat to both men and women” and i love that.

(see, i may not care for “enemies to lovers,” but i REALLY get a lot out of “maybe not technically enemies but still committing sexy, sexy psychological warfare against each other because they’re each other’s personal hell, and also they should fuck.” see also kylux.)

so. that specific production is kind of my origin story for loving this ship, but i think it’s a lot of fun to play with in general, too!

there’s the power imbalance - i’ve talked at length about the way tybalt really runs on a very gritted-teeth politeness when forced to interact with mercutio, since the latter is a member of the royal household. i love the idea of that cropping up in him interacting with paris, too - and it driving paris absolutely crazy because he wants to break him down and he genuinely cannot tell if tybalt hates his guts or if he’s still mad about the whole juliet thing or if he’s just repressed.

then there’s the idea of paris as the parallel to mercutio, blatantly aligning himself with the capulets the same way mercutio does with the montagues (both to the no doubt unending despair and headache of the prince). i realize i’ve spent this entire post talking about the appeal of sleazy bisexuality and power imbalances, but, hey, what the hell, what if this was kind of healthy and paris and tybalt were Boy Best Friends(TM)? paris as the reason why tybalt bites back all his rage and forces himself not to make a huge scene at the ball. paris proposing to juliet as the best way he can think of to get himself into the family of the man he loves. it’s delicious.

[dailymercutio]

Mercutio do you know about Tybalt’s stupid walk? Have you seen it?

You know, I don’t want to hear him complain about me being overly theatrical when he literally walks like that 🙄

Day 10: get a load of daddy long legs over here

(Stupid walk gif below)

✨high kicks, high kicks, this is how we do it✨

[saltavenegar]

We as a society don’t talk enough abt the belém égett doll

[fufferfluffer]

my baby 🥺

[spizgany-lipejs]

240223 Bereczki Zoltán - Lehetsz Király

[sibylvane]

rómeó és júlia (2004), 'a bosszú' (la vengeance) house of the dragon (2022), episode 1x07 'driftmark'

[musical-trash-goblin]

Somebody needs to draw Tycutio like this i'm begging y'all

I took some screenshots too lol

[syntacticerrortxt]

sorry for rómeó és júlia posting followers....it will happen again