#;; just the right choice of words

[literallybyronic]

me and the Girlies (gn) about to make some objectively fucking terrible decisions in DATV:

[brucie-baby]

the thing about bruce trying to kill the joker is that people always leave it at 'superman stopped him', which is only partially true. superman does stop him but only during the assembly itself. as soon as he's inhaled all the joker gas, he says, "Batman, he's all yours."

he lets bruce have him, and he doesn't step back in until it's time to pull bruce from the water. maybe this is just because it took him a while to dispose of the gas, but i've always seen it as superman essentially giving batman permission of a sort to do what he needed to do.

maybe clark didn't know what bruce would choose - whether he would lock the joker up or put him six feet under - but he trusted bruce's judgement. maybe clark was sure of bruce's intentions, that he truly believed that bruce would do the 'right' thing. or maybe clark knew that bruce was going to kill him, and he took a step back. i don't know if we're ever told, and i don't think i want to know. i just think it's very interesting.

but bruce did fully try to kill the joker. nobody could stop him, and in the end superman didn't try to. the joker had literally been shot and the helicopter was about to explode and bruce left him there to die. the comic ends with bruce yelling to find his body, but thinking, "But I know they won't. That's how things always end with the Joker and me. Unresolved."

[frogseasons]

theres something so incredibly painful and meaningful about nona deciding to live just because a dog is in the truck. just noodle, this weird little six-legged dog that nona only knew for a handful of months in her already short life that she loved so deeply. tazmuir goes to painstaking extents to illustrate all the horrible things that come as a result of love (paul, jod’s backstory, pyrrha/g1deon/wake, ianthe and corona, gideon and harrow, etc) but this little, pivotal moment illustrates the beauties of it. nona is all about love, she loves without reason, she loves her little life and her little family and her school and her friends and noodle. noodle, who is just a dog, who can’t speak or express his love like humans do, but shows it nonetheless. because noodle is a dog, and dogs love without reason, just like nona (just like the earth). when everything and everyone that nona loves is falling apart, when she’s lost in all those horrors of love and chaos and destruction and her brain is breaking down and she’s losing what it means to Be Nona, noodle is still there, loving her regardless. and because she’s still nona, she loves him back. and she lives for love, even for just a few minutes longer. for a dirty little six-legged dog that wasn’t even hers, because she can’t let what she loves die if she has the choice (the power, for once). it’s beautiful and heartbreaking and the last decision she ever made was to live with her horrible, painful existence so that a dog (who couldn’t choose) wouldn’t die.

[pokimoko]

Hello!! i just discovered your blog and firstly i wanna say that your art is gorgeous! <33 and secondly, if youre still taking requests could i get a lesbian/non binary cheetah? /nf

Thank you! Cheetahs be upon ye!

[mylucayathoughts]

Alex on his way back from Paris is one of the most underrated Taylor scenes in Red White and Royal Blue and I think he did such a splendid job there. It's underrated in the sense that, it's not as talked about as his coming out to Henry scene or lake scene or Kensington palace confrontation scene, mostly possibly because it's so short (about 9 seconds). But it's one of my favorites and it owns my heart 🥺♥️. I even talked about it a bit in my little moments series part 1, but not nearly enough.

To me, this scene was incredibly beautifully acted. Taylor poured his heart and soul into it. I believe he discussed it with Matthew extensively and put a lot of thoughts on his approach to it. He knew, the focus would be on his face and he had to portray the many emotions of Alex perfectly and boy did he deliver!

Alex was seen to be so lost in thoughts on the plane, taking in all the new things that had happened, contemplating Henry and their situationship, navigating all the new feelings that were bubbling up within his chest.

He was thinking about Henry, who had become such a good friend to Alex in such a short amount of time, who listens to him, supports him, reassures him while having his own demons to deal with, his closetedness, unsympathetic grandparent. I'm sure Alex felt heard, connected, loved and at the same time feeling a new sense of responsibility towards Henry, to care for him, to protect him. He was falling so fast in love with Henry. This must have been overwhelming to him in the best possible way. And you can see it in the way he goes from pensive to taking in a deep breath. I love how it shows that he is relaxing and coming to terms with all these new feelings.

And he tears up a bit at the weight of them, the weight of all the good things, the prospect of something much bigger and more beautiful than a hook up. And he smiles, ever so softly, at how happy and at peace it made him feel.

I cropped the photo so that his teary eyes can be seen a little better. This 9 second scene is so important and sets the tone for the rest of the movie. Alex was clearly very serious after this about their relationship. His transition from showing just pure Physical want and devouring looks (at the polo match), and then just having a good time with Henry, discovering little things about each other (garden scene and Paris Cafe scene) to Paris hotel scene where they make love for the first time and him pouring his heart out to Henry, and seeing Henry say all the right things, respond in the most loving way, has been done so seamlessly and all of it culminate in this plane scene. And it's so apparent that Alex is grasping and accepting all of that. It's just amazing to see Taylor portray this with just facial expressions (and not through a convo with a friend like it's sometimes done in movies). Such a well scripted and well acted scene, it was so refreshing to watch 🥰

[arsenicflame]

steddyhands modern au inspired by this post:

(1828 words, themes of kink but nothing explicit, established blackhands & gentlebeard-centric. Happy Pride!)

Stede picks up leatherworking in the wake of his divorce. He's not exactly sure how it ended up being such an important hobby for him, only that he had always admired the intricate designs on his horse's best bridles, and with little else to do with his time, he decides to give it a go.

It's rocky going at first, but he's having fun working with his hands for the first time in his life, and there's a sense of satisfaction in seeing the design come to life as he works. With practice, his skills improve, and he learns how to make things that are truly one of a kind.

He starts off posting his pieces online, as a way to reach fellow enthusiasts, but quickly finds himself with a rather large audience. Stede’s style is unique, and, after many requests from his followers, Lucius encourages him to make some more basic pieces he can sell. It's not about making money for Stede, but another way to meet new people who share his interests- as Lucius keeps telling him, it's sad that his personal assistant is the main person he talks to these days. 

So Stede sets out on a new adventure, and has quite the time designing a new range of patterns for the market. He makes purses, belts, bracelets, and, most importantly, dog collars- all still with his unique designs embossed into them, of course. He rents a booth at his towns monthly craft fair, and very quickly finds himself with a new group of friends in the other regulars- Pete, his usual neighbour, who sells an array of wooden figures he carves, Roach, who runs a stand for his bakery, and Frenchie, who isn't actually a stallholder, but is almost always busking near his friend Wee John’s stand of knitted goods, bringing life to the market even in the pouring rain. There's also Buttons, another regular at the market. Nobody is exactly sure what he does there- he doesn't sell things, or seem to buy anything either, but rain or shine, he's there with the birds.

Stede’s been doing this a few months by the time June rolls around. As he's setting up his stand, he notices that the area is much busier than it’d normally be at this time of morning. Lucius, who got roped into helping run Stede’s stall somewhere down the line (despite his protests that this is not what personal assistant means… But hey, he got a boyfriend out of it, at least), reminds him that there's the parade today, too- not realising that Stede had no clue there was a parade today, and especially not that it was pride. Stede immediately jumps to fretting about the amount of stock he’s brought, and Lucius takes the cue to escape, saying he’ll go and grab them coffee (but really, he's off to flirt with Pete)

Lucius is still missing when Ed stumbles across the little leather stall. Stede’s just ran back to his car to fetch his last boxes of inventory, and by the time he returns, Ed’s already begun to narrow down his choices. Stede greets him, starting to tell him that they're not actually open yet, but before he gets more than a couple of words out, Ed’s exclaiming “You're a Kiwi!!!”

The two of them smile at the shared recognition, and Stede says he’ll make an exception, just for Ed, and asks him what exactly he was interested in. Ed tells him that he's looking for a collar “for his boy”, and points out the particular design he was looking at. It happens to be one of Stede’s favourites from this latest run of work, a fact he mentions to Ed. It leads them into a discussion about Stede’s craft, and Ed’s Izzy, and then everything in between. Ed’s listening intently to the things Stede’s telling him, completely drawn in by the process, and by Stede himself. He watches as Stede stamps Izzy's name into the collar, and Stede even lets him have a go at one of the stamps. 

Lucius reappears sometime in the middle of this- only to immediately retreat again, seeing Stede engrossed with Ed. He sets up camp at Pete's booth opposite, watching this man flirt intensely with his boss- and Stede flirt back just as hard. Does Stede even realise he’s doing it? Lucius had known Stede was gay since before Stede even admitted it to himself, but this is on a whole other level.

The pair stand there so long that Izzy comes to look for Ed- the two of them are manning a float on the parade with their crew, and it's past time for them to get geared up. He's already worked up, frustrated to have been left to set up everything alone, when Ed had just gone to see if he could get them both coffee. So maybe he's a bit of a prick, approaching with a brash “where the fuck have you been, Edward”, to which Stede brings the same energy, giving a bitchy “Ed! Do you know this guy?” Izzy tenses, ready to snap, but then Ed cuts in, excitedly telling Stede that this is “his Izzy!” Which confuses the hell out of Stede. 

Forgetting his earlier attitude, he asks Ed if he “really named his dog after his friend”, only to be met with confusion right back from Ed at where the hell Stede got the idea he had a dog from. Stede gestures at the bag with the collar in it, to which Ed has to tell him, “oh, no, that's for him.” Ed tells Stede that they're here to run a float for their local leather society, and while Stede is certainly shocked by what Ed’s saying, he's not finding himself… uninterested. It's simply that he’s never even considered any of this before, especially not that people would use the things that he made for this, but Ed sounds so enthusiastic about it all. He tells him about how his friends would love to see Stede’s work, about how classic leather gear is always so fucking boring- but not Stede’s stuff, no, Stede’s stuff is “fresh” and “fascinating” and unlike anything Ed’s ever seen before. 

Ed's enthusiasm is incredibly infectious, so when he invites Stede to come back to see their float, he readily agrees. It’s a concept Izzy’s less than enthusiastic about. He doesn’t really want to bring this man who’s dressed like he just walked out of a HOA board meeting to their kinky little corner of the world, but he is having a lot of fun watching Stede squirm, so decides not to raise a protest. He does demand he gets his long-overdue coffee first, though (Stede pays for it- as “compensation for him distracting Ed from his job”, he says, not giving Izzy a second to process before he's tapping his card)

By the time they return to the float, Fang, Ivan & Jim are waiting for them, all already geared up. Stede is stunned silent at the sight for about 5 seconds, before he starts actually looking at the quality of Jim’s harness, and proceeds to go off about the poor quality of the craftsmanship, about how the hardware is tacky and completely the wrong choice with this leather, how his “ten year old daughter could do a better job!!!” 

There's complete silence from the group, until Izzy, of all people, bursts into laughter at Stede’s audacity (and, the fact he was staring at Jim's tits completely unabashedly, like he hadn't even noticed them in the first place). Izzy's laughter sets Ed off as he tells the group about Stede’s misunderstanding- “you didn't say he was a person!” “I mean, he's my dog”- and soon everyone's having a friendly giggle at Stede’s mistake.

It's somewhere in the middle of the retelling that Ed remembers that this whole thing happened because he was buying Izzy a gift. After a moments fumbling, he presents Izzy with the collar-  It's a rich, deep black, embossed with a rolling pattern that resembles waves. It’s made from a firm enough leather to take the tooling, and to remind Izzy that he’s owned while he’s wearing it, yet still soft enough for long term comfort. Izzy's eyes immediately lock on to it, an unreadable expression coming over his face, and Ed turns it; first so he can really see the design and Izzy’s name embossed into it, and then so he can see the small “Ed ♥” on the inside of the collar, right over his swallow tattoo. 

“I did the heart,” Ed says to him softly, intended only for Izzy’s ears. Izzy's eyes flick up to Ed’s, and he raises his chin to give Ed the room to put it on. Ed buckles the collar around his neck almost reverently, a test of the tightness turning into a caress of Izzy's neck. It's a perfect fit.

It's as though something comes over Izzy; so twitchy and abrasive earlier, now silent, staring at Ed with a look akin to worship in his eyes. He obediently tilts his head for a kiss as Ed's fingers move to his chin- It's a sight to behold, and one that has Stede intrigued. He wants to know more about this lifestyle, and these men in particular. He wants to be the one to put that expression on Izzy's face.

The moment breaks as Ed and Izzy pull apart, and Ed calls for the crew to finish the last bits of set up. Izzy shakes himself a little before running off to bark orders again, but even still, there remains a softness to him that wasn't there before. 

Ed turns back to Stede with an apologetic smile, already obvious that he has to get going. Before he can speak, however, Stede jumps in -“My business numbers on the card in the box… I'll be around all day”- Ed’s smile turns more genuine at that, promising to stop by if he gets a moment, and that he’ll send his friend's Stede’s way- “if he wants that kind of business.” Stede says that he does, actually- that he's seen a whole new world already today, and, while he was a little taken aback at first, he can feel the passion Ed and his friends have for this life. If there's one thing that's ever mattered to Stede, it's other people's enthusiasm. Maybe he doesn't completely understand yet, but he would like to try.

One year later, Stede’s back at the market on pride weekend again, far better stocked for the crowds this time around. Lucius is finally free to spend the day flirting with Fang & Pete to his heart's content, now that Stede’s roped his own boyfriends into helping him run the stall- and into modelling the merchandise. Ed loves that part, while Izzy needs a lot more convincing, but the puppy eyes Stede & Ed weaponise against him make a very good argument.

[aalghul]

when it comes to being willing to make concessions on methods & morality specifically in exchange for gaining batman’s trust & access to the inner bat circle vs rejecting an existing trust & access (because it did exist prior to jason’s death & would have existed had he chosen to walk back in with no radically opposing beliefs after lost days #1)….jason should never choose the first

[squuote]

something that feels particularly notable is how much the game itself pushes the player to continue, whether or not that aligns with the narrator’s desires. That there is no real consequence by not playing an ending except for denying yourself of seeing the outcome of that choice. Which in itself is the very nature of continuing to push the wheel. Choices lead to actions that lead to player interaction. And even in scenarios like the zending, where the narrator desperately does not want us to move forward, the game provides a way for us to do so anyway. The way that the game will always provide a choice no matter the moral ramifications. But whether or not you choose to take that option will always be the choice you bear.

[maldupay]

fuck i need to replay isat because i cant remember anything but um something something siffrin's increasingly concerning comments through the acts on losing his appetite -> getting violently hungry -> having tear induced nightmares about cannibalizing his friends

[the---hermit]

From the fool who added handwritten notes on a non-fiction book of which the translation was lacking in useful context, we now present translating the entirety of the epic musical because my non english speaking family NEEDs to know how good this is by a writing point of view. And yes as you can tell I am that fool.

[shalom-iamcominghome]

Is it too early for me to feel jewish rage because I'm still thinking about the rededication of a shul that two members of my shul are going to. I mentioned this in the tags of a previous post, but know why it's being rededicated to the jewish community? They had to sell the shul to the catholic church. That shul has existed for over a hundred years and a significant portion of its existence has been under ownership of the catholic church. And only now is that jewish community able to buy back their own shul. Maybe it hits harder now because I am in love with my shul, maybe it's because I know how hard it is to find a shul no matter how big the city is. Maybe I just think jewish things deserve to be with jews. Maybe I'm crazy!!

I'm just upset about it. And I know this is, like, 80% of jewish history, but it still makes me feel things.

[arom-antix]

@fishshit I consider your post canon so I made it

Edit: I FOUND IT

Edit 2: Yakov trauma

Edit 3: I lied, here's the design rant

Edit 4: Updated design!

[homestuckconfession]

the concept of the slur replacement project feels a bit like historical revisionism? especially considering how much i see people recommend it as the recommended way of reading homestuck. it's sanitizing down the more unpalatable bits of homestuck to make it seem more friendly and wholesome (which seems incredibly common among homestuck fans in general, especially among those who like to pretend the epilogues never happened, which is a whole other discussion i won't get into rn), and that just feels weird. not to mention the execution of it is very poor in general. the "future arachnids grip" joke is funny actually, and the change they made to make it "later arachnids grip" not only makes it a weaker joke (as it was initially a play on how the concept of gayness isn't really a thing to trolls), but also introduces an inconsistency in the writing, as it only does this change for vriska, drawing more attention to it. there's also a fucking... random bit where iirc for one line they replace a mention of bill cosby with... gnomeo and juliet? i think? which is not only a baffling decision that they don't, but is technically introducing an anachronism because that movie didn't come out until 2011. the writing they used to replace things in general just doesn't feel very homestuck-y, and it always feels clunky and awkward.

.

[clotpolesonly]

The Raven King ch 62 // Call Down The Hawk ch 2

[flecks-of-stardust]

wholeheartedly and with as much gentleness as possible, i truly think there needs to be more discussion about downpour in the community as it is now. for a variety of reasons.

[jasontoddenthusiastt]

Imo Jason is “irredeemable” by default because I don’t see what he needs redemption from.