#; i don't get much practice writing more action scenes so i hope this was enough progress :O!
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kckuhaku · 4 days ago
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MADELEINE NODS IN agreeance - the programmed dummies the association had provided them were all fed by an algorithm, ones that were learnable and unfortunately did not prove to be as exciting and worth fighting against after a while. while madeleine did train alongside some other agents from the alpha team, they were mostly long ranged fighters which often led to her being at a disadvantage (not that that ever stopped her). there weren't that many claymore handlers - the nature of the weapon didn't allow for fast movements, lunges and swings needed to be decisive.
as oliver dashes forward, madeleine tilts her claymore to parry his initial swings. they were heavy - as expected, madeleine had to steel her heel into the ground at one slash to push off a hit. with a turn of her wrist, madeleine switches from defensive to offensive and twists her torso, swinging her whole body with her sword forward towards oliver.
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« heavy and fast. you're good. » she compliments briefly while contemplating her next moves - it's her turn for a barrage. body forward, madeleine takes off in a short sprint before swinging. her sword spins and acts as a counterweight that helps her launch into the air - lifting it above her head, she's swings the broadsword forward into a downwards hit without any hesitation. the sheer force of the landing shakes her body, but madeleine is quick to jump back to her feet, using her sword almost as an extension of herself to rebalance herself a few feet back.
with a flick of her wrists the hold on the sword changes as she swings upwards towards oliver again, a smirk forming on her lips.
« i'll have to be more serious - you're a high risk threat. »
→ @deepspacepunk ⋆˙⟡
"Exactly!" Oliver said in agreement. "Plus, there is only so much a dummy can do to test your fighting skills right? A thinking, moving target is way better to keep your skills sharp."
"Oh, so it's gonna be Alpha versus Recon, huh?" He could feel himself getting more fired up by the minute now. He had to win this little sparring much, there was pride on the line now!
He then lifted his claymore. "Set. Match!" He then darted forward, poised to immediately go for a slash down the front. It was meant to be an easy move to deflect. Did she do well in quick, time sensitive moments like this? He wanted to know.
Majority of his hits were light at the moment, he was more testing where her openings were before he wasted his time and energy with more serious hits. True to his role, he wanted information before he acted.
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snowsonlylove · 1 year ago
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Dangerous Woman
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a/n note: inspo is also from this delicious edit from topxzae on tiktok and this performance by ashley wagner. btw, i've switched my style of writing a bit and i've made it a bit more direct for i hope you don't mind + i was feeling a lil lazy so i did the sex scene in a third person pov.
Pairing: Captain!Hockey Player!Coriolanus Snow x Figure Skater!Reader
Summary: Y/N Y/L/N and Coriolanus Snow have been in an established relationship for about 5 months. Lately, things have been very stressful for Coriolanus in his job as a captain of keeping everyone in line. Today is his day off and all he wants is to spend time with his girlfriend. What started out as a sweet catch up turned a lot spicier after Y/N noticed how her boyfriend looks at her. 
Fic Type: Smut (NSFW) 18+, Established relationship, Love struck Coryo, Reader slaying it on the ice (i’m kinda imagining her as an Alexandra Trusova kinda gal so do what you want with that info)
Warnings: unprotected sex (don’t do this guys, use a condom. reader is on birth control), rough pushing, harsh, cunnilingus (female and male receiving), lmk if i missed anything else
Word Count: 1.9k
Inspo: Heavily inspired by Icebreaker (my newest obsession) and the stereotype in the skating world with hockey players looking at figure skaters when they practise (horny bf and gf edition). 
Disclaimer: Credits and the idea of this are based off Icebreaker so all credits go to Hannah Grace and her team. This is a spinoff of her idea turned into an established relationship version for Coriolanus Snow and Y/N Y/L/N.
Additional Info (ONLY FOR THOSE WHO HAVE READ ICEBREAKER): In this universe, there is no rivalry. All collegiate teams share the same rink and there is a bond with the hockey and the skating team prior to this occurrence.
I do not own Coriolanus Snow or Y/N Y/L/N (cuz it’s you, boo). All credits go to Suzanne Collins and her team. Song credits also go to Ariana Grande and her team. 
I do not allow my works to be republished or translated under any circumstances. Any instances of this happening and YOU WILL BE BLOCKEDDD. 
Also, ageless and empty blogs will be BLOCKED as this is a 18+ fic. Report my fics for no good reason and you’re blocked cuz if u don’t like it, LEAVEEEE.
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Y/N and Coriolanus have been a strong couple for about 5 months now. With all that time passing, there must be some things they have learned about each other, as well as things they have not learned about each other. Weirdly enough, Coriolanus has never seen Y/N skate because of the divide in their schedule between the hockey team and figure skating team. 
Coriolanus is the captain of the collegiate Academy hockey team, which makes the job more difficult for him because of how hard he has to strangle and wrangle a bunch of frat guys to go on the ice and play. This leads to him trying to find his teammates a lot, which means that he doesn’t have time to see his girlfriend skate because by the time he gets there, Y/N’s already packing up her stuff and giving him a kiss goodbye before leaving. This frustrates him. However, it doesn’t look like it would be much of an issue going forward.
Lately, the team has been going on a losing streak. About 3/4 of the team are either high or drunk off their ass in college parties and it’s driving Coriolanus crazy as it’s making them lose. Their coach has demanded that they stop it, Coriolanus even putting it as a ban but it’s still not making the younger hockey members realise that. As a result, Coach Highbottom and Coriolanus have made a decision to make them sit on the bench and think about their actions, which works great for Coriolanus since it creates a window of space in which he can get more alone time and even show up earlier to watch his girlfriend practice.
Today was the day in which Coriolanus got his free time, so he chose to watch his girlfriend train for her test skates after getting them a small box of cronuts and a coffee for both him and girlfriend as a little date after her practice before she has to go back to her dorm to study.
Coriolanus strolled into the ice rink as if he owned it that day, confident in his strides as he didn’t show his excitement in seeing his girlfriend practice in fear of people seeing how weak he was for his girlfriend. As he walked to the stands by the rink, he saw his girlfriend glide across the rink as she stretched her hands in the most delicate way possible while practising her program with her coach looking at her intensely from the stands.
“More, Y/N! More!” “Straighten the back of the knee!” “Smile!” “Don’t be so sloppy!” Coach Gaul screamed from the side of the ice rink as Y/N glided past her to do her quad before doing her triple axel flawlessly. Coriolanus sat on the edge of the stand, looking at his girlfriend almost as if he was observing her before he suddenly heard a bunch of little giggles and laughs beside him as he turned to look at the bunch of junior girls who stopped their off-ice stretching to look at his girlfriend practising her program.
“She’s so pretty..” “Literally, how does she do that?” “Oh my god, her boyfriend is so hot, someone get me a hockey boyfriend please” “I wonder how big his d-” “Oh my god, Sasha! Don’t say that!” The girls whispered amongst each other as they giggled as if they were girls from middle school. Coriolanus smirked as he pretended to cough, making all the girls look at him horrified that they realised that he heard their conversation. They all walk away with their heads down as Coach Gaul’s assistant calls the girls to start their warm-ups on the ice, making Coriolanus smirk even harder.
Coriolanus walks towards the side of the rink as he puts his hands in the pocket of his sweatpants as he watches his girlfriend converse with her coach, waiting for feedback while he stands there, entranced by her beauty. As she glides back on the ice, Coriolanus feels himself getting hard as he watches her practise her routine with her hands behind her back, making his mind go crazy with the possibility of the things they could do. Mind you, by this point they’ve hooked up quite a few times.
As Y/N comes towards the end of her routine, she finally notices her boyfriend as she gives him a small wave before doing her final moves, her coach clapping on the side of the rink. “Good job, Y/N. There are some technical things we need to work on but you’ve improved. Now, go take your leave.” Y/N nods as she bids her coach goodbye before running towards her boyfriend and tackling him with a bone-crushing hug, her boyfriend hugging her back just as hard as she squeals, “I can't believe you’re here! I thought you were on an off-day with the guys today!” 
Coriolanus chuckles in a distracted way as he chides while stroking her hair, “Yeah, that’s true but the one thing I didn’t tell you was that I actually wanted to watch my darling skate today. How are you, sweetheart? Anything hurting? I brought us some donuts and coffee for breakfast?” Y/N groaned as she looked up at her boyfriend with a grateful smile, “You didn’t need to get me anything, love. I know you’ve been busy lately.. You know I’m all fine, right? I’m not a broken doll” She jokes as she raises her eyebrow, making her boyfriend smirk as he leaned down to give his girlfriend a peck on her lips before saying, “I know that, baby. But I was thinking we can do a little something as a treat for you doing so well in your practice so far.” He said in a dazed tone as he took a glance at her ass before giving it a slap, making Y/N glare at him from her current stance. Coriolanus’s dick got harder after hearing her groan as it reminded him of the several intimate interactions that he had with his girlfriend. Little did he know, Y/N saw his aching dick right as she came up to him, making the situation much more interesting as she noticed how he looked at her. Knowing how hard he’s been working, she wanted to give him a chance to relax after a long week of training. 
The tension between them got a little more heated after that slap as both Y/N’s and Coriolanus’s looked at each other in a much more sensual way, their eyes having a particular sheen over it before a cough from Y/N disrupted the moment. “Okay, then. Let me get my stuff from the locker. I’ll see you later, captain…” Y/N said as she turned around and walked away, her hips swaying just a bit more to tempt her boyfriend into joining her in the locker. Coriolanus immediately took notice of this as he followed her, Y/N stopping at one point to grab his hand and interlock his fingers with hers as they made their way to the locker. 
Thankfully, no one was in the locker by that time as all the skaters were on the rink preparing to start practising their programs. Y/N closed the door behind her as Coriolanus pinned her towards her door as he wrapped his hands in her hair and kissed her while her hands pressed up against his chest as she smiled into the kiss. Wet, squelching sounds echoed around the room as their tongues moulded against each other in perfect sequence as if they were made for each other. As they made out, they peeled off each other’s clothes slowly as they were wrapped up in this bubble where they were the only ones there and no one else existed.
By the time they pulled away from each other, they were both down to their underwear. Coriolanus crouched down as he peeled Y/N’s lacy red panties off her as licked a line up her slit, tasting the sweet nectar hidden under her skate wear as he hummed in satisfaction before sucking on her clit, making Y/N see stars as her moans echoed around the room. Y/N reached down to cradle her boyfriend’s head as he worked her up to a beautiful, soul-capturing orgasm, making her heave big sighs while coming down her high. 
Y/N and Coriolanus gave each other a deep kiss as she tasted herself on his tongue before it was her turn to kneel down and give his aching hardness the love that it deserves. She kissed her way down his abs as she pulled down his boxers, revealing his aching, hard dick leaking with pre-cum in all its glory. The veins were clearly invisible as Y/N hummed in satisfaction before she licked the tip of his dick, savouring the taste of his pre-cum as she moaned. She continued this a few times before she went deeper and deeper until her throat reached the base of his cock, making Coriolanus groan with great pleasure as she gagged occasionally and started to work him into an orgasm by pulling her head in and out of his dick in a once slow motion before building up her speed in a way she knew her boyfriend liked.
“Ugh, so good, baby… Keep doing that, you’re gonna make me cum, sweetheart.” Coriolanus groaned as he wrapped his hand around a bunch of her hair as he guided her in and out of his dick. His groans and her moans echoed around the room as the atmosphere got dirtier before Coriolanus pushed her head closer than it’s ever been before he came with one final groan, making Y/N moan even louder at seeing his satisfaction in her efforts to please him.
As Coriolanus came down from his orgasm, Y/N pulled her mouth off him as she wiped her mouth clean of her saliva before jutting out her tongue, letting him see that she swallowed it all before she laughed a little at her boyfriend’s dark glance at her. Coriolanus’s head turned around to the side as his groan this time was animalistic as he grabbed his girlfriend from her place on her knees before him and smashed his lips with her before he turned her around and pushed her towards the door before shoving his now hard length into her in one thrust. 
Both Y/N and Coriolanus let out a groan as they wrapped their arms around each other as he pushed his dick in and out of her pussy as her ass bounced back towards his dick with her force. The room now echoed with the sound of skin slapping around it, along with her louder moans and his harsher groans as he turned her face to the side before capturing her lips in another searing kiss as they both come with him holding her tits in his hands and bringing her as close to him as possible.
Y/N and Coriolanus breathed heavily as they came down from their euphoric orgasm. Coriolanus cradled Y/N’s face as he leaned in and captured her lips in little kisses as he checked over her to see if she was okay. After making sure she was okay, he grabbed a bunch of tissue paper as he cleaned them up before he helped her pack up her skating luggage before they opened the door and left the rink wrapped up in each other’s love. Little did they know, both Coach Gaul and her assistant were staring at them appalled as they overheard them while going to the bathroom a while ago. 
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hestzhyen · 4 months ago
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Chapter 57 Cope Posting
Not like this, dear void... not like this. The blessing/curse of Kagurabachi chapters ending in 7 being absolute banger cliffhangers continues and there is not enough copium in the world to get me through to next week. This entry is an absolute mess...
Let's start with practicing on the editor's comments again. Sorry if the colours are hard to read on brighter backgrounds, I live in Dark Mode as much as possible.
First page: ハクリが飛宗の転送に成功! そして- [Hakuri ga Tobimune no tensou ni seikou! Soshite-, Hakuri successfully transfers Tobimune! And then-] Last page: 座村, 漆羽… 事態は混沌へ… [Samura, Uruha... jitai ha konton he..., Samura, Uruha... the situation turns chaotic...] noting that the word used for "situation", jitai (事態), specifically has negative connotations (as opposed to 状況 [joukyou], which is neutral).
These comments are rarely more than fluff just to give the editors some presence in the work itself, so I don't take them as definite indicators of anything going on in the plot. But man. Man. "Bad situation" seems to be putting it lightly. I was ready to take you off the list of possible traitors, Samura! I was seriously going to do it! Whyyyyyyyyyyy
Chihiro and the Pink Menace
Fine, first up... school?
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How does our cast stack up to the average student after getting home schooled in murder and cool action poses?
It was obvious to everyone that this arc would involve Chihiro learning about the unpleasant sides of his dad's legacy. So this is just a "hey don't forget" moment for us that also highlights how far removed Hiruhiko and Chihiro are from regular society. Those two (and Hakuri) should be in their last year of high school, complaining about homework or stressing about their future college/job plans right now instead of fighting to the death. Poor guys.
I don't want to presume too much about Hokazono-sensei's views, but I really like directly acknowledging that winners write history and so their wartime cruelty is often downplayed or re-framed as heroism. These kids and even Chihiro only know the revised version of what happened, not the truth of the matter.
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Home schooled Chihiro confirmed! Kinda!
Anyway, some more John Plan Reveal. He wants Chihiro to learn the truth about his father's legacy and the impact it's had- that's why he hasn't been "harvested" yet. This implies that there's some terrible thing that could upend Chihiro's entire worldview to be learned. But we kind of already knew that based on everything I just said.
I hope this isn't a flag for John trying to convince Chihiro to join him. There are awful secrets that are going to be unearthed about Kunishige and the Kamunabi this arc for sure, but it's kind of a waste of our time to do the "oooh it was worse than you thought why don't you join us to set things right" rigamarole.
Obviously the Hishaku have some compelling reasons to do all this if they can get someone as loath to kill as Samura on their side to murk his war buddies. It's just never gonna convince Chihiro so I hope we don't get a moralizing yapfest to accompany John's outstretched hand. I trust the writing though! So far it's been almost nothing but excellence so... chill, me. Just wait and see.
I think that no matter what happens Chihiro will continue to forge his own path with allies who care for him at his side. He won't choose the government's path, or the Hishaku's, or even his dad's- he'll create something new. Standard stuff for a shounen series but I never get tired of seeing it!
Before moving on to the coping session, there's something neat in this scene that I want to ramble about:
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Local yapper yaps while the guy listening to him literally overthinks
I'll use the JP version if I have to, but I like how Chihiro's inner monologue deliberately overruns Hiruhiko's speech bubble to show that he's not paying full attention while his thoughts are in overdrive. He's still partially listening but he's not quite as composed as he appears to be on the outside, which is confirmed by the close-up zoom into his stressed look with the sweat drops. Yet when we zoom out, he seems a bit more put-together like usual. He's still exhausted from yesterday, man! Really should have rested up... at least the author acknowledges it. (Forced bed rest soon? Hopefully?)
This is how Hiruhiko was able to get the drop on Chihiro. Chihiro's got a lot on his mind and he has trouble focusing, just like Uruha chided him for on the train. His resolve is unshaken but he's still prone to wavering in the moment as he tries to process things. He even misses the fist time Samura's name was mentioned! Clearly Chihiro needs Hakuri or Uruha or someone there to yell encouragement at the right time to stop him from getting lost in his own head. But he's got a lot to think about and work through right now, so it's understandable why he's so stressed out.
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Poor Chihiro. He's coming to the conclusions that we, the readers privileged with having weeks IRL to ponder new information, came to long ago. The Master is not treated like a hero but a prisoner, and probably for very, very good reasons. Ones good enough to convince Samura to make a deal with the devil.
What Actually Happened?!
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Not all the blades have themes from nature, it seems. Geisha offered many different types of entertainment to guests, from performing music to conversation to serving sake. So now we have the idea behind the name [Swaying Sake]!
First up to delay just a little longer: Kumeyuri power reveal! Seems to be based in some kind of performing arts aesthetic with the geisha that were conjured. Fitting for the guy who wears kabuki eye make-up right? ...And for the next bearer, who interrupted a kabuki performance to pick it up in a theater... I see you and your foreshadowing, Hokazono-sensei.
Fine. I'll admit it. The ending of the chapter makes it crystal clear that Hiruhiko is the new bearer contracted to Kumeyuri by having his origami butterflies come undone as he grasps the hilt in his teeth. Can't even hope it's another case of someone "borrowing" power like Kyora did with the Shinuchi of the bunch.
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Magatsumi's the only blade that can be used by someone not contracted to it, hence the extra protections it needed.
So that means... yeah. Uruha's gone. Just like that.
There will be thousands of theories about what exactly happened to Uruha, why Samura made a deal with John, what the details of that deal were- we'll get the truth soon. I'm most interested in the reasoning that ties into Samura's sincere beliefs of killing being an evil act.
The burden of death weighs so heavily on him that he blinded himself in penance. But he's willing to let his own apprentice die -probably even kill him himself!- because of... what? What was so horrible about fighting with the Master and Kunishige's weapons for the good of the nation? What compelled him to help the Hishaku kill the remaining bearers and upend the peace they earned?!
Hey, Samura. Is it really so bad to be called a war hero while being treated like a prisoner in a comfortable government-provided jail facility? Is it so horrible that "alternative facts" pass for real history to bury whatever horrors you witnessed and possibly perpetrated? Is it truly awful to have people willing to die for you despite all the grave sins you've committed? That they're likely completely unaware of thanks to government propaganda and being too young to have witnessed the truth?
...I need those Seitei War flashbacks pronto.
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Wait a minute. Jail? Even the friggin' onsen?
Yup! The Master's the only one being treated like a dangerous criminal outright, but the 慚箱 [sanso] are just dressed up prisons for the Bearers. The Kamunabi ain't even subtle about it.
慚 [san] - to feel shame 箱 [sou] - box
The government put these guys in specially-constructed (or repurposed) buildings officially referred to as "shame boxes" and told them they couldn't leave. Even the name given to one of them is a bit much! 国獄温泉 [Kokugoku Onsen] translates to:
国 [koku]- country/state/national government 獄 [goku]- jail/prison 温泉 [onsen] - hot spring
Gee, I wonder if Uruha was having a good time at State Prison Hot Springs?
That said, while there may well be some bitterness between the Bearers and the Kamunabi, it's not the main motivating factor for Samura. His is definitely rooted in how they all acted during the war and how guilty he feels now that they're promoted as heroes.
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It looks like Chihiro's being summoned by Hakuri in the very last panel so we might get some perspective on Samura's reasoning next week. Probably no clear answers right away, but at least enough to see if he really was the one who killed Uruha and a bit of insight into why. And to see if Uruha's dead at all... I mean, if we don't see a body... let me be delusional, okay?!
I'm just not able to go all-in on believing Uruha's dead. But it's not because I don't think he actually is... it just doesn't feel real after spending weeks preparing to let go of Samura. Not to mention the tried-and-true tactic of baiting out strong emotions with implied character deaths.
Normally I don't take death foreshadowing like this too seriously in shounen series. I just wait to see if the author is faking me out or not before getting stressed (unless it's Hakuri, in which case I stress responsibly). But Kagurabachi is a series that lured the MC with a child's severed leg and showed two suicide attempts on-screen, one of which was horrifically successful- right in front of someone who was already traumatized too. Hell we lost most of the anti-Kuregumo squad without much fanfare back in the Sojo arc! Only actually showing a child being tortured on-screen is too much, apparently. This series is dark as hell when the author wants it to be and Uruha's death is probably another one of those times.
There's hope in me that Uruha can still come out of this alive just because I like him so much, but I want the author to follow through on his death when it's presented as such an ominously real scenario. All signs point to Uruha being a goner, so don't make it look iron-clad then say "nah" the next chapter with some technicality that we couldn't have known about until the reveal. I would rather lose Uruha in an unexpectedly painful way than be faked out just to get the reaction out of me, y'know? Don't toy with me. Commit to crushing my heart, dammit.
But, God... oh man. I fell for the bait and got stupidly attached to a Bearer in the arc named after killing them. I even knew bad times were coming because of all the levity at the start of the arc but still went on hoping nothing would happen so soon. Laugh at me, I deserve it. I probably helped this manifest by mentioning how awful it would be if Chihiro found out a Bearer died because Hiruhiko was able to contract with one of the blades. Saying "I crave the angst that will come from this situation with every fiber of my being" in a post tag was overkill. It's just:
Author: names the arc after assassinating the bearers
Reader: gets attached anyway
Author: assassinates a bearer
Reader: ���(•⌂•)╝
Coping Theory
May as well put my two cents in on how it could have gone down while I'm here...
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I wonder if he planned to die in the raid instead so it looked like an unavoidable accident, sparing everyone else from the carnage.
This exact sequence- the Makizumi talking about honor in death for saving Samura, and Uruha's words that the Bearer's lives need to be valued above others'- is what solidifies Samura's resolve. This man is filled to the brim with guilt and self-loathing (much like another swordsman we know). He cannot save himself, but... perhaps he can take some equally bad sinners down with him for the greater good. He's not only a mirror for Hakuri, but Chihiro as well- one's resolve to save no matter the cost to one's self, and one's resolve to go to hell for what they believe is right. That's how I'm reading this until we get his own insight on the matter, at least.
It's not a stretch to infer that Samura thinks the Bearers are better off dead in large part due to the powers they command and things that were done during the war. That's still a huge mystery to be unraveled but I mean:
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Seeing the bare minimum of Magatsumi in action really drives home how horrific these "heroes" could seem out on the battle field doesn't it? No wonder the clone sorcerer described the Seitei war as "hell on earth". But the public has no knowledge of this. They only got the sanitized version fit for PR purposes and feel-good stories.
The Hishaku seem to be intent on dismantling this image. Perhaps that's how they got Samura on their side? Not sure how the current Bearers dying and giving the Hishaku access to that dreadful power is better than the status quo, but that's something that will become clear with more reveals about the ideology driving the group. Maybe Samura doesn't care so much about the rest of the world and just wants to do what's best for the truth that's been buried under nearly two decade's worth of secrecy.
As to what happened with Uruha... two things come to mind. One I think is more likely, and one I want to cling to until it's ripped away as I sob and beg for just one little bit of comfort.
Most likely, I think Samura and Uruha had an exchange about ideals and the value of their lives. Samura overpowered Uruha per the plan as the "trump card" and that was that.
In delulu land, I want Samura to have been double-crossed. As in he made a deal on the condition that the lives of the people he cared about would be spared, but of course Uruha couldn't be allowed to live. So the Hishaku ensured that he'd die there no matter what. It's a bunk theory since Mr. Hatshaku left once the situation turned against him... maybe incorporate some of the datenseki mind control stuff in there somehow? I don't know. Just let me have this until canon proves otherwise.
Hakuri and Chihiro, Though?! And Miscellaneous Questions
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(Ch. 46) I'm not going to be okay for a while and neither are they.
Best boys are really gonna go through it no matter what Chihiro is summoned back to. They'll be in a rough way... not only did they lose Uruha and hand Kumeyuri to Hiruhiko, but Samura betrayed them all... oof. So much for proving themselves to the Kamunabi. They're going to get an earful and be set back in the "negotiations" big time.
No doubt Chihiro will put this burden on his shoulders too, even if no one could have predicted Samura's defection to the enemy. It's his dad's legacy that's causing all this strife right now. He'll be more motivated than ever to unravel the war's true history and I'll be right there with him hoping he doesn't push himself too hard or harshly. The son shouldn't be responsible for the sins his father committed before he was even born. But that's just like, my opinion, man.
Meanwhile...
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"I'm still good for it," wheezes the guy with blood gushing out of his nose at an alarming rate.
Hakuri will probably blame himself too. Depending on how things shake out, it could be for anything from accidentally arming a traitor to seeing someone die in front of him again. There's a good chance he'll (temporarily) lose the thing that makes him useful too, so that'll be an extra layer of angst for him to deal with. What value does a broken tool that couldn't fulfill it's one purpose have?
I also wonder what prompted Hakuri to summon Chihiro away from Hiruhiko. He's kind of in rough shape to do it just 'cause he misses his (boy)friend. They have cell phones to communicate with so it seems a bit abrupt to summon him back without checking first. Hakuri's also not the type to impose on someone to protect him. Nor is he the type to drop Chihiro into the middle of a life-or-death situation without a sense of mutual understanding first. So there had to be some kind of pressing need. The timeline of events means he's summoning Chihiro right after Uruha was killed, so... more soulmate stuff maybe? Their souls call out to each other and resonate when they're in distress, after all (it's canon baybeeeeee). They're in perfect harmony and all that. Sorry for the shipping nonsense I just need any bit of fluff I can get right now.
So many questions that might not get answered...
What about the Makizumi? Will they defect to serve Samura? Or will they try to help get Hakuri to safety with the Kamunabi? Samura doesn't want to kill them at all so no matter what happens they'll live at least. Hooray an elite squad that didn't bite the dust... (I think they will choose Samura because of everything he did for them).
How did Hiruhiko know when Kumeyuri was usable anyway?! Was it some signal from his mystery supporter that was lurking outside the window? And who was that- did Worst Jeanist show up?
Samura's loath to kill innocents, but does Hakuri count as one? Would losing his sorcery be enough to count him as neutralized for the Hishaku's purposes? Was exhausting Hakuri the main reason why Hiruhiko sent all the forces to the temple in the first place?
Hiruhiko wasn't surprised to see Tobimune disappear, so the Hishaku probably know about Hakuri's power. Their mole within the Kamunabi should get a bonus for the turnaround time on learning that bit of info and sending it on. Unless John's playing 5D chess and knew about Hakuri's awakening and team-up with Chihiro before they even met the Kamunabi anyway... perhaps even orchestrated it too... that would definitely need a very good explanation.
Alright. Okay. Let's wait on tenterhooks together, dear void. No waterworks until they show the body, got it?
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[sob]
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Avatar: The Last Airbender Live Action Thoughts!
-First of all, ya'll need to leave those child actors alone, they are babies and they didn't write the show, nor was it their idea to do it. I have seen way too many people body shaming children; leave them alone they all did well!
-I think Gordon makes Aang just as cute and small and powerful as I always saw him as!! He manages to joke around and be fun even when the storyline is a lot darker and more serious.
-I really wish Sokka was able to be more of his goofy and silly self. I understand why he isn't, and his humor is more sarcasm and dark jokes, but I saw glimpses of him in there! His excitement when he was with the Mechanist, engineering and getting to do something other than be in charge. Also when he has any older brother convo with Katara or Aang. I'm hopeful with time he'll be able to loosen up!
-(Speaking of the Mechanist, my boy Danny Pudi was SO GOOD, I love him, him and his little son).
-I wish Aang would practice waterbending with Katara :( those scenes of them practicing together were always some of my favorites in the series. Just beautiful kataang moments. I'm glad they addressed it but I missed those moments.
-I don't understand how you guys can't be having fun watching this, I get so excited waiting for little moments of lore, or when Jet and Katara were fighting in the forest I was sitting in front of the TV like "WHERE'S SMELLERBEE AND LONGSHOT. OH MY GOD NO IT'S PIPSQUEAK!" It's just so much fun! The colors are beautiful, the effects are gorgeous, and the plot and characters are entertaining. Think about the piece as it's own thing and enjoy it!
-Adaptations are just that; adaptations, and things will be changed! I think so far I haven't minded their changes, I understand why they've been made. There are things to criticize, but I think this is pretty well done.
-Zuko is fantastic; I think all the child actors are fairly good but Dallas' pissy attitude and the faces he makes are so so fun! I feel for Zuko and I'm scared of him when he shows up, and he's just as annoying and bratty as ponytail Zuko should be. His physical motions are fantastic!
-TEO WAS SO LITTLE?? Oh my god, like as a kid I thought the cartoon version of him was kinda hot so when they wheeled that tiny baby in I was HORRIFIED.
-Idk why YOU ALL weren't scared of Lizzy Yu's Azula, but her little smile in her intro scene gave me a lil chill. Maybe it's because I was away when the show first came out so I saw post after post about how bad she was, but I just.... Thought she'd be worse?? She did really well! Ya'll better be careful though or Gaten Matarazzo will come for you, that's his girl.
-So far the mushing of plots has made sense to me. Yes, I miss the silly filler episodes and the traveling the Gaang did, but it allows us to sit in a scene longer, and to colorize the world better, when we're in one place and one plot for longer. I think that's important for this type of medium and this amount of episodes. They might be able to justify more next season if this show does well enough.
-I am OBSESSED with Zuko and the 41st division oh my god, what a fantastic and well thought out addition. The reveal, and they're bowing for him when he comes back was DEVASTATING.
-They we're GIVING us Sokka and Katara best sibling moments, I loved all of them. They are so cute, they just mean so much to me.
-I don't feel Appa or Momo as characters like I did in the cartoon. I'm hoping this can change, because rn they surprise me every time they get on screen. I'm like "WHAT- oh it's Momo, he's here." How are we going to feel Appa's loss as much as we did in the cartoon if they continue to like barely be in it.
-Ken Leung SLAYED as Admiral Zhao, I watched him go literally insane as the episodes went on.
-Aang's imposter syndrome and feeling of failure being focused on I will always enjoy, even if I hope he can be silly next season too. His entire character arc this season just made me want to cry.
-Bro the coloring during the the Siege of the North was A M A Z I N G. The way the color faded in and out with fireballs and the monster koi passing nearby, just so pretty. It looked awesome.
-Making Yue a waterbender? The best. Her freezing Sokka in place so he can't stop her? Heartbreaking.
-Iroh and Zuko paddling off looking for bestie Lt. Jee?? Okay.
-They really grew this show up for us adults that watched it in 2005 and focused in on the really painful moments, themes, and details.
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artist-issues · 9 months ago
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To Re-Write Star Wars: The Rise of Skywalker
Here's a peek into my storytelling process, and what I think the third movie of the Star Wars Sequel Trilogy should've looked like. You know me. Everything starts with the Main Point. (I'm not going to talk about what's bad about Rise of Skywalker in this post, it'll be long enough already.)
The Main Point: "Where there is love, there is hope."
Essentially, the main message of Star Wars is "Faith Triumphs Over Fear." Our main message supports that, because it's hard to keep the faith when you're alone, or feel alone. But when you have friends, or loved ones to fight for, keeping the faith is easier, and gives you something other than fear to focus on.
So. I'm going to structure this like "Where a Character Was at the end of TLJ --> Where They Need to Be by the End of EP 9."
Most of these characters don't need any more development. They learned a core lesson at the end of TLJ: now they just need to hang on and put it into practice no matter what plot points test them. Stick the landing. We already had their "Proposal, Argument—" now we need their "—Conclusion."
The only exception to this is Kylo Ren. He still needs development. You'll see:
Rey
It's Not About Who I Am; It's About Doing the Good I Can Do --> Tempted to Make a Selfish-Insecure-Identity-Based Decision; Chooses to Do the Self-Sacrificial, Good Thing Instead.
This means Rey needs to have a goal she's trying to accomplish, but this time there's not really a "and then I'll know who I am" element in it for her. Like in TLJ, she was going to find Luke for the greater good, but it was also, on a personal level, because:
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But this time, after TLJ, she needs to start out on a mission that doesn't have anything in it for her besides the greater good... to show that she's grown in the right direction, she's not thinking so much about who she is and what she needs, anymore.
Then, on that mission, during that adventure, that character growth can be tested by having the opportunity to get sidetracked by something that could be self-validating.
I wouldn't make it be something about her parents again—we've exhausted that topic by the end of TLJ. But I'd make it something that has to do with being "The Last Jedi, the Heiress to the Light Side of the Force." I'd set the movie up with people telling her that, eventually, Rey will grow to be the legend Luke Skywalker was.
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Maybe in the time between TLJ and this movie, the Resistance have run enough rescue missions of refugees or people oppressed by the First Order to pick up a bunch of kids or very young recruits. And those kids have heard of or seen Rey in action by now. Maybe Broom Boy is even one of them. And there are scenes of kids being in awe of Rey, or one of them even says, "after you beat the First Order, will you train me, Master Jedi?" or Maz herself makes a sage comment like, "Look how the Light has grown in you. The Galaxy needed that light...and the Force answered with you, like Luke Skywalker before you." Or during a fun opening-rescue mission, there's a scene where all of the people Rey is helping look up to her and explain who she is to one another in front of her.
Scenes providing her with an image of herself, as the future trainer of the Jedi Order, "when all this is over." Something that she could be tempted to find her identity in.
But then during the course of her mission, she has the opportunity to do one of these things
Gain Amazing New Jedi Knowledge
Kill Kylo Ren and Gain Renown as a Hero
Sacrifice Some Measure of the Power She Has Gained in the Force
And if she chooses the thing that will make her seem more like the Heroic Heiress of the Heroes, that would derail her from her mission and show that she's still thinking about herself—but if she chooses to just do the self-sacrificial, kind thing in the moment, it would help her mission. Yet, it should make her future as someone of fame and importance in the Force uncertain—so that option is also self-sacrificial. Thats the choice she has to make.
And when she makes the right one, we see, not that she got to Be Somebody and vanquished her fear of "dying a nobody" from the first time we met her—
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—but that she's not even afraid of that anymore. It's okay to "die a nobody," if everyone else is better off. Because that was a self-focused fear, anyway, and it no longer has power over her. (For lots of reasons—one of which being she now has friends.) Character growth. Star Wars.
Finn
Good Can Win if We Focus on Saving Loved Ones Instead of Destroying Hated Ones --> Tempted to Get Revenge, But Sacrifices Revenge to Save Someone Else he Loves
This means Finn is focused on getting something/keeping something that will provide aid/protect the people he has come to love. Most of his screen-time can be focused on this, to build on showing how far he's come. He should have multiple opportunities to run away, whether it be from First Order troops attacking a Resistance base, or from the scene of a conflict when a rescue mission goes sideways—but instead he keeps staying in dangerous situations to help loved ones.
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My favorite scenario to place him in, for this, is in a covert-ops mission where he's infiltrating First Order stormtroopers. He already knows the system, but we've only seen him exploit that knowledge when it's to save his own skin/cause hurt to the people who abused him in the First Order. He doesn't like to be around First Order troops because he hates them/he's afraid of them. But in Episode 9, after TLJ, I'd be showing Finn, choosing to stay where he's surrounded (even if unknown) by people who could uncover his true identity and kill him at any moment—and doing it because it protects the Resistance, in some way. I'd also broaden that focus—he's specifically doing it because it helps the larger cause, not necessarily because his actions will directly save anyone he loves, like Rose or Poe or Rey.
But—at some point in this movie, someone he's attached to dies. I think the most obvious choice is Rose, but she was the one who taught him about avoiding hate and saving loved ones. Revenge for Rose would be far from what Rose would want, so it wouldn't tempt him. So instead I think it should be either a new character that he spends most of the first act of Ep. 9 bonding with believably—or it should be Poe.
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Poe, or a stormtrooper he really likes who has just come around to leaving the First Order when she is brutally killed. (I do think Poe, or someone we've seen him "grow up" with throughout the first two films, should be the one to die because otherwise it wouldn't be as tempting for Finn to get revenge, at this point in his arc.)
Then Finn pursues revenge, near the climax of the film. But at the last second, a-la-Luke-tossing-away-his-lightsaber, Finn gives up the opportunity for that revenge and does something else. Something useful, that saves Resistance lives, but causes the person he was about to exact revenge upon to escape.
That's how we see that Finn has come full circle—not only is he willing to stay when things get frightening and hard, and not only is he willing to fight for people he loves...but he's willing to act out of that love, not hate, because of what he's learned.
Poe
A Leader Sacrifices for the Greater Good of Others, Not For His Own Pride  --> Tempted to Make a Hero's Stand; Gives Someone Else the Opportunity Instead
This one is tricky because it's hard to make a scenario where a leader makes a choice that is exciting to watch...when the choice is "don't make a heroic last stand."
It's tricky. It's not impossible. (Rian Johnson did not see anyone up for failure. The TROS storytellers just refused to problem-solve when it got hard. Thats all I'll say about TROS.)
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Basically, this means that Poe needs to start the film out at the head of the Resistance. He's still going on missions, but his role in those missions is coordination. One team gets to be the distraction—another team saves the day. Then when both teams are done with their missions, and it looks like they'll give their lives for those missions because there's no way out, in drops Poe. He's been coordinating everything; he's just the getaway car driver.
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Then there's fun banter scenes where he reports back to Leia, she's critiquing some of the messy parts of the plan but ultimately proud of him, they bounce ideas off each other, and it's clear it still rubs him the wrong way not to be on the frontlines, but he's enjoying parts of the new challenge of leadership anyway. And they're closer than ever.
Eventually, however, Leia is captured, just before the climax of the film. Like Finn, Poe drops everything the Resistance has been working toward and is intent on saving her, and he's taking a very active role in that. But then, due to her own reminder, he chooses to abandon rescuing her at a pivotal moment to do something that will ultimately turn the tide in the Resistance's favor during the climax. He lets Leia make the sacrifice, and he himself is making the sacrifice of getting to save her and have her back, for the greater good. It's a harder path, but it's one she was preparing him for this whole trilogy.
All of this is if Poe doesn't die to further Finn's arc.
Kylo Ren
It's Better to Destroy the Past in Conquest Than Face My Failures --> I Was Wrong
Biggest one.
Kylo Ren is on the Dark Side because he believed that he was destined to be a monster, nobody would keep loving him if that was his destiny, and leaning into that destiny would help him escape the hurt that nobody-loving-the-"destined"-him caused.
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I'm not going to elaborate on that, it's as plain as the nose on his face if you watch the movies and listen to what his family members say about him and what he says about himself. That's why he embraced the Dark Side.
But Rey, Chewie, and Leia are still alive, and all three of them can claim to know the "real him," and try to convince him that he was wrong—he was never destined to be a monster, and they do love and believe in the real him, no matter what he's done.
However, he isn't likely to believe them. He's least likely to believe Leia—she sent him away before he'd done anything wrong, and he has now done many things wrong that are singularly hurtful to her. He's second-least likely to believe Chewie, because he killed Chewie's best friend and Chewie shot him (and also, it's not compelling for the audience for Kylo Ren's mind to be changed by a character that doesn't speak English or emote with human facial expressions.)
He's most likely to believe Rey. Because 1) she did not kill him even after he chose to be a monster all over again, and she could've done what Luke almost did and prevented more monstrous deeds by killing him while he was unconscious. And 2) on a deeper level, she never knew "Ben Solo." She only ever knew the monster, and yet she's still choosing to tell him that he's not stuck as a monster.
So. The movie should start with Kylo Ren as Supreme Leader, doing his utmost to gain power, crush the Resistance, and wipe out any reference to the New Republic or the Jedi. But the key difference is that he's not singlemindedly focused on Rey and Leia and killing them anymore. That's not because he's grown from his "I want every gun to fire on my Uncle" obsessive flaw. It's because he finished TLJ by being closer to regretting his decisions than ever before. In his subconscious, he's afraid of encountering Rey or Leia directly ever again, because now he knows how weak his own resolve is, at this point. He'd rather avoid a direct fight unless he knows he can withstand "the pull to the Light." (He's not admitting any of that to himself.)
So he starts the movie on a mission. But now we enter our bad guys.
Hux.
Hux has only ever existed in these movies to be a counterpoint to Kylo Ren. Where Kylo Ren is explosive, emotionally led, and tangles his personal interests up in the interests of the First Order—Hux is calculating, a strategist, and dedicated to the First Order's cause.
He's at his most passionate when giving speeches about the First Order's might, or when that might is being mocked, or when it is being misused. And he has always hated Kylo Ren. In the script for the Force Awakens, in Hux's introductory scene, it literally says "Hux hates Kylo Ren." That's what he's there for. To be everything to the First Order that Kylo Ren is missing—dedication to the cause, and finding his own sense of pride in that cause—and to hate Kylo Ren. So. When Kylo Ren gets to be Supreme Leader, and his personal issues are jeopardizing the whole First Order? Hux is going to put a stop to that. He doesn't have the Force. But he has control over his strategic mind, and he knows that Kylo Ren's weakness is his emotions.
So, Hux orchestrates some kind of scenario where they learn Rey's location, or next-known location. She's going after some important tech or artifact that could turn the tide of the war. Hux purposefully pokes at Kylo Ren's ego, and maybe faintly suggests that Ren is avoiding a confrontation with the girl who beat him twice and "murdered the Supreme Leader," until Kylo Ren flies off determined to get to the artifact or tech Rey is after first—and prove he's willing to kill her in the process. To himself, and the First Order.
Then Hux orchestrates an Order-66-style assassination attempt on the Supreme Leader with a group of loyal troopers. It should be in a starship flight over the planet Rey is on—Kylo Ren wouldn't believably be overcome in any other scenario. And he takes out almost all of his would-be traitor assassins during the attempt, anyway. But his ship does crash, and Hux takes the mantle of Supreme Leader, and our other heroes spend most of their time dealing with this rabid strategist and his war plans.
Meanwhile, Rey finds Kylo Ren who is barely alive and has to do something to save him. That something should, like I said above, cost Rey something. She should lose a particular Force-ability, or be permanently disabled in some (easily-hidden) way as a result of healing him—or she should lose an artifact, or lose something that would've boosted her identity as Savior of the Galaxy down the road.
But I wouldn't let Kylo Ren figure any of that out right away. For tension, I'd have him remain unconscious for the entirety of Rey saving his life and sacrificing something to do it. Then I'd have her need to hide him, then leave the scene, because she's still on a mission, and Hux has sent the Knights of Ren on the same mission. Then later, Kylo Ren can come to, catch up with her, and they can come to an agreement on looking for the thing they came for together, fighting the Knights of Ren along the way—even if they both know that this alliance will only last until they find the thing they each came to this planet for.
Kylo Ren has closed himself off to any Force bond with Rey. He's stubbornly insisting that he's using her—she's a means to an end. She's quietly certain that he'll come around, but she's not pushing it this time. She'll do what she has to do when they reach the end of their mission, but she's not worried about it. And she hasn't told him, or is hiding from him, the fact that she saved his life again. Because she knows, now, that he's not ready to hear any pleading or reasoning about coming to the Light. He has to get there on his own, and she can't force him (get it?)
They have lots of tense conversation and interesting team-up moments and almost-friendship, almost-betraying each other moments the whole time. Like they're in the Hunger Games in an alliance. Until eventually, the First Order's forces are converging on them (knowing both are alive) and Leia arrives—apparently to rescue Rey—and Kylo Ren, determined by this time not to let Rey go in any sense again, especially not to let her get to the end of her mission first, tries to board the Millenium Falcon and stop her. But it was a trap. Leia allows Rey to take a small craft to the end of her mission, while she and Kylo Ren face off. Leia won't let her son get in Rey's way if he's determined to stay on the Dark Side—and she certainly won't let him get the tech/artifact that might restore him to being the Supreme Leader.
(This whole standoff-stalemate-Leia trapping Kylo Ren in a ship with herself can be what Poe initially wants to save her from, too.)
Basically, at this point, whipping out her knowledge of Rey saving his life and pointing out that Rey believes in Ben Solo even after never having met him, Leia changes Kylo Ren's mind about all of it. If not for Rey and what Rey has shown him with her patience and steady faith, Leia wouldn't have been able to do this. But it works, and Kylo Ren leaves the Millenium Falcon as Ben Solo, finally, and he's determined to help Rey, who is racing toward the artifact/tech/final battle.
This is the bare bones. I'd add in or decide between a lot more elements—what is Hux's plan to wipe out the Resistance, what is the thing Rey/Kylo Ren are after, how does infiltrating Stormtroopers help the Resisrance in stopping whatever Hux is doing, does Finn have the Force, what're Chewie and the droids doing during all this, does Leia die at any point during her attempt to change Kylo Ren back, and is the final battle between Rey/Ben and the Knights of Ren? Or just one Knight of Ren who became the leader when they decided to turn on Kylo Ren and work with Hux? Or is the final battle against Hux and his forces?
I'd answer all those questions and try to do it in a way that interconnects Finn, Poe, Rey, and Rose's storylines. But this is just the bare bones of it all.
The conclusion is the tricky part. I don't think killing Kylo Ren works, even if he's redeemed. Not only because he's the last of the Skywalker/Solos. But because killing him makes Leia, Han, and Luke's hope for him feel kind of hollow. Especially if Leia dies to bring it about, which Han did already. "Our little Ben got to come back to the good side...for the last ten minutes of his life! Yaaay we always knew he could do it" NOPE. That's silly. And also, it's bad for his arc. He's a character that has been running from his bad decisions, thinking that stacking more and more on top of them will satisfy him. So what he needs is not a heroic-death-shaped back door out of the consequences of those bad decisions. He needs to face them.
And I also think, depriving Rey, a character who always wanted to stop being alone, of an organic if difficult relationship with someone who understands her, is a dissatisfying conclusion for the main character.
It would be best to have him live. And then he needs some difficult, but ultimately hopeful road ahead to mending his mistakes. Obviously the whole galaxy would be baying for his blood as justice, if they knew that the former Supreme Leader lived. So he probably needs to assume a new identity, just to avoid being executed for his crimes. (I don't think any Resistance member who knew Leia would be on board with executing Kylo Ren, once the war is over and they have to make that decision outside the heat of battle.)
Then he needs to do something that helps repair the wrongs he's done...but it should be something that costs him, personally. If he's come to value Rey as the only person left in the galaxy he cares about, I'd actually end the movie separating him from Rey. Not forever—because that would be as unsatisfying as killing him—but for the foreseeable future. Then I'd send him on a pilgrimage of some sort that will undo some things he's done. Obviously he can't bring back the lives he's taken. But, maybe whatever cataclysmic artifact or thing they were after did some damage across the galaxy during the climax—and Ben Solo can figure out how to reverse that damage, or repair the thing, but it'll be a long, hard road.
I might send Chewbacca with him. But that's it. It's basically atonement-exile, in disguise. In the meantime, Rey wouldn't be alone because she'd be with Finn and Poe (if he lives) and all her Resistance friends. And they'd start finding homes for the refugees from the war. I wouldn't directly end on Rey starting a Jedi school—not by herself. Only if she's doing it with Finn, or with Finn and Leia if Leia lives. Because again, we're going for "it ain't all about you and who you are, Rey."
That's what I'd do. Feel free to use this as a template or a springboard for your own ideas, (and hey send them to me if you do) because basically anything would be better than what we got with TROS. But this is just what I would do, bare framework.
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hideyseek · 3 months ago
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man ... shoutout to shitty drafts for real .... i just went from this:
When they arrive at the precinct, Zheng Bei slows his footsteps as they come to the entry stairwell, and when Gu Yiran turns to him, Zheng Bei waves at him and says, “Go on ahead.” “I’ll wait for you,” Gu Yiran says, one foot on the first stair. “It’s no problem.” “Don’t worry about it,” Zheng Bei says, voice taut. He says, firmly, “I’ll see you upstairs.” Gu Yiran goes.
to this:
At the foot of the stairs heading up to the precinct, Zheng Bei stops and says, voice faintly strained, “Gu-laoshi, you can go in first. I have something to do.” Gu Yiran puts his hand in his pocket, feels the ridged cap of the bottle of painkillers. “What’s wrong?”  “Don’t worry about it,” Zheng Bei says. There’s an odd set to his face, a look in his eyes like he’s getting ready to brace for something unpleasant. “I just need a moment.”  “I can wait,” Gu Yiran offers.  “I said, don’t worry about it,” Zheng Bei says, firm. “I’ll see you upstairs. Go on.” Gu Yiran frowns at him for a long, searching moment, but when Zheng Bei only jerks his chin/head at the entrance, Gu Yiran sets his jaw, and goes.
like just in a single rewrite, many beautiful changes! details, analysis, and thinking under the readmore:
comparing these two versions, in the second version:
zheng bei's hesitating action / the "inciting incident" to the exchange is stronger (slowing his steps vs stopping outright)
there's more escalation in the conversation (rather than a single exchange, there're three beats of back-and-forth, and zheng bei gets firmer with each one)
gu yiran's character is more defined (in the second we get to see gu yiran push back out of concern, and in the second and gu yiran only goes (mulishly) out of accepting zheng bei's request, rather than out of following orders as we see in the first)
this is one of the technique things i'm really trying to work on at the moment, this skill of more ... intentional revision. when i first started incorporating revision into my writing process (about a year ago? dec 2023?) i was going off of vibes a lot more, and was working more off of "what feels wrong about this scene? what don't i like?" and while that is something i still think is very valuable to be able to do, for me it often feels kind of intangible. and when i am (somewhat inevitably) in the horrible slog of revision (especially for a fic like this one which began as 3k and has grown to quite a bit longer and more complex), it is much harder for me to keep track of my progress and feel that i'm still working toward what i consider "good" writing (compelling, specific language that sounds smooth when read aloud + story structure that clearly demonstrates causation to move the story forward, and story beats that are consistently escalating). so i'm practicing putting the specific changes to language a little more clearly now, in the hopes that if i practice this enough, it will reinforce the ways in which i can concretely "improve" a piece of writing, and help me slowly develop a sense of how to identify forward motion in revision even when i still look ahead and know that there are 2-3 drafts before i get to a story that i'm really satisfied with.
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fategoflatass · 1 year ago
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My Fall 2023 Watchlist & Opinions
Welcome to the comeback of my reviews that no one expected! But hey, I think this would be a nice practice for me to develop my writing skills and my critical thinking (?).
Take in consideration this post will be long because #unemployed, so everything will be under the cut.
Ready or not (I sure am not), here I go!
Atarashii Joushi wa Dotennen
Comedy, Slice of Life // ☆☆☆¾
After an atrocious experience with an abusive boss, Momose decides to switch workplaces. Used to such a toxic environment, he never expected his new superior to be so goofy!
The most wholesome show you'll find this season, and one of the most I've seen in general!
The work environment is pretty much paradise, each and every character being the living representation of the sweetest and most tender cotton candy you'll be able to find.
While the comedy mostly relies on Shirosaki's sillyness, it never gets old. Alongside the laughs, you'll find yourself aww-ing to many, many scenes.
Also, the series is conscious of the way people takes it (no, this is not a BL) and dedicates some scenes to it by giving different double meaning scenarios (they're all wholesome, no need to worry about that). Just a heads up, in case you're not into this kind of thing.
Want to know more? There's a canonical bisexual character in it! And here I was thinking that we didn't exist for Japan.
Totally recommend for those gloomy days, or even when you just need to shut off your brain.
Dr. STONE: NEW WORLD Part 2
Action, Adventure, Comedy, Sci-Fi // ☆☆☆☆
No summary due to spoilers.
I don't think there's much I can say about this one? I mean, unless I want to spoil someone, and I'm not a spoiler kind of person so...
For those curious about my experience, I'm enjoying myself very much! I decided to give it a try since my best friend loves it, and I liked it so much I quickly got up to date with it.
Now, do I understand every single thing they talk about? Hell nah, do you know how many times I failed chemistry and physics?!
But besides that, this show is a pretty wild and fun ride. And not only the previous parts, but also this one! Again, don't feel like making spoilers but the quality hasn't lacked not even a little bit. The characters are still as charismatic and funny as they've always been, and the plot keeps getting more and more interesting as it progresses.
Only thing I can say without explicitly spoiling anything: one of these days, Gen will end up messing with the wrong people. Can't tell you what tells me that, but he's messy enough for me to be unable to think otherwise.
Hametsu no Oukoku
Action, Drama, Fantasy // ☆☆
Once benerated due to their wisdom, witches are now being hunted down by humans who accuse them of impeding the progress of civilization. Adonis, a human raised by a witch, swears revenge against those who took his mentor from him.
CW: instances of extreme violence, forced non-sexual public partial nudity
Yes, I watched this one. Yes, it's an edgy one. No, it's not fun.
As someone who's always down to anything that has to do with fantasy, magic and supernatural beings, as well as being able to enjoy the trashiest things in life, I had some hope in the plot. Not in the way that it might be actually good, but in the way that it could be so bad I could get some laughs out of it. Sadly, this series takes itself quite seriously.
Which wouldn't be a problem if it weren't because it isn't even that good. The characters are plain, the episodes feel longer than they should, and there are times where you can see it go all over the top.
A pet peeve I have is when certain abilities/powers have ridiculous names, and this show does that to a tee by giving them some of the dumbest/edgiest (not exclusionary) names I've seen in a while.
"Do they even have to do with what each witch's magic is supposed to be?" I ask to the void in utter confusion.
"Absolutely not, but doesn't it sound rad?!" an easily impressed twelve-year-old exclaims from the grades.
Anyway, wouldn't recommend this show to anyone unless you're looking for an edgy power fantasy where characters die in gruesome ways not even five minutes after being introduced, magic type and all.
Also, can someone explain to me what does it mean to have "Natural Law" magic?
Hikikomari Kyuuketsuki no Monmon
Action, Comedy, Fantasy // ☆☆¼
After three years of becoming a total shut-in, Komari wakes up to find out she's the newest Commander in the Mulnite Imperial Army! Although she's descendant of a pretty powerful vampire family, she's rather inept when it comes to magic, even finding blood disgusting. Will her, alonside her maid, be able to make her path to success, or is failure awaiting for her around the corner?
Damn, this one took its sweet time to take off, only to crash and burn because the method was so cliché and overused.
The first three to four episodes are boring and not interesting at all, characters are bland as a wet piece of cardboard and the comedy excels at falling flat.
(Mild spoilers ahead, because I couldn't care less about this one)
And now you mean to tell me your seemlingly powerless main character is actually OP, only that under hypnosis? I didn't need to be a hound to be able to smell that crap from miles away, now did I?
But let's leave that aside to talk about Vil, A.K.A Male Gaze 101. I understand why she's attached to the protagonist, don't get me wrong, but did she need to sexually harass the protagonist or...? Also, how could I forget about the time where she almost forced Komari to pee herself in front of her!
Bro, if I were to know this was an omorashi hentai wannabe I wouldn't have given it a chance.
Anyways, if you're into any of the things I've mentioned previously, then enjoy yourself. This anime's definitely not for me.
Kamierabi
Action, Drama, Psychological, Supernatural // ☆½
A group of high schoolers see themselves forced to fight each other to death for the coveted title of God. Who will emerge victorious and claim their godly throne?
You have no right to ask that in the summary when you spoil the results in the first minutes of the first episode.
Let's be honest, if anyone is talking about this series is because Yoko Taro's name served as free promo. But did you know he's credited, not for the story, but for the concept of it? Big yikes, huh?
If you are a three-episode-rule kind of person, I assure you won't be needing that for this anime. One episode is enough torture, trust me.
The first minute is there to make sure you understand this story is different, is mature. There are no friendships, no love interests, only tons of suffering and betrayals. You know, what people back in 2011 probably went for when Mirai Nikki first aired.
Characters are not only boring as hell, but their designs are nothing to die for, heavely based on their assigned colors because you'll be forgetting their names the minute after they get introduced.
Fun fact: If you pay enough attention, you'll be able to see their phone cases' designs. Not only they look ugly, but they also spoil their so secretive abilities!
Speaking of character design, did you know the one in charge of it didn't even bother to create background character's templates? They all look like gray extraterrestrial things trying to pass as human beings, their never changing facial expressions being the cherry on top. This might be one edgy way of showing they don't matter to the main story, but it just feels super lazy. Also, this... artistic choice is just another spoiler, since everyone who has some sort of relevance has an established design. But oh well.
Fun fact: Every single one of these NPCs are gray, expect for a couple of them in episode six who are red and blue. One of them is the bad guy, can you guess who?
In summary, this show is utter trash. Wouldn't recommend unless you're as messed up as I am and like to watch crappy productions.
Kamonohashi Ron no Kindan Suiri
Drama, Mystery // ☆☆☆¾
When police office Totomaru is assigned to a serial killer case, he turns to Kamonohashi Ron for help—a once considered genius who, after a fatal mistake, got himself expelled from the top detective training academy and was forbidden to become one.
This is your classic detective show with the more normal character having to learn how to deal with the more eccentric one who's always really good at deducing. And I love it.
Yeah, it might be a copycat of other series with the same dynamics (like many other mystery anime), but they're all still dear to my heart. I just love them, man!
Every case they've introduced until now have been interesting and fun. It's been entertainting trying to think by myself what happened, who might be the culprit, how did they do it and why. As always, it's especially cool when you get close enough or, even better, when you were in the right. Serotonin kicks like those are always appreciated.
The dynamic between the protagonists is also really fun, Ron's shenanigans never getting old. Totomaru might not be having the time of his life, but I sure am!
If you're a fan of these kind of shows, then I totally recommend! If you're tired of the same scheme over and over again, maybe not so much. Would be nice if you'd give it a try, though!
Kanojo mo Kanojo Season 2
Comedy, Ecchi, Romance, Slice of Life // ☆☆☆¼
After their hot springs trip, Naoya continues his relationships with both Saki and Nagisa. Alongside Milika and Shino, they embark on a summer vacation full of romance with a fireworks festival, camping, and Okinawa. Chaos ensured.
There are not many series that touch upon polyamory which saddens me to a fault. The closest to this concept would be harem series, but a polyamorous relationship should never be a competition to see which whom does your "shared partner" choose to spend the rest of their life with.
While KanoKano isn't the best representation of this type of relationships (Saki often feeling like she's competing against Nagisa), it's not a bad series? Or, at least, not that bad. Rather decent, actually.
It's not boring, although it isn't the most entertaining series either. If I had to decide between KanoKano and any other series that touches upon polyamory (even if they do it with the tip of a stick, miles apart of the concept), I would probably go for Hamefura's canonical (albeit not in the way I would like it to be) Katarina fan club.
I just feel something's... wrong, you know. I get Naoya loves them both and that, in theory, both of them understand that, but I can't help feeling uncomfortable when Saki mentions this supposed competition the girls have (and the way they treat polyamory as "two timing" when that would imply it wasn't consensual?).
Besides that, it's a decent series to watch whenever you're bored. Not a masterpiece, but is not like it's trying to be one.
UPDATE: Rating has been lowered to ☆ as of 11/10/23. Visit the reblog section for more.
Kimi no Koto ga Dai Dai Dai Dai Daisuki na 100-nin no Kanojo
Comedy, Romance // ☆☆☆☆
Rentarou has been rejected a total of 100 times throught his entire life. Is when he visits a shrine and prays for better luck when he meets the God of Love. He reveals to Rentarou that he'll get to date 100 women in the foreseeable future. The catch is, once he meets them they must happily love each other. Otherwise, they'll die. What will be of Rentarou and his 100 girlfriends during high school?
He has arrived. The man, the legend. The harem protagonist of all harem protagonists.
Rentarou Aijou has arrived, and he's here to make you and your wife part of his loveable and excessively numerous family.
As I mentioned when talking about KanoKano, I've been looking for series that touch upon polyamory. And if you're like me, then you've just hit the jackpot!
While I'm conscious 100Kano is a parody of harem series and was never meant to be taken seriously, the way none of these girls are competing for the protagonist's exclusive love is refreshing. They're actually a pretty big family, always supportive of each other and down to give each other a hand or two (or twenty, if needed). They'll do anything they can to make their boyfriend the happiest man alive, and so will he with them.
There're no favoritisms whatsoever. Such concept as "the first one to arrive gets to win" does not exist in his agenda. In Rentarou (and every single one of his girlfriends)'s mind, everyone wins because everyone is his favorite.
An excellent series to watch by yourself or with your pals in case you're looking for something silly and easy to digest.
Kusuriya no Hitorigoto
Drama, Mystery // ☆☆☆☆¼
CW: infant death, classism, self-harm, kidnapping
Maomao lived a peaceful life with her apothecary father. Until one day, she’s sold as a lowly servant to the emperor’s palace. When rumours about imperial heirs falling ill surfaces, she puts her knowledge in medicinal herbs and poison to good use and finds a cure. It's then when she catches the eye of Jinshi, a handsome palace official who promotes her. The series follows Maomao as she solves numerous mysteries.
I can't explain just how excited I was for this one. As I said before, I love mysteries, but I also really like historical series. So when you mix both genres, you get characters who try to solve various cases with only the means they had yesterday.
Besides the art being drop dead gorgeous (alongside every single lady who makes an appearance in the story), the story is engaging and so much fun. The episodes are already a bit shorter than usual (albeit not for much, it's just me being petty), but the way everything develops makes it feel like they last no more than five minutes.
And Maomao—God Maomao! She's one of the best female main characters I've seen as of recently. She's not lacking personality—she actually has way too much, and I love that. She's so clever and capable at what she does, I bet it'd be so much fun to just stare at her as she picks different herbs or just stays still for hours, trapped in her thoughts.
I'm a sucker for good relationship dynamics and the one between Maomao and Jinshi is just *chef's kiss* exquisit. The way he's constantly trying to seduce her and she just stares at him in apathy or disgust (bonus for when she brushes off the places where he'd placed his hand on) are golden. I also love how what started as teasing and doubt about the other's true intentions morphs into genuine interest and maybe, just maybe, a tiny itty crush.
A pretty strong contestant for anime of the year, in my opinion.
Megumi no Daigo: Kyuukoku no Orange
Action, Drama // ☆☆☆½
The series follows three young firefighters who share the same goal—becoming members of the special rescue corps known as "Orange". We'll follow them from their early training days to the day they face the crisis that'll push Japan at the brink of collapsing.
I don't know about you, but I've never seen a series focused on firefighters. Yes, I know about Promare and Fire Force, but those aren't "real" firefighters, if you know what I mean.
Where's their daily life at the station, their training—just everything that comes with being one of them? I don't want flashy fight scenes against angsty twinks, I want to see people getting rescued from collapsed buildings and cats getting saved from trees.
Along with interesting characters and tense situations, all these making it difficult for you to not empatize with, Megumi no Daigo is here to bring us a peek on how the real deal is—with both the good, the bad and the ugly.
This anime is confirmed to be the prequel to a movie released in the 90's, so there's even more content in case you're interested!
Migi to Dali
Comedy, Drama, Mystery, Slice of Life // ☆☆☆
Twin brothers Migi and Dali pretend to be the Sonoyama's adoptive son, Hitori, in order to find out the truth behind their mother's death.
CW: (prepare your bingo cards) *inhales* forced non-sexual infantilization, forced partial nudity, forced non-sexual pet play, bullying, implied murder, classism, forced eating, non-sexual groping, surveillance, invasion of privacy, kidnapping and imprisonment. ~95% of these happen to a minor, so yeah.
While the main focus of the first two episodes was the comedy (it's still present in the rest of the series, just not as much), I didn't find it especially hilarious? It does give off Sakamoto vibes at times, but it never makes me laugh as much as the author's previous work did.
The mystery is still there, thought, and that's what keeps me coming back. The suspense surronding the twins' mother's passing is engaging, you genuinely want to find out what happened there and how the place where they've moved and its habitants are involved in the case.
Now, as I mentioned before this anime is disturbing and thus can be highly triggering for some. So please beware before giving it a chance.
Overtake!
Drama, Sports // ☆☆☆¾
Kouya is a professional photographer who, due to past circumstances, gave up his passion for taking pictures of people. But his fate changes the day he meets Komaki Motors, a family-run shop that regularly competes in F4 along with their only racer, Haruka.
CW: implied death (car accident)
Sports anime of the season, let's go! This time, about car racing. Never watched an anime like this one before, although I know Initial D is out there. I just haven't watched it... yet.
To be honest, I didn't expect to connect with the characters to this level. I got hooked to the story from day one and has been like that ever since.
The story is fun, the races will have you at the edge of your seat while cheering for your favorite team.
Because yes, I think the rival team can also be cheered on! Maybe their main face might not be the bestest guy, but Toshiki does deserve everything in this world and so much more.
And when it comes to the drama, it never comes out as over the top. Every single reason for them thinking, responding or acting the way they do makes total sense given their past ciscumstances.
Speaking of the characters, everyone here has enough personality to be separated from the rest: Haruka's overachieving and at times harsh demeanor makes a good contrast with Koutaro's more calm and playful behavior. And while Satsuki's charismatic, conceited and women-loving persona might be a pain for many, Toshiki serves as a good companion with his serious and ambitions being. And I could mention the adults, but I think you catch my vibe.
I so recommend this one!
Seijo no Maryoku wa Bannou desu Season 2
Fantasy, Romance, Slice of Life // ☆☆☆½
We follow Sei, an office worker in her twenties who was suddenly summoned to another world as a "Saint". Taking advantage of her natural love of plants, she started working at a medicinal plant research institute. We also get to meet Albert Hawke, with whom she's more than friends but less than lovers.
Season two arrived and I have yet to rewatch the first one, although I think it might be a little too late for that.
Don't go into it expecting a wonderful series because it is not (or, at least, it isn't for me). It's a pretty neat feel good series, but definitely nothing out of the ordinary. Just nice people living their lives.
Sei and Albert's relationship is as wholesome as always, I appreciate them taking their time and not rushing into making things official. It feels, I don't know... adult.
There's literally not much I can say about this one other than I would recommend for those who are looking for a nice and relaxing shoujo.
Shangri-La Frontier
Action, Adventure, Comedy, Fantasy, Sci-Fi // ☆☆☆¾
Rakuro is a "crap-game hunter"—a strong aficionado to clearing buggy and just straight up bad titles that aren't even compatible with the now more frequently used VR technology. The game he's chosen to tackle next is the widely aclaimed "Shangri-La Frontier" that counts with thirty million players and counting. Little did he know this decision would change his fate alongside with many other players he meets along the way!
I can barely count the times I had this much fun while watching a series, and I can count even less the occasions where a gaming-inspired anime made me feel this great!
I've found myself dumbfounded so many times at just how detailed Shangri-La Frontier is. It's obvious there was research behind it, the author's a straight up legend for dedicating so much time and passion to something others would've easily disregarded as another basic, boring ass medieval-inspired MMORPG.
The level of character customization (you can even modify their origins like ‼), the many monsters you find along the way, and tons of easter eggs that players have yet to find in their entirety! It's my first time saying this when it comes to gaming-centered anime, but holy hell I wished this game existed IRL!
And honestly, I identify with Rakuro a bit too much when it comes to enjoying crap. In his case, are bad games. In mine, bad anime. I would love to have a chat with him and share our experiences and disgraces that come with this harsh hobby.
SHY
Action, Drama // ☆☆☆½
When we needed them the most, they appeared! As we were on the brink of World War Three, individuals with superpowers appeared all around the planet with the only mission to mantain peace. They would eventually become symbols of their nations, their presence being enough to lower the crime rates. Teru, most known as Shy, is Japan's heroine. When a mysterious and menacing association called Amalareiks surfaces, Shy must join forces with her fellow superheroes to stop their plans, all while dealing with her shyness and, overall, her teenage life.
CW: violence, death, self hatred, intrusive thoughts
Would it be cool to call it the more mature version of Boku no Hero Academia?
I had the manga for this series on my pending list for a while and when I saw an anime adaptation was coming out, not gonna lie, I got quite excited.
Now, I have to admit it's not one of my favorite series this season. It might be the pacing that sometimes gives me the feeling the episodes are, although just a little bit, longer than they actually are.
I love the concept and how it's executed, I really like the characters and the setting in which they're established. The drama they all have feels realistic and you can easily empathise with them. In my case, Teru's constant conflict with herself hit a little bit too close to home.
I would recommend it to those who're looking for a more mature series while also wanting to watch shounen-esque scenarios.
Sousou no Frieren
Adventure, Drama, Fantasy // ☆☆☆☆½
The adventure's over. The Demon King has successfully been defeated and thus Frieren and her fellow adventurers make their way back home. Now a highly regarded mage, she goes back to her slow-paced life only to realize years later, while attending Himmel's funeral, how short human's life expectancy is when compared with her own near inmortality. Frieren then makes the decision to begin a new adventure in the search of new absurd spells and friends alongside whom she expects to understand what life means to them and just how impactful can be what she perceives as nothing more than an instant.
CW: death, grief, mild violence
Oh Lord, this one's painful. I've no idea how they managed to do it, but they got me attached to the hero's party so quickly and so deeply this crap had already scarred me on episode one.
This story's gorgeous, I don't think I have to explain myself on that. Besides the more than stunning art, animation and music that acompannies us during the entirety of Frieren's self-discovery adventure, the slow pace and quiet moments are quite the delight.
The characters we meet along the way are also fantastic, written with such love, thought and care behind you'll fall for them in no time.
I truly don't want to talk much about it since I think this is an experience that one must live for themselves, but trust me when I tell you this is something you'll never forget.
SPY×FAMILY Season 2
Action, Comedy, Slice of Life, Supernatural // ☆☆☆☆
The same as season one, only that now the family's heading on a cruise ship expedition!
I don't think there's much I can say about this one? The second season's been giving the same vibes I got from the first one, so a wholesome, found family-centered comedic slice of life about three persons who don't know each other at all and do their best so that situation never changes.
Anya keeps on being the chaotic menace she has been from day one, Yor is still one of the best mothers ever alongside a woman I would never dare look for a fight against, and Loid keeps on repeating his more than iconic mantra as he unsuspectingly falls asleep while dreaming about certain woman surrounded by a zillion flowers.
But, you know, anything for the mission.
When it comes to the upcoming arc, I'm excited for seeing Yor at work! Been dying to get anything like this, and I'm so glad my prayers have been heard.
Undead Unluck
Action, Comedy, Sci-Fi, Supernatural // ☆☆☆¾
All Fuuko wants is a passionate romance like the one in her favorite shoujo manga. Sadly, her Unluck ability deems this dream impossible. But that anguish will have to wait because Andy, someone with the Undead ability, takes her as his test subject to see if, thanks to her misfortune, he can finally rest in peace. It seems peace has never been an option, though, because certain secret organization has begun chasing after them.
CW: not-quite-concenting groping
If I took my sweet time to start watching this series was mainly because, for some hell of a reason, it gave me big Mashle vibes. Don't ask, I just thought the comedy would be similar. And since my humble opinion on Harry Potter 2.0 is that it has its humour stuck up its ass, you might understand I gave an olympic jump over Undead Unluck.
But then I decided to give it a chance and man, Mashle would never!
Not the funniest series I've watched, but I appreciate the multiple laughs it gave me.
Now, what I do not appreciate are the various groping scenes. If Fuuko were to consent all of those, then cool. Who am I to judge whatever two consenting adults (Fuuko's 20+, right?) do with their lives and bodies? The thing is, not every groping is consented by her, especially at the beggining. So yeah, beware of that.
Putting that aside, the characters are pretty cool and so much fun to see fighting or just interacting with each other. The ability system the series has is rather interesting, would love to learn more about it.
Watashi no Oshi wa Akuyaku Reijou
Comedy, Fantasy, Romance // ☆☆☆½
We've heard this story before: girl reincarnates into her favorite otome game and, since she knows her way down every route, she gets to win over her favorite bachelor. Only that, this time, it might not be as predictable. After all, who knows what's truly inside Rae Taylor's mind? Claire François for sure doesn't, especially now that she's going after her—the game's villainess!
CW: discussions of homophobia, classism, rae can be creepy at times
In the words of @arataka-reigen, “This anime is like if Maria from Hamefura was the one who got isekai'd and then fell in love with OG Katarina”. Couldn't say it better, pal.
While this series is not one of my favorites this season, the characters not going right down my alley and the pacing not being the best, I truly appreciate the cafeteria scene. I've never seen such a discussion over diverse sexualities adn homophobia in an anime before, and I can only clap to that.
And not only that, but it seems like it's going down a rather... interesting path. I mean, the whole classism that's present during the series, the "commoner" students' complains, the game's title being "Revolution"... I smell something nice.
Yuzuki-san Chi no Yon Kyoudai
Comedy, Drama, Slice of life // ☆☆☆¾
From the day the Yuzuki brothers lost both their parents, Hayato never stopped taking care of his little siblings, making sure all their needs are met and nothing's lacking. They share tears, laughter, and a specially unbreakeable bond.
I've no idea what might be the reason, but all these stories about family (whether related by blood or not being quite irrelevant) alongside the others where they include and/or center around pets are my weakness.
The four brothers feel like actual humans beings, their dramatic and joyful moments in life will definitely take you for a ride althought, admitely, it might not be the most intense one.
Hayato would do literally anything for his family and, honestly, same. Both Mikoto, Minato, and Gakuto are downright adorable and would love to pinch every single one of those cheeks like there's no tomorrow.
If a cutsie family-center slice of life it's what you're looking for, look no further. But if what you want is a drama in general, then I would recommend Frieren first.
If you reached the end, thank you so much for reading! I literally stayed up til 2 AM to finish writing this (and I didn't even include the titles I dropped), so yeah. Highly appreciate!
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infoglitch · 8 months ago
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Why am I doing this again? Oh right cause I'm one of the few who will die on the that crwby ain't shit-(god if I keep ignoring writing my shitty fanfics people are just gonna assume i'm bitch made)
Oh boy here I go again poking the damn bear with my shit takes-
(also before I begin I want to ensure that my message is given context, I hate crwby as writers not as people, I hope people don't misconstrued that because otherwise that's just gonna be frustrating to deal with)
Pyrrha is a wasted character and a PRIME example that crwby can't write women.
Oh boy pyrrha Nikos where do I begin with this cardboard cut out of a character.
So since a few (and I mean A FEW) people choose to live in denial of the obvious fact that crwby cant write and that to claim they can is possibly the most bullshit statement ever.. its time to take out the belt (bout to go Hellsing abridged in this bitch)
I'm mainly using Pyrrha because she is the most GLARING example of how bad the writing of Rwby can get.
Granted I am notorious for consistently and without calling Pyrrha the worst character ever (about as bad as later volume Blake.. then again just Blake in general- hoo boy I really am gonna piss people off huh?) this is mainly due to the fact.. she's quite literally a peice of cardboard and i actively cheer whenever I rewatch her death... Ok that last bit was an over exaggeration but you get the point.
Now to begin why I actively believe Pyrrha is terrible, we need to talk about.. the noodle knight.. sometimes I despise the fact I like jaune but regardless-
Jaune as a character is fundamentally a side character... Yet he has consistent screen time.. again.. and again.. and again. To the point where you could jokingly say he's the real main character since Crwby just love putting him in as much screen time as possible. (However I more take it as the fact jaune is just a scapegoat for Crwbys incompetence. But that's for when I piss of the rwde aspect of the community, because oh boy.. is there an argument I want to rip to shreds and call blatant bullshit.)
But outside of the screentime he is mildly interesting and has made a few actions that add dimension to the character... But why do I bring up jaune when talking about Pyrrha? It's due to the fact Pyrrha's entire character revolves around jaune.
Pyrrha is rarely shown to interact with the rest of JNPR, it's practically non-existent if jaune is not somewhere.
But some of you might say (and honestly I don't blame you and would agree with you) "Pyrrha is a side character, she doesn't need depth." To which.. yes... But she was a part of team JNPR, her death is treated as if it should have affected everyone. Hell her death caused ruby to awaken her silver eyes. But there's one problem.. technically two
1. Team JNPR (or more accurately JNR) are still active participants in the cast, you'd think them being side characters they would eventually be thrown away.. but they aren't. So that would supposedly mean their important.. which includes Pyrrha but if that's the case then why isnt she given depth, you can't three people of an extra be important enough to be a part of the cast and given development but Also have the other team member not be given some given some kind of development, that doesn't work either don't give development to ALL OF THEM or do the inverse.
2. she isn't shown to interact with team Rwby by herself, she's never given any scenes to show that she is friends with ATLEAST ruby, so her death impacting others that SHOULD be her friends doesn't make sense now because there's no scenes with her interacting with them by herself.
Every scene that is pivotal is in some form or way connected to Jaune, but even though characters like her can be good if written well, she isn't.
Pyrrha is never once given anything that is specifically to show off her, she's always written to focus on jaune. Even her death which was supposed to affect all of team Rwby and Jnr only was shown to affect jaune.
To many it may seem like it's not an issue she only showed up for three volumes before kicking the bucket and dying. So what's the point of talking about her?
Well from me specifically, the problem is the fact Pyrrha is not a rare case of bad writing, not just for characters either, may I remind you all of the white fang subplot. Don't worry I won't go into too much detail I'm writing an entirely different post about how the faunus/white fang subplot got swept under the rug because surprise surprise crwby writers are shitty at writing.
Alright time to get on my soapbox to sound all high and mighty.
to explain it simply. The white fang arc was supposed to be a lesson that is meant to talk about how racism is wrong and the fact that it only hurts innocent people, (both of obviously the oppressed and the innocent people who are unintentionally associated with the oppressor, hatred breeds hatred y'all know the phrase) but instead its not even given anything specific. This is especially a problem considering one of our main characters is supposed to be the protagonist that helps talk about the issue. Instead of anything specific that shows the faunus are oppressed and that humanity still has extremely bigoted and shitty people all we get is.. cardin and that's about it.. and then in volume 5 (or 4 I unfortunately lose track sometimes) it's just wrapped up with.. Adam being taken down and the white fang essentially being forgotten about.. the white fang, you know the organization that is full of faunus who do want equality but are somewhat misguided.. their apparently just disbanded after the piss baby that is "Adam Taurus" just gets defeated.. is it me or doesn't it make more sense to atleast hear mention of some white fang stragglers who still misguidedly fight in the name of equality. Honestly it feels like it got rushed and not properly expanded on.
To put it bluntly I find it just so weird that crwby has been shown to not be able to handle topics that are a little more nuanced and decided to sweep it under the rug, same with writing characters that could be interesting, but instead are just turned into cardboard cut outs. Yet there are people who claim that Rwby is better than any media *cough cough* the Twitter bastards *cough cough* which.. look i love Rwby to death, it's music is fuckin magnificent early volume versions of the characters can be.. minus jaune kinda (man does got a few bumps when it comes to being a fan) but Rwby is.. mediocre. But it's not it's fault, that's just what happens when writers aren't able to properly write a story, characters, a world for the story, literally almost every attempt at adding depth to rwby.
Ok.. I'm fuckin tired I'm expecting a lot of people to disagree (I'm praying the majority aren't just gonna throw insults and nothing else because honestly that just makes anyone look stupid.
Alright time to get off the soap box and return to the cave where I write shitty Rwby fanfics and equally shitty original story.
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stellanslashgeode · 6 months ago
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11,12,25,and 46 for the writer ask game! 💚💙
11. Link to three of your favorite fics right now
I really enjoyed honey, you're familiar, a great one-room one-shot like a stage play that uses chess as a metaphor for strategically making your way through a tough reunion.
And you know I have to boost your Luminara & Barriss, it's just hits just the right spots to give me those feelings.
And starwatcher (hold your ground) is a very unique canon divergence fic, and we really don't get enough set during Attack of the Clones. I'm way behind on it, @bettyxrosex has an admirable work ethic.
12. How does receiving or not receiving feedback/support impact you?
This is a hard one because on some level I am aware of my audience and do want to please them. And I'm often surprised on what gets hits and what doesn't. I'm working on Way of the Mynock right now because I have a lot of ideas for it, yes. But also because it's gotten a lot of hits and I want to keep the momentum up. Contrasts, by contrast, hasn't gotten much feedback. But that's okay, I'm kind of writing that as therapy. Plus, the next chapter is a long diversion to the High Republic Era (the undervalued Phase II even) which isn't as popular. But I love this group of characters that will be in it. Because it's a "one for me" I can afford to take my time.
Dusk of a Golden Age hasn't gotten as many readers but the comments on it were so sweet and encouraging! I am dedicated to finishing it and polishing well before publishing. Sometimes series with a few, but enthusiastic readers are the best ones.
Sometimes I write things knowing few people will read it, but a select few will be looking for that sort of story and will love it. Microcasting. Theed Lament is like that. It has under 100 hits, but I hope I really scratched an itch for dozens who were looking for that experience.
25. What fic do you wish you got more of a response on?
Oh, that's easy. Jedi: Dropout. It's a fic with all OCs so I knew it would not pop up in searches very often, but it's where I hid a lot of my worldbuilding for Mirial and Mirialan religion and culture. So, if you're a reader and you like the pantheon I created and put into my Barrissoka stuff go read that too. I also hid a lot of my musing on the Jedi and their practices there. And it is a great little slow burn about two girlfailures (and Nerf herding).
46. How do you describe your style.
Character driven. High on interiority. I sometimes have action-focused stuff but it's not very grand and epic. Action and violence are usually small scale and in close quarters, I don't do grand battle scenes. Because the characters get lost in that. I make a point to occasionally injure the characters I love and want to protect so I don't handle them too preciously. Sometimes I try to just write smut but always put a lot of emotional breakthroughs in there too because I just can't help myself. Is there a term for a coming-of-age genre but it's about that 25-30 age range? I find that time of life very compelling, you're past your education and need to figure yourself out again as an adult.
Thanks for the asks, Bailey! I'll also link the original post so we can keep this going.
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nerdyjournals · 10 months ago
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hi!🤍 saw you’re open for q&a, and i was wanting to know your best advice for avoiding feeling overwhelmed while working on something? i’m currently working on my first ever series (mermen!hyunlix), and i’m so excited to bring it to life, but wow it is so much work and energy finding the right words, and i have so much story to tell! i’m just worried about getting burned out before i even really get going. any advice or tips, especially for a newbie writer?
First of all, congrats on your story! Now buckle in cause this is gonna be a bit.
There are a few things that I usually do.
Plotting - Chapter by chapter or by using the plot map of exposition, rising action, climax, falling action, conclusion // Building characters
1.1 -I usually do a brief summary of what happens per chapter, just like the key things that need to happen. 1 to 4 sentences max.
Ex. (From the original plan of Escape to District 9)
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This keeps me from feeling overwhelmed as it is just a general road map for the story and not a step by step instruction guide. Your story will bend and twist and adjust as you write, so having a general idea of where things go helps. You can always add, remove, or combine chapters later.
1.2 - Character Sheets - breaking down the character to their basic elements
In breaking down the character to their basic wants, goals, flaws, strengths, weaknesses, you can have an idea of how they will act throughout your story.
You can always refer to these sheets while writing to make notes about their actions and other things. My character sheets also function as vision boards. So Pinterest will become one of your best friends.
Practice
2.1 - Write for yourself
At the end of the day, you're writing this thing because YOU want to read it. Don't pay attention to the numbers or the likes or anything really.
If you think the words don't sound good or don't sound professional enough, don't panic. Every writer has their own way of "speaking."
2.2 - Writing one-shots and drabbles are great ways of practicing and developing your own writing style. Finding your own flair will be what makes the readers keep coming back to read more.
In the end:
The most important thing is to listen to your body. If it has no energy, take a break.
If you have the inspiration, write it. Keep a journal for those ideas and type them when you can. If you need inspiration, do the thing that brings it back.
Write your scenes out of order. Write your ending first. Do whatever you need to get through without overworking yourself.
Creativity isn't linear. Burn out will happen. Writer's block WILL happen.
Write the story YOU want to read.
I hoped this helped a little bit! Good luck with everything! 🩵🩵
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1moreoffkeyanthem · 1 year ago
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because i am sad, don't have my nina meds and have the personality of tissue paper rn, will you take pity on me, pretty girl, and pray tell what the locations look like in ur fics? like how you imagine south park looks, maybe stan and kyle's old bed rooms, the sp survivor haus? starks pond, the vibes and stuff -- you can be as hyper specific as you want i really like detail and visualizing things <3 also you
Melda Tâe I sincerely hope this is a bright spot in the Sadsack!!! This is such a great ask too like what does the HWB elven palace look like? The train station in WGSIES? The Broken Bottle Quartet apt complex? Heidi’s coffee shop in ATLCTS? The bistro where ojv Craig and Kyle have Nerd Boy Time? The TWITR bunkhouse?
And I’ve said on multiple occasions that I suck an unfathomable amount of ass at actually putting setting descriptions into my fics. Not because I’m picturing scenes playing out in a blank void, or bc I’m not picturing things clearly, but 1) I fully convince myself that no one wants to read my boring drawn out descriptions, which is stupid and I’m aware of that bc I LOVEEEEE vivid imagery when I’m reading 2) I often forget that no one is envisioning what I am without visual explanations lmfao it’s just so There to me I forget my readers don’t live in my cursed brain 3) I have such a habit of getting too into Witty Banter™️ and I’ll write so much dialogue with the occasional action and realize I haven’t said shit about what the setting looks like
But boy oh boy do I have specific pictures in mind! Especially regarding settings. (God I need to make a fuckin Pinterest omg the OJV board alone would go stupid)
I’m gonna be so fuckin fr right now, I have way too many AU’s and I will be unhinged abt a lot of them, so, below the cut!
So, as a surprise to absolutely no one, I’m starting with the OrangeJuiceVerse!
That bizarre town our kids grew up in is very typical suburbia, with neatly arranged near identical houses and blacktop roads that the snow plow goes through the same time every morning. Downtown holds the major businesses and across the tracks, not even a block over from the main neighborhoods, is the handful of “ghetto” houses, right by the woods. And through those woods, with a small single lane street that is far too narrow and winding to be safe? Stark’s Pond. The clearing in the tree canopy that the parking lot provides is the best stargazing spot, far enough away from the minimal light pollution that a tiny mountain town emits. It’s not just a pond, more of a park, with a field next to the water that’s a well traversed snowball fight battleground and a single bench under an ancient oak tree. The pond freezes and that’s how you know winter is truly underway. Kids slipping and sliding on the ice with no adult supervision is the standard here. In the summer, the water is still so cold, fed by mountain runoff. The surrounding shore is rocky and the m5 regularly compete to see who can find the coolest stone in the gravel.
There’s an elementary school, middle school, and high school, all in the same block and sharing a parking lot. Makes it easy for bus drivers and parents dropping off their kids. The high school is WAY bigger than is warranted for how small the town is, and there’s a separate building for band and av club. The football “stadium” isn’t much, the bleachers are only a few rows high and the field house is little more than a locker room, the concession stand is tiny and only run by student council members, and the cow painted into the turf over the 50 yrd line is lopsided. The gym where pep rallies and volleyball and basketball games are held has better seating, but football is a big damn deal in sp and the whole town is crowded around the track fence if they don’t get a seat, cheering on the hometown boys on cold October nights with nothing but fireball and ridiculous amounts of school spirit in their systems.
Stan and Kyle practically live at each others houses growing up. They each have a “Super Best Sleepover Drawer” in the others rooms and when they were younger and still the same size? No one could tell who actually owned what clothing. Like, y’all dear god you are more intertwined than your fingers holding hands. Stan’s room is a messsssss! Especially when he’s not doing well mentally. And he holds on to every stray item so his dusty shelves are cluttered as hell. His pillows are flat as shit. Nothing in his closet has been folded properly in years. The only organized thing in that room is the record collection, the sheet music folder, and the dnd character breakdown. Kyle has stress cleaned Stan’s room before. And (think You Belong With Me music video) THEIR WINDOWS FACE EACH OTHER!!! Kyle’s room has so much of the same kind of decor as Stan’s, with the posters and the figurines and the wall of nostalgic Polaroids, but he’s so much more organized. Both the boys have Kenny Paintings, (Stan is the one mentioned in this and Kyle’s is one of him as the elf king when they’d play as youngsters) and Kyle’s is hung level on the wall and Stan has his propped on his desk.
Ohhhh man the SP Survivor Safehouse, I described it some here and it really is such a College Kid House!!! They found the cheapest place to rent close to campus that would fit the 5, and it’s a SHITHOLE! It’s old as fuck and falling apart, the foundation is crooked, the blueprint must’ve been drawn by someone with severe distraction problems because for a place that’s not all that big, it’s labyrinthine in its random layout and the out of place way too high to reach ledges and the fireplace but no chimney and the ridiculousness of the narrow backyard, doing laundry in that house is a NIGHTMARE like the washer is downstairs and the dryer is in a separate room upstairs that logistically should be a bathroom. The kitchen tile is so old and cracked, and there’s this weird half wall facing the living room with a window? Also the walls are thin as hell and that staircase? Good god. Steep as fuck, tilted to the left, no railing, everyone has fallen on the Widowmakers multiple times. The garage door doesn’t work. The water heater is older than god. But this is their house, and they make it work.
I also want to describe the waterfall from How We Began, as specific and random as that is lmao. Think Multinoma Falls in Oregon, with a long trail to the top and no man made bridge over it. And it freezes like that one waterfall in narnia. Completely solid, snow and frosted trees on both sides at the summit, just the perfect place to meditate and reflect, because the reflection off the ice is like a rippled mirror. (Actually and so fr I need art of chapter 12 so bad rip) that place is BEAUTIFUL with the mountains in the background, the icicles refracting light, pine trees with needles dusted with snow, large rocks overlooking the edge of the cliff and the forest surrounding it!!!
Oh damn also the Big House in The Webs In The Rafters is the most eerie looking house of all time. At the end of that twisting gravel drive, to the left of the western pasture, sits this giant black mansion. It looks wayyyy too gothic to be on a ranch. And most of the rooms are unused, that place feels cold and dark even when the farmhands are in for dinner at that huge table in the dining room. The upstairs office has all these strange carvings in the wooden walls, Craig’s massive granite desk is right in front of the window that sees the whole front part of the land. And both that house and the bunkhouse are ancient as the “haven” itself. The walls have crawlspaces big enough for a full grown person to fit in. Like there’s a maze in the walls. The upper pasture isn’t visible from the master bedroom at the back of the top floor, and there’s a tree by the pond that Butters’ ducks live in that’s the first thing the morning light touches. That spot, where Ken and butters had their first kiss in chapter 16, is the only place that doesn’t feel stifling on the entire land.
Dude the haunted house in In The Truly Gruesome! It is legit the most cheesy haunted house of all time, set up in what is essentially a double wide trailer, no bathroom, no kitchen, barely a tiny breakroom at the back, the decor is the cheapest spirit Halloween shit imaginable and just lame shit like a bowl of peeled grapes that are supposed to feel like eyeballs in the mad scientist area. That front office with its plywood walls and plastic door is the most unromantic setting for a love confession, but Stan and Kyle made it work. The breakroom “furniture” is a random hodgepodge of booths from a closed McDonald’s and tables someone found on the side of the street. The mini fridge has nothing in there but a moldy jar of pizza sauce and a single half drank mellow yellow. This place is absurd. I love it.
AND I loved this ask! You always send me such great things my beloved omg never stop! <3
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sunshine304 · 1 year ago
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20 questions for fic writers
@chrononautintraining tagged me for this, thank you!
1. how many works do you have on ao3?
24
2. what’s your total ao3 word count?
162,445
3. what fandoms do you write for?
Almost exclusively for The Untamed/MDZS. Did a little fic for Legend of Fei as well, but I guess that was an exception. XD
4. what are your top 5 fics by kudos?
Five Serious Late-Night Conversations & ...
Hanguang-Jun's Flawless Taste in Men
Rumour Twarting, Gusu Lan Style
A More Practical Approach
Sign Me Up For That Full-Time, I'm Yours Which isn't a surprise since those are the oldes ones in that fandom.
5. do you respond to comments? why or why not?
Yes I do. I appreciate that people take the time to leave a comment and so I want to at least thank them. Then again, I'm not exactly flooded with comments, so it's easy to keep up.
6. what is the fic you wrote with the angstiest ending?
I'm not much of an angst writer. I guess the angstiest would be Bitter Flies My Longing Soul, which is angrily pining LWJ during Sunshot.
7. what’s the fic you wrote with the happiest ending?
Almost all of them are happy. XD I guess the happiest is likely Five Serious Late-Night Conversations, because it's a fluffy fic in general. I also think that Jade Reflecting the Morning's Glow ends very happily and is overall a very soft fic.
8. do you get hate on any fics?
So far I haven't and I hope it stays that way! But I guess it's far easier to get hate if your fics take off or if you've got "controversial" tags that draw in the haters.
9. do you write smut? if so, what kind?
So far, I've posted one smutty fic. Currently trying to write another one, we'll see how that goes. XD I tend to write T-rated stuff tbh.
10. do you write crossovers? what’s the craziest one you’ve written?
No I don't. Or I haven't yet, but I also don't have ideas for crossovers so I don't see one in my near future.
11. have you ever had a fic stolen?
Not that I know of, hopefully not!
12. have you ever had a fic translated?
No I haven't.
13. have you ever co-written a fic before?
Also no. (Wow this is exciting XD) But I could see it happening.
14. what’s your all time favorite ship?
I usually have a main ship for each fandom and it would be difficult to decide on my all time favourite! It's usually whoever is the one from my current main, I guess.
15. what’s a WIP you want to finish but doubt you ever will?
I think I'm going to finish all my current WIPs. Or well, the ones that actually have good chunks written which are 4. I don't count the tiny snippets or tentative ideas because those are usually just me wanting to get the idea out and then letting it lie around to see if something happens with them.
16. what are your writing strengths?
I think I'm good at humour and feel good stuff, and also with dialogue! Most of my fic ideas start with an idea for a conversation. Also, I'm good with grammar and spelling.
17. what are your writing weaknesses?
Action scenes, which I haven't even written yet. XD Trying to avoid them. I'm also really insecure about smut but I guess that's one of those things that people are either super sure about or fear. XD
18. thoughts on writing dialogue in another language in fic?
I don't mind it? At least if there's a footnote or something to translate.
19. first fandom you wrote for?
Sherlock. Which was for a holiday exchange, otherwise I wouldn't have written anything for it at first. And then I liked it well enough to write another fic for it. And then didn't write anything for 8 years or so. XD
But I started at, like, 10 with drawing/writing stuff for The Animals of Farthing Wood. XD I'm sure those comics are still lying around somewhere at my parents' house. It was a whole epic thing. There were so many fox OCs! XD
20. favorite fic you’ve written?
Oh that is mean! I don't really have a favourite. I think everything came together the best in A More Practical Approach, as it came out pretty much exactly as I'd wanted it too. But I'm proud of all the other ones as well, of course!
I'm too lazy to think of people to tag and I've seen a lot of people already do this on my dash. So, if you want to answer this, go for it!
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from-izzy · 3 months ago
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can i ask something a bit deep if that's okay? i'll send it in separate messages, so feel free to ignore it if you're not up for it. it's about mental health and trying to write about it. dealing with mental health isn't easy, and with december coming up which is also my birthday month... it kind of makes me feel... yeah. anyway, i've always wanted to write about it as a way to cope and express myself, but it’s not easy. i want to write a comforting fic, but i feel like i don’t know how to. maybe it’s because i’m still figuring out my own struggles, or maybe i don’t have enough experience with others lol. how do you manage to write about it?
hi anon! 🫂 ofc it's okay, thank you so much for reaching out ❤️‍🩹
writing to understand yourself, writing to cope with life's challenges and/or writing to be more free are all beautiful reasons and ways to approach writing. i'm glad that you're interested in approaching writing in this way too 🫂 it's an art form! and even if i've been writing for some time and i do different types of art ranging from sewing to performing, every single piece is unique in its own way that it can be difficult to start.
when i write my fics, i quite literally start with dots points and list out a range of things that have impacted me whether it's positive or negative. this is also how I usually find out how i'm feeling with certain things or in general! most of the time, i don't want to say my struggles out loud but writing it down (even just a sentence!) is relieving.
usually after that, i start to see different ways that i can connect them together to make a story! if not, i leave it for a few minutes and come back later. sometimes it's helpful to find an idol that suits the prompt or an idol that i find great comfort in. it could act as a starting point as we guess how they would react in the story!!
after, i outline my main points in the story, this is how my wips look like:
1. scene one; light description
- "quote" "another quote"
- "quote by another person" dialogue tag/action
2. scene two; description
- "quote"
and i find this is a good way of breaking down not only your thoughts, but also breaking down the story so that it becomes more clear. when writing these kinds of fics, it's easy to feel overwhelmed with emotions so for me, clearly writing things out helps with that feeling.
and if i could give you advice (?), i'm not sure whether you're writing this and then publishing it on the internet but if you are:
write for yourself.
don't mind anything else. it's a comfort fic that you're writing based on YOUR experience, not others. people may hate. they may criticise. but in the end, they will never understand what you're going through (especially over the internet!) ❤️‍🩹 so if you ever get negative comments, please remind yourself who you're writing for 🫂 and, if you need support, i can try my best to 🫂
writing comfort fics is hard, there's no other way to say it. it's cringe (?) to say this but practice really makes it better. and confidence! confidence that after the story, despite what anyone thinks, as long as you're content, that's all that matters! finishing stories like these is a huge accomplishment!! and i hope you'll be able to feel the relaxing and slightly uncomfortable process as you resolve the inner (or external!) conflict, anon 🫂
thank you so much for this one, and i really hope i was able to help in any way 🫶 if it helps, you can claim an anon emoji so i know who you are for next time!! happy writing, don't push yourself too hard and i hope we'll be able to see your work soon!! 💗
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h2bakugou · 4 years ago
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Could I have a fic or situation where 1-A was hosting a play and it was sleepy beauty? With Bakugo being the Prince and reader being the sleeping princess? I thought it be cute!
a/n: yes yes yes! this is really cute omg im so sorry it took me forever to write this but i hope you enjoy it hun!!
summary: the play was a class project, one for some short school arts festival. the play chosen was sleeping beauty, one that stared you as the princess, and bakugou as the prince.
key: (y/n) - your name / (f/n) - first name / (l/n) - last name / (e/c) - eye color / (h/c) - hair color / (y/q) - your quirk
warnings: swearing, fluff, some slight competitive nature with class b (i do love them im so sorry for the slander)
word count: 1.9k
;cut for length;
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"The school arts festival starts in three weeks. By the end of the week, you'll need to come up with some sort of arts-related project to present as a class." Aizawa stated, handing out small stacks of papers to each of the students at the front of the rows to pass back.
"Another festival?" Kaminari piped up.
"This festival focuses mainly on the arts. You'll have to pick something related to it. No superhero quizzes." Aizawa's gaze drifts to Midoriya.
You begin to feel giddy and excited. The last festival was amazing, the singing, the dancing, hearing the crowd cheer. It was so much fun.
"Let's start coming up with ideas." Iida suggested, ready to stand up at the board and write the ideas down.
"You have twenty minutes." Aizawa sunk down into his sleeping bag and closed his eyes, zipping it up before rolling toward the corner of the room.
"We should do another song!" Mina suggested.
"Or some sort of like mural painting through a song." Kirishima added.
"What about a play?" You suggested. A few heads turned toward you.
"I mean Class B did one and almost beat us in ratings. Think we should show 'em how it's done?" You tease, earning a few scattered cheers.
"I think a play could be lots of fun!" Uraraka agreed, as well as a few others. After listing off some more ideas, the play seemed to be the most popular, outvoting Kaminari's idea to do a maid-cafe-art show.
So after deciding fairly quickly, it left you with plenty of time to get started.
You had all settled on Sleeping Beauty, something that everyone had some sort of role in.
Though through some small auditions, you landed the role of the sleeping princess, and Bakugou, who had originally stated he didn't want to be in the play and rather help on the set, the class thought he would make a good prince.
After the first week of script-reading and assembling the set, you'd practiced enough to no longer need your script at all.
Bakugou, on the other hand, was a little ignorant. He'd practiced his lines over and over again in his room and memorized them within the first three days.
However, he'd pulled you aside on day four and made some rules.
"Listen up dumbass. Just 'cause we're playing some prince and princess don't mean shit." Bakugou stared into your soul, making you feel small under his gaze.
"It's just a play, it's not like they think we're together." You say quietly. Bakugou shook his head.
"It has to be believable idiot! We get married at the end of the fucking play. If I'm gonna be in this stupid thing I'm gonna give it my all." And with that, he walked away, leaving you a bit flustered.
When rehearsals for the kissing scene came up, you were nervous. Not because you had to kiss someone, but because you'd never kissed anyone at all before.
And to do it in front of your classmates, it felt sort of awkward. Maybe even embarrassing if you did it wrong.
"Alright, places!" Sero called from offset, allowing everyone to fall into their set places, you laying on the 'bed' closing your eyes.
"Action!" Sero called.
Bakugou began his role, acting as the prince who was climbing the tower to get to you, the sleeping princess.
You held your breath as he leaned over you, blocking your face from everyone else. You froze as you felt his breath hit against your lips. You jerked away.
"What are you doing?" He hissed quietly.
"You-your breath stinks!" You lie quietly, feeling terrible for making him feel bad. He raises a hand over his mouth and groans, lurching back from you, raising an arm to Sero.
"Cut! What's going on?" Sero asked, a little upset that he didn't actually get to see the two of you kiss. He wanted to tease Bakugou about it.
"I'm taking five." Bakugou wandered off stage, leaving you on the bed, sitting up.
"M-Me too!" You shouted, running off in the same direction.
You'd been practicing in your regular clothes for a while, but dress rehearsals were in a few days.
You got some cool water and splashed it on your face in the bathroom, wiping it all off with a paper towel before staring in the mirror at yourself.
Quickly checking to make sure your breath didn't stink, you were thankful to find it didn't. You felt horrible for possibly embarrassing Bakugou, if it were even possible to do such a thing.
Returning back to the set, you spoke with Shoji, one of the lead costume designers.
"Do I really have to kiss him?" You asked quietly. Shoji's hands stopped measuring your shoulders.
"I suppose not, not if you're not comfortable, I'm sure there's another alternative. Blocking the view would work like how you just rehearsed." Shoji tilted his head to the side.
"It's a little too late to switch leads, though if you're not comfortable, I believe Momo was the one who asked to be your understudy. She's memorized the lines while working on costumes and set design." Shoji spoke softly, understanding that you most likely didn't want the entire set to hear your conversation.
"Thanks." You nodded, walking back to the stage, feeling a little less on edge.
When Bakugou returned, you wanted to pull him aside and apologize, but you got back into your position and waiting for Sero's directions.
It didn't help that your small crush on Bakugou had now festered and grown even more. Doing this might've all been a bad idea, and it was going to result in you most likely locking lips with the explosive blonde in front of a crowd.
"Alright places everyone! Bakugou, (Y/n), let's try not to block the audience's view of the kiss, we want this to be believable! We need the good ratings or Class B wins." Sero encourages Bakugou to not block the view of the kiss from everyone. And now you feel worse.
"Action!" He calls again, awaiting Bakugou, you can hear his footsteps as he approaches, this time he's on the opposite side of you.
Everyone sits in anticipation as he lowers his head down toward yours, his breath, now overwhelmingly minty, ghosting over your lips. You jolt away once more stumbling out of the bed before running off.
"Cut!?" Sero pointed in the direction of where you'd run off.
"I'll handle this." Bakugou groaned. Chasing after you, he found you sitting back in the empty classroom.
"What's going on with you?" Bakugou's loud voice scared you. Lifting your head off of your desk, you peeked over your arm, laying your head back down.
"I just need a few minutes, I'm not feeling good." You lied.
"Bullshit." Bakugou closed the door behind him as he entered the classroom, walking over to you. You wished he would leave and let you be, but you knew he was smart and that he'd probably figured out something was wrong.
"What's your fuckin' deal?" Bakugou's voice was right in front of you now. Refusing to lift your head and look at him, you clenched your fists.
"I-"
"You what?!" Bakugou growled.
"I've never kissed anyone before!" You cried. Refusing to show your face, it had gone silent. Bakugou stood before you, his cheeks turning red.
He'd somehow roped himself into a stupid class play, one that you just so happen to have the lead role in. Admiring you was a challenge at first, refusing to believe that he wanted anything to do with you. But your drive, your passion for heroics, it fired him up.
You were beautiful as well, smart, snarky, but light-hearted and kind. Bakugou waged a war inside him as his own crush on you grew. And now he had to kiss you. And he wanted to, so badly. Desperately. He needed to.
Thinking about being your first kiss made him feel cocky. Your first kiss huh, it was going him. It was going to be him. Not from some stupid boyfriend you might have, or random boy during a cliche game of truth or date.
"Let me kiss you now then." Bakugou spoke quietly, watching you lift your head up.
"Wha-"
"Just shut up and come here. You're thinking too much about it, it's making you nervous. Do you not want to kiss me?" Bakugou questioned, asking for your consent.
"No, I do! I just..." You trailed off, standing up as you moved toward him.
"I'm just worried that I'm gonna mess up and embarrass you on stage or something-"
"Shut up." He cupped your cheek, silencing you as you stared up at him nervously.
"It's just a kiss. Just follow me, it's not rocket science dumbass." He pulled your face toward his, slowly leaning in, his eyes flicking to yours before closing them, eliminating the gap between you and him.
His lips were soft against yours. Still not sure of yourself, you tried to follow him, moving your lips against his in a similar fashion. It was sweet but oddly wet. His lips tasted like mint, and you could tell he'd brushed his teeth. Recently.
"I lied." You pulled away.
"Your breath didn't-"
"Obviously." Bakugou pulled you back into him, your lips colliding with his again, the motion getting smoother as you leaned back against your desk, his free hand finding home on your hip.
You didn't want to stop. His lips felt so nice against yours, you wanted to kiss him for hours.
He pulled away this time, rubbing his thumb over your lower lip, grinning.
"Feel better now?" He asked, watching you shake your head.
"Yeah." You mumbled. You were obviously flustered, your cheeks were hot and he could probably feel that while his hand rested on them.
"Can you kiss me on stage now?" He asked, heaving a sigh as he moved his hand away, stepping back.
"I can try. It's kind of weird doing it in front of so many-"
"Pretend it's just us. Block them out. Think we're back here in the classroom."
When the day of the play came around, you were excited. Dress rehearsals had gone amazing, and you'd gotten a little better at kissing Bakugou.
But now, as the audience watched, the show slowly going on, it was time for the kiss.
Bakugou made it up the 'tower' and toward you. Moving hair from your face, you tried your hardest not to smile at him. He leaned down and pressed his lips to yours.
It was electric, your lips moved against his, probably more than they should've. Though with some restraint, Bakugou pulled away before you sat up, 'awaking' from his kiss.
The play continued until it was over, the curtain call aligned all your classmates in one, all of you bowing as the audience cheered.
After stepping offstage, Bakugou pulled you aside, slamming his lips on yours.
"Be mine, I'm tired of acting." Bakugou groaned, watching as your eyes lit up.
"Yes please." You smiled, hugging him.
The after-party was a success. The dorm was rather alive that night, especially joking about Bakugou being all soft for you with dozens of photos taken of him kissing you.
"Delete them!" He charged after Kaminari, palms sparking.
"Awe Kacchan! Go smooch up on your princess some more!" He teased, dashing toward the couch.
"Shut the fuck up!" He grabbed your hand and pulled you up to his dorm.
"Guess my play was a good idea after all." You teased.
"Yeah. Guess so, princess."
»»————- ★ ————-««
masterlist
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ruiniel · 2 years ago
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TYSM again for your encouraging words on the WIP, and for allowing further discussions! :D So, just to let you know right off the bat that it's a heavily centred Al x fem!FC (fan character) fic playing on the typical 'girl ends up at castle' setting (I truthfully didn't have the faintest clue that this was basically a trope going into the fandom! :O My heart kinda sank, ngl, thinking I had something vaguely original, buuut... I was crazy deep into the idea already and it gave me such a dopamine boost that the problem practically became a "Ahh, screw it, gonna write it anyway!" situation. ^^; Anyhoo, everything is canon compliant until S4 (it's a bit of a reimagining - starts in Al's scene in the first ep). The first chapter is a bit weak 'cause it's mainly just the entire scene in word format with a few altered bits. Purposely done though, in order to 'merge' the story into canon, so to speak... <.<; After that, however, everything will be new text until the end-ish. This does effect the length of the timeline, by... a couple months(?) so I'm hoping it's not too farfetched (I must actually rewatch some parts to see just how badly it alters it <.<; ), but even if so... Eh? (Shrugs)
*Coughs* Needless to say, it's a very self-indulgent fic. I just really adore the idea of Al in this kinda setting; getting to know someone new completely after the trauma he endured without too much interference from the rest of the world, thus allowing them both to grow close, share their stories, and just to... heal, cut loose, be 'themselves' ;) and just... to play! (Because there's gonna be decent chunk of that happening). I know CV's not exactly the most fluff-filled series, but it has its moments, and I wanna add to it 'cause I'm soft like that and I just want good things for our boi...
That being said, there will indeed be plenty'a angst, hurt/comfort, drama, S4!Horse is a prominent character, and a boatload of fluff... I'm also delving deep into the effects of trauma, fear and loss and how they influence a person's actions and thoughts (just hope I can pull them off realistically enough ^^; ).
But yeah, that's pretty much the gist of it without going into TOO much detail. It has become my baby so I do wanna continue it, if even just for myself. ^^; Thank you again, though for allowing this! :D Really appreciate it! <3
glad to share and what you have planned here sounds fab! ah on 'ending up at the castle' - don't feel discouraged lmao i wrote it too, and wasn't the only one! i still like it and what happens from there is always different even if the context is the same, each fanwriter has their own additions/interpretations of the characters. i'm doing this fun little project with a friend (lotr fandom) we're writing the same story but with different endings. we use the same OFC, same pairing, canon MC with the same affliction. we read each other's chapters so far and trust me they're very different. it's a fun exercise both for us and people who follow both stories. I think you give two people identical starting points and you'll usually get two different stories anyway and we readers love more of a favorite type of cake (at least I know I do)
It'll be your unique spin, glad you're continuing it! the S4 horse dlfkdlof poor boi did so much for that happy ending, deserves the attention! happy writing, let me know how it goes!
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creativepromptsforwriting · 4 years ago
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Hi! Do you have any tips on making the scene emotional, I want to be able to move and touch my readers with my writing but it's really hard when I don't understand emotions and feeling and I'm usually a thinker but I really want to make my my reader feel sadness and grief with my character. So any tips for that? Or do I have to keep practicing? Hope you have a nice day! Thank you! Your blog helps me alot!
Hi :)
I’m a very empathetic person. I can get kinda cold if the emotions involve myself, but if it’s about other people or fictional characters, I soak those emotions up like a sponge. I can get really into all the emotional aspects of writing, so I’m not sure how to do it if you don’t understand the emotions that well, because it comes so natural to me. I will try to give a general overview of how to write emotional scenes, but if someone else can give some other advice, it’s greatly appreciated!
How to write emotional scenes
Focus on showing, not telling:
don’t just say the character is afraid or panicking
write the actions that would let an onlooker know
hands trembling, pulse and breathing picking up, frantic eye movement,...
if you describe it well enough, the reader will feel those things too
Dialogue:
of course, dialogue is still important
but I would keep it shorter than in other scenes
don’t make it too emotional or it can appear sappy
exception: motivational speeches
think about the difference between showing and telling
are the characters trying to conceal how they really fell by saying something else?
Make the reader relate:
relating to a character makes the reader much more empathetic to them and it creates emotions in them
so try to get the reader to sympathize with your character by showing their journey and their goals
but if you want to have a rival in that scene, do the exact opposite
make the reader unsympathetic to that character to make them feel anger towards them or satisfaction if they get defeated
Heavy scenes:
there is a difference between an emotional scene and a truly traumatic experience
you don’t want the reader to feel the full range of human trauma
if the reader is getting too emotional, it could keep them wanting to continue reading
so in extremely emotional scenes try to show the overall picture
don’t go into specific feelings, but try to show how this affects your character as a whole
you can even try to make the scene feel more distant, almost numb and devoid of deep emotions if the reader already knows how traumatic this would be for the character
sometimes this could affect them even better than showing all the emotions because they can create their own emotions
always remember: you want to pull at your reader’s heartstrings - not break anything
Hope you have a nice day as well and good luck with your writing!
- Jana
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