#; dadneto

[velvet4510]

A Rant about the Wasted Potential of Nina Gurzsky and Why The Fridging Trope Needs To Die

Most days I hate and deny everything about X-Men: Apocalypse, especially Magneto’s storyline - but on the rare day where I let myself notice it, I find myself all the more horrified at the injustice of how Nina Gurzsky is written. The writers had something there, and then totally dropped the ball with it. If Erik absolutely had to settle down and have a family in Poland, despite how unbelievably out of character that is for him, then Nina should’ve been an actual character. She should’ve survived the movie and had her own role as one of the most unique and memorable mutants in the series.

Because she really is. Erik’s young daughter has one of the most amazing and unique mutations ever depicted on film: animal communication. And the film does next to nothing with it because of the outdated tropes she is forced into.

Think of the potential of her superpower. It’s actually really insane.

Any place in the world that has animals in it is a safe space for Nina, and a dangerous place for anyone who dares to try to give her a hard time. She can communicate with the animals, understand them, and soothe them enough to befriend them, thus protecting herself from the inevitable attacks by certain animals that anyone else would be faced with. She can also prompt the animals to ambush anyone she doesn’t like. That is a simultaneously beautiful and terrifying superpower.

And we’re only given the tiniest glimpse of that power onscreen. There are so many other angles and dimensions to her mutation that could’ve been explored, questions that could’ve been answered.

In what form is this communication? Is Nina controlling/coercing them against their will to come closer to her or to attack her enemies? Is she merely an empath who can share feelings and sensations with animals? Does this extend to telepathy? Can she hear animals’ thoughts? Can she see through the eyes of animals, from short or long distances? How are animals’ thoughts and emotions different from those of people? Can she tell the difference? Does her power extend to people in any way? Is she an unlimited empath who can sense the feelings of people and animals equally?

When the deer approaches her, is it doing so because it just feels like it? Because it’s drawn to her like a trance? Because she asked him to come?

When those ravens attack the Polish police, is she brainwashing them into doing it? Or are they freely choosing to do it because she is reaching out and asking them for help?

What about that chilling moment when her eyes turn white/pale blue as the ravens approach? Was this a permanent color change and part of the full manifestation of her mutation? Would the color change only happen when she forcibly controls an animal? Or when she’s reaching out to a huge number of animals at once?

Remember this mutation was invented for the film. Magneto’s daughter in the comics is a human with a different name. The writers of Apocalypse chose to invent this mutation for her.

But also think past her mutation.

What about Nina’s personality? Her lifestyle? How does her animal connection affect the way she lives? Does she follow a vegetarian, or completely vegan, diet? How does she feel about other people who eat meat and fish? Would she use her mutation for advocacy and activism? Would she take a level of action that only she could take to prevent poaching and save as many animals as possible from being turned into human clothes and food? How does she feel about violence, especially as compared to her father’s feelings about violence? Does her connection to animal nature give her a perspective of violence that ordinary humans do not have? How does that translate to the human-filled world around her in which she lives? Would it prompt her to side with her father’s philosophy? Or would it drive her to move away from violence and toward Professor X’s philosophy?

What about Nina’s relationships? How would she feel knowing the truth about her father’s past? If she were to survive the police scene but her mother did not, how would that loss affect her? How would she feel learning that she has a super-fast older half-brother? How would Peter Maximoff feel upon meeting a little sister who has been raised by their dad, whereas he grew up without their dad? What would those relationships look like, and how would they grow? How would she feel about Charles Xavier, who has a very similar psychic/emotional connection to his own powers? Would she prefer communicating with him telepathically? Is this comfortably similar to how she communicates with animals? Do they have more in common than they realize? What about Hank McCoy, a man with an animal inside of him, as an extension of himself? How would Nina feel about that? What might she reach in Hank that nobody else could reach?

What about her life in Poland that she’d have to abandon at such a young age due to her father’s past? How would she feel about emigrating to America, to Charles’ school, learning new languages, adapting to a new culture? How would she respond to Charles’ training? Who would she make friends with?

What about her adulthood? How would her mutation and personality develop as she grew, living as a Polish immigrant in the U.S. as the daughter of a convicted felon? How would she forge an identity for herself?

The writers already deviated from the comics in creating Nina the way she is in the first place. But did they go all the way? Did they follow through on what they started? Did they let her be a character with a personality and relationships and goals and 3 dimensions?

Nope. They fridged her.

They created a powerful mutant female character with enormous potential and then they fridged her 2 seconds later.

They chose to give her the most outdated and misogynistic trope treatment possible rather than allow her to be a character, allow the films to move further away from the comics and build their own identities.

They chose to write yet another generic “grieving for the loss of a female loved one” motivation for Magneto rather than develop the contrast between him parenting and raising a young girl and discovering his fatherhood of a teenage boy he’s only met a few times.

They chose to make Hollywood’s 4,765th “save the world from absolute destruction” CGI action fest rather than follow up on First Class and Days of Future Past’s remarkable uses of character development.

Rather than allow Nina to be the developed character that she deserved to be.

Fortunately there are many great fanfics that save Nina and give her real characterization (especially this one). But the thing is - this should NOT be the sort of thing left for fanfiction writers to work on. Professional screenwriters working in Hollywood in the 21st century should be the ones doing this stuff. Fridging is a trope that should’ve been DOA. It is absolutely appalling that it is still happening in blockbuster films today for the whole world to see, that writers would still rather kill a female character than build a well-developed and iconic female character, which I know Nina could’ve been, in the right hands.

You deserved better, Nina Gurzsky.

[sillylittlecat1]

Felt silly might delete later

[rufflywings]

baby Peter & his two dads

[it-meant-nothing]

Michael Fassbender being proud of his son in the 3 movies his son was in 🥹

[hobbitizm]

[duskxdevilm]

[punkmush]

days of future past

[siderains]

day 1 of begging any artist in tumblr dot com to draw magneto with his helmet + his kids in this

[stinkrat-aleks]

@jeriais sent me this picture and I had to manifest the soccer AU dadneto vision

[eriksdefender]

this photo is actually so important to me. It's hard to explain.

[leilohsstupidgaystuff]

Erik punishing Peter for something he did, by just talking to Kurt in german about something nice, like the weather, and staring the whole time at Peter, like they are planning his murder.

[icarusredwings]

Watching interviews from the olden days and finding gold.

Finding out that Hugh Jackman having to "be the alarm clock" for James Mcavoy and Micheal Fassbender because of how hung over they were is simply hilarious.

Also finding out that James slammed them into a Lexus (only doing 12 miles an hour) got thrown 10 feet, immediately got up and looked back to see Micheal (who was once on the back of the golf cart) now sitting upright in the drivers seat after smacking his head on the seat and got a gash scar on his leg from it- Only to start "maniacally laughing" and literally RAN AWAY once blamed, Is also so young cherik coded.

These crack heads definitely were getting into some nonsense trouble.

Micheal saying he thought the scene from the strip club with charles and angel "I thought we looked like the two old men from the muppets"

Micheal calling the x men "Charlie- boy's kids". Perfection.

Also the way James looks at him when ever Micheal just bursts out into song is so pure. The "wow this idiot... thats my idiot." Glitter in his eye.

James finding out that Micheal isn't american by driving up to him on a vespa, and screaming at him in his normal voice is so funny.

"Fuck you erik-"

"His names derik."

"How long has he name been derik?"

"Since the begining- you just keep calling him that."

Even the bloopers of Hank and Charles are such a vibe.

"Hold your breath but make it look like you aren't holding your breath" Man these leather suits gave them so many problems fr.

"I already said im not a man. I cant jump this damn wall!" I think storm says as the director goes right up to hugh and is like "Litsen when I say so youre gonna jump this wall" and hughs like idk about that mate. "Ill be talking to you through the big microphone that everyone hates" says the director. "Were gonna take the batteries out if it" says someone else.

Hughs stunt double: *screams*

Hugh: Let it go sis

Hughs stunt double: *dies*

Something about how the directors talk to hugh and how hugh speaks directly to multiple set members makes me feel like half the cuts they had to make was because of him joking and being a silly theater kid LMAO

Everyone randomly dancing all the time, including old magneto.

James too. The blooper of him violently killing a bug on the chess set in the plane scene is so "insane charles" iconic.

Also poor Evan peters. He kept slipping everywhere. And theres so many shots where hes just standing there in charater getting absolutely soaked while charles and Logan do some ridiculous shit lol. Him at panels is so awkward too. Describe your character " hes a little weird uhhhh hes fast. Hes quick. He talks fast he runs fast..... uhhh its like at the atm waiting for the bastard infront of you to move out the way" "I wish my dad magneto could try these 😀" "thats my dad"

Evan also wishes they would have done the scene in apocalypse where he tells him hes his son and all the metal in the room drops. Im someone has written this already but that sounds great.

"THATS MY SON, QUICKSILVER!" Shouts Micheal multiple times. "My boy!" "Its in the genes darling." "I had him when I was very young 😁"

[magnetoisnotahappybunny]

James mcavoy and Michael Fassbender talking about cherik son in genosha:

they know the characters so well pls 😭

[velvet4510]

There’s something quite beautiful about the fact that Erik’s first physical contact with another person in 10 full years was his son holding his neck to protect him from whiplash as he was rescued.

[it-meant-nothing]

Peter looking at a random stranger who got imprisoned for 10 years for allegedly killing the president: 😆😆

Peter looking at his dad:🤨😦🤨

[hobbitizm]