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twentyfivemiceinatrenchcoat · 8 months ago

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:((((((((( i ran out of tags . tumblr hates to see me thrive!!!!!!!

ok niku just . read the tags first and then come back here ok 🙏🙏 i have a lot i still need to say this is so important to me . this fic changed my life .

(WARNING this got long ….. really long ….. mysteriously. i got carried away 💔 PLS don’t feel the need to respond to any of this btw i mean that sincerely i know this is kind of a Lot i just need you to know much i adored this fic <3333)

BACK TO GOJO ok so his talk w reader…… it was just so satisfying to see them finally get to tell someone about their experience. it must’ve been such a great feeling for them !!!! to get some of it off their chest :((( … and to have Gojo Fucking Satoru our safe harbour of a man there to believe them and listen to them and reassure them. he’s so mature when it comes down to it and you captured that so well…… like as much as he acts childish and teasing this is exactly how i picture him interacting w someone he doesn’t know in a situation like this!! he’s flirty and unserious but he tells you he’ll protect you and means it. (i’m so down bad it physically hurts)

sorry i’m abt to go on a tangent i think BUT I JUST 😔😔 really… REALLY love their dynamic…. how it evolves so much even though he doesn’t even know reader exists for most loops!! and to them he’s just this beautiful Something that they can’t help but look at…… ”inhumanly attractive” is a great way to put it like he’s just….. this magnetic force……….. and i feel like even before they speak to him for the first time they probably find some kind of hope in him.

AND that’s so important bc to me that’s like . the main Theme of the fic? hope. reader has to find some kind of hope to make it through shibuya and more often than not they find it in gojo!!! in just seeing a familiar handsome face, in learning how to navigate the timeline through his actions, in talking to him and finally having him on their side. their choice to trust him fully at the end just made me soooo insane. and obv the hope theme continues even after that because gojo believes in them!!! believes that they’ll be okay in the prison realm….. more on that later actually bc i Still. have a lot to talk abt 😔👉👈 i’m just wildly flipping through my notes at this point i’m sorry to throw this at u when we’ve barely interacted but in my defense this fic reached into my actual skull and started rewiring my brain so!!!! yeah.

i got completely sidetracked there but . yes!! the conversation between them when gojo gets sent back in time is. so good!!!!! so wonderfully written!!!!! i haven’t mentioned it that much yet i think but i love your writing i devoured every line…… i struggle w the flow of my own writing SO much but this just flows so incredibly well??? it was sm fun to read????? and the rhythm of the paragraphs (that sounds. Insane but i hope u know what i mean 😭😭) is so distinct!!! and ofc there are SO many banger lines in this in general…. the gore descriptions and the lines abt reader and their fixation on hope. on gojo!! ”He's a terrifying sort of beauty and you can't help but be captivated by him.” <- this is just one example but!! idk i’m just so enamored by ur writing style.

and the dialogue!!!!!!!! i cried!!!!!! it’s so consistently gojo…. him going all ”oh?” ”interesting…” but not explaining anything … the ”ding ding ding!” after making reader guess what he should just be telling them (it’s the teacher in him <33) AND AND AND these too!!!! :3

“Just think of it like having a lot of MP.”

“You know, your technique kind of reminds me of save scumming.”

THEY JUST FEEL SO CANON that’s our gojo…… that’s exactly what he would say…… he’s so unserious and so funny and so charming 😔😔 sigh.

ANDDDDD reader telling him good luck!!!! gojo beaming and squeezing their shoulder!!!!! the lil wave!!!!! 🥺🥺 that made me smile so wide niku he’s so infuriatingly cute . it felt so genuine!!!! pls know that this gojo will probably live in my brain forever like genuinely . i’ve been brainrotting over him all week and this was the final nail in the coffin. i’ll never be free.

ok but also !!!! extremely important !!!!!!! before i get to the ending i just need to tell u . how much i loved kenjaku in this ……….. kenjaku nation (me & six others) will never forget these crumbs of content like he just feels so real!!!!! and he’s so interesting!!!!! made me realize how truly down bad i am for him bc these lines made me so fucking happy 😭😭 brain started releasing serotonin like CRAZY i’m so ashamed.

“You can come out, you know.”

”How interesting.”

"I'll be nice, though. I'll make it painless."

…….. he’s just ….. yeah. yeahhhhh. 😔😔 i’ll never be normal abt him. i think it’s SUCH an interesting detail that he always makes reader’s death painless in every single loop…. he never lies about it. that feels so in character to me too!!! he’s kinda fascinated at first and when that interest disappears he kills them. but he doesn’t make it unecessarily cruel because there’s just. no need. kenjaku is a sicko but he’s oddly polite at times and i’m just……. yeah. gonna need you to take over for gege akutami actually 🙏🙏 get in the writer’s chair!!! the fandom needs u!!!!!

wait while we’re on this topic pls just know the entire confrontation between reader and kenjaku was one of my favorite moments in the entire fic <333 not JUST because i’m a kenny stan ok……… reader’s resignation and ”I appreciate it.” made my brain spin because it’s just . kinda chilling? kinda sick? that they aren’t even really afraid of death anymore… or more like they’re just so frighteningly used to it.

AND AND ANDDDD niku your writing in this scene 😵‍💫😵‍💫😵‍💫 gutted me like a fish.

Time doesn't flow in the box. He didn't lie. You die again.

i exploded btw . ackkk i wish i could explain it better i just!!! :< adore your writing. these lines made me go completely batshit they’re just so good. and the ”time doesn’t flow in the box” line … how that ties in with the ending and reader’s choice. whewww.

segway time <3333 this is the final rant i promise!!! i just need to talk about the ending bc it was so perfect and like many other things in this fic it made me insane …. have i said that already …. probably at least a couple times 😔👉👈 it’s true ok!! it’s just sooo interesting to me and obviously so wellwritten and fitting and just. thematically ties everything together so well? i was FLOORED

hhhhh i don’t know where to begin so i’ll just start w the final convo between reader and gojo :> he asks for their name !!!!!!! i cried !!!!!!!!!! calling someone by their name or knowing their name as a form of like . Closeness or Affection is one of my greatest weaknesses and i also think it’s soooo telling that GOJO wants to know Your Name. he wants to know you. to hear that from someone who seems so inhumanly beautiful and violent….. for him to kind of extend a final olive branch and attempt to connect w you :((((( it just says so much without spelling it out and i. started chewing at my desk. it’s so good!!!!!!! such a genius way to tie everything together!!!! and reader’s final words to him…

“Thank you, Satoru Gojo.” You burn the glittering glow of his brilliant bright blue eyes into your mind. And then, everything is engulfed in an unending black.

first of all!!! so so sooooo pretty. wowow. second of all THE THANK YOU ☹️☹️☹️☹️☹️ that’s also such a perfect conclusion…….. reader finally put their trust in someone and had that faith returned. and they thank him!!!! i like to think it means something to gojo too…. likeeee how often do people really thank him for what he does? how often is his hard work to protect people acknowledged and appreciated? sorry to bring gojo back into the discussion all the time sadly i AM in love w him….. 😔😔 and this fic made it worse so technically it’s your fault. kind of.

okay so my brain is kinda spinning away again so i’ll get to the final final thing!!!! for real this time!!!!! reader’s decision to be imprisoned in gojo’s stead… that’s so . genius? i’m so in awe??????? it makes so much sense from a character perspective based on what they’ve been through — after being at the mercy of time for so long, wouldn’t it be nice to be free of it? completely? it’s almost kind of chilling and just the idea of it scares me LMAO but it makes sm sense that reader would be drawn to it.

AND like i mentioned before!!! how it leads to a deeper connection between them and gojo, and how at the very end of the fic he’s the one who has faith in them. faith that they’ll be alright, of sound mind.

…… and that brings me to the final final final thing because. it’s just like the opening poem!! reader is the cat in the box. nobody can say for sure if they’re alright, not to mention alive, until the box is opened. and we don’t get to know!!! you leave us on a cliffhanger and that’s so good bc it really is like the cat in the box…. we can only wonder but it also gives us the freedom to decide for ourselves if we think they come out okay or not and i’m just………….. in love. with this fic. and the ending and the reader and gojo and you.

hopefully you’ve noticed atp but i really did go completely insane reading this 😭😭 i said it at the beginning but just to reiterate!!: for SURE one of my all time favorite gojo fics . AND loopfics in general…. thank you sm for your hard work :’3 aaaa i can’t tell u how much i admire the time you spent working on this??? your storytelling and writing and characterization skills????? i genuinely feel sooo giddy and excited and happy rn bc. i just adored this fic!!!! i’m so lucky i got to read it!!!!! :33 pls pat your gojo on the head from me and let him know i love him…. it’ll boost his ego but that��s a risk i’m willing to take 😔😔 i hope you have theeeee loveliest day or night a human being can have bc you made mine <3333333

beyond the unending night (reader + satoru gojo)

notes: it's finally here. the long awaited halloween fic. yes, i know it's march, but i did start working on it in september. haha. there's so much i could say, but i will leave it at that this fic is, in every sense, a fic that i would not normally write. and yet here we are.

contains: f!reader (no physical description or gendered language is used), no explicit romantic pairing (though you don't have to look hard to find the reader x gojo implications), major character death (played with), semi-graphic depictions of death, blood and violence, minor suicide ideation, canon retelling (lines of dialogue are pulled from the jjk english dub because i'm a dirty dub watcher). opening poem is from higurashi no naku koro ni (minagoroshi-hen). fic title is from giga's beyond the way.

please note that this is a time loop fic and, by nature contains repeating scenes (particularly from canon). please do not read this fic if you do not like that sort of thing.

wc: 21,883 read on ao3 (account required)

Please tell me what happened in this night. It's like the cat inside the box.

Please tell me what happened in this night. You don't know if the cat in the box is dead or alive. Please tell me what happened in this night. The cat in the box was dead.

The first time, it is instant— you don’t even know what’s happening.

The second, it is by flame, but you barely realize it, barely feel it— a second of mind numbing heat before nothing.

The third time, it is something slicing across your throat; you see the blood spilling everywhere, then the pain follows— a moment of pure agony before nothing.

The fourth time you realize what’s going on; what’s really going on.

You realize you’ve been dying.

You think your head is going to explode.

At first, you think it’s because the subway platform is crowded, insanely so— there are hundreds of people shoved into this space alongside you, packed like sardines in a can. You’ve never been one for crowds, but it’s the reality of things when you live in Tokyo. For the most part, you’ve learned to accept it, but even this crowd is a little much and you wish you hadn’t listened to your friends when they said you should go party in Shibuya for Halloween; you don’t even like partying.

There’s a sharp pain in your temple followed by a thought so loud that it feels like someone is screaming it at you through a megaphone positioned right next to your ear.

It’s the night of October 31, 2018— Halloween in Shibuya.

For the eighth time.

Before you can even question the thought, images flash in your mind’s eye, blurry at first before they come into focus. The platform gates open. Chaos ensues. People dropping onto the subway tracks— spontaneously bursting into flame— their heads, necks sliced off, stomachs cut open—

Bile rapidly builds up in your throat, and you clamp your jaw shut, trying to force it down. Not here. Not now. You try to focus on something else, anything else happening outside of your brain. There’s a pair next to you musing about the people standing on the subway tracks, wondering what the two (the four?) of them are talking about. You blink back tears as you look. You can only see two: a freakishly tall man with white hair dressed in all black, and another man, dressed in strange, yet more traditional looking garb. Are those costumes too? You don’t have a lot of time to think about it as another image forces its way into your brain.

Your corpse— lifeless on the ground.

Your corpse— burning to ash.

Your corpse— bleeding out.

You can’t hold it in any more. Every fiber in your being screams at you to get away from the subway tracks, but instead you rush toward them, shoving people left and right as your hands desperately reach the stability of the gate. You grip it like a lifeline as you retch over the side of it, the contents of your stomach spilling all over the subway tracks.

There’s a quiet murmur of disgust behind you but you can’t be bothered to respond. You need to get out of here. You need to leave. You need to do it before—

The gates open and the crowd starts to move like a tidal wave, pushing and shoving their way through the gate. You’re swept away, vomit long forgotten as you and a few dozen others tumble onto the railway.

Alarm bells go off in your brain, loud and deafening. A voice in the back of your head screams for you to get off the track! Get off the track now before—

The platform erupts into a cacophony of screams, drenched in horror, saturated in fear. You are surrounded by people, by corpses— beheaded, sliced open, bursting into flames.

Your terror roots you to the ground as the carnage ensues around you. It’s only when another person, another corpse, dressed in a magical girl costume collides with your body that you can finally move. But it’s too late, you realize, despaired and helpless, as your bodies fall to the ground.

It’s too late.

You die an eighth time.

You think your chest is going to explode.

At first, you think it’s because it’s so hard to breathe, frustratingly so— there are hundreds of people squeezed into this space alongside you, packed like cattle for slaughter. You've never been one for crowds, but it’s the reality of things when you’re in Shibuya. For the most part, you’ve come to accept it, but this crowd is way too much and you wish you had just stayed home and ordered a pizza; though honestly, the thought of pizza kind of makes you sick.

There’s a dull throbbing in your forehead, followed by a thought so loud that it feels like someone’s hollering at you from a loudspeaker that’s been installed in your brain.

It’s the night of October 31, 2018— Halloween in Shibuya.

You think it's the ninth time now.

Behind you, you hear a woman screaming, her voice crazed and terrified. You turn your head automatically to look at her and when you see her you realize you recognize her yellow and white magical girl costume. You can say with certainty that you’ve never seen her before and yet—

Before you can ruminate more on it, images— memories assault your mind’s eye with a clarity that is absolutely sickening. That woman colliding into you, your bodies slamming into the subway tracks before you both— Your stomach churns violently,

and you feel like you’re going to puke, but you force it down— can't afford to right now. Instead, you make your way over to the woman.

Her head is in her hands as she mutters over and over again about how everyone is going to die. People around her figure that being stuck in here with the crowd has probably gotten to her. You, however, know better.

“...hey,” you say softly.

Her muttering comes to an abrupt halt and slowly she raises her head to look at you. There’s a flash of recognition in her eyes and she grabs you violently by the shoulders. “You! You know, don’t you? That we’re going to die?”

If it weren’t for the fact that you have indeed experienced death here eight times already, then you would have thought she’s lost her mind. Slowly, you nod and she seems relieved by it, her grip on you loosening.

You can’t help but feel a little relieved too— glad to know that you’re not the only one experiencing this nightmare. There’s a voice in the back of your mind that’s confused though. Why is she only remembering now? But then again, it took you a few times before you realized yourself.

Around you people start to gasp, and you glance back toward the railway to see an abnormally tall man with white hair and dressed in all black jump down from the atrium onto the railway. He lands rather gracefully for someone who jumped at least one floor and starts to converse with the other three people (you think they're people— two of them are in some pretty wild costumes) on the track.

Wait. Isn’t it supposed to be just two people: the tall man and the one in the traditional clothes? Where did the other two come from?

“We have to get out of here,” the woman says. “Before they kill us.”

Her grip shifts from your shoulders to your arms and she starts to shove at everyone around you, trying to force her way through. She seems to know, just as well as you do, that any second now the gates will open and the crowd will start spilling onto the railway, littering the tracks with bodies and ash. Neither of you can let yourselves get swept up with the rest. If you do and you end up on those tracks, you’re as good as dead.

People move aside at a snail's pace, many of them too focused on trying to see what is going on on the subway tracks. This isn't good. You need to move faster or else—

The collective sound of the gates opening echoes in your head, a metallic hiss that makes your stomach fold into itself. Before either of you can stop yourselves, you both whip your heads back to look, to confirm, but it’s a mistake.

The briefest lapse in attention is enough to pull you both into the current of people, and try as you might to fight against it, the crowd splits you and the woman apart as it swallows you both whole. You’re both spat onto the tracks at the edge of the platform and your head collides with the metal rails of the track. It feels like your skull is about to crack in two, and it takes every fiber in your being to scramble to your feet. You're close enough to the platform that if you can just climb up it, then you'll be—

“Help! Help!”

It’s the woman’s voice. You turn to see that she ended up a couple meters away from you. She’s staring at you, eyes brimming with fear filled tears as she extends her hand in your direction. You take a step toward her, reaching out.

And then, her entire body is engulfed in flames, the skirt of her magical girl costume a ring of fiery death around her.

Her blood curdling scream is the only thing you can hear, her burning flesh, the only thing you can see. You don’t know what to do.

You can’t save her.

There's something touching your back. You can barely feel the pressure, but it's hot, scorching hot, mind numbingly hot, painfully hothothot.

You know this sensation. You have felt it before. The scent of burning cloth, burning hair, burning flesh clogs your nostrils. It's too late, you realize, helpless, despaired as the flames eat at your body— your soon to be corpse.

It's too late.

You die a ninth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the tenth time.

Your head hurts, but you ignore it. There’s something more important that you need to attend to. You immediately make your way to the woman you met during your last round, the one you watched burn to death. Her costume is still pristine, unmarred by fire and death.

For now.

She’s not screaming this time and while there’s a little voice in the back of your mind that’s concerned by this, you try to ignore it.

“Um, excuse me?” you say when she doesn’t acknowledge you as you approach.

The woman turns to look at you. You’re taken aback by the distinct lack of recognition and it feels almost as if the woman you encountered previously and the one before you now are two separate people. In a way, they technically are.

“Do I… know you?” she finally asks when you don’t say anything.

Your mouth is dry. How do you even answer that? You don’t know her. You just watched her die twice. You know her. She begged you for help. You couldn’t save her.

If you explain all of this you know she’s just going to think you’ve lost your mind. Maybe you already have— you’ve died nine times after all.

You give her a weak smile. “I… just wanted to tell you that you think your costume looks great.”

She blinks, taken aback by your words. There’s no doubt that she wasn’t expecting you to say that. It’s the truth though, her costume is nice; she’s dressed up as a character from a magical girl anime that was popular a couple years ago.

“Thank you! I made it myself!” The woman breaks out into a genuine smile and your heart hurts. In a few moments she’ll die and the costume she worked so hard to make will be nothing but ash on the subway tracks.

“Sorry,” you blurt out before you can stop yourself.

“For?”

For watching her die. For not being able to save her.“...I just kind of came up to you all of a sudden…”

She laughs. “It’s okay.”

It’s not.

You consider telling her that she should try to move. That if she stays here she will die. You don’t want her to die. Again. You can still hear her screaming in your ears as she burned to death. You want to tell her.

You don’t.

“Stay safe, okay?” you say. It almost sounds like you’re begging.

She gives you another smile, kind and gentle and you think you’re far too undeserving of it for not telling her what fate will soon befall her. “You too.”

“I’ll try,” you say and move away from the woman just as the gates open and the crowd surges toward the railway. You do not fight it as you are swept up into the crowd and despite what you said, you do not try, this time, to stay safe.

You die for the tenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the fourteenth time.

There’s a slight ache in your head, but it’s subtle enough that you can ignore it. The pain you feel lessens with each round and you think it’s a sign that your body no longer feels the need to remind you of the precarious situation that you’re in.

Or maybe you are just becoming numb to everything: your death, the death of the people around you, the death of the woman in the magical girl costume—

You try not to think about it too much as you reach into your bag to check the time on your phone: 8:37PM. There’s not a lot of time: you need to move.

At the very end of your last attempt to escape this nightmare you realized something. You need to know exactly what is going on around you so you can plan accordingly: where to not stand, where to not go. Up until now, you’ve relied almost solely on the knowledge gained from your previous failures to try and survive, but obviously it’s not enough to keep you alive. You’re not sure why you didn’t realize this earlier. The panic, maybe? The fear?

Maybe you really are becoming numb to all this.

Unlike previous iterations, this time you elect to move closer to the gate, positioning yourself somewhere against it where you’re unlikely to be pushed off the platform in a couple minutes when they open. You take great care to place yourself where you can see the ones responsible for the slaughter very clearly. At the beginning, you could only see one, the one who looks the most human, but with each repetition, the other two have become more and more clear. You wonder why. You don’t have time to think about it.

Murmurs nearby alert you to the arrival of the fourth major player involved in the night’s events. You look up and see the white haired man dressed in all black descending upon the platform like an angel from the heavens. This is your first time really looking at him and you realize there’s something almost inhumanly attractive about him. You can’t quite put your finger on it, but it occurs to you that you shouldn’t even try; you don’t have the time to be drooling over some handsome stranger.

You’ve naturally never taken the time to try and listen to whatever the conversation the man and his opponents have before all hell breaks loose on the platform, but you try and lean closer to listen. It’s hard to hear over the dozens of conversations going on behind you, but you try anyway. There might be a clue to what’s actually going on— or better yet, a clue on how to get out of it.

It’s obvious that you’re missing context from what bits of the conversation you do manage to hear, but honestly it all sounds like stuff out of a shounen battle manga. There is one part of the exchange that you manage to hear with a startling sort of clarity. It feels almost as if your heart stops beating as your blood turns ice cold in your veins.

“If I run away, you’re just gonna kill everyone here, right?” the man in black asks.

There’s a pause, and if your heart was still beating it’d be long enough for just four heartbeats.

“If you run away?” The monster with cane repeats, the sadistic grin spreading wide across its features, displaying its charcoal black teeth. The gravelly sound of its voice sets fire to the blood in your veins, your stilled heart thumping wildly, in fear, in anticipation. Soon. It’s happening soon. You brace yourself. “We’re going to do that even if you don’t!”

You die a fourteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the seventeenth time now.

Things are going surprisingly well, even as the people around you tumble onto the tracks. You manage to hold on, desperation keeping you from falling into the abyss. This is good, you tell yourself, despite the fact that it’s not the first time you’ve achieved this. Every little victory is worth celebrating, but you have to remain vigilant. This is yet another information gathering loop, and while you know that maybe this time you’ll be lucky and live, there’s still a chance, a big one, at that, that you will die again.

You have to make the most of each and every death.

It’s such a morbid thought, but the ends justify the means, or so you tell yourself. If you have to die a few times to make it out of this unending nightmare, then so be it.

The spot you’re in is a good vantage point; it’s easier to see everything happening below you. It’s so good that it’s actually sickening. You watch as the monster with the cane and one with what looks like branches for eyes slaughter the people on the track, mowing them down, setting them aflame. In another life, in another many lives, that was you down there, and for what feels like the first time in forever, you feel like you’re going to be sick. You feel like, at some point, you likened the scene before you to some kind of shounen battle manga, but you think that was wrong.

This is borderline horror.

Everything plays out before you like a scene out of an action horror flick. If you didn’t know better, you’d think you were just an extra on set, but you know the reality is that you’re just an extra to whatever phantasmal battle is taking place in front of you. The monsters and the strangely dressed man all try to attack the man in black, but he manages to block every hit effortlessly, as if he is protected by some sort of invisible barrier. When it seems the two monsters are about to hit him, he merely jumps out of the way and the two monsters seem to collide, the force of their combined strength sending a gust of air throughout the crowd. The man in black neatly lands on a nearby platform half wall and says something about curse users, whatever those are, to the monsters, before he starts to mock them, pulling down his strange blindfold in the process.

And this, you’ve found, is where you start to get in trouble.

You clearly remember thinking, at some point, previously, that there was something attractive about this man. You still don’t know what it is. You haven’t had the time to try and figure it out, but there is one thing that you do know: you can’t keep your eyes off of him.

He drops back down onto the tracks, antagonizing his opponents in an arrogant tone as he approaches. When he comes to a stop between the two monsters, the second round of their fight begins. They try to hit him, but he dodges still, gracefully, fluidly, like the three of them are embroiled in some sort of passionate, yet violent dance.

You cannot turn your eyes away as he cruelly rips off one of the arms of the one-eyed monster.

You cannot turn your eyes away as he brutally kicks the branch-eyed monster in the abdomen, sending them flying to the other side of the platform.

You cannot turn your eyes away as he effortlessly hurls the one-eyed, now one-armed monster in the same direction, sending them smashing into the wall.

Only when the man in black seems to fly to the other side is the spell over you seemingly broken. Still, your eyes give chase, and your body too, rushing from one side of the platform to the other. You can’t lose sight of this fight, you tell yourself, settling in a spot you recall being safe during your last round. Doing so could mean another death, another loop, another October 31.

You watch as the man in black acrobatically dodges what looks to be vines or roots that the monster with branches for eyes seems to have summoned from the depths of the Tokyo metro. He lands on the monster’s shoulders, balancing on them as he uses its branch-eyes for leverage. The look in the man’s eyes is so crazed that you can see it from where you’re standing. He says something to it and then—

With a feral and sadistic smile, he rips their eyes straight out of their skull.

Your heart is pounding wildly in your chest as you watch the fight unfold. It is horrifyingly, disgustingly violent, yet still you watch as people on the track are killed by the human-like person, blood raining down as their freshly beheaded skulls go flying into the air. He and the one-eyed monster launch their counter attacks against the man in black and the blowback is so intense the power goes out causing everyone to scream.

There’s a faint glow where the man in black is standing that starts to grow brighter and brighter. You can make out his form turning to face the wall, and it seems almost like he’s slammed the monster that had branches for eyes against it with some sort of telekinetic power. Despite the panic from the people around you, you manage to hear him, chuckling like a mad man as he draws closer and closer to the monster.

The one-eyed monster yells out a name, a name you think must belong to the man, but he doesn’t hear it. He doesn’t hear the one-eyed monster as he extends his hands out toward the eyeless monster, exerting some kind of force that you can’t really see. He doesn’t hear the one-eyed monster as the eyeless monster’s entire body is vaporized in a flash of blue light. He doesn’t hear the one-eyed monster, as the lights flicker back on revealing a smoking crater stained with purple blood where the eyeless monster once stood.

But you do.

Satoru Gojo.

You make sure to remember that.

It’s October 31, 2018— Halloween in Shibuya.

And this is the eighteenth time.

You watch as the man called Satoru Gojo stalks through the crowd of people on the subway tracks, chasing after the one-eyed fire monster. It throws people at him, in a clear attempt to slow him down.

It does not work.

Satoru Gojo climbs back onto the platform in a way that you can only describe as inhuman, and the people nearby shriek and move away from him, out of terror, out of fear. You, on the other hand, draw closer, refusing to lose sight of him.

He is relentless in his pursuit of the one-eyed monster. It continues to throw person after person at him, but he does not stop and the people float there, suspended in midair before they are gently lowered to the ground by some unseen force and scramble away.

No one dares get close to Satoru Gojo, everyone on the platform seems to know that doing so means certain death, yourself included. But you still feel the need to keep an eye on him. The monster and the strangely dressed man are focusing more on him than the crowd— anyone in between is just collateral damage.

But not you.

Especially since you’ve made it this far— you’ve never made it this far before.

A voice echoes throughout the platform; you realize it’s the automated announcement.

An eight car train is pulling in. Please wait behind the yellow line.

You can hear everyone’s relief coming from all sides. The train is coming! The train is coming! A ripple of hope makes its way throughout the crowd. With the train comes the chance to get off the platform and the senseless violence that’s been happening here. Some of the people around you are talking excitedly and others are running toward the gates, toeing the yellow line they’ve been instructed to wait behind. And you, you should be excited, you should be hopeful.

All you feel is dread.

It eats at your stomach, at your chest, at your mind. Clawing and gnawing at you in a way that leaves you paralyzed on the platform. There’s something wrong here. You can’t be sure because you’ve never made it this far, never survived long enough for the train to come, but something is just not right.

No.

You must be paranoid. The train coming is a good thing. It has to be a good thing. You are just paranoid. It’s normal. It’s natural. Dying seventeen times would do that to anyone— rob them of hope, condemn them to an existence full of fear.

It is not lost on you that the thought of dying more than once, much less, dying seventeen times is not normal or natural in the very slightest.

But you need hope, you crave it, wildly, desperately. The hope of freedom, of escape is the only thing getting you through this unending nightmare. Every time you die, every time you wake, it is with the hope that maybe, just maybe this iteration will be different, maybe this one will be the one where you make it out, make it back to your friends who must be waiting for you, make it back home where you can be safe and sound. You need the hope to keep going. Because without hope, what will you have left?

The train screeches as it pulls into the station and the people around you laugh in both disbelief and relief. They start to push and shove toward it, fighting to be able to board because there’s no way everyone here will be able to get on an eight car train and being left behind at this point is practically synonymous with death. Unable to decide if you believe in the train as a symbol of hope or a new layer of fear, you are pushed along with the crowd toward it.

The doors of the train cars slide open and the current passengers all rush off as they disembark. You as well as everyone else on the platform can see with a horrifying clarity that the train is filled to the brim with monsters. Monsters that reach out and grab anyone their hands can reach. The woman to your left. The person to your right.

You.

Hope is gone.

What do you have left?

You die for the eighteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is probably the twenty-sixth time now.

If there is anything this entire ordeal has taught you, it is that you are resilient. Whether it is some innate trait that you never had any reason to uncover before or just a byproduct of being trapped in an unending cycle of being dead and not dead, you don't know. What you do know, though, is that even if you no longer have hope, you at least have your resilience.

Whether you want it or not.

You check the time. It’s 8:35PM. Something flickers in your chest, like a faint light in a sea of darkness, but you ignore it. You don’t have time right now.

With a nimbleness born from your previous failures, you weave your way through the crowd. You’ve done this enough times to know where the gaps are— who will yield and who won’t. Your destination is the escalator that leads off the platform and up to a higher part of the station. You’d noticed previously that the escalator along with every other entrance onto the platform will eventually be blocked by vines or roots of some sort (the work of the branch-eyed monster probably). It’s not a perfect plan because you don’t know what happens on the other side, but whatever it is has to be better than whatever is happening on the side that you’ve been on.

You’d tried to get to the stairs during your last two rounds, but you’d just missed it. You hadn’t been fast enough and had gotten caged and slaughtered along with the rest. But this time, this time you have more time. It’s just one minute, but it’s enough. You know it is.

The flickering in your heart grows stronger. Hope. You try not to pay attention to it— you don’t want to be disappointed yet again. But you want to so badly. A voice in the back of your mind tells you to focus on the good, tells you that if there was truly no way out of this endless nightmare, then why would you get more and more time with each round to escape your fate?

With that thought in mind, you break out into a run, recklessly rushing through the crowd, shoving anyone who will not yield to the side. Out of the corner of your eye you can see the stark white of Satoru Gojo’s hair as he descends upon the platform.

You need to get up those stairs.

Now.

If you remember correctly, the roots and vines don’t close off the area the moment he touches down, but a little after they start talking, so you think there is probably some time, but you can’t leave it to chance.

The stairs are packed, and for some reason no one is moving. The escalator right next to it is just as full and the power doesn’t seem to be working. You don’t have time for this. You clamber onto the escalator’s rubber handrail, ignoring the weird feeling that passes through your body as you do so. You don’t have the time to worry about whatever that is. The people around you start exclaiming around you, but you don’t care, you don’t listen. You wobble as you try to balance yourself and when you think you’re steady you try to run.

But you trip.

And you die for the twenty-sixth time.

It’s October 31, 2018— Halloween in Shibuya.

This marks the thirtieth time.

And you have, finally, finally made it up the escalator, up the stairs with barely a second to spare. You pause, glancing back as the roots or vines or whatever the hell they are seal off the entrance to the platform. You notice that the area where the plants come down is actually fairly clear, despite the crowd. It seems weird, but you don’t dwell on it.

A strange feeling envelops your entire body and your legs turn into jelly. As you sink to the floor, you realize what you’re feeling is relief as all the tension, maybe thirty iterations of Halloween 2018 worth, seeps from your being. You don't remember the last time you felt anything other than fear and dread; it’s weird, but not unwelcome.

That voice in the back of your mind tells you that you can't relax just yet: October 31st isn’t over. Even though you have repeated this night again and again, burning the events that play out on the platform into your memory, you do not know a single thing that happens over here. It would be smart to scope everything out.

Legs still shaky, you rise to your feet and start walking. You think it’s probably for the best to try and head up to the surface and you make your way up to the next floor.

It’s packed with people here too, but relatively peaceful, especially when you compare it to the pandemonium taking place beneath your feet. Still, you can make out the undeniable hum of displeasure resonating throughout the crowd. People complaining about how uncomfortable their costumes are, people complaining about how much they want to go home, people complaining about how much their nights have been ruined because they couldn’t meet up with their friends and—

A thought hits you like an eight car train.

You were supposed to meet up with your friends.

That’s why you were on the platform in the first place— you were waiting for them to arrive, but then the trains stopped working, and people just started pouring into the station out of seemingly nowhere (you think you heard some people say they’d come from the crossing?). Soon after that is when everything went to shit.

You check your phone, though, for once it’s not to look at the time (8:56PM). Instead, you open LINE to check your friends’ group chat. There’s no signal here, for whatever reason, so if there are any new messages, you haven’t received them. The last one was from Kei, mentioning he was enroute, but as far as you know, you’re the only one who made it to Shibuya before the trains stopped.

Did one of them maybe make it here though? Surely, you would have run into them if—

The image of a woman in a magical girl costume fills your vision, burning to death before your very eyes as her screams echo in your ears. It is the first time in what feels like forever that you’ve thought about her and your stomach churns violently. You couldn’t help her, you can’t even help yourself, so how could you even expect to do the same for your friends if they were here? The mere thought of having to watch them die over and over is almost enough to send you over the edge. You don’t know if you could do it.

Would you even have a choice?

No. You can't think like that. You have choices. You've had choices. If you didn’t then, you would still be down below, among the fire and brimstone. Dying, if not dead already. However, instead, you are up here, where, for the moment, it is quiet and peaceful.

That thought, in of itself, is enough to give you a shred of solace, a glimmer of hope.

You take a deep breath and fiddle with your phone a little more, changing your lock screen to a picture you and your friends took at a photo booth not too long ago. The four of you are huddled together, faces squished as if you're all struggling to fit in the frame, despite there being plenty of room. You're mid-laugh because it's the first time you've been in a photo booth in years, Mio and Shin are grinning mischievously and finally, Kei is smiling, but only just slightly, the embarrassment clear on his face. It's probably only been a few months since you all took this picture, but the fact that it feels like it's been years makes your heart ache.

You press your forehead to the screen, like a prayer, like a promise.

You will make it out of this nightmare.

No matter what.

A shrill scream yanks you from your thoughts and you are instantly on your feet, alert as your eyes flit around frantically to identify the source. It doesn't take long for you to find it and when you do, you think you might have stumbled upon a new layer of horror to this nightmare.

It’s not the corpse, dangling by a noose, that terrifies you— by now you’ve seen dozens upon dozens of dead bodies that the sight of just one more doesn’t faze you in the slightest. The thing that’s the most mortifying, that’s the most disturbing is that right next to where the body is tied are two girls, two teenage girls still dressed in their school uniforms.

You can accept monsters and weirdly dressed men being responsible for the carnage tonight, but children too? Both girls look like they’re barely in high school and try as you might to rationalize things, to chalk it up to coincidence, you cannot ignore the ominous energy radiating from them.

The very notion that these two children could have killed someone here is a hard pill to swallow, but so is the fact that you’ve died.

And you’ve had to swallow that pill thirty times now, so what’s once more?

“Listen up!” one of the girls yells over the crowd, but she is mostly ignored; you don’t think everyone here has noticed her and the corpse dangling from the rafters. She scowls and turns to the other girl and says something quietly to her. The other girl nods and almost instantly she’s stringing up another person, another example. You want to look away so badly, and yet you cannot bring yourself to and you watch the poor soul choke to death.

“I said listen, you dumb monkeys!” the girl shouts, and this time she’s caught most of the crowd’s attention. “If you don’t want to end up like these two, you’ll listen to what we have to say!”

There is clear dissent among the crowd, people dismissive as they utter their disbelief. Some seem to think it’s a prank, but you know better. It takes two more examples before the crowd goes silent before the two high schoolers.

“About damn time!” The girl roars and then points toward the atrium, which is currently covered by roots and branches. “All of you move over there!”

You have a bad feeling about this.

Still, you comply; the girls have made it abundantly clear that failure to do so will result in death, though, at this point, you're almost certain this iteration is a bust and death is all but imminent. You try to keep positive— thinking you can at least gather information or, who knows, maybe there's a chance that this one is the one.

Yet when you step onto the mound of vines and branches that cover the atrium it feels as if you've crossed the threshold into hell. Your footing is stable… but for how long?

An eight car train is pulling in. Please wait behind the yellow line.

It's faint, but you can hear the announcement from below. The liquid in your stomach curdles at the sound as you recall the train and, in particular, what is on board. Soon enough, those monsters will be swarming the platform, massacring everyone in reach, guzzling down their blood, feasting on their flesh—

It dawns on you that the people on the platform are the monsters' first course.

And you, and those around you here in the shrubbery, are the second.

As you realize this, the branches and vines disintegrate beneath your very feet and suddenly you are mid air— falling, falling into the abyss below.

You die for the thirtieth time.

It’s October 31, 2018— Halloween in Shibuya.

You've done this nearly sixty times now.

After countless failures, you've decided that you're just not going to go upstairs any more. No matter where you try to go, you still end up herded onto the death trap above the platform where you ultimately fall to your death. You've tried positioning yourself in the same spot, tried bracing yourself for the drop— but nothing seems to work: upon landing, assuming you manage to land without hurting yourself or dying in midair (which has happened a couple times) you get grabbed and killed by one of the monsters from the train. It's probably not impossible, you just don't have the physical prowess or reflexes for it.

If anything, you can try again later, but you sincerely hope you don't have to.

It's 8:32PM, and you have plenty of time to get to your chosen spot for this loop— it's close to the stairs, in the very center of the platform. Here, there's little risk of getting pushed off onto the tracks when the gates open. You'll probably have to move when the train comes, or even before (assuming you survive) to avoid the monsters, but you'll get to that when it's time.

You can't really see the fight once it breaks out after Satoru Gojo arrives, but you still try to keep track of it as best as you can. You see when he hurls both monsters across the platform and you're not sure if it's muscle memory or what but you have to fight the urge to move to the side and watch. It's been a while, yes, but you've seen the fight countless times before— it doesn't change. Satoru Gojo will give chase. He will rip the branches from the branch eyed monster's skull. He will use some kind of power to eviscerate them.

You don't need to watch, but there's something in you that wants to.

It doesn't make sense, you've seen it all before; if you're unlucky you'll see it all again.

The lights go out and people start screaming; Satoru Gojo is ending the life of that one monster. Soon enough he'll be back on the platform, in pursuit of the other. You think at that point it would be good to move, reposition yourself as far from the incoming train as possible.

When he rises from the tracks like a demon straight from hell, you realize it's the first time this loop that you've actually gotten a good look at him. You remind yourself, again, that this isn't the first time you've seen this man, this scene. You can't help but watch, but stare at Satoru Gojo as he stalks through the crowd in pursuit of his prey. His expression is an eerie sort of calm that's at odds with the acts of violence you've seen him commit— his eyes an unnaturally bright blue.

He's a terrifying sort of beauty and you can't help but be captivated by him.

An eight car train is pulling in. Please wait behind the yellow line.

The sound of the announcement sends your heartbeat into a frenzy, snapping you out of your little trance. The train is coming and you need to get moving. As you dart to the edge of the platform, the thought occurs to you that even if you avoid the initial wave of monsters, it's likely you will inevitably be caught by them and killed. It wouldn't be impossible for Satoru Gojo to turn his attention to them instead of the two he's currently facing, but he's just one man— can he truly defeat all those monsters?

You can see the train pulling in and you brace yourself, praying that it'll work out somehow.

The doors hiss open and the screaming starts again as the monsters come bursting out of the train, biting and mauling anyone they can get their hands on. Those who were lucky enough to not be at the front start to scramble away and the monsters give chase. Your body is taut, ready to try and dodge any that come your way.

Out of the corner of your eye you notice something moving through the air. A person? With blue hair? You take the risk to look— they're attacking Satoru Gojo. He tries to punch them but they fly away from him to dodge— disappearing into the crowd.

You hear a loud cracking sound over the cacophony of the crowd and your stomach twists; you know what that sound is. The roots above the atrium disintegrate and bodies from above start to rain down onto the platform.

And then, you're not sure what happens— it's so quick that you only manage to see what looks like an explosion of blood surrounding Satoru Gojo. Corpses litter the ground around him and even from here you can tell he is shaken by the carnage.

The monsters have finally reached where you're standing, and you duck under one as it lunges at you. Although it's big and scary, you realize it's moving kind of slow. Right after it another one comes at you and you take a side step to avoid it; this monster is kind of slow too.

Maybe you can do this.

As soon as you think that a strange feeling courses through you. Every hair on your body feels like it's standing on edge and the voice in your head is telling you to look at Satoru Gojo. You don't understand why because you think he's the least of your worries right now, but you do it anyway.

He's in some sort of stance, one hand raised to his face, fingers bent in some kind of gesture. There's some sort of aura, oppressive and frightening emanating from his form.

Satoru Gojo is doing something.

You just can't tell what.

It’s October 31, 2018— Halloween in Shibuya.

And you are utterly confused.

Barring your first few loops when you weren't fully aware of what was happening, you have very distinct memories of how each of your previous iterations of this night have gone— of each and every one of your deaths. But for your last round, the last thing you remember was feeling the immense power radiating from Satoru Gojo's body, but that's it.

You do not remember dying.

In fact, you don't think you did.

And yet, here you are again, back at the start: it's 8:32PM and the monsters and strangely dressed man are standing on the subway tracks waiting for the arrival of Satoru Gojo.

You don't understand what's going on; you didn't die but you're still stuck in this damn loop. Up until now, your death has served as the trigger to restart the loop. It's not impossible that maybe you suffered a quick and painless death but you're almost certain that isn't the case.

Something else must have happened.

Something having to do with Satoru Gojo.

You have to find out what. If you don't, you won't know how to avoid it, and if you can't do that, then you really might spend an eternity stuck in this nightmare. And so you take great care to repeat the steps of your last round. You need to make sure to survive to the same point you made it to last time.

Miraculously, you do.

The moment you feel that sensation again, a prickling sort of feeling that envelops your entire body, your eyes are on Satoru Gojo— trying to figure out what the hell he's doing. His eyes are crazed with a desperate kind of focus. You see his mouth move— he's saying something. A spell? A prayer? A curse?

You don't know.

You do know.

Your brain feels like it's going to explode.

Again.

It’s October 31, 2018— Halloween in Shibuya.

Again.

You do not know how many times it's been the night of Halloween in Shibuya: you stopped counting around the hundredth loop. It feels like it's been a while since then. Or maybe it hasn't? You don't know any more.

What you do know is that this night ends up going one of two ways before you are forced to repeat it. Either you die, in some way, shape or form or something happens just after nine that forces you to reset. You still don't know what it is exactly; you only know that Satoru Gojo is responsible for it.

You do prefer it to dying— it's far less painful.

But if anything, you wish you could just die permanently and never have to repeat this night ever again.

Unfortunately, you know better.

The only good thing you’ve noticed about all of this is that you really do seem to keep waking up earlier and earlier. The last time you checked, it was at around 8:30. It might take hundreds of thousands of loops, but eventually you’ll certainly wake up early enough to avoid this damn entire mess.

But by the time that happens… will your sanity still be intact? Will you really be able to go back to a normal day to day life after living the equivalent of hundreds of years, repeating the same night over and over again? You don’t even know how you’ve managed to stay sane all this time and as much as you want to believe you could do it…

There has to be a breaking point.

For both your mind and this time loop.

If you’re lucky, you’ll reach the latter first.

There’s a dull ache in your head that feels foreign yet familiar. Your mind is foggy, all your thoughts hazy as you try to recall what the word for this feeling is.

Groggy.

It feels as if you’ve woken up from a nap and you blink the sleepiness away from your eyes. When was the last time you took a nap? It’s been a while… You think you maybe tried once or twice, but you were too nervous, too on edge. Awake or asleep, it didn’t matter because, either way, you were doomed to repeat this nightmare.

As you think this, you realize that something is different.

You’re used to how the start of each loop feels like waking up suddenly and abruptly and it becomes clear to you that you haven’t looped. This is completely uncharted territory.

You need to find out what’s going on.

The first thing you notice is that it’s quiet. Almost eerily so, especially when the last thing you remember was screaming and chaos. You glance around you and find that it looks like all the monsters from the train are dead, the ground littered in their bloodstains and corpses. There were so many of them, you don’t know how someone could have wiped them out so quickly… Could it possibly have been Satoru Gojo’s doing?

More concerning than the complete eradication of the monsters is the fact that nearly everyone else on the platform is standing stock still, their mouths ajar with blank expressions on their faces. It’s almost as if their souls have completely vacated their bodies…

Were you like that too before you woke up?

You hear voices, and your body immediately goes tense as you turn your head in their direction. A little ways ahead of you, you see a man dressed as a monk conversing with the blue haired person from earlier and before them is—

Your heart nearly stops: it’s Satoru Gojo, restrained and on his knees.

Honestly, you can’t make heads or tails of the conversation they’re having; it’s more shounen battle manga nonsense. Satoru Gojo doesn’t seem to be enjoying their conversation either, and he interrupts them, clearly annoyed.

“Are we gonna do this or what?” he asks. “The view sucks and I’m just kinda bored.”

“I wanted to enjoy this sight for a little bit longer, but you are right,” the monk says. “I wouldn’t want anything to happen— gate, close.”

When he says that, Satoru Gojo’s restraints move, the weirdly shaped cubes at the ends of them closing in around him, trapping him in a giant red cube. It starts to shrink until it’s small enough to fit in the monk’s hand.

You gulp and hope they don’t notice that you’re awake. The fact that they haven’t slaughtered the rest of the people standing around you is a good sign, but you don’t want to find out what happens if they know you’re cognizant.

It’s not hard to play the part of a living statue, especially when you compare it to everything else you’ve had to suffer through on this night. You watch as the monk’s allies, the ones who had attacked everyone on the platform, wake up, but before they can do or say anything, the box holding Satoru Gojo slips through the monk’s fingers and makes a dent in the concrete. The look on the monk’s face makes it clear that it’s a problem he wasn’t expecting.

You don’t know a damn thing about Satoru Gojo, but you feel like this kind of thing is the norm for him.

The blue haired person suddenly looks in your direction and you nearly stop breathing. Have they noticed you? It takes everything in you to keep perfectly still, in hopes that maybe they didn't, that maybe they’re looking at something else. They raise their arm and it extends, their hand acting like some kind of projectile. You almost shut your eyes and brace yourself for impact, but their hand flies upwards and hits something on the ceiling, destroying it.

Inwardly, you breathe a sigh of relief— you’re still safe.

For now.

You listen to their following conversation and while you still don’t fully understand everything, it’s clear they’re talking about what to do next since they’ve taken care of Satoru Gojo. Something having to do with someone named Yuji Itadori? The group seems split on what to do about him but it’s clear he’s their next target.

Eventually, everyone but the monk (you heard the blue haired person, who is apparently named Mahito, call him Geto?) runs off, probably to find this Yuji Itadori person. Once they’re gone, Geto speaks and, at first, you think he’s talking to you, but it becomes clear he’s addressing someone else. “Those cursed spirits are actually smarter than the two of you.”

“Give him back!” a voice hidden among the crowd hisses. Your blood runs cold at the sound. You recognize it; it’s one of the high school girls from the upper floor.

“We cooperated with you fully and kept dropping monkeys for you,” says another voice; it must be the other girl that was with her, the one who hung all those people.

“Now give us back Master Geto’s body like you promised!”

“Don’t toy with Master Geto any further than you have!”

You blink in confusion. Isn’t the monk named Geto? The way the girls are talking it sounds like they’re talking about someone else… Is it possible that the body is ‘Geto’ but the person they’re talking to is someone else possessing it? It sounds kind of crazy, but then again, so is every single thing you’ve experienced tonight.

Your suspicions concerning this ‘Geto’ are confirmed only seconds later as he says, “Now begone, or is it your desire to be killed by this body?”

One of the girls vows her revenge and you hear shuffling somewhere else in the crowd as they scurry away. Now you think it’s just you and whoever it is that’s puppeting Geto’s body. You see him plop down in front of the box (the prison realm, you think he’d called it) that’s holding Satoru Gojo.

“You can come out, you know,” he says after a while.

You freeze. The rest of the platform is completely silent. This time you think he might actually be talking to you.

“I know you’re there,” ‘Geto’ adds, his voice casual. “If you’re insistent on hiding, you should know that I’m not afraid of using whatever means necessary to smoke you out.”

Given everything his allies have done, there’s no doubt in your mind that he’s serious. You were hoping to hide out among the crowd until he decided to leave, but it looks like you won’t be able to now.

Looks like this loop is a bust after all.

Your heart starts to race as you weave your way through the crowd. In every single one of your loops, you were always treated like a bit character, never noticed or singled out by any of the major players of the night. Although this is your first time encountering this ‘Geto’ it’s clear to you that he’s involved with everything that’s happened here and honestly, you get the feeling he might actually be the mastermind behind the massacre.

That makes you even more nervous.

You come to a stop in the place where Satoru Gojo was once kneeling before he was put in that box. Now that you’re out in the open, ‘Geto’ looks you over with some sort of nonchalant curiosity.

“You’re…” he starts, sounding thoughtful, "not a sorcerer, are you?”

Sorcerer. You heard that term thrown around by him and his group a few times. It’s what they’ve been referring to their enemies as. It probably wouldn’t be smart to lie and say you are one; you get the feeling he’d see through your lie anyway. “I’m not.”

He hums. “How interesting.”

“...what do you mean?” you ask before you can help yourself.

“It’s just you have an abnormally large amount of cursed energy for a non-sorcerer,” he explains. “Though, I suppose that all just sounds like gibberish to you."

You nod and look down at the box lodged in the floor. It has eyes, big creepy looking eyes. "...are you going to do the same thing to me as you did to that man?"

He laughs, "...fortunately for you, the prison realm only holds one person at a time and I need him sealed away more than you."

"...does that mean you're going to leave him in there forever?"

"If I'm feeling nice, I might unseal him in a hundred years or so."

One hundred years? At this point, you've probably lived roughly that amount of time through your loops alone, but for Satoru Gojo… "Won't he die first?"

"Only if he decides to," 'Geto' says, looking completely and wholly unbothered. "Time doesn't doesn't flow in the box, so when I unseal him, he'll be the same as he was just now. Physically anyway. Who knows how deteriorated his mind will be after all that."

Time doesn't flow in the box.

The words echo in your mind over and over. Time doesn't flow in the box. In other words, that means time has stopped in the box, and if that's the case then—

"Anyway, rather than worry about him, shouldn't you be more worried about yourself?"

You look at 'Geto' and he's smiling at you, it's friendly, but ominous. There's no doubt what is going to happen next, though you had already resigned yourself to this iteration being a bust; it was only a matter of time.

Time doesn't flow in the box.

"I was thinking I might keep you around, even if you aren’t a sorcerer, your wealth of cursed energy would serve my plans well," he muses. "But… it would be too much trouble trying to teach you how to use it in time."

As he talks, you realize this is probably the first time your death is intentional— every other death you've suffered has just been a byproduct of the ongoing slaughter. You were just another casualty, a victim, never a target.

You're scared.

Even though you know that once he kills you, once you die, you'll just loop back to around 8:30 again. You'll be on the platform again. And you'll play out some sequence of events before you eventually die again. And again and again.

Time doesn't flow in the box.

"I'll be nice, though," 'Geto' says, raising a hand and another monster appears out of nowhere. You don’t even bother trying to figure out from where. It doesn’t matter, especially since this monster will surely be the one to end your life. "I'll make it painless."

"...I appreciate it," you say and close your eyes hoping that he's not lying about it.

Time doesn't flow in the box.

He didn't lie.

You die again.

It’s October 31, 2018— Halloween in Shibuya.

And you're trapped.

You don't know how and you don't know why, but you are stuck in a time loop— forced to suffer through the horrific events of the night before you die and begin it all again. It's been a long time since you stopped counting how many loops you've gone through, but if you had to guess, it's probably somewhere in the hundreds now.

You are so very tired.

But it doesn't stop. It won't stop no matter what you seem to do. You are stuck. You are trapped. You are doomed.

“Time doesn't flow in the box.”

Ever since that first loop where you heard whoever is possessing Geto's body say that, the words have been stuck in your head, playing on loop.

You finally realize why.

“Time doesn't flow in the box.”

It's 8:25PM when you wake up; that should be plenty of time.

You need to find Satoru Gojo.

After hundreds of loops you've come to a singular conclusion: you need to prevent him being sealed in the prison realm. You've witnessed it enough to know that you won't be able to do it alone; you'll need his cooperation.

You rush upstairs as fast as you can, ignoring the shiver that runs down your spine as you step onto the stairwell. According to your previous loops, Satoru Gojo arrives on the subway tracks at 8:40PM. With how crowded the upper floor is, you don’t know if you’ll have the time to intercept him and talk to him, but if you can at least figure out where to find him, then you can try and talk to him during a subsequent loop.

When you reach the fourth basement floor, however, you don’t know where you should even start. He’s pretty tall so you think you could spot him in the crowd, but… there are still so many people. It occurs to you that maybe it would be better to try and look from a higher vantage point so you head to the stairs that lead up to the third basement floor. You check your phone again. It’s 8:35PM; you need to hurry.

Luckily for you, you find him very easily on the third basement floor.

The only problem is that he’s in a hard to reach spot— squatting above a sign hanging over the crowd.

You check your phone again. It’s 8:38PM and he’s starting to move, presumably to meet with those waiting for him on the subway tracks. It’s good that you found him, but there’s no doubt about it.

You’re going to need more time.

The moment you wake up, you immediately bolt toward the stairs. It's taken many, many more loops, but you've finally brought the time you wake down to around 8:15. You're still not sure if it's enough time, but there's only one way to find out.

You barrel your way up to the next floor and zig zag through the crowd to get to the next flight of stairs. By the time you get to your destination, you're completely out of breath, your chest heaving as your lungs clamor for air. You’ve done this so many times, yet your body acts like it’s always the first. It sucks, but there’s nothing you can do about it. You slow to a brisk pace to catch your breath and check the time. It’s 8:27— a new record. Hopefully it’ll be enough.

The goal is to catch Satoru Gojo before he moves to his lookout point above the crowd. While not impossible, it would be difficult for you to follow him there. You eye the safety barricade that blocks off the area where he’ll be moving in just a few minutes warily.

Yes, getting over there would be extremely difficult.

You don’t want to think about it right now; you’ll deal with it when the time comes.

Especially since Satoru Gojo has now entered your field of vision.

Your heart starts to race at the sight of him and it feels like it’s beating a million times a second. There isn’t a lot of time. You need to talk to him, but your legs only wobble, your feet planted firmly to the ground. This is not good. You need to move. You need to move.

Finally, after what feels like both an instant and an eternity, your feet finally budge, propelling you in Satoru Gojo’s direction. The beating of your heart only grows louder as you make your way toward him, mingling with the single thought that’s echoing throughout your mind right now: will he even hear you out?

You need to make him.

“Excuse me!” The words nearly come out in a stutter as you realize that you are actually talking to Satoru Gojo. You have watched this man at a distance for so long that it almost felt like he wasn’t real, like he was just another fixture in this nightmare that you’ve been living for far too long. And yet, here he is, right in front of you, in the flesh.

And his attention is on you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is actually a little overwhelming. Your mouth is dry and suddenly you don’t know what to say, but you need to say something. You need to say something before he thinks maybe you bumped into him by accident and just walks away without a word.

“I need to talk to you!” The words just burst out from your mouth and something about it is just absolutely embarrassing. You’re not sure if it's desperation or the fact that you haven’t really talked to anyone other than the existence occupying Suguru Geto’s body in nearly forever.

Satoru Gojo’s lips slowly start to form a smile, “Oh, yeah?”

The sound of his voice makes your mind go blank. There’s something different about it right now; more playful, amused even. Maybe it’s because he’s talking to you, a harmless human being and not a monster trying to kill him. It’s almost kind of jarring, but you know, with certainty, what Satoru Gojo’s voice sounds like. And the fact that he’s actually talking to you right now has you kind of excited. You nod, doing your best to not show how thrilled you are that he’s not ignoring you.

He hums thoughtfully, “Sorry… but unfortunately I kind of have some business to attend to right now.”

“I—” You start to say that you know that he’s headed down to the platform below to fight with…Choso and Jogo, you think their names are— you don’t know the name of the monster with the branches for eyes. “It’s— it’s really important!”

Gojo tilts his head a little, clearly thinking. You should probably say something else, something to try and convince him to stay a little longer and hear you out, but your mind is both full and blank. Where do you start? From the beginning? Or do you start with what is most important? Maybe you should say what you think will get his attention. You’re not sure, and you realize you really should have thought about this earlier because you’re running out of time right now.

“...mind handing me your phone?”

You stare at Gojo, completely and wholly confused, but he just holds out his hand expectantly. When you don’t move, he wiggles his fingers a little, a silent gesture telling you to hurry it up. Without thinking, you reach into your bag and unlock your phone before handing it to him.

“Kind of sucks that cell service isn’t working right now,” he remarks as he types something into your phone before handing it back. “But! Here's my number.”

You look down at your phone and, sure enough, Satoru Gojo has added himself as one of your contacts. He’s even added a little star to the end of his name. That’s… a little unexpected. Why his number though?

“Are you… hitting on me?” you mutter in your confusion.

He laughs, “Well, you said you had something really important to talk to me about, right? So just give me a call when you get home or some time tomorrow and we can talk then!”

You’re not going to make it home, or even to tomorrow, and neither will Satoru Gojo. As you start to tell him this, he steps past you. Desperate, you try to grab him, but somehow, for some reason, you can’t. You remember he did this with Jogo and the other monster, made himself untouchable.

This is not good.

He gives you a little wave, cheery as he says, “I’ll talk to you later!”

You watch, helpless as he hops over the barricade beyond your reach.

Gripping your phone tightly, you take a deep breath. It's fine, it's not like you didn’t expect things to go well anyway.

You'll just have to try again.

Every time you’ve tried to solicit help from Satoru Gojo, it has gone the same way. He just won’t give you the time of day, and in some ways you can’t blame him; he’s clearly here to deal with the monsters down on the platform. You’re fairly certain that he probably thinks that whatever is going on with you is a much lesser issue in comparison.

Plus, it probably doesn’t help that in the times that you’ve approached him, you haven’t been able to articulate yourself particularly well. Once you start talking to him, you just get hit with something akin to stage fright and the connection between your mind and your mouth just stops working. It’s gotten better with each attempt, but…

It’s just so frustrating.

It is interesting that Gojo has given you his number every time, star symbol and all. You’re not sure what kind of person you were expecting him to be, but after witnessing him literally and viciously rip monsters apart, you’d figured he’d be a little more somber. However, in the fragmented conversations you’ve had with him he’s come off as far more friendly and playful than you would have thought. Is he the type of person to get more serious when the situation calls for it? You can’t help but wonder, but ultimately, it doesn’t really matter.

What really matters is that you’re able to convince him to help you.

You have to convince him.

“Excuse me!” you say, stepping in Satoru Gojo’s path. You don’t stutter this time, and your voice is more sure. This is good.

“Yes?”

His head turns in your direction and you gulp. Gojo’s gaze, despite that blindfold of his, still feels just as overwhelming as it did the very first time you approached him. You have no doubt that he’s sizing you up, but there’s just something about it that makes you feel like you’re being picked apart.

You take a deep breath and step closer to him, hoping your voice sounds firm enough as you say, “I need your help. I’m trapped.”

He chuckles a little, “I know, but yours truly is on his way to go beat up the bad guys keeping you all trapped here, so soon enough you’ll be all free to go on your merry little way.”

Right. You were so caught up in your own plight that you nearly forgot that technically you’re not the only one ‘trapped.’ Satoru Gojo obviously knows that everyone else is confined to this station, but you doubt he knows that you’re confined to this night alone.

“That’s not what I mean!” you sputter.

“Then what do you mean?” Gojo asks. Should you tell him that you mean that you’re trapped in a time loop? You’re honestly not sure— in the movies and manga you’ve read about time travel, revealing that sort of thing risks creating a time paradox which seems to be a bad thing. If you have to tell him, you will, but— “Oh, I get it.”

You stare, bewildered. Did you maybe just spew all of that aloud?

Gojo gives you a mischievous smile. “You’re hitting on me, aren’t you?”

“No!” The word comes flying out of your mouth. You can’t deny he’s attractive— you’ve thought it all this time, but that is not what’s happening here.

“No need to be embarrassed,” he continues, ignoring you. “I totally get it, so if you want, I’d be happy to give you my number!”

Again? You’ve received Satoru Gojo’s contact details in every loop you’ve talked to him, star symbol and all— you even have his number memorized. There’s something kind of odd about how he keeps giving you his number. Part of you wonders if he’s got some sort of ulterior motive, but you haven’t thought too deeply about it. There are way more important things going on.

“I don’t need your phone number,” you say. “I need to talk.”

Your response seems to give Gojo pause. Did you somehow manage to get through to him? No way. Your suspicions are all but confirmed when he gives you that familiar apologetic smile.

“Like, I said, I’m sort of in the middle of something, but…” Gojo reaches into his pockets and rummages around until one hand fishes out a folded up piece of paper. The other hand keeps digging around in his pocket and when Gojo seems to give up on whatever he’s looking for, he turns his attention back to you. “Got a pen?”

What?

Gojo tilts his head. “Well?”

“I do, but…” You trail off, unsure why he’s asking.

He holds out his hand waiting for you to just hand him the pen. You still don’t get it, but you reach into your bag’s front pocket and pull out the pen and hand it to him. Gojo looks almost like an excited child when he takes it from you, quickly scribbling something onto his paper before shoving it and your pen back into your hand.

You look at the paper; it looks like a receipt. For a disturbing amount of mochi that Gojo bought earlier today. The amount of money he spent is almost sickening; way too much to be paying for mochi. More importantly, you notice something juxtaposed over the receipt’s print.

It’s Satoru Gojo’s name and number.

He even drew a little star next to his name.

“If you change your mind later, just give me a call!” he tells you cheerily. “I promise I’ll make it worth your while!”

You gawk at him. He cannot be serious. You literally just told him that you didn’t need it and yet he still gave it to you. He must want you to contact him later, but you can’t even begin to understand why. It can’t have been something you said or did, right? Unless, he’s actually—

“Later!” Gojo’s voice cuts through your thoughts and you notice him walking off with a wave.

You can’t let him get away.

Again.

You crush the receipt in your hand and rush after him. Despite the crowd, Gojo seems to move through the people with ease and it almost seems like they are yielding to him naturally. It’s good for you. Makes him easier to chase.

“Wait!” you yell, but Gojo doesn’t even look back. Bastard. Your muscles strain as you try to run faster. You know you won’t be able to grab him if you get to him, but there has to still be something you can do to stop him. Circle around him? Cut him off before he—

Satoru Gojo reaches the barricade.

“Wait!” you yell again. “Satoru Gojo, wait!”

He does not even acknowledge you.

You’re almost there though. Almost. If you reach out your hand, then maybe, maybe you can grab him. Something in your head tells you that it’s useless; you’ve never been able to touch him. But, you don’t care, you don’t care because you have to try. You stretch out your hand, desperate and hoping, but just as you do, Gojo effortlessly jumps over the barricade, moving to survey the crowd.

Due to your momentum, you almost collide into the barricade, but you manage to stop yourself. You stare at Satoru Gojo through the glass. He watches the crowd for at most three minutes. Is this just another bust? Is there really nothing you can do? There must be a way you can get his attention. Is it possible to climb over the barricade? No, it’s too high. There’s nothing you can grasp onto or use as footing either.

This fucking sucks.

Another minute or two and Gojo will be on the move again, and there will be no way you can follow, no way you can get his attention. You press your hands against the glass, pushing against it. Naturally, it doesn’t budge. Why would it? If only you could get it out of the way. If only you could break it. This stupid barricade is the only thing between you and Satoru Gojo and there’s no way you can climb it, but if only you could break it.

If only you could fucking break it.

Suddenly, the glass feels warm. Satoru Gojo’s image starts to look a little distorted as the warmth beneath your fingers grows. Something is happening. The glass starts to vibrate and shake. Violently. The tremors grow stronger and stronger. You should stop. You should back away.

You don’t.

The barricade starts to crack and fracture and soon the sound of shattering glass resounds throughout the entire room. Everyone starts screaming. No one knows what’s going on— not even you. But you don’t care. It’s gone. The barricade is gone.

You take a step forward, toward Satoru Gojo. He’s on a beam that’s about a two meter drop from where you’re standing. That’s fine. That’s okay. You can make it. You have to. Without a second thought, you jump—

And you land on the beam. You look up and Satoru Gojo’s attention is back on you. He’s finally, finally turned toward you, face twisted into an expression you can’t decipher or even comprehend, but—

Something’s wrong; your world is turning on its axis, but—

Satoru Gojo is looking at you, and—

Up is very quickly becoming down, and—

Satoru Gojo is coming closer, but—

You’re slipping—

But he’s right there, and—

You’re falling, but—

He’s trying to catch you, but—

It’s too late. It’s too late.

The last thing you think you feel—

—is Satoru Gojo’s arms around you.

It’s October 31, 2018— Halloween in Shibuya.

And you are causing a commotion.

“Shit! Fuck!” you curse loudly. The people near you start to shift away but you barely notice; you don’t really care.

You were so close, so fucking close and yet… yet here you are again. It’s quarter past eight and you are back on the goddamn platform. You don’t know what happened; you remember falling and thinking you were going to die, but you are absolutely certain that, once again, this time, you didn’t die.

Is Satoru Gojo at fault again? Did he do something? Like he did all those other times you looped without dying? When you think about it more, you don’t think so. You don’t know what happened; all you know is that you tried to get to him, but you slipped.

And he caught you, you definitely remember that.

You still don’t understand why you looped, but there’s not much you can do about it now; it’s not like you can go back anymore. It just sucks, because you think he might have actually listened if you’d talked to him.

Or he would have come after you for… whatever happened with the barricade. It could have been taken as an attack on the crowd… But if he thought you were doing that, then why would he catch you?

You don’t know.

All you know is that you have to try again.

The only problem is that you don’t know how you managed to shatter the barricade. You think about it as you make your way up to where you’ll find Satoru Gojo. There is the possibility that it wasn’t you and something else happened to it instead, but that feels way too coincidental. It had to be you. That’s the only thing that makes sense. You just can’t figure out how you did it outside of wanting, wishing, praying for the barricade to break. It’s not like you have supernatural powers like Satoru Gojo and his enemies.

Despite your mind being completely and wholly occupied by trying to figure out how in the world you managed to break through that barricade, you still manage to make it to the second basement floor of Shibuya Hikarie by 8:25PM— a brand new record. Satoru Gojo doesn’t show up until around 8:34PM, so that gives you almost ten minutes to try and figure out what you need to do to try and replicate shattering the glass barricade again.

Except—

Except Satoru Gojo is already here.

The thought that maybe you’re mistaken flashes in your mind before it’s quickly dismissed; there’s no way you’d mistake anyone else for him. There is absolutely no denying it: that is Satoru Gojo. Bewildered, you double check the time on your phone. Maybe you misread it and you’re actually late but sure enough you read it right— Satoru Gojo is here early.

What the hell is going on?

Of the thousands of times you have experienced this night, this hell, this sort of thing has never happened before. Everything happens at a specific time, as if adhering to an unseen schedule. It’s likely that what happened in your last iteration did delay Satoru Gojo’s arrival onto the platform, but other than that there has never been a deviation to the time table.

And yet, here Satoru Gojo is, nine minutes early now.

You realize that that’s not the only thing that’s strange: he’s not moving. In previous rounds, when you encounter Gojo here, he’s walking to the lookout spot beyond the barricade. But, right now, he’s just standing there, hands stuffed in the pockets of his jacket. It almost looks like he's waiting for something.

Or someone.

This unexpected turn of events has you rooted to the spot. You’re not sure what you should do. No. This shouldn’t change anything. You need to talk to him. As concerning as a change like this is, the extra time it gives you should be a good thing. Despite knowing that, your feet are still firmly planted to the ground.

The crowd shifts and you see Satoru Gojo start to move. Toward the barricade? No. He’s not heading in his usual direction, rather he’s—

You stop breathing.

He’s headed toward you.

He comes to a stop before you, lips curled up to form an amused sort of smile as he says, “Soooo, you needed to talk to me?”

You try to answer but no words come out of your mouth. Are you dreaming? You have to be, right? There's no way that this is actually happening. Could it be that, after thousands of loops, you’ve finally lost it? Your mind shattering along with the glass of the barricade at the end of the last one?

Gojo tilts his head, indicating that he's still waiting for an answer. When you open your mouth, at first, nothing comes out, the words stuck in your throat. You force them out, your voice cracking, “...how did you know?”

He smiles, looking almost mischievous as he reaches up and lightly taps the side of his head. “I remembered, of course!”

All you can do is stare at Satoru Gojo. He remembered? How is that possible? From his perspective, this is the first time you’ve met and while it shouldn’t be possible for him to remember there’s something in your mind that’s keeping you from completely dismissing the possibility.

Gojo laughs, “I take it from the look on your face that you’re not used to this sort of thing happening. Is this the first time?”

“No.” The fact that the word is out of your mouth before you can even really think about it surprises you and you really have to think. Your face scrunches together as you try to remember. Is this really not the first time? Then, the memories assault you, overlapping as they replay simultaneously in your head— a woman in a yellow and white magical girl costume— begging you for help as she burns to death— smiling as she tells you she made her costume herself. “...it happened just once a long time ago.”

“‘A long time ago,’ huh. Sounds like you've been at this for a while now.”

“...unfortunately.”

Gojo hums. “So when you said you didn’t need my phone number…”

“You’d already given it to me a few times,” you say, figuring that’s where this conversation is going.

“Really now?”

Does he not believe you? Or is he just being an ass? You’re not sure, but since you had taken the liberty of memorizing Satoru Gojo’s phone number you recite it back to him to prove your point.

Just when you think you may have stunned Gojo into silence he starts to laugh, obviously finding something funny about the fact that you know his cell phone number. “Seems like you've got quite the fascinating technique there.”

Technique? What is he talking about? Your confusion must be plain on your face because he adds, elaborating, “The time travel.”

You continue to stare at him. You don't think you'd consider what you've been going through time travel, because traveling implies moving from point A to point B, but you've been stuck walking in circles at point A for a long time. What really gets you is… “What do you mean by ‘technique?’”

“You mean you don’t— oh. I get it; no wonder you’re trapped.”

That does not answer your question in the slightest. “Can you please explain what you're talking about? What do you mean by ‘technique?’”

“Right, right… So basically, a technique is like a special sort of power,” he finally explains. “Like I said, your technique seems to be a kind of time travel. Whenever you activate it, your mind is sent back in time.”

What he's saying makes sense, but… “How come you were sent back too?”

He laughs again. “Isn't it obvious? Think back to before— do you remember that I caught you as you were falling?”

You nod slowly. The memory of his arms around you is almost embarrassingly vivid. “...is it because we were touching?”

“Ding, ding, ding! That's correct! Anyone you happen to be touching when you activate your technique gets affected by it too!”

Something about his tone annoys you, but you try to ignore it. He could have just told you rather than make you guess. “How do you know that for sure?”

“Well,” he continues. “You’ve done your little time loop a bunch of times, right? If your technique affected everyone, or even a few people in a select range you would have noticed for sure. And if it affected only just you then we wouldn’t be having this conversation right now, now would we?”

When you think about it, you do think that the woman in the magical girl costume might have bumped into you before the loop where she remembered.

“That’s honestly just conjecture, but I've got pretty good eyes, so I’m hardly ever wrong.”

Gojo gives you a grin and while you do think that his reasoning is sound enough his confidence is a little grating. More than that, though, you’re glad that this conversation is actually going really well.

“Either way,” he says thoughtfully. “It doesn’t look like you can control your technique. Usually a person’s technique manifests when they’re a kid, but you seem to be a special case… in fact, I bet your technique activated for the very first time tonight— probably under some pretty extreme circumstances, too.”

“...dying counts as an ‘extreme circumstance,’ right?”

“Oh, absolutely. Or legitimately thinking that you’re gonna die, but it seems like your body has been unconsciously activating your technique as a sort of defense mechanism. Which is why you’re trapped.”

“So, if I could control it I’d be able to make it out of this time loop.”

“Yeah, but in this case it probably wouldn’t end very well for you,” he points out with a chuckle. “It’s not like you actually want to die, right? I mean, if you did, then your technique wouldn’t even activate in the first place.”

You don’t; what you want is for this night to finally end. To be free from the endless cycle of dying over and over again and again. You don’t think death is quite the answer; even if you were to learn how to control this supposed technique of yours, there’s no guarantee that you would just unconsciously activate it when the grim reaper comes knocking on your door. No, the answer is…

“Anyway!” Gojo’s cheery voice cuts through your thoughts. “I highly doubt that you’re the type that makes a habit of jumping off ledges for the funsies, so the fact that you’ve been dying tells me that some pretty gruesome stuff is about to go down, so, tell me what happens tonight.”

The sudden drop of his voice sends a shiver running down your spine. If it weren’t for the fact that you’ve seen how serious Gojo can get, the sudden shift in demeanor would probably freak you out a bit, but it doesn’t. This is the Satoru Gojo you’re familiar with.

You do have one concern though. “That… won’t create a time paradox or anything, will it?”

“Nah,” Gojo shrugs. “You wouldn’t cause one with the way your technique works, besides, if you’ve only been going back at most an hour or two in time it’s hard to believe you’d be making a really big impact… unless you really believe in the butterfly effect.”

You’re still not quite sure.

“Trust me, it’ll be fine.”

His voice sounds strange. Gentle. Kind. It's the most soothing thing you've heard in a long time and it makes you want to believe him.

“...okay.”

Anxiety is still gripping at you, but you try to dispel it, taking a deep breath before beginning your explanation. For the sake of brevity, it’s probably best that you’re as concise as possible. There isn’t much need to really get into the nitty gritty of things unless he asks specifically.

Naturally, you begin with his arrival onto the platform and how soon after a fight breaks out and how the crowd is unfortunate enough to be involved. Gojo’s expression is passive for the most part, but he does crack the faintest hint of a smile when you mention how he manages to eviscerate one of the monsters.

It disappears once you tell him about the arrival of the train. Between the dozens upon dozens of people being dropped onto the platform by those two high school girls and the hoard of monsters disembarking from the train, everything devolves into pandemonium.

“Wait,” Gojo holds a hand up and you pause. This is his first interruption since you started recounting the night’s events for him. “Everyone is able to see the monsters?”

You stare at him. What a weird question. “...yeah?”

His mouth twists and it looks like he’s thinking about something. You can’t even begin to imagine what. Finally, he comments, “Makes sense.”

It does not, but you don’t ask him to elaborate. Surely if it was important he would have just done so.

“Anyway, in the middle of all that, you… you do something.” Your brows bunch together as you remember the stance Gojo took, the crazed and desperate look in his eyes, the feeling of your head about to explode. “I don’t know how to describe it. At first, it would just force me to… activate my technique, I guess. But now, it just knocks me out for a few minutes.”

Gojo frowns and he rubs at his chin, obviously thinking about what you’ve said. Eventually, he raises a hand and bends his fingers into a familiar gesture. It’s the one that preludes whatever he does on the platform. “Do I do this?”

“Yeah.”

He hums. “Interesting.”

You wait to see if he’ll explain. He doesn’t. Great. Even if he doesn’t think you need to know, it certainly would be nice to. It’s annoying otherwise, but you ignore the feeling and continue. “I can’t tell you what happens when I’m knocked out, but when I come to everyone is basically a zombie and all the monsters from the train are gone. I think you kill them.”

“I probably do,” he says casually. “But what about Volcano Head?”

“...you don't…get a chance to kill him,” you say slowly. Gojo tilts his head, waiting for you to elaborate, but you hesitate. You have to tell him, you know you do, but…

You have seen the interaction so many times and though you don't know the exact nature of the relationship between them, you can tell that seeing Suguru Geto (or rather seeing his body) shook Satoru Gojo to his very core.

There's no doubt in your mind that he will not take this news well.

“Come on now,” Gojo's tone is light-hearted, unaware. “Don't keep me in suspense here.”

It's as if you're withholding the punchline to a joke. In a way, you suppose you are, but you don't think he's going to find it funny.

You take a deep breath. You need to tell him. The worst thing that could happen is that he doesn't believe you, but if that's the case… you'll probably just end up repeating this all again until you find a loop where he does.

Having made it this far, you'd like to avoid all that.

“Before you can get Volcano Head you get restrained by something called the prison realm,” you say slowly, “by someone calling themselves… Suguru Geto.”

The second the name leaves your mouth, there is a clear and obvious shift in the air. Gone is Gojo’s laid-back and frivolous demeanor, replaced with something more somber and almost frightening. The tension grows more and more palpable to the point that you think it might almost choke you.

You almost wish that it would.

“You can’t be serious,” Gojo finally says, once your words have fully sunk in.

“I—” You start to speak, but come to an abrupt stop when you see him shove his hand into his pocket to yank out his phone of all things.

The both of you know full well that there’s no reception here, but you don’t think that he’s planning on making any calls. Gojo scrolls and scrolls on his phone before he stops and shoves the screen in your face. It shows a picture of three people— a teenage girl with a cigarette in her mouth, a younger, happier version of Gojo sporting a pair of round sunglasses and—

“When you say ‘Geto’ is this who you’re referring to?” Gojo demands, using his other hand to point at the third person in the frame— a handsome young man with long dark hair pulled up into a bun.

“Yes, but—”

“That’s impossible. It can’t be him,” Gojo interrupts, his voice firm, cold even. “He’s dead.”

There’s a note of finality in his words that is definitely meant to leave no room for argument. It doesn’t stop you, though. Instead, you glare at Gojo’s stupid blindfold and say, “...being dead doesn’t mean a damn thing! I’ve died hundreds of times and yet I’m still fucking here, but—”

“Your situation is different,” he interjects, the temperature of his tone hiking up, his words like heated hissing. “I killed him almost a year ago. There's no way—”

“You didn't get rid of the body properly!” You cut him off, raising your voice in hopes that he'll take even just a second to stop and listen. It seems to work and you add something you remember ‘Geto’ saying. “You should have had Shoko Ieiri get rid of it, but you didn’t and now some… some kind of gross brain thing is possessing the corpse!”

The air between you both is silent as the grave. Though you can't see it, you can feel the weight of his gaze pressing down on you. He’s definitely having second thoughts about everything you’ve said so far. There’s a chance he might even think you’re his enemy now. You stare him down though, refusing to look away. You’ve made it this far, you can’t— you won’t back down.

“...you’re not lying, are you.” Gojo’s words are more of a statement than a question. There’s no doubt in your mind that he knows the answer, and yet he’s still asking. You wonder if maybe he’s clinging onto some vain hope that maybe, just maybe this all a sick, cruel joke that’s gone way too far.

“I’m not.”

Gojo holds your gaze for a second longer before he lets out a curse. “Fuck!”

“...I’m sorry,” you say quietly, mostly because it feels like the most correct thing to say at this moment. You don’t know the whole story, but it seems like they were close. If so, then it must have hurt Gojo a lot to have killed him, and must hurt even more to know that someone is desecrating the body. You hate that you, a complete and utter stranger, happened to be the person to tell him, but…

It had to be done, for the sake of getting past this unending night, it had to be done.

Gojo runs a hand through his hair and lets out a ragged sigh. “Okay. What happens after that?”

You give him a rundown of what follows; he gets sealed, the monsters wake up and all but ‘Geto’ leave in search of their next target. When you mention the high school girls demanding the brain give Geto’s body back, Gojo snorts loudly.

“Fat chance of that,” he says derisively.

You nod in agreement. It was clear to you that the brain parasite has no intent on giving it up any time soon. “After they leave, he… talks to me.”

“Probably couldn't ignore all that cursed energy you have,” Gojo remarks offhandedly.

You stare at him, expression twisted in a way that shows that you have absolutely no clue what that means. It should be fine for you to ask this one question; it actually concerns you after all. “What does that even mean?”

“Exactly what it sounds like, though… probably doesn't make much sense to you, does it?”

You give him a pointed glare and all Gojo does is laugh.

“Just think of it like having a lot of MP.”

“...Like in a video game?”

“Exactly!” Then, Gojo tilts his head, clearly thinking. You don't bother asking; you don't feel like he'll explain.

“He does ask me if I'm a sorcerer, whatever that is. Is that why?”

“Probably. Ordinary people don't have even a fraction of the energy you're packing.”

‘Ordinary people’ he says as if you’re not an ordinary person who got caught up in all this supernatural sorcery bullshit. Or at least you were, but if the time loops are really a product of your own doing…

“Does he kill you when you answer?” Gojo asks to get the conversation back on track.

“Not right away. What happens next kind of varies,” you answer. “He usually lets me have a question or two before he kills me; I've asked him a couple different things.”

“Really taking advantage, aren’t you?” Gojo says and you're not sure what to make of his tone. Is he mocking you or is he easing back into that laid-back persona of his?

“If I’m doomed to repeat the same situation over and over, I might as well make the most of it,” you respond flatly.

“You know, your technique kind of reminds me of save scumming.”

He’s definitely gone back to acting almost completely unserious— all signs of his earlier agitation are nearly gone.

“So what did you learn?”

“Well, the prison realm only holds one occupant. Once they’re sealed, time stops for them and the only way out is if the bearer unseals them or if they choose to kill themselves.”

“I see… And what about our body jacker?”

“He didn’t go into detail but he said something about… striving toward the evolution of mankind?” You frown a little at the memory. He didn’t explain further because he said that you wouldn’t understand.

“Huh. Interesting. Wonder how he was gonna go about doing that.”

“I don't know, but I can't imagine you'd like it since he goes out of his way to seal you into that box,” you say. “Said you’d get in the way because you’re too strong.”

Gojo shrugs his shoulders and grins a little. Cocky. “Well, I am the strongest sorcerer around, you know.”

You would think him overconfident if you hadn't seen the magnitude of his strength first hand.

“Anyway, that's as far as I ever go. When he's decided he’s done talking to me, he kills me and I loop back.”

“So, in short, what you want help with is getting past that point, right?”

“More or less.”

“And all I have to do is avoid getting caught by the prison realm?”

You nod.

“What’s it look like?” he asks. “A big cage with a bunch of metal bars?”

Now that you think about it, you haven’t woken up early enough to see it before it traps him, but you can’t imagine it looks that much different. “No.. It’s a small box with eyes… It gets big enough to fit you in it, though.”

“Huh.” He stretches his arms out above his head as if he’s trying to emphasize how large he actually is and shoots you a grin. “Should be easy enough then. I bet our body snatcher used the shock of seeing Suguru to trap me but since I'll see it coming, avoiding it'll be a piece of cake.”

Gojo makes it sound so easy, and maybe it really is as simple as that, but you can't help but be worried still.

“Don't tell me you don't think I can do it,” he says, tilting his head.

“It's not that,” you admit. “I'm just concerned I might die before we can get to that point.”

Truthfully, since you know that will just result in another loop you're less concerned with dying itself and more worried about losing the progress you've made in convincing Gojo to help you. Even though it's been clearly proven you can loop him as well, there's no guarantee you'll be able to make the physical contact needed to do it upon death.

“You've made it pretty far on your own, though, right?”

“Yeah, but… I’ve messed up plenty of times.” More than you can even count. “There's also the possibility that taking the time to talk to you might have thrown things out of whack.”

Speaking of time, you check your phone. It's 8:39PM. You curse.

Gojo leans over to check your phone. “Let me guess, I'm supposed to be somewhere right now.”

“Yeah, this is when you’re descending down onto the platform.”

“You know where I am down to the exact minute?” He asks and you tilt your head back and forth a little. It’s not exact per se, but it’s close enough. Gojo chuckles a little. “Man, I didn’t realize that you were actually that into me.”

That earns Gojo a glare from you, but he just laughs it off. “I doubt being a few minutes late is going to make a big difference.”

You certainly hope so.

“Don't worry,” Gojo says and you notice he's using that tone from earlier. “You won't die.”

It’s hard to argue with him when he uses such a reassuring sounding voice and yet, you still open your mouth to try— to voice your doubts, but what he says next silences you before you even can.

“I'll protect you.”

You think your heart stops beating in your chest and your words dissolve in your throat.

He grins at you. “Did you fall in love with me just now?”

That catches you a little off guard. You're willing to admit he's hot, but surely he must be joking. “How could you even think of something like that at a time like this?”

Gojo laughs again. “Well, since someone is so worried about their time table being all messed up, I better head down there; can’t keep Volcano Head and friends waiting, right?”

You blink. Is that it? “Wait, shouldn’t we make a plan or something?”

“Isn’t the plan for me to not get caught in the prison realm?”

Yes, but�� “But what about me? Is there anything I can do?”

Gojo stares at you, or at least you think he does. “...I don’t know, is there?”

You’ve seen the encounter between Satoru Gojo and those monsters so many times and you try to picture a version of it where you intervene and… all you can see is yourself getting in his way. You’re no fighter, no… sorcerer, or whatever he is, you’re just some ordinary person that was unfortunate enough to get all caught up in this mess. The most you can probably do is kick the prison realm out of the way when the time comes, but otherwise… “...no, I guess not.”

His expression turns sympathetic. “You’ve done plenty by telling me everything that happens. So just wait up here, and let me handle the monsters.”

You almost nod. Almost. But then you remember what transpires up here above the platform. You know it sounds safer up here where you’re less likely to get involved in the carnage, but… “Wait, no, if I stay up here then I’ll fall to my death when those girls—”

Gojo laughs, interrupting you. “Don’t worry about that. It’ll be fine.”

“How?”

“Just trust me.”

“I…” It’s hard to. After everything you’ve gone through it’s hard to trust in anything, to believe in anything. Even though you’ve made it this far this time, the worry that something will go wrong and that you’ll have to do it all again still lurks in the back of your mind.

Despite all that, you want to believe.

You want to believe that you can make it past this unending night, that one day you’ll wake up and it’ll no longer be October 31, 2018. And the first step towards that is trusting in Satoru Gojo.

“...okay,” you say quietly. “Okay.”

Gojo chuckles then asks, “Anything else before I head off?”

You start to ask if there’s anything you should say, in case things don’t work out, but you stop yourself. You’re choosing to trust him, to believe in him— you can figure out that stuff later if things end up going south after all. So, instead you give him a smile and it feels a little weird because you don’t remember the last time you did. “Good luck!”

For a split second, Gojo looks almost surprised, but then he laughs again, beaming widely at you. He starts to move past you and reaches out to give you what you think is meant to be a reassuring squeeze of the shoulder and then he’s off. You turn to watch him go, the crowd, once again, parting almost naturally for him.

When he reaches the barricade, he pauses, raising his hand as if he’s giving you one last wave. Then he jumps over it onto his little perch and then less than a minute later he’s gone, descending to the platform below.

Now, all you can do is wait.

You check your phone again and it’s 8:44PM. If you remember correctly, the high school girls start threatening everyone right before 9PM. With Gojo’s arrival being shifted back almost five minutes, does that mean that they’ll be shifted back too? It would make sense, but you’re not too sure.

Out of habit, you keep checking your phone and at nearly 9PM, you hear the shrill voice of one of the girls over the crowd, commanding everyone to do what she says, her partner stringing up bodies until everyone listens. Everything plays out just as you remember it, which is mildly comforting, though you know that the events that happen up here are more or less independent from what happens below.

Surely, just as Gojo said, a few minutes aren’t going to change anything, but—

No.

You agreed to trust him. To trust that everything would be fine.

When the girls start to demand that as many people as possible climb onto the roots and vines covering the atrium your heart starts to hammer in your chest. In just a few minutes, all the foliage will disintegrate beneath you, and you and everyone else here will fall into the abyss below.

You are afraid.

There isn’t a single loop where you’ve really survived this fall. If you don’t die in midair, you die right after landing. It’s a death trap, and that’s why you’ve stopped coming up here. There’s a part of you, the part that knows what’s about to happen, that wants to try and run back onto stable footing. But you can’t, because you know if you do then the girls will kill you for sure; you have to stay.

It’ll be fine, you tell yourself, it’ll be okay.

You just have to trust Gojo.

An eight car train is pulling in. Please wait behind the yellow line.

You hear the announcement faintly below you. It’s almost time. You brace yourself and try to stay calm. Gojo said he would protect you, that you wouldn’t die. You don’t know how he intends to keep that promise, but all you can do is believe in his words.

It’ll be fine. It’ll be okay.

The vines and roots start to crack and the ground beneath you starts to give out. You squeeze your eyes shut as that sickening weightless feeling overtakes you. It occurs to you that this is actually quite literally a trust fall— will Satoru Gojo really be able to catch you?

As you fall, you realize almost instantly that something is different.

You’ve experienced this fall dozens of times and so, even though it has been a while since you’ve gone this route, you are very familiar with what it feels like. Something is different. You’re falling faster. The trajectory is changing. It’s like some force, other than gravity, is pulling at you.

Is this Gojo’s doing?

Just as your body collides with the ground you hear the sounds of mutilating flesh meld with the screams surrounding you. Blood and severed limbs litter the ground, but you try to ignore it. You need to focus on your own survival right now. Quickly, you scramble to your feet scan the area around you; you’re on the platform right now and right in front of you is—

Right in front of you is Satoru Gojo.

His back is turned to you, his focus currently elsewhere. Looking at him you realize you recognize this scene, though it’s much closer and at a different angle. He’s about to do that thing, that thing that knocks you out.

Something in you tells you to move closer to him, after all, he used his mysterious powers to deliberately bring you closer to him, right? You rush toward him and as you do something he said earlier pops up in your mind.

Anyone you happen to be touching when you activate your technique gets affected by it too!

Whatever he’s about to do… Is that his ‘technique?’ And if it is, would it work the same way as yours? If so, there’s only one way to find out: you need to touch him. You dodge monsters and other people as you run toward Satoru Gojo and—

A monster still manages to grab you, its large hands wrapping around your wrist. You try and yank it free, but it's much stronger than you are.

“Shit!” you hiss as the monster starts to pull you toward it and away from Gojo. What do you do? Your other hand is still free, should you try to punch it in the face? Or—

Before you can do anything, something blasts the monster’s head clean off. Shocked, you stare as the monster’s body slumps onto the ground, its grip loosening on you instantly. You whip your head around to find that while Gojo still has his back to you, his arm is bent back in your direction, his palm open as if he fired some invisible blast from it.

Then you feel it again, something pulling at you, but this time it's more forceful. Your body is yanked toward Gojo and the second you feel his hand press against you, you see him make that gesture with his other hand.

“Domain Expansion,” he whispers in a strained voice. “Infinite Void!”

Something happens and your vision flashes for a fraction of a second. And then—

The room is enveloped in an eerie stillness; all the violence and bloodshed coming to an abrupt stop. Monsters and humans alike stand like the living dead, unconscious with their eyes wide open as if they are staring into an infinite abyss. You recognize this scene, you’re familiar with it because it’s similar to the one you wake up to after being hit by Gojo’s ‘domain expansion.’ The only difference is the presence of the monsters, who are all but gone when you regain consciousness.

The pressure from Gojo’s hand is gone and he says to you, his voice still low. “If you’re squeamish when it comes to blood and gore, it might be best for you to close your eyes.”

And then he’s gone.

You do not take his advice. You do not close your eyes. How many loops were you unable to witness what’s about to unfold? A few hundred? A few thousand? And if all goes to plan, then you will never get another chance again: there’s no way you could possibly look away.

And what you see unfold before you is that Satoru Gojo was right.

He is the one to kill all the monsters.

It’s not as if you really had any doubt, after all, it seemed like the most logical conclusion to come to and yet…

There’s a difference between knowing and seeing.

All the violence resumes and the platform is engulfed in the sounds of carnage and slaughter once more. The lack of terrified screams makes everything more disconcerting— without them, all you can hear is the squelching echo of mangled flesh and blood splattering all over the place. You can’t really see him, but you can tell where Satoru Gojo is in the crowd as he leaves dozens upon dozens of decapitated heads soaring in his wake. Once or twice, he leaps out of the crowd and even from where you stand you can see the crazed glow of his inhumanly blue eyes as he massacres monster after monster.

Even though you don’t think you have anything to be scared of, you are still terrified: Satoru Gojo is no longer a man, but violence incarnate. You want to move closer to where Gojo gets trapped, but you’re afraid to. What if you get in his way? What if he kills you by accident?

Dying again when you’ve made it this far is definitely not ideal, but isn’t being killed by Gojo the best case scenario? Because then the two of you would probably loop together again and—

No.

Gojo said you wouldn’t die.

He said he’d protect you.

It’s hard to believe when he’s in the middle of a massacre, slaughtering monsters left and right, but you remind yourself yet again that you have to believe in him.

You take a deep breath and start moving, taking care to keep an eye on where Gojo is. You don’t know how long this is supposed to take, but you do know where he ends up when he’s just about done. The closer he gets to that spot, the sooner the prison realm will be unleashed upon him.

There’s a small group of zombified people nearby and you settle yourself among them. It’s not super close, but you think it's close enough that you'd be able to run over and kick the box away from Gojo if you have to. You do a quick survey to see if you can spot the body snatcher, but he's nowhere to be found. Hopefully, he hasn't noticed you moving around, or, if he has, he's more concerned with Gojo than he is with you. Given that you always seem to be the last thing he acknowledges, you'd like to think that he doesn't consider you a threat.

Which you're not, not really anyway.

The sounds of slaughter start to die down and you look to see Gojo approaching the spot where he gets caught. He looks beat, his eyes unfocused and his breathing heavy. You do another quick scan around him and notice a small box a few meters away from him, wrapped in what looks like paper charms or seals or whatever they're called. That has to be the prison realm— though it looks different than what you saw before. Gojo seems to notice it right after you do, his gaze honing in on it, examining it with some measure of bewilderment. Then, some invisible force slices through all the paper seals covering the box and it expands, the corners of the box floating up in midair to reveal what looks like a large sheet of dark red flesh with a large bloodshot eye stapled to the middle.

Disgusting.

If Gojo didn’t realize before, he seems to now, because he takes a step back, away from the grotesque thing. Good, good—

“Hey! Satoru!” Your blood runs cold at the sound of the body snatcher’s voice. He emerges from the crowd, smiling widely as he gives Gojo a wave. “Long time no see!”

Satoru Gojo’s entire body goes rigid. Shit. You told him, you warned him about what was going to happen, who he was going to see, but was that not enough? It’s possible that no amount of warning would have been enough to mentally prepare Satoru Gojo for the sight of the man he said he killed a year ago. After all, you know that there’s a stark difference between knowing and seeing. Even then, if Gojo doesn’t gather his wits and move now then he’s going to get caught and you can’t let that happen.

Your body moves before you can even think about it.

You scramble out from your hiding spot in the crowd and throw yourself in between Satoru Gojo and the prison realm. There’s no way you can kick it away from him now, not when it’s in this form, but maybe, if you get between them you can at least keep it from capturing him.

The eye quivers erratically, as it flits from Gojo to you. Every hair on your body stands on end as it watches you, the pupil dilating and contracting uncontrollably. You can’t look away from it, your own gaze fixed to your image reflected in the black abyss of the pupil. Something in the back of your mind tells you to stop, to get away, it’s dangerous, but you keep your feet firmly planted to the ground.

A second, or maybe even a minute passes and the prison realm shifts, its fleshy form morphing to restrain you.

The body jacker looks at you, his frown tinged with disgust. “Don’t you think you’re being rather rude by butting into what could have been a touching reunion?”

You scowl. Is he still trying to play the role of Suguru Geto?

He sighs and looks past you at Gojo. “Satoru, I thought bringing lesser sorcerers to fight alongside you was more trouble than it was worth?”

You hear Gojo snort from behind you, “It is… but this person here isn’t a sorcerer… Just like you aren’t Suguru Geto.”

The faker almost pouts and presses his hand to his chest as if Gojo's words have wounded him. “Satoru, I’m hurt, how could you say such a thing to your best friend?”

“Cut the bullshit,” Gojo snarls. “You can’t fucking fool me. You might be in Suguru’s body but I know with all my heart and soul that you’re not him.”

The corpse snatcher stares at Gojo, expression blank before he sighs once more. Then, his gaze shifts back to you, his eyes narrowed as he looks at you with sheer disdain. It feels as if you’ve been drenched in ice cold water. There's no smile this time but you already know what's going to happen.

He’s going to kill you.

“I intended to deal with you later since you seemed harmless enough,” he says, raising a hand to summon a monster— the same one he always uses to end your life. “But you’re in the way. So, I think it’s for the best if I just get rid of you right now.”

Instinctively, you try to take a step back but the prison realm’s restraints keep you in place. Not that it would have mattered much, even in the loops where you’ve tried to escape the faker’s monster, it still kills you, too fast and too agile for an ordinary human like you to avoid. All you can do is squeeze your eyes shut and wait for the monster to kill you. At least, it’s always painless.

Something touches your back.

Your eyes shoot open.

Before you is the monster, wiggling and writhing only mere centimeters from your face. It gurgles and snarls at you, desperate to fulfill its master’s wishes and kill you but it doesn’t move any closer. You stare at it with wide eyes, unsure of what to do.

Someone behind you clicks their tongue— Gojo. You try to turn your head to look at him, but your movements are too limited, the most you can do is turn your head to the side. The sounds the monster is making start to change, sounding more frenzied, almost as if it’s in pain, and you flit your eyes in its direction just in time to see its entire body explode. The monster's guts and bright purple blood fly off in every direction, getting on the floor, the ceiling, the zombified bodies of the people unfortunate enough to be nearby, but not on you.

This is Satoru Gojo’s doing.

He steps in front of you, half turned towards you as he moves in between you and the body snatcher. His hands are shoved in his pockets as he loudly says, “Did you really forget about me?”

You’re not sure if he’s talking to you or the body snatcher.

Past him, the imposter scowls, raising his hand once more, probably to summon even more monsters, but Gojo’s quicker, and it almost looks like his eyes are glowing even brighter, the blue looking almost white as he whips his head in the faker’s direction. The sound of mangling flesh and breaking bones echoes throughout the room as Gojo, using that mysterious power of his, seems to break the faker’s arm.

The body snatcher hisses loudly and despite the fact that his face is twisted in very obvious pain, he tries to shoot Gojo a mocking smile. “Do you really think you can kill your best friend again?”

“I already told you,” Gojo turns to fully face the monster inhabiting Geto’s corpse. He tilts his head a little to the side and some force starts to squeeze at the faker’s neck. “You’re not Suguru.”

You hear a loud crack as Gojo telekinetically snaps his neck.

The head rolls onto the ground and you almost look away, but then you notice his eyes still moving, looking around. Is he still alive? Then you remember: the thing possessing Suguru Geto’s body was some kind of parasite. “Gojo! Wait! The brain!”

He reacts almost instantly, head turning and in an instant the skull is crushed and all that remains is red splotch on the ground.

You almost relax. Almost.

But the body is still standing.

Horrified, you watch as it quivers violently before falling to the ground. Then what looks like dozens of black spirits start to erupt from the corpse and the entire room is engulfed with a shrill howling.

What the hell is going on?

“Those must be all the cursed spirits he consumed,” Gojo explains uselessly, voice barely audible over the screaming. “Guess he was empty before.”

You don’t bother asking what he means. There are bigger problems right now. “What do we do?”

“No choice to exorcise them,” he answers plainly.

For him to exorcise them, he means. You both know that there’s not much that you can do. You still can’t move and honestly, you don’t even know if it’s possible to get out of the prison realm’s restraints. Not without dying. And if you die now…

Everything will have been for naught.

You’ll reset time and have to do this all over again— assuming you can even get to this point again.

There has to be something, you just have to think outside the box.

Or rather—

“Gojo!”

He glances back at you.

“You need to seal me in the prison realm!” you exclaim. He turns to face you fully, looking bewildered and you start to explain as fast as you can. “Those things are going to attack any minute right? I can’t move or try to hide and I can’t expect you to protect me the entire time and if I die then I’ll end up looping time again, but— but, if you seal me in the prison realm then that won’t happen.”

Gojo frowns, looking conflicted. “You don’t think I can do it?”

“Wouldn't it be easier if you didn’t have to?”

He tilts head and you think he’s conceding your point.

“Please,” you beg, staring at him desperately. “We don’t have much time. The other… cursed spirits will wake up soon too!”

You don’t have to explain that you mean Volcano Head and friends.

It takes only a second for Gojo to consider the very few options you have. “...how do you seal it? Do you know?”

“I think so,” you answer. “There’s no guarantee it’ll work but I think that if you say ‘prison realm, gate close’ it should seal me inside.”

If anything, it’s worth a shot.

Gojo nods. “Do you know how to break the seal?”

“I… don’t,” you confess. You never asked, and you don’t think the body snatcher would have told you even if you did. He only told you that it holds one and that…

That time doesn’t flow in the box.

“...you don’t have to break the seal.”

Gojo frowns, “Wait a sec—”

“Even if I make it past tonight… What if this all happens again? What if I inadvertently trap myself in another time loop?” you ask. “I… I don’t want to have to go through all of this again. It’s better for me in a place where time doesn’t pass.”

You don’t know for sure if it’ll be better, but right here, right now, it seems like the best option.

It feels like an eternity passes before Gojo says anything.

“...fine,” he agrees and you don’t quite know how to feel about it. The howling around you all grows louder. You wonder why the cursed spirits haven’t attacked yet. Maybe Gojo’s power is holding them at bay… for now anyway. You both know that he can’t ignore them forever.

“...before I do, though, mind if I ask you just one thing?”

You blink. “Not sure what I can do for you in this state…”

He laughs. “I just want to know your name.”

What an odd request. Though, now that you think about it, you don’t think that during this loop or any other loop really, you’ve ever told him your name. It only seems fair to tell him, since you’ve known his for longer than he’s known of your existence.

You tell him your name.

He nods, looking as if he’s committing to memory. Probably easier to remember than his phone number. “Any last words?”

You try to think of something. Nothing comes to mind and you just shake your head.

Gojo takes a deep breath, “Alrighty then… Prison realm, gate close.”

Just as it did the many times you’ve seen Satoru Gojo sealed away, the boxes and restraints around you vibrate a little before they start to close around you, growing large enough to fit your body as they approach.

You won’t see it, but once you’re inside the box will shrink and become small enough to fit in the palm of someone’s hand.

Will it be quiet inside?

In your final seconds, some words, some last words come to mind, and you say them, hoping that he hears them in time. “Thank you, Satoru Gojo.”

You burn the glittering glow of his brilliant bright blue eyes into your mind.

And then, everything is engulfed in an unending black.

It’s November 30, 2018— morning on the campus of Tokyo Prefectural Jujutsu High School.

Satoru Gojo strides through the school grounds, casually tossing a small silver box with eerie blue eyes known as the prison realm up and down in his grasp. Walking at his side is Shoko Ieiri, a pretty woman who’s been unfortunate enough to have been Satoru’s friend since high school.

“Are you sure this is a good idea?” Shoko asks, twirling a few strands of her long brown hair.

“What do you mean?” Satoru responds nonchalantly. “All my ideas are good ideas.”

Shoko hums in clear dissent, but doesn’t say anything more. Even she knows better than to try and waste her time trying to argue with Satoru. “I’m just worried about their mental state. Didn’t you say that time doesn’t flow in the box?”

“I’d be worried if it was some normal person,” Satoru says. “But after what they’ve gone through I think they’ll be fine.”

“...well, if you say so.”

The two arrive at their destination: the largest training area on the Jujutsu High grounds. Satoru places the prison realm at the center and takes a few steps back with Shoko standing behind him, in case anything happens.

He doesn’t think it will, but it’s always good to take at least a few precautions.

“Gojo, are you sure we should be doing this?” Shoko asks again. “Didn’t they want to remain in the box?”

“Of course I am,” Satoru says with his usual air of confidence before looking back at the prison realm nestled in the grass. He grins and then—

“Prison realm, gate open.”

if you made it this far. thank you. it's my sincerest hope that you enjoyed the ride. 3

#OHHHHHHHH MY GOD.#okokokok this is gonna be. Really Incoherent sorry in advance 🙏🙏 niku this made me…… insane. fully. someone needs to restrain me #one of my favorite gojo fics Ever??? like genuinely????? this was SUCH a pleasure to read i have sm i wanna say :((( hhhhhh #FIRST OF ALLL the higurashi poem…. what a banger <33 i LOVE how it ties in with the ending too but more on that later :33 #but it’s also so perfect bc reading this fic rlly did feel like playing a vn in the BEST way possible…. just. seeing all the tiny variation #experiencing the loops along w reader…… it was just SUCH an enjoyable experience i can’t even describe it!!!!!!!!! i’m so floored!!!!!!!!!!#like i ADORE timeloops it’s my favorite trope Ever and this fic was just . a godsend?? perfection??? the best loopfic ive read?????#I’M STILL GOING FULLY INSANE OVER IT BTW it satiated every single craving i have for timeloop content. my brain is leaking endorphins rn 😵‍#i LOVE the opening lines and the constant reusage of ”It’s the night of October 31 2018— Halloween in Shibuya”…… just so satisfying somehow #and reader’s mental state was also so thoughtfully depicted… it was so easy to insert myself into them but they’re also. rlly charming?#them latching onto gojo as the one anomaly of the timeloop…. fixating on him and his beauty (real as fuck btw)…. and searching for hope!!!#finding hope in gojo!!!! learning to trust him!!!!! :((( it feels kinda like a very twisted one-sided slowburn … and i ate it up.#i also rlly like that it’s not explicitly romantic!!! there’s enough subtext to enjoy a romance aspect but it’s not the Focus yk??#and i like that!!! the focus is on reader and the timeloop and both of those aspects are woven into gojo rlly naturally :>#ok so i’m using that as a segway. bc OFC i need to rant abt gojo fucking satoru and how much i love him and ur take on him 😔😔#every once in a while i’ll find a fic where i’m like. this author knows Gojo Satoru personally. they speak to him on the phone every night.#and this fic is ABSOLUTELY one of those like….. this gojo is Canon to me. i’m so serious abt it like that’s HIM !!!#and it just reminded me of why i love him sm bc this rlly does feel exactly like the gojo from the manga and that’s SO impressive 2 me ….#i’m in awe of u niku. i don’t even know where to begin w gojo bc i loved SO many lines and lil details u put in………. 😵‍💫😵‍💫#he’s just. soooooo charming :/// he truly is. he’s beautiful and handsome and he gives you his number every loop . w a star symbol!!!!#asks you for your phone or a pen and gets all excited writing his name… the mochi receipt…. 🥺 he’s so endearing we need to put him Down.#HE’S SO GOODDDDD I CAN’T SAY IT ENOUGH…. his convos with reader were a huge highlight for me and i loved loved LOVED #the moment he finally understands their situation. when they speak and he hears them out and he’s almost gentle. sooo reassuring.#starting to think you’re genuinely gege akutami btw like . gojo is so complex but you just. captured him perfectly???#he’s cocky and playful and teasing and a killing machine and he’s Kind. he’s playful even when you’re a stranger #and when he finally hears you out he speaks softly and says he’ll protect you :((( reader is better than me i would’ve cried LMAO #THE DIALOGUE IS SO GOOD N FEELS SO REAL ”did you fall in love with me just now?” NOOO ….. ☹️☹️☹️☹️ …. (maybe ……..)#ack. he’s the most charming man in the universe my heart was fluttering like crazy this isn’t… normal human behavior………#WAIT i almost forgot …. i too adore the jjk dub and every time gojo spoke i heard kaiji tang in my head <33 10/10 would recommend!!!#writing ✩

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sehnsuchts-trunken · 4 months ago

Text

So Much Love in Oklahoma

Tyler Owens x fem!reader 7k words

summary: Tyler saves you from a tornado one day. The next, he shows up at your doorstep.

a/n: absolutely no clue about tornados. or oklahoma. don't come at me for inaccuracies

also!!! i'm currently working on some tyler smut too, but you are so definitely allowed to come request things (or just talk to me)! my inbox is wideeeee open, especially when it comes to mister owens <33

masterlist | twisters masterlist

What happens that particular Tuesday afternoon should have been impossible. That's what goes through your head about a bazillion times in the following days. The chances of what happens even happening are about as close to zero, you think, as the possibility of you discovering a cure for cancer.

(They're not. Of course. But it feels like that.)

Because you're not even really in Oklahoma. You're just driving through Oklahoma. You're not from a place where they give you a 'How to Deal with Tornados' manual in school. You're entirely, completely, wholly unprepared for what's brewing as you drive down almost empty highways with the radio all the way up.

So when suddenly, you're in the middle of a storm, with the wind picking up until it drowns out your music and rain and hail slashing against your windows, you're absolutely terrified.

It forms within a few minutes, goes from barely grey skies to a horrible, horrible whirl of almost black clouds, and the insecurity you'd been feeling turns into the gut-churning realisation that you're unquestionably fucked.

Some part of your brain tugs out a deeply buried memory of cars being sucked into tornados on the news, so with your heart racing a few hundred miles per hour and your hands shaking so badly you can barely hold onto the steering wheel anymore, you maneuver your car onto the side of the road, just in time for you to be climbing out of the passenger seat as another car comes to a shrieking halt next to yours.

You're getting drenched within half a second, you're honestly not that sure whether your cheeks are wet from the rain or your tears, and on top of that, you almost trip as you set your trembling feet onto the ground below. The other car's driver bangs their door shut with a resounding thud that makes you flinch so hard you think your soul leaves your body. Your head shoots up as he shouts at you, already three steps away from his truck:

"What the hell are you doing out here?"

He's drenched, too - his hair sticks to his face and his shirt clings to his skin and his pants are stained at least a shade darker. But unlike you, he's not shaking, he's steady as a fucking rock, steady and quick, already reaching out for your arm before you can even begin to think. Your brain lags behind, foggy and cloudy and scared, so fucking scared. You're so terrified you can hardly open your mouth.

"I-", you stutter, then he's wrapping his big hand around your arm and tugging you away from your car, away from the road already.

"We need to get the fuck down!", he calls, pulling you with him onto one of those many, many fields that surround you. "There's a ditch over there, see that?"

You're wide-eyed, shaking, basically being dragged along by him - one foot in front of the other, that's what your brain's concentrating on right now, which is easier said than done. You trip over your own feet every other step. But the guy just wraps his arm around your waist and hurries further.

"Do you see that?", he asks again when you don't respond. Your mind races even faster than your heart does, but you force yourself to concentrate on his voice. The panic doesn't lessen, but his question shifts your focus. Ditch. Ditch. Not the storm raging around you, no, you're looking for a ditch. You're focusing on finding a ditch.

"Yeah", you breathe, your eyes finally catching on the ditch only a bit away.

"Yeah?", the guy shouts. "We need to get there. We need to get low."

With that, he picks up his pace once more and you stumble along, bumping into his side, watching the ditch come closer and closer and closer until your feet are drowned in dirty, muddy water.

"Alright, get down!", he shouts, unwrapping his arm from around your waist to help you into the cold, cold water. "Hold onto the ground!"

You aren't thinking. You can't think. Your brain has shut off completely. Panic numbs every part of you. All you can do, all you can possibly do, is concentrate on the voice of the man who's crouching down beside you. It's like his words have replaced your own thoughts, and like a marionette, you stretch out your arms and dig your fingers into the grass. Which is way easier said than done. You're pretty sure you feel one of your nails break as you try your hardest to find something, anything to hold onto. And then the wind hits.

If you'd thought you'd experienced heavy winds before, you were wrong. So wrong. No vacation in a surfer's town could possibly compare to this.

"Fuck!", you scream, instinctively dropping your head onto the moist grass below. The wind pulls and pulls and pulls at you and you imagine yourself being dragged by it - dragged away, away into certain death. But then an arm wraps around you, and the guy next to you is not next to you anymore but half on top of you, securing you in his arms, holding you close, pressing you to the ground.

"Stay down!", he shouts as you cling to the grass. "I got you."

I got you.

You replay that in your head like a mantra - he's got you, he's got you, he's got you. You're trembling, you're shaking, you're cramping, you're trying to hold onto the ground with all your might as the wind grows and grows and grows and pulls and pulls and pulls at you.

You want to scream. You think you're screaming. But it's so loud. It's deafening, the roar of the wind and the thunder. You can't hear yourself scream.

He can, though. He can. And he tightens his arms around you and repeats "I got you, I got you, I got you". And you believe him. You have to.

You're crying now, you're sure of that. Some part of you hurts. Maybe all of you hurts. You're scared. You're not just scared, you're terrified. It's loud, it's loud and it's everywhere, all around you.

And then suddenly - there's nothing.

It disappears within seconds.

There's no sounds. None. There's silence, deafening silence. Forget the calm before the storm - this is the silence after the tornado.

You take a few shuddering breaths. You're trembling, trembling from head to toes. You're soaked. You're cold.

"Alright, it's gone", the guy says - the guy that's still got his arms wrapped around you, who's still on top of you. "You did it."

He pulls his arm away from you and rolls onto his back next to you. Water sloshes around as he goes.

You don't move an inch.

You can't move.

You're stuck, you're frozen in place. Your fingers are cramped into the dirt and the grass and you're frozen.

The guy sits back up again and reaches out for you. He smooths his hand down your back, surprisingly warm against your ice-cold skin.

"Hey", he says softly. "You're okay. You can get up."

You pry your fingers from the ground one by one, flex your trembling hands and push yourself upright. It takes a few seconds for reality to sink in - you're in a ditch. In a ditch. You're soaked, soaked with muddy ditch water. Your shoes are drenched, your legs splattered with dirt, the hem of your dress soaked in brown. And you're cold. Ice-cold and trembling. And your legs hurt, your arms hurt, your fingers hurt. Three of your nails are cracked.

You're sitting in a ditch in the middle of Oklahoma and you'd just been through a tornado. A fucking ditch in Oklahoma and a tornado.

And a guy, a guy who's brushing his hand down your arm and eyeing you up.

"Alright, let's get you out of here, you're shaking", he says and for the first time, you turn your head and look at him. Actually look at him.

He's tall and he's blonde and he's drenched, too, drenched in that same dirty, muddy water as you. His hands are big, big and pleasantly warm as he grabs softly onto you and carefully maneuvers you towards him.

You don't really remember the next minutes. Not what you're doing, at least. It's a hazy, fuzzy passing of time - you barely remember that you're moving. You're cold and scared and still in shock and somehow, your eyes have locked onto him, onto this guy who you realise probably just saved your fucking life. Because when you come back to reality, he's wrapping a blanket around you - a dry, warm blanket - and the spot where you'd parked your car is empty.

Empty.

"My car", you whisper, staring wide-eyed at absolutely nothing. The guy wraps the blanket tighter around you before he looks over his shoulder and glances around.

"Your car's not that important", he reassures, even though his voice is heavy. Heavy and raspy, you realise. He's got a certain Southern twang to it that you hadn't noticed in all the chaos before. "Much more important is that you're alive."

You nod half-heartedly (he's right, some rational part of your brain shouts, while the practical part mourns the shit ton of money you'd just lost) and settle your eyes back on him.

You don't know what it is, exactly, but something about this, something about the warmth of the blanket and the way he's rubbing your arms, something about him, about his voice and his words, slowly peels away the layers and layers of terror that are clinging to your pounding heart.

You swallow hard, reach up to tug the blanket tighter around yourself and shift your focus. Not the car or the tornado or the fact that you're drenched in dirty ditch water - him. This guy in front of you, who's looking you up and down to check if you're hurt. It's easier that way. It's easier to calm down when you're not thinking about any of it. It's easier when you're staring at him, counting to ten, slowly regaining your sanity. And what's suddenly also easier is realising that this guy in front of you is very much easy to look at. Even though his hair sticks to his head, even though his jeans are stained brown. He's what you'd expect as a reference picture next to the word "handsome" in a dictionary.

All of a sudden, you're not as cold anymore. All of a sudden, you're rather flushed. Because if he's drenched and dirty, you must look about the same. And you don't think you want him to see you like that. You'd much rather meet him in a bar or something, when you're dressed up and clean and preferably not terrified.

"Thanks", you get out, a little too quickly as you tighten the blanket further around yourself. "For, uh, for saving my life."

The guy's lips quirk up and he grins, a lopsided, half-cocky grin that makes your heart leap.

"Anytime, sweetheart", he drawls, then reaches up as though he wants to tip his hat - just that he's not wearing one, so instead, he settles for brushing his hand through his hair, just a second too late to seem intentional from the start. "Why were you out here anyway? Half a mile back is a gas station with a basement."

"I didn't-", you start, hesitant to admit just how unprepared you'd been for what had happened. "I didn't know it was a tornado. I thought it was just a bad storm or something, I'm... I'm not from around here."

He nods at you, his lips already parting when you suddenly twitch away from him and sneeze - once, then twice. His grin has dropped by the time you look up at him again and excuse yourself. God, is this embarrassing.

"You need dry clothes before you catch a cold", he says, his eyes travelling down your soaked dress and your bare legs. "I've got a shirt in the trunk, give me a minute."

He walks towards the back of his car and opens up his trunk and you're hit with two thoughts at the same time. The first is more along the lines of goddamn, are his shoulders broad, but the second - arguably the one that should be more important - is why the fuck his car is still standing in the very same spot he'd parked it before the tornado had hit.

Especially when your car is absolutely nowhere to be seen. Your car and all your things inside it. Oh, god-

"Here you go", he says, holding out a dry copy of the shirt he's wearing, red checkered cotton. He's about to go on when you blurt out:

"Sorry, why's your car still... you know, there?"

His lips pull into that impossibly charming grin once more and he points at the underside of the truck.

"Tornado-proof", he explains, just the slightest bit cocky. You follow the invisible line he's drawing to two... what looks like giant screws? twisted into the ground below.

"Oh", you let out, not too intelligently - but really, what are you supposed to say?

He just chuckles and holds the shirt out for you again. You take it carefully, your fingers grazing his. He's so warm, so fucking warm. Meanwhile you're shaking even underneath the blanket he'd given you. Though that's also starting to get soaked.

"You can change in the car if you want", he offers, already pulling open the door to the passenger seat. You don't really have to think hard about it. You're drenched in the middle of nowhere, with no way to get home, and this guy has just saved your life. So you unwrap the blanket and give it back to him with a smile and a thanks.

It's tight and cramped inside the car, even as you roll the seat all the way back. You pry the drenched dress off of your body and only then remember to turn around and check if the guy is watching you (as handsome as he is, he's still a guy). But no, he's turned away, has his hands rested against his hips and is staring intently at the slowly clearing sky.

You turn back with a smile and get rid of your soaked bra, too, before you pull his shirt on over your head.

Damn, it smells good. He smells good. And it's very comfortable, you have to admit. Plus, it's dry, which is most definitely an improvement.

You take a few seconds to consider whether or not to pull off your shorts... but they're drenched, too, and the guy seems respectful enough to not risk a bladder infection for. So you take your shoes off, and your socks, and your shorts. And then you crack open the car door again and knock softly against the window.

"I'm done", you call out, loud enough that he can hear. He turns back and his eyes drag down your body - or what of it he can see through the open door - and even though he looks right back up at your face, you can't help but feel flustered. You ball your wet clothes up in your hands nervously.

"Alright then", he says, takes a step closer and reaches for the door handle. "You said you're not from around here, where were you driving?"

Ah, right, that part.

Honestly, with so much happening in so few minutes, you'd about blocked out everything else. Everything normal.

"My parents, uh-", you start, trailing off when you realise that's not much help for him. "About three, four hours from here."

"That's quite a drive", he chuckles. "I live maybe half an hour from here, how about I take you with me so you can eat and drink something? Maybe you can borrow a pair of Lilly's pants. And you could phone your parents."

Your tongue darts out to wet your lips and you narrow your eyes at him, taking a second too long to even understand all of what he's saying before taking another second too long to sort how you'll respond. Then you start with what you find most important.

"I've got my phone", you tell him, pulling it out from where you'd just deposited it in the centre console. "I had it in my pocket."

You'd taken it with you more reflexively than consciously when you'd stumbled out of your car - but truly, what self-respecting adult didn't take their phone with them when they left anywhere?

The guy just raises his eyebrows and glances at your phone.

"And it still works?", he asks, a little incredulously.

"Yep", you smile - for the first time, you realise, since the tornado. "It's waterproof."

More because you'd been scared you'd drop the love of your life into the pool or the ocean on vacation, but a tornado in the middle of Oklahoma worked as well. At least you now knew you'd spent your money wisely.

"Smart", he grins. You can't help but grin right back.

He's charming and he's respectful and he looks so goddamn good.

"Who's Lilly?", you ask then, because that had been the second thing you'd wanted to say. He hesitates for a half a moment.

"A friend", he says. You squint at him. He doesn't look like he's lying, but he does look like there's something you don't know about. God, if he turns out to be a cheater- "I'll introduce you if you'd like."

You raise your eyebrows. Alright, so not a cheater. And, if you're interpreting correctly, another invitation to come with him. Not that you'd been about to refuse the first one.

"Sure", you say, as casually as you can. "I didn't really feel like standing around half-naked on the street anyway."

...

A few minutes later, he's driving his weird car/truck with the screws on the bottom down the empty highway. Though 'empty' is the wrong description, really - here and there, trees, road signs and utility poles are scattered on the pavement.

You're driving in silence. Well, silence as in neither of you talks, not as in actual silence. Alongside the motor, the radio had turned on, playing one country song after the other.

"You never told me your name", the guy says suddenly. The very much stranger, who's very much right - you'd never told him your name.

"You never told me yours", you counter, because that's also the truth. He'd never told you his name. You knew his friend's name, but not his.

"Didn't think I'd have to", he mutters under his breath, so quietly you barely catch it. "It's Tyler. Tyler Owens?"

He says it like it's a question. You don't know why. So instead you just answer with your own name and Tyler, as you'd come to know, repeats it with a smile on his lips.

God, you don't think it's ever sounded that good.

"Pretty name", he says, all casual like that doesn't get your heart racing again. Pretty. He'd called you pretty. Almost unconsciously, you brush your hands through your hair.

"Thank you", you mutter. As if to distract yourself, you add: "So, Tyler, what do you do?"

...

Exactly half an hour later, Tyler takes your hand in his and helps you out of his car. His house - the one he's sharing with Lilly, you'd found out, with Lilly and the rest of his Tornado Wranglers - is big and inviting. It's a little way off from any other houses, which you personally think is quite nice. Not that you say that, though.

Tyler walks you inside without having to unlock the door. He takes two steps, then he calls out "Guys, we've got a guest", which immediately results in a surprised shout of "whoops" and the sound of a set of feet scurrying up the stairs. Tyler has barely pulled off his shoes (after politely asking you to wait just a second) when a head pops through the doorframe at the end of the hallway.

"Boone was naked", the woman grins before settling her eyes on you and throwing you a wave. "Hey there, I'm Lilly."

She glances down at your bare legs.

"A little cold there?", she asks and even though her words are sarcastic, her voice is anything but.

"A little", you answer truthfully, smiling at her as she steps out into the hallway.

"You want a pair of pants?", she asks, seemingly without giving a single thought to who you are or why you're standing half-naked in her hallway.

You glance at Tyler, but he's grinning and only shrugs at you, so you turn back to Lilly and nod at her. She seems sweet, really sweet, and very kind. She takes you with her to her room (up two sets of stairs, the fucking house has three floors and a basement) and shows you her closet, the very definition of unbothered even as you nervously rummage through her clothes.

"Hey, you can take a shirt too, if you want", she says, flopping down onto her bed and rolling onto her side to look at you.

"Oh", you let out and glance down at the shirt you're wearing - Tyler's shirt, that very country, checkered shirt that's way too big for you. "I'm fine, thanks."

Honestly, if it were up to you, you would never wear anything else ever again. Tyler's shirt is soft and comfortable and - most importantly - it smells like him. You really just want to tug the hem up to your nose and breathe in his scent (but that would be weird, so you don't).

"Alright", Lilly drawls. "Your choice."

...

Lilly shows you the bathroom, gives you the wifi password and tells you to come down whenever you feel like it. You realise half a second too late that you haven't told her your name yet and crack open the bathroom door to call out for her.

Honestly, you like her. You really like her. And you really like Tyler, too. He's handsome and he smells good and he's respectful and he's nice and he saved your fucking life today. You don't even want to think about what would have happened to you if he hadn't driven by.

In the bathroom is the first time you can really breathe. You throw some water at your face and blowdry your hair. Ten minutes later, you're walking down the stairs into the hallway again - this time, when you stroll through there, you're wearing comfortable pants, fuzzy socks and take your time to look around.

You'd already called your parents back in the car with Tyler. They'd been about as shocked as you'd expected, had needed a few minutes to even understand just what you were telling them, but then they'd offered to come pick you up immediately. Tyler had provided them his address and now here you are - knocking at the open door to the kitchen, where all of the Tornado Wranglers sit around the table. All of them, except for Tyler, who's leaning against the countertop and looks up at you with a grin when you step in.

"Hey there", he drawls, his eyes raking down your body once more today - you've tucked his shirt into Lilly's pants and you could swear his eyes linger on your waist. "Warm and dry?"

"Very", you grin back, then nod at Lilly. "Thanks again."

She shakes her head and waves you off.

"Hey, no big deal. Do you want some pasta?"

...

It's comfortable there, in the kitchen of these strangers who are feeding you pasta and lending you clothes. You've settled onto the countertop next to Tyler and now and then, when you're dangling your feet or he's taking a bite, your legs graze his arm. He's changed into dry clothes too, you realise as you brush against him for the first time, and he's even warmer now than before.

"Tyler's told us all about you", Boone says after a few minutes of easy conversation. You raise your eyebrows and turn your head, staring at Tyler from the side.

"Has he?", you ask, because you hadn't even told him enough about yourself to warrant any use of the word 'all'. Sure, you'd talked on the ride here - but mostly about him, because - as it had turned out - what Tyler Owens did wasn't a normal job like doctor or lawyer, but instead professional Tornado Wrangler. Which, of course, had then dominated the conversation for the rest of the drive.

"Yeah, like how you were driving to you parents and didn't know what to do in a tornado so you just kept on driving", Boone grins, scraping the rest of his pasta off his plate. "And how he made you go in that ditch and-"

"Alright, shut up, Boone", Tyler interrupts, even though there's no real malice behind his words. "She knows the story. She's in it."

"I'm just saying", Boone goes on, entirely undeterred as he puts his now empty plate down on the kitchen table. "If you'd filmed that, it would go viral for sure."

You have to snort at that.

"Yeah, because of all the indecent exposure."

...

When your mother rings the doorbell three hours later, you're in the middle of the second round of a boardgame Dexter had pulled from a drawer. You'd been paired with Tyler for the first round and - somehow not surprisingly - that had worked quite well. You'd won just so against Dexter and Dani (Lilly and Boone hadn't been too much competition) and Dani's "We never get to play this right 'cuz we're always five people" after Tyler had high-fived you with a victorious cheer had warmed your heart. At least they'd enjoyed themselves - at least you hadn't been a burden.

"I call dibs on her", Lilly had declared when the second round had begun, so Tyler had teamed up with Boone instead.

"Oh, oh, botany!", you call out, just as the doorbell finally rings. Lilly jumps up and high-fives you.

"How in the hell did you guess that?", Dani asks, sounding all but exasperated at this point as Tyler pushes out of his seat and walks towards the front door. You shrug.

"Pure talent", you joke, then you climb off the couch as well. "Alright, it was so nice meeting you all, but I think my taxi's out front."

They all hug you goodbye and tell you to come around again anytime - Boone even hands you one of those t-shirts Tyler had told you about in the car. You can hardly hold back a snort. Though Tyler had told you about the shirts existing, yes, he must have accidentally forgotten to mention that his goddamn face is printed on them, paired with the very... comedic phrase "Not My First Tornadeo".

You thread through the hallway with the shirt and your phone in your hands, only to be hit with the sight of Tyler hugging your mother on the doorstep. Or your mother hugging Tyler, more like. Either way, you're suddenly frozen in place.

But then your mother opens her eyes and sees you standing there and she lets go of Tyler with a sharp cry to come running at you instead. She throws her arms around you with so much vigor you're almost knocked off your feet. You meet Tyler's eyes over her shoulder - crinkled with lines of laughter as he smiles at you. Your eyes dart away again just as quickly.

"It's fine, mom, I'm okay", you reassure.

"Yeah, thanks to Tyler", she mutters into your hair. "I already told him we'll pay him whatever he wants for saving our daughter."

"And I already said I don't want any money", Tyler clarifies.

...

The next morning, you wake up comfortably late in a warm bed. You walk down the stairs in fuzzy socks and start the day with a simple cup of tea.

A simple cup of tea and Tyler Owens' YouTube channel.

You'd looked him and his Tornado Wranglers up the very second you'd sat down in your mother's car. Then you'd subscribed to every channel you could find. And then... you'd kind of got obsessed. You'd watched so many of their videos that by one am, you'd simply fallen asleep to one of them.

"Aunt May's gonna be here in half an hour", your mother informs you casually, a stack of plates in her hands as she rummages around in the kitchen. You're still sitting at the table in your pajamas, a spoonful of cereal in your mouth, your phone propped up against a water bottle in front of you, playing a Tornado Wranglers video from a year ago.

"Seriously?", you get out, chewing on your cereal before you can swallow it down. "Mom, I still have to shower and get ready and all."

She throws you one of those eyebrows-raised glances that immediately let you know she's judging you for something.

"We only let you sleep this long because you almost died yesterday", she says matter-of-factly, then she eyes your phone. "And if you weren't watching Tyler's videos so obsessively, you would be done by now."

"Really, mom?"

You let out a resigned sigh. She only shrugs and grins at you. She's a little bit right, anyway.

"He's good-looking, I get it", she says, then she strolls out of the kitchen, chuckling to herself while you curse at her. He is good-looking, fuck this. You need to get it together before the rest of your extended family arrives.

...

The doorbell rings for the umpteenth time that day, just as you step out of the bathroom and smooth down the front of the red-checkered shirt you're wearing. You call some version of "I got it", down the hallway, not too sure if anyone even hears - they're all in the backyard anyway. Then you open the door with a smile on your face, a smile that instantly pulls into a wide grin when you see just who's standing there.

Because it's not another aunt or uncle or cousin. It's no one in your family, not even close.

It's Tyler.

Tyler Owens.

"Hi", he says. Just that. Hi.

You lean against the open door and cross your arms. Your grin only grows.

"Hi", you echo.

His eyes rake down your body and it seems like whatever he'd wanted to say gets stuck in his throat as he realises that the shirt you're wearing isn't your shirt, really. You can't help but bite down on your lip.

Look, you hadn't expected this. You hadn't expected him. None of this was a scheme or a plan or anything even close. You'd just seen it lying there this morning, right next to Lilly's pants on your desk, and you hadn't been able to help yourself. It smelled so fucking good.

"Nice shirt", he grins, eyes snapping back up to yours.

"Thanks", you grin back. "I got it from this guy after he saved me from dying in a tornado yesterday."

Tyler chuckles.

"Seems like a great guy."

"So great", you agree. "Even though he prints his face on t-shirts."

Tyler is just about to retort something - all toothy grins and laughter lines - when your mother calls out his name, very obviously pleasantly surprised as she comes down the hallway. She smiles at him, big and wide.

"What are you doing here?", she asks, stopping next to you to ask the very question that had been on the tip of your tongue too when you'd opened up the door.

"Oh, I'm just bringing these back", he says and holds up his hand to show a stack of neatly folded clothes with your bra right on top. You have to bite down on your cheeks to stop from outright grinning.

Okay, so even if wearing his shirt hadn't been a scheme, and even if you hadn't expected to see him... You might just have done something to ensure you would see him again. But hey, he's about the most handsome man you've ever laid your eyes on, you'd be damned if you'd have to watch him on the screen of your phone for the rest of your life. So yeah, you may have accidentally 'forgotten' your wet clothes in his bathroom after you'd hung them over the heater to dry. You just hadn't thought he'd find them so quickly.

"And you drove four hours for that?", your mother asks, more baffled than you are. Tyler only shrugs. Your mother reaches out for your clothes, grabs them from him and puts them on the cupboard in the hallway. Then she looks at him.

"You're coming in, yes? We're having barbecue now and cake in a bit. I'm not letting you drive four hours here just to deliver her clothes."

...

Twenty minutes later is when you get Tyler alone for the first time. Your mother has schlepped him with you through the whole garden and introduced him to every single person there - "He's the guy who saved her yesterday!" (because, obviously, your story had been about the only topic anyone had talked about so far) - your father first and foremost, who hugs Tyler so tightly that for a moment you're afraid he'll break him.

You catch up with Tyler just as he finishes loading his plate with food, finally on his own after your mother has excused herself to go cut up more bread.

"How'd you find me?", you ask, sipping at your ice-cold coke and eyeing him up. It's the one question that had been burning in your mind for the past twenty minutes. How in the hell had he managed to find you? It's not like you'd left a note with your address next to your clothes (though in hindsight, you don't remember how you'd meant for him to bring them back to you).

He looks almost bashful for a second.

"Boone noticed you'd followed our account", he explains then. "He figured out your last name from your handle and searched the phone book of the city on your mom's license plate. And then he read out all the names until I recognised your mom's because she'd introduced herself to me yesterday."

Your eyebrows raise, further and further the more he speaks. You swallow. Silence falls for a second, then two.

"You know, some people would call that creepy", you say, but your lips tug up into an involuntary grin that gives away more quickly than you'd wanted that you aren't one of those people. Tyler grins right back at you.

"Personally I think it would've been more creepy if I'd kept your bra."

...

It's 9:20 when your mother comes over. You've long since switched from barbecue to cake, then to snacks. Your feet are tucked underneath Tyler's legs, propped up against the side of his garden chair and he's running his fingers up and down your calves.

You'd spent the afternoon chatting away and laughing, barely talking to anyone but him. Your 'family get-together' had turned into more of a date. You certainly aren't about to complain, though.

"Tyler, you're staying the night, right?", your mother asks, a fresh plate of chips in her hands that she puts next to the almost empty one on the table in front of you.

"I don't want to overstay my welcome", he says, all gentlemanly even as your mother rests her hands against her hips and stares him down.

"Young man, you're welcome in this house any time, for however long. I'm not letting you drive home four hours. You're staying the night." Then she points at you. "She's still got a couch in her room that you can sleep on. I'd offer you a guest room, but half the family's staying here and we're already out of air mattresses."

So an hour later, you're rummaging about your room, picking up clothes off the couch and stuffing them in your closet to make room for Tyler. He's leaning against your doorway, looking around, taking in the mess that is your childhood bedroom.

"Nice posters", he says, and you throw him a look over your shoulder that could be deadly. He's grinning all sarcastic, only chuckling as his eyes meet yours. "You could put up one of my shirts here."

You have to snort at that and before you can even really think about it, you've pulled the shirt Boone had given you yesterday from where you'd put it down on your desk. You throw it at him carelessly and he catches it with no effort at all, which - paired with that fucking grin - shouldn't be as attractive as it turns out to be.

"Knock yourself out", you say, then you turn back around to your closet and tug out bedsheets for him. "My old poster glue should be in one of the desk drawers."

You don't think he'll seriously do it, but you seem to have misjudged him. Badly. Because he gets to work immediately.

You watch him for a few stunned seconds before you decide to just leave him to it. So while you turn the couch into a makeshift bed for him, he glues that goddamn "Not My First Tornadeo" shirt to your wall.

"Fits perfectly if you ask me", he declares eventually, barely concealing the amusement dripping from his words. You smooth down his sheets before you look up at your wall. He's put the shirt up in one of the few empty spots, right between your Maroon 5 and Destiny's Child posters.

"Yeah", you snort. "Perfectly."

You give him a toothbrush and let him use your bathroom. While he's gone, you change into your pajamas, fold his shirt carefully and put it on a pile with Lilly's pants and her socks. Honestly, a little part of you already mourns the loss of it - but another part of you already has hope for another shirt. Maybe in a different context.

"What're you doing?", Tyler asks, shutting the bathroom door behind him. You don't look up as you fold the other clothes you'd thrown onto your desk yesterday.

"I put Lilly's things and your shirt there, you can take it back tomorrow", you explain, starting a second pile of your own clothes next to his.

"Keep my shirt", he says. That finally makes you look up at him.

Which isn't a good idea. Not at all. Because he's standing there in nothing but his briefs and good fucking lord-

You'd known he's handsome. You'd known he's broad. But you hadn't known he's fucking ripped. You shouldn't stare. You're very aware. You definitely shouldn't stare. It's incredibly rude to stare. It's very inappropriate to stare. But goddamn, this man is built so perfectly god himself must be jealous.

You have to forcibly blink yourself back to reality. You're definitely red in the face when you finally manage to meet his eyes again. And he's raised his eyebrows in a way that tells you he's reading your every emotion right off your face.

"Sorry, come again?", you croak out, brushing your hand through your hair and realising just a second too late that your eyes have travelled down too far again.

"I said you should keep my shirt", he repeats, a very, very obvious grin on his lips. "It looks better on you."

"Okay", you agree, a little too quickly. The heat in your cheeks comes from more than just the half-naked view of him now. He thinks his shirt looks better on you. You don't even care if that's a line. "I'll... I'll go brush my teeth real quick."

When you come out of the bathroom a few minutes later, Tyler has made himself comfortable on your couch. It's a little too small for him, you realise, but he doesn't seem bothered. He's pulled the covers up to his hips - you can still stare at his chest, to your delight. And he's put one hand under his head, flexing his bicep in a way that has you hurrying over to your own bed so you won't jump him right then and there.

"Alright, goodnight, Tyler", you breathe, adjusting your pillow and wrapping your blanket around your body as if grabbing at it will somehow ground you.

"Goodnight", he echoes, and then you turn off the light.

It's quiet. The only noise is the laughter of your family a floor below, all settling into bed themselves. It's quiet and it's dark.

And you're staring wide-eyed at absolutely nothing.

Oh, god. He's so fucking hot. He's so fucking hot you want to throw yourself out of the window. He's so fucking hot and he's on your fucking couch, barely ten feet from you. He's so fucking hot and he'd driven four hours here just to bring your clothes.

"Tyler", you say, barely two minutes after you'd turned the light off. He hums in response - still awake. You don't know what you'd expected. "Thanks again. For, you know, for everything."

"Anytime", he replies, and even though you can't see his grin, you imagine you can hear it. You nod into your pillow. Then silence falls again.

It lasts maybe another two minutes.

"Your family's nice", he says then. You can't help but smile.

"Thanks", you mutter.

"I like your mother", he says. Your smile only grows. You turn onto your back and stare at the dark ceiling.

"She likes you too."

It's the truth.

Tyler stays quiet. You don't even try to close your eyes this time - you can hear him breathe, deep and relaxed. It's calming. You're sure it could lull you to sleep. If you were anywhere near tired, that is. This way, you just blink at black nothingness.

"Were you really a Destiny's Child fan?", Tyler asks eventually, his sheets rustling.

"Yep", you say.

That's it for that conversation.

You don't know what it is, the darkness or the silence, but something pushes on your chest and weighs you down, warming your skin as it settles on your body. It's a tension, thick and heavy, one that had grown with every scrap of conversation.

"You know-", he starts again, but this time, you've got enough.

"Tyler", you interrupt, turning onto your side and pulling your covers with you. "Get up here."

You can't see him as he throws his bedsheets off himself, can't watch as he heaves himself up, can't look at him as he strides over to your bed - but you hear the rustling of his covers, you hear the couch creaking, you hear his steps on the floorboards. And you feel the mattress dipping when he finally sets his knees on your bed.

You don't wait until he's actually in there. You don't think you could possibly wait until he is. You just push yourself up, grab onto the first part of him you can get your hands on (his shoulders), cup his face in your palms and pull him into you.

Right into your kiss.

Tyler Owens kisses you for the first time in the darkness of your childhood bedroom. For the second time in the morning light in your bed. For the third time in your parent's kitchen, right as your mother walks in. For the fourth time in his truck, after your parents all but throw you out of their house and force you to go home with him. For the fifth time in front of his own house, where his crew watches through the window.

And after that, Tyler Owens loses count of just how often he kisses you. Because he kisses you every day for the rest of his life.

#x reader #tyler owens x reader #tyler owens #twisters #tyler owens twisters #twisters 2024 #twisters x reader

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selfcarecap · 1 month ago

Text

✧ Manipulative best friend!Logan with a corruption kink

warnings: smut 18+, this is not a dark fic, Logan isn’t truly manipulative but we have a very naive/innocent/inexperienced reader; first time masturbation, JOI, handjob, fingering (in front of a mirror), first kiss, pet names (bub, baby, my girl, good girl), Logan doesn’t always fully ask for consent but if he did reader would want it, so those are the type of vibes, Logan takes advantage of the situation but reader is into him too, it’s implied that reader is a mutant too but powers are not specified, mentions of alcohol, reader wears Logan’s (big) shirt, Logan is a bit gross

This kind of got out of hand lmaoo it was just supposed to just be a short concept but I ended up writing 5.5k words lolll. It’s not a fully fleshed out fic (it’s in full sentences etc but still just kind of loosely written scenes) but I thought I’d still share <33 (gorgeous divider by @anitalenia <3)

Logan knows he wants you from the moment he meets you. He knows he needs you the second you come to the mansion and join the school. But you’re so shy and nervous that he doesn’t want to overwhelm you, so he tells himself he’ll wait for a bit and let you get used to your new life here first.

What he isn’t expecting is that you become really good friends in the meantime. Yes, he still wants to fuck you but he also genuinely enjoys your company and cares about you. Logan has a big, fat crush on you and there’s not really anything he won’t do in order to be closer to you.

But the problem is that you’re so innocent and he can’t tell if it’s an act, if you just don’t like talking about sex in front of other people, or if you’re really like this.

He hears you talking to Storm and Jean one night and Storm is trying to convince you to get a vibrator and you’re asking “what would I need that for? I don’t… y’know”. Storm says “you don’t what? Masturbate?”.

Logan knows exactly what shy expression you’re making even though he can’t see you, and you’re all like “oh my god, don’t say it that loud”. And he knows your pretty face must be getting all hot with embarrassment and the thought alone turns Logan on to no end. It’s quiet for a bit and Logan gathers that Jean reads your mind, and she confirms to Storm that you’re not lying.

Logan can only hear the conversation because he’s in the kitchen and you’re all in the room next to it, but some students come in so he can’t keep eavesdropping, as much as he wants to. And he knows there’s no way you’re continuing the conversation if he’s in the room, so he has to give up for the night. He tries to ask Storm the next day about what you said and she just calls him a pervert and says to ask you himself if he wants to know so badly.

But that’s kind of the thing. He’s become your best friend over the last few months, but there are still some things you’d never tell him just because he’s a guy, even if you don’t see him as more than a friend. Yet.

And Logan only gets more desperate when you’re drunk one evening after a girl’s night and you’re knocking at his door. It’s really late but Logan lets you in of course. You’re crying a bit and he makes you sit in his bed and takes off your shoes and slides off your jacket while you hiccup something unintelligible.

He sits down with you and you can barely focus on what you’re saying, and then you get up mumbling about your uncomfortable tights and your skirt and suddenly you’re in front of him in just a top and panties. Logan has to gulp down a moan as he stares at the flesh of your thighs and the rolls on your belly and all he can think about is devouring you whole – until he hears you mention the conversation with Storm and Jean from the other day, “wait, what was that?”

You pout, “Well I was talking to them and turns out apparently I’m the only woman in the world that doesn’t masturbate and– and Jean went home to Scott, and Storm went home with someone she met at the bar and I’ve never even done anything with a guy, not even with myself. I just feel left behind.”

And Logan tells you something about how you’re just a late bloomer and there’s still time, because that’s what he thinks you want to hear, but you tell him it’s condescending. You don’t want to be a late bloomer, you just want to have sex. And oh– Logan can help you with that.

He has to do his absolute best to keep calm and not mount you immediately, but you’re drunk so that’s what’s stopping him. He might manipulate you a little to get what he wants but he’s not that bad. He asks “you don’t like touching yourself?” And you just shrug and say “dunno”.

“You never feel an ache between your legs?” Logan asks, keeping so calm it’s painful. And he can practically feel the heat melting off your face at the question as your eyes dart around the room, “I don’t know, sometimes”.

“And you don’t touch yourself?”

You shrug again, looking everywhere but at Logan, “I never really know what people mean when they say that. I, like, touch myself and it feels nice but that’s it.”

Logan smiles, “how long do you touch yourself for?”

“I don’t know, a few seconds.”

And he chuckles and says “it’s normal that you don’t get anywhere in a few seconds, bub.”

“Oh. I didn’t know that,” you manage to meet his eyes briefly but look away again as you sit on your hands shyly.

“You ever watched porn?” Logan asks and your eyes go wide as if he’s just committed the worst sin known to womankind in front of you and you hug your legs and say “noo, I would never. I’m not, like, a pervert.”

Logan laughs, “Porn isn’t just for perverts. There’s more to it than choking and bondage, there’s tame stuff.” You just say “well I’ve never watched any.”

“Maybe you should.”

“Maybe, I don’t know.”

He can tell you’re getting a bit ashamed and while he would love to train that shame out of you when it comes to sex, now isn’t the time when you’re drunk in his bed at 2AM.

“You wanna go to sleep?” He asks, failing to resist giving a small squeeze to your knee. Your eyes fly to his hand there, gaze lingering on his fingers even as he pulls them away. You nod after a few moments, and Logan reaches out to wipe away the remnants of your tears and says “you wanna sleep in my bed? We could cuddle”.

You grin like a child who’s just tried ice cream for the first time at his suggestion and he gives you a bigger shirt of his so you don’t have to sleep in that small, tight top you’re wearing. You pull off your top without warning and then he’s looking at you in just your underwear and he feels like he’s died and ascended to heaven even though he’s probably more likely to go to hell with the thoughts he’s having about you right now.

You cast a shy glance over your shoulder as you undo your bra and Logan wills himself to shut his eyes, putting his hand over them because he knows otherwise he’d look.

He only wants to fuck you more when he sees you in his shirt though, and he’ll definitely have to go to the bathroom to jerk off once you’ve fallen asleep. Except that you snuggle against his side so cutely, head resting on his shoulder with a leg thrown over his.

You’re fast asleep before he can even say good night and when he moves to get up you move closer, and now he’s got your plush tits pressed up against his side and your arm over his waist. A tent has formed in his pants and he feels pathetic that he’s measuring the distance between your elbow and his crotch, silently willing you to move just a few inches.

He’s so horny that he’d feel no moral qualms at jerking off right next to you. He’d cum so quickly with you pressed to his side, but he wouldn’t know how to explain it if you woke up. He doesn’t want to scare you away. So he pulls away to get up, and you wake up and whine when he stands up, telling you he just has to pee to which you grumble, and you grab his pillow to cuddle with instead.

He jerks off shamelessly, sitting on the edge of the bathtub. His spit slicked-palm is starting to get loud as he strokes his cock to thoughts of you, but he doesn’t care if you hear. You probably wouldn’t know what he’s doing anyway with how innocent you are.

He doesn’t even have to fantasise about any sexual scenario with you. Thinking about the pretty smile you have whenever you look at him is enough to have his fists drenched in his cum as he jerks himself off with both hands to stroke his entire length.

He can’t hold back the small moan that spills over his lips when he cums, torn between hoping you heard and hoping you didn’t. Logan washes his hands and rejoins you in bed.

He takes a moment before he slips under the covers, taking in the sight of you in his bed, imagining you’re his and that it’s the norm for you to sleep together rather than an exception. You stir as the mattress dips with his weight, swapping the pillow of his that was clutched between your arms for his bicep that you hold onto instead. You’re way too gone to have heard any of what he just did, and for a moment he feels dirty for thinking about you the way that he does.

It doesn’t last long, of course, as he dreams of you most nights. He can’t feel bad about it though – he’ll take any dream over one of his nightmares (that he hasn’t had since he met you). And if he’s honest it turns him on how innocent and unsuspecting you are of what goes on in his head when he thinks of you.

You wake up still wrapped around his body the next morning. You have a headache and Logan brings you something to soothe it, offering to massage your stiff neck too. You sigh in bliss as soon as Logan’s hands are on you, and he reminds himself that you must be touch-starved. You’ve never touched yourself, let alone felt the touch of another person that went beyond platonic or familial affection.

He revels in the sounds he pulls from you with ease with the most basic massaging technique there is. He never wants to leave. He started off hovering over the back of your thighs, but he’s been making his way forwards and now his crotch is nestled right against the soft swell of your ass. You either don’t notice that he’s slowly moved or you don’t realise what exactly is pressing into your backside.

It’s obvious that you’re enjoying his hands on the back of your neck and the top of your shoulders; he doubts there’s anything that could distract you from it. Except if he got hard maybe, but he’s got more self control since he jerked off in the bathroom again after waking up with morning wood and with you by his side, just before he brought you some painkillers.

“You’re so good with your hands, Logan,” you tell him, voice all raspy, and he smirks at the innuendo you don’t realise you’re making.

“It’s what my girl deserves,” he says, pulling a smile and a hum from your lips.

“I’m your girl?” you ask shyly, eyes still closed as his knuckles drag over your skin.

“O’course you are, bub.” He’s not sure in what way you interpret the pet name but he can tell you like it, hearing how your heartbeat speeds up just that little bit. You like being his, and he likes that.

It’s during a particularly horny evening that Logan comes to your room. He’s jerked off twice today to pictures of you — pictures he’s snuck over the time he’s known you, you smiling as you laugh at a tv show, stretching on the sofa not realising that he’s got his phone out, or that one photo of you smiling all shyly on the day you first met him and he showed you around the mansion. Jean asked to take a picture to commemorate the day you joined them, and he remembers the way he slid his arm around the back of your waist and you placed your hand shyly on his back, smiling all adorably.

He’s got a picture of you in a bikini from that one time you two went swimming but he keeps that for special occasions. Today was one of those special occasions, and he came all over his phone screen, cursing when he had to clean it afterwards; he even had to get the phone case off and all.

But you still won’t leave his head for even just a second, so he decides it��s time for the next step. He doesn’t want to overwhelm you with anything, but he also just really wants you. Can’t help it. He’s a selfish man but any man would be if he knew you the way Logan did. He knocks at your door. “Yeah?” you call out.

You grin when he steps in and closes the door behind himself. You stretch out your arms for a hug to greet him, even though you only saw him a few hours ago. He joins you where you’re sitting on your bed with your laptop. Logan turns the screen towards him, hoping to find something naughty but he should have known better. It’s just some video essay on a topic he’s never even heard of. He shuts the laptop.

“You know, I’ve been thinking,” you tell him, genuinely focussed, “If I’m your girl then what are you to me? My boy sounds weird, and my man.. I don’t know.”

He almost forgot that he called you his girl to your face, and he smirks when he imagines you thinking about it these past few days. He lies down on his side, invading your space, almost touching you with how close he is next to you.

“I can be anything you like, bub.”

You shrug shyly, “Maybe you’re just my Logan.”

He’s surprised at how much that turns him on. You being his, that’s one thing. But him being yours? Those two things go hand-in-hand, of course, but he thought you were still a long way off from liking him as much as he likes you.

It encourages him to ask you what he’s been thinking about for days. He says it casually. “So, had any success touching yourself?” He uses that tame expression so that you’re less embarrassed.

Still, your eyes widen slightly and you immediately start playing with the hem of your oversized t-shirt. “What do you mean?”

“You know what I mean,” he smirks, “Don’t gotta be embarrassed around me. We’ve been over this.” Although, for a second he wonders if you even remember the conversation. You were drunk after all, and he considers feeling bad, but then you smile.

“I know, but… I haven’t tried it since. I’ve thought about it but I still don’t know what to do.” He’s got you right where he wants.

“Y’know, I don’t mind showing you. You deserve to feel good.”

You look away, “What would you even show me? And how? Guys are different down there.” Oh, you’re so innocent. He’s having so much fun.

“I could touch you.” He watches you experience a multitude of emotions as you think about it. Shame, intrigue, resolve.

“Wouldn’t that be weird for you?”

“Not at all, don’t worry about me.”

“Are you sure?”

“I’m sure, bub.”

You look around you, putting your laptop and your phone on your nightstand, “What do I do?” you ask, playing with the blanket.

“I’ll just touch you a bit, okay? Just get you used to the feeling,” he tells you, both of you sitting up and he pulls your legs around his waist, gently touching all over your inner thighs, squeezing the flesh.

You’re already arching your back, scooting closer to him, and he lifts your shirt up over your hip and sees the wet spot on your panties. He’s not sure if you notice how hard he is under his sweatpants but no one could blame him for that. You’re getting so worked up and he hasn’t even touched you anywhere near your pussy, you’re breathing so heavily and your heart is beating so fast.

“Y’want a kiss, bub?” Logan asks you all sweetly, and you lean in as soon as the words leave his mouth. Your lips on his are messy but eager, and Logan loves that he can feel that it’s your first kiss. You don’t know what you’re doing but you need it – need him.

But he has to stop at some point because it’s getting harder to not fuck you, so he gently pulls away, and you grin shyly when the kiss is over. Logan leans in one more time for a quick kiss. He pushes you backwards a bit and looks between your spread thighs. You’re so wet. You’re squirming under his gaze.

“Can I take these off?” he asks, tugging at the waistband of your panties and your breathing gets shaky when his finger grazes your belly. You bite your lip and nod.

“Good girl,” he says, pulling your underwear down your thighs with one hand, eyes glued to your pussy. You’re so wet and sticky already, and your pussy looks even better than anything he’s imagined – and he’s imagined it a lot.

He wants nothing more than to fuck you, or eat you out at least, but he’s supposed to be showing you how to masturbate, so he lies down next to you.

“So, if you were alone, you might touch yourself like this.” He takes his hand between your thighs, softly touching your clit. You’re leaning into him, head against his shoulder as you watch his big hand between your thighs. It looks so right there. You look to your side and gaze up at Logan, and you can’t help but just kiss him again.

And while you’re kissing, Logan puts his palm on your pussy and starts rubbing you a bit rougher, and you become too distracted to keep kissing him.

“You like when I play with your clit?” he teases you and you nod, hiding your face in his neck. Logan moves down to fuck one of his fingers into you, then two, and you’re whimpering against his warm skin. With his palm still rubbing against your clit, you have your first ever orgasm with Logan and you hold onto him as the pleasure flows through your body.

He keeps going until you put your hand around his wrist to stop him and you shyly smile up at him. “Was that good, bub?”

You answer with a weak “yeah”, your voice hoarse but you’re smiling and your skin is glowing. Logan pulls his hand away and shows you how your arousal sticks to his fingers, and your eyes search his because you’re not sure if this is a good or bad thing.

Your mouth opens when Logan takes his fingers into his mouth and sucks your taste off them. “Taste so fucking good, baby. You wanna taste yourself?” And he waits patiently until you’ve made your mind up but you nod and let him put one of his fingers into your warm, wet mouth. You suck on it for much longer than necessary and Logan tries to save the image in his brain for later.

He holds you for a bit as you comprehend that you’ve just had an orgasm for the first time in your life. You shyly thank him before he leaves and he makes you promise that you’ll try it again by yourself soon. That was the whole point of this, after all – nothing to do with Logan or anything.

Logan thought he’d be satisfied for a bit, but all it’s done is make him even needier for you. You’re so oblivious to all his flirting, and he’s sure you genuinely thought he just wanted to show you how to masturbate the other day.

Of course, he could just ask you out, but it’s more fun this way. He likes watching you figure stuff out. He wonders how long it’ll take you to realise that he actually likes you, that teaching you how to jerk off maybe wasn’t only in your best interest but in his too.

He’s a bit pathetic when it comes to you at this point, though. As much as he’s teasing you, it’s also teasing him. It’s a bit of a low point, but he pretends to be in a bad mood to get your attention.

You come to his room in the late afternoon when you haven’t seen him all day, and you’re so kind and so caring and immediately worried when you see him sprawled in bed in his pyjamas that consist of grey sweatpants and a white shirt.

“You okay? What happened?” you close the door and sit on his bed immediately.

Logan fake sighs, suppressing a smile as he pouts exaggeratedly. “Nothing, bub. Don’t you worry about me.” He squeezes your knee to reassure you, and he watches you perk up at his touch.

“You know you can always talk to me,” you smile kindly, and he wants to kiss you so badly. He doesn’t usually talk about emotions and feelings all that much, but you’re always trying to get him to open up because it’s good for him, so he knows he’s got you with this.

“I’m just feeling a bit down today. That’s all. Don’t wanna bother you with my problems.”

“You’re not bothering me. I’m always here for you.”

He watches you gnawing on your lip as you think about what to say next, and Logan waits curiously. “Have you uh, jerked off today? I think an orgasm would cheer anyone up, if it feels as good as you made me feel the other day.”

And Logan’s all like “I’ve tried but it’s been so long since a woman touched me, and my own hand just isn’t doing it for me anymore.”

He gets hard immediately when you perk up, smiling with your sweet expression and saying, “I could help you! I hate seeing you so sad”.

And Logan pretends, saying “no, bub, I’d never ask that of you,” but you sit up on your knees and say “I really wouldn’t mind! And I owe you for last time anyway.”

“If you’re really sure?”

You nod sweetly and brush your hair out of your face and ask, “where do you want me?”

And even just you asking that is something that will stay in his mind for a long time. He feels like you’d do anything he asked of you right now and it’s already driving him crazy. He says “just next to me here, bub. Yeah there is fine”.

You lean in to kiss him and he only pulls away out of surprise, and you’re blinking back at him with wide eyes, apologising, “It’s just cause you kissed me last time, I thought— I thought it’s part of–”

“Yeah, baby, it is. Just didn’t know if you wanted to kiss me again.”

You give him a cheeky smile and nod, “of course I wanna kiss you. You’re my best friend. I’d do anything for you”.

Logan grins and bites his lip and says “me too, bub”, and leans in and kisses you again, basically attacking you with his mouth. He can tell it’s getting a little much for you with the way he’s eating you alive so he stops himself and asks “was that too much?”

You shake your head, “just don’t know how to kiss like that yet.” And he likes that. Yet. Maybe he can sneak in some kissing lessons at some point, just to show you how it’s done of course, no other reason.

You look down at his lap then and it’s obvious how hard he is. “Y’wanna you touch it like this first?” he asks you, grabbing himself over his sweatpants, the outline becoming clearer.

And you nod so eagerly, but get a bit shy when you’re touching his cock, one of your knees pulled up to your chest as you palm him over his sweatpants. “It’s so big,” you marvel, oblivious to how much this is affecting Logan.

“You wanna see?”

You tell him yes and he pulls the waistband down, and you lean closer when he wraps a hand around his cock, stroking himself just a few times to relieve the pressure.

You bring a finger to his mouth like he did for you the other day, and he chuckles, “that won’t be enough, bub”. Your cheeks burn when you say “oh”.

“Here,” he moves your hand so your open palm is facing him and he spits into it.

“Now do this,” Logan tells you, taking your hand and wrapping it around his cock, guiding you up and down with your spit-slicked palm. You watch in awe as you jerk him off, his hand never leaving the back of yours.

He could cum immediately like this, but he tries to savour the feeling a bit longer.

“Does it feel good?” you ask him.

“Yeah, doing so well, bub. Think you can do it by yourself?”

You shake your head with a smile. Yes, you could do it by yourself, but you like the feeling of him guiding you, setting the pace and intensity. He grins and continues, squeezing your hand tighter so that your grip on his cock tightens too.

Logan lets you jerk him off a bit longer before he gives in. He’s proud of you for not pulling away in surprise when he cums, coating your hand and his in his cum as ropes of white shoot over your skin and onto his shirt. He lets go of your hand to pull off his shirt and watches you examine your hand full of Logan’s cum.

“Can I taste it?” you ask in a quiet voice, and Logan just about gets hard again.

“Yeah,” he tells you, but pushes his own fingers into your mouth. Your lips wrap around his two fingers and suck the cum off, and Logan can’t help but push them further into your mouth, making you giggle. You pull his hand away after a bit, only to lick your own fingers. He uses the clean part of his shirt to dry your hand off after, and you lie down to cuddle him.

“Do you feel better?”

Logan chuckles, “Yeah, bub, I feel better. Thanks.”

“Good,” you grin, proud of yourself. Logan’s proud of you too.

It’s still the same day when you come to his room the next time. You left after a bit to go to sleep, but now there are knocks on Logan’s door that he recognises as yours before you say anything.

You enter his room in your pyjamas – a big shirt – and some fluffy socks, a plushie under your arm. You look so oh so innocent that he almost feels bad for corrupting you. You come in, close the door, and sit on his bed again, legs dangling off the side of it. He could really get used to you being in here.

“Can’t sleep?” He asks, but you ignore him, hugging your plushie for comfort.

“I… can you maybe…” you let out a sigh, “I tried to masturbate but I can’t do it by myself. Can you show me again?”

Maybe you’re not so innocent anymore. He chuckles and tells you of course, and he’s starting to wonder if you’ve caught on to the game that he’s playing, and if you’ve joined him, but he’d still bet money that you really are this naive. Logan pulls his full length mirror in front of his bed, not too close, but close enough that you can see yourself in it.

He moves to lift your shirt to get your panties off, and his heart skips a beat as he’s greeted by the sight of your bare pussy, already glistening.

“It was easier to come with them already off,” you say, and he reaaally has to restrain himself so he doesn't bend you over and take you right here.

You drop your stuffed toy to the side of Logan’s bed as he sits you in front of the mirror, getting behind you, putting his legs either side of you.

“God, you’re so pretty.” He can’t stop himself from saying it as he makes you look at yourself in the mirror, legs spread.

“I don’t know if I can do this, Logan,” you say, shying away from looking in the mirror.

“You can do it, bub. I got you, okay?”

You’ve turned around to look at him better, and he chuckles when he gets it.

“Is this what you need?” he asks as he leans in to kiss you, and you moan yes into his mouth. He loves you so fucking much.

His dick is already so hard and he’s not sure if you can feel it pressing into your ass, but either way you’re not complaining. He takes your chin to make you face yourself in the mirror, and he can’t get enough of seeing you two in it together – the way he’s sitting behind you like this, imagining other positions you two could be in.

“Here,” he pushes his finger into your mouth, even though you’re already wet enough, watching you suck on it eagerly. His finger stays in your mouth much longer than necessary.

He starts gently rubbing your clit in circles, and you squirm in his arms that are around you, one on your waist, the other between your legs.

“I did that too, but it feels better when you do it,” you mumble after a while, clearly enjoying it but unsure what you were doing wrong when you did it yourself.

“Try it.” Logan takes your hand, and makes you do it yourself. You’re squirming with him watching you like this, but it is useful to sit in front of the mirror, copying how he played with your pussy just moments ago.

Logan’s not blind to how wet you are, at having him watching and guiding you, and he can’t help it as he reaches into his boxers to jerk off. He doesn’t get his cock out but he’s not hiding it. You can see the movement of his arm in the mirror and you might even be able to feel it at your back, as Logan’s fist grazes your shirt every now and then as he strokes himself.

But you’re so focussed on looking between your own legs that Logan is genuinely not sure if you’ve noticed him jerking off, and the sounds of your wet pussy are louder than his hand on his cock.

“I… I can’t,” you whine after a bit, taking your hand away from your pussy, but Logan is close, and he wants you to cum too.

He keeps jerking off, and he sees you noticing it, sitting up a bit taller but you don’t seem to mind. You’re smiling, biting your lip.

“Yeah, you can, baby. Here, we’ll do it together.” He keeps a hand on his cock, reaching around you to put your hand back between your legs, and then he pushes two of his fingers into your pussy, fucking you with them.

“You close, bub? I’m close,” he says, and the idea of cumming together with Logan makes your pussy squeeze around his fingers, so you do your best to recreate the pattern on your clit that Logan showed you, rubbing it in circles until you get the right angle.

“Good girl, that’s it. So tight around my fingers. Come on now.” Logan’s so close he has no idea how he’s still holding off, sloppily jerking his cock with one hand and fucking your pussy with his fingers on the other hand.

You lean your head back, landing on Logan’s shoulder, as your orgasm pulses through you. Logan can feel your pussy spasming around him, and he lets go too, cumming over his hand and his boxers.

You’re both out of breath for a while after, barely moving.

“Y’did it, bub,” he kisses the top of your head, and you smile at him through the mirror, turning to press a messy kiss to the side of his face. He won’t take that though, so he grabs your face, smearing some of his cum on your cheek, and pulls you to face him for a proper kiss. You smile against his mouth as you make out.

You sleep in his room again that night, but he can’t say it feels like you know that he likes you yet. He’ll have fun watching you figure it out soon.

✧ reblog and let me know your thoughts for Logan to appear in your dreams tonight <3

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