#so you should have an idea at least right? wrong

[iamthedukeofurl]

One thing I've noticed that defines American Conservatism as a whole is a sort of...competitive mindset when it comes to life choices. Like, there's a desire to live an Objectively Correct life, which they, naturally, define as their OWN life. Religion is certainly deeply ingrained in this, but I believe the impulse begins with the desire to self-identify their own lifestyle as "Correct", and religion enters the picture primarily as a way to identify all "Competing" lifestyles as "incorrect". For those of us old enough to remember when Gay Marriage was a big debate in the country, there was strong opposition from the right. The clearest opposition was in plain religious terms, being gay bad, therefore society should not condone it. But there was another argument that was thrown around, one which was repeated often, but never made sense to those who were not making it. "If Gay people can get married, Straight marriage is worthless". The term "Protection" was used a lot in this context, "Protecting" the institution of marriage from gay people. And looking back on that in context of the intervening decade, something finally clicked for me. Some people are uncomfortable with the idea that there are multiple "Correct" ways to live. They can be perfectly happy and content with their life, but the idea that there are alternatives out there makes them uncomfortable because it introduces the idea that they might be wrong. It's not that homophobes in straight marriages are repressed homosexuals who wish they could have gotten gay married instead, it's that being presented with somebody who is different than you, but still lives a thriving, happy life shatters the comforting certainty that you have been Correct. Key to this idea of Correctness is consequences for disobedience. That's why so many conservative policies are needlessly anti-empathetic and cruel. The assumption is that if you live the correct life, you receive the rewards of comfort, and if you deviate from that, you suffer. Homelessness must exist as a threat to those who deviate from the standard of the protestant work ethic (nevermind that wealth and work ethic rarely correlate in reality). Sickness must exist as a threat to those who deviate from the standard of health (nevermind...literally everything about that statement). The horrors of drug addiction and withdrawal must exist as a threat to those who cannot resist the temptation to do drugs (Nevermind...you get it). And Pregnancy must exist as a consequence for those who deviate from the standards of puritan sexual morality. If you have sex "Correctly", with your spouse in a place where you are at least open to the idea of having children, you would never need an abortion. Abortion is for filthy sluts who can't control their lustful impulses. If you lived a Correct Life, you wouldn't need an abortion. At the root of it all is a fear of uncertainty. From their perspective they made all the "Correct" choices and ended up in a good place, but those were not choices at all. They didn't "Choose" to be straight and cis, society told them they were by default and they didn't disagree. They didn't choose to be christian, they were raised as such, found comfort in their faith, and never questioned it. They took the path of least resistance and it worked out, why doesn't everybody do the same? Why do you want to make things so complicated and confusing? This WORKED. It worked for me, it worked for my parents and my friends. I don't want my kids to grow up thinking it's okay to make the wrong choices.

Here’s the thing I think conservatives don’t understand: I don’t care what someone else does with their own body.

You wanna get surgery or take medication to make you look a certain way? Okay. I don’t care

You wanna ctrl+alt+delete that clump of cells in your uterus. Sure. I don’t care.

You wanna use meds to block a natural aspect of your body’s system? Alright by me. I. Don’t. Care.

I don’t care because it’s not my body

“But what if they regret it?” So? Let them regret it. That’s their choice to live with.

“But what if that baby would have grown up to cure cancer?” Kinda short sighted on God’s part to only put that potential in one baby, yeah? (Also … you can’t cure cancer, but that’s a level of nuance for a different time)

“But what if they want to use that function in the future?” Funny thing about meds: you can just stop fucking taking them and things usually go back to normal.

I DON’T CARE WHAT ANOTHER HUMAN BEING DOES WITH THEIR OWN BODY! I don’t care 🤷‍♀️ it’s not my body so why should I have a say in it?

The choice is not “being left up to the states instead of the federal government”, it’s that the choice is being taken away from individuals.

Why the fuck to they care so much what other people do with their own shit??

[keferon]

Eh okay so. My brain is absolutely cooked so you will probably just have to ignore the linguistic fuckups

Jazz and Prowl learning to communicate because language barrier is a thing >:D

Previous part

Jazz sometimes thinks that somewhere along his career path he lost the bar separating normal from...well...everything else.

After all he's seen, heard about, and done, he's not sure exactly how to measure what's weird and what's normal. He has..the general idea.

His own. And it's so convoluted and fucked up that he'd rather jump into a volcano than try to explain it to anyone else. Jazz thinks the little colorful aliens around him are weird as hell. He thinks they sound weird, he thinks they look weird, and he thinks he must be going crazy.

And then this big black and white robot catches his eye and Jazz's first thought is not "what the fuck??"

His first thought is

"Thank God! Someone's normal!"

Whoever this guy is, he sounds like he knows what he's doing. And most importantly, he looks just like Jazz. Well, not exactly. But close enough. After all, Jazz knows that his organization wasn't the only mech maker on the entire planet. Other countries were making Mechs too, and Jazz hadn't seen even half of them.

But he can recognize a giant robot when he sees one, okay?

The thought that another mech could be an alien doesn't even enter his mind.

So used to the constant presence of huge piloted robots around him, he looks at this one and clings to its appearance as something familiar and easily explainable. His brain says, we know how this works. There's a robot and inside the robot there's another person. It's the way it's always been. The sky is blue, the grass is green and the robots are human-piloted. It's that simple.

The guy takes him to the far corner of the room and says something. Jazz…doesn't understand..

The mech's face contorts in a surprisingly believable display of concentration. How...who built this robot? How could they make it frown?

He hears something else being said to him but again can't understand a word. Why won't this pilot get out of the mech to talk to him? Jazz doesn't have his communication frequency but surely they could at least shake hands. There must be some reason. Maybe something wrong with the air? Is it dangerous to be outside? This guy should know better, he's been here longer than Jazz, it seems.

(Damn it, whose idea was it to make a mech with a face, it's so distracting)

He rushes to activate the external speakers, because he and this guy obviously speak different languages, but it never hurts to try, right?

"So uh, I don't think you can understand English?"

Mech frowns again, trying to pick up on something familiar in a language that's apparently new to him. But finds nothing. Jazz lowers his horns sadly.

Oh well. Fuck. As if being stuck in an unknown place with unknown creatures wasn't enough, he can't even talk to anyone! How is he supposed to get out of here? Which way should he even go?

The mech waves his hand to get his attention and then pulls out a tablet and a stylus from..where ?

Jazz somehow manages to overlook the fact that the tablet is made to fit the mech's size. His head is still feels a bit…off..after that portal thingie.

"Charades it is then."

____________________

An hour and a half later, Jazz finds himself staring intensely at the screen in front of him with a surprisingly neatly drawn chart on it.

"So uh. Motion."

The other guy nods and starts drawing a walking mech. Then something that looks like a very unusual car. Then a submarine. Jazz gets a little lost looking at how skillful he is with the stylus.

Honestly, he's a good artist!

The guy points to the sketch of a walking mech and says

" Motion."

Then points to the drawing of a car driving and the columns of the chart.

"Motion-rotation" he points to the car again.

That must mean "driving" huh? Jazz nods understandingly.

Mech moves his finger to the submarine.

"Motion-Water."

Ah, it must mean swimming. Jazz nods once more, feeling like a wind-up dummy repeating the same motion a dozen times.

The mech makes a quiet humming noise and then points to the chart

"Motion. Sky."

And then gives Jazz the stylus?

Uh, what is he... Oh, he wants Jazz to figure out what it means.

"Motion" and "sky," right?

Jazz takes the stylus? Pencil? Thingie.. and very carefully draws out a crooked scribble of something only remotely resembling an airplane. The mech arches an eyebrow and looks like he wants to laugh.

Jazz shrugs awkwardly and tries to add windows to the airplane, but ends up making it look more like a severely fucked up caterpillar.

Mech snorts.

Jazz kicks him in the leg.

The airplane begs for a merciful death.

Jazz didn't really expect to get into a language class but he has to admit that whatever language he's learning now is a surprisingly easy one. It only took the other dude half an hour to show him the basic concept and from there it became a game of associations.

There were simple definitions. Like size, quantity, speed, emotion and so on.

There were signs that automatically turned the whole sentence into a question or a statement.

There were modifiers that Jazz defined in his head as positive and negative.

Positive speed - fast.

Positive size - large.

Positive direction - forward.

Positive time - future.

There were also basic words for senses, emotions and whatnot, also with modifiers.

Mouth-positive - to speak

Brain-positive - to think, but negative-brain-do-positive - to learn.

Huh.

And it's so neatly organized that Jazz wondered if this language was designed specifically to be easy to learn.

Let's see....

Mouth - positive, effort - negative.

"Easy to speak."

The guy nods contentedly and starts talking back, while pointing to the appropriate columns of the chart to make it easier for Jazz to understand.

"Creation-positive. Purpose. Person-negative-knowledge. memory-positive-effort-negative."

Jazz frowns, concentrating on his finger.

Oh. Created. For those who don't know it. Easy to learn.

He was right. The whole thing is waaaay too awkward to write poetry but learning it is a delight.

Jazz leans over the chart.

All right, well, let's see.

“Name. You. Question?”

The other guy smiles and pokes at the chart

"Me.Motion-sound-negative.Negative-eyes-positive-someone."

Walk quietly. searching?… Sneaking?

Oh, it's not "to sneak" it's "to prowl"

"Prowl" nods affirmatively. Jazz smiles at him and looks at the chart again. Okay. How to say “music”?..

“word-knowledge-negative.”

He stops to make a gesture with his hands, as if playing an invisible piano while humming a tune.

Prowl nods

“Sound-positive-positive-hearing.”

Jazz chuckles

“A whole two positives eh? Okay then. Uh. You don't look like you listen to jazz....so..”

“Me. Name. Sound-positive-positive-listening.”

Prowl raises his eyebrows. (Jazz is jealous, he wishes he had eyebrows too.)

“You're a musician?"

Jazz quickly shakes his head while simultaneously muting the outside speakers to a barely audible level and turning on one of the songs on his playlist.

Prowl twitches in surprise when he hears the melody.

Jazz waits for the intro to finish playing and then points to himself

“Creation-negative..uh..Sound-positive-positive-hearing. Jazz. This...”

He pats himself lightly on the chest.

"..is me. Jazz."

Prowl straightens up slightly

“Oh, you're not a musician, you're the music.”

Jazz nods cheerfully

“Yes yes!”

“Jaaz?”

“No no. Jazz.”

“Ah. Jazz?”

“That's right.”

Prowl draws a portal on the screen.

“You teleported here. What happened?”

Jazz hangs back, trying to construct an answer in his head. Good thing Prowl seems to have infinite patience

“So, I uh. What was 'fight'? Movement-pain-positive? I fought these things...”

He takes the tablet from Prowl and draws a crooked blot with a bunch of tentacles on it. Then thinks for a bit and adds big teeth and a lot of eyes. He's not really sure how to draw those eyes properly, so he just scatters them randomly around the monster area.

Prowl doesn't seem to be that amused by Jazz's drawings anymore, in fact, he suddenly becomes very somber.

“Quintessons.”

He pokes at the monster

“Name-Quintessons. Number-question.”

How many?

Jazz scratches the back of his head

“So uh...a lot?....number-positive-positive-positive-positive-positi...you get the idea.”

To be convincing, he dramatically spreads his arms out to the sides depicting something very large.

Prowl looks alarmed.

And unconvinced.

“How did you survive?”

Jazz laughs pretentiously

“Ask them how they survived.”

Prowl makes the “you can't be serious” face. Jazz isn't quite sure what exactly is confusing him. Mechs are designed to kill Quintessons, aren't they? Judging by his movements, this pilot must be damn good at controlling his mech, and that kind of guys usually fight on the front lines.

He decides to put that thought aside for later. There are more important things right now, like...oh shit, where is he even going??

Jazz leans over the chart again

“Uh. Right. Question-we-move-up-place” Man, how to specify... “Knowledge-negative?”

Prowl, linguistic gods bless him, understands him and starts gesturing over the chart in response

Okay. Ah. I-move-up. Planet-creation-positive.

'I'm heading home' or 'my home planet'.”

Jazz instantly perks up.

“Oh that's great, I'm pretty sure I'm supposed to go there too.”

Prowl is speaking in a language he's unfamiliar with, so he's definitely from another country, but hey, who cares as long as it's on Earth, right? He just needs to get there and he'll find his own way from there.

He watches the space debris flicker by outside the window. Even the stars are unfamiliar, Jazz can't find any constellations he knows.

One of the little purple creatures says something and Prowl steps aside to chat with them. Jazz leans back and settles into a more or less stable position. Then does the same thing, but with his real, human body. Hell, his head still feels really fucking weird after that teleportation.

He opens the comm channel and just listens to the static for a couple minutes in the faint hope that the engineering department will find a way to contact him.

Nothing.

He sighs.

“1061 on the com. In case there's any way you can hear me...ah shit. You guys won't believe what happened...”

[bambisspeckles]

Stowaway ✿ Poly Pirate!141 x Reader

*pics for aesthetics only!

Summary: You accidentally sneak onto pirate crew 141's ship CW: Inaccurate depiction of pirates, poly!141, fem!reader, ghost and price are kinda assholes (for right now), soap is well soap, gaz is an angel sent from heaven, reader is held captive (ish), stockholm syndrome core but like in the way beauty and the beast is, no romance yet (sorry, but don't worry it won't really be a slowburn), self-edited! WC: 1.8K

It was a mistake, honestly you should have just stayed put. You have no idea why you thought it'd be a good idea to sneak onto any ship, at all, ever.

You suppose this cruel fate is karma for your actions.

It started in the early hours of the morning, when many passenger ships were docked. You had decided to pack a small bag with your most important belongings and sneak into one of the ships cargo holds. In theory it was a good idea, you figured most of the crew we be pretty occupied tending to passengers needs, therefore your chances of getting caught and thrown into the ocean were slim. It's a shame you the ship you decided to board wasn't a passenger ship.

You should have known, it didn't look remotely like a passenger ship. There weren't any nice amenities, only one small dining room, not nearly enough beds for the amount of people that come to and from your island, and there were too many suspicious looking locked chests. There was a voice inside your head screaming for you to get off the ship but the adrenaline being pumped through your body was too high, and the yearning to escape the hell your home brought to you overruled almost all your sense of logic and reasoning. When you found the cargo hold, you didn't even think twice before making your way inside, quickly scanning your surroundings to find the best place to hide. You decide to hide behind some unmarked crates, figuring they'd be bothered the least. You squeeze your body behind the boxes, maneuvering so all of you can be hidden well.

It feels like you're there for days, realistically you know that's not true, but you're so close to leaving this island and never looking back. No matter how tempted you are to bolt, you keep yourself firmly planted behind the crates. Finally, you hear voices, it doesn't seem like there's very many people and that makes your anxiety sky rocket, but it's much too late to sneak off and try to find another ship to become a stowaway in. Pushing your knees further into your chest, you take a few deep breaths in an attempt to calm your nerves. For hours you hear voices and footsteps above you, but no one seems to have any suspicions. In fact it's been so calm the rocking of the ship has your eyes fluttering shut, you've been fighting sleep but nothing has transpired for so long maybe a few minutes of shut eye won't hurt. As your mind battles between alertness and staying asleep you hear something.

Footsteps. Coming down the steps, right into the cargo hold.

Your heart drops into your stomach and your breath hitches. You squeeze your body into itself in an attempt to make it smaller, one of your hands coming to clasp your mouth shut. The footsteps get louder and louder until you see a large figure standing in the archway. You go rigid as you get a better look at him. He's no average sailor, he's a fucking pirate.

"Great." You think wryly. "If he finds me then I really am dead."

He's moving around some boxes, you're not quite sure why, and for a moment you think he has no clue you're there.

Unfortunately for you, that's where you're wrong.

In the blink of an eye he grabs you from behind your crate wall, holding you by the scruff of your neck like a naughty kitten. The look in his eye is dark, and the rest of his face is covered by a mask, a skull print adorning the fabric. He says nothing, only staring at you for a moment before throwing you over his shoulder and walking back up the steps, presumably to bring you to the rest of the crew.

Oh. you're totally fucked now.

The mans footsteps attract the attention of his crew as he walks across the deck, when he stops walking, he practically throws you onto the ground, forcing you to kneel before three other men.

"Wha' a bonnie thing she is… S' what tha' noise was? Was startin' worry I was finally losin' it." A man, Scottish you think, says as he stares at you. His thumb dragging down the side of your face as a devilish smirk graces his lips.

You flinch under his touch and the Scotsman quickly removes his hand but his touch is soon replaced by another, a man much more imposing than he. Rough hands gripping your face, forcing you to meet his gaze.

"Was wonderin' why it sounded like there was a rat down in the cargo," A dark glint flashes through his eyes, but it's gone as quickly as it appeared. "Now tell me, stowaway, wha' the hell are ya doin' on my ship."

Tears well in your eyes as you struggle against his grip, and you can feel his impatience growing as he waits for you to respond. After another moment, the final man turns to speak to you.

"Captain asked ya a question love, best answer him before he gets angry." His voice is surprisingly gentle, and when you meet his gaze, soft brown eyes stare back at you, eyes filled with pity.

The look in his eye breaks you, and fat tears begin rolling down the apples of your cheeks.

"I'm… I'm sorry!" You choke out your words between sobs, your body taut under the piercing gaze of the Captain.

A beat of silence passes before the Captain of the ship releases you from his grip, your body crumbling into itself.

"I didn't know! I didn't- I don't… I just wanted to leave! I promise I didn't take anything a-and you can drop me off at your next stop, just please don't hurt me…" Your words come out watery, your voice hoarse and snot coming out of your nose, ugly sobbing as these men surround you.

The man with the soft brown eyes crouches down next you, his gentle hand wiping tears off your cheeks.

"You poor thing, you're all outta' sorts. M' sure you didn't mean any harm…" He looks towards his Captain but his head is still angled in your direction. "Go easy on her sir, poor thing is trembling."

The Captain scoffs, his arms folding over his chest as he studies you, his gaze scrutinizing, piercing through you.

"She shoulda' thought of that before sneaking onto my ship." He gives you another once over before ordering you to stand on your feet. You figure it's best to do what he says so you rise from the ground, knees almost buckling under you.

The group of men stare at you for a while, seemingly unsure of what to do with you. After a few moments, a deep voice from behind finally speaks, you turn to look at him, his skull mask making your spine tingle with terror.

"We should just throw er' off the ship, no bloody reason to keep the thing around." You wince at the way he refers to you, objectifying, dehumanizing.

"Now, now, Ghost, nae reason tae make such a hasty decision. The kitten's completely harmless! I say we keep er', it'll be so nice to have a bonnie thing on board." The man, Ghost, scoffs.

"We don' need liabilities layin' around Johnny. Sides' got no use for er'. M' sure Price is inclined to agree with me." Ghost turns his head towards Price, presumably waiting for some type of agreeance on what he said.

Before the Captain can even get a word out, he's interjected.

"M' inclined to agree with Soap- for different reasons," He pauses shooting Soap a look, but he merely shrugs back. "But I agree all the same. I mean look at er' poor thing is terrified, I doubt she came to pillage our goods Captain."

Price sighs, pinching the bridge of his nose as he mulls over his, limited, options. Everyone, including you, waits for him with bated breath. Selfishly, you hope he'll keep you around a bit longer, at least then you'll get a chance to make an escape plan.

Finally, the Captain speaks.

"She can stay, for now. We can keep er' in the cellar until I figure out wha' the hell to do with her." His words carry a tone of finality, a fact that has Ghost scoffing.

"You're jus' pickin' sides cause' Gaz wants to keep er' around." He motions towards the man next to you, bitter venom coming out alongside his words.

Gaz rolls his eyes, blowing out with an irritated sigh.

"Price isn't picking sides, he's doing what's right. Just cause' you don't agree with it doesn't mean that-" Price puts his hand on Gaz's shoulder, interrupting his sentence. A silent way of telling him "settle down."

Gaz relaxes under the Captains touch.

"Gaz, Soap, take er' down to the cellar, we'll keep er' there for now. Ghost, come with me to my quarters." Ghost mumbles something in response, but his words are muffled by his mask, something you're sure he's grateful for at this moment.

You, Soap, and Gaz watch him for a moment as he follows Price like a kicked puppy. When they're finally out of view, Soap and Gaz turn their attention back to you.

"C'mon kitten, yer gonna ave' tae be a bit uncomfortable tonight, the Captain didnae plan for any stowaways.." He chuckles at you playfully, something you'd find much more comforting under different circumstances.

You suddenly feel a hand on your back, the skin a bit rough even through the fabric of your clothes. You whip your head to look behind to see Gaz, his soft brown eyes still filled with that same look of pity. He and Soap begin gently guiding you towards the ships cellar.

"It's alright love, The Captain can be a bit cruel but he won't hurt you. Even pirates have their limits… Besides, I assure you we're not nearly as bad as some of the other pirates out there. We'll get you sorted out in the morning."

You have no reason to trust these men, all you've known is that pirates cause pain and destruction everywhere they go, but the only thing you can do right now is trust them. So, you nod timidly, letting them guide without resistance.

Hopefully you can escape at the next docking place.

[hazbinhotelxreader]

Hiiii, how's it going??? A few days ago this idea crossed my mind. A reader who is afraid of loud noises (phonophobia) x Alastor. Definitely something comfort. I was curious how he would react. Feel free to ignore this if you are not interested, I know you have tons of requests. ♥️🖤

Yep! I apologize for the long wait! I’ve been so busy! (I am VERY rusty. I havnt wrote since like July 😭)

Alastor x sinner reader with Phonophibia (platonic)

“Too Loud”

It was late afternoon at the hotel and you were sitting at the small bar in the hotel, drinking some of the alcohol left out, trying to drown out the noise of the others. It was..Choatic. Nifty was being nifty, Angel was being loud as usual, Charlie seemed more loud and happier than usual, Husk was getting pissed like usual, pentious was boasting just as loud, and Vaggie was getting ticked off by Angel and Alastor….Probably the only calm one right now

You hated it. You left your home to escape the loud chaotic and overwhelming mess and came to the hotel thinking you’d be safe. Turns out they can be just as crazy. From Charlie always getting into your personal space (which you don’t have the heart to tell her no), to Pentious getting distristful and defensive when you get too close to him or his machines. You just wanted peace. Peace was always on your mind..But then again when did you ever get it? Never. Its hell, nothings peaceful

You could have sworn your head was beating by the chatter, your heart rate increasing, it felt like it would jump out of your chest. It was too much, too loud, too noisy, too much chaos. You could here the light ringing in your ears, the small foggyness in your sight..

While you were in your own little episode, you weren’t aware of the figure approaching you. “Now whats with the frown dear? Don’t you think a smile will make you look more approachable~?”. A familiar radio voice rung out.

You jumped a little in surprise at his usual confident tone and turn to look at him, caught by surprise at his sudden appearance as you calmed down. “Hey Alastor..” You say a little tired, not going unnoticed by the radia demon.

“What’s seems to be the issue dear?”.He asked, looking over at you. He was still pretty intimidating for you, this was the radio demon after all…

“Nothing its just….loud in here” You say and look down at the almost empty glass bottle.

“Loud you say? Well you certiantly arent wrong my dear! At the Hazbin Hotel theres never a sleeping moment!’ He said with confidence as he leaned against the counter,holding his radio staff (right??) in his hands with his usual smile.

“That’s what im worried about…” You say with a tired expression and look back down.

Alasotor looked over at you, keeping his smile but a small ounce of concern, why was he concerned? He’s not use to this, he shouldn’t be concerned for another lowly sinner should he? Maybe its the fact that your one of the few demons that annoy him, maybe its the fact you aren’t loud or sexual, maybe its the fact you respect his personal space. Whatever it was, he liked you, well at least he disliked you less than the others.

“Well then my dear, don’t be afraid to come knocking on my door if it’s too much, my room is the furthest from everyone and I sure would like the company when I’m eating” He reassured with a smile.

You smile back, even if your a little suspicious of why he’s doing this, but having some peace and quiet for the firstime in…how long now? It doesn’t matter right now. “Thanks Alastor…you don’t know how much I appreciate that”. You weren’t sure how this would go…But anything was better than staying in a noisy hotel.

(Sorry I’m so rusty 😭😭😭)

[mysticaltora8276]

Yes, the Sith are based on Nazis.

“Freedom“ you mean the freedom to kill anybody who doesn’t conform to what they want? That’s who the Sith are.

“Empowerment.“ I’m sorry since when is basically empowering themselves to the detriment of others OK? That’s not empowerment that’s being selfish. That’s what they are. And they follow the Nazi ideology to a T. Eugenics? Oh yeah, they were on it. Allowing themselves to be swayed by power for the pursuit of power not to help anybody else but for their own personal interests? Oh yeah, that’s them.

And by the way, your earlier session which you erased because it was just dumb. Palpatine is not based off of Donald Trump. Palpatine was based off of Richard Nixon. This is something that anybody who with any sort of knowledge of Star Wars should know. Again, if you’re going to make an assumption, at least do your research instead of Using ignorant comments.

I like the idea of the acolyte because it did show a different point of view, but the thing of it is that you forget the acolyte is not the good guy. You can still have a villain protagonist and that’s OK. But the acolyte Osha is not the good guy. She murdered people. So did her sister. They are not good people, but that’s OK. You can have despicable protagonists there’s nothing wrong with that but they’re not supposed to be in the right. Considering the fact that Osha is going down the path of the dark side. You know the path in which they basically say “screw anybody else that isn’t me.”

Also, the Jedi aren’t real nice in that series. It shows the fault of a few Jedi. Nowhere is the order criticized, except for an ignorant senator who has no clue what he’s talking about. Because I can assure you in the movies they make a clear. “compassion or what I like to call selfless loveis something the Jedi teach. So you might say we are encouraged to love.” That’s a direct quote for the movies. The Jedi are not some sort of hateful cult. Also, I think it’s funny that you’re OK with the Sith who caused genocide after genocide. Have no regrets about it. These aren’t people with a “different point of view.“ These are people diametrically opposed to good. And even the one Sith Lord that they tried to make out as a “good guy“ was more or less an invention told to a pathological liar by a pathological liar.

Again, you can like bad guys and that’s fine. But don’t pretend that their ideology has any merit because again these are the bad guys and we’re not supposed to follow their example. Even the acolyte started to lean towards the fact that maybe just may be following the guy who says that he wants to murder people because that’s his “freedom” isn’t a good guy. And it’s not someone you should be following.

The Sith are Nazis and it's never been subtle

This one ended up being really long. I spliced in some images when I could to break it up easier.

One of the things that causes the most friction in the world is the idea of morality. I know, that's the most water is wet statement ever said but I think people really miss just how much the nuance of morality goes over people's heads. Subjective, objective, relative, from a baseline we understand that there are different types of morality but I don't think people really grasp how much a persons personal morality can be wildly different to any another given person's, especially among people who share spaces like fandoms. Morality is shaped by personal experiences, there are personal experiences that are 99% ubiquitous among humanity like "Pain" that form the basis of everyone's moral compass, then there are the major cultural touchstones that no matter what your morality will be affected by, religion, nation, race, all that what have you. Everyone has an opinion on the Christian Church and that opinion is informed by your morals. People who have been abused by members of a church will have a very different view of the morality of a religion compared to people who have been raised Catholic compared to someone who was raised agnostic compared to someone raised agnostic and is queer compared to someone who has been raised Catholic and is queer compared to someone who has been raised Catholic and is queer and is also rich and so on and so forth you get it.

Morality is not a binary thing, and it's not a nine point grid either D&D, it's more like one of those circle charts that Jojo Stands get ranked on. You know the ones that always seem to show up in anime? I don't know what they're called. Except instead of a circle it's more like a ball, and everyone has this horrible looking 3D balls covered in bumps and spikes and dips and holes.

Why am I opening this ramble with a ramble about morality and religion? Because I'm on tumblr. When I decide I want to ramble about something I read the tags and see what the vibe is, see what people are saying about things. I'm not part of the "Fandom", I don't know the discourses, I see that there's Anti-Jedi and Pro-Jedi and "Stanikins" and all of these different labels and battlelines, and then I read about how people on either side are feeling attacked and harassed by people on other sides. I have no idea how real this is, I have no idea what kind of minefield I'm about to walk into. I'm just rambling about my thoughts and feelings about Star Wars because I like it and I'm a little extra aware that this one is going to ruffle feathers.

Because people are fuckin' worked up about Jedi. There are people who are making it part of their identity that they are anti-Jedi. And it's been happening for years, decades even. Because the experiences and trends of nerd culture has been pushing against systems and religion since I was a baby. Nerds being obnoxious atheists and smugly telling people "God isn't real" was basically the norm when I was a teenager, and before I was born nerds were dealing with being called evil and satanic. Nothing I'm rambling about here is new, in fact using D&D as a touchstone I think the current trend for nerddom's interaction with religion is ambivalence, despite faith and divine power being such an important part of D&D, there's basically zero interaction with divinities in 5e, and when there is it's hostile and has an asterisk against it. I'll do a ramble about this one day too

But the Jedi stuff is interesting to me, because there's a lot of directions people come at for it.

There's people who argue against just Jedi because they're a religion. There's people who argue the Jedi are slavers or kidnap children. People think Jedi are super beings who lord over everyone with their power. People think the Jedi force people to suppress their emotions and personhood. There are people who think Jedi are moral supremacists who silence and kill anyone who thinks about the Force differently from them.

I have some "Pro-Jedi" arguments to make but I'll save them for a different ramble, because this one's supposed to be about another group of people.

The people who think, from their point of view, the Jedi are evil.

The reason I rambled on so much about people being Anti-Jedi is because very often, these people end up being Pro-Sith. It's an obvious leap, if the Jedi are the problem then the people opposed to the Jedi might have the right idea. If your issue with the Jedi is that they disallow "Attachment", then here's the Sith who are all about Attachment. If your issue with the Jedi is that they suppress their emotions then here's the Sith who are always tapping into their emotions. There is an immediate appeal there.

Then there's the Sith Code, let's give it a read.

Peace is a lie, there is only passion. Through passion, I gain strength. Through strength, I gain power. Through power, I gain victory. Through victory, my chains are broken. The Force shall free me.

Pretty sweet, Passion is pretty positive, breaking chains and freedom. I can get behind that. The rest of Sith Philosophy is pretty swell too. It's about improvement through conflict. Your struggles make you stronger, makes you better, removes your shackles and lets you be free, but also recognizes that you will have to do whatever it takes to do so. The Jedi seek to wipe out the dark knowledge you attain, so you must sequester yourself and hide when you must hide, and strike when you must strike. It's stance could be summed up as something like... "The sacred mission of a Sith is to preserve the Sith Order's most valuable elements as you raise yourself to a dominant position, and all who do not are chaff."

There are people who are really into this. Like, really, really into this. They talk about how they apply this mentality to their real life. They describe themselves as Sith. There are also people who are only kind of into this, they think about positive Sith characters and make headcanons about the good things Sith do.

I need to stress, for those people, that what I am about to say is not hyperbole. I will provide sources.

The Sith Code and Philosophy is Nazi Propaganda. It is literally lifted from Mein Kampf. That quote I used to sum it up is a paraphrased quote from Britannica.com. That's Hitler.

The Sith Code was invented to be in opposition to the Jedi Code, its purpose is to twist a preexisting code to make you think the alternative isn't so bad and it uses codephrases to do so.

Passion, Strength, Victory, Chains, being Free, these are words that we have presubscribed meanings for, but what do they mean in the Sith Code? What IS Passion? What IS Strength? What IS Victory?

Most people I interact with see Passion as Love, passionate, exciting love, the exact thing the Jedi reject. But that can't be it, where's Palpatine's love? Where's Maul's? Where's Vader's?

Passion is obsession. The kind of obsession that will lead you to burning everything down if you don't get what you want. It's not letting anything stand between you and your goal, even if that thing is your goal itself.

Let's break the code down here.

Peace is a lie, there is only passion. We start with the obvious twist on the Jedi code, an immediate refutation of the Jedi's first line. It stands in opposition.

Through passion, I gain strength. We've already done Passion, it's a nice little dressing up of "Being a raging psycho"

Through strength, I gain power. Strength is often intermingled with power, but it's often spoken of interchangably with being able to set aside morals. The Sith isn't an amoral monster who just killed a bunch of kids, he's just STRONG enough to do what needed to be done

Through power, I gain victory. Power isn't a code word. Power is Power, Power is what it's all about and there's no hiding it. In the Sith way the only thing that matters is that you are powerful enough to kill your rivals and stand on top.

Through victory, my chains are broken. The Force shall free me. I think the notions of breaking chains and being Free is the cleverest part of the Sith Code's propaganda kit. It's still seeing use in The Acolyte and it's still convincing people that the Sith are right, even when the guy who's calling for freedom mercs a child then and there.

The Sith are not misunderstood heroes. They're Nazis. They're facist might makes right would be autocrats trying to convince you they're right so you'll validate them and prove them right.

Sith Philosophy is self defeating. Following the Sith Code means you need to define yourself on your conflict, meaning your conflict can never end. For all its claims of being free and breaking chains you can never be free of what drives you or you will lose the strength it gives you. To break your chains you need to hold onto them tight, and you can never let them go.

[dorkydegeneracy]

It's crazy that we were all tossing around these theories about how Eddie was going to get Chris back, and arguably one of the more obvious solutions, Eddie returning to El Paso all together to be with Chris, never crossed our minds.

Because let's be honest. IRL this isn't a terrible decision. It's actually quite a good one, considering Chris is seemingly thriving in Texas and all of his blood family is there (radio silence from Tia Pepa and Abuelita (didn't abuela move back to Texas, or is that fanon? The lines between fic and reality are Heavily blurred)). Uprooting Chris' life again would be unnecessarily cruel. Stability is of paramount importance right now after the tumultuous life Chris has had.

There are really only two things that make this idea nonsensical:

1) Eddie moving to El Paso is not going to fix his relationship with his son. He's doing it purely for himself because he is missing out on his son's most formative year. (See #2 for more insight on this.). But Chris doesn't need Eddie to move to El Paso permanently. He needs Eddie to come to terms with why he continues to make these reckless mistakes that affect Chris in a real way. Chris needs Eddie to stop trying to replace Shannon. Chris needs Eddie to move on and be happy so he can be an even better father. Which brings me to. . .

2(a)) Eddie believes that moving to El Paso is going to make him happy because Chris is there. But he is sorrily mistaken. The priest gave him the assignment to stop punishing himself and allow himself to feel joy. And he is choosing to move so that he can be happier by not missing Chris's milestone moments. He's going about the assignment the wrong way. Yes Chris should and does make him happy, but that's not the only thing that makes Eddie happy. It would be incredibly unhealthy if this was true. Eddie LOVES being a fire fighter. Eddie LOVES his fire fam* (more than he likes his parents). And. . .

2(b)) EDDIE LOVES BUCK. There are a million reasons why Eddie loves Buck. But one in particular was illuminated last episode that I don't think the show has ever teased at before.

Listen, I know we are all obsessed with Buck having his own crisis, but this was the most striking part of the entire scene for me. DO Y'ALL SEE THIS FACE? This is the face of a man who was afraid to let his "best friend" know that he was planning on moving to El Paso to be with his son because he knows that Buck is going through a tough time right now. He didn't want to add another stone to the pile. But Buck isn't a guest in Eddie's house, so he took a peak and ripped the band-aid off. And Buck had the nerve to be 1000% supportive of Eddie's decision. So Eddie makes that 👆🏾face because he CANNOT BELIEVE that Buck would be so selfless. He thinks it's crazy that somebody would unquestionably help him be happy in Buck's scenario.

Eddie, I'm just saying, what we all just saw is HUSBAND-like behavior from Buck. And I know you didn't see the whole thing, and you don't know this, but you have just flipped Buck's world upside down. Your man is dying on the inside. Because BUCK LOVES YOU. But he doesn't know that yet. And he doesn't want to pull you away from your son. Who is also his son. So yeah.

*NOTE: The fire fam is not the same as actual blood family at least not for Chris. I get it, Helena obviously does not have Eddie's interest at heart, which is why her and Ramon taking Chris for three months is cruel, but I think the show is trying to suggest that Chris is indeed thriving in El Paso where he is surrounded by his aunts, uncles, cousins and other family. Those bonds are unique and important. Even if Helena Diaz is conniving. The fire fam in my mind is more crucial for Eddie. Not that the fire fam aren't amazing and provide a comforting familial sense in LA, but. . . you get what I mean. It's just different. Especially since Eddie actually has a big family back home, not all of which he is maligned.

[scudismystud]

You’re on the right track but I think there’s more to it than that though. Spoilers under the cut.

Gale was told from a very young age that he would be a great wizard so he has to shoulder the expectation that he has to become one again after his falling out with Mystra (which I am of the opinion they were both wrong it wasn’t him just messing up with her- she was also using him but that’s a whole other conversation). Gale believes his only worth is if he is a great wizard and that is so heartbreaking. This is why he is so willing to sacrifice himself at the drop of a hat. He believes that if he can’t be as powerful as he was with Mystra and heralded as a great wizard instead of a great disappointment that he might as well give his life in a heroic way. He desperately wants to be great - like he views Mystra to be.

The reason he talks about her so often is because he wants to be her. This is clear when you reach Act 3 and he starts talking about the idea of becoming a god himself. Gale has megalomaniacal tendencies and will either pursue them if left to his own devices by the player because he just wants to be great. It isn’t until the player chooses options to tell him that he isn’t defined by his magic or grand power that Gale starts to realize he has worth just being himself outside of magic and Mystra. Yes he will always love magic but he becomes aware that it’s something he can enjoy without having to idolize Mystra in the unhealthy way he does through the first act of the game.

Relating back to your analogy, I think this is more of a case where Disney had all of the legal software to draw and you show talent from a very young age and everyone says you’re going to be the next great artist so Disney CEO hires and then starts sleeping with you when you’re of age. As you get older and your relationship is getting closer (at least on your end you believe the relationship is equal) you start asking for better software you know the ceo is using but they keep telling you that you aren’t good enough.

You then find out there’s a hidden software online that you’ve been told is an altered version of Disney software. You download it in the hopes of bringing it to Disney ceo thinking they’d be happy you found upgraded software for them but then they’re mad at you. They cast you out of their circle.

You then get a virus from that program that is going to slowly kill your computer if you don’t keep letting it eat your files and even though you can still use your other programs from Disney they don’t work like they used to so you can’t make art as great as you once did. You then are told by that ceo that they can stabilize the computer temporarily but you should get rid of your computer which would also kill you in the process.

On top of that you also find out the software you had downloaded never belonged to Disney to begin with. You find out other software has always existed but the public cannot be trusted with it according to Disney CEO. You find out you’ve been misled by the CEO for years and there’s so much more out there you could sharing with the world. You then start to pursue making yourself a CEO convincing yourself you’ll be different than Disney CEO.

I do think comparing Mystra to a CEO is very fitting because she does have a horrible power imbalance to the relationship she has with Gale so he sees her in a good light despite all the things she does wrong for way too long. I don’t think Mystra is evil but I do think that what she did to Gale was wrong and warped him into the man who thinks he needs to be a god to be worthy of being alive. To reiterate again this is why he is constantly talking about her. He wants to be her. He wants infinite knowledge and magic.

At least that’s what he wants if left to his own pursuits. If you romance him, he then starts to think of a future with you. He still talks about Mystra but it isn’t in the idolizing way it was before (“you make me forget my goddess” line my beloved). He comes into his own as a character who could see himself being happy as Gale Dekarios the man instead of Gale of Waterdeep the great wizard.

I feel like people don't grasp that Gale keeps talking about Mystra because (among other things) he's obssessed with magic.

I think it's hard to understand because in our world, any skill is an existence in and of itself but for a rough example,

Imagine if Disney had a monopoly on drawing. They were in charge of all of the drawing softwares, they own all of the art supply companies and hell, maybe they even own paper.

Now imagine you royally mess it up with the CEO of Disney. You love to draw but anytime you draw, it's ultimately seen or controlled by Disney. It must be rough. I feel for him, I really do.

Mystra isn't just some goddess connected to magic. Since most people can only safely access through the weave and Mystra manages the weave, as far as Gale is concerned, Mystra IS magic.

[centrally-unplanned]

Fuck seed oil discourse, fuck globalism conspiracy great replacement bullshit, the internet of today sucks. We have to go back, back to the way things were. When men, real men - who may have been catgirls to be clear since you never saw their faces - would tell you what The System refused to say: that your understanding of a battle from 2000+ years ago that you got from Westpoint textbook formation diagrams as bastardized by some other YouTube channel is an inaccurate portrayal of the event based on the 500 hours they spent building a brick-by-brick simulation of the battle in the Unreal engine. Enviously-autistic levels of devotion to a topic that is never, ever going to be politically or personally relevant a day of your life.

This is what the internet is for.

Anyway I only just started watching, but I can tell I am gonna be a fighter with dear Invicta up here. My bet is that 50% of this video's point is going to be the perfectly correct statement that the 1970's model of the battle that people have in their minds is wrong. Back when academics read Livy, read Polybius, and were like "yep, these two authors who are honestly contradicting themselves 20% of the time sound legit, let's take em at their word". Which is a valid point to make, obviously, I just bet the branding of the video will run a bit of aground of the need to cite the dozens of more modern academics who already know this. You have "you are wrong about Cannae" articles dating back to the 90's, and that is just one I knew off the top of my head - I have no doubt there are earlier ones. Cannae's sources are spotty, and our understanding of it will always be vague and debated.

The other 50% is going to be what I would call "model devotion" - essentially taking the conclusions of the model as a sort of gospel. But the model is, of course, built from the same vague guesswork as the spotty sources, and is a process of embedding assumptions. Right in the opening he declares that "once you realize how big the battle is, the idea of an organized retreat over a distance of a kilometer is impossible to consider" idk man I can consider it! Have you looked at military history? People do crazy shit, particularly when they are prepared to do it. If Nasir could lead men 600 miles across the desert to attack Aqaba by land, I think these guys can fight for a few kilometers. Doesn't mean they did, but in particular if it was so crazy contemporary sources probably would have pointed it out themselves (Polybius, not Livy - Livy sucks). People tend to over-assume the ignorance of the past - Cannae was a momentous event. Romans wanted to understand it, and we should extend at least some credit to them on that front.

But again, I have only watched a little bit of it - overall it looks great, really! He clearly did a ton of research and work, anyone who is building custom maps of the Aufidus River's historical floodplain to estimate various battle site locations deserves all the credit in the world. I will watch the whole thing, maybe he will convince me!

[akingdomscrypt]

I have only one thing on my mind rn. And it is definitely NOT what i need when trying to write an angst scene.

[wilsonpussyindulgence]

i think i’m insulted by the fact that my costar in the play isn’t at all turned on by making out with me

[fictionadventurer]

An underrated benefit of love triangles is that they allow you to have a love story where the ending isn't immediately obvious. In your standard romance, the two leads meet, and then it's just a matter of time until they hit the plot beats that lead to the happily ever after. But the love triangle gives you two plotlines! Two different dynamics! Two valid directions for the plot to veer that will still lead to a romantic happy ending without that ending being a foregone conclusion.

The main character can grow and change in multiple different ways because there are two men on equal standing with her, who can have an influence on her in different ways, giving her multiple different lenses to help her understand who she is and who she really wants to be. When it's done right, the story will be satisfying no matter what the endgame is, because the point is going along on the journey and seeing who the characters become. And the great thing is that you don't know who they'll become because there are two valid options, so the entire story can be surprising, which is so refreshing when so many love stories are so predictable.

[themyscirah]

Suffering more than Jesus atm (being a fan of 80s/90s Suicide squad in 2024)

[starlooove]

Oh. Sad

[midnightwind]

why is everyone so pissy at me after the Fade!! the Inquisitor just physically fought through hell and all I hear is whining afterwards

[fuckin-sick-bih]

zenith is on spotify i'm screaming

[gorillaxyz]

im sick of masking if i make you feel bad when i criticise you (CONSTRUCTIVELY AND FOR YOUR OWN BENEFIT IN A SCHOOL ENVIRONMENT) then maybe you need to grow up and realise youre fucking stupid and youre gonna get a D in all your A levels if you dont actually sit down and pay attention