#/he has no idea what he's allowed to have of life now

[badasscoffeemug]

okay, so, i tried to pull as many interviews as i could to see if i could parse what the original plan for bucktommy was (or if there even was any), and subsequently, if there had been a pivot of any kind. now, we are not privy to any bts talk, and storylines are never set in stone, even from when they've been teased or promoted (henchim friction? hello?) but interviews are really all we have to go off of. so, idk, i compiled some quotes, all bolded emphasis is mine.

i kinda got the impression that it really was supposed to be a 4-episode arc for tommy, after which he would gracefully bow out and leave buck a newly realized single bisexual. for some reason, that changed and they chose to keep him around and extend that storyline (gelled rather well in the story? opening the door for potential future storylines?). except then they had them break up anyway, leaving buck in much the same place he would have been had they called it quits in 7x06, only much more heartbroken (essentially wasting over half a season's worth of buck storyline, except he's sadder now, i guess). but, judge for yourself.

march 28, 2024, TM: Showrunner Tim Minear also teased future episodes for Tommy. “He’s going to be around for a little bit. He’s not going to be a member of the 118 again, but he is going to be involved in some stories.”

april 4, 2024, TM: “I was kind of bored with the hamster wheel of the relationships [Buck] had been in. His story needed a slap. It needed some something fresh. This felt like it could be important to some people, and it felt like it was right for the character.”

OS: “I’ve always had in my head that I wanted a partner for Buck to be someone where it wasn’t easy”

TM: “That’s what I like about this. He’s not siloed off into some love interest story with a character who has nothing to do with the main characters.”

Minear noted that Tommy is currently an important romantic partner for Buck, largely because “it’s sort of the entry-level relationship.” Yet at the same time, he noted that he doesn’t think “anybody’s making wedding plans.”

“It really is a first fling for Buck right now. What that might amount to, only time can tell. But what I’m interested in is not something that’s fraught. I’m interested in something that’s tender and positive”

april 4, 2024, OS: “The focus was on it being important, but also not wanting it to feel like the bravest episode in television. We just wanted to tell a lighthearted love story that happens to be a queer love story.”

april 5, 2024, TM: “[what] I don't want to do is the mistake that I think we've made with some of the other love interests, which is siloing those characters off into their love life and they have no kind of organic connection to the rest of the characters in the story. [...] Going with Tommy allowed us to start to play a story without just inventing a whole new character just for the purpose of being the bi character or the gay character or the male love interest for Buck.”

april 12, 2024, TM: “that moment at the end of the episode where he sits down with Tommy and says, “You said I wasn’t ready. I don’t know what I’m ready for, but I’m ready for something. I’m just sure what that is yet.” But he feels safe with Tommy. So even though he doesn’t know exactly what road he’s stepping onto, he’s willing to roll the dice.”

april 12, 2024, LFJ: "So, it happens in phases. My manager said 9-1-1 called, and I was like, 'Cool.' And then he is like, 'All right, well, they called for an arc.' And I'm like, 'Four episodes? Cool.'

"Given the circumstances, we just kissed. There's something there. We go on a date, and then Eddie happens to show up because there's only one restaurant, I guess, in L.A., and I would totally understand if he was nervous and whatnot." (this quote has nothing to do with my point really i just think it's so fucking funny. this entire interview is so messy.)

"I have no idea," he explained when asked what the future could hold for the duo. "If the writers do choose to extend this storyline and make it into its own thing [...] I'm just as excited as you are to find out."

april 12, 2024, OS: "I just hope he continues down that path and I think we will see him opening up more and more, and being louder and prouder about it. I want to tell real stories where not everything is going to be straightforward, but I don’t want the angst or the trauma to be in these kind of negative troupes that we’ve seen before. I want them to have real world problems that couples or people who are first dating have, but I don’t want it to be rooted in outside people being homophobic or anything like that. Those are stories we have seen and we’ve told, and sure, of course, happen in the real world, but I want to tell a happy story between these people and a real story. They have issues and they have things to deal with, but I just want them to be real world, everyday relationship issues."

april 18, 2024, OS: "we want to tell it in an honest way where not everything is going to be easy and carefree. There are going to be issues, but we also don't want it to feel like it's down or too heavy. We want to tell this queer love story in a very honest way, but also in a very loving way."

"Tarlos is a beautiful relationship," Stark says. "I'm just honored to get to tell a story that can kind of partner up with that and maybe continue with a similar thread."

"I really want to see Buck continue to explore what it is that really speaks to him, and what he's into," Stark says. "He's obviously going to continue down this path with Tommy for now. I don't know what that story is going to end up being, but I would really like for Tommy to stay a part of Buck's life, regardless. He's obviously opened this door for him, and I think it would be really nice if [Tommy] was able to continue to hold [Buck's] hand and could help guide him through this process. As somebody who's a little older and more experienced, to kind of help shepherd Buck into this new phase of understanding who he is."

april 23, 2024, OS: “I really enjoy [Lou]. I really enjoy working with him. I think he’s been a great addition to the show, and I look forward to — assuming Tommy sticks around for a while — continuing to develop that relationship with him on-screen and off-screen.”

may 2, 2024, JLH: "I’m really excited for Buck, because I think he’s a person that has never quite settled into who he is. And if this is who he is, it’s beautiful,” Hewitt said. “I was so happy Maddie felt that way, because that’s how I would feel. And I’m really happy that she’s there for him. In Season 8, the actor hopes Maddie gets to “understand what all that means, be in that with [Buck], and get to know Tommy better.”

may 3, 2024, KC: “I think it was the brilliance of [co-creator] Tim [Minear]. Even introducing the storyline of Buck and Tommy, he said, "I don't want it to be this very special episode of 9-1-1. I'm going to make this a f---ing romantic comedy, man. You won't see it coming. It'll come out of left field." And I think that's the same thing he did with the revelation. There's no sit down, there's no big discussion or talk about it. It's what it would be. This guy has found love fina…. Well, I think love finally.”

may 3, 2024, KC: "When I heard about the storyline, I was super excited. And on a selfish note, I'm really happy because they brought Lou Ferrigno Jr. back. We've become really good friends, as he was in "Hen Begins," "Bobby Begins Again," and of course "Chimney Begins," and we formed a tight personal bond. I think he's a terrific actor, and I think this new dynamic brings this newfound energy into that storyline and into the show, and I'm excited to see how it blossoms."

not dated? post-7x06, KC: “It’s one of my favorite scenes,” Choi says. “It’s a reveal for most of the characters that Buck has found a love interest he’s actually interested in. It’s adorable, it’s cute, it’s perfect, and the audience is going to love it.”

OS: Stark likens Buck’s journey to “a hamster wheel”: “He’s been taking one step forward and two steps back, as is quite typical of being in your late 20s and early 30s, trying to find yourself,” the actor explains. “As we’ve moved into this seventh season, he’s found a way to really discover who he wants to be.”

july 8, 2024: 7x09 deleted scene released

september 9, 2024, TM: “They’re still getting to know each other a little better”

september 11, 2024, TM: Minear says not much time has passed between the events of the season 7 finale and the season 8 premiere, so there haven't been many developments in Buck and Tommy's relationship. "But we see that they're more comfortable together," he explains. "We'd definitely call them a couple. Obviously they're comfortable hanging out with Eddie, but when you couple with somebody, it takes up some of your time, so that also leaves Eddie a little bit out in the cold. Well, not out in the cold, but Buck doesn't have as much free time as he did before, let's put it that way." (yeah so, this barely happened?)

september 20, 2024, OS: “We don’t really have too much of a time jump moving into this season, so the relationship with Tommy is much where it was left off,” explains Stark. “It is in its early stages. They’re still learning and figuring things out about each other and what a relationship might or could look like.”

[amourtoken]

yes PLEASE write about quinn knocking you up and also please never stop writing smut i feel FERAL

I got a couple asks about this so let me roll them all into one here yall are horny unhinged individuals together now

Quinn is unfortunately insanely susceptible to baby fever. He can't help himself, the thought of having a little extended family to provide for is sweet enough on its own but getting there is what he's really been focused on recently. He cannot clear his mind of the idea at all and it's starting to effect every aspect of his life. His thoughts are always frenzied and his brain fuzzy, he can barely focus on the ice and you constantly catch him zoned out and have to draw his attention back to you. What's he even thinking about?

This all started after he saw you interacting with some kids at a charity event. He didn't think it'd be a personal attack on his psyche to see you leaning down to their level so they felt more included while you chatted about your days or whatever random thoughts of theirs that sprung to mind. They all seemed so happy in your presence and you've always just naturally been great with kids so it's no surprise to you, but Quinn instantaneously fell victim to the infectious thought process of parenthood.

all he's thought about for days is how pretty you'd look pregnant and how good of a parent you'd be. Would your kids have your smile? Your eyes? Hopefully they had your sweet personality at the very least. You two could be the overly supportive cheesy hockey parents when your kid got a little older too, if they took after him and wanted to play. Quinn would fall down these hour long rabbit holes in his own mind of what your future would look like with an addition to the family and it was becoming more and more of a necessity every day.

Eventually it gets to a point where he can't fucking contain it anymore and he lets the idea slip while he's got you pinned to the mattress below him.

Quinn's fingers are holding your hips tight enough to bruise while he's buried inside you, panting praises and explicit compliments against your neck in rhythm with his thrusts. He can't get the image of you all pretty and pregnant out of his brain at all, the only thing keeping him from it is a thin latex and a question really. He didn't wanna ruin the moment but it was out of his control at this point, the need overtaking critical thinking skills.

"Fuck- please let me put a baby in you- shit- p-please- c-can't stop thinkin' about it- fuck i need it so bad...'m sorry-"

His voice sounded so broken, moans and whines cutting through his words against his will. You had no idea he felt this way and fuck you wish he'd said something sooner because you've been going through the same misery he has. For the same reason. The same exact event that permeated his peace with the idea of kids with you was the one that had you dizzy thinking about him being a dad. Safe to say your communication skills were lacking during this cause both of you were afraid to ask but now that you're on the same page? You're in for it.

You respond enthusiastically, nodding quickly and immediately pleading for him to do just that. Quinn's chest fluttered at your whined pleas and as much as it pained him to pull out in the moment it was definitely worth it to sink back into you raw. He wanted this to last forever but the way you felt so fucking warm and wet around him was ultimately his undoing, much to his own protest. He didn't wanna finish without dragging you along either, his thrusts fell out of rhythm as he snaked a hand between your bodies to circle your clit, trying his best to take you with him.

"Shit- you're gonna be so pretty- fuck- god I'm so fuckin' lucky-"

Your nails sunk into his shoulders as you pulled him closer, legs shaking as you tipped off the edge of your orgasm with a whine of his name. He almost immediately followed you, hands gripping behind your knees to fold you in half under him, allowing him to sink deeper than before. Quinn's vision blurred with black spots and his voice pitched up into whiney pleas as he filled you up, finally getting what's plagued him for fucking weeks now. Doesn't matter if this was the time that did it or not, he was dead set on fucking you full of his cum over and over and over until you got the results you both wanted (and then some extra for good measure ofc)

[baphometsss]

On Solas's romantic history

Okay. I know what the consensus is. That he’s way too smooth in Inquisition to be inexperienced but... (and I’m fully prepared to get shat on for this lmao don’t kill me)

When he kisses Lavellan, that doesn’t read to me like he’s super suave and seductive. It reads more like—endeared by them trying to run away after kissing him, then being so surprised by how good the kiss felt, that he grabs Lavellan, kisses them again, pulls back with a surprised look on his face, and then goes in for more. It’s touch-starved, desperate, hungry. It’s not really all that smooth because he’s literally bending them over backwards lmao like Solas can you chill maybe

He is very smooth when flirting with Lavellan, but he's also an absolute gobshite who's spent thousands of years sassing the hell out of wannabe gods so that's not a surprise. He's witty af and enjoys some back and forth.

Solas is a very lonely man. He keeps everyone at arm’s length because he’s seen what getting close to people can do to him. His biggest fear is dying alone, and he almost gives into that because it’s what he believes he deserves for all he’s done. His life has been so stressful for so long that he's almost totally unable to consider anything else but his battles. He even says explicitly that he's tired.

That doesn’t make me think of someone who was out there in Ancient Elvhenan sleeping around all those years. No doubt he considered it, but he likely didn't pursue much with anyone physical; he enjoyed spending as much time as possible in the Fade. (The banter with Blackwall doesn't count to me personally since Solas himself thinks the whole idea is preposterous, which speaks for itself really.) Especially after being a slave/servant to Mythal seems to have voided him of his agency for some time. Then he led a rebellion and fought for thousands of years against brutal tyrants. Any one of the people he was close to could’ve been trying to kill him. Lavellan, however, has no reason to do so, so he can flirt with them freely. In all that time, it seems as though the only people he allowed to get close to the real him were Felassan and Mythal. I don’t think he slept with either, because the relationship was familial. Felassan was also loyal to Mythal, but didn’t burn his vallaslin off. (Is this a right hand/left hand of the Divine parallel again? Two brothers and their mother? Idk, I need to think about that one). For creatures with bodies made from the blood of Titans, they don’t have blood families. They would’ve had to forge their own, which is what Solas did with Mythal and Felassan.

And then there’s his ‘it has been a long time’. Most have taken this to mean that it’s been a long time since he’s been intimate with someone, but given what we know now and that he spent thousands of years in the Fade while his body was in uthenera… I wonder if he’s actually saying-- ‘it has been a long time since I lived in a body’-- ie. ‘it has been a long time since I felt physical drives, a long time since I have felt so physically real’. To me, this makes a lot more sense than the ‘he’s thousands of years old he can’t possibly be a virgin/inexperienced’ take bc like... My friends. It probably didn’t feel like thousands of years to him bc he’s essentially always existed. Time is different for spirits. It’s not like he’s gonna go: ‘well I’m nearly 4000y/o, better lose my v-card’. Time is no object when you are a timeless being. Then, given the path his life took, it wouldn’t make a lot of sense for him to be that experienced given how hard it is for him to trust.

I also personally headcanon him as heavily demisexual/demiromantic too. His true nature is so non-physical that the idea of him being very promiscuous or something just doesn’t fit his character. He needs a mental connection, to feel something, before sharing much of himself, or allowing himself the vulnerability intimacy brings, something he clearly feels with Lavellan based on how shaken up by it he is.

And it’s also canon that Solas has never been in love before meeting Lavellan. So. If he went however many millennia without falling in love, it’s also possible he went without intimacy for a long time too.

To be clear I’m not trying to say that this is the correct conclusion. My opinion has just changed a little since Veilguard (I used to think he was being smooth etc bc he's old af/v experienced, but with confirmation of former spirit Solas it’s changed my perspective somewhat)

Also:

‘Things have always been easier for me in the Fade’

‘I am not often thrown by things that happen in dreams’ my man is shooketh guys SHOOKETH

[thecoolerliauditore]

do you have a specific thing you'd like to talk about but haven't found the opportunity (analysis/observations/anything else) etc? if so can you respond to this ask with that :3 and if not you can share some images you'd like to post or something

alright finally calling on this

Let's talk about Wild Life alliances and "family". (long post)

"family" is a word that gets repeatedly thrown around this season and, unlike in LimL, it's not just limited to being one group's running gag. While the Clockers parodied the family dynamic, Wild Life alliances revolve more around the concept of family itself, and the differences in how each player treats that word can be viewed as telling of their own understanding of "family".

The most noticeable example of family as a theme in WL is from Joel, who literally looks into the camera and says that's what his theme is going to be this season.

Joel's understanding of "family" is, in a lot of ways, a little shallow. First of all he's doing it all within the context of Fast and Furious references, which is funny but on a character level could be seen as him mimicking media instead of really understanding what he's doing.

His "family" with Gem doesn't really operate any differently from any other alliance he's had -- if anything, his behaviour changes in relation to people outside of Gem are infinitely more notable. All throughout the season he has gone out of his way to be helpful, such as when he teaches Skizz to crit, or teaches Tango about the effectiveness of lava buckets due to the gimmick, or when he helps BET rebuild their trap that they just tried to kill him with.

Even more notable are his interactions with Jimmy, who DID kill him, but he remains amicable to even after yelling at him that he hated him just an episode ago (for, again, trying to kill him).

This all goes back to Joel's original monologue that bought up the family theming in the first place -- to Joel, family look out for eachother, are nice to eachother and put eachother first (not completely unlike what Scott values, which I'll get to in a sec). But he's not actually doing this for "family", he's being nice so that people are less likely to kill him, and he believes embracing "family" and being nicer will help him perform better.

What Joel actually wants is to shed his antagonism, so he's gone the opposite direction into being super nice and forgiving. "Family" is more or less a filler concept to help him realise it.

But Gem, on the other hand, has a very different approach to "family". When she asks Etho to the family, she expects loyalty and when he allows Pearl to grab food from Gem's barn, Gem scolds him and lets him know "we're not friends with Pearl".

Gem's idea of "family" is a lot more concrete than Joels i.e. she naturally expects to be listened to and to move as a unit.

"Control" is an interesting factor in terms of Gem's behaviour in this season, as she seems to believe it's a vital aspect to "family", as seen previously with her scolding Etho. She also yells at Scar for letting Jimmy threaten to kill Joel, telling him "no! we're supposed to be family!" and to "control your guy!"

Which is, strangely, reminiscent of a conversation she had with Scott where she asked him to "control" Pearl as well.

Maybe it's due to Gem being newer and therefore more naive or the fact that the use of the word "family" was spearheaded by Joel and Gem simply adopted it, but it's curious to me where the line between "family" and "alliance" are for Gem. It's hard to tell for sure because her control in Gem and the Scotts really was never challenged until Scott's permadeath, and tasks like the zombie task literally put her in control, but it is interesting to me that she is much more verbal about her allies behaviour now than she was before (<-- footnote: this might be partially because she is allied with Etho right now who is insane this season)

She also is the one that tends to say stuff relating specifically to family out of the two as well, such as "family don't steal from eachother!" and so on.

Gem likes to lead and be in control, and that attitude is reflected in the way she talks about family. I for one would love to see an instance where Gem is the one who needs to be "controlled", I think it'd be enlightening. Right now she feels to me like a kid parroting things adults have told her, since she is absolutely a more rebellious spirit and challenges when people who Aren't her have more control than she thinks they ought to (such as when Etho mentions building his base out of copper and she asks him why he has to listen to Bdubs).

Speaking of family and control, that brings us to the big heavy hitter faction, GGG(GG).

Early on, Impulse declares the alliance to be his family and since then, although the word "family" itself hasn't popped up as much compared to Gem and Joel, it certainly has been paraphrased. i.e. Scott's compared himself twice now to a parental figure, once more generally and the second time specifically towards Pearl. He also labels Cleo as the other parent, which quietly acknowledges their place as the alliance's pseudo-leadership.

Impulse saying this is. Dubious to me at best, since he says this and then goes on to be his usual, independently moving self after this episode. He even agrees with Pearl to keep his farm a secret from Scott and Cleo, which isn't very "family-like" at all.

We know from the past that Impulse is a good liar and has a more or less traditional view on family if his DL run with Bdubs is anything to go by. I do think Impulse has some weirdness attached to emotional investment in his alliances, most evident I think in TIES and Gem and the Scotts, but in this case. Ehhh I'm not an Impulse guy I can't draw any conclusion there, but it sure is a strange thing to say!

There is of course also Scott literally saying to Pearl "we're family, whether you want it or not" -- which is quite curious because Pearl Isn't Actually Scott's family. She does have a choice to leave, yet that isn't framed as a possibility.

I think the lines between alliance and family are very blurred for Scott specifically, who quickly named Jimmy as his husband (aka family) in 3L with very little hesitation and claims he "loves everyone". Scott genuinely believes his love for his death game teammates is comparable to that of a family and, possibly enabled through Impulse's words, has become a lot more brazen about it.

Like Gem, I think Scott sees control as a necessary aspect in order for families to function, and as such follows his infantilization of Pearl both through the blatant comparisons of her to a child in his care and through him saying in roundabout ways that she is too emotional to be trusted or too immature/impulsive in her decision-making.

I have relatively less to say about Cleo despite her being Mother Clocker which you'd think would make her more relevant to this discussion, but afaik she's been more or less dodging the "parent" stuff that Scott has been dipping into. Maybe it has something to do with Scott's very detached sitcom-esque perception of what motherhood entails, maybe she's like Etho and has shut it all out after LimL, eitherway lmao.

In short: alliance = family --> those who subscribe apply their concepts of family (e.g. control/discipline, emotional investment) onto their alliances --> dynamics get weird as many who meant to come out with an attitude of "I care for -- or even love -- my teammates" get morphed into treating their teammates as Literally their children or siblings

One alliance that entirely and utterly rejects the "alliance = family" notion is BET (I refuse to write "Tuff Guys" for the entirety of this post).

Right out of the gate they establish that they are more roommates than ride or die, and that everyone will betray eachother eventually anyway. They also yell and bicker and talk behind eachother's backs almost constantly, to the point where other people even pick up that they don't see to like eachother.

So it's interesting to me that BET.. Do care for eachother, despite what they say, but it's almost always hidden under non-acknowledgement (Etho protecting Bdubs from a skeleton, Bdubs trying to save Etho in the slow-mo fight at the beginning of episode 4) or balanced out with verbally ripping eachother to shreds right afterwards (Etho trying to help Tango get a kill and yelling at him for being incompetent when he fails repeatedly).

It's like, if they really are "every man for themselves", why help Tango at all?

When it comes down to it, BET have chosen eachother over other alliances -- even ones that they are "family" with, when Etho lures Joel and Gem over to Tango's trap.

One conversation between the three I don't see bought up much is them half-mocking Etho displaying the flower he got from Gem, I think it was Bdubs who pointed out that the flower would be useless if it weren't for Etho putting worth into it by showing he values it, and that once you show that you value something, people will see it as something they can take from you.

This, to me, is very telling when combined with how they have insisted they don't care for one another this season -- if they don't value eachother as allies in the first place, they can't lose eachother as allies.

It's the polar opposite of the "family loves eachother" approach to alliances, and "control" over eachother's actions only becomes relevant when things get desperate and all of them are involved.

Once again using the example of Gem telling Etho he "doesn't have to listen to Bdubs" -- I think it's interesting that Gem assumes that Bdubs is making Etho build out of copper, when in reality Etho asked Bdubs for a suggestion, Bdubs said copper as a joke (and later even reacted in shock when Etho took him seriously) and Etho's gone the full 100 miles with it. As well as the fact that Etho completely dodges that part of Gem's sentence, leaving her in ignorance of the fact he willfully listened to Bdubs -- of the fact he /valued/ Bdubs' input.

I hesitate to say more for now but I am excited to see how this develops and what brand of emotional attachment to one's teammates will come out ontop.

Anyway. Rambly post done. This means absolutely nothing have a good day. Freud would have things to say about this

[foxbirdy]

hi!

just saw your pictures of you doing some marine biology fieldwork and i just wondered if you have any stories about the experience that you would like to share. Im in 1st year uni right now and i have no idea what im gonna specialize in other than “science!!” but i work on boats for my job right now (tallships, very cool stuff) and so marine environment work really appeals to me. If you have the time, I would love to get a picture of what the work you’re doing entails.

(What does the day-to day of marine biology research look like? What kind of stuff are you studying/information are you gathering? Whats it like? Is it awesome? feel free to answer none of these also)

thank you!!

OH, I'm jealous - it's a dream of my mine to get to work on a tallship. & I love to talk about this stuff!

In all honesty, the day-to-day changes pretty dramatically depending on what project work is available. Right now, as a student, a lot of what I'm involved in ties into coursework or research that's happening at the university! I volunteer with a couple different labs, and there's a huge variety of stuff to get in on. For example:

Last Saturday, I spent about six hours pulling otoliths and gonads out of eighty invasive roi, taape, and toau caught by local spearfishermen. Otoliths are the ear bones of fish, and similar to the rings of a tree, they have ringed annuli that can give a lot of information about the life history of the individual species. We cast these otoliths in resin, and then cut cross-sections to look at them under the microscope. The hope is that this information will help us understand when these species become reproductive, and how to control their populations.

The last several Fridays, I've been involved with an effort to collect some water quality and plankton data after a lot of heavy rain. This work was out on the boats, and we used deep and shallow drogues, YSI, light meter, secchi disk, and a couple plankton nets, moving out from the swollen rivermouth and into deeper, saltier water.

Last month, I spent a lot of time on invertebrate snorkel surveys, mostly looking for presence/absence in the nearshore. Next Tuesday, I'll be doing fish surveys in the same location. The Wednesday after I'm hopping on a wetlands restoration project & removing invasive bull grass, and a night snorkel afterwards. Next Friday is a lab day, working to process the plankton samples we've collected, and I'll be in the coral nursery afterwards. That's the really fun thing about university - there's so much different work going on, all the time!

In the summers, outside of school, that work is just as varied. I've really enjoyed having jobs that allow me to do a little bit of everything, and thus far, my supervisors have been very supportive of me in that. Here's some other projects I've gotten to work on, all within just one position:

Servicing passive monitoring systems! These are pictures of my replacing a SEABIRD logger, which has been taking a water temperature measurement every thirty seconds for the past 360 days. This helps conservation managers track heatwaves in sensitive ecosystems. We prepped new loggers with batteries and SD cards and waterproof tape to prevent biofouling, and then used snips and zipties to make the switch.

Scientific fishing! This helps get life history and population data for our target species, large pelagic fish. We collected biopsy samples, placed tags, and released primarily ahi, but also ono, and mahi. (Full disclaimer: this picture is from a subsistence fishing trip and not a scientific one, where people generally have too many things in their hands & are moving too quickly to take pictures. He was a very delicious dinner for our crew, though.)

Other marine tagging! I got to assist with bluewater cetacean tagging of several different dolphin and small whale species, and shark tagging for galapagos, blacktip reef, grey reef, and dusky sharks. Cetacean tagging was done with an air rifle, not easy at high speeds on the boat. Shark tagging was more hands-on, as we had to manually apply the tags.

Coral reef monitoring! The mission of these surveys was to track coral health through heat stress events, and to identify harmful species. I'm looking under the coral head in these pictures for crown-of-thorns starfish, one of the most urgent species threats to reefs in the Pacific.

This is the bastard. Notice the dead coral around him.

Oh I'm about to smack into the photo limit, huh. Please hold!

[mackmp3]

☕how the writers delt with river song

SCREAMING CRYING THROWING UP THEY DID MY GIRL SO DIRTY there are so many. good river song moments. and there are so manythat make me want to tear a strip off steven moffat like every goddamn episode with her they have to make some obnoxious sex joke or some Honey Im Home type shit & i understand this is like. A Moffat Theme & i dont always hate it but goddddd its so reductive like there is so much!!!! that could be done with her character !!!!!!!!!!!!!!! that is overshadowed by haha what if she was sexy like STOPPPPPPPPPPPP.

like silence in the library was a really good character lead in & i like her!!! as a character !!!! even the overly flirtatiousness unfortunately that would work on me but even aside from that. she is a good character let down but the sheer pull-it-out-of-your-ass writing of her backstory. like?? she could regenerate cos she was conceived in the tardis okay thats really cool much weirder stuff has happened when it comes to tardises & making babies but then WE SeE THIS FOR LIKE. ONE OR TWO EPISODES BEFORE THEYRE LIKE WHOOPS THAT DOESNT WORK ACTUALLY COS SHE'S DEAD UHHH SHE BETTER UHMM IDK SAVE TH E DOCTOR OR SOMETHING WHATEVER> COS HER ENTIRE LIFE HAS TO REVOLVE AROUND HIM. HASHTAG MARRIAGE AMIRITE like even the fact that her entire life was shaped around him isnt a Bad Idea it just feels like no one considered the tragic impies (implications) of this, & simultaneously doing amy so dirty in the process as well like??? she loses baby mels & then discovers she was her (never previously mentioned) childhood friend but then she uhhhh dies & turns into this woman you already know and them????? barely eveer mention it again???? holy shit?????????????????????? amy & river is a freaking horror story but one that the writers seem imcapable of dealing with because sOMEONE is too busy making obnoxious jokes about married life

a lot of thsi is specific to the General Vibes of the eleven era stuff as well which was in general so so weird about women & while its not like twelve or any of teh other doctors are expemt from this eleven is a massive dick to people quite a bit & a lot of this falls on river b/c he is seemingly (iirc i havent seen some of this stuff for a while though it Haunts Me) almost careless? with her? like a sort of 'welllllll she's here now so it was all okay in the end :)' sort of attitude ignoring that she went through A Fuckton Of Stuff before she was even a concious human(mostly??) being

even the husbands of river song is tragically guilty of some of that stuff like. she's seen some wild shit & she should have known it was twelve wayyyyyy way way quicker. like i understand why she didnt for plot reasons but she is in fact very intellegent like. she's allowed to show that. unfortunatley sometimes women cant be smart & have their boobs out at that same time I GUESSSSSSSSS

also the nine & river audios from earlier this year? i really like archipelago i listened to that a couple of times & i thought it was really powerful but AGAIN the writers make river So Fucking Obsessed With Romance like. you'd let it go by that point. nine had literally just proved he's the most aro guy in the universe (good for him) and shes stillllllll flirting at him. which. imo she wouldnt do anymore because, shock horror, she does actually like him as a person & values his company and you would think you would be friends wit hthe guy YOU ARE GONG TO MARRY OR WHATEVER. NOT THAT THEIR MARRIAGE WAS PARTICULARLY ROMANTIC EITHERIM GONNA BE SO REAL. obviously sex is important to her & good for her but yikes. it doesnt need to be mentioned so often.

like its the whole 'inherent tragedy of waiting for a time traveller' stuff which i do eat up every time meeting her in silence of the library & knowong that there is so much more there - VERY COMPELLING !! really good character intro augahagaauuaajaaajahhahahahhhh but nooooo her Entire Fucking Goddman Life has to revolve around being manipulated & The Doctor AS WELL AS !! the completely uncalled for ohhhh im a PSYCHOPATH ( <- unfounded & demonstrably untrue lowkey this is saneism right. thats an ableism there yes? ) thing they alllwaysssss have her say like well!! shes not !! theres 'youre talking about commiting a murder'/'no im not, i'm actually commiting a murder' which i like & is funny & she would say that and then theres teh vauge oooohhhhh im so Freaky & I Have A Gun or whatevr like augsugsaihuahahaouoauauoouauoauoauoauuo

also twelve & river had freaky t4t bi4bi aroallo sex after the end of husbands of river song but no actual dw writer is enlightened enough to see that because they have to flatten her into The Doctors Wife & she would have had a far better dynamic with 12 than with 11 (not that i'm biased) i wish they got more time togetherrrrrrrrrrr also you should listen to the bekdel test (diary of river song audio with missy)

[transingthoseformers]

Ooooooo for TFP Skystar you done know Megatron on some fucked up timing.

Example what if they after being denied funding to find Skyfire, falsely framed for his murder, jailed and stripped of all academic achievements Starscream was pulled in to the decepticon cause cause after freeing him from torturous years in jail Megatron promises Starscream they will find his partner.

Obviously it’s a lie but a desperate and pained seeker doesn’t need to know that. And then for millennia he uses that to control Starscream. Star never wanted to be in a war never wanted to do the things he did to get were he was now but here he is.

Imaging not long after the war comes to earth say Starscream is off ship for a mission and the crew of soundwave and Megatron found a distress signal in the artic. You know the rest but they don’t tell Starscream about it. Megatron contemplates how to use this discovery of the live bot. Obviously he has knockout place the Skyfire into a permanent stasis and threatens him not to tell Starscream that the stasis is medically induced instead of natural.

When Starscream returns and sees his lost unreciprocated love (he planned to tell him after the ice trip but you know) he is brought to literally chokes and screams as he runs to the body of the mech he loves. Before he could even get into an arms distance of him though Megatron grabs him roughly and starts the false narrative of his stasis and how he’ll need constant medical treatment to stay functional let alone wake up one day. And as much as he’d love to allow this they are at war and supplies like that aren’t cheap.

Que Megatron using Sky’s comatose body as some treat/reward for Starscream whenever he follows Megatron’s orders and if he were to disobey, a quick threat of having the “corpse” as Megatron refers to sky as scrapped for part, or sent to Shockwave for experimentation.

Unbeknownst to all though Skyfire is conscious, in a way. He can hear everything and sees the world around him via the sensors of his fields he wants to help Starscream and have them both leave but he isn’t strong enough for that. Maybe Megatron uses the neural link to gather info on Starscream from Skyfire’s mind to better manipulate Star and one day the link is left haphazardly and through some kinda luck Sky transfers himself either into A)The ship. B)A vehicon/eradicon.

A) Maybe one day the Autobots find Sky after using his new ship body he sends them coordinates and a potential happy ending.

B) In a new body he tell Starscream everything and they try to runaway together in a bit of a bittersweet ending or they stay years more to retry and get Sky’s original body back before they run off together.

Secret C ending) Starscream finds the neural link and enters Sky’s mind and together they live a life they always dreamed inside Sky’s mind. The mindscape making it seem like years but it is not. Outside Starscream set some kind of suicide device to take both him and Skyfire out one they’ve lived their fantasies or knockout and breakdown catch the encounter and either decides for the mercy kill after watching the fantasies play through on the monitor or they send Starscream & Sky into an ACTUAL perma-sleep so they can be together once more forever. Tell Megatron they fortune them like this Starscream probably did it and there is nothing they can do to fix it.

Maybe KOBD leave them like this or maybe they make it temporary and escape to defect to the autobots later taking the comatose bits with them to later wake up once the war is over.

Maybe they’ll use the neural link to talk to Starscream during their stasis and to take info on some con plans as they wait for the true peace time to truly wake them both up.

Oh wow, okay, damn

The inner scene of Megatron meeting Skyfire through the cortical patch for the first time has to be VERY interesting tbh

but also aughhhhh the idea of Starscream pursuing a psuedo-real new life with Skyfire within the cortical patch over the bleak reality on board the ship has me feeling things

Now, I want to give them a good ending, I want them to wake up when the war ends and they finally get to be together again in the real world too and everything works out in the end... but I feel like them dying in the cort patch is the most likely to happen.

Choices, choices

[jojotichakorn]

i started penning a post about how i always find it narratively unsatisfying when an arc ends with a conclusion the following arc breaks, regardless of how realistic the repetition of the same mistake might be, which is still true, but i actually want to talk about something else right now.

i feel like, at least at this stage, jack is in a position that is both generally unrealistic and untrue to the specific events of the series. 'jack and joker' has a clear focus on poverty and money and class issues, but it seems to treat jack in a very special way. he somehow manages to stand on the moral high ground above other characters. specifically, other poor characters. which is, first of all, a little ridiculous, since he was indeed a debt collector and, in fact, almost became the boss's son. and, second of all, is generally Not Great, because it does idolise the idea that if you "just try hard enough", you won't "allow" yourself to be backed into a corner and therefore won't have to do bad things.

now, don't get me wrong, i am not saying that our characters who have made mistakes are completely blameless. tattoo did shitty things (and hoy followed suit), safe did shitty things, hope frankly admitted to enjoying doing shitty things. however, if we zoom out a little, we will see that all these characters are in a situation that is inherently unfair to them. we have all of these poor people in immense amounts of debt and then we have this disgusting rich motherfucker whose entire wealth is literally based on making their lives as miserable and unfair as they are. and i think that, in this particular case, the series would have actually benefited from a dichotomy. don't get me wrong, i'm usually absolutely brimming with nuance and also asking "what lies outside of it?" but this shall be my exception. (though you could say that joke already brings some nuance to it - he is initially from a well-off family and he actively makes choices to the benefit of poor people, despite it resulting in him being ostracised from said family and its riches).

jack walks the line of being poor and managing not to do anything "too bad" like he is a fucking circus performer on a wire. and, don't get me wrong, he is genuinely a selfless character. he makes choices that a lot of other characters in the same circumstances wouldn't make. he remains in debt and continues working for the boss because he keeps trying to help people and pay off their debts first - that is admirable. however, he himself was already set up for more success than others. sure, being forced to become a debt collector isn't a walk in the park, but most other debtors didn't even have that choice. jack has to work for the boss in order to stay afloat - that is an undeniably hard task. the other people the boss collects debts from, however, have to come up with a lot of money out of thin air - that is not simply a hard task, that is an impossible one that is designed to trap them in the cycle of doing this impossible task forever. that being said, ultimately, jack is still poor. his own hamster wheel should be somewhere around the corner, that's always the case. this idea is where i wish they would have taken jack's arc.

from the moment when he refused to marry rose, there was no escape for him. finally, much like our other poor characters, he found himself stuck between a rock and a hard place. (and i think that it's very thematically appropriate for jack's particular "i can't do this anymore, i deserve to live a full life" sentiment to be connected to love, since he is, after all, a lead of a romance drama). he made the decision to say "no" and from that point on, he was completely and utterly fucked. because, realistically, that conversation that he had with the boss after refusing rose was insane. i don't know what he would have done to jack exactly, if that was a genuine conversation and there was no exchange of jack's freedom for the ring, but it would not have been anything good.

so i wish jack had to make the actual tough call there, instead of having joke save him all on his own (and later take the fall for it). and if it was, at least in some capacity, jack's decision to steal that ring, he would finally be placed in a situation where every other poor character already inevitably found themselves in. because the entire system is rigged against all of them and they are eventually always forced to do things that they should have never even had to consider in the first place. but they deserve better than living a life set up for them by evil rich people who literally live off of their suffering and they are allowed - no, at some point they simply have no choice but to - fight for a better life.

this, in my opinion, would have been a much more powerful message and - not to circle back to my personal preferences - would have also not left us with joke making the very same mistake that we decided we should never make again at the end of the previous arc.

[wizzdot]

Sunshine

Description: just an idea I had. Might make it a series. Might not. Reader’s callsign is “Ray”. TW - Reader is depressed and has been through some shit.

Not decided who I’m going to make the main love interest, if anyone at all. Hell, not even decided if it’s worth continuing. Hit me up with ideas if you like what you read…

The rain hammers against the living room window. The window of your shitty, little rented flat in a dodgy, shitty area. It was cheap though. And it was a roof -albeit a temperamental, leaky one - over your head.

It was your decision, after all. You could still be slaving away as a soldier. Giving your all, with no reward. What had you even been fighting for, anyway? Oh yeah! Arrogant men wanting to play a game of chess with your life. Nah. You’d choose your shit flat and shit job, thanks.

The bottle of cheap wine looks real nice right about now, what with the rain not letting up. But you hadn’t done a food shop for two weeks, and you’d used your last packet of instant noodles last night. Shit.

Your jacket is still damp from this morning, you notice, feeling regretful for not hanging it up over the radiator as you zip it up. It’s not as if you allow yourself the expense of using the central heating anyway. You tuck the stray bits of hair, that were poking out, underneath the hood and brace yourself.

“Once more into the void” you tut lamely to yourself, before stepping into the rain, on the hunt for dinner. ‘Goin’ fuckin’ mad, talking to myself now’ you roll your eyes at the voice in your head, sick to the back teeth of your failing life.

The familiar, chipped door of the local corner shop jingles as you enter. You stamp the wet off of your boots on the dirty mat at the door, not that it made a jot of difference to the trail of wet you left in your wake.

“Hello you!” Ravi, the (overly) cheery, elderly shopkeeper shouts. I nod, sending a tight lipped smile in response to his greeting. “This rain, eh! It’s pouring down! Madness out there!” his accented voice says chattily, as you try to disappear behind a shelving unit stacked with tinned soups.

“Yeah, mad” you grit out, monotonously.

“Chatty as always, eh?” - “yep” good god, please stop talking to me! Not in the mood..

You grab two tins of soup, and three 29p noodle packets and head back to the counter to pay. Ravi scans your selection through and looks up at you with a raised eyebrow, awaiting something else. You sigh. “The norm, Ravi, if you will” you say. “Thought you might have quit! Bad vice to have, a young thing like you..”

You choose to ignore that comment, as he slides the packet of cigarettes over the counter. “£16.49”. You pull the slightly soggy twenty from your pocket and hand it over and he quickly counts your change and you’re on your way, the ding of the shop door sounding your departure.

The rain has somehow worsened, so you decide to run the mile and a half back to your flat, pissed off that you’d had to put any effort in, whatsoever. You’ve kept your fitness levels up since your military days. You huff a laugh at your own expense. Knew the morning jogs before work were worth while.. you think to yourself.

Work. Fuck. You’d not finished until 5am this morning, hence the wet jacket. Drunkards had crawled in after winning the football match, refusing to leave until gone 3am, and leaving a shit tonne of mess behind that needed cleaned up. You got decent tips though. Tips that your landlord would snatch off of you thanks to the fact that you were a month behind on rent payments. Easy come easy go, you thought to yourself, as you jog back to the flat.

You get back in record time but halt abruptly when you reach the door. The rain has, by this point, soaked completely through your jacket, but something else has caught your attention. The door handle (which lost its spring a while ago) is slanted down. Someone has visited while you’ve been gone.

“Fuck” you whisper to yourself, before quietly shoving the pack of cigs down your bra to try and keep them dry, and gently stacking the tins and packs of noodles into your post box, for safe keeping, while you investigate..

On second thoughts..

You grab one tin, and carry it as a weapon. Just in case, right? Old habits die hard…

You step in, silently, and notice the wet footprints leading to the kitchen. They weren’t even trying to be subtle, what the actual fuck?!

Slinking towards the kitchen, acting every bit the trained operative that you once were, you round the corner, ready to beat the intruder to ever lasting shit with your soup can, when your eyes meet something - or someone, for that matter - that draws the breathe from your lungs.

“Get out” you all but growl.

The intruder huffs a confident laugh.

“You’ve not changed much, apparently.. a ‘hello’ would be polite, Ray” the figure, with their back turned, lounging on your one remaining wooden chair, that you use to hang your washing on to dry, teases.

“I don’t go by Ray anymore. Now, get out” you spit, marching back to the door to grab your remaining tin of soup and packs of noodles, no longer threatened by the unknown, but instead, utterly pissed off at the fact they’re wasting your time.. You return to the kitchen, intruder still unmoved, and slam the tins down on the counter to try and convey the fact that they weren’t welcome..

“You’ve got about 10 seconds..” you warn.

“Until…?”

“Until I call your superior..”

“He knows I’m here..”

“I’ll call his superior, then” I threaten.

“You’ll call Kate? T’was her decision to send me..”

“Look, Lieutenant. I don’t give a single, steaming shit about whatever it is that you’ve gotten yourselves caught up in, this time. And if you think I want to be involved, you’re heavily mistaken. And it’s laughable that Kate chose you to try and retrieve me.. didn’t even think to send Gaz…? The only one of you wankers that I actually, borderline, tolerated?” You laugh bitterly.

“I really mean it, Ghost. Get out.” you practically spit his callsign, wanting him to understand that you really weren’t considering his, yet unspoken, offer.

“We’d have sent Gaz…” he pauses “but he’s broken. So I’ll have to do…”

Your stomach drops at that and Ghost almost almost sees the break in your facade.

*18 months earlier*

You’d gone through your entire military career with Gaz by your side. You’d class Gim has a friend, even though you were detached and fairly closed off. He was always determined to bring down your walls.

The pair of you were eventually split up when he was headhunted for the formidable taskforce, the 141. You didn’t see him for months, maybe even over a year, until your unit, which you labelled as ‘the Donkeys’, because they were all so shit, crossed paths with the 141 in Russia.

You, and Shepherd, you came to find out, who had been acting as the temporary commanding officer, visiting from America on a joint op, were the only survivors, not that Gaz knew.

The 141 didn’t stick around to check how us Donkeys got on. Just left us behind to do the grunt work, while they, along with Shepherd, moved on. Yeah. Still a bit bitter about that…

Mission accomplished, in their eyes. Necessary losses and all that.. the Donkeys were just collateral for them.. you included.

You returned to base, under your own steam, injured and forced to practically hitchhike back from Russia. When you limped back through the base security, flashing the dented dog tags, confirming that you were, in fact one of them, you were hailed a miracle.

Laswell called within the hour of your miraculous return and wanted to promote you to Lieutenant of your new unit, of strangers, that you’d yet to even meet. Hell, you were even ready for active duty, with your injuries. You decided that it was all for show. Or out of pity… you guessed that, seeing as the rest of the donkeys, and the existing Lieutenant, had been killed, they needed a replacement.

The day of the ceremony rolled around a couple of weeks after, the big names in the SAS, in their fancy suits covered in silverware and ribbons, turned up, to ramble on about what important work you’d all been doing and rewarding medals to hundreds of other soldiers. It was all bullshit.

When it was your turn to receive your medal of distinguished bravery, and to solidify your promotion to the rank of Lieutenant, you stepped up to the stage slowly, and glanced around at the huge crowd, dressed in their formal uniforms, and caught eyes with them. The 141. Gaz was smiling at you, sending a thumbs up your way, mouthing ‘proud of you!’ toward the stage.

You furrowed your brow, thoughts running rampant in your head. Proud of what, exactly? Proud that my entire unit were wiped from existence? Proud that, for some reason, I came back to base?

You froze on the stage. You don’t know for how long. You just remember gulping, trying to make your inner voice shut the fuck up.

Autopilot took over for a few seconds, and you step forward again, towards the important guy, holding the medals and sashes. “Y/n y/l/n. I present to you…” all you hear is your name, and then his muffled voice.

You take one final glance around the ceremony, and take the Lieutenant badge from the silver tray, earning a few gasps from shocked spectators.

“Fuck your promotion. I quit”

And you left the stage, head held high, and walk away. Away from the SAS. Away from the chess game of life. Away from the danger and greed of those in charge. You were done. Even the donkeys didn’t deserve their fate. They were someone’s child. Someone’s parent. Someone’s brother. And they were gone. Without a second glance. But they were oh so thankful for their service, right?

Bullshit.

Canon fodder. That’s all you were sent in for that day.

Pawns to be banished from the board for the next step of the game. Bigger picture. Greater good. All that grandiose bullshit.

You remembered rushing to your old room at the barracks and hastily packing whatever you had left. Hoping you’d be gone before someone detained you. Surely what you’d done was some sort of illegal, right?

What you didn’t expect was for Gaz and his Captain to come knocking on your door.

“Y/n? You in there..?”

“Piss off, Garrick” you snapped in reply.

“Soldier, open the door” the Captain’s, you’d assumed, rough voice commanded.

“Sorry Cap” you popped the P, immaturely, “no can do, don’t take orders anymore, remember? I quit..”

There was one heavy crash at the door, followed by some splintering sounds of wood, and then the Captain, followed by a sheepish looking Gaz, invited themselves into your room.

“Ray, is it? You don’t need to do this... You’re a valuable asset. You have so much to offer. I’ve read your file. You show a lot of promise. Garrick, here, backs that up. Says you and he came through the ranks together, said that you were the only one who could beat him in your year. Is that true?”

You kept your back to the men, continuing to blatantly ignore them and stuff your belongings into bags.

“You don’t have to rush, Ray. I have my other two men blocking the hallway”.

You remember furrowing your brow at that, not that he could see. Why was he protecting you? Why was he being… nice… about it?

“All due respect, Captain, but I’m out. Done. Finished. Yeah? Understood? I’d love to think up some more words to try and get through to you, but I need to get off base asap, before I’m detained. Hell, they’ll probably decide that what I just did is some sort of war crime. Now.. if you’ll excuse me..” you said, pushing past the men and out of the door.

“Ray!” Gaz shouted.

“Here, at least take this..” he presented his wallet.

“Help you find somewhere, yeah?”

You recall being caught off guard at his offer before nodding, sending a tight lipped smile his way.

“Thank you”

*now*

That was the last interaction you’d had with Kyle Garrick. Probably the last act of kindness thrust upon you since, hell, since you can remember...

And now his Lieutenant is in your shitty little flat, that Gaz’s money helped pay the deposit for, telling you that he is hurt.

You’re snapped out of your thoughts by the scraping of the chair against the wooden floor, and the massive Lieutenant, skull covered face and all, standing from said chair, his head practically touching the ceiling light.

“I’ll pass on your regards to Gaz” he grumbles, heading to the door. “Enjoy your soup, Ray.”

You wait until his back is turned and he is out of earshot, before gulping and scratching your damp hair. I hope Gaz is ok.. I - I wonder why they’ve came to me..? What the hell has happened..

More thoughts run through your head, and the squeak of the springless door handle jolts you again. Christ, hasn’t he gone yet..? He’s taking his time..

“Good bye, Ray. Trackers in the wallet. If you want to disappear again” Ghost speaks quietly, as if to himself, before stepping out into the curtain of rain.

Your eyes flash back and forth, furrowed brow. That slimy little prick, they’ve known where I was this entire time.. probably kept an eye on me.. what the actual fuck..

You rush to the door, opening it and seeing the Lieutenants broad figure stalking away into the darkness, the splashing of his steps the only thing you can hear over the pounding rain hitting the street.

“How hurt is he...” I shout into the darkness.

You don’t see, but Ghost smirks under his balaclava, before turning to face you.

“He’s not taking visitors, Ray. Let’s leave it at that..”

Cunt. Fucking bastard. He knows what he’s doing. Dangling a piece of string in front of a cat..

You growl.

“Arghh! FINE. Fuckin’. Fuckin’ FINE. You win. You happy? You fucking win, Lieutenant. Give me 5 minutes..”

He smirks again, and this time you swear you can see the smugness shine through his eyes. It won’t take you long to pack anyway. Not like you’ve unpacked in the 18 months you’ve been here.

You rush back into the flat and grab the two loaded rucksacks, untouched since you left base for the, what you thought would be, final time. You grab the door handle, and rush back to grab your tins of soup and noodles. Oh - and the wine!

What? It’s a waste not to use them..

You join Ghost back on the street.

“Welcome back, Ray..” the Lieutenant says in a cocky voice.

“Don’t call me that” you snap, bitterly.

“Need to have a name, woman. You’re the newest member of taskforce 141…”

“Piss off…” is all you can muster for the time being.

You wrap your soaked jacket, tighter around your body, and pray that the cigarettes in your bra are still dry.

You’re gonna need them…

[kaliforniahigh]

i hope you're having a good day and this folio thought adds to that

piggybacking off your idea that all of the boys have been trying to get with you but you won't give them the time of day, you're almost growing tired of them purposely flirting with you to get a rise out of folio (but not really) 

rather than explain you decide to show them why folio is your favorite, talking to folio about the idea of letting them watch you both together beforehand, and he agrees, his smugness off the charts by this point

you agree on a time and place, making a show of wearing your cutest lingerie because you're determined to make this show both hot and frustrating for them to watch 

yes, you admittedly enjoy the attention they give you but that only fuels your lust for folio, knowing he has what they never will and vice versa goes for him 

after you all meet in your and folio's agreed hotel room, you make the rest of the guys (nick, jolly, noah and matt) sit and watch while you strip folio down and sit beside him, stroking him to complete hardness, speaking so softly and lust in your voice, about how good he feels even like this and how much you want and need him 

when you finally climb onto his lap you're still facing the guys, letting them see as you tease yourself on folio and praising about this to be one of the reasons he's your favorite

you ride him but instruct him to remain still and coo again about how this is why he's your favorite boy, how he's so good at taking instructions, at knowing what you want and need

when you look over at the guys you can see them all watching you, unable to look away and it only makes you hotter for folio, knowing they want and can't have what he does

for a little extra torture, you call him nick amidst your moaning instead of folio and watch the way it causes nicholas to shift where he's sitting because while he's thought about how you probably sound and now he'll have the sound of his name coming from you like that imbedded in his brain for the rest of his life 

after showering folio in praise for being such a good boy, for being your favorite boy, and telling him that he's the only person to ever make you this dripping wet (a call back to the night he teased you after seeing jolly flirt with you), you tell him to fuck you how he wants and he does 

he flips you over, your ass is in the air but you're still positioned in a way that allows everyone to see and watch you be fucked by this man to the point you lose all senses and nothing but the pure ecstasy across your face 

ANON, I HOPE YOU KNOW WHAT YOU'VE DONE.

I was flabbergasted reading this, it is pure perfection!!!!!!! I don't know why, but the idea of them watching everything....... makes me go a little feral.

[yanderefarm]

I don’t know if you’re taking request, but if you want, maybe just one little more angst about Emil?

Maybe one day while the maids training him, she takes it a bit too far? The training just gets a bit to hard on the poor weak king and he snaps. Not like angry, but physically.

His bones break, he bleeds to much. He’s so so close on the cusp of death. No one cares, thinking he’s faking until he doesn’t get up.

im not taking requests rn!! but i do like this idea... it's not particularly the kind of training I had in mind but it would be fun.

cw;; abuse, comfort, violence

emil shaking and trembling and he reaches out a limp hand to her before he passes out. she assumes he's faking and she prods him a few times with her boot before she notices his breathing is very shallow. so of course she has to come to you.

ahe interrupts you in the middle of a meeting because she doesn't know what to do about it. you immediately jump up and call for the doctor. now your advisors, emil's closest friend and the guild master, have to see what has drawn you away from work so urgently. emil's friend is absolutely horrified by the sight and meanwhile the guild master is laughing and complimenting your work.

id reveal here that the reason the guild master was so willing to help is because he was originally from another country that emil helped conquer.

emil has been brought down to this pathetic point because of his role as the tyrant king. if it was up to the guild master and your maid then emil would die in the filth right there but you love your husband as cruel as he could be.

you keep it a secret as you bring emil back up to stay in a warm bed, bathe, eat well, be gently brought back to life. when he finally opens his eyes he can't stand the light. he's been treated so poorly and physically broken down for so long he's terrified of everything but you. you gently touch him, you clean him, you brush his hair. you still hurt him but only because he's bad he understands that.

his training doesn't get finished because the doctor highly advises against returning to it because of his injury. instead your dog is too scared to speak and is uncivilized but you love him so you take care of him gently. he'll never be allowed to leave the palace again.

[seyaryminamoto]

Any thought on Toph's writing and "arc" in ATLA? I personally think Toph was the most stunted and underdeveloped character. She never really develops at all and is mostly just a walking joke. It's clear that the writers loved her but also clear that they never did anything with her.

If you mean stunted and underdeveloped character in the main cast, definitely yes. A lot of minor characters were done a disservice by the show, given next to no complexity, so I wouldn't rank her as #1 altogether, but among the main cast, absolutely.

Now, I wouldn't say she had zero growth, it's just... not an arc. I also don't think she was only a joke, though they used her for comedy a lot. It's part of why it weirds me out when the fandom acts like Sokka, and only Sokka, was comic relief in ATLA. Toph, Aang, Iroh, even Zuko whenever the narrative wanted to poke fun at him, provided comic relief often, so it's kind of stupid to pretend it was only ever Sokka.

... But that ridiculous perception, then, caused the not-so-funny LOK phenomenon of "Bolin is the funny one", where basically all comedy was meant to be about/around this one character, which didn't work nearly as well as they expected it to, and did nothing for the team's synergy and bonding, but I digress...

What do I think about Toph's story and journey in ATLA?

Toph starts out as a girl who wants nothing more than to be independent and for people to stop underestimating her. When we consider that, in her final action scene in the show, she's clinging by her fingertips to someone else, and that her survival and life depend expressly on HIM, it suggests that she's learned that she doesn't have to go at everything alone, and also that she doesn't have all the answers to all situations. The first time we met her, it doesn't really feel like she wants to work alongside other people, as shown in her conflict with Katara in The Chase, where Toph felt absolutely no need to chip in and help out with anything but her personal needs.

I will say, in Toph's defense about that last thing, it's perfectly common for a child who has spent most her life being cared for, not having anyone expect a single thing out of her, to not understand why she needs to contribute ANYTHING to the team. It doesn't hurt that she's new, which implies that the others have been setting up camp, finding food, traveling across the world, without needing an earthbender's contributions. So it's fairly easy to see her side in this: why does she need to help at all? Why can't they handle things on their own when they always did?

But in her chance encounter with Iroh, Toph is given a chance to think on things and ponder that there's nothing wrong with relying on others. It's so effective that this scene concludes with Toph telling Iroh that maybe he should tell Zuko that he needs him too. This might even be one of Toph's strongest moments in the entire show, honestly. She has no idea who she's talking about, has never met Zuko or Iroh before, but what she tells Iroh doesn't sound like it comes only from having determined that IROH needs Zuko: it sounds like self-reflection, based on Toph realizing that maybe she can open up to needing her friends, too, and working alongside them isn't such a bad thing.

I think this is decent writing. Really!

The issue is... this is about as good as it gets with Toph.

I really like her character, she has a lot of good jokes, some interesting moments of vulnerability here and there, but this scene with Iroh is the only instance of the show I can think back on that actually features Toph questioning her strict ideas and reasoning with them, choosing a different path and abandoning something else she wasn't ready to forsake (complete and utter independence). What's more, this isn't even the kind of growth where Toph has COMPLETELY abandoned her individualistic mentality: she's adjusted it. She allows herself to consider she could be part of a team, to have friends, to work with others, but that doesn't mean she's tied down to them. It never stops feeling like Toph is more than ready to do things on her terms, in her own ways. No matter how much she bonds with the others, she will rely on them exclusively when she needs them (see how she clings to others when she has little to no visibility), or when they need her in combat and such, but outside of such spaces? It's unlikely that Toph will be the type of person who feels the need to be accompanied all the time, who feels better if someone is constantly watching over her. Her friends allow her to find some kind of balance between her need for independence and the comfort of having allies and friends to connect to... but that doesn't mean that she'll never break off on her own when the urge hits her, when the big battles are settled, when problems are resolved.

And I'm the last person to think Yang, of ALL PEOPLE, has any solid understanding of these characters, but whether it was his idea or Bryke's to feature Toph as a teacher, and to have the Gaang drop by to pick her up during The Promise? Ultimately, this just proves she doesn't feel the need to be with Aang, Sokka and Katara non-stop. If even someone like Yang thought she'd go do her own thing (... the quality of what he wrote is, of course, forever in question), down to even leaving her out of The Search entirely? It's clear that they're not trying to promote the idea that Toph is forever clinging to her friends now. She's still independent.

But like I said earlier... this balance Toph finds between her friends and her freedom isn't the product of multiple episodes and lots of hard work and bumping into obstacles to achieve. This... is literally just Toph's second episode. That's the last time the show actually challenged Toph on a PERSONAL level that doesn't involve "becoming a more powerful bender".

Take her relationship with her parents, for instance: the fandom is convinced they were abusive as fuck and that Toph would hate them forever. Ironically, the show DOESN'T promote this notion at all (which makes The Rift kind of insane when compared to the show's treatment of Toph's parents), for it features her parents as two idiots who underestimate Toph immensely and who simply want her to come home and stay out of danger. This could be deemed as abusive in some people's minds, as usual the word needs to be taken more seriously nowadays... they're not good parents, there's no denying that. They don't understand their daughter, outright. They allow their preconceptions of her disability to determine who they think their daughter is. There's nothing in the show that suggests otherwise.

So why, exactly, is it that every instance where Toph considers communicating with her parents or meeting them, she seems to be perfectly content with doing it?

Xin Fu's trap for Toph was completely cemented on the notion that Poppy Beifong had come to visit Ba Sing Se and that she finally accepted her daughter for who she was. Toph's reaction isn't some kind of jaded dismissal because there's noooo way her mom would ever accept her... she outright goes to see her. Which allows Xin Fu to trap her. Which then results in Toph discovering she can metalbend. But the thread that started this whole plotline? It... goes nowhere. Of course, Toph's parents AREN'T there, there's no real reason to assume they've changed, and this was just a trap... but we get no reaction from Toph when it comes to this. We see no conflict. She simply embraces her new abilities and runs back to Ba Sing Se. A quick glance through the transcript shows zero focus or interest in what she went through. Hell, there's not even any acknowledgement that she learned to metalbend. It's all about Aang's struggles with the Avatar State and Katara being in danger.

Next time? The Runaway. A very frustrating and annoying episode. What happens here? Katara decides to dig into Toph's old wounds regarding her parents, tries to psychoanalyze her and decides that all of Toph's rebelliousness against authority boil down to having a bad relationship with her parents. Which... maybe it's true? Doesn't really justify Katara trying to act like her mother anyway? And then the episode ends with Toph asking Katara to help her send a letter to her parents, which sounds like Toph has made her peace with them and like she's ready to accept that she would like them in her life too, and that she wants them to accept who she is. Yay.

... The issue here is there's no follow-up. This doesn't feel like development because nothing comes from it. Nothing really changed. It doesn't come from organic writing either: it comes from Katara's forced "mother friend" role that she didn't use to hold at all (as I said in the ask about why I think Katara loses her appeal as a character the deeper we go into ATLA), and it never actually confronts Toph with her parents again. It doesn't feature a deeper reflection from Toph regarding why she feels the way she does about her parents, nor does it feature Katara realizing that Toph's parents actually did fuck up a LOT with her and that she has every right to push back against them. It merely makes Katara calm down because she realizes the others care about her (while eavesdropping, ofc) and are ready to accept her for who she is... even though she, too, merits a LOT of reflection regarding this mom friend role and nobody else should be comfortable with that, let alone her :'D

Point being, the show really just holds this as the only thing about Toph that wasn't actually resolved, but it acts like it's fine because Toph sent a letter. What growth did we see in Toph that actually means this letter makes all the difference, though? We have no idea how it affected her parents -- as much as Yang acts like it didn't affect them at all, it could have made them rethink some things, or it could have made them mount an even more desperate search for their child, who knows? And it's a pretty solid thread to pull at, to tug loose, to TRULY challenge Toph's character... aaaaaaand they just don't do it at all.

The way I see it, that's really what it boils down to. The show doesn't challenge Toph in any significant way after her... second episode. This isn't the case for most main characters, and I'm not even asking for Toph's story to feature an intense, horrible, super harrowing and difficult plot...! Just, make some things complicated for her. Show her frustrations, show her difficulty to grasp things she hasn't experienced before. Confront her with realities that she, a sheltered girl from a pretty well-off city, has never really needed to face before. Her attitude towards Ba Sing Se is never questioned or challenged narratively: she's constantly proven right about the city being fucked up, and about her reads on all high society people. While all this makes Toph feel smart to a viewer, the issue really comes where this character basically only has her admittedly sizable charisma to win us over. She succeeds! But what does this show give her to work with besides a very quick "I don't wanna work in a team-I learned to work in a team" conflict that is resolved even faster than Sokka's sexism, which pretty much died out within 4 episodes?

There's definitely a component here were Toph is successful not only because of her personality, her abilities, her strength... but also because of the message she conveys regarding disabilities. A LOT of disabled people have clung to Toph as an example and inspiration to not allow whatever ails them to define them or hold them back. Whether the comparison between a blind girl with magical powers and a disabled person of our world without them is valid or not? The effect Toph has had on a lot of viewers who related to her struggles is undeniable. In a sense, it almost feels like the fandom's worship of Toph suggests that in not giving her further challenges on a personal level, they actually hit some kind of jackpot as far as social messages are concerned... but once you actually scope in and pay proper attention to her character, you might find she's got so much more potential that went ignored by this story in favor of presenting her as this unquestionably strong girl who relies on others when she really needs to but otherwise is independent and free from all of society's restraints on her.

Personally, I know this to be the case because of the pushback and reactions my version of Toph in Gladiator initially resulted in. She had no reason to think anything of Sokka and damn near killed him when they first clashed in the Gladiator League... and this horrified a LOT of people! They couldn't BELIEVE Toph could be like this! An older Toph, 7 years older to be precise, who broke free from her parents' hold, struck a bargain with her would-be-captor to get him MORE money than he'd find if he turned her in, and who wanted nothing but to measure her strength against other powerful fighters. If she doesn't have Aang's group's influence on her as early on as when she's 12-years-old, is it REALLY that crazy for Toph's problems with her parents and authority to fester, for her craving for independence to reach new heights, for her readiness to prove herself stronger than anyone to actually be a hazard for other people who stand in her way?

Thus... a lot of the work I've done with this character has been deconstructing these flaws, building her into someone who understands herself better. It's in learning from the examples Sokka and Azula set for her that she starts to realize what kind of person, what kind of LEADER she wants to be. One of my favorite scenes to write about Toph is when she's setting her city free from Fire Nation control, extending her earthbending reach all across Gaoling, putting a stop to the FN army while focusing on creation rather than destruction. On building up her people, on leading her forces with the power of her seismic sense, on capturing the enemy leader, all of it without razing her home city to the ground. Early Gladiator Toph? She wouldn't have cared one bit to join the war to begin with, and if someone had told her that her city, the place she associated with rules, limitations and restraints would be razed to the ground? She might have even encouraged it. Yes, a part of her would have felt guilt over her parents... but she would have been so emotionally stunted that she would have forced herself to ignore any part of her that still cared about them.

And worth noting? One of the biggest personal issues Toph faced was actually nearly killing Azula and Sokka because of her absolute determination to win against them during an event. They were already friends, but they were also each other's biggest rivals in the League... neither side holds back when it comes to this particular competition, and Azula and Sokka had actually beaten Toph and Iroh on their previous encounter! Which meant Toph's desperation for victory was driving her a bit crazy. But once Toph takes it too far at one point, she freaks out. It triggers guilt that actually jumpstarts a much deeper and more complicated arc than anything she'd been through before. Her determination to win at all costs, her pride over her lifelong winning streak within the League... she's suddenly facing the possibility that all this shit she used to cling to, so damn hard, means NOTHING when she could lose two of the people she cares most about if she continues to privilege all that stuff over their wellbeing and safety.

And this doesn't mean that she didn't like fighting as a Gladiator anymore... it means she really came to terms with the fact that other things mattered more. Later on? She realized there are BIGGER fights out there, too, than what's going on in the League: she was the last line of defense against a brutal attack by a rogue waterbender who killed a lot of people and could have killed many more... and after the fact, she spends quite some time worrying about what could have happened if she had failed to protect everyone, if her strength had faltered when she needed it most.

Yes, touting my own horn a lot... but everything I've typed about my own story is exactly why it can even piss me off, at times, to see Toph's potential as a character squandered to the extent it is in canon. I've done so much more with her than they ever did, and granted it's a huge story, but Toph ISN'T the main focus on it and I still managed to give her more to work with than canon ever did. It makes no sense, does it?

I don't think she was given the respect she deserved, and partly, I feel this happened with a lot of female characters who straight-up don't have arcs at all. There's this latent fear that in questioning a character, showing they're flawed, they could become unlikeable... ironic how this is seldom a concern over male characters, but it is with female ones. And mind you: it DOES happen to male characters, because Aang himself is the most egregious example of a male character showcasing flaws and people spiraling over them, turning them into something they never were, all be it to pretend SOMEONE ELSE (*cough* Zuko *cough*) is that much better than him. But they WEREN'T scared of writing Aang into complicated situations that showcased his flaws and resulted in his growth, though. They are with Katara, Toph, Suki, Mai, Ty Lee... :') wonder why, huh?

Ultimately, Toph is a much better character, boiled down to basics, than many characters I tend to talk about and criticize openly. The issue with Toph, for me, isn't really that she fails as a character, or conveys wrong messages, or that the narrative is biased in her favor (though sometimes it is...).

The problem with Toph is she has no chances to truly grow into her own. That her biggest growth comes from a singular conversation with Iroh in episode 2x08 is incredibly unfair to a character who can provide SO MUCH if you simply give her a chance and let her be... human. Flawed. Complex. There's so much more that can be done with her, and if given a chance? She really could have been the best character of the entire show. Too bad they didn't have the guts to let that happen.

[witches-dream]

Warning: Ramble incoming

Here's what interests me in a potential Burning Spice redemption story, specifically the scenario in which Golden Cheese takes his Soul Jam away

First off, she can't... "Claim" it fully, she can't use its power, because she's not about Destruction, which is what his Soul Jam represents. Similarly to how Spice couldn't use her Soul Jam because he doesn't represent Abundance, and similarly to how Smoked Cheese could do fuck all with it other than ruining absolutely everything. There was a reason that the initial Soul Jams got split, and now that they are separated into their respective halves, the originals no longer exist and CAN'T exist.

So that's why if Goldie were to take Spice's Soul Jam, she'd have to store it somewhere. And I'm assuming that being far away from it weakens the connection, but then again Hollyberry was taking strolls around Beast-Yeast while her own Jam was sitting in her kingdom, so the connection is still there even when 1) the Soul Jam owners are far away and 2) they have weak spiritual connection to it (as in, each of the ancients had to reconnect with their respective lights to get their full power back).

What I'm getting at is that even if Golden Cheese takes Spice's Soul Jam and fucks off with it to the other side of Earthbread, it's not guaranteed that Spice will lose his connection with it and therefore immortality. So here's a logical continuation to this scenario.

He needs to stop representing Destruction.

If he no longer believes in his power and his worldviews, if he grows weak and gives up on everything, then his connection to his Soul Jam will weaken, he will lose his powers and then his immortality.

Another option is to destroy his Soul Jam, but 1) I'm not sure that's possible and 2) if Goldie wanted a trophy would she do this?? And if she wanted to spare Spice's life, destroying his Jam would be akin to indirectly killing him cuz he would lose immortality.

But anyway. How would you even go about making the Great Destroyer not represent Destruction anymore? With even a fraction of his power left, he'd still go after Goldie. He'd force someone to use spice magic to teleport him to Goldie's kingdom. If the Soul Jam is stored there, he'd gain his powers back just from being near it. I suppose we can introduce some sorta technology, like a barrier that blocks magic, which would prevent Spice from accessing his Soul Jam's power. But, if he's still connected to it, does that take away his immortality or what?

As long as he 1) believes in the "survival of the fittest" principle; 2) believes history repeats itself with no meaningful progression; 3) has no desire to give it a chance; 4) wants to fight Goldie and take her Jam; 5) believes that only destruction will distract him from boredom and probably 6) lots of other things, he still represents Destruction and therefore his Jam is still his. How to go about tormenting him enough to break that connection is beyond me. Heck, even if he kneels before Goldie and begs her to kill him, you can argue that's still his belief that destruction is the only way.

But i digress. I don't think that you need to think that deep for a fanfic. Cuz a fanfic is always a "what if" scenario based on what you want to see, not what would actually happen, and "what would actually happen" is subjective anyways, cuz this is a fictional story and those are inherently subjective.

I guess the conclusion of this ramble is that there's not a way, at least an easy one, where you could pull such a scenario off in a canon-compliant way. Cuz if you did, all of that ⬆️ would get in the way of the actual story you'd wanna tell. But mortal Burning Spice is too cool of an idea to not allow some creative liberties even if they're canon breaking but c'mon. Who cares about "canon" when you can have fanfic.

That's all from me, good night

[hvrtbroken]

THEY ARE PLAYING WITH FIRE . a dangerous game . defne has always been one to run with wolves , to push the boundaries and make people blush . but it's all so different with thomas . mainly because he doesn't seem to WANT anything back . he'll give her answers , but he has no idea WHY she wants them . he has no idea how much she thinks about him . he has no idea about anything . for a moment , defne almost wants to shake him and say WAKE UP DUMMY . but . . . she assumes that's the alcohol talking . her face is so red as he paraphrases her words , yet makes them sound more lurid . when he tilts his head at her , defne wonders what he sees . unlike her , his eyes seem to rarely wander . THE PERFECT GENTLEMAN , despite what he's saying next . her mouth opens . then closes . she does it a few extra times then reaches for her drink and takes a few quick sips , lets it burn its way down her throat . because of course she's thinking about thomas then . thomas' arms beside her head as he pushes into her . him kissing down her neck . her body . SHE FEELS LIKE SHE'S ON FIRE . for a second , she squirms in her seat . their positions have reversed and she isn't experienced with this feeling . " you're a missionary guy . " she finally says , and she doesn't mean it at all like a bad thing . part of her almost doesn't want him to confirm or deny because then her brain may stop working . " you would schedule sex in , if you could . " THAT part is a tease . her attempt to get back onto equal footing .

defne isn't surprised by what he used to cook . eggs . steak . salads . protein and meat , clean and neat . it almost makes her wish she'd gotten a chance to cook for him in HER kitchen . a proper meal . something that she'd watch him devour , bite by bite . she yearns for it so intensely that she doesn't know what to do with the feeling but let it sit within her , like a lump of coal . " maybe one day , if we get the ingredients , and you're REALLY NICE TO ME . . . i'll cook for you . " she'd love nothing more but she can't offer him anymore of her hands . her heart isn't just on her sleeve anymore . it's in the palm of his hands and he doesn't even realise it . they have kitchens in their houses at elysium , but obviously not a lot of use for it . defne's house is shared with the other girls she arrived with , so it's mainly more of a COMMUNE than anything else . still , she knows the couples are allowed their own living arrangements . not that . . . her and thomas . . .would ever .

WHEN THOMAS DRINKS , defne is so shocked that she coughs hard , almost in a fit . she half bends at her waist , her hand resting on the table to keep her up . because the images of thomas having SEX let alone in PUBLIC is so raunchy and desirable that heat shoots between her legs , and this is really getting ridiculous . " WHERE ? " she asks , because of course she does , even though they both know he's less likely to answer . at his own question , she sighs jokingly and takes a sip . she's got a few shitty stick and pokes . " none that are visible . " defne informs him , before she takes a swig of her drink , which is almost empty YET again . she realises , belatedly , that the room is full now and she hasn't spoken to anyone else . " never have i ever . . . punched someone . " she's veering them back into safer territory for now . she can't know anything else about thomas' sex life or she may implode on the spot .

" ⸻ what do i like... about sex? " the amusement is clear in his features. for a moment he actually considers telling her, how he likes it, what he prefers, the kinks he's acquired. not because he WANTS to talk about that, but just to see her reaction; she was always so enthralled whenever the bits and pieces of his life made their way through conversation. thomas, so painfully dense, couldn't understand why she found it fascinating but, in turn, he also found her receptivity to be refreshing. still, the little common sense that was still hanging on for dear life was REALLY packing a punch and he doesn't. instead he just tilts his head to one side, and looks at her. " i don't think it's interesting if i just tell you. do you have any theories? " for once the flirtatious tone she is SO good at using doesn't bother him, mostly because his is almost there. bordering the line between teasing and playful. NOT GOOD in normal circumstances but he couldn't care any less right now. oh. her laugh, so real and unrestrained manages to disarm him in a way he wasn't ready for. he wishes he could freeze this moment FOREVER, live in it until he takes his last breath. she's so goddamn gorgeous he's finding it hard to focus on what she says. all he knows is that it's a question. " hm? " when he comes back to his senses he has to think, try to recall what they were talking about. " um... it varied depending on how much energy i had left to cook. egg fried rice, hearty salads, steak if i was particularly hungry and had the patience for it. " there were other things too, obviously. but all things considered, despite knowing HOW to cook he didn't spend that much time in the kitchen. most of the time he ate at the hospital or got it delivered. " oh you're gonna make me even more hungry... middle eastern food was one of my favorites. " he didn't have it often but when he did it was always out of this world. " mostly, yeah... i wouldn't go out of my way to get it though. " now this does make him feel a little dumbfounded. he's only slightly aware of how... dense he is. though he'd probably say it's because he has other things in his mind, which wouldn't be wrong at all, but if there's something deeper than that he'd be none the wiser. blissfully unaware and all. " well, i wouldn't know. so... " the accusatory gesture does make him chuckle, sound that is cut off with her next statement. thomas CAN tell she's getting bolder with the questions now, somewhere in the back of his mind there's a voice saying he should put A STOP to that immediately and he knows, drunk and all, that it's true; that voice is right but... he drinks. the embarrassment pushes past the comfortable haze the booze provides and he HAS to look away, takes the time to think of something else. " never have i ever... gotten a tattoo. " that has to be innocent enough.

[starmen-in-the-sky]

Even if he could finally admit to himself that he craved affection...allowing himself to accept it wasn't so simple. He lived under the expectation of war and destruction since Eden. As much as he didn't want to contribute to it, he was forced to. All the while living in perpetual melancholy as life happened around him. Carrying a grief that either no one saw or commented on for every bit of creation that was doomed.

The end had always been promised. It was set.

He existed with a resigned acceptance of the end.

The end happened...and he was still existing.

Now he was just free of Hell's hold. No longer bound by their methods and ideals...or threats of punishment for doing right or being 'nice'.

Hell was his nurture, Aziraphale his influence...but what was his nature?

[racke7]

Ectoplasm and Jason Todd

Danny is wandering around Gotham (visiting, chasing a ghost, running from GIW, attending college, etc) and stumbles across Jason.

Jason who is flaring his ecto-signature like a madman (is he trying to get into trouble?).

Danny drags the guy into a nearby alley to give the guy some kind of crash-course on how not to do that.

Jason isn't sure why this guy grabbed him and dragged him into an alley, but if it's a fight he wants, Jason would be able to fight more freely in an alley, so he doesn't struggle. (Does he know that Jason is Red Hood? Does he think that Jason is a random civilian? Is it just him, or does this guy have really cold hands?)

Jason isn't sure why this guy is now trying to... ask him to meditate? The fuck is going on? But if it's not a fight, then... maybe it's fine to just listen to the weirdo? Taking a few deep breaths isn't going to hurt him.

Danny is very proud of himself for guiding the ecto-flaring guy through how to not flare his ecto-signature. He's such a good teacher.

And then Jason collapses.

Turns out, Jason has been using his anger to create a feedback-loop that artificially raises his ectoplasm-levels.

Ghosts need ectoplasm to live, but they'll also produce ectoplasm when feeling strong emotions. For most ghosts, this a bit like saying "everyone needs a good cry every now and then". For Jason, he's been basically aiming a gun at his own face for the adrenaline-rush. Constantly.

So, Danny is now holding onto a barely-conscious person who desperately needs more ectoplasm. As in, this is a medical emergency, and every second probably counts.

Danny, being that he wasn't planning on needing to carry around some kind of ectoplasm-container at all times (who the fuck does that? His parents, that's who), is now desperately trying to problem-solve this.

Danny realizes that, actually, even in his human form? Danny has a lot of ectoplasm in his body. Enough that he could probably save this guy by... feeding him his blood.

Cue intimately sexy reverse-vampire scene.

And oh boy, if Danny's blood doesn't taste fantastic to Jason's ecto-starved self.