#//the way they're looking at him lmao

[shadowcatzone]

Yanqing & Fu Xuan

-both are child coded

-both are prodigies

-both think the old man is kind of helpless

-i have both

[hopeswriting]

daily life arc miura haru. does anyone know who i'm talking about. do you guys remember her. i still can't believe what happened to her 😔

[starry-bi-sky]

mmmm musical cultivator shen yuan again. Feng Xuanlu, the Wind Song. He has this well-loved wooden pipe he inherited from is adoptive father that he uses on occasion. When the traveling day gets slow and he doesn't feel like singing, when he's stressed, when night falls and he's sitting around a fire with his troupe and they've all had a little bit to drink.

His hair is long and black, always tied up into a ponytail or a braid of some sort. When he's in camp he loosens it up until its splayed messily over his shoulder. He has crows feet around his eyes that scrunch up when he smiles. His eyes are bamboo green and his hands are rough and callused from years of plucking strings and work. He has scars on his back that he won't explain the origins of.

His voice is low and warm like a fire, it gets raspy in the mornings or when he's been humming or singing for too long. He speaks like there's sunshine dripping off his tongue. He speaks soft, he speaks and his voice takes up the entire room. He's spent over a decade hearing his praises getting sung and he still gets shy over it sometimes.

Whenever he goes into town he has to have at least three other musicians with him at all times -- not his decision of course, but the unanimous choice of his companions. Shen Yuan gathers admirers everywhere he goes, and his companions have long since learned that their dear friend and leader is completely unaware of it. So they have to beat off these suitors with sticks.

[ratislatis]

I'll find you. Wait for me.

hee hee hoo hoo AUUUUGHHHHHHHHHHHHHHHH PAIN PAIN SUFFERING PAIN IN ALL DIRECTIONS!!!! TO HELL WITH IT (LITERALLY)!!!!!!!!!

[bambiraptorx]

[I.D. Two drawings of Baxter Stockman from TMNT 2003. He wears a yellow v neck sweater and has orange glasses frames in both. In the first drawing he frowns with concentration, sticking out his tongue as he stares at a purple seed in his palm (the kind that Draxum uses to create vines) and gestures with his other hand. A small purple vine stems from the seed. In the second drawing, he moves his arm outward and the vine shoots up, curling over his head. He looks at it excitedly and says "Yes, yes!!" End I.D.]

I've decided, building on this post, after Stockman is told that manipulating vines is really hard and takes a super long time to learn that he decides to teach himself how to do it out of spite. Man is about 3 seconds away from losing control and sending that vine through his ceiling <3

[lunarin64art]

That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔

[krysmcscience]

I will be the first to admit I'm not the best at drawing animal or furry characters, but I wanted to get something scribbled down in my Non-Goof style, anyway. Plus, I've been enjoying the many reference pages folks were posting of their own designs for the Lamb and Narinder, so, uh. Here's mine, I guess! ¯\_(ツ)_/¯

do not comment on how long narinder's tail is or i swear to the lamb i will make it even longer next time >:]

[jovieinramshackle]

I always try to not be shy about the fact Pio does not pass as a man at all, and that he is in a situation where he cannot take the steps to do so (medically transitioning basically)— not just financially, but mentally too.

He hates his chest, his private parts and the fact they cause hin extreme dysphoria once a month from his period, his voice is audibly feminine, he even has very "soft feminine" features, he is often mistaken for a butch woman and misgendered a lot (he's also very anxious about correcting people, since he's afraid of how they'll react).

And I feel it's important from me to showcase these features, because they’re part of a realty many transmasc/guys/men like me go through.

The thing about Pio is that he has an extremely hard time believing he's a "real man". Almost everything in his life is an active reminder that society does not see him as a man, and he has internalised it. He is happy the people close to him (his father, Chris and his family) confirm they see him as a man, but he has a hard time genuinely believing they actually do, because he can't possibly say the same about himself.

He's on the verge of giving up sometimes, to detransition, to go back being [REDACTED] and be a woman again. He thinks it will make life easier. After all, it'll be easier to socialise, talk to people, and even find a partner. Pio is gay after all, but what gay man would love a "woman," right? Straight men must be his only option, right?

But it won't be easier, it will outright kill.

And this is why his relationship with Fellow is so crucial to him. For all his faults, the fox did one very important thing right in the relationship— love Pio for the man that he is.

Fellow didn't always have the right words, but he knew words weren't really gonna help such a dysphoric person like Pio. The constant and consistent love and support over time was what made Pio realise how genuine Fellow was with him.

Intimacy felt less uncomfortable, it actually became enjoyable. He could actually bare his features, even if a little. He actually grow to like his voice a little, even if he's fine with it changing. Everything just became a little easier when he was with Fellow, he could actually see himself as desirable, to an other queer man no less.

He began thinking that perhaps he is a man, regardless of everything. This reduction of his dysphoria was what made him more motivated to seek medical transition later one, as he finally could think to himself, "this isn't pointless." He realised nothing can stop him from being the man that he is.

Even after their falling out during their work in Playful Land, Pio still had this drive in him. He went back to his father and started working, slowly saving up to seek a way to get his hands on HRT. And although he has a long way to go, he is for once finally determined to do what he must do for his well being.

He kinda spiralled for a while because of the falling out. He even began relying on alcohol for a bit. But this new profound drive carried him every day and kept him alive.

So basically, as angry as he is with Fellow, he will always be grateful for all the genuine love and desire he was given. It, quite literally, saved his life.

So yeah ofc they make up in the end, what did you expect, to not give them a happy ending? Poser./j

@sunnysidesevenup @theolivetree123 tagging you two cuz...Pio Lore....heh....<3

tag list : @ramshacklerumble @thehollowwriter @summerspook @scint1llat3 @skriblee-ksk

@cyanide-latte @twistedwonderlandshenanigans @oya-oya-okay @viperbunnies @jadelover69

@twsted-void @lallopsyou (lmk/dm if you wanna be added)

[thelilylav]

"Tell me every terrible thing you ever did, and let me love you anyway."

Darabella they could never make me hate you <3

[ywpd-translations]

Ride 755: Kaburagi and Doubashi!!

Pag 1

2: He counted for three second and then accelerated!!

3: I'll go, yon

4: to the

Pag 2

1: Sprint line ahead!!

Hayaa!!

Pag 3

1: One person jumped ahead at 700m from the sprint line!!

2: Yaa!!

3: That guy's so fast!!

He's steadily accelerating on his own!!

4: He counted for three seconds and then accelerated!?

Usually, when one catches up they stop for 10-30 seconds to rest their legs

5: He did it for three seconds!?

Ah!?

Pag 4

1: That guy doesn't follow the usual road-racing common sense, Orange!!

I know!! San-na, just now I was also

Pag 5

1: Thinking the same thing!!

2: Those two are chasing too!!

3: Get behind me, we're accelerating!!

7: Fifth stage

Pag 6

1: “Orange”

Pag 7

2: Houruraaa

3: Ugh

4: Oi oi, he's so fast!! Seriously!?

He really got something like this in him!?

Pag 8

1: Houuu

2: ruaaaa

3: How hard did you work, Orange!!

4: During this past year

5: How much have you sharpened yourself?

I know it'd be wrong to tell you at a time like this, but let me tell you!!

Pag 9

1: Reckless guys are the coolest!!

Pag 10

2: You got closer

4: You did great closing the gap, Orange!!

5: 600m left until the sprint line!!

Pag 11

1: Hold on and don't fall behind!!

3: From now on I'll do it!!

4: Burst open!!

Contract!!

Don't tie it down!!

Crush it!!

Pag 12

1: Feelings at full throttle!!

Pag 13

3: This is bad

4: Buaaaaaah

Pag 14

1: Aventador!!*

(*NdT.: the kanji are read as “bullfighting” but the reading says “aventador”)

Pag 15

2: Hakogaku and Sohoku lined up in one go with the guy riding in the lead!!

3: Seriously!?

4: Don't let him get in between, get your bike close to mine, Orange!!

Got it!! San-na!!

Pag 16

1: But

2: The seat in the back is empty, yon

3: Spread out!!

4: Uh oh

5: We won't let you

Pag 17

1: count up to “three”!!

2: …. tch

3: You caught up and got here, but looks like you've run out of options now!!

So what will you do

4: Mountain bike guy!!

Pag 18

1: What incredible tension!! Each one of them has their own style!!

No but don't those two guys give you the chills?

2: I've noticed it before

3: Hakogaku's Doubashi and Sohoku's Kaburagi, even though they're from different teams and so are enemies, they're cooperating while running!!

4: This is something you won't find in other sports

5: Like in soccer or volleyball, you'll never see opponents coming together and cooperate!!

Pag 19

1: “Having multiple opponents at the same time”, that's what makes road racing unique!!

2: This is

3: the exciting thing

4: about road racing!!

5: Until the sprint line-

Pag 20

1: - there are 500m left!!

3: You don't follow the common sense of road racing....

That's why

4: we caught up to you using the “common sense of road racing”!!

[moregraceful]

wait the dubs game tonight was against the mavericks...macklin and wsmith out there watching klay vs steph...no way wsmith knows the Narrative he's too down deep in new england but macklin was IN those trenches.....do you think he looked at will and promised himself it wouldn't end like that between the two of them. do you think he looked at will and then down at the court, and then back at will and told himself, with all the anxiety of youth, that no matter what happened, him and will would never end the way klay and steph did...that he'd look to his right and will would always be there no matter what

[zeeckz]

[unnonexistence]

ok there was a poll going around a while ago about whether you think your 5-year-old self would recognize you, and I'm curious:

[dmitriyuriev]

*Implied noncon, small Miquella. Link leads to full image.

Miquella's charm compels love, not controls actions, so what were to happen if the one charmed has a twisted view of love? Only Mohg acts that possessive, so no, he did not beat the allegations, and I for one, am happy about that.

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[tinta--branca--art]

I took my sweet time playing through @diasporatheblog these past few months and finally brought myself to finish it yesterday (so sad it's over sobs)