#//now i'm going to finish this thing i'm drawing and then also finish this comic i have

[welcometogrouchland]

(ID in alt) I literally said I was gonna post this month's ago and then never had the wherewithal to describe it and so I didn't Lmao (said with pain). But since I'm thinking of opening my commissions I figured I should remind ppl that I. Yknow. Can draw.

Lots of Steph here (I had major art block making all of these and my brain worms for her kept me going) + some sprinkles of stephcass for Cass nation to enjoy!

[keeps-ache]

no one to listen

[ + other things below !! :D]

[moe-broey]

Back to what I do best (bare minimum Putting My Guys In Situations shitposts) 😌

Inspo under cut!!!

[papermonkeyism]

sorry for being active

logical... i think I'm annoying you too much /especially with my bad English/, and if you don't want to answer, that'll be fine ^^` in any case, thanks for your attention! i'm probably overthinking this, but...

the last question was, what is Crippled (and the others for that matter) afraid of? I understand that all the hounds lived in a pretty terrible place, but what about simple, almost human things like darkness and loneliness? Surama seems quite fearless to me, despite her dislike of the dark, unlike her brother (okay, he's just quite active), and Iacar is reliving the past. of course, they worry about each other, I think, but... hey, admit it, who is afraid of thunderstorms? :)

sorrysorrysorry ^^`

English isn't my first language either (terveisiä Suomesta). It's just that I'm wary.

I do not currently live in a creative enough environment nor life situation where I can reasonably sacrifice several days out of my week into such a demanding creative work, alone, without burning out.

And every time I so much as casually mention Wurr online, there's usually at least one person who'll come and let me know how tragic it is that I've "decided" to "abandon" my "great story and characters". (Or, in one case, how irrelevant and pathetic I am as a failure of a person. Fuck that one, though.)

Like, I had a bit of a nervous breakdown because of health and livelihood issues back in last spring that I'm still occasionally dealing with (one's systolic blood pressure is definetely not supposed to stay over 190 for long), and I just don't want to be dealing with the people sending me obituaries for my comic on top of that right now.

Like, maybe, maybe, if I one day move closer to Tampere to have my Brainstorm Buddy in my reach regularly again. I miss having creative company.

But right now? I'm just tired.

[ria-starstruck]

ur honor they are literally fucked up little foils of each other

thumbnails of ideas i was having for very fancy pieces under the cut! we’ll see if i get around to actually finishing any of them

[angstandhappiness]

DUDE

same teacher, different lessons

transcript

[notherpuppet]

how do you manage to draw SO FAST

it seems to me, while i draw one line, in that moment you draw another piece of art, another page of comics, overthrow the government of a country, make contact with aliens, do you even have time to eat and sleep????

i admire your speed of work, and your artwork in general, and envy you in a good way.

Hi!!

So I'm on summer break, that's a big thing hahaha. I have all this free time because I work in education. When school starts in August, I will be attending grad school whilst working two jobs, so my "prolific-ness" is likely gonna take a total dive (very sad).

I guess I'm trying to take advantage of the free time I have as much as I can. Additionally, all I do is draw now. I have no money (I WORK IN EDUCATION) and it's too hot to go to the park lol.

My schedule rn is pretty much draw draw draw, go on a walk, draw draw.

I used to be pretty addicted to cookie run kingdom and tetris, and when I play video games I get superrrrr invested and can't put a game down until I finish it. So every time I've felt like playing a video game, I just think of drawing as a video game and that's what is keeping me so proactive with it tbh.

Also sometimes--when I'm not feeling as energetic about drawing--I just think to myself "just draw slow as hell fuck it" and i draw nice and slow, but for a long and consistent time. So I end up finishing fanart that way too. In those moments, it feels more like meditation or working on a puzzle than playing a video game.

EDIT: just wanna mention that every drawing takes me HOURS AND HOURS. So it's not necessarily a matter of drawing fast as much as it is a matter of having available time to spend.

INSIGHT INTO MY WACKY BRAIN IDK

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[rupeenotruby]

@isasan347 made a post about Fable doing her ssbu stuff in front of Legend and I thought the idea was quite humorous and so I made a comic!

I chose to go with her lightning kick because her three main special moves are just the great fairy spells for OOT which would then belong to Time and her down b isn't very iconic since it is a more recent addition. Lightning kick has been there since the beginning and is the first thing I think of when I think of Zelda in ssb.

I started working on this comic a few weeks ago but had to put it on hold because of my finals. But now they are over and I have finished this! There is a lot I dislike about this comic (namely the dialogue, I didn't really script this out like I should)(If you have a better final punchline you are welcome to edit the panels with it (2nd to last), I changed it so many times and am still not the biggest fan of it). But there is also a lot I like! I actually finished it for one! Yipppe! I'm still figuring out how to draw everyone and wouf! It was a challenge (shoutout to four though he's a real one). I'm probably going to study their clothes a bit more before making another comic though. I'm also still figuring out how to write all these guys so they might be ooc, sorry about that too. Also here's the rough draft if you want to see it(if you zoom in you can see the original ending (maybe)):

Anyways, if you have read this far, I have a favor to ask: You see it has been a while since I have made a comic for human consumption, and I would like some feedback. Is the text big enough? Do you understand what is happening? Anything really bothering you about it? Anything you really like? Etc. Etc. I am open to constructive criticism.

I will take this time to complain about Zelda's horrible heeled-sandal-boots. They are evil and awful and horrible and every other negative thing you can think of. That is all.

[mynameismad]

What have I been up to?????

Hey all! I'm sure you're all cycling rapidly through the stages of grief like I am, but I thought I'd just check in and let everyone know what's going on with me and when they can expect more comics!

GOOD NEWS: I got a concept art job! I've been working freelance for a client for about two months now and things are going great! Honestly working on short assignments with weekly deadlines has been an amazing break from the slow, constant march of longform comics. I am surprising myself every day and haven't been this excited to learn and grow as an artist in a very long time. Moving forward, I would like to find a full time job in games and stay there, rather than continuing to hustle full-time in comics. I've paused my Patreon for the foreseeable future.

THAT BEING SAID: I will always be making comics!!!!!! I love them a lot, they've been good to me, and I have all these ideas in my head that NEED to be let out. I want to start making them in my own time, rather than as my main source of income. We'll see how long it takes to find true stability in concept (maybe never, lol) but in the meantime I will keep drawing my silly little guys and posting them online for everyone to see. I have to! I have to keep going and making the art I want to see in the world! We have to keep going!!!!

SAKANA: hoping to get back to the fish boys sooner rather than later. I've been stuck on whether to end the latest chapter right away or get a few more pages in there. We're moving into a HEAVY part of the plot, which will be trickier to write, so I've been procrastinating lol. Please don't take my extended absence as proof that I'm walking away from the story: I've just been busy with a new job and I don't know exactly how to get to the next chapter yet!! (also, jsyk, the Webtoon mirror is something I was doing for fun! not a priority!!)

RR: I actually have a few different projects started for RR! Chapter 2 is like 9 pages in, but then I paused and started work on a 20ish page minicomic, which is like 7 pages in. I'm going to finish the mini first and hopefully upload it to itch.io. For Chapter 2, I created this really elaborate environment in an effort to force myself to learn Blender, but then I got a job....so I have no time to learn Blender lol. Still trying to figure out whether to simplify or push forward.

OTHER: yeah...I am a comic artist at heart so obviously I have a million things I want to do. But SAKANA and RR are the highest priority right now!

UPCOMING: I am pursuing other freelance work for shorter, more manageable projects! If you need somebody to redline all your thumbnails, critique the first draft of your synopsis, or make a 20-40 page comic, please keep me in mind!

In closing: I'm locking my twitter accounts tonight and moving away from the platform for now. I'll be here, Instagram (@/mad_rupert), and BlueSky (@/madrupert). Thanks for sticking with me, let's hold onto and support each other in the coming weeks, months, and years! Let's keep going!!!!! I love you all so much!!!

[madfantom]

Full animatic And so, part 2 of my comments, let's start.

◁Part 1 || Part 3 ▷

In the last part, and here, the order in which the children got to William is shown, and I will explain why it is not the order of the murders Here is a MEMO with missing children to make it easier to navigate, since I drew very simplistically.

I mean, when watching usually fnaf animations, I myself had the question "who the fuck are all these kids?" and, either in another animation I understood, or I did not understand at all, or the designs were so simplified that you can guess (I mean a child in all red or with a pirate armband is foxy, Freddy is all brown, etc.) So I just made outlines of their hair and costumes and that's it

It's just a little complaint here, don't pay attention, I'll just say it once, and that's because I didn't think that someone would write the same thing all the time when writing AU And one more thing. Chick's name is SOFIA. Please guys, I know that Suzy from fnaf 6 exists, okay? She's there, hell, she's even in the animation next to Cassidy. I just shifted her from being a chick to another one, not removed. And she also has an interesting role and a different design logic, I just don't have time to do everything. In fact, I even have a reason why Sofia exists and I wrote a very long text post about it, but I haven't finished drawing sketches there, so you won't see it yet. It's just that I'm starting to get a little bit hung up by the same type of comments from Pinterest, although to get rid of this, I write in big letters everywhere that it's AU

Let's go back to the animatic

I have displayed the methods of killing, which will then be reflected in the appearance of the ghosts. In fact, I took the idea from my old horror zine Fnaf art when I was thinking about how the children died there to make their appearance more creepy. Some of the ideas remained, and some were redesigned, as well as some designs

Sofia was placed in a ventilation unit. William caught her and left her there suffocating in the off ventilation , after a light strangulation, suffocating in the off ventilation. She didn't actually die, but she was the first (And I refer to this also in a custom night with the phrase "I was the first, I have seen everything!") And now imagine how the room smelled of chemicals after cleaning it from all kinds of oils and other liquids necessary for mechanisms that are very difficult to wipe off. While ventilation did not work and the girl was locked in a narrow place after she was strangled, forced to watch through the slots for the children who were after her That's why Sofia's ghost makes such a quiet clucking sound, as she coughs as if she's still in the ventilation. She won't die of suffocation, nah, in this comic she's still alive and William can cut her throat.

About the rest it is more obvious, well, not counting the pictures on the Background.

Jeremy was electrocuted, so his ghost hair is pulled up as if by an electric shock. He also has charred lips and eyelid skin and no eyebrows, and his hands have torn and charred stripes from just the same clamp. He looks like the most crippled of the three

Fritz couldn't stand the blows from blunt and sharp objects and in the end they attached a mask to his face with a nail gun or something like that and set it on fire quite a bit. Well, just a little bit. His background is directly related to the comic, which Redraw at the beginning, and now I continue. I'm still doing it, but I need a lot of time for it

Gabriella was basically cut while they wrapped one of those cables around his neck that are forever hanging on the walls in fnaf and pulled out his eye after death

[ikimaru]

so I was reorganizing the next chapters for the klance comic and I realized the ending was within reach and I was like fkc it, it ends now lmao

SO basically I'm currently drawing all the remaining pages of the comic back to back, I've done 7 between yesterday and today, I think I'm just gonna keep going until it's done 🧍‍♀️

if I stay focused I can do one page an hour and I got 20 pages or less left since some parts didn't make it in the final version it's a bit shorter, so I might be able to finish the whole thing this week HAHA

then I will take a break and then probably also do all the coloring back to back, the schedule remains 1 page a week on patreon so there's 5 or so months left of this

in the meantime I'll start arranging the printed version and a couple of merch things to go with it so the release window is gonna be I'mm gonna say.. april?

will also be fixing some of the newer pages so they look more like the old style of the comic to keep it more consistent.. and probably add page numbers since it's gonna be 180-ish pages total

either way I'M ALMOST FREE

[crimsonender]

Mikaila Orchard sucks at Paneling

I debated making this a video or not. But, I decided against it. If you guys are interested in me making videos about this sort of thing, let me know and perhaps it's something I could cover in the future.

So Mikaila Turkleson aka Mikaila Orchard has always made... questionable art. To me it seems like a weird amalgamation of Equestria Girls and Sophie Labelle's art. Anatomy bad character design bad etc etc. I don't however see a lot of people talk about her paneling.

Recently, Mikaila and presumably her partner, Lily Orchard started a new art endeavour. I assume to turn over a new leaf and bury the now-infamous Pokemadhouse. You can find it over at bhaalspawnfunnies. It appears as if the blog will focus around the player character of Baldur's Gate 1, Gorion's Ward, and their half sister, Imoen. This is the first entry.

Source

Where to start? My first impression is that this is very poorly drawn, and low effort even by Mikaila's standards. The speech bubbles are low contrast against the background. The ground/floor blurry blob looks extremely bad. As a fellow artist I get the distinct impression that Mikaila did not want to draw this piece.

Moreover, there's a huge issue with the panelling and pacing. Comics are really cool in that you can kind of use panelling and negative space to "time" jokes, leading the eye where you want it to go and using framing and other art tricks to make a punchline land a little better.

This "comic" has none of that. There is no pacing, there is no comedic timing. It's all bland and presented as a block. I took it upon myself to re-panel this piece, and I've made two versions: One, with Mikaila's art style and visuals, but with the panelling slightly adjusted to be more punchy and effective, the other I completely redrew, using the same joke.

Excuse the sloppiness. I'm not going to expend too much energy polishing and gilding this turd.

That being said, this is already a huge improvement. Even if Mikaila isn't at the technical level of a professional artist, this is very attainable with only a few more minutes of effort. The timing is punchier, the speech bubbles draw your eyes down the page, and even without colour coding, it's clear which of the characters is talking. This isn't exactly a hot take but in my opinion you shouldn't need colour coding on a comic page to denote who is speaking. It should be very obvious! Moreover, speech bubbles should be included in the composition, not added as an after thought.

I'm guessing the original comic took her less than an hour to make. I think I'm being generous here, honestly if this took her more than twenty minutes I would be concerned. Being generous though I gave myself one hour to make a version completely redrawn.

This was again, very quickly put together and of course is in no way perfect, but its to demonstrate what a little bit of thought can do to improve a comic page. I decided to change the pose of Gorion because making family guy references should be a a cardinal sin for artists, as well as make the characters a little more recognizable. "Aryana" is, notably, Lily's OC and bears little resemblance to the canon character of Gorion's Ward, but considering Baldurs Gate does allow character customization and dialogue choices, I decided to make their gender a little more ambiguous so players of any gender could see their version of Gorion's Ward in the comic, but kept the elf with long dark hair appearance from Mikaila's original. I also looked over the pic after I was all done and ready to upload and noticed some small flaws I could easily fix, and went back and did those things. You should always go over your pieces when you're finished them with fresh eyes before you submit them as a final piece.

Again, this certainly isn't perfect and I'd probably put more effort into a piece with characters I care about and a joke I actually find funny, but I hope this demonstrates that pacing and expression really are everything in comics.

[kyri45]

✨ISAT Sky: Cotl!AU Q&A (22-09)✨

Welcome to the Q&A! A space where I can answer related or similar question about the ISAT Sky: Cotl!AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~

@spec7rejay ha chiesto: First, for the lmk au: oh my god, they were roommates. Second: this may be a bit of a stretch, but I was listening to Lindsey Stirling and her song Foreverglow made me think of the ISaT S:CotL AU Third: your art and AU’s are amazing and I hope you have a nice day! :)

Aww you're right! It is kind of fitting! :D

Anonimo ha chiesto: Hi! I have a question about your Sky x ISAT au In your au, does Aurora exist? Would she be a preformer or something closer to the version of her in queendom?

AURORA in the AU is more similar to a performer who's also a seasonal guide, and the songs they play during the concert where you get teleported and become a bird or a jellyfish are like a collective meditative experience.

da3gr3d ha chiesto: Im finishing to play sky cotl at light speed just so i can read your au comic without spoilers of the game bc im obsessed with the lmk bio parents one and now i wanna read the other one as well bc you are so good at drawing and scripting the comics

(i said it and ill say it again i LOVE your stories im obsessed)

Anonimo ha chiesto: ur isat x sky:cotl au made me pick up sky <3

AAAHHH TY!! Hope you like the game as much as I do!

Anonimo ha chiesto: god your s:cotl isat comic has been making me absolutely completely insane im so obsessed with it. it's so so beautiful and so so good and im just auugughhhh

@queenofskys5 ha chiesto: I hope everyone who came for LMK is enjoying ISAT x Sky:COTL the way I'm enjoying LMK after basically learning of its existence from here

hehe glad you liked the LMK one as well!

Anonimo ha chiesto: the. the pararel between him and siffrin. that doesn't mean anything right haha I'm proooobably looking too deep into it def and it's def not because I think the king is siffrin in some way and I'm totally not looking at the same placements of their three eyelashes and the way they both have their left eye covered. I'm going. insane. tell me I'm insane please. love your art btw! :D

Ah yes, the 2 school of thoughts about Resh in the Sky fandom: either you are team Resh is you/you are part of resh or Resh and Alef are two different beings

@melodyofthevoid ha chiesto: Since in the new COTL event there's a spell that makes you a crab... if the gang got hit with that on the island... It'd truly be their worst nightmare /j

But it would also be so fuckong funny

Anonimo ha chiesto: TEY SIAD TEH THIHGBTEHYSA ISAID TEH THING IM SCREAMING OH MY GOD how long did it take for you to think of that dialogue, siffrin being from ISAT saying that and resh being from COTL saying that, people saying their respective game title names puugghhgh I'm gonna eXPLODE

Ahah since May I knew I was gonna add the name of the game (Sky) into that conversation. As I was drawing the chapter I thought that maybe I could also add the ISAT name as well

Anonimo ha chiesto: (regarding your current update on the ISAT cotl au) I SCREAMED. I SCREAMED. LOOOOPPP. OH MY GOD THEIR FAMILY. IM SCREAMING IM GONNA THROW UP /POS

LOOP! THEY WILL SAVE THE DAY!

[penbattles]

Hi all!

So... I'm moving at the end of the month for a PhD program (very exciting), but it turns out that's really fucking expensive, so I'm doing a commissions push! If you can't commission right now, I would really really appreciate you reblogging this so that it hopefully gets in front of people who are looking for some art!

If you are interested in commissioning, DM me here on Tumblr or shoot me an email at katja62801@gmail.com. FAQ are under the cut. Thanks so much!!!

How is the pricing impacted by backgrounds/additional characters?

Complicated props or backgrounds are priced between $7-$25 depending on complexity. Additional characters are 2/3 of the normal price.

Are tips required?

Tips are not required, however they are greatly appreciated. I try my best to keep my prices as low as possible to make my commissions accessible to as many people as possible. A big part of why I am able to do that is due to the generosity that people have shown when it comes to tipping :)

What can I commission?

I’m open to drawing most things you can throw at me.  I won’t do explicit NSFW or heavy gore, and I’m staying away from anthro just because of lack of experience.  But other than that, go nuts!  OCs and existing characters are all perfectly fine.  Complicated props or animals may be charged as a complicated background, and comic commissions are available with pricing upon request.

How do I pay?

I conduct all transactions through PayPal.  That account is the same as my email, katja@62801.  I normally take the full payment up front, but if you are uncomfortable with that we can do it half and half. I would also love it if you could use the PayPal friends and family option, as otherwise PayPal will charge me a fee.

How long will the commission take?

Normally, I am able to finish all commissions within a week of order placement.  If a drawing is taking a particularly long time, I will let you know, and I will always keep you updated throughout the process as much as you like.

Any more questions?  Just shoot me an email or a dm and I’ll be happy to get back to you.

[lynxgriffin]

Thoughts on future Eldritchrune updates

Hey folks! Just wanted to make a post about some long-term stuff regarding Eldritchrune, and other DR-related fan stuff I may be working on. I'm absolutely open to all of your thoughts or suggestions on it, but I wanted to try and lay down some long-term planning, since I like doing that:

While there's plenty of other scenes I intend to do comics for (I've got a whole new batch of them that I need to get to writing soon) I've also been thinking about how to approach the ending. While I'd like to wait for chapters three and four and see what new material we get from canon there, I also intend to finish the AU before the game itself finishes, primarily because I want to do a much more canon-based fan project after the full game is out. Eldritchrune is vastly different enough from canon anyway that I'm not concerned about the canon ending affecting the AU.

My primary concern is that, as I have it laid out now, Eldritchrune's ending is going to take a VERY long time to produce...it's an extensively long ending, with crowd scenes, fight scenes, huge effects, buildings falling apart, emotional conversations, etc...basically ALL of the things that take a really long time to draw! I am wondering if it might be best to approach that work by slowly chipping away at it over a long period of time, rather than trying to tackle it once I'm actually at the ending.

Of course, the issue with that is that if I'm setting aside time regularly to chip away at it, that'll eat into time to work on the other, smaller scenes that are still in progress. This is in addition to me wanting to do a special project (canon-related) for the upcoming anniversary in a few months. All this is to say that this may make the blocks of time between comic updates longer, and I know there's already quite a wait there, at least with these last few long ones!

This seems like the best approach to making sure Eldritchrune gets done in a satisfying way to me right now, but I also know that longer waits between updates might not be ideal for folks. To help with the waits, I was thinking of also updating my patreon with WIPs on a more frequent basis, but that also may not make a difference for most people reading. So, I am open to your thoughts and opinions on this as I move forward!