#//now i'm going to finish this thing i'm drawing and then also finish this comic i have

[siggiedraws]

Hello! i absolutely adore your art and agree with your sonic opinions, you're overall one of the best sonic blogs out there. May i ask how do you plan out and draw your comics? How do you choose the formatting of panels themselves, the composition, the dialogue and so on? From A to Z, please! I apologize if this ask might be inconvenient, but i'm curious because i love your comics and have attempted to draw a sonic comic myself that failed miserably.

Typically the first step I will take is to just rough it out in a sketchbook, because I find it much faster and when working digitally I feel more pressure to make things look nice. This is where I start thinking about paneling and composition. It doesn't look perfect or cohesive at this stage, but at least now I have a rough idea presented with barely legible scribbles that don't make sense to anyone but me.

For paneling, large panels linger more, and small panels indicate quick succession. This is the most important rule I personally follow when making panels. It affects things like comedic/dramatic timing and how the reader will be guided through your comic.

It's important to vary up the composition when it comes to dialogue scenes where not that much is happening. The shot-reverse-shot format works, but remember that once you have an establishing shot and the reader knows where the characters are, you can get creative. I like to do close-ups where not everything is shown to create a sense of vagueness around what emotion the character is feeling.

Don't do this too excessively unless you're trying to create a claustrophobic feeling - let it breathe with a medium shot or long shot after!

In film-making, there's a rule called the 180-degree rule that basically states that in a two-character interaction, there is an invisible line drawn between them. The camera does not cross this line and stays on one side. This basically keeps the characters on one respective side of the frame at all times to avoid confusing the viewer.

This is by no means something you have to follow for comics, but if you want to create something that is easier to follow, it's a good rule of thumb that I consider when drafting! It can also be broken depending on the effect you're going for.

Once I have a draft, I'll typically go into editing and changing things that don't work quite as well as I'd like. This can be done by yourself or you can get it revised by a friend, like I do!

After the draft is finished, I'll get to lining and colouring. To be honest, it's not something I can teach so easily, but rather something that takes a lot of time and practice to learn. I typically draw the backgrounds with thinner lineart so that the characters stand out. Same deal with colouring - the characters stand out from the background colour-wise. There are multiple ways to do this, but for example, here I made the background have less colour contrast than the characters and stick to an orange-ish tone, while the characters are different colours from the background.

For speech bubbles, generally the words should fit the shape of the bubble to the best of your ability. The line spacing should be as close and compact as possible without touching the lines above or below. This is to save space on the page so that speech bubbles don't take up a majority. The tail of the bubble should point towards the character's mouth.

Avoid tangenting! This is when the very edges of two different things touch each other. It creates a flatter effect so you want to avoid it as much as possible.

That's about all I can think of right now. Hope this helped!

[welcometogrouchland]

(ID in alt) I literally said I was gonna post this month's ago and then never had the wherewithal to describe it and so I didn't Lmao (said with pain). But since I'm thinking of opening my commissions I figured I should remind ppl that I. Yknow. Can draw.

Lots of Steph here (I had major art block making all of these and my brain worms for her kept me going) + some sprinkles of stephcass for Cass nation to enjoy!

[petitepatateuwu]

In approximately a week I binge read the entire Sonic IDW comics and fell absolutely in love with Team Chaotix. They are perfection and you can't convince me otherwise.

Also I totally didn't scream in horror while reading the metal virus arc and nothing happens to my babies there hahahahah

[ineed-to-sleep]

I'm still working on this btw. Chipping away at it one little panel at a time 🥲

[moe-broey]

Back to what I do best (bare minimum Putting My Guys In Situations shitposts) 😌

Inspo under cut!!!

[keeps-ache]

no one to listen

[ + other things below !! :D]

[yzas-oc-blog]

Loosely connected comics: pt1 (pt1.5) | pt2 | pt3 | pt4 | here

[lilybug-02]

The Chara Timeline Continues...

Woah!!! Where'd all the color go?? >:(

Part 29 || First || Previous || Next

--Full Series--

I KNOW IT'S BEEN 8 MONTHS SINCE THE LAST UPDATE I WILL EXPLAIN!!!

Hello!

SO. It's a bit hard to describe the feeling of posting only one page to a comic series I've been neglecting for 8 months (which was for a good reason!). I have been intentionally distancing myself from the Undertale and Deltarune communities. Not out of malice or annoyance!!!, more just because I've grown out of it (took me 8 years lol). I wasn't feeling as excited for news updates or gameplay and I realized... I didn't enjoy constantly thinking about the series like I used to. (plus I had little time for other art, comic projects, and real life.)

So I decided to take a loooong hiatus. That was one hell of a smart decision (good job past me). I was able to THINK about other games and shows and interests. I rekindled my love of bugs and nature and SOIL and then I made a full on Hollow Knight comic. And I got to educate people on BUGS (it's been amazing).

But... Today I was reading over the comic for the first time in a long time... and I could see and feel my passion for art literally seep through the page.I remembered how much I tried to breath life into these characters and it inspired me to continue ((literally TODAY)). Because passion pushes me to do what I love :')

COMIC UPDATE:

*cough* Anyways- I wanted to let readers of this comic know that I am still unsure what the future looks like for the series. I have 5 pages scripted and essentially finished. And I do have an end game in mind (even though that may be an extra 30 pages lmao). But drawing this comic takes TIME and A LOT of ENERGY. If you guys know me,,, haha,, I'm really bad at guesstimating times. And I'm even worse at being prepared and on top of things...

I want to submit single pages from now on. AND do minimal coloring. Having multiple COLORED pages was actually wild and I do not know how I did that for so long. I am unsure when the next page will come out (because I am also STILL MAKING MY OTHER COMIC <3), but it will not be out anytime this week.

Thank you guys... From the bottom of my heart. ❤️

[aegis-noctua]

Allow me to finally break and enter this fandom with my humble offering!

I just wanted to do something with them all being good friends. Love, love, love their group dynamic! Also I have like 20+ pages worth of silly little dialogs that I want to turn into equally silly little comics, so hopefully I'll be sticking around.

Aaand a lot of rambling under the cut.

I'm an avid reader, you see. I generally don't watch things (sometimes not in literal years), it's just not something I do. So when at the beginning of fall tumblr exploded with outrage over the Dead Boy Detectives cancellation, my first thought genuinely was "what a stupid f*cking name" and then immediately "people are overreacting, it's just a series, nothing is worth that much of a fuss". But after observing for some time from a safe distance I eventually grew curious. I thought I knew what I was getting into.

(I had no bloody idea)

Well. Here I am now, almost four months of obsession later, eating my words with shards of glass and no sign of reaching the bottom of this cursed rabbit hole. I've been drawing more than ever and for the first time seriously thinking about honing my artistic skills. I have some drafts for at least two stories, and even though I'm a little hesitant to write (not being a native and all), I'm pretty determined to give it a go anyway. I tend to avoid social media and digital public spaces in general, but #SaveDeadBoyDetectives campaign changed that as well. To my great regret, there is not much I can do or participate in, so I settled for trying to be supportive of all the lovely people who created probably the safest and most comfortable online space I've ever encountered. I'm not as good as Charles at keeping spirits up, but damn I wanna try.

It honestly feels like if I had something like dbda growing up, I'd turn out at least 40% less traumatized as a person. It grew to mean so much so quickly. It's like some moments were plucked right out of my life and then embedded in the show. I felt (and still feel) so seen, and understood, and reassured, and safe, and hopeful, and accepted when watching (pretty much everybody's but especially) Edwin's side of the story. It's so much more than "just a series", and these Dead Boys deserve every good word that's being said about them.

Okay, I'm wrapping it up now, and the only thing left to say is thank you to all the people who put their effort into keeping this wonderful story alive and making the fandom so friendly and welcoming.

(right now I'm working on a big Christmas comic that I definitely won't be able to finish in time, but it will appear here at some point)

[alllgator-blood]

FINISHED THAT ONE COMIC I POSTED ABOUT ALMOST 30 FULL DAYS AGO?? I FINALLY REMEMBERED IT EXISTED AND FINISHED IT. I HAVE SO MUCH I WANT TO SAY ABOUT MY LAMB NOW THAT THEY'RE FINALLY THE MAIN CHARACTER IN A LONG COMIC, BUT it went on forever so I put it below the cut.

While we're above the cut, I have a bunch of REALLy good asks I'll be trying to draw for soon. But keep an eye out for a poll coming up soon...cause now that this is out of the way, I want another big project to have in the background and I have Big Ideas for Big Angst Comics........

OH YOU CLICKED THE THING, NICE. OKAY. SO:

Have I ever talked about how my lamb works?? I need to do more with them but I'm a bishop enjoyer to an obsessive degree. The lamb operates on the same kind of level as kallamar did during the breakdown comic, but on a more permanent, more stable level. After being told to hide for their whole life, to never show their face and not even being given a name......being beheaded by four gods and recruited by a fifth forgotten one who claims they're the Chosen One just made the lamb think "OH! None of this is real. My brain wanted me to feel important before I died, and this is my dying vision. Okay, I'll play along >:)" and now they're the equivalent of when you beat a game and replay it while picking the funniest/worst options to see what'd happen.

USUALLY their decisions are clouded by the assumption that nothing they do actually matters, but they're still......a person who held things dear and had standards while they were alive. So they love hijinx, but aren't like leshy who launches people out of catapults for fun, or kallamar who sees mortals more as lab rats than people living their own lives. They'll do some things for the lolz but their humanity definitely shows through when dealing with someone like shamura.

I think they went into the bishop slaying quest wanting to hate shamura, assuming they were an irredeemable antagonist that deserved to be vanquished. They were told by narinder that shamura was the big bad, so they figured there was nothing to it beyond that. But then they actually MET shamura, who wasn't at all what they were expected to be. Every other bishop is just like "RAHH I'LL KILL YOU" when you meet them, and then shamura is the only person who actually tells you about what happened, speaks to you like a person and not an obstacle, and doesn't seem bothered about the fact they're going to die. So that got them thinking....hmm...perhaps these people are slightly more realistic than I anticipated. Still gonna kill them tho

I'm not sure the lamb hates the bishops, especially after the realization that they're a fucked up family acting out in desperation rather than logic. When you're born into circumstances you know will eventually doom you (like being a sacrificial lamb destined for slaughter) you kinda...lose the ability to care after a while. They don't really *forgive* the bishops for the slaughter of their people, and definitely enjoy bullying them and kicking them around now that they're powerless mortals- but the initial horror of being born to die has subsided. Now that they're presumably in some kind of afterlife, and have better, more fun things to move onto now that they're the ruler of everything- it's not worth it to hate those five forever.

I think *because* the lamb has only been a god very briefly and still remembers mortality well, that's why they're the one god who does things "because they're funny" but also is respectful of people like shamura. It's like when you're playing GTA V and you accidentally drive over a dog while trying to pull over and look at it closer. Is it a real dog?? No but you're still gonna feel bad!! So like I said, in the lamb's mind they have NO reason to care about any of these people or show them mercy, but the fact that they're not as detached from mortality as the bishops were makes them a benevolent god. I'll be doing a comic about this very subject in the future and it WILL be depressing >:)

Also. Unrelated. But if you read this far, I feel the need to justify why heket and leshy suddenly have boobs in this comic. I'm sure it's obvious that I headcanon the gods don't have sex characteristics cause like...why would they need those. I don't want to draw that. But as MORTALS they would probably need to have all their organs intact to function properly, so pour one out for shamura + leshy who probably completely forgot they were transgender until they woke up in mortal bodies. NOT SURE HOW KALLAMAR WOULD REACT, I think they're more just horrified they lost all their tentacles

I debated doing another silly comic about the concept but I don't want this blog to get too raunchy, so instead have this epic ms paint art (I CAN MAKE THESE JOKES, I'M AFAB TRANS I DESERVE THIS ONE THING)

[notherpuppet]

how do you manage to draw SO FAST

it seems to me, while i draw one line, in that moment you draw another piece of art, another page of comics, overthrow the government of a country, make contact with aliens, do you even have time to eat and sleep????

i admire your speed of work, and your artwork in general, and envy you in a good way.

Hi!!

So I'm on summer break, that's a big thing hahaha. I have all this free time because I work in education. When school starts in August, I will be attending grad school whilst working two jobs, so my "prolific-ness" is likely gonna take a total dive (very sad).

I guess I'm trying to take advantage of the free time I have as much as I can. Additionally, all I do is draw now. I have no money (I WORK IN EDUCATION) and it's too hot to go to the park lol.

My schedule rn is pretty much draw draw draw, go on a walk, draw draw.

I used to be pretty addicted to cookie run kingdom and tetris, and when I play video games I get superrrrr invested and can't put a game down until I finish it. So every time I've felt like playing a video game, I just think of drawing as a video game and that's what is keeping me so proactive with it tbh.

Also sometimes--when I'm not feeling as energetic about drawing--I just think to myself "just draw slow as hell fuck it" and i draw nice and slow, but for a long and consistent time. So I end up finishing fanart that way too. In those moments, it feels more like meditation or working on a puzzle than playing a video game.

EDIT: just wanna mention that every drawing takes me HOURS AND HOURS. So it's not necessarily a matter of drawing fast as much as it is a matter of having available time to spend.

INSIGHT INTO MY WACKY BRAIN IDK

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[rupeenotruby]

@isasan347 made a post about Fable doing her ssbu stuff in front of Legend and I thought the idea was quite humorous and so I made a comic!

I chose to go with her lightning kick because her three main special moves are just the great fairy spells for OOT which would then belong to Time and her down b isn't very iconic since it is a more recent addition. Lightning kick has been there since the beginning and is the first thing I think of when I think of Zelda in ssb.

I started working on this comic a few weeks ago but had to put it on hold because of my finals. But now they are over and I have finished this! There is a lot I dislike about this comic (namely the dialogue, I didn't really script this out like I should)(If you have a better final punchline you are welcome to edit the panels with it (2nd to last), I changed it so many times and am still not the biggest fan of it). But there is also a lot I like! I actually finished it for one! Yipppe! I'm still figuring out how to draw everyone and wouf! It was a challenge (shoutout to four though he's a real one). I'm probably going to study their clothes a bit more before making another comic though. I'm also still figuring out how to write all these guys so they might be ooc, sorry about that too. Also here's the rough draft if you want to see it(if you zoom in you can see the original ending (maybe)):

Anyways, if you have read this far, I have a favor to ask: You see it has been a while since I have made a comic for human consumption, and I would like some feedback. Is the text big enough? Do you understand what is happening? Anything really bothering you about it? Anything you really like? Etc. Etc. I am open to constructive criticism.

I will take this time to complain about Zelda's horrible heeled-sandal-boots. They are evil and awful and horrible and every other negative thing you can think of. That is all.

[mynameismad]

What have I been up to?????

Hey all! I'm sure you're all cycling rapidly through the stages of grief like I am, but I thought I'd just check in and let everyone know what's going on with me and when they can expect more comics!

GOOD NEWS: I got a concept art job! I've been working freelance for a client for about two months now and things are going great! Honestly working on short assignments with weekly deadlines has been an amazing break from the slow, constant march of longform comics. I am surprising myself every day and haven't been this excited to learn and grow as an artist in a very long time. Moving forward, I would like to find a full time job in games and stay there, rather than continuing to hustle full-time in comics. I've paused my Patreon for the foreseeable future.

THAT BEING SAID: I will always be making comics!!!!!! I love them a lot, they've been good to me, and I have all these ideas in my head that NEED to be let out. I want to start making them in my own time, rather than as my main source of income. We'll see how long it takes to find true stability in concept (maybe never, lol) but in the meantime I will keep drawing my silly little guys and posting them online for everyone to see. I have to! I have to keep going and making the art I want to see in the world! We have to keep going!!!!

SAKANA: hoping to get back to the fish boys sooner rather than later. I've been stuck on whether to end the latest chapter right away or get a few more pages in there. We're moving into a HEAVY part of the plot, which will be trickier to write, so I've been procrastinating lol. Please don't take my extended absence as proof that I'm walking away from the story: I've just been busy with a new job and I don't know exactly how to get to the next chapter yet!! (also, jsyk, the Webtoon mirror is something I was doing for fun! not a priority!!)

RR: I actually have a few different projects started for RR! Chapter 2 is like 9 pages in, but then I paused and started work on a 20ish page minicomic, which is like 7 pages in. I'm going to finish the mini first and hopefully upload it to itch.io. For Chapter 2, I created this really elaborate environment in an effort to force myself to learn Blender, but then I got a job....so I have no time to learn Blender lol. Still trying to figure out whether to simplify or push forward.

OTHER: yeah...I am a comic artist at heart so obviously I have a million things I want to do. But SAKANA and RR are the highest priority right now!

UPCOMING: I am pursuing other freelance work for shorter, more manageable projects! If you need somebody to redline all your thumbnails, critique the first draft of your synopsis, or make a 20-40 page comic, please keep me in mind!

In closing: I'm locking my twitter accounts tonight and moving away from the platform for now. I'll be here, Instagram (@/mad_rupert), and BlueSky (@/madrupert). Thanks for sticking with me, let's hold onto and support each other in the coming weeks, months, and years! Let's keep going!!!!! I love you all so much!!!

[madfantom]

Full animatic And so, part 2 of my comments, let's start.

◁Part 1 || Part 3 ▷

In the last part, and here, the order in which the children got to William is shown, and I will explain why it is not the order of the murders Here is a MEMO with missing children to make it easier to navigate, since I drew very simplistically.

I mean, when watching usually fnaf animations, I myself had the question "who the fuck are all these kids?" and, either in another animation I understood, or I did not understand at all, or the designs were so simplified that you can guess (I mean a child in all red or with a pirate armband is foxy, Freddy is all brown, etc.) So I just made outlines of their hair and costumes and that's it

It's just a little complaint here, don't pay attention, I'll just say it once, and that's because I didn't think that someone would write the same thing all the time when writing AU And one more thing. Chick's name is SOFIA. Please guys, I know that Suzy from fnaf 6 exists, okay? She's there, hell, she's even in the animation next to Cassidy. I just shifted her from being a chick to another one, not removed. And she also has an interesting role and a different design logic, I just don't have time to do everything. In fact, I even have a reason why Sofia exists and I wrote a very long text post about it, but I haven't finished drawing sketches there, so you won't see it yet. It's just that I'm starting to get a little bit hung up by the same type of comments from Pinterest, although to get rid of this, I write in big letters everywhere that it's AU

Let's go back to the animatic

I have displayed the methods of killing, which will then be reflected in the appearance of the ghosts. In fact, I took the idea from my old horror zine Fnaf art when I was thinking about how the children died there to make their appearance more creepy. Some of the ideas remained, and some were redesigned, as well as some designs

Sofia was placed in a ventilation unit. William caught her and left her there suffocating in the off ventilation , after a light strangulation, suffocating in the off ventilation. She didn't actually die, but she was the first (And I refer to this also in a custom night with the phrase "I was the first, I have seen everything!") And now imagine how the room smelled of chemicals after cleaning it from all kinds of oils and other liquids necessary for mechanisms that are very difficult to wipe off. While ventilation did not work and the girl was locked in a narrow place after she was strangled, forced to watch through the slots for the children who were after her That's why Sofia's ghost makes such a quiet clucking sound, as she coughs as if she's still in the ventilation. She won't die of suffocation, nah, in this comic she's still alive and William can cut her throat.

About the rest it is more obvious, well, not counting the pictures on the Background.

Jeremy was electrocuted, so his ghost hair is pulled up as if by an electric shock. He also has charred lips and eyelid skin and no eyebrows, and his hands have torn and charred stripes from just the same clamp. He looks like the most crippled of the three

Fritz couldn't stand the blows from blunt and sharp objects and in the end they attached a mask to his face with a nail gun or something like that and set it on fire quite a bit. Well, just a little bit. His background is directly related to the comic, which Redraw at the beginning, and now I continue. I'm still doing it, but I need a lot of time for it

Gabriella was basically cut while they wrapped one of those cables around his neck that are forever hanging on the walls in fnaf and pulled out his eye after death

[ikimaru]

so I was reorganizing the next chapters for the klance comic and I realized the ending was within reach and I was like fkc it, it ends now lmao

SO basically I'm currently drawing all the remaining pages of the comic back to back, I've done 7 between yesterday and today, I think I'm just gonna keep going until it's done 🧍‍♀️

if I stay focused I can do one page an hour and I got 20 pages or less left since some parts didn't make it in the final version it's a bit shorter, so I might be able to finish the whole thing this week HAHA

then I will take a break and then probably also do all the coloring back to back, the schedule remains 1 page a week on patreon so there's 5 or so months left of this

in the meantime I'll start arranging the printed version and a couple of merch things to go with it so the release window is gonna be I'mm gonna say.. april?

will also be fixing some of the newer pages so they look more like the old style of the comic to keep it more consistent.. and probably add page numbers since it's gonna be 180-ish pages total

either way I'M ALMOST FREE