#//if you need anything changed

[bioshzrd]

this random ass guy who’s entire bit is that he can move like this is the only good wesker fan ever

[hansoeii]

stede bunnet

[eydilily]

took a stab at arcane style pearl and etho :J

this was supposed to be a quick(er) study but i ended up coloring it anyway !!! i personally prefer the original grayscale version over the colored ones (especially etho);;

[rexomi]

Something something. Making Solas a liar in Veilguard actively brings back a problem they fixed working on Inquisition.

On December 20 2019 VGS posted an interview with Trick Weekes about their work on Solas. This whole sentence is a link so its large enough for mobile but also disclaimer this is before they changed their name so deadname warning.

Here's a transcription I found here which is where i took the screenshots above. Since I know not everyone has 40 minutes to listen to an online radio interview.

I however highlighted the main point since most of you are not reading the screenshots anyway but skimming through. Rant under Read-more. Also bc i try to not be too negative on people's dashs but also i wanna ramble some more.

"But he lied a lot more. And it really weakened his character."

You can tell this happened during the game. Solas lies only once within Inquisition. He says something he can't be vague about and you push him so he lies, badly. He usually tells the truth vaguely. Typically Solas lies no more than Blackwall.

I fully believe that if in Inquisition your inquisitor figured out that Solas was Fen’harel and asked him bluntly to his face he'd confess. He might even be impressed. But why would you ever start to think that. No one assumes that their coworker is actually Poseidon regardless of how much they love the beach and ocean.

He hides in your expectations.

You can't ask him about being an ancient elf or being Fen'harel of myth because those aren't very probable. They're astronomically low to be truth within that universe. And outside, no one finished DA2 and went i wonder if one of our next companions is the Dread Wolf. Sera said, impossible things can't be surprises. He doesn't have to lie so when the truth comes out it's becomes obvious on a second playthrough.

They then actively bring back a problem they fixed in Inquisitions development. That they were open about fixing. That having a character that outright lies to you makes you have no intention of even hearing out the character. It retroactively undercuts Inquisition bc i see people trying to find Solas' lies in it when they aren't going to find any beyond the court intrigue.

It undercuts any lore we do get from Solas bc people dismiss it outright as being a lie from Mr "I abhor blood magic". I feel like shaking people's shoulders like no, dont do it.

They retconned him guys i have proof from 2019.

And its like if you hate Solas is this even satisfying? Like that's not Solas. His motivations are gone (that's a whole other post) and so is his core personality trait. It's like they went here's the Dreadwolf but during the ten years they replaced the smug asshole who was insufferably right with a 20 yo senior chihuahua that doesnt have any teeth.

My favorite villains are those that tell the truth. Because nothing hurts more than the truth. Can you imagine if he told you the truth. If he told you horrible things that you dismissed as lies to only be true. Wouldn't Varric’s death have more weight if he told you Varric was dead only for you - for everyone - to see him in the Lighthouse. If it was a spirit who took his shape to help you or even because it saw something worth reflecting in your memories.

So you dismiss him until it's revealed near the end oh he was telling the truth and you have an oh shit maybe he was right about other things but its too late to try and stop any of the truths he told you which could be from allies/companions betraying to stuff about Ghilan'nain and Elgarnan.

Like the only way to redeem Solas was to listen to him and by going out of your way to address problems he sees and you can find the alternative to tearing down the Veil by a series a little puzzle pieces throughout the game.

Have it be he will only listen to you if you listen to him. That he'll reject your other solution bc why the hell would he trust you if you couldnt extend the same.

Like Solas couldve been a great villian and he should've been great for both the haters and those that liked him. Not only the romance but for those who became his friend. Like i keep coming back to if i hated Solas would i be satisfied with Veilguard.

And the answer is no because that isnt Solas.

Tricking him has no weight bc he's an idiot in Veilguard like not even in the ending bc doesn't notice you switch the dagger around like right in front of him but none of his actions make sense. Ppl have mentioned the regret prison makes no sense for Elgarnan and Ghilan'nain bc they don't have regrets.

Attacking Solas has no weight because he literally needs the shit kicked out of him by a dragon for it to even begin to work. They literally need him to be at deaths door before its realistic that Rook could take him in a fight.

Redeem has no weight bc of the massive retcons to his motivations. They had to retcon the post credits scene bc even if Flemythal went hey i don't want you to do this Dai Solas wouldve went okay but that doesnt solve my other problems with the veil including the corruption of spirits and the fact its in literal shambles so i guess is still coming down.

I'm just disappointed. By the end of Trespasser they had a great villian and they just tossed it to the side and reverted him and people are arguing about a character who's sole defining trait in Veilguard is a problem they solved before Inquisition launched.

Basically we can sum it up with a screenshot.

[isnt-that-wizardd]

there is just something about the difference between edwin's love interests and having the cat king's reaction to edwin in hell being "i'll be waiting when he gets back" vs charles "no version of this where i don't come get you" rowland convincing a powerful trans-dimensional being to open a door to hell just so he could get him back

i am insane

[goldentemplariumcrow]

A gentle and inviting smile forms on his lips once the warrior introduced himself, then he gestures to the small temple he tends to in an invitation for the man to relax.

"Refuge you have within these walls, but of you I ask nothing." Those green and blue eyes turn their focus back to Alexios, completely unafraid of him despite their clear difference in build. "I'm named Bacchus, and all who come with their weapons sheathed are welcome here." No matter if the person is exhiled, poor, rich, lost, or wounded, he's never turned those who come to him for refuge back. "Just, please, no kneeling. We speak as equals."

"Now, come. I'll show you to where you can rest and refresh yourself." So polite. Casual, but polite, a certified way to make most people in all Greece to feel safe and welcome when in his presence — not that Bacchus needs to be, who would be afraid of a man of his size and structure?

He takes Alexios down a small beaten path by the side of the main building and to the back where there is a small patio and another two smaller buildings, one that was clearly the warehouse where food was stocked, and the other where the man himself should live all alone, since it was visible that there was no one else in the perimeter. A priest isolated from the world because of his curse, but still willing to help those who were brave to come for his help.

"It's not much, but I hope you find imyour stay comfortable." He pulls the curtain that serves as a divider for privacy to the side to show a small room with good airflow, a cot that's comfortable just from the looks of it, a small table and bench to sit on and a couple of amphoras filled with drinkable water; by the window there are a couple of vases with herbs marigold and eucaliptus to keep insects away. "Do you need anything? If you're hurt, I can tend to your wound." He, unfortunately, can't offer food right now, but that can be remedied by the fruits on the bowl over the table.

The warrior was surprised by the sight of this beautiful and delicate man that his breath caught in his throat and it took him a moment to find his words again. "I heard of a seer and healer who was unable to cure themselves and I wished to help." Alexios answered as he approached the other and knelt before him respectfully.

"I am Alexios of Sparta known across Greece as the Eagle Bearer, a great warrior indeed but a weary one." He lifts his gaze up. "I simply seek refuge in your temple and in return I can help you."

[formulanni]

Susie Wolff as the Empress (redraw):

The Empress is a mother, a creator, and nurturer. She can represent the creation of life, romance, art, or business. The Empress can represent the germination of an idea before it is ready to be fully born, and the need to be receptive to change.

The Empress is representative of the productivity of the subconscious, seeded by ideas.

She is the symbol of the feminine principle - a representation of venus and mother earth. She is nurturing, and a provider.

There is something to her that suggests a mother figure as well.

Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls @brawngp2009

[cosmicredcadet]

All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.

[ulteri0rm0tives]

It's actually so heartbreaking that in the temperance ending Johnny just.. leaves. Gets all these calls, maybe even texts, from people who don't know the extent of what happened. Who are accusing him, that are mad at him. Especially in the frame of reference that this was V's last wish. That it was V who gave the body up. That it was V who wanted this, wanted to save Johnny, Johnny essentially powerless to stop them ('just scared for ya').

And the thing is.. Johnny just lets everyone. Lets them make their own conclusions, lets them be mad at him. Lets them blame him. Lets them think, that after the love of his life the person who's ever wholly understood or cared about him the most like no other ever could had 'died', that it's his fault, that he could do that to them... Or just lets them think the worst of V as their final lasting impression or mark on this world. Doesn't try to defend himself nor V. He just leaves. Just takes it.

And you would think. You would think the one he would at least tell is Kerry. That the one to actually understand the most would be Kerry. I don't think any of the other love interests could get the whole engram situation like him, they don't have that personal history or connection to the code on the relic like he did after all. Kerry knew Johnny. Enough at least. But Johnny doesn't tell him, and Kerry just thinks V ghosted off on him and Johnny just lets him think that. And it just makes you wonder.. why would Johnny do that? Why would he do any of this?

[genericpuff]

new genre of LO comedy unlocked: watch the LO wiki editors fight for their lives to justify entire articles for characters who only showed up once and then disappeared forever

"well, themis is pregnant so that must mean SOMEONE knocked her up, right??? put that in relationships, that counts"

"charon's abilities... ferryman... boat... he ferries a boat! therefore he must be very good at ferrying boats! write that down!"

"now hold on, let's not completely discount the idea of artemis' pet wolf having some kind of relationship with someone later on, i'm sure rachel will answer that soon"

[respondedinkind]

Plotted starter for @mehrere-musen | MCU Verse

When Ka'anh awakes, the first thing he sees is a planet, filled with blue and greens and browns, clouds scattered along the surface. He also realizes that the whole of his shuttle seems to be offline; No lights are on besides the dull red hue of what indicates an emergency situation. He hurts, badly so, and groans out in pain as he tries to get back onto his feet, tries to---

The shuttle's pulled toward the planet, he realizes, just as he tries to reach a few buttons with his bloody fingers. He can't even stand, he just lies there, with his upper half resting against the seat, arm outstretched in an attempt to fix what could be broken. Ka'anh hisses, bares his teeth, grunts as another wave of pain pushes through him while he tries to stand again - but then the shuttle shakes; Gravitation has finally wrapped itself around his vessel in full, and now the descent upon the foreign planet is sped up with each second that passes.

This will become a hell of a ride, he knows. There's nothing he can do besides holding onto something, pushing himself against a nearby wall, away from anything that could fall down onto him as the shuttle proceeds to fly through the thick atmosphere. It's probably getting too hot as well, with all the shields being offline, unable to protect the shell from the rough treatment of the sudden friction it receives.

The fall itself sends a stomach tumbling and Ka'anh grits his teeth, squeezes his eyes shut, hoping that it will soon be over and that he will survive the impact thats about to come.

He doesn't want to die like this. Not after having managed to flee from his own planet, then getting sucked into what had looked like an opening within the Universe itself, just to be thrown down onto another world he's unfamilair with---

He's afraid, that's the last thing he feels before everything becomes dark and his senses vanish from existence, together with his consciousness.

...

When he awakes again, he's unsure if he's even alive, still.

He's lying on his stomach, outside of his shuttle, with his face buried in dry soil; With every intake of air he inhales some of it, which causes Ka'anh to cough and gasp for oxygen, so he does, almost dry-heaving from the pain it causes him.

He blinks, lifts his head somewhat and looks at a blurry picture in front of him - a mass of gray, perhaps it's his shuttle, parts of it burning and smoke rising into the air. He cannot see clearly, he doesn't hear much, and the pain he's in is excruciating. He's surely broken his right leg, his hip even, because he cannot feel it - his rattling breath tells him at least one broken rip has broken the tissue of his lung, and judged by how dizzy he feels, he must be suffering from what could be a rather serious brain-injury.

But, Ka'anh's alive. he's still here, even though he's just crashed down onto this foreign planet.

A grunt leaves him and he closes his eyes, then inhales as much as he can before he tries to push himself up onto all-fours. There's blood soaked into the dirt beneath him and one of his arms is definitely broken, next to the right leg that won't cooperate... but somehow he keeps himself in this all-fours-position, swallowing down the taste of copper and nausea he feels.

Fuck. Fuck - he needs to get to his shuttle, find the medkit in there---...

[screwpinecaprice]

Oh oof I slipped and hit them with dark and serious beam. 😣

[anemonet]

pro tip: you can always put the bugs in little outfits :thumbsup:

[goosesartblog]

this will be the basis for your revolution

[sometimesanequine]

they should make a body that doesnt try to kill you if you go on a little walk

[lgbtlunaverse]

So I've said multipe times now (here and here) that thinking nmj is just so blinded by privilege he doesn't undertand that acting out of line gets people killed is, in my opinion, a misunderstanding of his character that ignores the part where he's, you know, actively dying the whole time and thinks that's a good thing. But that doesn't mean I don't think privilege plays no role at all in how he views the world.

Specifically, his view that death (at least premature or violent death) means something.

Death isn't always a tragedy to NMJ, but it is always meaningful. If you kill an evil dangerous person for your righteous cause, that death had meaning. There was evil in the world and now there is less of it. Similarly, if you die in the pursuit of your righteous cause, that death has meaning, because the sheer dedication you gave to it that you were willing to die for it will further that cause, and your bretheren will be invigorated by your sacrifice to fight even harder.

If a death isn't meaningful, that's an injustice and it is up to the living to give it meaning. That's what cuts so deep about his father's murder. There were no consequences, no changes, no meaning. Wen Ruohan was just going to get away with it! He fights and wins an entire war to make it mean something, to make it so that the unjust murder of Nie Mingjue's father is part of Wen Ruohan's downfall.

But this is a view he can only hold because he's the kind of person who's death will be meaningful. Most ordinary people's deaths are meaningless. Not ontologically, not inherently, but they are made meaningless because no one cares. For death to be meaningful you either have to be so powerful that anything you risk your life for will be impacted in some way. (Like, say, if you sacrifice a long life for immense martial power in a faustian bargain with a blade) Or if people with that kind of power care enough about you to do so for you. For most people, this isn't true. A starving street kid has no power to change the unfair world that put them there, even if they risk their life trying, and no one will do it for them once they die.

Nie Mingjue knows this in abstract, and of course rightfully believes it's wrong. But all that does is make it yet another righteous cause people should be willing to die for. Everyone's deaths should mean something, we'll make it so or die trying!

This is what the conflict between nieyao is about at its core. Because Jin Guangyao, fundamentally, cannot conceive of his own death as meaningful. Nie Mingjue grew up around powerful men who could change the world but refuse to do so because god forbid they risk a single hair on their perfect heads. Meng Yao, on the other hand, grew up in an environment where no one of importance would blink twice if you died. He was surrounded by meaningless death. Indeed his entire early life is defined by that lack of care.

Meng Shi dies and no one cares. Meng Yao gets thrown off a flight off stairs and no one cares. He has to be the one to do the caring, and once he's gone no one else will do it for him.

So he has to live.

Jin Guangyao eventually gets far enough that he actually does aquire the power to change some things... as long as he's alive. If he changes too much, holds on too tightly to his ideals, he'll die and it'll all be for nothing. He can't sacrifice himself for his goals because doing so would immediately render those goals unobtainable. No one will care about what he tried to do. He won't be a heroic sacrifice, he'll just be trash that finally cleaned itself up.

And well... Nie Mingjue dies, and someone makes it mean something. Makes it mean so much that the entire story of mdzs would not exist without it. Jin Guangyao dies and it doesn't mean anything. Most people are glad to be rid of him, and the few that are not don't do anything to change that.