#//i have like zero clue on how to tag

[chappellrroan]

people who still hate Joe Alwyn need to get a life asap

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[litany-writes]

find the word tag :0

tagged by @athenswrites, tagging @intheskeyes & @egharcourt if you'd like to play!! + anyone else that wants to join :)

Your words are: drive, whisper, river, stay

Tower Cliff

Lost

Drink

Backpack

[geonij31]

Not Star Wars but I watched Phineas & Ferb again and I love my boys.

[aeonaeonaeon]

how it feels to open HI3 at 2AM. i always tell myself i'll turn the volume down and literally never do

[callmehere-iwillappear]

18k...................

[jouska-the-deer]

Hey guys, check out my totally normal YouTube homepage. Nothing strange going on here.

[blacksurvivalnostalgichanges]

Elena:My pronouns are what/ever/major/loser, now get out of my room!

Felix:Yeah, I told loser it's time for dinner. (gets smacked) Ow, quit it, I'm respecting your pronouns!

[forestscreamer]

I think cringe is a fine word to use but I think cringe culture should die and we should kill people for stigmatizing what's perceived as "cringe"

[crescentrivers]

Hello dears! I am asking you to support my campaign to help me reach my goal. I am in dire need of your support now to help me stay alive and safe. Gaza is a very dangerous place both in terms of living and lives. The family consists of 20 members, most of them are young children. I need your financial support to enable me to get the basic needs for my family until the Rafah crossing is reopened to transport my family to safety and peace. Please help a family stay alive through your small donations or through your shares to others. Thank you very much for standing by those in need. My campaign 90-ghoset has been documented

Okay, will delete if it turns out to be a scam

[bluedrake121]

Found it

: 3

[sweet-rabbit]

Chapters: 1/? Fandom: Hetalia: Axis Powers Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Denmark/Norway (Hetalia), Minor Hong Kong/Iceland (Hetalia) - Relationship, one-sided Hong Kong/Norway, Iceland & Norway (Hetalia), Denmark & Iceland (Hetalia) Characters: Iceland (Hetalia), Norway (Hetalia), Denmark (Hetalia), Hong Kong (Hetalia) Additional Tags: Family Feels, Comedy, mentioned and non graphic abuse, mentioned/hinted attempted assault, Neglect, lack of communication used for both angst and comedy, Alternate Universe - Human, i have accepted there will be typos i'm terrible at spotting them and am sorry, Self-Esteem Issues, a lot of sass and snark in this one, lukas/norway could be read as neurodivergent, sweden and finland are there with their adopted baby sealand, but i'm not sure how big their role will be hence them not being tagged, Other Additional Tags to Be Added, and the norway hong kong is SUPER one sided, like just a crush at best Summary:

In regards to the question Emil had asked himself about twenty four hours ago, ie, "Who in their right mind would date his creepy, older brother for longer than a month?" the answer had come to him in the form of a muscular, blonde man casually leaning against their front door, complete with tight black pants and red button down partially opened to show off his sparse chest hair and gold necklace.

Who would date Lukas? An absolute tool, apparently...

---

Emil figuratively wishes on a monkey's paw for his weirdo older brother to focus his smothering onto someone else. It happens, he hates everything about it, and he won't stand for it, damnit!

[limewatt]

i need to make a revised tag list so bad. do i just start tagging things properly now or do i wait forever until i go and fix my tags

[donnedulac]

The "Barbed Wire and Cock" cover of Gay Community News, October 17, 1981, vol 9, no 3. By Ron Fowler.

[an-inky-fingered-lass]

mr philip j coulson my good sir you hog the pov spotlight like NO ONE i’ve ever met.

do you think you could maybe..... share with may

as in. like. get her to share with you cause i wrote her experiencing emotions and i think she’s pissed at me now.

(sorry may. that’s a really beautiful paragraph you gave me right there. thank you.)

[theglizzardwizard]

Bro what the fuck is even going on in my asks anymore