#//I hope what I've said makes sense

[chimaeray]

Mouthwashing thoughts assembled from my Discord messages with a friend while we both go apeshit about it

Spoilers this is your only warning because I will be getting RIGHT into it. Things are not organized super well it's all braindump baby. CW for game topics including sexual assault, torture, and general misery.

Jimmy's so certain everyone is or should be like him that he can't imagine anyone actually caring about other people. From Anya asking for any help and care whatsoever being a nuisance to him, to Swansea keeping watch at the utility room just trying to keep Daisuke safe and put him in that cryopod once everyone else was too far gone. This is unfathomable to Jimmy, who's first instinct upon learning they were all getting terminated was to belittle and shame everyone as a way to guilt Curly further. Of course including Curly himself, who was struggling (kind of having a midlife crisis) and putting on airs to keep everyone else calm and okay for this one last job. Jimmy is so sure of himself being able to fix things like Curly does, and figuring out how they can "both be heroes in this," that he makes a dying man eat his own flesh and then freezes him under the idea that this is GOOD and RIGHT. He doesn't care about the misery and pain Curly is in at this point. At first he seemed happy Curly was helpless and incapable. He seems to take satisfaction in volunteering to force-feed those painkillers, after he ridicules Anya first. He's so sure Curly should be grateful and thank him for all of this. He can't take responsibility even when he kills himself, all he does is reassure himself he did the best he could at every moment and fixed it all in the end. Curly will be miserable for the rest of the life he may or may not have. Jimmy got his, alright. Curly was feeling unsatisfied with his life, so isn't this better now? Curly says he doesn't want his life to feel like something he has to escape, but now his own mutilated body is the prison. While he watches and hears everyone else die, and he can't even try to fix it anymore. He missed his chance to do anything about Jimmy before it was too late. And when Jimmy says he can still fix this, make sure they survive and will be okay, Curly wheezes and laughs at him.

My take on Curly is that he did his best by and large, but he valued his relationship with Jimmy and trying to salvage it more than he should have especially when Anya told him she was raped. He is still a man in a place of power that didn't want to rock the boat too much, and that ended up enabling someone that would rather implode the whole fucking thing. After everything Anya still chose to die with him. She loved him(in the very least platonic but I know romantic was teased), still felt safest with him, and wanted to keep them both safe from Jimmy. So she locked them into a room together to die, quietly, away from him. Even if that made Curly witness as she overdosed and died. She had the gun hidden away with them, out of Jimmy's reach. Until Jimmy manipulates Daisuke into crawling up that vent, sentencing a young and hopeful man to a miserably painful death. Jimmy doesn't even respect Anya's authority and capability as the nurse (at all) enough to have listened when she said the mouthwash would be too sugary to use as an antiseptic. He still pours it onto Daisuke's wounds, because his short-sighted selfishness used up the entirety of the last bottle of antiseptic they had to poison Swansea.

(Daisuke is literally in an osha training video that's like "If you know it's dangerous don't do it! Even if a supervisor says so!")

By the end Jimmy only feels guilty for some of it. He knows he sentenced them all to a miserable death but he only feels guilty for Daisuke, and then Curly to a point. He doesn't really regret Swansea that much, it seems mostly like he's bothered he got caught (Swansea even tries leveling with him, to some extent--somewhere between a confessional and a final reach to see if he can be reached at all). He only worries about what having to deal with a baby might mean for him, but he doesn't give a shit about Anya at all. She's a non-issue in his mind, just some pathetic and poor girl that couldn't even get through schooling. He's only worried about the fact that a baby means he'd have to be responsible for it, and whatever discipline may come from the last remains of the company for sexually assaulting the nurse. Her suffering matters so little to him, if at all even considering he smears her entirely out of his perception while looking for antiseptic.

He's such an unreliable asshole he can't even confront himself, he has to use Curly and Polle as his conscience in his hallucinations.

The party scene is so intense. What a way to illustrate how off the deep end he is and it feels deserved. It's not just used to show he's insane and trying to cope by pretending they're all alive. It's everything he wanted. Praise, adoration, respect. Part of what I think is very interesting is he refuses to admit they're fully gone, but he doesn't necessarily deny their appearances. He isn't fixing them to look normal in his hallucinations, it's still their dead bodies he's propped up in chairs around him. Like a really weird coping mechanism to assure himself that its fine, he did it, he did a good job. Now he just needs to eat and celebrate with everyone! They just need to eat a little bit of Curly, get through one more meal, it'll be okay!

[pestercide]

Decided to revisit my Minecraft spooky guy designs

Old designs here

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[sciderman]

I swear I have read your big post regarding Peter Parker's neurodivergence and why it is best to avoid labelling him, but he definitely has a weird brain

Can't find it and feel kinda sad about it cuz I deeply related to it

i know exactly which post you're talking about and i can't find it either! i've raked through my archive, and it's just - nowhere to be seen. i think tumblr eated it (it happens.)

really, tumblr's search functionality is so so useless, i don't know what to tell you. there are plenty of keywords i can search to find it that post, but the search functionality actually just does not work!

undiagnosed audhd-addled peter parker, my darling, my light, my life, my everything.

i think peter parker's such an interesting creature to write, because a lot of people will point to a certain behaviour about him and say "this is an autistic thing, right?" but a lot of those behaviours are actually, in my head, tied to certain traumas in peter's life too.

people say "oh, the food thing, peter's a picky eater because he's autistic" and yes, absolutely. but also it's tied to his trauma with his parents.

peter gets overstimulated, and yes, it's an autism thing, but also he was bitten by a radioactive spider and his senses are dialled to 11.

it's a similar case i've found for myself, too – where a lot of friends i have kind of diagnose me because i have autistic traits, but actually - i'm hesitant to claim the label or pursue diagnosis because, actually, i know where these certain behaviours come from, and they come from certain traumas. there are events i can pinpoint in my life and say "yep. that's where this behaviour comes from."

so - i think there's a lot of overlap between trauma and autistic traits. the brain is very complex! i think the reason for that overlap is maybe as simple as the fact that people with autism and people with trauma are both doing the same thing - developing behaviours to protect themselves or soothe themselves. so - i think it's nice to be able to see a character like peter parker, who may or may not be autistic, but recognise behaviours in him and see yourself in him.

people who go undiagnosed for whatever reason - people who are really good at masking - so good, in fact, that they have no idea they might be on the spectrum - everyone and anyone at all can look at peter parker and recognise themselves. because i think we discredit the thought that every single brain does the same thing! develops certain behaviours in order to survive. every brain has that same software - we've just all been faced with different hardships that we need to overcome, and that's were all the differences come in.

autism is a spectrum, i guess - everyone falls into it to some degree. and i think events in your life probably push you along on it. but i don't know, i didn't study brain science. probably what i'm saying is very stupid and uninformed. of course there's brain chemistry involved. but i know people in my life living with autism and certain events in their life have exacerbated certain behaviours or made coping with it a lot more difficult. so maybe trauma is a catalyst.

[deoidesign]

.

[chainofclovers]

Being a human is literally like this weird combo of being okay and not okay that goes on forever except there is also death

[navree]

How can you humanize Maegor , if you will make a show about him?

It depends on how far back you're willing to go in his life, because really up until he takes the crown, you can do quite a bit to humanize him and make him someone people want to engage with, without woobifying him or trying to excuse the truly heinous things he does. Starting backstory onwards, there are lot of ways to do this. There's a lot of room to play with in his childhood and the interpersonal relationships that should be his strongest tethers to humanity, but aren't: his relationship with his brother, his relationship with his mother, and his relationship with his father.

Aenys and Maegor are a relationship that was doomed to fail since birth. For one, while the age gap isn't huge, five years is still pretty significant in terms of differences in development as children, which definitely got in the way of any bonding. For two, they also appear to have largely grown up separately, with Aenys spending most of his time by Aegon's side in King's Landing, and Maegor being raised on Dragonstone with Visenya, before the two essentially switched places with Aegon at Dragonstone and Visenya overseeing the construction of the Red Keep in King's Landing. For three, there's also the external factors, such as their incredibly different personalities and viewpoints on basically everything, as well as the fact that, when Maegor was born, Aenys was only very recently removed from the complete breakdown he had due to his trauma over his mother's sudden death, and likely still wasn't in a state to be trying to forge new bonds with anyone who wasn't Quicksilver (and Aegon, but Aegon's grandfathered in by being his literal dad). So Maegor, who we know wasn't making friends on Dragonstone and just in general was probably really isolated from kids his own age due to it being Dragonstone (not unlike how we see with Shireen Baratheon) also isn't getting any kind of connection from anyone close to his own age throughout his entire childhood.

Really, the only person Maegor is close to in any capacity is his mother, Visenya. She's the parent he grew up with, his primary caregiver and his closest relationship not just in childhood, but likely throughout his entire life. In the nature vs nurture debate on childrearing, she's the one who was providing the nurture. Nearly everything about Maegor, his personality and his view of the world and his personal philosophies and his love map in his brain, among many other things, all of that was shaped by Visenya and her influence on him and her care and devotion for him. And with no one else really around to provide him any sort of companionship that he might have needed, and with his other parent being incredibly distant and barely a parent, Maegor likely latched onto her incredibly strongly. I think, if asked, Maegor would say that, should he be found capable of love, Visenya would be the person he loved the most in his life (I'm of the opinion that his relationship with Tyanna was him trying to find a significant other that most reminded him of his beloved mother, not entirely dissimilar to the way that Henry VIII felt that an ideal wife would be one who was almost identical to Elizabeth of York). And we know that this is something that persisted long after childhood, into his adulthood Visenya was his strongest supporter and Maegor relied on her a lot early in his reign, and was publicly devastated when he learned that she had died. His mother was the only parent he ever really knew as a parent, certainly the family member he loved most, adored even, especially in such sharp distinction with Aegon as a distant father. And speaking of that distant father...

I love Aegon, he's one of my absolute favorite Targs, but he was practically just a parent in name only to his second son. And that's going to do a number on someone, no matter who they are. Maegor's father doesn't much care for his mother, certainly doesn't seem to care for him at all personally, and despite the fact that Maegor is probably far more like Aegon, and a far worthier successor, than Aenys, Aegon still dotes on his eldest while barely spending any time with Maegor. And it's not because of anything Maegor's done, or even anything Aenys has done: it's entirely because of Aenys's mother. Aenys is Aegon's favorite, his precious son, not because of anything Aenys has done to earn that, but simply because he is the son of Aegon's beloved Rhaenys, and that his very existence is a way of having Rhaenys still with him after her disappearance/death. We know that Aegon was forever incredibly affected by what happened to Rhaenys and that he never stopped loving her, given that he openly wept when he held Rhaena and was informed that she was named after her grandmother. Meanwhile, there's Maegor, whose own mother's relationship with his father was never very good (marriage of duty for them vs the Aegon/Rhaenys marriage of desire) and had become incredibly cold and distant by the time that he was born, and you can very easily see how that might ultimately affect a kid. He's watching his mother be completely ignored by his dad just for being the wrong woman, he's dealing with himself being completely ignored and passed over in love and affection just because he's the son of the wrong woman, because his mother isn't the lost ghost that Aegon loved and won't ever be able to stop loving. How much of Maegor's prowess in fighting, not to mention the unchecked aggression he showed during training, was borne of trying to impress his martially skilled father and being upset when it didn't work? How much of his continued presence in tourneys and melées was to show Aegon that he was a much better son than Aenys, that he deserved the love Aegon was freely giving his brother just as much? Was there ever a time when he resented Visenya for being his mother when that was enough to make Aegon uninterested, and did he ever hate himself for blaming the wrong person, or blaming anyone at all? How much did he internalize his own feelings about it as the relationship never got any warmer? How did he feel when Aegon finally noticed him enough to knight him himself, and make him the youngest knight in the realm at that? Did Maegor ever want to talk to him about it once he was a young man, did he ever want to try and forge a stronger relationship on his own merits as an adult, did he ever even try?

There's also the matter of Balerion, which is as much its own relationship as a subset of anything that can be played with as it pertains to Aegon and Maegor. For one, we know that Maegor point blank refused to claim any dragon because he felt that Balerion was the only one worthy of him. And you can take that at face value, but you can also go deeper into it, into the ideas that Maegor might not be consciously aware of. Maybe he wants to try and connect with his father on some level through the dragon bond. Maybe he looks at how Aegon gives Aenys so much, his companionship and his throne and his sword and his love, Hell he even gives Aenys a Valyrian bride (Alyssa Velaryon) but demands that Maegor settle for a simple Westerosi, as if he's lesser than and not the blood of old Valyria. And still he waits to see if maybe Aegon will give him something. Maybe once Aegon is too old for dragonriding, he'll give Maegor Balerion, or at least give Maegor the opportunity to try, to prove himself as Aegon's son, to have that connection. And when Aegon doesn't, when it's still Aenys getting everything Maegor might not even realize he wants, that's just another disappointment for him.

But Maegor does get Balerion anyway, once Aegon dies. He finally gets a connection to Aegon that's his alone, and it's after Aegon is already dead and likely after Maegor was already hardening into the man he would ultimately be remembered as. Not to mention, even on its own, Balerion and Maegor's bond is a good way to show a human element to the man. I've always maintained that, when it comes to Targaryens, the most unconditionally loving and the most openly affection and emotional we should see them should really be with the dragons. With their magic and their Valyrian blood and old world roots and just everything about them, even if you don't subscribe to Targaryen exceptionalism, they are pretty far removed from the place they actually live; culturally and ethnically and socially, they are not Westerosi and certainly in Maegor's time, don't see themselves or are seen by others as Westerosi. The dragons, products of Valyria's heyday, are the closest living beings that Targaryens can relate to, and this is doubly important when it comes to Balerion, who was born during the reign of the Valyrian Freehold, who was alive before the Doom. Balerion is a living cultural heritage, and for someone as isolated as Maegor is (and, as we see in his actions re: his marriages and the Faith, as divorced from Westerosi customs and standards as he is), having that connection is probably the deepest one he'd have, bar maybe his mother, and even then, despite that closeness and love, their mutually cold personalities probably made it hard to be open in any deep affection once Maegor started growing up. Dragons and their riders are practically one being, they feel each other's pains and pleasures and angers and grudges and triumphs, and Maegor having something like that, along with the connection to a father he never really was connected to, adds a human element to the man that he was, despite the fact that he used Balerion to do terrible things.

You can also do a lot with Maegor's actions before his own kingship, specifically the reign of his half-brother Aenys. In spite of their differences and distances, in spite of the shadow of Aegon and the relationships he had with his sisters that affected his relationship with his own sons in turn, Aenys does embrace Maegor with open arms. He gives him Blackfyre, another possession of Aegon's that Maegor must have coveted, and he promises that they'll rule together. They're both adults now, and Aenys seems emotionally sensitive enough to have realized that Maegor probably has some deep rooted issues borne out of things that were set in motion before he was even conceived. And while Visenya might have scoffed at the gestures Aenys made for Maegor, Maegor appears to have taken them really seriously. He personally crushes a rebellion against Aenys in the Vale, and makes huge showings of his loyalty by fighting really hard for his brother against his foes. When Aenys makes him his Hand, Maegor takes that responsibility really seriously and is willing to obey Aenys as his Lord and King, as well as protect him. This seems to have been loyalty that was reciprocated, since it's noted that, when Aenys exiles Maegor for his bigamy, he does it because he felt he had no other option than to be mad at Maegor for what he did, due to the huge public outcry, and even then he still offers Maegor a way out. He only exiles him because Maegor refuses to set Alys aside (another way to humanize Maegor, he takes Alys as a wife despite it being a big taboo for most Westerosi and in spite of her being from a pretty minor noble House, and he refuses to leave her even at the cost of losing his home, he keeps her by his side and he refuses to give her up when there were likely a shitton of better options to deal with his childlessness, to say nothing of women from greater Houses with more potential for him politically, but he CHOSE Alys), since Aenys felt that this was the only choice left to him. And Maegor abides by the exile. Yeah, he takes Blackfyre even though Aenys asked him to leave it, but he still goes into exile, and he stays in exile. Aenys rides Quicksilver and Maegor rides Balerion, the two dragons literally go toe to toe with each other and it's so massively onesided because Quicksilver doesn't stand a chance. If Maegor wanted to, he could have very easily repudiated his exile and decimated Aenys if he tried to enforce it. But Aenys told him to go, so he did, and he stayed gone until Visenya came to fetch him back with the news that Aenys was dead. He respected Aenys's word as king, his sovereign authority as liege lord and as the elder brother, and even if he might not have entirely thought the man worthy of what he had, that does speak to a sort of deference in spite of the complexities of their upbringing, and a willingness to obey Aenys despite everything about their personalities.

So, by the time Maegor comes back from Pentos to usurp the throne, there's a lot that can be used to humanize him and make him a compelling protagonist. A close but somewhat stilted relationship with the only parent to have ever tried with him, an unfulfilled, desperate need for approval and affection from a parent who couldn't give that to him due to circumstances entirely outside his control, a brother he didn't know well in his youth and might not have thought worthy of what he had and certainly been jealous of but that he still respected as king and fought hard to defend and that he deferred to even when he didn't have to, at least one marriage that, in spite of what little it offered him and the clusterfuck it caused, he valued enough that he refused to set aside, and an intense bond with a fearsome dragon that you can make him value more than almost anything or anyone. All of that set up can then be used for an extraordinary fall from grace, to watch the potential and nuance slowly grow darker and darker and darker as Maegor does increasingly horrible things, treats the people in his life increasingly badly, descends further and further into the tyranny and madness that will utlimately kill him. There's bright spots that can be used as well, like the fact that he does have Jaehaerys as his heir and doesn't seem to have had him or Viserys treated that badly, even though they were prisoners, and that he didn't actually set out to kill Aegon the Uncrowned at all until Aegon decided to take back his throne and amass an army. Then, as we've watched Maegor slide further and further down, we can watch with a sinking dread as he annihilates Aegon beneath God's Eye, as he turns on Alys and extinguishes her family, as he has Viserys literally tortured to death to punish Alyssa and Jaehaerys and Alysanne for their escape from Dragonstone. So that, by the time we get to shit like the completion of the Red Keep and the Black Brides, we see that Maegor is incredibly far gone, and we can only watch as all the complexities within him are swept aside by the monster he's become, so foul and loathsome that the eldritch abomination that is the Iron Throne finally kills him to stop the madness.

It's not about woobifying Maegor or excusing him. It's about providing a reason for the audience to look back on who he was as he becomes what he was always going to be, to give explanations for why he does the things that he does (how much of his initial militarism and violence and heavy-handedness, before he went doolally, was borne out of not just his martial prowess as a kid but also watching Aenys's version of ruling not work, for instance), and to get people to understand and feel his initial motivations so that the later stuff also makes sense, and so that you're watching something akin to a doomed fall when he becomes Maegor the Cruel. These are, at least to me, some of the most important and influential ways you can humanize Maegor as a character if you're planning to center him in a proper narrative story, without filing down his edges and keeping him as the kind of person he is. Extrapolate on why he is the way he is, and then show him how he is throughout his lifetime and what he does, along with the how and why of what he does.

[silencingspellsongs]

hellooo redacted nation, i come to you today with a humble question to test the waters a bit....

so for a while now i've been working behind the scenes on some stuff and i've mentioned it a few times on my blog but ok hhh here goes

tl;dr is that i want to make fan audios taking place in the redactedverse, but with exclusively original character speakers and listeners, and the audios would take place in my version of one of the other cornerstone cities (not one that's already named in canon)

these audios would be from a female presenting speaker (so F4A) and besides the worldbuilding and some easter eggs and references thrown in, would not be connected to the dahlia stories plot wise.

so i guess my question here is....

more rambling and i guess explanations of my thought process under the cut

i've been working on a couple different scripts on and off now for a few months trying to learn how to do scriptwriting for audios (oh my god it's so hard how does ANYONE do this 😫) and i have a one or two that are close to being ready to record so i've really started to think about the idea of actually doing this, which is why i'm suddenly so concerned about if anyone would actually want to listen to them 😅

i have friends that are really supportive and helpful of this project but none of them listen to redacted or audio roleplays in general so while i value their input, it's not exactly the same as knowing if the actual fanbase would be interested. saying to them "this character is a sadism demon! this character works for the department!" is equivalent to someone who has never heard of star wars opening a fanfic and reading that someone is a jedi, y'know what i mean? (i use this example as if i am not a bitch that has never seen a star wars movie in their life oop)

and even if the majority of ya'll aren't really interested in what i make, just knowing that a few people would be willing to give it a try will hopefully kick those doubtful thoughts out of my mind and get me inspired to finally finish something! 🥹🙏🏻

and idk if this all needs to be said but i feel better making this disclaimer: i'm obviously not affiliated officially with redacted, and i really stress the term "fan audio" because i don't want to try and claim ownership over his worldbuilding in any way. my intent is not to copy or steal his original ideas, i just want to show my love for his work by making something with all the stories in my head that it inspired. because of the nature of this, i don't ever plan on monetizing the videos if i ever got to that point. and while the characters i make and the storylines that would follow them along with the setting i make would be mine, all creative credit for the overarching worldbuilding itself will always be enthusiastically given to erik.

and i guess if you actually read to the end of all this rambling i could reward you with...... a little something...... a teaser if you will 🫣

[whatudottu]

Absolute theory/headcanon/analysis/general idea legend whatudottu character arc of slowly becoming one of the four (4) Cerebrocrustacean fans in the entire fandom (even if Petrosapiens will always be #1 in its heart, which, you know, completely understandable NGL) let’s gooooo!

Also I can’t believe I haven’t made this connection until now but:

Cerebrocrustacean: “My people have a rich and complex history and culture, but most of the galactic audience boils us down to being nothing but ‘the violently bigoted xenophobes who keep destroying their own planet’ and it frustrates me to no end.”

Gourmand who’s been forced to hear the same “I can excuse cannibalism but I draw the line at marrying outside of your own race” joke over and over again: “Yeah, welcome to the club, pal.”

Me and my homies (4) being cerebrocrustacean fans: If cerebrocrustaceans have 0 fans we are dead, haha- Would buy merchandise to convince CN that Brainstorm is a cool transformation *looks over my shoulder to see the playdough brainstorm with removable brain toy that either I or my sibling got millions of years ago*

ANYWAY!

It's very evident when I don't think about a particular species when I have to look something up like the gourmand cannibalism, but seeing as though they have a collective pocket dimension where their stomach goes (at least that's where the logic got them in the show instead of being consumed food expelled in energy reflux), if cannibalism didn't implode the two gourmands like how bag of holding inception works then I suppose it's far better than *shudders* perk murk relationships. Got a whole 'house divided' 'alike in dignity' situation over here, Perkulet and Murktague having asses-

...You know what if I get a chance to think about gourmands in more detail I might turn that pocket dimension into a magic thing instead of a xenobiology thing that's just overall bullshit- comes free with potentially real cannibalism but like they've eaten 11 planets I think cannibalism just in general pales in comparison to what they could do-

Well, whatever cannibalism gourmands excuse and all the jokes they have to deal with about perk murk relationships being somehow much much worse, at least they don't get shoveled with 'violent bigots' that 'aren't smart enough to support their lifestyle without destroying their own planet' which well- I don't have any present headcanons as to why Encephalonus is on it's 4th edition yet but let me tell you, when cerebrocrutaceans found out the galvans lost their planet (admittedly to the Highbreed Invasion) and then galvans WEREN'T immediately assumed to have fucked up somewhere, you can bet that Dr Psychobos was one in the crowd that went absolutely livid.

[minorfamilysupremacy]

quick note: if you're turning on build due to the most recent chat leaks, do me a favor and unfollow, then learn critical thinking skills and ask yourself why you're happily playing into the hands of a known liar and abuser.

[feroluce]

smth smth yingfeng paralleling farcille

(magically inclined long lived partner tries to defy death by bringing their short lived partner back to life/have immortality but they come out Wrong(tm) instead)

just. the parallels <3

RIGHT? Like oh my god I love the idea of it: a mortal and immortal character falling in love, and the immortal one doing something horribly taboo for them to be together forever. But maybe they fuck something up, or maybe it's just their punishment for playing god, but their now-immortal lover Comes Back Wrong.

I'm actually not caught up on dunmeshi (I get the gist of farcille from socmed, though) but I really like an Inuyasha/Kikiyo flavor to it- Mortal lover is full of rage and hatred, immortal one can't not love them, and then they romantically and dramatically die together murder-suicide style and drag each other to hell. You know, the good shit. ☆

It is one of my ideal dynamics for a bad end pairing. And I do like necromancy shenanigans with a happier/good end, like farcille style too! Just...I don't like either situation for yingyue.

I don't think there's anything wrong with playing with them that way as long as you don't pass it off as canon, like I say all of this with no judgment. But I'm picky and I like to follow canon more closely so I can't really see them in that kind of scenario haha.

It's just! Yingxing's whole deal is that he's a haughty, spiteful, arrogant asshole of a man whose life mission is to be such a damn good craftsman that he can tell all the Xianzhou Natives who looked down on him to suck his short life species dick and flip them the bird. Him being made immortal takes all the fun out of it for me and kinda removes a central part of his character. I LOVE him being petty and full of himself. He should do it more!

And I am so so dearly enamored with the relationship between him and Baiheng. I can't write her out of the whole equation, especially considering she and Yingxing both Came Back Wrong from this incident, and she was the actual intended target.

Like. He loved her. Yingxing loved her. Baiheng was so, so important to him. She's referred to as "the beloved" in Blade's character stories. He called her his bosom friend. He handmade a jade flask just for her.

Not a weapon,

not something she needed,

not something he was doing to show off,

just a flask.

Something pretty, and just for her, something that she would like and use everyday. Not a need, but a want. He did it simply because he wanted to give her a present.

She was the first person to really encourage and believe in him. She helped him come out of his shell (so all that arrogance is her fault BSMZJMS). That animated short where they went up in her star skiff together and she called him cute fucking killed me. They make me chew concrete.

And she was really important to Dan Feng too! He wouldn't have tried to bring her back, otherwise! She died saving him. And he knew what he was doing when he chose to try to bring her back as a Vidyadhara. He had to have. There's no way he couldn't have known that his life was forfeit after this. They don't let you get away with purposely breaking one of the Ten Unpardonable Sins like that.

And he chose to do it anyway. He still chose her life over his own. Dan Feng loved her, too.

He and Yingxing both worked together to try to bring her back because she was someone neither of them could bear to lose.

So if anything, I feel like yingyue is more like larcille bringing back their beloved Falin haha

But no matter who is romantically involved with who, like. It's the love between all three of them that's important.

That's the secret ingredient that makes the triumph of Falin's rebirth and the horrific tragedy of the Sedition of Imbibitor Lunae so emotional. Because these were things that could not have happened unless they all loved each other.

[spearxwind]

Ough also ty for the kind responses on my self indulgent art -w- i know its very much not the usual biz at all, usually my drawn self/adri interactions are silly goofs but i shared my original comfort drawings way back and it felt correct that I do it this time as well. Bit of a reach but maybe it could have a positive impact on someone? Thats what I'm hoping anyway

Anyway ye ty for looking and also ty kindly to everyone leaving nice tags it means a lot <3

[serenedash]

HOW did you make your Baldr cosplay. You've inspired me to wanna try and make one too, got any tips on doing it?

aaaaaa I feel so honored I inspired you!!!! ;0; my disclaimer is that I am the farthest thing from a professional lol, but I will show you how I did it! My cosplay philosophy is that I am lazy and want to spend as little money as possible ⭐ I always use clothes I already own, the base outfit I already owned I only needed to get the belts, hoodie and wig

This is long I'm so sorry I just went thru the whole process :')

Here is every part of the finished cosplay:

Boots

Black jeans

Pants chain (mine is just an old one from hot topic)

Blue belts x2 (got these on Amazon, $10 USD each)

Black shirt + vest (or you can do one black button down, in canon Baldr looks like he's wearing a black vest over a white shirt but I felt like my vest was too low it would've looked weird)

Black fingerless gloves

Hoodie (Amazon, $18 USD) + tassel (Joann's Fabrics $10 USD)

Mark of mastery by MadeByFjori on Etsy ($6 USD) I bought it unpainted to save money and just got some metallic gold paint :) its really good quality and shipped fast! I had taped a safety pin on the back of it to attach it to the hoodie (I had tried super gluing it but it mf broke off!!! Tape it is,)

Wig (mine is the Skyelar classic in silver from Arda Wigs!) If you have no experience styling wigs that's fine since Baldr's hair is so choppy that if you fuck it up it works LOL I always style my wigs while wearing them thats just me, I brushed the hair in front of my face and cut the bangs around the bottom of my eyes and went from there. I also cut part of the sides framing my face

If you have dark hair like me I recommend a skin colored wig cap!!! Dark hair spilling out from a white wig will look weird, they sell them kn the Arda Wigs site

Optional: Starlight keyblade from Spirit Halloween ($40 USD) it's solid plastic, lightweight and looks amazing! The only bad thing I've found is the keychain just. Is not durable. Last year it broke off at a convention and I lost it 😔

Optional: face mask by KumalatteCreations on Etsy ($16 USD) I wear it with all my KH cosplays lol I have 2 masks for cosplay from them, really great quality, fit and has a place to insert a filter. I have the OSFA teen/women size because my face is tiny :')

Okay but let's talk real shit: the Hoodie. It's a plain white sweatshirt from Amazon, size up to get that oversized look Baldr has. Also disclaimer: do NOT get a thick hoodie I tried my best to get a light weight one and oh my god. For something that is essentially Just Sleeves I was SWEATING TO DEATH okay anyway materials:

Hoodie base

Gold fabric (I bought 1 yard and had more than enough)

Black buttons x2

Black ribbon

Tassel

Fabric scissors, fabric glue, needle/thread, safety pins

Black and orange markers

If you get a hoodie like mine where the hood strings have metal around the edges, use white paint or white out (I did not have time to buy white paint,) to paint over the metal so its not distracting

Now the How To:

Pull out your hood strings if applicable, paint any metal like I mentioned above

Use fabric glue to add black ribbon around the sleeves, do this in sections not all at once, do the ends of the ribbon around the back of your armpit to hide the ends. On my hoodie there was a hem on the sleeves that I followed so it was easy to make it even on both sides

Crop sweatshirt in half and cut down the middle front but DO NOT go all the way to the top where the hood is, stop about 2 inches away from it otherwise you will be me having to sew that shit back together

Measure where you want the front to fold open, you will probably have to cut more off of the sweatshirt bc if its too big you will be pinning that shit onto the top of your shoulders, basically shorter in the front and longer in the back (I know mine is so messy I didn't measure I just guessed I know wtf @ me-)

Flip hoodie inside-out and add gold fabric to the inside of the hoodie, leave about half an inch room around the edge for hemming, yes the entire inside too, I found that when I moved around I could see the back of the inside and it looks weird when the gold fabric suddenly stops

If you have a sewing machine or want to do this by hand then fold over the edges and hem it on top of the gold (not me tho I was con crunching and glued that shit all the way around,) it cleans up the edges and adds the white border to the part you will pin open

What I WANTED to do was to sew the buttons onto the hoodie and add button holes on what would get pinned but I did not have the time so I sewed the buttons directly onto the front pieces so when I fold it open I used 2 safety pins on each side to hold it up

For the tassel: I colored it with a peachy/light orange sharpie and a black one. I measured how long I wanted it to be and cut the other end off and used fabric glue on the end to stop fraying. I wrap it around the buttons and do a simple loop knot to keep it in place

if you end up doing what I did irt the tassel, don't go in with a regular orange marker bc it came out so dark on the fabric its made of like I just happened to have this peach/skin tone sharpie that came out the right shade on the gold fabric

Finally, pin the mark of mastery in place!

Now you are Baldr :)

[flowering-darkness]

"I should back up that last post to my documents so I won't lose it. it turned out quite long"

that last post: is seven pages long when I paste it into a document for safekeeping

[welcometogrouchland]

Something something Hunter and Willow both trying to outrun past identities that were assigned to them against their will something something in attempting to subvert it they become a shadow imitation of that identity, harkening back to it via it's absence, never truly able to escape it if they continue to define themselves in opposition to it. This also kinda happens to Luz btw

[phantastragoria]

Not sure if it's okay to send you this ask but I actually feel the same way you do about the end of vol 3 and I've been feeling pretty alone about it. I haven't said much because I don't want to seem like I'm being mean about the movie. I think my issue is the team hasn't spent years and years together. Most of them were snapped for 5 years. When they came back Gamora was dead and then Peter was clearly left suffering and dealing with the trauma for a while. I can live with the idea of "we've all grown to need time apart and want to do our own things" but I don't think the build up and execution was there. Not just for those on the team but also 2014 Gamora who was literally just coming back to the story and finally getting to see who these people were and what her life was once about. Then it's over and it doesn't feel like enough of a resolution. I also don't love how Gamora was treated which is a whole other topic but I disliked how it seems like there hasn't been any issue with her death for anyone but Peter. There doesn't even seem to be any memories of her lingering with the team. I have so many thoughts around this that I'll be thinking about it for a while but man, she was murdered by her abuser and most of her family are victims of abuse and I dont think the aftermath has been handled very well at all. Mostly I think there needed to be another movie In between Endgame and vol 3 to hash out what happened in Infinity War/Endgame and to progress some of the characters more and build up to the more Rocket focused ending where they all part ways. Or vol 3 needed to not be quite as focused on Rocket. Not saying he shouldn't have the most focus, just scale it back a little because other things desperately needed attention.

Oh it's absolutely fine to send an ask about this!!! I'm always up for a discussion, and honestly, it makes me feel better that I'm not the only person not completely happy with the ending, solidarity my friend.

I want to preface this all with I DON'T hate the film, and I thought it was way better on a 2nd viewing, but I really don't think it's a crime to criticize it because nothing is perfect (Vol. 1 + 2 aren't either) But Vol. 3 really has some deeply ingrained issues that should've been dealt with, or at the very least acknowledged, because as it is they really stand out, especially on a second viewing or if you've marathoned all the films together, and they literally drag the film down.

Gunn said on Twitter in response to something that he wanted Vol. 3 to be able to stand on its own without the viewer needing to have seen the other films (and by extension IW+EG) but that is so unhinged when it's literally titled as the third in the series at this point lol. Like it's extremely weird to have let IW+EG affect the Guardians as much as they did and then not even try and deal with the aftermath of it all in the last film featuring (almost) everyone together... ???

He's made it clear Rocket is his favorite and that he only came back to do Vol. 3 because he wanted to finish his story, I don't doubt that's true even if I think having a single character be more important than the others is the wrong choice and leaves the whole story as a trilogy a bit lopsided. But even so, if that's the case then it's crazy to not even have Rocket's thoughts on all of these things that've happened in the last decade as if it wouldn't be traumatic to lose your loved ones for years, and how hard it would be to readjust to life after it all. I kind of can't see him letting everyone leave so easily at the very end, especially after he almost died, so I'm just left feeling confused at the choice at best and vaguely unsatisfied at worst.

Maybe Gunn didn't have as much control over their appearances in IW+EG as he says he did. Maybe they really did completely derail the road to Vol. 3 and he just won't admit it, but the film as it is doesn't help in any way by pretending nothing there happened at all. I don't see any logical reason for the audience to just go along with "For some reason Gamora left, she might've died but also maybe not, who knows. Peter is sad and the rest of the team want to move onto something else. " and then the only hint at that last part is... Mantis telling Peter to go see his grandpa, so that leads to everyone else having a change in goals too, huh. I know it's not meant to be forever, and we're to assume everyone keeps in contact with each other, but the ending really makes it feel like no, we'll never all be together again, so bah.

And concerning Gamora, I agree with what you've said. I could write an entire book with my issues of her overall treatment in the narrative and the implications of her character from the comics getting adapted like this, but I'll spare you the speech and just say the TLDR is everything starting from IW onwards concerning her (the specific framing around her murder and then time travel bringing in 2014-Gamora, and the complete lack of acknowledgement about either version of her from the rest of the team) never should've happened. It's all such a mind-boggling choice, I can't get over how much of an afterthought Gunn made her at the very last minute.

It's funny you mention the need for another film to deal with the emotional fallout of everything post-Vol. 2, because absolutely, but they kind of had the chance??? I realize the Holiday Special isn't film length and is meant to be the calm before the storm of everything that's to come, but in a post-Vol. 3 world I can't stop thinking about how it was SUCH a missed opportunity to not have that be the sobering moment for the characters to talk about everything that happened in the years everyone was snapped. It could've even been the perfect time to plant the metaphorical plot seeds of everyone wanting to go and do their own things after what happened because they just can't make life feel the exact same as it was before, and understanding things can never be the same after something like that.

Even the last lines of the song used in the Holiday Special feels more appropriate for the Guardians as a family struggling to keep it all together (and trying to deal with the sudden loss of Gamora) than it relates to Peter and Yondu, in my opinion.

I would have preferred a more out-there story in general, something to give everyone equal stakes in the plot, but I do think Vol. 3 could have stayed overall the same if any of this was addressed or even mentioned in one or two lines of dialogue somewhere. Because as it is, it really feels like we missed something important between it all, but we didn't from what we we've been shown. I don't think it would have killed Gunn to include a quick moment where someone just says to Peter "I miss her too and I get everything's been way harder lately, but you can't let it grind your life to a complete halt like this." or something!! ANYTHING!!!

And if we absolutely had to stick with the time displaced Gamora plot... When she was snooping around on the Bowie by herself i dont get why she didn't get to see some old photos or something of the team during happier times (including 2018-Gamora specifically) and realizing that they really are going so far to save Rocket because they genuinely love him, and once upon a time they loved her too. 2014-Gamora getting to see the life she very nearly COULD have had within mere hours in her own timeline (without the threat of Thanos ever taking that away, mind you) but having to come to terms with the life she's made with the Ravagers in the present day. That would've been a more appropriate arc for her, I think, then her presence in the story wouldn't have had to only center around what Peter lost and nothing else and we'd at least get the idea that the others still had her on their minds even if they outwardly "moved on."

But also? Another missed opportunity to not have a moment when 2014-Gamora is in a battle with the other Ravager leaders mirroring the hallway scene with the Guardians that could have been when Peter (and the audience) "get" who she's currently more comfortable with in a basic sense, but... you know... it is what it is or whatever.