#//I haven't recovered from that

[egophiliac]

OMG EGO HAVE YOU SEEN THE BOOK 7 CATER CARD YET

80s britpunk Cater is such an incredible direction to take. his Sid Vicious jacket! his little british police cap! I wouldn't have anticipated that going full-on Sex Pistols would be his alternate self but it is SO fitting actually. 😭

(also th-the crown symbol?! the gavel?! is housewarden Cater real because I will TRANSCEND --)

[lunar-wandering]

WHEN I TELL YOU I LOST MY ENTIRE SHIT

WHY WOULD THEY DO THIS IN THE LAST 30 SECONDS. SHOWING MACAQUE INVESTIGATING, YEAH SURE CHECKS OUT.

MACAQUE'S MAGIC SUDDENLY TURNING INTO CHAOS MAGIC???

WHAT DO YOU MEAN. WHAT DO YOU MEANN.

AND THEN. THE ENDING.

THE CLIFFHANGER ENDING.

THE STAFF CRACKLING WITH CHAOS MAGIC

AND MACAQUE SENSING IT AND TURNING TO LOOK AT IT

LITERALLY WHAT IN THE HELL DO YOU MEAN. WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK.

[chalkrub]

do you think it’s a friendly wolf

[vinnventure]

hearing the dead animal metaphors in fare well

[vaggieslefteye]

Alastor being soft

‹ღ›

[withclawandvine]

thinking about how dandelions are the first flowers kids bring their mothers. how they’re just a weed, but in such a small fist, presented with such a proud grin, they become a bouquet. it’s a sweet, thoughtful thing to any mother. 

but imagine it for katniss. who has always connected the flower to life and hope. imagine katniss receiving a handful of dandelions from her child for the first time. 

[caihnurst]

Been replaying a lot Morrowind these last few days, this one made me giggle.

Imagine having a God interfere in your argument to call you both ugly.

I love Vivec.

[royalarchivist]

Cellbit: The growling noises get lower... and lower... Wait a second. [Turns down the music] And you eventually- it's just: silence. Only the cold wind hitting outside.

[Everyone breathes a sigh of relief]

Cellbit: ...I know you tried your best. But I'm so sorry. It wasn't enough. It found you. All of you. You hear [mimics the sound of a door being ripped of its hinges] the door slamming. All of you are seen. One of you will die. You need to run, as fast as you can.

[guzekna]

[charbroiledchicken]

what was more culturally significant - the renaissance or 'he never did fall in love again."

[redninjaaaaa]

ptj 'stop putting my guys up against the freaks that might send them to the afterlife' challenge

[cleopatragirlie]

Anita Lane's voicemail, featured in 'O Wow, O Wow' by Nick Cave & The Bad Seeds from their latest album 'Wild God'

[you-are-constance]

one of my favorite things about a lot of different musicals is when they have their opening number reprised in their finale, the same melody and lyrics having an entirely new meaning to them thanks to the context of the rest of the show.

and obviously there are a Ton of examples (Wicked, Come From Away, The Outsiders, SpongeBob... i know there are others i can't think of them), but there are two specific shows that I genuinely think are examples of the absolute best use of this.

to me, those two examples are Cabaret and The Great Gatsby.

like the other examples listed, each time this sort of thing happens, there is new meaning given to the same song thanks to the rest of the show happening in between, but both Cabaret and Great Gatsby have it in like... a very chilling way.

In Willkommen and Roaring On, these are both somewhat upbeat songs, introducing the club, the parties, the energy that the audience is Supposed to feel at this point. nothing else matters in the world, only the thrill of endless entertainment.

but this isn't what these shows are about. there are much darker stories going on underneath, and by the time we get to the finale, the audience is changed along with the characters - but the song is the same. Nothing else Matters. only the thrill of Endless Entertainment. We have No Troubles Here.

but another thing that i find so musically fascinating is that it's not just the audience's perception of the song that changes, no the music itself helps to drive the audience to those realizations. at the orchestra's break in Willlkommen (finale), it begins very similar to the opener, but gradually adds more and more dissonance, making it harder and harder to even bear listening to. In Roaring On (finale), the ensemble lines are just slightly more staccato, slightly more dissonance, slightly more unnerving to listen to.

it's just so fascinating to watch a musical, and have the same song mean something so incredibly different, just because of the context it exists within, and very slight musical changes.

[honey-bird10]

**TSCTIR CHAPTER 754 SPOILERS!!!**

“I once liked Han Yoojin-ssi in a special way.

[...] So I buried it.”

“…Buried it? What do you mean?”

“I’m worn out and old.”

Sung Hyunjae spoke like he was reciting an old poem.

“Life was long and tedious, and the death I deserved flowed away along with lost memories. Though I continued to live, I came to wish for its end, to complete myself.”

His golden eyes narrowed slightly, carrying a faint smile.

“But Han Yoojin-ssi, you made me feel alive again. I was genuinely excited, like a child. For a child with endless fun, death is far from their mind. They only look forward to the flow of time and the tomorrow that awaits.”

“…Then, that means…”

[...]

His eyes, holding a silent smile, turned toward me.

“By burying my feelings for Han Yoojin-ssi, I was able to regain my unreachable longing for death.”

CHAT IT GENUINELY KEEPS GETTING WORSE I'M GOING INSANE?????

I DON'T EVEN NEED TO EXPLAIN IT FURTHER IT'SWRITTEN IN PLAIN TEXT ARE Y'ALL SEEING THIS?????

[lukaskyle]

How far has the great Balduran fallen?

[potatocrisp]

RGG can I get uhhhhhhhhhhh more of these two thanks