#//I hate to break character like this and I hate more to be put in this situation. unfortunately it's not the first time i've been

[unknown-cold]

THE MANIPULATIVE PARENT FIGURE HAPPENS AGAIN!!

It's sad to see so many people not understanding the complexity of what we have seen in Act 1 between Caitlyn and Vi. There's no fucking reason to hate on Caitlyn, she's a victim of the big whole, just like Vi.

Her grief, overwhelming and the manipulation of Ambessa is clearly shown in several scenes. Jinx kills people in every fucking Scene, she's literally a terrorist, noone bats an eye. Caitlyn breaks down under the weight that was put on her from one day to the other and snaps? Everyone's hating.

"Make it make sense" Of course it's wrong what she did. But almost no one would have been able to keep being rational after all this. And I'm sure will understand this soon.

No one can't make me hate her. Everyone who has gone through hard times knows that you've done things you realized later that they were wrong, or stupid or whatever.

(I trust the writers and the progress of the story.)

The show’s creators are known for nuanced storytelling, and Caitlyn’s redemption will likely involve acknowledging how her pain altered her actions and how she must make amends, especially with Vi

These people are too stupid to understand a complex character development with ups and downs.

Ambessa:

Plots the entire war escalation between Piltover and Zaun

Is behind the attack at the Memorial for Caitlyn's mother, to make her rage even more and put even more pressure on her

Uses her as a puppet in her plan by putting her in a position of power she's not ready for

Those people: Caitlyn is the problem 🤡

[darkficsyouneveraskedfor]

Family Matters

Inspired by this post; in the same universe as this

Warnings: non/dubcon, cheating, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Thor Odinson

Summary: your new husband's brother surprises you with a visit.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

The doorbell rings again and you barrel so quickly down the stairs, you nearly topple off the bottom step. You catch your breath and grab the post at the bottom of the banister to steady yourself. It’s a splendid house but you told Loki it’s too big for just the two of you. He didn’t like that so you didn’t mention it again, even though it feels empty with how much he’s not around. 

You let those worries slake off of you and hurry to the door. It could be another surprise! Loki hates leaving you for so long so he tries to fill the void with gifts. Sometimes, they make you feel better, other times, you’re just sad. You’d rather have him there. 

It’s not a courier but a familiar face. Your brother-in-law. It’s official as of one month ago. You’re family. 

“Oh, hi,” you deflate, trying not to show your disappointment. You’re not upset it’s him, you just hate being the one to say, “Loki’s not in.” 

Thor smiles. He’s rarely unhappy. “Ah, that’s unfortunate. Where is off to, then?” 

“Work,” you grumble the repetitive explanation. “Important project or something.” 

“Important enough to leave you alone?” He wonders. 

“I... guess,” you try not to mope. Loki says it make you look childish. 

“Well, I am much in the same boat. Alone,” he laughs hollowly. 

“Oh, yes, I... how are you doing?” You ask. “I didn’t get a chance to thank you for coming to the wedding. Really, I know it must’ve been difficult.” 

“I couldn’t miss my brother’s special day,” he shakes his head. “It was a day for love. Wasn’t your fault mine decided to leave...” 

Your heart breaks for him. The day you were married, Frigga told you what happened. A hug fight right after your rehearsal dinner. Jane left before the morning. Despite all that, Thor didn’t show a hint of grief at the wedding. 

“It’s too bad. I liked Jane.” 

“Needless to say, I did too,” he smiles thinly. “Well, I hope I didn’t disturb you very much. I suppose I could come calling tomorrow and hope my brother isn’t too busy for the likes of me.” 

Your heart rents for him. Here you are, a new marriage, a husband to long for, and he lost his girlfriend of five years. You don’t have much else going on, it would be nice to have someone there. 

“Did you wanna hang around for a bit?” You ask. “Not much going on but... this place is eerie when you’re all alone.” 

“Hm, did Loki say when he would return? Wouldn’t mind waiting around a bit,” he suggests. 

“I hope soon but he didn’t say,” you shrug. “Yesterday he wasn’t home until midnight.” 

“Midnight? He would make you wait so long? A lovely young wife like you?” He scoffs. “Well, that is just terrible. I will not commit the same crime as my brother. I’d love to come in.” 

“Alright,” you smile. “I... we could put something on? I was going to watch the new season of the true crime show.” 

“Ha,” he enters as you step back to let you through. “That wouldn’t help being alone, would it?” 

“I guess not,” you giggle. “We could watch something else. A comedy. I’ve been rewatching Friends. For the hundredth time.” 

“Whatever you like,” he slips his shoes off and puts them on the mat. “The only words a woman like you needs to hear, eh?” 

You laugh again, “do you want snacks? I got some caramel corn and gummy bears.” 

“My brother let you bring those in his house?” He wonders. 

“It’s our house,” you face him with a pout as you stand in the broad archway to the front room. 

“Yes, you are correct. My apologies,” he follows. “You know, he only hates those sugary treats because he is weak to them. Be sure to hide them well or you might find some missing.” 

“No, he never wants any,” you continue into the front room. 

“So he wants you to believe,” Thor counters. 

“How about drinks? We got a bunch of wine from the wedding. Some scotch?” 

“I only really indulge in lager and I'm not of the mood for it,” he assures. “I could help with the snacks.” 

“No, no, sit,” you grab the remote and hold it out to him. “Find something to watch. I’m so indecisive I just flick through the menu for an hour.” 

“I will do my best,” he accepts it. His hand dwarfs you own as his fingers brush across yours. Loki’s hands are long, but not as thick. 

You push your shoulders up and spin around to flit off to the kitchen. You scurry away and slide into the kitchen. You go to the cupboard and take down the bag of caramel corn. You pour some in a bowl then grab the package of gummy bears and a box of cream cookies. 

As you come back to the living room, Thor leans forward to set the down the remote. You put the treats on the glass table and sit on the other end of the couch. You only realise then how awkward it is. You’ve never really been alone with him. 

“Thank you. So sweet of you to have me,” he says as he twines his fingers together. “I feel as if everyone has been avoiding me since Jane. I fear I might be a bit... melancholy.” 

“Oh, uh, yeah,” you glance at the TV as it plays an intro to a show you don’t know, “well, how can anyone blame you? You’re going through so much.” 

“I’m an adult, these things happen,” he says. 

“Sure, they do, but I mean, it still hurts. It’s not easy,” you insist. “I can’t even imagine what you’re going through.” 

“Ugh,” he puts his elbows on his legs and cradles his head. “I don’t mean to bring my dark cloud in here.” He rubs his temple. “Truly, I think I’ve been trying to outrun it but... what else can I think of with only an empty home to go to?” 

“Oh, Thor,” you sidle closer on the cushions. You gently touch his arm. His bicep is a lot bigger against your hand. “It’s okay. You can’t hold it in forever. It's good to feel these things. Once you get through that, you can move on and I’m sure you’ll find the right one.” 

He sniffles and you flinch. He quakes against your touch and your chest knots. You never imagined him crying. Especially not a man his size. You don’t know what else to do but comfort him. You rub his shoulder and he huddles over further and wipes his face. 

His long blond locks conceal his tears as he mops his sadness away with his knuckles. You hum and get even closer, your hand trailing up his back. 

“Thor, I'm sorry. It feels so cruel, I know. Especially the timing of it--” 

He startles you as he leans against you. You let out an ‘oop’ as he turns to embrace you, curling his shoulders and hunching to put his head on your shoulder. You have no choice but to let him. 

“Oh, it’s been awful,” he snivels. “I’ve been so lonely.” 

“Shhh, let it out, that’s okay,” you rub his back and stare at the wall. You certainly didn’t expect the night to go like this. 

He holds you tight as he cries against you, his body heaving. You know Loki isn’t the best for these sorts of things so you’re happy at least he trusts you enough to listen. That’s about as much as you can do. 

“You won’t believe how cruel she was,” Thor rasps. “She just yelled and yelled. She shoved me and—she just kept accusing me.” 

“Accusing you? Of what?” 

He’s quiet for a moment. He lifts his head to look at you, his arm across your back. “Of wanting another.” 

“Oh?” You blink in surprise. 

“I told her no, no, I did not, but she kept saying “I see it! I see it in your face!” And I swore to her, no, no,” He wipes his face with his other hand, “but now I’m afraid she might have been right.” 

“She... who?” You frown. 

His arm wraps around you, his fingers dipping into your side and in a moment, the couch shifts beneath you. You cannot resist as surprise paralyses you. Thor lifts you easily onto his lap, turning you and sliding you to sit on his thighs. 

“Woah, uh, whaat--” You press your hand to his chest. “Please, Thor, you’re emotional--” 

“She was right, kitten, you are so soft, so gentle, and I could not look away. She caught me--” 

“No, no, you can’t-- Loki--” 

“Loki leaves you alone. He would rather work than stay and adore his precious wife,” He cups your chin and forces you to look at him. “He would abandon you...” he leans in as his eyes fall to your lips, “and leave you unkissed.” 

You try to pull back but you’re trapped in his embrace. He squeezes you close and crushes his lips to yours. You squeal and struggle against him, finally turning your head so his mouth smears across your cheek. 

“Untouched,” his hand trails down your neck and you clasp onto two of his fingers, straining to keep him from going lower. “Unloved--” 

“Thor, stop, let me go--” 

He leans over so your back is on the cushion, his arm beneath you as your legs are folded up over his. He is on his side next to you. His large hand comes back to frame your face and he squeezes to keep you from squirming. You tug as his shirt and whine. 

“Thor, please, stop. We can forget--” 

“I can’t forget,” he growls and nuzzles your nose. You whimper and push against his chest again. He is stone, he is unmoving, and you know you cannot stop him. “I will never forget how you feel against me, kitten.” 

[shalotttower]

Will-o'-the-wisp

Title: Will-o'-the-wisp

Fandom: Hunter x Hunter

Characters: Chrollo Lucilfer x Reader (female)

Summary: Reader encouters fae!Chrollo and breaks some rules along the way.

Word count: 1700+

Notes: yandere!Chrollo, fae!Chrollo, abduction, manipulation, AU, modern setting with fae, Chrollo is charming af and a bit creepy as usual, Reader is doomed long before they know it and slightly depressed

You walk home the same way every day, like many people do. There's comfort in routines. Comfort and security which you crave. The familiar routes, the repetitive programs on TV and the books you've read a million times. You like to know what happens next and hate surprises.

The fourteen-year-old you wouldn't approve.

Maybe even express a little pity, because she always thought you two were destined for an adventure, like in fantasy books you used to devour one after another. Every free second was spent reading or dreaming, but life went on and adventures didn't happen. The girl grew older, a lot more careful and a lot less hopeful.

When you finish work, it's usually around six. Your adult self is practical and prefers to save money on the bus, besides, every other time you take it, you end up having to stand, squeezed between people. It's not worth the frustration; a fifteen minute walk isn't that long and the crime rate in the area is low.

There's a small grove nearby that nobody has bothered to turn into a park. The residents made their own paths in time, put a few signs so the joggers wouldn't get lost, but that's it. Once or twice a month you stroll through there, picking up trash left on the side. People make you want to move to the woods altogether sometimes.

That's how the day starts or ends — with crossing a bridge which connects the grove to your neighbourhood.

And this is where you see him for the first time.

The man looks so out of place among the rustic wooden railings and rushing water below. Nobody wears this kind of clothes here. Expensive and elegant, something that blends well in a big city. They don't stare at passersby like he does either. You hate when people do that ─ block already narrow spaces by just stopping midway. Or groups who spread across the entire sidewalk.

"Excuse me," you say politely. Polite is good. Polite can be used as a shield and always makes you look better than you are. "I need to pass."

He smiles, then moves aside. "Of course."

His face is exactly what you imagine when thinking of pleasant: beautiful grey eyes with long lashes, pointed chin and a strange mix of delicate and sharp edges.

"Thank you."

The smile widens. "You're welcome."

---

It's time to accept that you've grown into an average person with a simple desire to live in comfort. Dreaming isn't your strength anymore, the last book you picked up was several years ago. Movies bore you fifteen minutes in, even if everybody else praises them; the idea of a relationship seems exhausting.

You do enjoy gardening.

Growing tomatoes is a far cry from distant fictional lands, but they taste nice with a pinch of salt.

The condo you live in doesn't have enough space and light, so you chose a small patch of ground in the grove to start a garden. A few tomato plants and some herbs like chives and basil. It might be illegal, yet nobody has come to yell at you. Most people don't pay attention to what's happening here, as long as you don't damage the trees or leave trash.

You water and prune, weed, add fertilizer if needed. There're some flowers too; mother told you that marigolds scare pests away from veggies and keep the soil healthy. They're pretty, little orange spots.

---

You find a crystal at you patch. Azure would be too bland to describe its color ─ maybe more like a mix of cerulean and moon stone. It's round in shape, polished so nicely that the outlines of your face are reflected in the surface. Did a magpie bring it? Or a kid? The thought of someone poking around your garden makes you frown. You hope they didn't step on your basil.

The stone is heavy and cool. You turn it around, entranced, before stuffing it into the pocket of your jeans. Maybe you can ask the neighbours' kids about it later.

"Would you look at that," you mutter and bend to inspect a tomato plant. Two green fruit, each no bigger than your knuckle, hang there, sprouted over the weekend. "Hello, my pretties."

---

You lie in bed, staring at the ceiling. It's past 1 AM, you should sleep; instead, you keep twisting the stone in the moonlight.

You asked kids from around here, but nobody claimed it.

Maybe it's a lucky charm, you've had a wonderful day. Got a call from your cousin in the morning, she has't contacted you in a long while and it was nice to catch up. After lunch, the resource manager praised your work, then an elderly lady from the store complimented your cardigan.

At a certain angle, the stone seems almost glowing. A summer night sky condensed into a tiny orb. Your fingers trace its smooth surface without much thought until eventually it drops onto the pillow by your side.

You don't notice when exactly you fall asleep.

It's the strangest dream you've ever seen.

Gone is the condo building with its stuffy kitchenette and old pipes that constantly rumble. Instead, you feel damp grass underneath your feet. Wind brushes through the hem of your nightdress, carrying the scents of rain and moss. So many shades of black and raven blue swirl together that you barely recognize a signpost nearby. It's the grove, but you've never seen it like this, as dark as it can be only at night.

It's uncomfortable to stand barefoot, with a chill creeping up your legs.

After a while your fingers touch the rough bark of a nearby tree to get a sense of direction, and you start walking, because there isn't anything else to do.

There's the bridge, you think. If you just get to the bridge, the rest will be simple.

You're walking there, or that's what you think when a small ball of light appears right before your nose.

Fireflies don't glow blue. It doesn't falter, doesn't flicker, coming up closer then farther like a pendulum. There's something uncanny and fragile about it. For a second you forget everything and stand mesmerized, until it starts moving.

Through the trees, past the branches, onwards.

It's more instinctual than anything ─ you don't want to be left here alone again, so you follow. Light is good, darkness isn't. The ground becomes more uneven as you go, the grass changes to moss, but you can barely register anything at this point apart from that lonely glow. It halts at times as if making sure you're keeping up.

Is that a clearing ahead? Your eyes hurt from trying to focus.

The blue dot continues to float, never speeding up, never falling behind.

Then it disappears.

No. Not disappears ─ settles on the tip of a pale finger.

There's your tomato patch, your plants, the empty box that you forgot to take back to the condo.

But it's impossible.

Your garden should be not very far from the border, yet it feels like you've walked through half of the grove by now.

Why is he here?

"It took you a while," he says, the stranger from the bridge whose eyes made you pause before you caught yourself. "I was waiting, my dear."

Maybe you shouldn't ask. Maybe the wisest thing would be to turn around and run. You step back and trip on a root which somehow snuck between the moss. He catches your hand before you fall and doesn't let go. Instead his thumb caresses your skin in leisurely strokes.

There's a faint scent of lilies coming from him, and something else. Something heavy, equally sweet that lingers on the edge of cloying and enticing.

Smells aren't supposed to be so strong in dreams.

"I need to go."

"Where?"

This simple question asked in an equally plain tone makes you falter. What does he mean 'where'?

"Home," you say softly and try to free your hand again without success. The man leans in close enough that you can see his face, illuminated by that blue light.

"And where is home?"

"I-" you swallow. "I have to go."

He releases you with surprising ease; you don't waste any time rushing towards the path. The long walk has exhausted you, and the lack of light makes it difficult to tell which turns to take. You stumble multiple times. The hem of your nightdress catches a few twigs. You sprint past the trees, past the low bushes along the familiar trail, and it's there, suddenly in front of you: the wooden bridge.

Out of breath, you grab the railing. And then open your eyes on the same side where you started.

How?

Again and again, you dash across it, yet every time there's a single step left to cross over the stream, the view shifts. Your feet land at the beginning of the bridge. On the ninth time when it's impossible to run any longer, you press your forehead to the railing. Every breath feels short and raspy.

"That's enough, dear."

"What is this?" You grip the planks with trembling hands. "I don't understand. Why can't I-"

A coat falls over your shoulders; you clutch at it mindlessly, because it's warm and you're shaking all over.

"You thanked me. Claimed my land, charmingly audacious of you. Such care and love, right under my nose."

There's no malice in his voice. Gently, finger by finger, he uncurls the tight grip of your hand. The stone is there, cerulean blue like summer sky condensed into a tiny orb.

"Took my gift and kept it close to your heart."

It takes some effort but eventually you manage to speak. "I didn't," you whisper urgently, despite the shiny proof in your palm. "I didn't know! Take it back."

"I'm afraid it's too late for that."

"I didn't know!"

He lifts you in his arms when your knees give out and you sink to the ground, still gripping that damned stone. His coat carries the same distinct scent of lilies and heavy sweetness. The sceneries you dreamed of when younger pop in your head, like old postcards covered with dust, of mystical beings hidden from human eye, fantastical places no one has seen, grand adventures where heroes defy impossible odds and come out victorious.

Those were tales for the brave and imaginative. You're neither.

"It doesn't matter. The land claims you," he says. "And so do I."

[warsamongthestars]

Oh gods I wish.

Like, serious note:

For all the "We gots to keep a low profile THE EMPIRE! IT IS AFTER US!"... a broadcasted race isn't low profile. Its as high profile as you get. If Star Wars portrays racing fans like how real world racing fans are like (or just sports fans in general)--that's an Galaxy broadcasting channel right there. ESPECIALLY, in a state of nation that started MONITORING EVERYTHING before the War was even Over a Day. In places that just about break suspense of disbelief anyway.

It just takes one Imperial Commander to go "STOP WHAT YOU'RE DOING IT, THE RACE IS ON!" and someone noticing "... Hey isn't that guy wearing armor that looks suspiciously like an imperial scout?"

Like seriously, if they're gonna portray the Empire as doing all this monitoring and spying and being a legit threat, then you have to actually make it a LEGIT THREAT. With consequences!

Or even if that's not the case, if you're going to have one of your main characters worried about Spies and More (with good reason), you have to actually give him scenes to make a Consequence.

That Tech episode was fun, it was the most fun I had outta TBBshow because it was a) actually portraying what I came around for, for fucking once, b) ROTTMNT's Donnie meets Tech and it turns out they hate each other--and it is hilarious.

The biggest issue is that... Its in This Show, that wants to Say These Things, and then never puts in the work to show Any of Its Work. Its all Talk, no Show, and when it does Show, it says "MacBeth" and breaks every glass bone in its body slipping off stage.

Imagine Hunter and Echo on the way back from their nerf nuggets delivery and one of them decides to tune into the holonet for some entertainment and they happen across a broadcast of riot racing and it’s just:

“That looks like… Wrecker and Omega? And TECH?!”

[rootspiral]

part [1][2][3]

We left Agatha killing her coven in a flashback (but sparing their children). Back to present Agatha, and what is she doing? Pretending to talk to her rabbit. Look, she might be a dedicated con artist, but she can only come up with very cheesy characters, what can you do?

Is she meeting the real you, Agatha, are you sure?

oh she's so intrigued

She's about to be very very cruel, and there's a lot to unpack here. To her torture is a mean to an end, but there's also rage, jealousy, bitterness, so much bitterness there. She hates witches, and she hates Wanda. She also can't help sympathizing with Wanda, the parallels between the two of them are obvious. There are always so many contradicting emotions in Agatha.

Like, the way she's been teaching her about magic. She's taunting her, she's showing off. But once upon a time she was a clueless young witch denied knowledge from her elders. And now that Wanda is in that position, she could teach her. She almost wants to. She is curious, she loves learning, finding out how things work, and in other, better universes she is a teacher.

*angrily shakes a bird at Wanda*

LOOK WHO'S TALKING, OH MY GOD. But honestly though, that's why she can't help sympathizing. They are the same.

And she is a biiiiiit in lust too tbh. Not her fault she has a high libido. Agatha is having a DAY.

A good rule of thumb is, the more Agatha jokes, the more she's uncomfortable with a situation, the fact that she's making fun of a little boy tells you right away that she doesn't mean it. Sarcasm is her defense skill. She was barely able to contain her rage a moment ago, she is not as calm as she appears. And she doesn't like having to sit through Wanda's trauma one bit, both because she's sorry for Wanda and because she doesn't want to witness that pain herself. She had hoped to crack Wanda without having to do this, but she won't step down now, she won't relent.

that's a whole lesbian, dear god. thank you costume and hair departments and thank you kathryn hahn.

my theory is that detective Agnes of Westview was clearly created by Agatha herself rather than Wanda and speaks about her grim personality and eagerness to solve mysteries, but we'll get to that later

that's interesting, she smiles at Wanda, looks worried at the door for a second, then smiles at Wanda again. play acting or real concern? Wanda wasn't looking at her face in that moment.

her body language is something between intrigued and defensive

NOT THIS BITCH DRYING HER EYES AGAIN AT THE "WHAT IS GRIEF BUT LOVE PERSEVERING" SPEECH.

You know what though, for Agatha to know exactly what buttons to push to break Wanda, she'd need to have a deep understanding of how trauma and grief work. Which means she knows the way she blames Rio and hangs up on Nicky's memory is not healthy, but she is unwilling or unable to make an effort towards healing. Not that you can ever completely heal from something like that tbh, but she knows the way she's acting is making things worse.

The slow clap, she's such a cheesy villain. That (gay) way she sits though, she wants both to project strength and to shield her body, she is nervous. She's now 100% sure that Wanda is the Scarlet Witch. Time for her last gamble.

Knowing Agatha as we know her now, it's easy to see she's wearing her best witchy costume to put on the ultimate show. She made Wanda cry to get at her secrets, now it's time to make her angry. She could just have provoked her in the first place, but like I said she's at her core a coward detective and scholar and yearns to learn stuff. I really do believe that Billy and Tommy weren't in any actual danger here and it looks worse than it is. On the other hand, she is absolutely scaring them shitless, but like with Sparky she chooses to ignore their mental well-being if it gets her what she wants. She's not physically hurting them so that's fine, right? And, well, she did the same with Nicky. She loved him so desperately and also selfishly kept him isolated and kept killing in his name. There's a reason why she feels so guilty and can't face him now.

The parallels, tho. The episode starting with Evanora calling her a monster, and ending with her calling Wanda a monster.

Last episode!!!!

telling the kids to take cover as soon as she can get away with it. Wanted to hurt them my ass.

Pathetic! Are you even a real witch? Yep, her usual bit. And especially harsh too. Agatha is gambling a LOT here.

"The Scarlet Witch is not born, she is forged. She has no power, no need for incantation." Agatha was forged the same way, with pain and hellfire, does that give her a claim to Wanda's magic? (Also, power of mother earth on the poster behind? How very green witch!)

How hard and deliberately Agatha is working to traumatize Wanda even further, to make her believe she's a monster. And Agatha is in such an unique position to understand what Wanda is going through, what it means to be called evil for something you are and not for something you do. She knows what it means not being able to control your powers, Wanda never meant to hurt any of these people! She could teach her, offer her community and support. But what does Agatha do instead? Exactly what her mother did to her.

She wants to kill her to take her powers, and she wants to kill her because she's afraid of her. And yet she's also looking in a mirror. Doesn't her neck thingy look like a clergy collar too? She's on the other side of inquisition now.

have you ever read Passing by Nella Larsen? it made me think a lot about how marginalized communities isolate their most vulnerable members and recreate the dynamics of the oppressor, as a way to keep some form of control and also to express their trauma and anger. Wanda didn't do anything to Agatha, but she's the perfect target for Agatha to vent all her pain and anger and frustration.

Wanda tries to copy Agatha and make her relive her traumas, not a good idea trying to manipulate the master manipulator. Agatha has studied and observed and knows a lot about Wanda and that is why her manipulation is so effective, Wanda doesn't know Agatha at all, she's only heard lies so far. Here for example she assumes that Agatha killed the Salemites on purpose, she has no clue that their situations are so similar.

I told you that witches wouldn't accept you, that they would call you a monster and come after you. So much bitterness. That's Agatha's tragedy, and that is what's behind all her selfishness, killing witches, keeping Nicky isolated, torturing Wanda. Passing her trauma along. As much as she chose to be what she currently is... choosing the opposite would have been much easier if she had a community cherishing and teaching her. Just look at how much having an actual loving coven, even for a short time, will make a difference in the future.

and then Wanda wins not because she's more powerful but because Agatha couldn't stop herself from blabbing and showing off and teaching about runes. oh, the irony

what WANDA'S done???? Agatha, you've been poking a nexus being with a stick for days, you useless fuckup (affectionate)

lmaooo she fell ass up

LOOK WHO'S TALKING

Agatha under the spell immediately flirting with Wanda is maybe top five most hilarious things she's ever done

and that's a wrap! Ballad of the witches road here I come!

go to AAA part I

[thedemoninme141]

Would you? a part 2 of "She Wishes".

Recommend reading "She Wishes" before going down.

Warnings: Angst, a lot of angst. Regret... Emotional Out Of Character Wednesday

Summary: Wednesday can't sleep. Pairing: Wednesday x Female Reader.

I don’t need someone dragging me down, constantly whining about feeling neglected. If you can’t handle that, then maybe you should find someone else willing to put up with your desperate need for attention.

Wednesday jolted awake, the voice still ringing in her ears, her own voice.

In her whole life, she had never been the one to be afraid of nightmares, yet she ended up like this, being unable to sleep because of the nightmare she created herself. It had been the same, night after night.

When was the last time she’d slept without revisiting that moment, that night when she said those… words? She couldn’t remember.

She dragged herself to a seated position, trying to steady her breathing, only to catch a flicker of movement on the balcony.

A figure stood there, perfectly still, as if waiting... just as it always had.

It was you.

She knew her mind was simply tormenting her, feeding on her guilt and grief, creating illusions to make her suffer even more. But in a way, she had come to accept it. This was the only way she could see you now, the only way she could be near you. She couldn’t resist the pull, the familiar ache in her chest that begged her to walk toward you.

She glanced over at Enid, who was sleeping soundly on her side of the room. Fortunately, Enid could sleep through the wildest storms. Wednesday supposed it was a blessing; her friend wouldn’t hear her break through the silence to talk with… you.

And there you stood, haloed by the soft glow of the moon, looking more beautiful than she ever remembered. She took in the way your hair caught the light, the way it made you look ethereal, almost otherworldly.

A year ago, she would’ve never noticed something like this, but now? Now, she was all too aware. Painfully so.

She approached with quiet, as if you were something fragile she might shatter with her presence alone.

“You’re here again.” Her voice was low, tentative.

You didn’t respond, just kept staring up at the stars.

Wednesday swallowed, hating the awkwardness of her own silence, hating that she struggled to express herself even now, even when she knew you weren't real.

“I thought you might like to know how uneventful my day was,” she said softly. “Nothing of interest happened. I went to class, ignored everyone, and endured the same dull routine.” her gaze lingered on you, trying to memorize every detail.

As she stood beside you, leaning on the railing, she looked at the moon, "Thing played a particularly irritating prank on Enid, it was suspicious. Thing would never hurt Enid's feelings… unless Enid told him to do so. She probably did to… lighten my mood, which to her disappointment, didn't amuse me at all." She glanced at you, half-expecting a response, though she knew you’d never answer.

You were only an illusion, yet you watched her so attentively, as though you were really listening.

A faint smile ghosted across her lips, sad and bittersweet. It reminded her of the way you used to listen to her back then, a year ago, when the two of you were… something. She’d always avoided putting a name to it then, but now, she wished she had.

“I… know I never asked much about your day. I assumed you’d tell me what mattered eventually, but… you used to talk about everything, even things I thought were trivial.” Her gaze fell, the weight of her own words settling heavily in her chest.

"And the irony is," she whispered bitterly, "even if you’re just in my head, you're listening more to me right now than I ever did to you."

Wednesday waited, as if expecting you to smile at her words, to nod with that knowing look you used to give her when she vented. You always used to tell her about your own day, too, in that same casual, almost rhythmic way.

She closed her eyes, trying to remember the things you used to talk about—but it was like trying to catch mist with her bare hands.

The details were lost to her because she had never truly listened. She’d always kept her mind focused elsewhere, assuming you’d always be there, assuming your words would repeat endlessly, and she could listen when she felt like it. But that moment, like you, was gone.

"I don’t even know if I remember what your favorite book was," she muttered, almost to herself "or your favorite subject...or our favorite moment." She swallowed, the words sharp as they caught in her throat. "I don’t know why you gave me so much of yourself when I barely gave you a second thought."

She hadn’t even realized she was reaching into her pocket until her fingers closed around the metallic edge of her smartphone. A tool she despised. She pulled it out, letting it rest in her hand, staring down at the dark screen. She hated devices like this—clunky, bright, too noisy, too eager to pull you into a world she didn’t care for.

To her, the smartphone was an obnoxious symbol of the modern world, a world she found lacking in anything genuine or meaningful. Yet here she was, holding it, clinging to it like a lifeline.

This ugly piece of plastic and glass, which she’d once ignored with utter disdain, had now taken on a significance.

It was the only way she could reach you...

She found your number, just as she had every night for the past year. She already knew how this would end, the way it had every night since you’d been gone.

It always ended the same way, going straight to voicemail. Yet she pressed it anyway, waiting for that familiar sound. The ringing stopped, and the voicemail picked up.

She took a shaky breath, and then, she began to speak.

“Hello, it’s… me. Again.” Her lips twitched in a faint, bitter smile. “I suppose that part was obvious.”

She paused, glancing over her shoulder to make sure Enid was still asleep, then turned back to you.

“I know you’re not going to answer. I know that. But somehow… I can’t seem to stop myself. Pathetic, isn’t it?” She let out a low, humorless chuckle. “I never thought I’d be the kind of person to talk to the void, to cling to something so… intangible. But here I am. Just another fool.” She gripped the phone a little tighter, closing her eyes as she struggled to find the words.

“Today, I thought about that time you asked me to spend the evening with you. You brought snacks and books, and you told me it could be fun, remember? I scoffed, said it was pointless, a waste of time.” She swallowed. “But you… you just smiled at me. You always… God, you always just smiled, didn’t you? I never understood how someone can hide so much pain behind a smile... Now I do." She smiled.

The silence on the line felt crushing, a void that seemed to swallow her whole, yet she kept going. She had to.

“If you were here right now… I’d ask you to tell me about your day,” she whispered. “I wouldn’t even care if it was boring. I wouldn’t mind if it dragged on or if you rambled. I’d listen. For once, I’d actually listen.”

She took a deep breath, her gaze dropping to the floor as she tried to steady herself. “I miss you,” she admitted finally, her voice breaking. “I miss you so much it feels like I’m losing my mind. I may already have...“ She looked at your form in front of her, looking at her with such pity in your eyes.

"I don’t deserve to miss you this much. I know that. I know that I failed you in every possible way, that I took you for granted. And now…” She trailed off, her voice shaking with the weight of her confession.

“I keep thinking, what if… what if I’d done things differently? What if I’d actually listened, actually cared about the things that mattered to you?” She swallowed hard, the words barely a whisper. “Would you still be here?” she sighed.

“I just… I need you to know that I would give anything, anything, to have you back. To have one more chance to show you that I’m not the person I was back then. I can change. I have changed. I just… I just want you to come back. I just want to know one thing, Would you come back if you knew how much I've changed?"

The beep sounded, signaling the end of the voicemail. She lowered the phone, her hand trembling as she placed it back in her pocket. Her gaze returned to your figure, still there, still watching.

“Would you forgive me?” she asked, she had to know, just so she could at least sleep that night.

At that moment, your lips curved into that familiar smile, the one that always held so much pain and you whispered back.

“Would you?”

[Author's note: Was in a mood to bring the old angst back, Comment how your heart feels after this 😏]

->Main Worklist<-

[siriusremusblack]

GUYS- ok I honestly don’t even know lol

I feel like. If people hadn’t stolen Snape’s characteristics and given them to other characters like Sirius, Barty, Regulus, and even James- practically worshipping them for those stolen traits- but then completely dehumanizing and Villainizing Snape, removing those traits or making them seem like they’re just so undeniably wrong. That the marauders fandom could’ve been something so much better.

Snape does not deserve all the hate he gets within that fandom. However, I feel like. If you take away the characterization that belongs to Snape that was given to the others and come up with new characterizations for the Marauders- something original, not based off Snape. We could have a cool adventure story they seem to be wanting??

And I mean. If it’s an adventure story anyways. Why make them good people? That’s lame, overused, boring (at least to me). Keep the marauders as the bad guys. Keep their horrible canon personalities. Explore their bad traits! Don’t make them heroes, don’t make them good people. They’re not.

Maybe they get character development and improve during your story through shared experiences. That’s great! That would be amazing! But don’t right off the bat completely change them- making them basically into ocs.

What I think a lot of people may enjoy is some bad dudes hanging out. Going on adventures, breaking rules, stabbing people in the back, just being total jerks.

They sound horrible when I put it like that? GOOD. How fun would it be too see that? I mean. If adventurers are following the rules, the laws- are they really adventurers? They’re staying within reason. They’re not pushing the limits. They’re just. Normal, boring people that like to travel.

A lot of people like pirates. Pirates break the laws, they go on adventures, they can be real jerks, they can be horrible people- but they’re still well liked.

So, I feel like. If people had stuck to the original characterizations of the characters- explored it a little, made them worse by a lot or a little- focused on them breaking the rules and going on adventures similarly to how pirates do- (very important part here: WITHOUT VILLAINIZING SNAPE) we could’ve gotten a lot better fandom there. Now, I’m not saying everyone apart of that fandom is bad, I’ve met a couple people that were chill that were in that fandom. But, think of how much more interesting the stories could be if we focus on the bad traits of the Marauders.

You can still put random characters with them like Barry and Regulus- but tell us why and how through the stories, because realistically speaking, James would absolutely despise people like Regulus and Barty. Not because of their ideals- but because they’re slytherin.

Bad guys can be extremely interesting too! You don’t need to change the Marauders to make interesting enjoyable stories- it’s ok to like characters with horrible or questionable morals (as long as you don’t agree with them, if you agree with them… ehh.. maybe seek help-? I don’t know-!!)

BUT COME ON. Marauders being total jerks, bad people- but going on adventures. That’s interesting- and Snape? He can be his curious self. Suspicious of their actions. Maybe as he gets older he’d be apart of the law enforcement- who’s looking for the Marauders for their crimes, to make sure justice is served.

Y’all I don’t know- but I find this more interesting than whatever the current marauders stories are.

[cerealmonster15]

i want jamiazu + idikei to go on a double date so badly i think the vibes would be So Very Turbulent

[bbnibini]

I find it so painfully heartbreaking that Solomon just...laughs off all the derision, the name-calling, and possibly even did "evil" things on purpose because it's expected of him at this point. (He had not always been like this as Thirteen pointed out before). There was a time when he was "innocent". When his soul sparkled. When it resembled the kind of soul everyone in these god forsaken (pun intended with spite) three realms seemed to associate with the ever loved MC. He's just...worryingly carefree. And because he's like that, he feels even more of a tragic character to me.

Sometimes it even seems that he himself would seemingly make up excuses on why he's hated. Oh, it's because I'm a sorcerer this. I might have won a war against Devildom single-handedly this. I have forgotten. But maybe, I did something bad, that. Hon, you were doing that to SURVIVE. You don't have to be a faultless person to deserve compassion. You don't have to be MC to deserve to be loved.

[pokemonranch]

//Sorry for interrupting Adoption Sundays, but something happened and I need to talk about it publicly.

Apparently, an alt-right blog has been reposting my (pokemon) art without my knowledge. They have NO relationship with me or my main blog, and I have already blocked and reported them.

Most of my art seems to have been deleted from there after I went through the appropriate hoops to do so, but while combing through their blog I saw they interacted as well with other Pokeblr RP blogs such as @pokemonshelterstories unfortunately. You might want to block and check if they reposted your art as well.

Suffice to say, I am pro-palestine, pro LGTB and would never condone any transphobic, racist or misogynistic behavior

Blog and @ under the cut.

Don't interact with the blog, harass them or anything of the like. Block, Report them for Hate speech and move on

They post a TON of content to hide the reposts and the bigotry. I don't recommend searching through the blog directly but through looking for your @ or image search

Thank you @spooky-enthusiast for letting me know all of this

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[serpentface]

Hibrides and Brakul having the world’s saddest booze-fueled girl’s night, probably a few months before the start of the story.

Anyway here's an extensive rundown of their shared history.

Hibrides Uryashta was the eldest daughter of a chancellor of the imperial city-state of Erubinnos (his lordship Erub Uryashta). She was brought up with great privilege and security, but (like most daughters of noblemen) was destined to be used as a bargaining chip in a political marriage arrangement. She was taken from her friends and family and moved to the city of Wardin at the age of 16 to complete her pledged marriage with Janeys Haidamane, the failson of the trade magnate Haidamane family. Janeys spent about a week poorly attempting to behave like a husband, and then took the first excuse to flee and engage in a petty military campaign against raiders on the Yellowtail trade route. She found herself left alone in his villa for three years with only hired servants for company. She made a few attempts to break into the city's elite social scene, but was quite shy and failed to make any headway.

Brakul had just spent a year and a half in a bit of a whirlwind. He was brought into a skirmish at the behest of an allied clan, who had been raiding the Yellowtail route and now was under attack by combined forces of an enemy clan and Imperial Wardi mercenaries. He killed one of the mercenary commanders and was captured as a prisoner of war, but was spared at Janeys' behest (who fucking hated that guy thought it was awesome that he got killed with a rock) and was ultimately recruited into the group. He had a chance to go back home, but actively chose to deadbeat dad out on his wife and child to be with his newfound lovequest, Janeys. He spent a year and a half as a mercenary, bonded closely with Janeys and swore brotherhood with him, and was eventually brought home to the city of Wardin with him. He found himself in the odd position of being simultaneously scorned as a foreigner and 'heathen', and the legal kin of one of the richest families in the city (and effectively the secret male concubine of their only male heir).

It was in this context that the two of them met, with Hibrides now being 19 and Brakul turning 27.

The two were initially wary of each other (Hibrides was particularly put off by his 'heathen' status) but bonded very quickly, partly due to their mutual states of being unmoored from their old lives, but in large part being just a natural chemistry. They had a lot of common interests and enjoyed learning from each other. Hibrides introduced him to traditional verse poetry (of which she was very fond). Brakul taught her how to ride khait, and even gave her a gelding from his own collection as a gift. They became very close friends over the next couple of years and spent much of their free time together.

A big part of the dynamic was that both of them are gay in a cultural context where there is no concept of Being gay, marriages are usually arranged and always between a man and a woman, and having children is a societal expectation. Each of them began to see the other as an ideal husband/wife, ie "if I had to marry why couldn't it have been him/her?". For Hibrides' part, Brakul had all the traits she would want in a husband: he was a pretty good friend and easy to get along with, he seemed like he'd do an excellent job of fulfilling expected roles as a husband and father (she didn't know about the wife and kid for a while), he treated her as an equal, and, most of all, had no interest whatsoever in fucking her. They were both in a sort of platonic emotional affair, and grew to love each other deeply.

Hibrides was pretty quick to catch on that something was going on between Brakul and Janeys, and found it strange and offputting but ultimately none of her concern. Her husband only being interested in his sworn brother and leaving her to her own devices suited Hibrides just fine, and Brakul always just kinda being There meant she was living with what had become her closest friend.

The stable state of this Feelings Triangle began to change in the wake of the brilliant plan to get Janeys (gay) (probably infertile) children he could pass off as legitimate via a Brakul/Hibrides pregnancy. It was something all three agreed to as a necessity; it was already drawing scrutiny that Janeys and Hibrides had been married for several years without a pregnancy, and producing heirs is a societal expectation and a central point of an arranged marriage between wealthy elites.

It was especially critical in this case, given Janeys was his family's only male child and only hope of continuing the family line, given both his golden-child sister Faiza and black sheep half sister Couya were Odonii, and thus sworn virgins and would never marry. (There's also a level to this that Janeys was regarded as a complete disappointment by his parents, and his mother made damn sure he knew that his only value at this point was to produce a better male heir to inherit the business. So this was a big fucking deal to him, and to Brakul by extension).

This was also not a route any of them wanted to take on any personal level, least of all Hibrides. She consented to the pregnancy and everything it entailed, but it was inevitably a painful and distressing experience all around. She had never wanted to be a mother to begin with (though had long accepted it as an inevitability), and now found herself with an infant daughter, which only meant it would have to happen again (they needed a male heir after all). And it would be utter social suicide and a profound shame upon her if the child's illegitimacy was discovered, which only added to the stress.

To make things worse, her first pregnancy shifted the entire dynamic with her husband and brother-in-law/best friend. Janeys changed from completely indifferent to actively spiteful and hostile towards her, and things had become extremely uncomfortable between Hibrides and Brakul. It only got worse with Brakul (the only one of them who actually WANTS kids) (kind of haunted by skipping out on his first child) finding it unbearable to be so close to HIS daughter and having to keep up an act that she was not his own, having no direct role in the kids life. He desperately wanted to be a father.

Hibrides, who was going through a fucking lot, started to become vindictive towards him for his role in things. She resented him more than Janeys, because Brakul insisted he cared about her and would desperately try to pretend things were normal, while consistently siding with Janeys against her wishes, including in preventing her from getting a divorce. (His excuse is that the children's legitimacy would be interrogated in a legal setting, which Is likely and Would be absolute social suicide with very real consequences. But the real reason on his part is that if she got out of the marriage, he might never see her or the children again). Hibrides began to do everything in her power to prevent him from having any relationship with his bastard children, even in secret or under the guise of a relative. Sort of an “if I have to suffer to keep up this facade so should you” thing.

They had two children in a span of three years, two girls (ruh roh!) named Erubi and Livya. By this point, Hibrides and Brakul were both experiencing what we would now call Clinical Depression and Alcohol Use Disorder (especially in the latter's case). Hibrides started to have affairs with both men and women, which she was sure to be very obvious about to insult Janeys and Brakul, but was mostly out of loneliness. Brakul turned his complete focus to Janeys and started avoiding Hibrides entirely, in hopes that she would become desperate enough to be willing to make amends (shockingly, this did not happen, and the rift only deepened).

In the present, their relationship status is: fucked. Both of them do still love each other on some level, but this is probably beyond repair. What little time they've spent with each other in the past year is sitting around being miserable and getting plastered. And now Hibrides, Janeys, and Brakul are all forced into the public eye on the pilgrimage together, and with a third child on the way. So that's probably going to be everyone's problem.

[toobusybeingdelulu]

something something about billy teaching little kids how to swim, and being good at it (otherwise their parents would have not let him); something something about his tendency to keep throwing good advice at people even while being a dick about it (max and steve, for example) something something about him apparently having a natural predisposition for helping people out and-

[dukeofthomas]

I will forever maintain that Jason would've been fine and Not a vigilante without Bruce making him Robin

[snakes-on-skates]

a while ago i saw this human bill design on tiktok and omg i love it so so so much 😭 i freak out every time i see it my thoughts immediately switch from normal to AUGGHHHH STOPPPPPPPPPP I HATE HIM SO MUCH HES THE WORST HES AWFUL WHAT A FREAK

[littlegalerion]

As a homesteader, I can say 100% Halsin needs some serious help. He is all about "nature has a balance, where all are cared for", meanwhile here I am, having to pull two drakes off one lady duck because, by nature, both will attempt to breed her as roughly as possible, even if it ends up injuring/killing her.

Also, by nature, my chickens have a strict pecking order. A good few get bullied as they are the lowest in the order. I attempted to introduce some young ladies to my less than a foot tall Sebright Rooster, and he was brutal with the bullying. I had to pull them out, he was so bad.

Nature is not a beautiful, idealistic lifestyle. It is survival of the fittest.

Perhaps Halsin needs to seriously rethink civilizations' role in nature. That we, as people of all races, differ from animals in that we can choose to rise above our basic desires and urges if we so choose. Chaotic change is normal among the wilds, but we can actually bring good change, despite however much evil is in the world.

That is our role.