#// holy shit. i live. maybe-
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adrielxle · 3 months ago
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if you had to ask me what the manshine city trio would be as a song.... i would say 2 baddies by nct 127. why?
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well...
two baddies one porsche, the lyrics says.
which two people are a badass duo? reo and nagi.
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who is fast asf? chigiri.
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a baddie duo, and a porsche (one of the fastest cars).
i think yall already understand what i'm getting at..
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gl1tched-g0th · 7 months ago
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hey guys.
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carnivalcarriondiscarded · 8 months ago
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i've gotten several asks as to how i'm doing after the update, and uh.
well refer to This Image for your answer-
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slyandthefamilybook · 5 months ago
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every single "does x belong at pride" poll should include a qualifier about whether or not you've ever actually been to a pride march
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gazpacho-deluxe · 4 months ago
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the evangelical taboo of living with your partner pre-marriage is so perplexing to me. multiple people i know have gotten married after less than year of dating (straight out of highschool i might add) and they have never lived together prior.
i mean, how do you know that they won’t drive you insane? shouldn’t you do a trial run? what if they… don’t know how to do their own laundry or something?
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ahalliance · 25 days ago
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how do i turn qantoine’s spontaneous marriage proposal to qetoiles into evidence of his early-days fear of qfrench drifing away and keeping secrets from one another
#the conversation takes place in antoine’s vod: L’ANNIVERSAIRE DE TALLULAH at 41 mins ish#like . okay . its such a fucking crazy moment to me that still lives in my head bc it’s a a joke . but it’s also not#he asks etoiles directly after spiderbit wedding . ‘don’t you want to get married?’#after it gets mentioned*#etoiles turns him down bc he ‘doesn’t have time to fuck [he] needs to kill everyone’#and antoine says ‘well but— just a marriage’ like it’s the act itself that is the most important to him not anything that could come with it#the confirmation of partnership . of having someone to rely on . something that feels to him maybe more certain and solid than the#friendships antoine had at that point . like if he felt things were slipping and he was being left behind he wanted the certainty of#something like a marriage that is traditionally considered More important and certain .#and i think the end of their conversation is notable in how antoine brings up the notion of betrayal — he getting betrayed by others and how#he’s fed up with it . after etoiles says no to the marriage (though specifying that he’s gonna think about it) antoine brings the whole#betrayal thing up after a pause . he doesn’t necessarily consider etoiles as having betrayed him but it’s that lack of certainty#certainty that etoiles has refused to give him that makes him start to open up about how he’s tired of people promising him things (or#seeming to promise him things) only to leave him out and in the dark . and there’s an insecurity there that really shines if you take this#moment into consideration with the Larger Shifting his character is going through .#like tldr ; qantoine has begun to realise that his friends are starting to form deeper bonds with other people and thus keep secrets with#them which to him means leaving him behind . taking notice of this he brings this up to his friends in . not exactly direct ways . he#talks about how he doesn’t like secret keeping but doesn’t seem to push much further and he also tries to remedy the issue#of feeling left behind by doing shit as discussed above ^ however on account of the InHuman i’m not sure he understands what he’s doing very#well . and as we know antoine doesn’t make much progress and ends up retreating into himself and beginning to keep his own secrets . to do#his own shady shit . to work in the shadows and not be honest with any of his friends either . to hold them at arm’s length despite how much#he still cares . the only person he puts his full trust into anymore is pomme . not ayp who he deems too underhanded . not bagz who he sees#as having started the whole ‘secret keeping’ stuff in the first place . and not etoiles who’s actively going down a path with the codes and#resistance that he cannot follow#that was NOT a short tldr . why the fuck am i writing dissertation length tags about MINECRAFT BLOCKS#god whatever who cares i get joy out of this thats what matters#anw if you read this far holy shit ur insane . thank you#i am going to bed now godbless !#jay rambles#qfrench.posting
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neembu · 6 months ago
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talked to my father's best friend's son about college and all and he so sooo attarctive oh my god, he isnt that old (21 i think), his voice. oh my god his voice. and he is incredibly intelligent and good at what he's doing. man. i feel filthy as i type this.
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mummelthecryptid · 10 days ago
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eowyn as a field medic during the time where ithilien is being restored and minas morghul gets destroyed
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feline-evil · 9 months ago
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Never gonna be over how unutterably pathetic and in dire need of ANY kind of companionship or friendship that doesn't revolve around their band the entirety of dethklok are. I love these horrible idiots who are so devoid of any real connections outside of themselves that they will latch onto anyone unfortunate enough to get too close to any one of them! And GOD help anyone they latch onto!!
#jay talkin#metalocalypse#im thinking about the doubles episode where they just seem genuinely happy to have 'friends'#who arent like. industry people. these men are so starved of any kind of connection#and it takes them four seasons a rock opera and a movie to realise they can find that in each other lmao#also thinking about how quickly any of them bond and become really intense abt anyone in their life#aka: NATHAN TOWARDS ABIGAIL. oh dear poor abigail oh dear#but also toki to damn near anyone and this goes for the entire band tbh as well they all do this at least once#and yeah its mainly cuz 10min eps mean u gotta progress stuff fast#but also holy shit. charles these boys want friends so bad u gotta set em up on playdates or smth#maybe it'd get some of their dumb stupid idiot energy out and they'd be better behaved. well. no they wldnt but... u can dream#i do think theres smth to be said that yeah all of dethklok are cool theyre metal superstars they r good at what they do#theyre also fucking prophesised saviours too and theyre also incredibly dangerous idiots and terrible ppl#but never forget that they are also. so so SO pathetic and isolated and dysfunctional#these men have not lived in the real world in decades and are disconnected and unsocial and spoilt and u can see that this does impact#the way they interact w the world! they need like. anything other than the band in their lives hah. they do need to pal around#im glad they find that in each other eventually!!#i dont want 2 sound like im babying them or infantilising them these r grown asshole idiot men but like. listen these shitheards r lonelyyy#everyone in their lives is like. assigned to be there and is set as beneath them in a class and workbased system#they dont rlly have ppl who r just there cuz they like em. outside of fans. and fans arent rlly a real connection yknow#their only connections come via work networking sex and violence and worship baby!!!! its fucked up!
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youtube
guess who got so brainrotted over jaiden animations that they finished their first animatic
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iwritenarrativesandstuff · 2 years ago
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Hello! Hope you don't mind the random ask 🥺 You said after the newest episode that Mushitarou is one of your favorite BSD characters; could you talk a little about your thoughts on him/why you love him/his arc? He's one of my favorites too, and it makes me so so sad how underrated he is, because imo he's one of the most well-written and tragic characters in the entire series, despite how little screentime (pagetime?) he gets :' ) I wish more people would talk about him. Really hope that changes after the next episode 💚
I honestly almost screamed when I got this ask YES I CAN TALK ABOUT MUSHITARO. I CAN TALK ABOUT HIM ALL DAY.
Ok well first of all he is the poor little meow meow. Pathetic scrunkly man. I'm sorry but you can't deny that it's true. Even in-universe, it's like he's the BSD world's chew toy. He keeps getting kidnapped by different organizations with like. No breathing room in between. Give him a BREAK. Funnily enough, I enjoy and usually like to poke fun at these kinds of characters, but they're not typically my favourites. Mushitaro is, by far, an exception to my usual favourite character types.
Second, I am a lover of bittersweet tragic storylines. Yeah. Honestly, the way the storyline built to the slow reveal - I knew immediately after Poe mentioned the water droplets that they were his tears, and I was starting to suspect what was really going on, but the way it was unraveled was so, so painful and beautifully done. Even knowing it was coming today when I watched the episode, it still hurt.
Thirdly, Mushitaro's circumstances raise some intriguing questions we still don't have answered. He was captured by the Seventh Agency and made to work for them with his ability - he considers them a worse alternative to Dostoevsky and refers to them as tyrants. (We also know of another shadowy organization that takes on ability users with useful skills for nefarious purposes, V. V also somehow managed to not be discovered by either the government or Ranpo in 13 years. I'm not saying there's a connection there but... but... there might be. 👀) Anyways, point is, there's stuff goin' on there. And I wanna know. (Also I like the motivation parallels with Ango very much.)
But most of all, I fully agree with you - he is very well-written. What I love most about his character is actually the way his narrative showcases what I believe to be some of the series' character writing's biggest strengths - to excellent (and heartbreaking) effect.
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Characters are often revealed to be quite different than what their initial introductions would suggest. Later revelations serve to recontextualize earlier character cues - these early cues are often misleading but not outright lies.
To be clear, this isn't a hard or particularly unique thing in character writing - in fact, this is... kind of a minimum requirement. Your audience should be able to go back after the fact and notice new things about characters that you only get on re-read. But I find BSD is interesting for this because these initial impressions don't frequently tell you what these characters actually value - the "establishing moments" are often incredibly misleading. Mushitaro is an excellent example of this.
The best part of the perfect murder arc is the way it slowly unravels piece by piece - and as it unravels, more and more, we get to see the real Mushitaro. He starts off with these terrifying facial expressions, bragging and boasting about how he is the "detective killer" and how none stand in his way, cackling like a shallow cartoon villain. There's not much there to suggest a deeper character. Then there's the first flash to Yokomizo's murder, and Mushitaro appears to revel in it and the idea that he can't be caught. Another flashback shows him making these arrogant demands of a literal terrorist, like all his tableware being silver and porcelain and having access to a library of occult books for his study. Ok dude. This all paints the picture of a selfish individual, primarily concerned with expensive things and money and image - all things that perfectly fit Ranpo's initial conjecture as to the kind of person behind the Kindaichi murder. And just like Ranpo later says, it's a little too perfect.
The reveal builds slowly but surely, and Mushitaro's built-up image as a dramatic, remorseless murderer crumbles. Because he didn't kill out of hatred at all. He killed Yokomizo because Yokomizo asked him to do so. Because this, and the legacy of a mystery that transcended fiction into reality, was his only friend's dying wish. It was enough for Mushitaro to delay his escape just to fulfill it - what Ranpo refers to as a kind of willing self-destruction.
What Mushitaro ultimately values then is honouring the wishes of those he cares about and repaying those he owes. He will take the secret of Yokomizo's ultimate mystery to his grave. He used what he likely thought were his last moments alive to grab the transceiver and warn Ranpo about the danger the Agency was in. He only decided to trust Ango after Ango admitted his use of the Seventh Agency was to honour Oda's memory and wishes.
So, going back and re-reading his intro again, it becomes more clear that he was suffering from a kind of cognitive dissonance. "But wasn't he just playing the role he was supposed to?" No. He wasn't. The first flashback to Yokomizo's murder is much more violent and ends with Mushitaro cackling and going into a full villain monologue when there is no one else around but him. There's no one to perform this role for - except Mushitaro himself.
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Both the killing and the ensuing grief stemmed from the exact same source - Mushitaro loved his friend deeply. But there is, I believe, no small amount of bitterness too, for the way they argued frequently, and the way his friend asked this of him. It's practically irreconcilable in his mind, and so Mushitaro leans into his role as the evil perpetrator who hated Yokomizo to such a degree that I honestly think he started to believe it - Mushitaro, with two narratives in his mind running parallel to each other that are fundamentally conflicting, tried to make a monster of himself. Insisted on being the monster, at least until Ranpo made it impossible for him to deny the true motive behind his actions - protecting his friend's last wish.
Fittingly for the climactic reveal of a mystery storyline that blurs fiction and reality, Mushitaro's real-life grief was his perfect fictional role's undoing.
Is he boastful? Arrogant? A bit of a coward? Absolutely. But Mushitaro is no monstrous villain - he is a man unable to confront his grief over his friend's death, and who, ultimately, doesn't intend any real harm.
Because other than Yokomizo, revealed as an agreed upon assisted suicide - Mushitaro never murdered anyone.
2. Characters are not cured of their pain and trauma. They continue to struggle with it during their development and it actively impacts the way they view and interact with the world around them.
Mushitaro's story is heavily themed around grief and his consistent denial of it's effects on him. At first, he denies by embodying the role Yokomizo wanted him to play - it seems to the point where he legitimately started to lose it. He's slipping when we first meet him. In a weird way, for as much as Ranpo tore his perfect crime apart... I feel like he also saved him, in a sense. The dissonance he was experiencing likely only would've gotten worse if he had not been forced to speak the truth aloud.
After that point... the denial focuses solely on the idea that Mushitaro doesn't miss Yokomizo at all. That he's doing just fine and Yokomizo should be jealous (he's far from fine; he doesn't even see a point in going outside anymore now that he won't be able to see his friend) and that he hated him (he doesn't. he never did. but he has to. he can't deal with it.).
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Another thing I really like about his arc is that Mushitaro's grief also clearly stems from the entire thing being traumatic for him - but neither Yokomizo nor Mushitaro are demonized or victimized for this; rather the situation is just shown as it is. It's nice, that the story allows the reader/viewer to draw their own judgements. Both had their reasons for their actions - Yokomizo was already dying and wanted to go out in a way that was meaningful to him, while Mushitaro chose to fulfill this wish in spite of the cost to him. They both mutually self-destructed, in a way.
The narrative doesn't frame either as the villain. It doesn't fully frame either in victimhood either. It's a tragedy all the same.
Mushitaro continues to see and hear Yokomizo wherever he goes, not because he can't get rid of him... but because he never wanted him to be gone in the first place. Stabbing me would hurt less I think. :/
3. Characters often grow and change before they consciously realize it or have any sort of "epiphany".
This ties in a lot with the ongoing theme of uncertainty, and I above all really like this aspect of the series. BSD has characters grow and change and try to be better, do better by themselves and others... without being sure of the outcome. Sometimes before they're ready to consciously admit a change is necessary. There are few epiphanies. The characters are forced to slog through hardship and only then suddenly realize how far they've come - for better or for worse.
Mushitaro does change, even in the short span of time he is a focus character. I love the first little signs of it too - Mushitaro, who doesn't even like mystery novels, uses a trick Yokomizo told him about to help himself, Atsushi and Kyouka escape. Look at him :')
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Afterwards, he starts to wonder if he can see Yokomizo whenever he enters a locked room - as in, if connecting to the memory of his friend through what he loved in life will mean that he keeps that memory alive.
And as annoyed as he is with Poe's attempts to get him to write a mystery... a part of him is happy to be around people that he could start to consider his friends. Enough that the Yokomizo he hallucinates wonders if maybe he doesn't need him there anymore. And finally Mushitaro bursts.
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But this is actually good. He's finally past that denial phase, the part that had him talking about hate when really he missed him all along. Thing is, he'd already been developing and changing by this point, in that he needed the growth to come to terms with this truth, and it was not the truth that drove the growth.
In a sense, Mushitaro working through his grief and uncertainty led him to a brighter outcome, one where he has more friends and can start anew. He lost the closest person in his life. But his arc continuously asserts that in spite of the fact that he will always miss his friend, Mushitaro himself is still alive. And he should live that life - both moving forward and keeping the memory of his friend with him.
Odasaku believed that writing a novel was to write people. Poe was so insistent on getting him to write because it's a way of seeing the people we want to see anytime we want.
What a beautiful character arc, that began with fiction as an escape from real-life pain, and concluded with fiction as a means to work through it and with it instead.
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Plus he's just such a funky little dude.
I. Love. Mushitaro.
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shiroselia · 1 year ago
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Play 13 Sentinels I am no longer asking
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hopelessfandomfreak · 1 year ago
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this gives me hope
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indelicateink · 6 months ago
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#okay i'll break:#do i just have the most exquisitely curated internet experience ever or#is there actually any merit to people saying they're seeing a lot of hate for ep3 on here and twitter??? i do not see it#all i can think of is seeing a few people unhappy/quibbling w various aspects which is simply expressing valid opinion--and that's not hate#or people poking fun at this that or the other. but it's not generally based in hate. it's just interaction with beloved media#i'm not saying the angry aren't out there. but i just. they're in the vanishing minority by my (possibly lucky) experience??#do the haters just have the loudest voices despite their smaller numbers. or do they really have just large numbers and i don't see it#i only ask bc it gives me an ulcer that amc would get this impression based on social media#when gdi this is our beloved show and as far as i can tell we're having a damn good time#iwtv#iwtv spoilers#PS slightly separate issue:#are people out there *genuinely* shitting on louis for the end-of-episode choices or only simply throwing shade?#again: i'm not seeing the hate on my dash. only references to it#bc if it's hate wtf lol holy shit just let the man live!#idk his motivations rn but the man is .005 seconds from a real psychotic break (i'm not going to diagnose him maybe he's#having them already idk) let it play out lol#but if people are throwing shade eh he can withstand it he is our cherished gothic hero forever. not unassailable but always beloved#god maybe i'm being pollyanna lmk#shoving this all in the tags bc i hate drama and don't want it; idk how else to put this out there for thoughtful answers
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lovelyrotter · 6 months ago
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yknow i love transmasc/tboy dirk always and forever but the way some ppl treat transmascness vs transfemmeness in HS's narrative........kinda sucks. like the whole thing about how being transfeminine is a literal transient experience and lets the character in question (any character) truly escape the oppression of HS's narrative-as-a-character which is patriarchal and toxic (lord english, hussie-the-character to an extent. i guess. idk ive seen a lotta ppl lump SI-hussie in w/ this), which is great and does hold weight as an analytical lens esp with how hussie irl is nonbinary. but where does this leave transmasc characters. why are we treating (headcanoned) transfemme HS characters like this and then tbh gleefully dooming (headcanoned) transmasc characters to eternal narrative suffering brought by LE and then mocking them for being ''gross tboys'' full of ''icky testorerone'' so its their fault theyre in this perpetual torment really? because they ''''chose to be a man''''? dunno man its starting to feel bad. especially since some bnf's who are really into this fan theory do actually kinda treat the general idea of transmasculinity like somthing to hold with tongs at arms length away from them. as if its alien or infectous or something and then get really mad when equally dysphoric transmascs do the same with feminity. why are we dooming dirk strider to eternal toxic-masculine suffering and what does that say about how we treat real life transmasc folks both in and outside of the fandom
#my t#basically you arent more or less special or deserving of celebration or joy depending on what pronouns you use#and idk yall gender is such a personal thing and your trans experience def does colour the way you look at the world. it def does mine/ours#and i wish ppl on this site would be more honest about that cause holy hell do some of yall treat eachother like dogshit#PURELY on the basis of identity. you are no better than a TERF if you do this. you ARE a TERF if you do this#but like...........can we all at least TRY not to demonize '''the other side''' here#in quotations because theres no '''other side''' in the trans community we're all just trans in different ways#theres just like. yknow#theres a reason why so many tboys and transmasc folks identify with the striders and dirk especially#and theres a reason why *so many* transmascs felt so much joy abt tboy roxy#so many of our lives pre-transition looked and felt like roxy lalondes. so many of us legit forcefully feminized ourselves#bc the alternative was so fucking scary. as you can probably imagine regardless of what flavour of trans you are#theres also a reason why there are so many transmasc fictives named dirk and dave and idk what to tell these ppl abt that#i remember rlly clearly this affectionate joke like a literal decade ago on this site that was like#daves intro dropped and 1mil tboys named dave materialized into existence#dirks intro dropped and 1mil MORE tboys named dirk materialized into existence#i try rlly rlly hard not to get sour at wlw/nblw focused memes that are like#''i made pepsicola better!!! theyre she/theys now :)'' for example#but its getting increasingly harder to ignore when the same ppl who make these memes treat#fans who prefer m/m *bc they themselves are gay* like shit#or like enjoying m/m because theyre mlm is mysogynistic. which it isnt ffs#that shit gives i am uncomfortable when is not about me and i aint here for that#if i were like these ppl maybe id turn all their fave girls into tboys just to spite them#but it wont be just to spite them bc 1) i aint abt that actually. im too fuckin grown for it and 2)#i genuinely just enjoy exploring m/m and masculinity more because i am a trans mlm. its very simple math
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uncanny-tranny · 1 year ago
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Look, if you've encountered a disabled person's life or living standards and you personally don't like it, the least you can do is not saying "I'm so grateful I don't like like that" or worse "I'm so glad I'm not you"
It is actually incredibly simple to simultaneously not center yourself and the way you aren't disabled or the way your disabilities don't impact your life like others and to not shame and humiliate others. It's sometimes okay to keep comments like that inside your mind, where it won't hurt that person.
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