#// damn i had a lot more to say about this than i thought-

[hueseok]

can’t stop thinking about boyfriend!yoongi who in a way, found his match with you.

for decades, his oldest friends always teased him for being the textbook definition of ‘nonchalant’, labeling him as a stoic man who loved to pretend that he didn’t care about anything—even though in reality, there were always a few tells that made it obvious that he did.

he was the type of guy who made it seem like he didn’t care if you forgot about his birthday, but would send a joke afterwards saying that he was disappointed that you didn’t remember.

or the type who acted like it didn’t matter to him if the meal he worked hard on cooking tasted delicious for your taste buds, only to grin really wide as soon as you complimented him and uttered a string of praises afterwards.

it was an endearing quality of yoongi’s, a rather fascinating trait that also became the butt of the joke at times whenever the topic was his love life and his bad luck when it came to relationships.

“you can come off as emotionally unavailable,” hoseok told him over beer once. “ladies don’t like that. they want men who can tell them how special they are.”

“isn’t it enough that i show it?” yoongi asked, having just been dumped by the girl he was dating. “i mean, i drive her to work every single day. i fetch her from work whenever i can too. i buy her stuff if it’s necessary, like shampoo or paper towels.”

hoseok stared at him. “paper towels?”

“yeah.”

“wow. i take it all back. you are the most romantic man on the planet.”

yoongi rolled his eyes at the sarcasm. “she mentioned she was running out of them so i bought more for her.”

“are you her dad or something?”

“i heard ladies like a provider.”

“yes, but not in that sense. it’s more like… you get the bill whenever you’re having lunch or dinner at a restaurant, or buying her a bag she’s been eyeing, or paying for her nails when she gets them done. doing all of that without not being asked is the key aspect of it, really.”

“how do you know this stuff?”

hoseok shrugged. “i have an older sister,” he says. “also, i’m engaged to my girlfriend of 6 years. being in a relationship that long ought to teach you a lot.”

thanks to that conversation, yoongi began understanding what it really meant to be a great and affectionate boyfriend without sacrificing his rather reserved personality. he knew what the right gestures to do, what the right things to say, what the right gifts to buy—and he did all of that with utmost sincerity, genuinely wanting to be a better partner for his current girlfriend, which also happened to be you.

the funny thing, though?

you couldn’t seem to recognize the nice boyfriend things yoongi was doing and how much he improved compared to his last relationship.

you were just… independent, he thought. a strong woman who didn’t like to be coddled and didn’t like asking help from anyone regardless of how much you may be already struggling. he had a realization that you were naturally like this because of the stories you used to tell him that made him understand that you just weren’t used to relying on others, a trait that he didn’t have an issue with and sometimes even admired.

however, he couldn’t lie and say that it wasn’t sometimes frustrating as well.

for example, just last week, the both of you had a semi-big fight because of how you constantly insisted on changing the broken lightbulb in your bedroom yourself even though yoongi was already telling you that he could do it instead. in the end, since you were stubborn as hell, you still tried changing it on your own but had a very minor injury due to falling off the stool you were standing on for extra height.

yoongi was furious when he found out, and you ultimately became furious because it seemed like he was being unfair to you, the negative energy impacting your mood and rationality that you didn’t get how he was more mad on the fact that you let your pride get to you than just asking for his damn help for the freaking lightbulb.

when the both of you calmed down and said your apologies, yoongi took your hands and looked directly in your eyes. “babe, you have to start depending on me,” he said.

the straightforwardness caught you off guard. “huh?”

“i mean…” you felt him squeeze your fingers softly, “i understand that you’re used to doing things all on your own… how you don’t like being treated like some baby… but that shouldn’t be the case with me, okay? i’m here to take care of you, to always help you with whatever you need.”

you opened your mouth, about to say something he knew was not going to align with his point, so he took the liberty to cut you off.

“i’m serious. you know what i’m talking about. let me take care of you, ____.”

“but—” you couldn’t continue with your sentence, a wave of emotions suddenly flooding you that made your throat tighten and voice quiver as you began speaking again— “how? i… i don’t—i just… you don’t need to. i don’t want to be a burden.”

yoongi gave you a look, a mixture of fondness and disbelief. “you? a burden?”

“yeah. you don’t need to take care of me.”

“i’m well aware that you’re a grown woman who doesn’t need taking care of.” he joked. “but that doesn’t stop me from wanting to do it. that’s why if i were you, i would just start depending on my poor boyfriend and learn how to be comfortable in being taken care of because it’s definitely how things are going to be now that he’s here.”

you snorted at the use of third person. “fine,” you sniffled, “okay, i’ll try to be better at asking for help next time.”

he sighed in relief, releasing your hands to instead engulf you in a tight embrace. “thank you, baby. i appreciate it a lot.”

****

the first time you willingly asked yoongi for a favor after that talk—regardless of how small and trivial it was—it still affected him big time.

“can you help me assemble the drawer i bought?” you asked him over dinner, ever so casual and nonchalant.

he almost dropped the chopsticks he was holding. “what?”

“i said, can you—”

“no, i heard that perfectly well. i’m just surprised at what i’m hearing.”

your lips twitched while your face visibly burned. “don’t start teasing me or else—”

“i’m not.” he laughed, a little too loudly than usual, before reaching for your hand and kissing your knuckles. “i’m not, i swear. i’m just happy.”

“you’re happy because i’m asking for help?”

“i’m happy because you’re letting me take care of you,” he corrected. “it’s a bit overdue in my opinion but who am i to complain?”

you playfully shoved his hand away, which made yoongi laugh harder and lean towards you to give you a chaste kiss on the cheek, letting you know that your simple effort of trying to let him in meant so much more than words could ever say.

note. this blurb is unedited and has been in my drafts since december because it's always yoongi missing hours!!!!! but for real though, i wish yoongi is doing great and is always surrounded by good people who can give him the support he needs + remind him how loved he is :(

[pinescent-and-gingerbread]

✧ Fantasies in the dark - II

✦ Pairing: Arthur Morgan x Female!Reader ✦ Summary: Arthur's obsession with you intensifies and reaches a point of no return when you catch him red-handed... ✦ Warnings/tags: SMUT 18+, MDNI! Masturbation (again), Arthur is still a little pervy, stripping, p in v, Arthur's self-esteem's still shitty, sub!Arthur at first then switches into dom, Reader is a BIG tease. Mainly Arthur's pov. ✦ Words: 5k (oops) Arthur's pic is mine, others are from Pinterest. And as always, as English isn't my first language, prepare for some possible misspellings.

Part I - Part II

 A ruby, squared, soft form.

His eyes are stuck on it as his thoughts unthread and tangle endlessly in his brain. 

Arthur was a damned man. He had been for a while now and this fatality had settled into his head for a few years already. His sins were so numerous and varied that he hadn’t even considered the thought of going to rest in Heaven when the Great Reaper would finally put an end to his sufferings. 

But considering all of this, the gunslinger had definitely not planned on adding a new sin to his list by jerking himself off while watching you almost every night for more than half a month. Oh, the same old speech was still playing in his head; his gesture leaking with shame and muscles sweaty from fear of getting caught. The adrenaline and depravation of the act, the sweet, sweet relief of his orgasm, and the momentary satisfaction he was pulling out of it every time was a very dangerous cocktail; he knew it.

He knew, knew, knew everything of that, of course he did. And still, his fingers opening his fly carelessly. Still, his eyes searching for this sublime silhouette of yours. Still, his cock hardening, itching, burning, begging to be grabbed. And still, his hands taking the doomed responsibility of answering the call. Still his muffled groans, his lips bitten, his silent words spoken in his head, your body joining him. Still, your hand, instead of his. His spend, less and less consistent, spurting quickly and spreading on his dirty clothes, the silence following, the emptiness, the shame, the guilt, the coldness amplified by his intimate fantasies. Like those dark loud nights of storms, air charged with electricity, and left in heavy disturbing quietness after the last lightning struck. Still, dreaming, wanting, longing. 

Still you.

He felt insatiable, like an enraged, mad dog, pathetic bastard. And paradoxically, as he finally had found sleep again after allowing his body what it needed, he felt weaker than ever. Weakened by you.

You hadn't left him after the first night he had succumbed to temptation. You had branded his spirit with a red-hot iron. Damned him to a lifetime of ache, a mortal succumbing to a Mermaid's melody and sailing in search of her on an infinite sea.

 A ruby, squared, soft form. 

It’s your shawl lying on a chair. You forgot it a few minutes ago, but he didn’t say anything about it. He’s still looking at it, hands fidgeting, mind pondering. What’s good and what’s bad. The ugliness of his self and soul. The risks, the benefits. 

He thinks back to the day you and him just shared. A job in Rhodes, “needing to be taken care of by two people”, Dutch’s words. He had sent him, which was predictable —the gang’s workhorse rarely knows rest. But you? It surprised him a whole lot more. Something about the job requesting some “feminine charm”. He hadn’t complained. Not when he had realized he would be able to spend some time alone with you. 

And his gaze had been wandering way more than what common decency was allowing him to. Staring and dreaming were all he had been doing lately, anyhow.

Looking at the delicious cleavage your fancy dress was offering when you got out of your tent and joined him back at camp, your breasts pressed up and round, almost impossible not to devour with his eyes. All he could do was make a sarcastic comment about it as the only defense against his urges. You moron Morgan, just say something nice for once. Luckily -or not- for him, you had wrapped your appealing shoulders in the sophisticated cherry-colored cape to prevent the coldness of the night.

Looking at your back as you both rode into town, looking at your neck when he helped you off your horse once into Rhodes. Looking at your lips as you two were sat in one of the Parlor’s house boxes, the job long-forgotten when he had noticed this little wrinkle next to your lips, that one you have when you laugh and find something funny. He would have to add it to his endless sketches of you.

Looking at your thin, sneaky hands from afar as they were slipping into that wealthy gentleman’s pocket to steal the papers you were both here for in the first place. It all felt distant and insignificant to him now, as a forgettable theater play set in the background. 

Later, you had been the one looking at him when he had come to your rescue. The “gentleman” was being insistent with you. As you both had crossed eyes from across the reception room, Arthur had read your apprehension and silent call for help in just a split second. And here he was, puffing out his chest, look dark and intense, muscles tensed. The perfect look of a man you don’t want to cross, that look he and Hosea had worked hard on building, scars and broad shoulders gained after all these years of intimidation. He was so used to it by now he wasn’t even sure he knew how to be anything else. His pointer finger tapping threateningly on the shiny Deputy Star he had on his jacket and his deep, menacing tone had acted as the final details. You should leave the lady alone and get some fresh air, pal. The fool had dropped the case and returned with his tail between his legs without any clue what had actually happened.

And then, your sweet voice asking for a drink. “Come on, we got to celebrate! Finally, a job well handled without a drop of blood.” How could he ever say no to that? It was almost too good to be true. Spending the evening with you, laughing, talking, philosophizing.

Arthur didn’t know he could be that talkative. Maybe it was the whiskey. Maybe it was your presence. Maybe a bit of both. And he had paid for everything. A good hot dinner for both of you, your drinks, and two rooms the moment you told him you were too tired to ride back to camp. Oh, he could have given you all the Wolrd’s treasure if that meant you would keep looking at him with these pretty playful eyes.

As the evening passed, the gentle flow of your endless conversations had led you from the bar to the stairs, to the second floor, to the hallway, and eventually to his room, naturally and serenely, like a rowboat ride on a summer lake.

And finally, after a few yawns exchanged, some delicate eyelids rubbed by you, you had left him to sleep, completely forgetting about your shawl, hanging on one of his room’s chairs. And you had greeted each other goodnight. As friends. This was all he would ever be to you, he knew it. And it was better that way. Like this, he was preserving you from having a pathetic man and a pathetic life being his. He was like an infertile soil, anyway. Any seed you would plant and try to harvest with him would end up rotten, corrupted. Fruitless.

And now left in the stillness of the room, in this deafening silence without the sound of your voice, his vision fixated on your abandoned piece of clothing, the most sinful of all thoughts is digging its way through the fibers of his brain, fed by need and alcohol, gnawing at his neurons, eating up any rational reasoning. 

A ruby, tempting garment of yours.

He wants to grab it. To smell it. He wants your perfume to completely fill his nose, so much it would be like drowning in your scent. You wouldn’t be coming back for it anyway, considering how tired you looked a few minutes ago. And you’d never know about it. Just like you didn’t know he was watching you all this time through the fabric of your tent. After all, he was already so deep down into this rabbit hole of lust, what would it change?

And just like that, before he can even think about it more, his arm is already extending, his fingers wrapping around the forbidden fruit.

A descent into Hell he is not able to stop nor control. And at the same time, it feels like getting closer to Heaven.

He lays on the bed, back against the coarse sheets that still felt better than his cot back at camp, and brings your stole to his nose, almost covering his face with it. He closes his eyes.

And he breathes in.

Hell. If God wanted him to stay virtuous, why did he create such a temptatious woman like you? Your scent is without any surprise just as irresistible and bewitching as your whole self.

The fruity notes of it remind him of your skin and lips he wants to taste so badly, a mouth-watering gourmet scent. The floral and fresh ones, of this sparkling mischievousness in your eyes. And in the end, as he exhales, warm and spicy aromas rain on him. They fill his mind with a deep sense of comfort, as if scenting directly your hair. It’s intoxicating, spellbinding. Driving him deeper into his madness. He doesn’t try to resist, not anymore, this delightful fresco of fragrances painted just for him.

Naturally and almost subconsciously, his vicious right hand reaches his crotch. He’s already hard. Just by smelling your shawl.

This time you’ve really hit rock bottom, old bastard.

He doesn’t even bother thinking about it more, he already knows he’s too deep in; already knows he won’t be able to stop himself. 

Ah shit, screw it, jus’ a quick wank.

He quickly unbuckles his holster belt, then unbuttons his pants, and snakes his hand between the folds of his union suit. A silent swift dance he is used to repeating by now. 

He breathes again a long, deep whiff, and wraps his fingers around his cock thinking of you, once more. 

He sees you and your perfect body, and everything blends and blurs in his heated psyche. The form of your breasts and ass through the tent's canvas he knew by heart at this point. Your smirk, your eyes looking back at his, only his during this night spent together. Your heady, addicting scent surrounds him and fuels his fantasies even more, making them more vivid than before, the soft fabric of the stole against his skin a light caress he imagines yours.

He strokes and strokes and strokes, he needs it more than ever, even if, truth be told, every time is more than ever. His pinkish cock’s head is reddened and swollen from having been rubbed so many times lately, sensible and almost pained. But he doesn't care. It makes him feel even more alive. Even more here. Simply better.

He wants his body to feel pleasure. Pleasure, for once, instead of pain. Pain all the time, pain everywhere, bullets through his muscles, knives on his skin, cutting through his flesh, fists against his bones, breaking his jaws, his nose, his cheeks. Broken, used, beaten, ripped, bruised, overworked, abused. Oh, he’s tired of it. Only in those prohibited moments, he can experience pleasure. No matter how wicked and profane.

The room is now filled with those wet, fast-paced sounds, his rustling against the sheets, and the smallest of grunts coming from his unholy lips as he fucks his fist. Your name escapes him from time to time, muffled by your shawl he's still holding all against him with his left hand, and breathing the air from.

As if all the World’s oxygen would never be as good as breathing through it. As if everything else would feel thick and fusty in his lungs. No Mountains, no Oceans, no flowers, not the tastiest food, nothing could ever compete with smelling your scent. 

Stroke, stroke, stroke. Goddamn it, she’s perfect. A big, hard stroke. Oh God, yes, just a bit more…

Too absorbed by his delirious daydream, he doesn't notice right away the creaking of the door as you enter his room again, searching for the very thing he's using to masturbate right now.

“Arthur, I’m sorry to bother you again but I think I forgot my sh—”

You freeze.

SHIT! He instantly curses loudly and jumps from the bed so suddenly that he almost falls to the ground. A stumbling mess, his holster crashes on the wooden floor with a loud percussive sound as he shoves his member back into his clothes as fast as possible, looking like a disjointed chaos of limbs. He is mortified. There is no way in the world you won’t understand what was just happening. He ends up standing next to the bed, after having thrown your cape at the other corner of the room with such force it looked like the damn thing was made of burning iron. And he doesn’t even know why. Maybe to distance himself from his sins. To try and erase this horrible vision from your pretty eyes. His labored breath and fast-beating heartbeat are now ruled by panic instead of lust. For all his life he had never experienced such shame and felt so utterly stupid. 

There is a small moment of silence, heavy and embarrassed. A little time of denying. No, this can’t be happening. But your look turns in circles from the bed, him, and the scarf, circling him like a cornered animal. That’s it, his pride is dead right here in this stupid hotel room. You see right through him, he’s sure of it. Your piercing beautiful gaze lands on his ears a few times, and he knows they’re crimson just by the heat he can feel on them. But the worst thing of all is his bulge, obvious and raised up as a flag right in the middle of his thighs, under his badly buttoned fly. Like a Mausoleum to his Dignity. The damn thing refusing to shrink and obviously screaming loudly his offence to the whole World. All the contrary, your gaze falling on it produces the exact opposite of what he wants, his cock almost twitching in return. 

Damn it!

Damn it, damn it, damn it!-

“Where you… Hum…” You start, before clearing your throat slightly.

“ ‘m sorry, Am… I didn’t mean to… ‘m such a goddamn fool.” This is the best he can come up with. What excuses could he have anyway? Nothing could justify what he did.

You had never heard his deep asserted voice so chagrined. Utter fear and shame. You didn’t even know he could feel that way.

His gaze is fixated on his dirty boots, refusing to cross yours. Just as goddamn dirty as me. 

“Were you pleasuring yourself, Mister Morgan?” You ask, your tone slightly playful. He doesn’t see it, but a mischievous grin settles on your face.

He takes your tone as a mocking one. You would have all the right to mock him. That’s all he deserved.

He tries to answer but doesn't even dare to admit it verbally, as if it would aggravate his situation. He just nods slowly, as seriously as if he was at a funeral. 

“With one of my clothes?” You ask again, your grin widening.

Another nod, his eyes shutting as if he had been hit by something, your sentence making the whole thing even worse. Oh, just a few seconds ago, he was feeling more present and alive than ever, and now all he wanted was to disappear or die.

He hears more than he sees your steps on the parquet. Every stomping sound hurt him a bit more. He doesn't even dare to move. As if everything he would do from now would offend you. Even breathing, no, even existing is too much.

She’s going to slap me. A step. She's going to yell in my face. Another step. I’m dead. A final step.

You’re so close to him now he’s holding his breath, eyes closed, ready to face the well-deserved punishment of your choice for his trespass.

But he's only met with stillness until you speak again.

“Arthur, do you really think I was that hot in my tent, every night?”

The words reach his ears but his brain refuses them. His mouth opens in astonishment. He closes it to swallow loudly and opens it again as if trying to speak in utter confusion.

“You… I… Wait, really?”

“I never thought you could be that naive, honestly.” You answer, a little chuckle escaping you. One of your hands slowly reaches the side of his face, but he still shivers slightly when it touches him. You guide his head back up for him to finally look you in the eyes.

Arthur's two blue sapphires are topped with anxious brows. A bright confusion and a soft vulnerability. They don’t settle too long on one point of your face out of nervousness, as if they could burn you.

“M-me neither.” He simply whispers, a bashful, nervous smile settling on his mouth. He still doesn’t move.

“Do you really think I wasn’t aware of what I was doing, mmh?” You continue, your fingers traveling from his face all the way down his neck, gently caressing the base of his hair.

You can’t be serious right now.

“I… I don’ know…” And he really doesn’t. This is all so unbelievable to him that he’s persuaded this is all a dream and he’s going to wake up any moment.

The only thing anchoring him to reality is your fingers exploring him, making him slowly let out the breath he had been holding in his chest.

“Let me help you finish what you've started…” You murmur, voice low and obvious to what you’re implying, sultry, suggestive.

He feels his shaft pulsing again instantly in answer, his body once again taking the lead. He’s about to say something, to ask you if you’re sure you want to do this with an old bitter moron like him, but one of your hands is already reaching straight to his crotch, palming his warm, needy erection.

“Anh…!” The moan turning into a groan he lets out duplicates your own arousal.

His hips rock against your hand involuntarily, the need for contact of any sort getting more powerful than his shame. He still doesn’t dare do much to you though, not wanting to cross any more limits. He lets you handle him just like you want. He lets the flow of life take him instead of fighting against it, for once. The only gesture he allows is settling his big hands on your back, sweaty and almost shaking.

Oh, your sneaky fingers. They touch and grope and palpate, and he sighs louder. It feels so much better, to have your hand touching him.

After a few more teasing caresses, you sway in a smooth motion and playfully push him backward, making him fall on the bed. He sits there, looking up at you with those two adoring cerulean pupils, as if you were the Sun itself. A distant magnificent star, impossible for him to reach, condemned to only contemplate.

“Get your clothes off.” You order, his reactions making you more confident and straightforward than usual. 

He is quick to obey. You could have asked him to jump off a cliff and he would have done it without even thinking. His clothes fall one by one on the floor and you feast on every area of skin he’s offering you. He ends up entirely naked for your eyes. This Titan, cascade of virile hairs everywhere, prominent scarred muscles carved into stone by Ares himself, gorged with raw powerfulness and designed to kill. To survive. And between those open thick thighs, his aroused member. The one he thought of as the triumph of his shame a few minutes ago, is now the Apotheosis of his Glory. Thick, long, hard like him, surrounded by a crown of tawny curls.

“Look at you…” You let out, almost licking your lips. But he doesn’t answer. He doesn’t see what you do at all. Instead, he let his gaze wander on your chest, and you can almost hear the silent plea in his gaze for you to join his nakedness.

Standing right in front of him, you begin to strip yourself out of your clothes, agonizingly slowly, your face displaying this provocative grin that turns him on so much. It’s purposeful, and you feel your own arousal rising as you notice the red coming back to his cheeks and ears.

First, your boots and socks, discovering your delicate legs. Then your blouse, showing your shoulder and chest, then your skirt. He stays silent all the while, enjoying your little show more than you could imagine. Your hips swaying, your arms gracefully dancing, each piece of clothing falling on the ground, this is all a trance he's getting hypnotized by.

Seeing you undress just for him after all those nights spent on his cot touching himself watching your shadow is like adding all the missing color from a masterpiece, enhancing and fulfilling.

“That’s what you’ve been thinking about?” You purr proudly, now in your undergarments.

“God yes. Yer a real’ angel.” He praises in a fevered-like whisper.

You smirk as all answer. “Come on now, show me those dirty things you’ve been doing.” You speak while nodding at his crotch in an almost challenging way.

His hand instantly reaches for his cock. It was itching him to since you had looked at it earlier. He presses his fingers hard around it and he grunts softly, the sound incredible to your ears. Obeying you and surrendering fully to his depravation, he slowly starts stroking himself again while watching you intensely. What did he do to deserve such a splendid spectacle?

That’s when you decide to slowly bend inward and undo the last pieces of clothing you still have. Just a few gestures and your breasts are bare and hanging for him to look at. Jeee-sus. You see and hear his hand speeding up. 

Lastly, you reveal your own sex to him, a pearl between those gorgeous thighs of yours, and he curses out loud this time.

“You're so goddamn beautiful. I could... Damn, I could finish right now jus' lookin' atchu.” He confesses, his cheeks, ears, and chest getting even redder at his own words.

“Really, uh? You're quite easy to tease, Mister Morgan.” You tease, before turning around and bending again, wanting him to see your bottom, taking a more than suggestive position with your ass up.

“Oh, for God sake.” He nearly chokes, his rhythm accelerating again; almost frenetic. This is all he ever wanted during those cold lonely moments. All he ever needed to see. And he can’t help but engrave every little detail in his mind; the little scars you have here and there, the different tone and grain of your skin, your hairs, your body’s hollows and bumps. Every little imperfection. And they make it all even better. Better than any fantasies he had ever pictured in the past few weeks. Because they are making you yourself.

You turn again to face him and straddle his lap, unable to resist your own urges that had been building and building since you had found him touching himself to the thought of you.

That’s when something finally lights up in his mind. The moment he feels your soft, warm thighs around him, and how you’re soaked in between them, it hits him. You’ve been wanting him just as badly as he wanted you. As odd and surprising as it sounds to him. This new reality is right there against his tip as you start rubbing your entrance against it, teasing, playing, pressing just a few inches in, gently praising how big he looks and how good it would be to have him inside of you. 

That thing inside of him explodes.

Suddenly his hands are all over you. Touching everything they can, discovering, molding your curves under his fingertips. Hands on your thighs, hands on your hips, waist, neck. Each part of you touched is breaking every chain that was holding him back, one by one. These perfect sensations blind him to any reasoning, any sense of restrain, and push him to palm your breasts. God, the softness, the warmth. He sighs in appreciation as he kneads both of them and you join his pleasured breathing.

More.

One of his hands leaves your chest to grab your ass, roughly, and he squeezes, hard, while he sucks on the breast that has been abandoned. “Arthur!” You moan out in return, pleasured and surprised voice, mouth left open in delight. Oh, he will satisfy you. Those renewed vows appear as clear as day between the mess of his head as he keeps devouring your nipple endlessly, almost suckling at it. He will push that voice of you to its limit, break it until you won’t be able to scream.

“That’ what you wanted all this time, uh? Drivin’ me insane?”

You search for something clever to throw back at him but the calloused hand on your breast suddenly reaches your cunt and you gasp instead. 

“That’ what you do? Torture poor devil like me until they can’t help but fall for you?” He asks again, his confidence heightened by your sweet sounds, his tone getting darker and darker. Touching your folds pleasures him almost as much as you, his brows furrowing into a needy and intense expression.

“J-just you… ‘Just wanted you to notice me…” You admit, your hips rolling on his lap and against his hand. His fingers part your cunt and trace their own way through this little Heaven, exploring this place he had craved so much; and it makes him more excited than any thoughts he could have had on his own.

“Well, that sure worked, girl.”

He lets go of your pussy and you squeal in protest, almost ashamed of your own sound. He smiles triumphantly at you, feeling satisfied to give you a taste of your own medicine. He wraps both of his arms around your waist, your chest ending up pressed against his face; his nose is shoved in it and he sighs louder this time. 

He can’t wait any longer. Not when he has been dreaming of this for weeks. Not after discovering your unforgettable perfume. Not after having felt this wet, warm promise of your entrance. He looks up at your face, searching for any trace of disgust or apprehension but you're completely free from any. Mouth agape, breaths deep and hips shamelessly searching for his, you're even more gorgeous than before, and he snaps.

He guides you carefully, his hands warm and hard against your bare skin. And he pushes.

His sex entering you slowly is deliciously hard and hot. His cockhead is big, way bigger than what you’re used to, and feels so good already. His arms hold you in place as he pushes again, wanting to be completely stuffed in, a long, low growling sound accompanying his movement. Oh, Christ Almighty. He had never felt so good than buried like this in your warm, silky, divine cunt right now.

Once fully settled, you both sighs and breath loudly for just a few seconds, your gazes meeting and silently agreeing on how fucking delicious this feels. Then you move up, wanting to ride him, feeling his shaft pull out as you do, but his arms grab you tighter and put your hips back in place.

“God!” You whine as you feel his length plunging again and hitting that spot inside of you.

He starts to buck his hips up against yours, unable to resist anything anymore. His rhythm, he wanted slow and meaningful at first, is quickly turning fast and hard, a remnant of how incredibly frustrated and needy he had been all this time.

“I’m gonna -Ohh, shit- I’m gonna show ya what ya get teasin’ me like that.”

Arthur's southern drawl is even more prominent, his voice hoarse and deep from effort. His thrusts up are more and more powerful, making you jump up and down on top of him and for the first time in days he thanks himself for having pleasured himself so many times lately, otherwise he would have come instantly right there in your heat. Your breasts bounce in this erotic, unresistible dance that he’ll remember for every future night he'll spend alone.

“Oh Arthur, don’t stop!” 

His cock pulls out and shoves into your cunt so fastly it's rubbing perfectly how you want it deep inside and you reach for his shoulders, needing to hold onto him, already so close. “Yes, yes, yes, right there!”

He hears your accelerating breathing, your higher-pitched moans turning into screams and he searches for your lips with his. Your tender petals against his dirty mouth. But he doesn’t care, there’s only your pussy right now, and your incredible smell he’s filled with once again, just like you’re filled with his tongue and his dick inside of you.

Both his hands grab your ass and he fucks frantically, his balls slapping against it with each thrust, making your plump flesh jiggle and those hitting and smacking sounds resonating throughout the room. Again, and again, and Damn it again.

It’s too much for you. 

You cry out loudly as your fingers dig into his shoulders and your head tilts backward, and his big, solid arms keep you pressed against his chest, completely wrapped around you; and he finally, finally feels it. Pleasure, pleasure, pleasure, instead of pain. This irresistible release, your pussy clenching and squeezing all around his cock. “-Ngh, s-shit yes angel, give it t’me!”

You give it all to him without any resistance and in a obscene scream. And it’s too much for him.

“Ah, God…” He hisses as he feels it coming, quickly pulling you up —as effortlessly as if you weighed nothing— and pressing his cock against your clit, well nestled between your lips.

He reaches your lips again, needing to finish while kissing you, both of your bodies almost sewn together, his moans sounding more and more like primal growls and hisses at every rubbing movement against your core, movements getting faster and faster, impossibly faster, So fucking good, Jesus so goddamned perfect, Perfect, perfect!- Until he finally comes, translucent cum leaking all the way down his shaft and spreading on your lower belly, all panting and grunting, a complete mess; a satiated beast.

It’s better than any of the dreams he ever had, waking or sleeping. And it’s not just the release of this one and only time, it’s the pinnacle of all these lonely pleasures shared with no one in regretful secret.

For the second time that night, he thinks he’s dead. 

He falls backward, back against the mattress, and you follow, unable to stand without him. In that silence only disturbed by your exhausted breaths, he turns and grabs the first piece of clothing that he has at hand’s reach, his flannel. He gently uses it to clear your belly from his seed and seeing it, on your smooth and soft skin, makes a wave of culpability crash onto him once again. Shouldn't have done all of this. Should have taken care of her properly.

A dark, glum expression settles on his face and he wraps himself in a deep silence instead of your arms as he finishes to clean the both of you. God, did that man ever know rest for more than a few minutes? At this thought, you bend over to put a small kiss on his forehead, as a thank you for his aftercare.

“Satisfied enough?” You finally break the silence, getting up from the bed –not without stretching your back slightly and swaying your hips before bending to reach for your clothes on the floor.

Arthur cannot help but think of a Nymph as you do all of this still naked. Those irresistible, divine beauties that lure men with a simple move of their finger, as they say in books. He knew it was all stories from another time, but he was more and more convinced they would look exactly like you if they did exist.

“More than in a long time. You?” He replies, voice neutral and features closed as usual. He stays on the bed and put only his pants back, his cock finally softening under the coarse fabric. He never stops looking at you all the while.

“Couldn’t be better”. You assert, your blouse falling back on your upper body. You then roughly fix your hair in this casual, impish way that was yours.

That was driving him insane.

“You’re a little minx, ya know that? Gettin’ naked on purpose every night…”

“Oh, please. You didn’t really complain as far as I know.”

“Nah, but ya did make me insane. Teasin’ littl’ thing y’are.” He says with a fond voice he would have preferred less obvious.

You innocently shrug your shoulders, cheeky grin on your face. The way you're playing with him that easily should have been shaming to him, but he doesn't feel any shame anymore, not after what you have shared.

"Goodnight, Arthur." You throw as all answer, leaving him as you walk through the door of his room. He greets you back, the trimmest trace of longing in his rough voice.

Once again alone, once again cold, Arthur grabs a cigarette from his pocket to smoke before falling asleep; maybe to keep this lingering warmth just a bit longer, the sensations of your body, and especially your sex squeezing around his, still remaining on his skin. Lying completely in the bed, he smiles to himself as he notices you have forgotten your shawl —again. Or maybe you had left it on purpose. Maybe you had both times, now that he is thinking about it. The ruby fabric had landed wrapped all around his old, worn-out leather jacket, like a flame dancing around, envelopping, lapping at a tree.

It looks great that way.

Maybe you were only playing with him. Maybe this was only a one-time thing. But who cared. Tonight, Arthur had been taken care of by a Nymph. And no other mortal pleasure, no other solitaries delights, not even the most lustful and depraved images he could have pulled out of his tormented mind could ever compete with that slice of Olympe you had given to him.

a/n: Yeah, 5K words, I knooow! I'm hopeless. It's quite a lot, but I didn't feel like cutting, nothing felt right. What can I say except thank you, so much, for everyone's interest in the first part, for your notes, comments and reblogs, and for reading all of this! I am in utter PANIC rn because I feel like nothing I could write would be as good or as well received as the first part, but here it is! I really hope it didn't disappoint!

Also, to give Caesar what belongs to Caesar, the holster falling was completely inspired by my dear @zae-heeyyy's Piquancy (II)! I thought it would fit the comical aspect of the scene eheh (go check it out)

tag list: @a-court-of-valkyries, @redwritr, @cassietrn, @esquilone, @starlightt180, @narcoticv3nus, @thoughts-of-bear, @emjiroki, @prettyundeadgirl, @eternalsams (I tried to tag people who had shown interest in a part2, really sorry if I missed anyone!)

[sheepispink]

Food to feed the heart ᡣ𐭩ྀིྀི

ᡣ𐭩ྀིྀི relationships: simon riley x baker!reader

ᡣ𐭩ྀིྀི A/N: ello cuties i know i havent posted anything so take this before i post the next chapter (likely this weekend) because i also have exams next week which also means no chapter.. 😔

Part 1 | Prev | Next

A few days have passed since he had driven you back home from the farm, and you’re still a little flustered that you had fallen asleep so easily. It was embarrassing but thankfully he wasn't the one to wake you up; you’d probably pass out again if you opened your eyes to his skull mask in your face—no offense to him, of course. The truck jostled as he unpacked the car to take out all the fresh produce, clearly having no intentions of making you help. He handled it all with ease, feeling more like carrying a shopping bag than the heavy glass bottles of milk. “Simon?” Your voice has mumbled out sleepily, dragging your tired self around the side of the truck to watch as he lifted each crate. He had gone completely still at your words though, something shifting behind his eyes that were usually quite sharp, though it doesn't seem to be uncomfortable. That look alone flustered you and you immediately got to work despite his protests, hurrying to pack all the produce away.

You’ve long since closed the shop now, but you were preparing some dough as per usual. It was all you ever seemed to do these days, and even if more people were appreciating your bakes, you find yourself desperate for a new invention. Or well, at least somekind of new product in the shop. Somehow, your mind drifts back to your old train of thought that other day, what Simon would eat for lunch. You think he’d like something rich with flavour, considering how dry military food would be, but not spice—it doesn't look like he could handle that much anyway. Savoury seems to be his preference, even if he has tried a few of your sweeter options before. Don’t soldiers need lots of protein and carbs too? At least that’s what everyone says about building muscle, so you mentally jot those points down too. Your stomach rumbles as you see a notification from a cooking channel you follow, instantly clicking on it to see the thumbnail that is the most delicious tacos with their seasoned meat and vegetables. The video even showed pulled chicken tacos, but that’d seemed to be too messy for him to eat on the job— definitely a note for another day.

You hum as you lean against the counter, looking at the bread dough in the bowl before you. Pulled chicken sounded damn good especially for protein, you have bread already, and shredded vegetables would be easy to get…you're going to make the best damn meal he’ll have in his life.

——————————————————————

Sweat trickles down his back and soaks his shirt as he pants quietly, breaths eventually slowing down from his early morning run. The air is crisp, almost biting with how cold it is as December deepens. He doesn't particularly like how much his thoughts have shifted these days, always thinking about his next visit to his bakery rather than the rest of his schedule for the day. Damnit, just the mere sight of a teacup makes him think of your grin when you hand one to him. He’s convinced he’s starting to go insane.

The locker rooms are quiet at this time, and so he pulls off his top in one smooth motion before throwing in his laundry bag that he’ll handle later. His muscles flex as he stretches them a little, fishing out a fresh vest and shirt when his phone buzzes in his duffel bag. That’s unusual, no one really bothered texting him apart from his phone service provider or occasionally an app notification. Even Soap preferred to just hunt down the Lieutenant himself, knowing he barely ever checked his phone. But he does now, because now he’s got someone who has his number, and who actually wants to text him too. Your name and the silly picture you took on his phone flash up, and for once his thumb fumbles when he types his password in.

“Is there any chance i could potentially leave something for you at like.. a military gate.. post.. thing? You forgot something in the shop!”

He raises a brow at the message, knowing damn well he’s never been reckless enough to forget something that would be important as to be delivered to him at this time. If it really was something, surely it could wait until he inevitably saw you next week. At least, that’s what his rationale is telling him. He shouldn't breach work hours and go off and let you into the base, no he should just tell you that it isnt possible and he’ll handle it himself. He’d be damned if he ever let you drive your truck up here, carrying one of his things and delivering it to him personally. What if someone saw you? What if another soldier talked to you and you realised they’re the one you want to stay friends with and not him?”

At that he slams the locker door closed, letting out a deep breath and ignoring the way his face heats. It’s just because of the run, just because of the way his mask clings to his face. It’s really hot in here, yeah that’s it. This -2° air is boiling.

It’s almost lunch time now, and he walks down to the admin area where an intern, who is usually tasked with the mundane tasks like these, tells him there’s a girl waiting for him at the gate. He just gruffly nods, hands stuck in his pockets as he steps out of the building and where you stand on the other side of the barrier, awkwardly waiting with a little paper bag. He’s glad you’re wrapped up, a thick scarf practically engulfing your face and a wooly hat covering the hair he loves the look of. “Miss Lost and Found, is that your name now?” He hums, stepping towards you and you almost jump, not used to the physical skull mask he wears on base and rather the more tame chalk one. But his voice resonates instantly and you grin, tugging down your scarf to your chin. “I may have lied. I came bearing a delivery.”

Well he hadn't expected you to straight up lie to get your way, but he supposes it must be a good cause and so he takes the bag when you offer it to him, though not without taking your wrist too. “C’mon, let's get you warmed up inside.”

You’re not sure if you stick out like a sore thumb because of the thick jacket you wear compared to the camos sported around here, or due to the Lieutenant’s grip around your hand as he tugs you along. It must be a mix of both, assuming from the way the other soldiers look at Ghost and then you before scurrying off quickly. He eventually seats you opposite him in an office, letting you sit on the couch as he settles on the armchair. Though.. this office does not match him in the slightest. “Captain’s office, not mine.”

He hums, digging out the container out of the paperbag with curiosity along with a warm flask. “You didn't..” He grunts, eye flickering down at the food and then up to you, not quite sure just yet if the little lunchbox you brang is something he had somehow left behind in another life or you really had brought him lunch while he was working.

“I did. I wanted to thank you for all your help the other day” You grin, and he pulls off the lid, instantly caught in the delicious smell inside. Two large chicken stuffed buns right beside each other, practically still hot considering you cooked them this morning. Beneath is veggie sticks, ones you’d usually give to little kids, layered over seasoned rice in case he wasn't full on the buns already. And of course, would it really be you if you didn't give him a dessert? Of course, nothing too sweet, in fact you even went out of your way to make another off menu item for him… oops.

“Banana bread? Do you note down everything I say?” He likes the way your smile grows wider when he notices your efforts, taking care to remember that for later too. Though, he really is surprised you were paying that much attention to him. “You know I'm gonna devour this, righ’?”

Though you’re quickly cut off when the door bangs open, a noise common around here but not exactly for you since you unintentionally jump. It doesn't go unnoticed by Simon though, whose hand shoots out to protect before realising you had only jumped at the door and nothing actually serious. His hand says awkwardly hovering before you before he just picks some lint of your shoulder, quickly turning to the door instead. Is he going crazy or what? The cause of the noise was a bulky man who had almost as much muscle as the man in front of you, only shorter than him and the muscle was more evenly distributed.

“Lt, the fuckin’ rookies are at it again! This new batch are always fighting eachother!” He exclaims, walking over to the desk in the office to snatch a cookie out of a jar that easily blends into the rest of the furniture around. You stare at him as he bites into it, the crumbs falling onto his tactical gear before his head lifts to meet Simon’s, only to see you right in front of him. He raises a single brow at you, then chomps on a cookie a little more.

“Oh, is this one of ‘em? Lass doesn't even look terrified, have ye lost yer touch mate?” Ghost grunts as the man jests, and shakes his head before trying to move the lunchbox out of the man’s sight. “She’s not a soldier, Johnny.”

“Not a soldier eh? So.. CIA? One of Laswell’s right?”

“No”

”Medic?”

“No.”

“K9 Trainer?”

“No.”

”Damnit, Lt, yer killing me!”

‘Johnny’ groans as he steps around the desk, before promptly noticing the lunchbox that Ghost had failed to completely hide behind him. Though, that left even more questions unanswered. For starters, when has Ghost ever sat with someone for lunch?

“None of ya business who she is. I’ll deal with the rookies in five, just get ‘em rounded up, Soap.” Then he turns to you, wrapping the scarf that was tossed to the side back around your neck before he pulls you up by your hands. “And you need to get back home.”

“Do I really look like I could be in the CIA?” Soap snaps his gaze to you as your head tilts, in a way that’s far too friendly, towards Ghost though he only rolls his eyes up at you and huffs out a chuckle. “You couldn't even kill a fly.”

“I didn't want fly blood on me!”

You argue and Ghost turns to see the other soldier staring, so he grunts and closes the lid onto the lunchbox. Soap had just been through a series of emotions and confusion was an aspect of all of them. Ghost had just tucked a scarf around your neck, refused to give your identity to him and he was about to walk you back to wherever you came from. For once in his life, he stays silent as his Lieutenant leads you out, a hand on your back to guide you.

——————————————————————

After he walked you back to your car and made sure you knew your way out of the complex, he had spent the next half hour dealing with those damn rookies Soap groaned about. Finally, he was free now, the little blue lunch box in front of him, and lord was he starving. As he promised, he devoured everything you made him, even taking a moment to stop and savour the burst of flavour the shredded chicken had been coated in. It was more than good, it was like the takeout they only got every so often, like the drinks he’d share with his taskforce, or even the sigh that gets let out when everyone comes back unscathed from a mission. It was comforting and warm, a promise of safety and he’d be damned if he never got to try this cooking ever again. So, he savours each bite, every drop of tea in the flask until it’s empty. He’ll scrub the container clean for you, grab you a box of chocolates even if it was meant as a thnak you. And he’d be back in that bakery, as soon as he could.

———————————————————————

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Taglist:

@hidden-treasures21 @bieberismysoulmate @gallantys @tessakate @galactict3a @krispymagazinepizza-blog

[thefirstknife]

I wasn't aware of the discussions around Eramis being that rancid, personally (although I tend not to look at online discussion around media in general, thanks to how skin-deep at best much of it tends to be).

But the way you've talked about it makes me wonder how much of the people complaining about Eramis's character development are coming at it from a dislike of the idea of that redemption being a thing at all- the perspective that Doing Bad Things makes someone A Bad Person who can no longer be A Good Person, essentially. Seems like that mentality has grown... if not more common, at least louder, over time.

(Although your comment about not seeing why they'd 'pull a shocking twist for the sake of pulling a shocking twist to spite the audience' is a little funny in a sad way, considering how many people seem to think "outwit the audience and surprise them" is more important than "tell a coherent story as well as possible", even changing things if a twist is leaked, even if whatever they change it to makes no damn sense.)

It's really bad out there and it's strange for the exact reason you listed, because the same communities have previously entertained redemption ideas about characters like Calus and even Clovis; characters who have never expressed any wish to change or any beliefs that they may be in the wrong, no regrets and no remorse for what they've done.

So I can't even figure out if this with Eramis is about not wanting redemption stories. I think it's more about Eramis herself; not only is she a female character, but she's very largely and easily misunderstood. A lot of people's interaction with Beyond Light was... not entirely invested (a lot of the community was at the time mad about vaulting and hated everything new on principle), and her other storylines are in seasonal content that's gone now and that was almost universally hated; she was brought back in Plunder and then reappeared briefly in Defiance. A lot of people approached her from the get-go as "just some villain we will kill in the campaign" and then that didn't happen and these people were confused because they never paid any attention to her story. And then by the end of it, it just kinda slipped them by.

I don't know honestly. I may be overthinking it, but I definitely think that a lack of understanding of her story plays a huge role. Whether that's because they missed her story or just didn't pay attention to it or just had no interest in it - and nobody online they interact with offered any insight into her character (lore youtube) - they just don't get what's the fuss and they don't care about her. Some might say this is because the game didn't make people want to care, but I simply disagree. While I enjoy Eliksni stories, they're by far not at the top of my list of favourite things in Destiny so I don't have any special attachment to Eliksni characters, I didn't know Eramis before BL and I was never a diehard fan of her, but I understood her story and what they wanted to do with her for the past 4 years.

And I was happy that she got her character arc completed as was intended. I saw where it was going and this solution is the only one that made sense to me. So I don't think the whole "the game didn't make me care enough because it was badly set up" really holds water. The game can't put thoughts into your brain, sometimes you have to actually think about characters for yourself. Like, we shouldn't have to be spoon-fed that hard. Her arc and the setup was clear and it was written into the game's story, a lot of it even outside of lore books ("It was just in the lore books!" is a major complaint a lot of the time, and one I personally find baffling. You're in the Lore Books The Game. If you don't like lore being in lore books, you're in the wrong place).

We could honestly discuss this to no end, and everyone who dislikes Eramis or the conclusion to her story would probably have a different reason for it, or there would at least be a couple of them, not wanting redemption included. Could also be a combination - not understanding her story will lead a lot of people to think that her being redeemed makes no sense and that it wasn't supposed to happen.

I think it's also a case of people having a really hard time understanding that a character can be our ally while still hating our guts. I've seen plenty of comments from people saying they're annoyed about Eramis constantly being antagonistic towards us. This is baffling to me, because again, it makes sense that she doesn't like us. And it would be bizarre if all Eliksni were now suddenly fans of humanity like a hivemind. Some will never like us. This is good. They will still help us because there's bigger fish to fry, but they don't have to like us.

Eramis was a delight this episode to me and she was a really interesting character. She wasn't a huge deal overall and some of her story was fairly on the sidelines, but she was a very unique "villain" and antagonist to us since she was introduced and I think that her character arc was very well done all things considered. This amount of resistance and dislike for her from the wider community is something I simply can't see as anything other than a lack of understanding of the story (personal reasons and stuff like "I get it, I just don't really care that much" not included).

[jackandjoker]

my top shows of 2024 (better late than never)

1. jack and joker (act surprised)

this was my first ever thai show and GOSH was i in for a ride.. i legit started watching this for fun because i saw an edit and i found the name ‘joke’ very funny… oh how times change.

this show was made for me, it’s perfect to me, i can talk about it forever and i will.

2. peaceful property

to think i almost didn’t watch this because the poster didn’t interest me 😭

but this is so underrated i think? it was everything to me, each story was special and made me feel so many things. the phoomvicha episode made me cry the most, along with ep 8 😞

3. last twilight

this is the 2nd show from P’Aof that i’ve seen and i think he’s gotten a spot in my favourite directors list. definitely not without faults, but still unique and beautiful and i loved it. also cried a hell lot… and i hope i can get mhok’s fart proudly shirt one day.

4. let free the curse of taekwondo

my first ever korean drama and it will not be the last!! i loved this so much, i only wish it was longer. i’m patiently waiting for all my exams to end so i can watch all of hwang da-seul’s filmography.

5. i hear the sunspot

so many firsts in this post- this is the show that introduced me to the world of asian bl… my first ever asian drama <3

i love kohei & taichi with all of my heart and although they seem to be the kings of miscommunication, they found each other in the end. and i desperately want to try that burger.

6. interview with the vampire s2

iwtv is my kind of crazy, i love them all 🤲

not much to say about this one but it’s one of the 3 shows i’ve given a perfect 5/5 rating so far. (others are j&j and derry girls).

7. the on1y one

patiently waiting for season 2🥹

these two had my entire heart 😭😭 something about this show that makes me feel so much comfort… and it’s gorgeous so that’s a plus. (my first ever taiwanese drama- sorry)

8. takara’s treasure

this was just so cute 🥹 they’re adorable and it’s just a light and fluffy show and i love that. i took care of an abandoned kitty for a while and named her takara because i considered her my treasure lol.

9. 23.5

loser lesbians <3333

if onsga and aylin had a daughter, it would be me. 100%. i love milklove and i’m impatiently waiting for whale store xoxo. and i love how view is like the girl version of mark pakin because i adore her and keep seeing her in random stuff i watch.

10. see your love

this was just so fun🥺 the best 20 mins i had every wednesday for 12 weeks. both the main leads and johnathan & xin jia have my heart, along with shu he and shaopeng’s parents. i love amazing supportive parents in bls 🥹🩵

some other favs under the cut :)

non 2024 shows i loved-

moonlight chicken

i need more series like this because 🩵🩵🩵🩵🩵 it was so gorgeous omg and it was too short 😞😞

when i watched the first ep i didn’t think i’d like it but still continued and i’m so glad because it only got better and better. and i hope whoever decided to make earthmix firstkhao gem4 sing the moon represents the heart never has a bad day in their life. i love it so much.

the best story

when are we getting the dew story yinwar?? 😭🥺 if i had a nickel for everytime war cried after seeing yin with a girl, i would have 3 nickels. maybe more if i start counting their music videos

cherry magic thailand

i wanted more taynew after peaceful property and damn!! karan was whipped 😭 it’s funny how his thoughts were like that when he had a gaystraight face the entire time

other 2024 shows that i enjoyed:

sugar dog life

i love shows that involve cooking and i love characters who bond over food. so obviously i loved this. similar to takara’s treasure, a feel good show.

caged again

it got a bit messy around the end and the story took turns i wasnt expecting, which was fine, but i felt it was different from the premise if that makes sense? i loved it still and i would definitely like to see more of ben & jay.

my love mix up th

i randomly watched this on my period and honestly it made me laugh so much so i’m biased 😭 some stupid stuff did bother me but overall very slay <3 i’m glad chokun has a main role now, after this & peaceful property 🥺

[dominarava]

Angel

Ghostface × Female!Reader

CW: Dub/Non-Con, Blood, Stalking, Breaking & Entering, usual fucked up GF stuff

Rating: 18+

Word Count: 2.2k

Summary: The quiet guy in your discord server decides to chat you up in the general vc, and as expected, has a lot more to unpack than you ever expected.

Notes: I was lazy and just posted the ugly default AO3 link when I first posted this, so I'm coming back and making it look nicer with new and improved tags lol

This piece doesn't specify who is really behind the mask, so whoever you want is up to you~

I had fun with this and left light references to the movies, Dead By Daylight, and Mortal Kombat to honor some of my favorite appearances of him-- hopefully it doesn't ruin the immersion lol

I don't usually leave notes, but it's been a while and I've adored all the comments and kudos I've gotten in my absence, cause at the end of the day, that's what will always bring me back. I love all your support and time reading this and hopefully I have more soon to come for you all!

Thank you again so much for reading, and I hope you enjoy! 🔪💕✨️

AO3 Link

This had become the nightly habit: get off work, make dinner, chill with the lads in a Discord call until bedtime. Mindlessly playing a game, you weren't surprised by the sound of someone joining the call, however you were surprised by who it was. He was a rando that had joined a while back, was nice enough, but didn't have much to say as he relegated himself to really only short replies or emoji reactions. You could have sworn he posted a thirst trap without his face in the #selfies channel, but you weren't 100% sure. When he would join calls he would always stay muted, opting to reply in the text chat or not at all, merely listening to and enjoying just being around the good times happening. All the same, you felt it rude to not say at least a little hello. 

“Hey! How’re you doin’ tonight?” 

“Hey there~” 

The voice on the other side was low, having a bit of a flirtatious twang in the sigh of his greeting. Your heart skipped a beat, you weren't sure if he had ever spoken to you, much less anyone else in the server. And if you were being honest, he sounded kind of hot. Letting the giddy feeling ride, you tried to keep him talking since it was just the two of you. 

“Woah–” You poked cheekily, “I dunno if I've heard you say anything before.” 

“I'm more of a one-on-one kind of guy,” He offered smoothly, “But I enjoy listening to everyone having a good time.” 

“Fair–” 

The air fell dead as you wondered what to talk about next, letting him cut into the silence with a question, “So.. what's your favorite scary movie?” 

Having just finished a server horror movie night not too long ago, the question felt like a natural segway into your interests, “Hmmnn that's actually a good question– I think if we're just talkin’ horror in general my first and favorite would have to be Silence Of The Lambs. The back and forth relationship between Clarice and Dr. Lecter was probably one of the most challenging to my mind at the ripe age of twelve, since then I've loved horror that has a female protagonist that is put under pressure by the killer to make difficult choices and solve the puzzle he left for her.

“But– that's not to say pieces like Substance or Midsommer aren't incredible mentally challenging works of art to me, I love both, along with movies like The Empty Man, Smile, It Follows, The VVitch, The Void, V/H/S–”

He cut your train with a light chuckle, “I definitely want to know which you thought was better, Smile or It Follows, but I meant to ask, what’s your favorite slasher movie?” 

You gave this one a lot more consideration as your heart swelled with a damning excitement at the thought of your favorite killers, “That's such a hard choice! Of course Micheal Myers from <i>Halloween</i> is like everyone's big daddy– but I think if I had to choose it would have to be Stab! Ghostface is just a lot more fun, playful, and let's be honest– horny.” 

“Oh yeah?” He hummed, “Why's that?” 

How his tone seemed to curl at the end of his words made your chest tighten and a heat rise to your cheeks, “I mean, at the heart of it.. the voice actor responsible for his voice changer in the movie said that his tone is flirtatious, beyond that– between the fact that the first Ghostface seemed to get off on the idea of causing his object of obsession, Sidney, the most pain possible by the mocking of her mother being the town bicycle and it's even pointed to at the end of the movie that the two who were behind the Ghostface killings were the same two that brutalized Sidney's mother–” 

“Goddamn–” Nearly groaning his words as he cut you off, he cleared his throat and pressed, “Good girl~ You sure do know your stuff.” Praising you with words that melted like chocolate over your tongue, your mind tilted at his words, ‘Good girl’. 

Good girl?!

“Excu–”

“I fuckin’ love girls like you–” He went on, swearing you could hear the ache of him through the call, “Your type always knows how really appreciate us..” 

‘Us’?

Before you could get a word in, he went on, “Buuut it looks like that's my cue– I hope you're ready for some fun this evening.” Leaving the conversation with the disconnect sound chiming through your ears in silence to process what just happened. 

The sound of him leaving the call let a wash of relief run over you, only lasting for a moment as the floor creaking caught your attention with arms wrapping you in a winding embrace. Having your arms pinned at your sides, your hands flailed looking for any sort of way out. Only, the way your grip seemed to find his length caged behind his pants before skirting over to the long hunting knife strapped to his leg, making your struggle against him stop with a gasp.

“Yeah.. that's all for you Babe, whatever you need– so.. let's behave.. alright..?” The same voice that was lingering in your headset only moments ago was in high definition against your back. 

Firmly pressing his hand over your mouth, you froze as someone else joined the empty call with you, “Hey you there?” 

Your headphones loud enough for him to hear, an uneasy pause passed between you two as his hold over your lips lessened, “Yeah-” He let you breathe through his nitrile gloved fingers.

“Good, kinda glad he's gone, he's chill and all, but it kinda bugs me that he's just in here just dead-ass silent all the time. Fuckin’ weird.” 

Looking over your shoulder a bit to get any sort of a look at him, you were only met with the deep black drooping eyes framed by a gasping bone white mask. Familiarity of the visage made your heart drop into your stomach, forcing you to chew on the harsh fact that that same familiarity you knew to fear, also brought the flutter of butterflies in with it.  

A rough bump of his hips to your back-end snapped you out of your own mind and made you bark out, “Uh��� Same– he is kinda weird, I've– talked to him a little bit and he just– seems like a bit of a creep..”

“Oooh shit whaddaya mean?” 

He peered over your shoulder to look at you, curious to see how you would pull this along as his other hand pushed at the elastic of your pajama bottoms, “He uh– waited for everyone to leave– and then started hella chatting me up–” 

“Are you good? It sounds like you're doing something.” 

Eyeing him, the slight nod of his head coaxed you to keep talking while his fingers made their home in exploring your heat, “Yeah I'm fine– I think I pulled a muscle and I–”

“Oh shit– sorry, one sec– groceries are here, I'll be back in a minute!”

At the sound of her disconnection he lifted you up with a near effortless toss onto the bed, wasting no time crawling on top of you to get at what little clothing was left with his blade. Watching the fabric dance away from your frame, he gripped your wrist as you tried to switch your mic off.

“Go on.. stay in that call.. let ‘em all know what a stagy little whore you are.” He pushed, lifting the hem of his hoodie above the glimmer of the silver button hiding his length behind the black denim. 

No time was wasted getting into you, making himself at home between your legs with a few rough thrusts and shivering grunts that made your mind twist. Squirming under him the grit falling off his boots into your blankets made you buck against him in frustration, earning a low sigh from him as his beat picked up. 

“Mmn if you keep fighting me.. I'll gut you like a fucking pig.” Groaning into your ear, the delicate touch of his knife teased itself between your breasts. 

Defiance sparked in you to bite back, “If we're– oh god– following the rules, you'll just do it anyway–” 

The blade pulled its edge against your skin, splitting you like a ripe peach under its cut, “True.. but the killer's favorite little slut never dies.. she's gotta make it to the sequel, the trilogy, hell! Maybe a whole fuckin’ saga..”

Suddenly ringing in your ear the sound of the bluetooth assistant chimed,

Battery Low.. Please Charge Soon.

You held your lips tight as the length of him pushed to the hilt over and over, letting the air in the call stay dead as your friend and others passed through, thinking you were away from your keyboard. 

“What’s wrong? Suddenly have nothing to say? I thought you liked the idea of being yanked around by a big man with a knife? Little different than on the big screen, ain't it Babe?” 

You could practically hear him purring behind the mask, his pace slowing to deep grind as you felt the rub of his metal pants zipper dig into your skin like a threat.

“Mmmm– remember a couple weeks back– we were all watching that scary movie– when you wouldn't shut the fuck up about how you wanted to ride that slashers cock like a carnival ride– fuck you don't know what that did to me– hearing you get all giddy about bouncing on dick after a kill– goddamn you don't have a fuckin’ clue– how bad I wanted bust through that fuckin’ window and tear you apart–” 

Gripping his palm across your eyes to pin your head to the bed, the unrelenting barrage of what came was less of a kiss and more of a hostile takeover of your senses. You couldn't tell how long you were left to his devices, using you with the excitement of a new sex doll he'd been waiting months for. The fight in you began to fade with the swipe of your tongue to his, earning the zeal of him rutting into you harder. 

“See.. I knew you'd love it..” 

Battery Low.. Please Charge Soon.

Dipping down to your chest to kiss the fresh wound that lay spilling blood around your breasts, taking in the heavy scent of your rubies like a jewel thief making his biggest heist. Slipping his free hand over your chest to the slick of your nipple made you gasp as a perfect distraction before pulling his mask back down. Adorning his usual visage now laid a smeared print of your life in blinding crimson, letting that be the first and only thing you saw as he let you have your vision back in the darkness. Against the blur of your eyes readjusting from the pressure of his weight on them, the dip of his frame dropping against yours with his hands gripping the sides of your head in a vice made you dizzy with a feral beat between your legs. Throughout his treatment you didn't feel that familiar latex rub of a barrier between you, forcing your stomach into a twist as his panting behind the mask got heavier. 

The first grace of the evening came when you finally heard the powering down beeping of your headset giving its last bit of juice before cutting out. Unbound by the fear of being heard, your voice let out a moan that vibrated the silence of the dead air room. Relaxing a little under him, he pushed your rear up, angling himself better to pump deep before running his fingers over the tacky blood joining the fresh on your chest in a macabre mess. Having the dig of his fingertips into the open wound weeping from you was a new kind of violation before he breathed out a shaken manic pleasure from the mask that captivated you. 

“Oh fuck– I'm going to smear your blood over my every  fucking pore!” The bubbling frenzy in his tone gave away his devouring bliss as it promised to swallow you whole. 

Honestly, you weren't long for the session either way as he found just the right spot to rub his tip into the soft warmth of you hugging his length and perfect grind of his mound against your bud aching to come undone. Seeing him watch you in those last moments before you went over the edge was enough to send you there as you trembled and cried out under his grip. Moaning and reaching to touch him in any way you could, you couldn't get enough of him as your body craved the closeness it needed. Expecting swift punishment for the affection, he surprised you by taking your hand in his, slowing his pace. Lacing your fingers as one, the gentle caress of his thumb to your skin had your rose colored glasses as red as they could be. Watching with a affectionately hazed gaze while he pinned you down, your skin when cold as his words dripped from his lips like sweet poison: 

“You think you're getting away that easy? I'm just gonna cum and that be that? No.. I prepared for this all day. You're not goin��� fucking anywhere.”

[writerlogan]

Logan nodded at her question, "it really does but I guess it also depends who you ask. There are a lot of people that would disagree and as you said there are those in that group that believe they're whiskey purists and damn near crucify you for even thinking of putting ice in it... and that's why I stay off twitter and Reddit." Logan thought about it a moment before shaking his head. "No, I don't think so but I also have nothing to compare it to so maybe," he shrugged with a bit of a chuckle at his own indecisiveness. He knew more questions would come but had to admit to himself that he wasn't a hundred percent sure he was going to be comfortable with it. It seemed like he wasn't as with a breath in his hand rested just before below his chest where he always put it when his anxiety monster began to show up. "We met in high school but didn't start seeing each other until college." Short and sweet and without any trouble, at least until her second question. Logan opened his mouth to speak at first but nothing came out. It took another two tries for him to finally say, "it was." He ran his hand over the back of his neck. "I'm not too sure how to answer that if I'm honest," he started after she asked if it had gotten any easier, "some days are easier than others." He nodded with a small, somewhat sad, smile. "Believe me, I know. It doesn't matter how long you're out or how many things you have to do or even try to distract yourself with, it's always going back to that empty apartment."

"It tastes better chilled right?" The brunette's dimples appeared as she smiled at the man. She'd learned that much from some of the company she'd kept at times. "I just know that the eventual complaint is the drink getting watered down and purists, you know... can't have that," Kira laughed lightly, shaking her head at how tightly wound and particular some people could be. "Did it work? Do you feel fancy?" For his sake, she hoped so. The holidays and being alone at something like this everyone deserved a little something that made them feel better. She nodded in understanding, it was the same reason she'd come out to the Mingle. Why wallow at home alone when she could potentially find someone to make the time a bit more bearable? "Were you high school or college sweethearts?" The brunette asked with curiosity. "I'm sorry, that must have been a tough loss." She and Leti hadn't been together nearly as long but when someone had felt like the love of your life a day could feel like a lifetime of loving someone. "It hasn't gotten any easier in four years?" There was a hopefulness in her question, maybe this pain she felt wouldn't go on forever. "Yeah," Kira nodded, "it's helped. I just worry about when it's time to go back to my empty home, you know?" He most likely did and that made her sad.

[merp-blerp]

A Gaylor/Kaylor Interpretation of "But Daddy I Love Him", Despite It Being Obvious, 'Cause Happy Pride

Overblown Analysis Under the Cut ↓

"I forget how the West was won // I forget if this was ever fun // I just learned these people only raise you // To cage you"

The opening line is a reference to a film called How the West Was Won (1962). I'm not well-versed in this film, but I know that older American Western films and the American cowboy aesthetic in general often represent male masculinity, and by extension, male heterosexuality, romanticized into picture-esque imagery of wealthy, cis, white, straight manly men ruling the West through violence. All this despite the fact that historically, many cowboys (not just boys/men, of course, so cow-folk maybe, if that's even a term) were broke queer people, often people of color, trying to survive. Similarly to Taylor, these individuals have had their queer history erased all for the sake of marketability and giving a general audience a more traditionally palatable and relatable portrayal of reality to consume. (For more on this topic, Kaz Rowe has two great videos on queer cowboy history and the queerness of cowboy movies, if that interests you.)

With "how the West was won" not being capitalized like a film title, it seems clear that while she's referencing the movie, she's not directly talking about How the West Was Won (1962). I think this line might hark back to "Cowboy Like Me", a song about Taylor (and her lover) swindling the public into assuming they're straight and the industry "rich folks" into thinking they'll abide by their rules forever. If she continues to beard and swindle she'll win the hearts of the general public more and more, or the hetero "west", but she forgets what the benefits of doing that at the unknowing cost of her happiness were. From my perspective, if Taylor forgets how the West was won, she's saying she forgets what the long-term value of hiding her queerness with straight narratives and beardings had in her mind once upon a time. She forgets if she ever found the beardings/stunts fun in her youth because she has now learned that "these people", likely industry people who have had hands in her career, only closeted her for their own money benefits, not truly caring about her at all.

"Sarahs and Hannahs in their Sunday best // Clutchin' their pearls, sighing, "What a mess" // I just learned these people try and save you // 'Cause they hate you."

I think many songs or moments in TTPD are Taylor envisioning/anticipating what could happen if she were to come out. Obviously, the main source of bigotry against queer people is warped religious beliefs, so the "Sarahs and Hannahs in their Sunday best" are homophobes in this reading, but considering Taylor's fanbase and the feminine names chosen, they could very specifically be swifties who are overprotective of Taylor. Swifties who do deplorable things in the name of protecting Taylor's honor, such as doxxing gaylors online because they disagree with them and see suggesting Taylor's queerness as immoral. These types of swifties will often call the act of speculation on Taylor's queerness "gross" and lean on the reasoning for that being that speculation is invasive, even though Taylor herself has never commented against speculation of her queerness in any way when she very well could if it bothered her. Therefore they have no actual clue if that's how Taylor sees it, it's just their homophobic opinion that the suggestion of queerness is gross and they project the opinion onto Taylor as if anti-speculation should be universal when it's not nearly that simple. They see the act of the Taylor sexuality discourse existing as a mess.

If Taylor is queer, seeing that a number of her fans find queerness disgusting would produce incredibly negative feelings, whether it's anger or sadness. While I don't think every anti-speculation swiftie has these particular feelings towards it (it's complicated and could have a post of it's own), some hetlors hate speculation because they know that it could be correct. If Taylor were out as queer she'd become a "queer thing" they couldn't enjoy the same way anymore; she wouldn't be their mirrorball anymore, and that's terrifying because for many that's Taylor's appeal. If she's queer she's no longer this bestie, big sister, twin from your dreams type of artist to hetlors, she's this "other" that belongs to "others". This subsection of fans try to defend her because they, consciously or not, hate the idea that an assumed "straight" woman could actually be queer and unlike them. And therefore they indirectly hate her. The real her. They'd rather have the brand Taylor Swift because they can relate to it more, so they don't want to see her. "You needed me, but you needed drugs more" (from "COSOSOM"). They try to "save" her from being seen/out 'cause they hate her.

"Too high a horse // For a simple girl // To rise above it // They slammed the door // On my whole world // The one thing I wanted."

Both the "Sarahs and Hannahs" and "Elders" exhibit a sense of superiority Taylor feels like she can't rise above by being simple. Many anti-speculation people see their opinion as the politically correct thing to do. Therefore it's superior to speculation in their eyes, despite the fact that speculation can be a critical step to finding other queers and even can be used as a form of coming out—letting people speculate. They're on "too high a horse". The attempted Lover coming out was very simple, with Taylor flagging rainbows without an obvious showing of potential contempt she had for the industry that closeted her, unlike TTPD, which exhibits much anger towards it. But the simplicity was partly why the coming out attempt didn't work. Taylor's general fandom still viewed her flagging as nothing because she didn't say anything and harassed gaylors while the SBs foiled the biggest part of her plan that would've freed her. In "I Hate It Here", Taylor mentions that she only "rise(es) above" her closeting in her fantasies for now. Instead of getting to come out, her closet door was slammed shut. Her identity, her whole world, was still in the shade of the closet.

"Now I'm runnin' with my dress unbuttoned // Scrеamin', 'But, Daddy, I love him' // I'm havin' his baby // No, I'm not, but you should see your faces"

The title of the song is pretty unanimously agreed to be a reference to The Little Mermaid (1989), which of course came out the same year Taylor was born. Arial yells this at her father when he discovers her hidden interest in the human Prince Eric before destroying her collection of human artifacts.

It's worth remembering that Arial in the film says that she is 16 years old, the same age Taylor was when her first album was released. Arial is still at an age where she would still be under her father's thumb, as she's a child, even if she doesn't feel like one. Meanwhile, Taylor is now in her 30s. She should not need her father's permission to have an interest in someone. The whole scene Taylor paints with these lyrics seems comical, Taylor running after and begging her father as her clothes come undone, maybe because she was caught in the act of making love to this "him", or she's going erratic and ripping her clothes off. Then she screams that she's having her apparent lover's baby. The story becomes more and more soap opera levels of dramatic till Taylor pulls the wool from over the listeners's eyes and reveals that it was all a lie once the facade becomes too crazy to believe unless you're gullible. It's easy to see just the "No I'm not" as a direct response to simply "I'm havin' his baby", but I think it's a response to the whole first half of the chorus. She's not a teen girl begging to be allowed to date, she's an adult.

"You should see your faces" directed at the listeners could be Taylor teasing about the shock on their faces at her wild story or the fact that it's a lie, but it could also be Taylor mocking the look of enjoyment the listener gets from her fake story, which represents her real life beard narratives. The dress unbuttoned story getting crazier and crazier seems to mirror how the real-life bearding narratives get more and more fantastical, at least in my opinion. With the current "Tayvis", Taylor is selling a high school fantasy of the popular cheerleader-type girl getting with the football boy, even though Taylor has never truly been the popular cheerleader-type in reality; she was a bullied nerd during her actual schooling days and has always portrayed herself as separate from the "cheer captain", instead being "on the bleachers" in "YBWM". Then there's the Joe vs. [Rat-dacted] narrative, where Taylor was reportedly head over heels for Joe for 6 or so years, with him not caring that she was famous and seeing her for her, till they suddenly "broke up" and the narrative changed to him stifling her. Then it changed again to her actually being deeply in love with [Rat-dacted] the whole time instead, with Joe simply being an elongated rebound type of relationship. And it gets even more confusing when you try to attach the original [Beard-DJ-dacted] → Tom Hiddleston → Joe Alwyn narratives into the mix. It's all just unraveling into less and less sense. Yet the Sarahs and Hannahs probably don't question a thing because the narrative is still straight, so what's there to ponder?

TTPD's first ever easter egg was "red herring", which is a tool meant to mislead the audience in storytelling, but an attentive audience member might be able to see past it, especially in time/hindsight. The dress unbuttoned story is a red herring to distract from the real story Taylor illustrates in the next half of the chorus, especially when the song is titled after the lie portion of the song. And by extension, in her whole career, all of Taylor's beards, many of the he/him pronouns in songs, lyrics like "your buzzcut and my hair bleach" in "Dress", and songs like "London Boy" and "So High School" are thinly veiled red herrings that keep up the surface appearance of straightness to distract yet invite the listener to dig deeper into the true queer stories in her music once noticed.

"I'm tellin' him to floor it through thе fences // No, I'm not coming to my senses // I know he's crazy, but he's the one I want."

Taylor now tells the listener what she's actually doing. She's telling her lover to run away, presumably along with her, especially with the song's end depicting the lovers returning to "town", but more on the ending later. The lover is still masked by he/him pronouns, but the story is still the truth. (While I do think the "he/him" in this song is in actuality a "she/her", it is interesting to view the first half of the chorus using "he/him" as a part of the red herring Taylor is telling.) In the lie, Taylor begs for her father's permission to love, but in reality, and in a lot of her music throughout her career, Taylor disobeys any disapproving peers and flees with her lover. They could either be fleeing out of the closet, or fleeing away from disapprovers. "Floor it through thе fences" reminds me of "And you know that I'd swing with you for the fences" from "Peace". The phrase "swing for the fences" means "to make a big effort to do something that is very impressive or important, but is difficult to achieve, especially if there is a risk of failure" according to Cambridge Dictionary. Both coming out and being in a glass closet can pose many risks. So Taylor telling her lover to floor it or rush through the fences could mean to run away quickly or have the double meaning of taking a big risk, like coming out or flagging when they should be closeted, along with herself doing the same.

The recurring storyline of running away and/or disregarding naysayers has appeared in songs like "Love Story", "Run", "Call It What You Want", "Speak Now", "MAATHP", "Down Bad", the unreleased "Better Off" from as far back as 2005, and so much more. Going against the grain is her reality. In her music she was never "Scrеamin', 'But, Daddy, I love him'", or just pleading to be accepted, but always running away, dreaming of an environment where she could be accepted, and refusing to come to her senses and just letting the cookie crumble passively. But her beards don't reflect the stories in her songs beyond the surface-level red herrings. The first half of the chorus is the flimsy public narrative, and the second half is the reality.

Taylor's lover is described by her as "crazy". Asylums are a recurring theme throughout this album. Historically and culturally people who were put into asylums were often dubbed "crazy" and mistreated rather than receiving the help they might've needed if they were truly in need at all, as some people who were put into asylums weren't even ill, just perceived as such, similar to queer people who are seen by homophobes as ill when queerness is natural. In this album, asylums represent the industry that raised Taylor and treated her like she was crazy. In the song "TTPD", both she and the lover call themselves crazy, so she and the lover are both in the asylum or industry.

From a specifically Kaylor perspective, Karlie Kloss, particularly in the years before meeting Taylor, has always seemed "louder" than Taylor. And not quite as disciplined in keeping her straight narrative(s) up properly (i.e. Kar recently posting an anniversary pic about being with Josh for 10 years when it's supposed to be 12 years by now. But who has she allegedly been with for 10 years as far as the public's known for sure...?). Through my interpretation of Tay's music, it seems like Kar is Taylor's driving force to potentially come out, as her albums up to 1989 seemed more keen on staying caged and being okay with it, but albums after that have felt like attempts to at least claw on the closet door. Being in a committed relationship with someone willing to be loud might risk Taylor's safety in the cage, so being with someone as "crazy" as Kar is a risk, but she's the one she wants.

"Dutiful daughter, all my plans were laid // Tendrils tucked into a woven braid // Growin' up precocious sometimes means // Not growin' up at all."

Taylor mentions growing up precocious in at least 3 different songs on TTPD, this, "The Bolter" and "I Hate It Here". It's definitely something we're supposed to pay attention to. In "You're Losing Me" Taylor mentions being a pathological people pleaser, which lines up with her talk of trying to be the perfect "good girl" who didn't force herself onto people since childhood in Miss Americana. Often, AFAB people who behave this way are told that they're being very mature by being quiet, whether it's quiet in general or quiet on world issues instead of speaking up. As someone who also grew up precocious, it was always easy to get told you were doing a good job by just sitting pretty and never expressing anything. But these traits might begin to backfire the older you get as you suddenly realize that you never got to be a child, but you also weren't really an adult when you were called "mature for your age", so you might end up regressing in a way or just confused on how to actually be an adult properly.

If you're like me, you believe Miss Americana was originally meant to be a coming-out documentary, or a documentary meant to explain Taylor's journey with her sexuality, released after coming out, before those plans were foiled. Her early developmental years are likely a part of why she isn't out yet. She wants to come out in a very specific way that's more than "just saying it". Especially since theirs a lot at stake with her coming out the bigger she gets, the more employees she has to make sure get paid, and the more she has to protect her family. She can't be a "simple girl" and "rise above it" at the same time because the situation is way more delicate now than it was during the Lover era.

In Miss Americana and "The Archer", Taylor mentions feeling like she is stuck at the age she got famous, 16. If we see the lie of the first chorus representing her flimsy bearding narratives, then she could mean that she never grew up into being openly queer. Since she began writing songs, Taylor has always written her songs with the knowledge that one day they could be publicly heard. Even unreleased songs that are very queer-coded like "Welcome Distraction" still have he/him pronouns, just like the ones she writes to this day. Songs that don't have romantic he/him pronouns or are about a girl have always had plausible deniability, such as "Angelina" or "Question...?". Even if it's just a bit of that plausible deniability, heteronormativity makes it really easy to hide when you do it as well as Taylor does.

The mention of braids calls back to "Seven", a song in-part about childhood. Tendrils can be a part of a plant, which reminds me of "Please picture me in the weeds // Before I learned civility", which could be interpreted as Taylor being more wildly queer in some way when she was young before learning how to act straighter for her own good. Tendrils can also be stray pieces of hair, or metaphorically queerness, that was hidden in a straight, rigid braid. I also think this has to do with "Peter", a song I believe to be about Taylor apologizing to her inner queer child for taking so long to come out; when Taylor began hiding her queerness in her music, I'm sure she thought it would just be till the world was ready to hear her truth some years down the line. And if the song "Change" is anything to go off of, she might've been optimistic that that was soon. "I thought it was just goodbye for now // You said you were gonna grow up // Then you were gonna come find me". But here we are over 20 years after she began writing songs and she's still writing in the same closeted way, for now. The southern drawl (if that's the phrase I'm looking for), or her choice to use words cut short like "Runnin'", "'bout", and "ain't" during this song's most tense moments make this feel like her younger, pre-pop self-speaking up finally.

(As a bit of an extra tidbit, these lines really remind me of lyrics from "Welcome Distraction" that I think are meant to be, "A life and a plan and I wasn't gonna stray // Swore I’d never let a man in my way", but I get different results when I look up the lyrics due to its unreleased status. Younger and current Taylor possibly singing similar lines really expands on the never-growing-up aspect of this reading.)

"He was chaos, he was revelry // Bedroom eyes like a remedy // Soon enough, the elders had convened // Down at the city hall // 'Stay away from her' // The saboteurs // Protested too much // Lord knows the words // We never heard // Just screeching tires and true love."

The "he" being in actuality a "she" is the reading that makes the most sense for this song overall. With all the religious imagery in the song, religious elders would not object in this particular way so hard against a guy and a girl wanting to be together. It makes the most sense when Taylor's lover is thought of as another woman. If the lover is a woman, she would definitely represent chaos for Taylor, not necessarily because of her personality but through the way Taylor wants her and the trouble that want could cause. The lover was not a part of the plans laid. But the lover is also the celebratory feeling of being in love, and the celebratory feeling of pride you get from being queer once you've found someone who you can be yourself around and be proud of yourself with. Revelry.

If we think of the "elders" being the SBs specifically, than them meeting each other at the "city hall" could be them coming together to steal Taylor's masters, which recked her plans to come out the same day the news broke out.

Since I'm personally a late-stage Kaylor, I see the saboteurs saying "stay away from her" as the perpetrators and believers in the Kaylor feud, spreading the never-confirmed rumor that Karlie betrayed Taylor as if it's fact and being overprotective of Taylor by demanding Karlie stay away from Taylor since she's a "trader".

Alternatively, the saboteurs could be telling Taylor to stay away from Karlie, as even though there have been other rumored relationships with women Taylor has had, Karlie has always been the strongest suspect and the most well-known since Taylor was never really able to keep the straight facade up as well as usual around Karlie (i.e. Kissgate). I doubt this reading of the line a bit more purely because the lover has been constantly dubbed "him" through the song and it'd be odd to switch up here, but I thought it was worth mentioning. I'll move on with the former interpretation for this reading.

"Protested too much" is a reference to Hamlet by William Shakespeare. In the context of the play, Queen Gertrude says this as a reaction to Hamlet's play trying to weasel guilt out of her and mainly her new husband for marrying so soon after the original King's murder. When the queen in the play says she'll never remarry after her husband dies, Gertrude tells Hamlet, "The lady doth protest too much, methinks", meaning she thinks the queen in the play is putting on a front that shouldn't be believed. If Taylor believes the saboteurs are "protest(ing) too much" it could mean that she believes that they aren't being honest about their stance against the lover. That their hatred for them and calls for them to go away would falter if time were to prove their stance wrong. In "Chloe or Sam or Sophia or Marcus", Taylor says "If you wanna tear my world apart // Just say you've always wondered", which I take as Taylor knowing that when she comes out, despite the strong rejection of her planting seeds to her truth right now, people will say that they had always suspected that she was queer once they feel socially safe to do so post coming out. If the lover in this song is Karlie, then it's not hard to imagine the saboteurs suddenly backtracking their hate in order to praise Kaylor and Karlie after Kaylor becomes publicly cordial again.

With "Lord knows the words // We never heard/ // Just screeching tires and true love" Taylor and her lover ignore the saboteurs's hatred and carry on with their love. Or they ignore the hypocritical words of "praise" for their relationship that'll come when they come out. I'm more inclined to believe the former due to the mention of "screeching tires", a car reference. I mentioned in my "Champagne Problems" analysis that vehicles often represent the closet/running away from the public for Taylor, so if she and the lover are enjoying "screeching tires and true love", they're making the best of their closet as they run away from the rest of the world for the time being, like how they do in "Paris".

"I'll tell you something right now // I'd rather burn my whole life down // Than listen to one more second of all this bitchin' and moanin'. // I'll tell you something 'bout my good name // It's mine alone to disgrace // I don't cater to all these vipers dressed in empath's clothing"

I believe Taylor is gearing up to come out, reveal at least aspects of her reality, and expose the harm the industry has done to her and maybe even others. This line syncs up perfectly with the "Burning Lover House" theory, with Taylor eliminating all the red herrings of her past albums and telling her truth. If Taylor's career and good name goes down the toilet due to her being herself, it'll be her doing and she wants to be in that much control of herself. The "vipers dressed in empath's clothing" are the fans who harass and harm people like Karlie all in the name of defending and "empathizing" with Taylor, even though Taylor has never okayed that behavior and has spoken against it. The vipers pretend to empathize with the situations they think Taylor's been in and her music, but their behavior shows they don't truly see eye-to-eye with her and what she stands for. She's done catering to them.

"God save the most judgmental creeps // Who say they want what's best for me // Sanctimoniously performing soliloquies I'll never see // Thinkin' it can change the beat // Of my heart when he touches me // And counteract the chemistry // And undo the destiny // You ain't gotta pray for me // Me and my wild boy and all of this wild joy // If all you want is gray for me // Then it's just white noise, and it's just my choice."

Taylor calls out the "judgmental creeps" who hurt people in the name of her. Her asking God to save the "judgmental creeps" could be sarcasm, but I also know Taylor's a Christian (and maybe catholic. I know she grew up catholic), and as a queer Christian, I know that I tend to fully see homophobia as practically an illness, like how homophobes view queerness as an illness, and hope homophobes find it in their heart to overcome those ailments. I wouldn't be surprised if Taylor felt the same way.

The creeps "Sanctimoniously performing soliloquies" that Taylor will "never see". Doing something sanctimoniously is doing something in a performative way, calling back to the saboteurs protesting too much, being hateful only because it's so normalized in the community, and who are likely going to do a 180 once their hate is no longer in style for the times. If Taylor will never see these soliloquies then she could be saying that she'll never give them the time of day, the "words we never heard" from earlier. A soliloquy is a speech that's said when alone without listeners (they're also famously associated with Hamlet so that ties back to "protested too much"), so these creeps are essentially arguing with the wall, as Taylor turns a blind eye to them no matter how much the soliloquies are made to empathize with her or impress her because they do none of those things.

The creeps think their hateful soliloquies will change Taylor's truth. They think if they pretend Karlie doesn't or never existed in Taylor's life in any way and harass Karlie, then it'll change the reality that they secretly or unconsciously know is true, but it won't. The saboteurs and Taylor's closet-ers can't change who she is and what she has with her lover. If the Sarahs and Hannahs only want the straight, beard-narcotic-giving, grey Taylor Swift™, then their pearl-clutching just becomes white noise to Taylor, and it's her choice to be in screaming color, dazzling in the daylight.

"There's a lot of people in town that I // Bestow upon my fakest smiles // Scandal does funny things to pride, but brings lovers closer."

In my "I Look In People's Windows" analysis, I viewed the "town" as a metaphor for her tour locations and fanbase. Since she's of course performing on tour, Taylor's happiness could definitely be faked if she had to make it. She can do it with a broken heart and her fans wouldn't even notice. The amount of people inside the stadiums when she tours is massive, so it really is a lot. And if her beard is at the stadium, or "in town", she can give them all the fake winks and nods she needs to keep up appearances as the time to come out approaches. "Scandal does funny things to pride" has a double meaning. Scandal can take a shot at your ego or sense of pride. But queer scandal can also make you want/have to hide your urge to be openly queer and proud, as older queer celebs like Rock Hudson had to completely deny their queerness if rumors got out of control for their own safety. Still, scandal, or hardships, can bring lovers closer as they persevere through it.

"We came back when the heat died down // Went to my parents and they came around // All the wine moms are still holdin' out, but fuck 'em, it's over."

I like to see this and the incoming chorus as Taylor predicting the wake of the coming out. She'll burn it down, things in "town" or the fandom will be chaos, and then she and Karlie will return/publicly reunite in the afterglow of it all once the fandom's shock wanes. The narrative of this song is that Taylor and her lover ran away, disobeying Taylor's father figure rather than begging him, but when they return her family accepts everything. Taylor is still seen as at most a "PG-13" artist, accessible to children, so their parents, the wine moms, could still be upset once the heat dies down, wanting Taylor to be a sanitized image for their kids to look up to and still pearl clutching at her queerness. But fuck 'em, the pain of the closet is far behind her and her lover now. It's over.

"Now I'm dancin' in my dress in the sun and // Even my daddy just loves him // I'm his lady // And, oh my God, you should see your faces."

The lie is now gone, as Taylor gets to be joyous with her lover in the daylight, out of the shade, with her Dad accepting. She's possibly surprised by that, with the use of "even". She still mocks the creeps's outrage and shock.

"Time, doesn't it give some perspective? // And, no, you can't come to the wedding // I know it's crazy, but he's the one I want."

As mentioned before, the vipers suddenly backtracked their hate, as time proved their actions wrong, but no matter how much they might kiss up now, Taylor for the rest of the song continues to mock them with the post-chorus and outro. Especially with "Tayvis", her fans have been invited to vicariously and happily experience her "relationships" through her, despite her constant singing of private relationships and disapprovers. But the majority of her fans are not invited to her real relationship, the one she truly keeps private. No, they can't come to the wedding.

I like how "he's crazy" changes to "it's crazy". Taylor knows that the post-coming-out situation will be crazy, especially if she plans to expose an awful, buried side of the industry in some mass coming out with others as some theorize. But she wants her lover and the things that come with the freedom.

Thanks for reading!

[cherry-treelane]

I find it so ironically funny when hardcore Debbie defenders use the defense that she was just a victimised teenage girl (agreed) and then proceed to slander Fiona and express their hatred for her character and lack of sympathy

as if being an adult magically absolves an individual of the horrifying trauma that precedes them and screws up their mentality and actions

funnily enough these people get mad at others for "expecting Debbie to be an innocent angel and hating on her for acting out as a result of trauma" (also agreed, debbie does deserve more sympathy, she can't be expected to grow up to be a perfect saint when she's been through so much) yet seem to hold Fiona to the same unattainable standards and put her on a pedestal as if she wasnt a child that was forced to intensely grow up while never actually being raised

like lets put this into perspective and remember that fiona grew up surrounded by corrupt morals and insanely screwed up behaviour yet still emerged as messed up, yes, but surprisingly good considering the situation she was in??? she had to navigate basic things such as morals and being a good, responsible person on her own. imagine how difficult it must be to lead a bunch of kids, including yourself, with no previous role model or good example of your own to follow. most of the time, she always tried to do what she thought was best and would have the most desirable outcome

[morningmask27]

Honestly I'm also not fully happy with what they did with Whis this book

[aphelea]

somehow i feel like reading this book as someone who is very very far from being a keefe fan made it easier

[peapod20001]

I’m the type that can and will cry if think too hard <3

[hexcitrine]

randomly looked at this account to update my age and holy shit it's been a while since i posted here..........i have a small pile of art i have yet to post but hbhbshdbshbd too lazy

[anonyanonymouse]

🙈

[ninjagotohell]

I just read a whole wacky thread of people arguing which parent was bad Garmadon or Misako and I’m no longer scared of the Misako defenders

[vendettavalor]

@tacticalvalor said: 🔥 / unpopular opinion -> shipping

⚔️ Munday Unpopular Opinions // ACCEPTING ⚔️

// Praying to God that this doesn't somehow end up in the main tags-

// Caution in the tags. This got long-

// Shipping 47 and Lucas is weird and gross. Like... there is no way to slice it that makes it plausible or okay. They are brothers. They view each other as brothers. This is not fanon or up to interpretation and I think that the only reason people play with the concept at all is simply because Lucas refers to himself as " 47's childhood friend" in the games rather than his brother- a fact that makes sense given the delicate situation in which simply saying that could be overwhelming for 47 who, you know, remembers nothing except the false memories of 6 Ort-Meyer implanted in his brain after the memory wipe.

// But in the comics, which are canon material and relate to the WoA trilogy, the two of them refer to each other as brothers, interact like brothers, and clearly view each other as very close siblings even well into their early adulthood. Until Ort-Meyer wiped his brain, 47 knew Lucas to be his brother. That alone should be enough dissolve any sort of romantic implication between the two. But if you wanna take the biology route, yes- they share the same DNA from the same five people. It's not an exact match, but even if they were exact clones, that wouldn't make it better. They're still biologically related and very closely at that, in addition to being very close socially in a sibling-type bond. Trying to imply that there's some sort of inherent romantic or sexual connection between them now just because they haven't seen each other in 30 years is... strange and creepy to say the least.

// And sure, you could make the argument that "47 is a completely different person" and yeah. He is. But he's still not the kind of person who would fuck someone he barely remembers and is just beginning to recall sharing traumatizing experiences with, least of all if that person is someone he refers to as his brother. And even still, Lucas clearly hasn't changed all that much and regards 47 as his brother just as much now as he did when they were kids.

// I don't know what it is with people looking at clone characters in media that clearly regard each other as brothers and somehow coming to the conclusion that they'd be they'd be "secretly romantically or sexually involved." Except I do know. It's porn-brain, influenced by the copious amount of content revolving around incestuous relationships between siblings and step-siblings that lead people to distort their perception of familial bonds in such a way that they fetishize any connection between two individuals, regardless of the fact that they share a sibling relation. But knowing that fact does not make it any less disturbing or disgusting.

// And I know that topics like this always draw in the Devil's advocates so lemme just jot down real quick:

"If you don't like it, don't read it" - I don't look for it. But people writing this stuff hardly tag their shit properly so here we are. I worry for people who do have triggers for topics like this and click on fics not knowing what they're about to read.

"It's just fiction" - It always is until it isn't. The amount of times I've heard horror stories of people being intimately abused bc their partner saw something in porn and tried to just apply it IRL without asking/consent bc porn has normalized it in their mind as being hot for everyone is horrifying.

"Just let people have fun" - No one's saying you can't have fun. But maybe you should be asking yourself why you feel attacked when people tell you that fetishizing sibling relationships and perpetuating harmful sexualization of innocent interactions might be a bad idea.

"People are allowed to write dark topics" - I agree. But the issue is not the topic itself, it's how you handle it. Of course you can write and explore topics like incest and trauma and their impacts. The issue is when you fetishize, romanticize, and glamorize them instead of treating it with the tact it deserves. These are not topics to make light of or sexualize for your own gratification/fantasies.

"Some people write this stuff as a coping mechanism" - The term for this is known as Expressive Writing. Expressive writing is using journaling, poetry, or personal storywriting in order to process, express, and work through the feelings left behind by traumatic experiences. It's typically done under the guidance of a therapist and is focused on feelings, not descriptions. This is because writing out vivid descriptions can take you back to that place and force you to relive the trauma before you might be ready to do so. Graphic descriptions can also impact the mental health of those around you if it's not done in tactful way. Putting yourself through that actually hinders your recovery from the trauma. So in short, writing graphic depictions of trauma is an unhealthy coping mechanism that can contribute to retraumatization and exposes others to material that they might not be prepared to engage with.