#// but i'm writing this late at night

[bluewolfangel01]

Levi: "I don't understand why you like someone as pathetic as me, I'm not that good at anything other then being a nasty useless otaku, (insert more self degrading here)."

Mc: *blank faced, moving sneakily close to Levi and picks him up bridal style*

Mc: "Snake <3."

Levi: *Stunned silent, he doesn't move for a few moments, then his tail curls around Mc's leg, and leans into their touch.*

Levi: "Y-yeah...."

[sceletaflores]

A Small Favor.

part one!

pairing: mike schmidt x afab!reader

summary: the stress of his new job is taking a toll on mike. he did such a good job helping you out, so you decide to repay the favor.

word count: 2.5k

warnings: 18+! MDNI! oral sex (m!receiving), vaginal fingering, handjobs, heavy on the praise, munch!mike always.

authors note: the heavily heavily HEAVILY requested part two is finally done. (quite literally wrote this instead of listening to my bio lecture) i still can't believe that fic has gotten so much traction, i hope this one measures up! it got waaaay more angsty near the end than i thought it would hehe also i decided to include everyone commenting under part one requesting part two in the taglist of this fic so you're welcome lol mwah <3

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It had been one week and three days since the couch incident, which is what you’ve lovingly taken to calling whatever happened between you and Mike. One week and three whole days of Mike dancing around you and the elephant in the room.

The morning after the couch incident he practically ran out the door taking Abby to school when you tried to bring it up. The next time you attempted to have “the talk” he stuttered out an excuse before retreating to the safety of his bedroom, so you gave up.

You know that there’s something between Mike and you that crosses the line of just friends, you both felt something change that night, but getting him to face his feelings and actually admit that will take work.

It's another night of sitting on Mike's couch mulling over what to do about the whole situation when you hear the front door open. You're shocked at first, usually you're asleep by the time Mike gets home. Sure enough when you check the clock it reads 6:33 in bulky red characters. Apparently, time flies when you're obsessing over how to get your friend turned complicated-accidental-one-night-stand to admit they have feelings for you.

You try (and fail) not to listen in on every move Mike makes in the kitchen, fighting to keeping your gaze trained on the TV as he makes his way to the living room.

In your eyes peripheral vision you see him begin to make his way to the couch, but he hesitates when his eyes fall on you. He awkwardly hovers between the two rooms for a few seconds until he takes a breath and walks over to the couch.

Mike sits next to you on the couch with a soft grunt. You wrestle with the need to look at him fully, but you can see out of the corner of your eye he's taken off his work boots and vest. His hair is sticking out at weird angles, curls frizzy and unruly. Your hand twitches against your thigh with the want to run your fingers through them.

You can feel your heart beat faster, struggling to sit still in the thick tension surrounding the two of you. You flick your eyes back to the TV in a vain attempt to focus on anything other than Mike.

Eventually, you lose the fight with your screaming inner monologue and chance a sideways glace in his direction. You're beyond surprised to find him already looking at you.

You stare back, a deer caught in headlights. The dim light coming from the TV highlights his eyes. Mike opens his mouth to seemingly break the silence but he stops himself short of actually speaking. You can see him fiddling nervously with the hem of his shirt.

It’s silent for a beat before you decide to speak up.

“Hi.” You say, it's a whisper but you might have well just yelled with how it cuts into the air between the two of you. Mike lets out what might be laugh, it sounds forced. "Hi." He replies stiffly.

"Home later than usual." You point out, fidgeting with your nail. Mike's home a little after 6: everyday, him being home 30 minutes late is odd.

Mike nods, he lets his head fall onto the back of the couch allowing his eyes to slip closed as he does. "Yeah," He replies, the position of his head allows you to get your greedy fill of his sharp jawline. "Jobs been hell."

You don't respond, but you know. Mike's been haggard recently, and not just because of the couch incident. The bags under his eyes have gotten worse, he's been forgetful, not to mention how much more neurotic and paranoid he's been.

Mike has been a wreck these past couple of days, and you want nothing more than to help him feel good. If not for just a few minutes.

You take a chance, and move to let your hand rest over his jean clad thigh. Mike tenses up immediately but doesn’t move to run or push your hand off.

"I could help you,” You say quietly, forcing yourself to keep eye contact. Mike's wide eyes flit rapidly between your eyes and lips. “Help you relax…” You trail off, voice barely above a whisper.

Your offer hangs heavy in the silence that settles. Mike just stares at you, after a while you start to regret making such a bold move. There’s an apology’s on the tip of your tongue, but when you start taking your hand off Mikes thigh he quickly grabs your wrist.

Your eyes snap back up to meet Mikes. His pupils are blown out, black encompassing warm brown. His tongue comes out to swipe across his bottom lip.

“You can...” Mike says simply, guiding your hand back to his thigh. Only he places it much higher up, high enough that you can feel the rough metal of his zipper brushing against the tip of your pinkie. "I need it." He breathes out desperately, eyes big and pleading. You allow yourself a second to just watch Mikes face before you start to move with a purpose.

You snake your hand lower, finding the already hard length of his cock through the rough material of his jeans. Mirroring what he did to you those ten days ago, you start to grind the heel of your hand against him.

Mike shudders, eyes fluttering shut at your touch. You can physically see tension slowly exit his body, leaving him slack and relaxed enough to sink deeper into the couch cushions.

The sight of him at ease and comfortable lights a fire in you. You feel a deep primal need to care for him, to make him feel good.

Patience wearing thin, you reach for the button of his jeans. Even in your arousal induced haste, you take a beat to appreciate the swell of Mike's cock pressing up against the denim. If this was any other time, you'd want to draw it out. To tease Mike until he can't take it anymore, but now is not any other time.

You pop the button to Mike's jeans, dragging the zipper down swiftly and pulling the flaps of his jeans open to frame his lewdly tented boxers. You can hear Mikes breath hitch, unable to keep from squirming under your intense gaze. The thin material leaves nothing to the imagination, the length and girth of him on display. There's a growing wet patch near the tip that's turned the light blue fabric dark and slick. An ache starts deep in your core, anticipation making you feel warm all over.

Slowly, you tug his boxers down enough for his cock to spring free and smack up against his stomach. "Ah! Shit," He hisses, hands balling up into fists by his sides.

Mike's dick is perfect. A nice length and girth you know will have your jaw aching in the best way later. The tip a soft pink color, and steadily leaking a stream of pre-come.

"I want to blow you," You say softly, getting close to Mike so your lips brush over his ear with every word. He shivers, mouth dropping open in a quiet moan. "Will you let me?"

Mike nods his head frantically. "Please," He pants, chest rising and falling quickly. "Please, I want it."

His begging is music to your ears.

You slide off the couch, kneeling between Mike's spread thighs. His straining cock makes your mouth water in anticipation. Holding the base in your hand, you lean forward to lick a board stripe from root to tip. Moaning at the heady taste and velvety feel of him on your tongue.

"God." Mike groans at the feel of your tongue.

You pull off with a slick pop, breaking a small thread of saliva trailing from the head of Mike's dick to your lips with your tongue. You lave over the tip, looking up to find Mike staring at you flushed and dark-eyed. You keep the eye contact as you sink back down, beginning to build up a rhythm.

Out of the corner of your eye, you can see Mike raise his hands before hesitating, and dropping them back down to the couch cushion. You can tell he wants to touch you, but he’s unsure of himself. You take his hands in yours, and place them on the top of your head.

At first he just sort of holds your head, overthinking what to do even with your permission. You’d laugh if you weren’t so busy preening over the feel of his unfairly big hands holding your head delicately, like he might break you.

“Fuck, your mouth…” Mike whispers, his words trailing off as he watches your lips work over his throbbing cock. His confidence grows, finally allowing himself to run his fingers through your hair and gather it in a loose fistful. Your moan of encouragement has him tightening his grip just a touch.

“Jesus,” Mike breathes quietly, you give him a lick underneath the head of his cock in response. "Fuck. Feels so good.”

You hum in response, working Mike's cock faster to draw out more of those whimpers that he can't hold in. Hollowing your cheeks and sinking down towards the circle of your fist still holding the base of his cock with wet, slick slurping sounds.

Mike's noises have gotten progressively louder by the second, you can feel his pulse beating wildly against your tongue through the vein running up his cock. You know he's close, and you're desperate to make him come.

You give him one long languid suck, swirling your tongue over the head as you pull off. His cock is slick with your spit, pulsing warningly. You use the wetness of your saliva as a makeshift lube to start stroking over him slowly.

"How's it feel, Mike?" You purr sensually,

When you sink back down, you don't break eye contact. Mike's eyes roll back into his head, the way his lips part on a sharp gasp, how his back arches off the couch, how his fist tightens even more around your hair.

Above you, Mike grunts, "Oh fuck, baby," His back arches, a rough gasp torn from his throat. The hand in your hair tugs sharply as he chokes out, "Gonna come, shit, gonna fucking come."

Mike shouts hoarsely, hips stuttering as he starts to come. His cock gives one final twitch in your mouth before he pumps load after load of warm come into your mouth. You moan loudly at the taste of his release coating your taste buds, swallowing what pools on your tongue routinely.

You continue to work your mouth over his cock, bringing Mike through the aftershocks of his orgasm, reveling in the broken sounds he keeps making. You lave your tongue over him savoring the taste of him, until he's tugging at your hair to pull you off his sensitive cock.

"C'mere, c'mere." He whines desperately. You’ve barely come up for air before Mike is bodily dragging you into his lap and kissing you like he needs it more than air.

His hand darts down your body and into your sweats. Mike moans in your mouth at the feel of your lacy panties absolutely soaked with your arousal. He wastes no time in finding your clit, rubbing tight circles over it with his thumb drawing a loud moan from your lips.

"Shit," You exclaim, nails digging into Mike's forearm. Your hips buck up into his touch, chasing his touch. "Mike..." You whine, needing him to do more.

"You drive me fucking crazy," He whispers roughly against the side of your face, sliding his pointer finger through the slick wetness of your folds. "I can't stop thinking about you."

“Oh god, Mike.” His fingers feel amazing, rubbing you in all the right places, his words lighting a fire in your stomach.

Mike gathers your wetness before pushing his thick middle finger in your tight heat. Your own moan gets drowned out by his guttural groan at the feeling of you clenching down on his finger.

“Fuck, you’re so wet.” He moans, thrusting his finger in and out of your aching pussy slowly. "You're so perfect, so perfect for me." Mikes lips trail kisses down your jaw as he adds a second finger into your dripping pussy, brushing against the spot inside you that sends white hot sparks of pleasure zinging up your spine.

"How's that feel?" He asks roughly, throwing your earlier teasing back in your face. You moan wantonly, hips moving grinding down as you ride his fingers in earnest.

Mike angles his hand in a way that lets his fingers thrust into you, hitting your g-spot all while the palm of his hand grinds into your clit

“I’m gonna come, Mike,” You whine desperately, hips stuttering as you tip over the edge. “I’m coming.”

"Yes, come for me." Mike whispers, lips brushing over your cheek.

Your chest heaves as you come down from your orgasm, collapsing against Mikes chest. You're an absolute mess, thighs shaking and sweat dripping down your back. A hiss escapes your mouth as Mike eases his fingers out of your twitching pussy. "Sorry." He whispers softly, kissing the top of your head tenderly.

You allow yourself to lay on his chest with his strong arms around your waist, keeping you close. So close you can feel his warm breath puffing out against your neck.

You don't want to let it, but reality sets in. "Are you gonna run away in the morning?" Your voice is so quiet you don't know if Mike even heard, and you can't force yourself to look up at him.

It takes him a second to register your words, you don't have to look at him to know he's wincing. "I," Mike starts, trying to find the right words. "I don't know." He admits, lips brushing against your hair.

The anger mixed with shame and embarrassment is quick to come, you scoff pushing off Mike's chest so you can go home. "Of course." You spit bitterly.

"Wait!" He rushes out, arms tightening on your waist to stop you leaving.

"What?" You bite out bitterly, whipping your head around to stare daggers at Mike. It backfires on you almost immediately, forcing you to stare into his big sad dumb eyes. He falters, mouth opening and closing as he fumbles to say anything.

You can't help that the look in his eyes tames your anger ever so slightly. The way he's silently pleading with you to stay, his brows drawn in concern and lips pulled down in a frown. Your steely resolve crumbles pathetically.

"What?" You repeat quietly. Mike flounders for a second more, before he finally gives in. "Please stay." He exhales softly, hands planting themselves on your hips, giving them a light squeeze..

Maybe it's your shitty resolve, maybe it's the post orgasm afterglow clouding your judgement, maybe it's the earnest look in Mike's eyes that keeps you from pushing out of his grip and out the door, but you just can't bring yourself to leave.

You stare back at him wrestling with your thoughts, but it's a losing game and you know that.

"Okay," You whisper slowly, settling yourself back down into his lap. "I'll stay."

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i could NOT figure out how to end this, but maybe i could do a part three? would literally anyone want that?

taglist!

@ebodebo @yuenity @mfdxz @mikeschmidtgf @lee-inthebox @sunny-deary @ncqari

extra taglist!

@ballorawan740 @slasherluvrrr @importantgalaxyrunaway @iwantsleepplz @theaterhoefornewsies

[beetlethebug]

consider,,,a lucanis who is in love with emmrich, a spite who is in love with rook, a rook in love with emmrich, and emmrich who is in love with all three but wants lucanis, spite, and rook to get together because he feels he is not the type of man any of them deserve...

bonus points for spite being the one to realize just what sort of love quadrilateral is going on and is the one to get them all together.

[bigdumbbambieyes]

"Do you ever think of me?"

The question is mumbled into the skin of his neck, where Steve's mouth is pressed.

Billy had thought Steve had fallen asleep, but. Surprise, surprise.

And it's honestly such a stupid question that he considers not answering it at all.

But, he knows better.

"Always," he murmurs, turning his head to press a sweet little kiss to Steve's forehead.

"You promise?" Steve whispers, his voice quiet and small, insecure. He gets like that, sometimes. Not as much as Billy, though.

"Cross my heart," he replies just as quietly, pressing another kiss to the bridge of Steve's nose, soothing him.

It works, if the soft little happy noise his boyfriend makes speaks for anything.

"Love doing this with you," Steve murmurs as he lifts his head, his face finally peering out from its hiding place and Billy can see that pretty face in the dark of their room.

He would know Steve's soul in the dark, just like this.

"You love doing nothing?" Billy smirks.

Steve nods, "With you."

It's so disgustingly sweet, it could almost make Billy sick.

What makes him feel worse is that he's been thinking the same thing for a while now.

Just laying here, in their bed, cuddled up and breathing has Billy beyond happy. It's peace. It's love. It's his.

It's theirs.

"Yeah," Billy whispers, turning onto his side to cup Steve's face in the dark, his lips finding that wide Cupid's bow far too easily, their noses gently bumping as he murmurs into his boyfriend's mouth, "Love doing nothing with you, too."

[heart-of-the-morningstar]

Corruption fic - Second Preview

Next preview is here! This is for all the night owls like me! I won't put a warning for this one either but there is one sentence that's very risqué!

You started to bawl as you clung to Lucifer for support. Immediately, he rushed you over to the couch and sat you down next to him, letting you cry into the crook of his neck.

"Hey, hey, shh," Lucifer soothed. "It's alright. Alastor won't bother you anymore, I'll make sure of it."

"It's n-not him," you sniffled, "it's everything! Al-stor's right, there's no savin' me."

Lucifer pulled you away from him, placing a hand under your chin as he looked into your glassy eyes. "Now what makes you say that?"

Another tear rolled down your face. "Is like he said, what I was taught up there…nothing's true! Welllll, except…" you placed your hand over the one holding your face tenderly. "Theeeyyyyy did say that you, Luciferrrr, were heaven's prettiest angel. They def-liny didn't lie about that!"

You noticed a small blush creep across Lucifer's face at your words. He pulled his and away from your face to clear his throat, glancing away from you. "T-Thank you. That's umm, very kind of you."

You chuckled to yourself, scootching your body closer him. "Do you mind if I *hic*, lay down, jus' for a sec. Gettin' sleepy.

"Yeah, of course!" Lucifer smiled, but only for a moment. "W-Wait, hold on!"

But by the time he tried to warn you, your head had already fallen into his lap. You smiled up at the flustered man and chuckled, the heat returning to your face once more. "You got soft legs, hehe!"

Lucifer inhaled sharply. "Husk was right, you really are drunk. Wouldn't you feel more comfortable laying your head on a pillow?"

"Nnnnope!" you replied.

"Alright then," the king breathed and massaged the back of his neck, doing his best to hide how tense he'd become from your sudden closeness.

"H-Hey," you called up to him, "why'd youuu…why'd you protect me jus' now? From Al-stor. You *hic* didn't have to…"

He looked down at you softly, brushing away the hair that had fallen into your face. "I don't like bullies. You didn't deserve that, and Alastor knows that for his sake that he shouldn't get on my bad side."

"Never seen you so mad." you mumbled.

"I'm sorry you had to see that," he apologized, continuing to play with you hair. "I don't like bringing out that side of me. But Alastor really likes to push his luck for some bizarre reason."

"Awww," you pouted, "is too bad. I liked seeing that side of ya. It was HOT!"

Lucifer stopped his movements completely. “I-I’m sorry?”

“You heard me,” you responded poking at his chest. “What? Did ya think jus’ cuz I was a believer when I was alive that I’d be SCARED of ya? Maybe at first. Not anymore! I’m already in Hell soooo there’s no point in hidin’ it, is there?”

“Hiding what, exactly?” Lucifer gulped as if he was almost too afraid to ask.

You giggles and hid your face with your hands. “Noooo, you’re jus’ gonna laugh at meeee!”

Lucifer let out an amused hum. He gently took ahold of your wrists and lowered your hands away from your now completely beet-colored face. “I promise I won’t laugh at you, my dear. You’ve very much piqued my curiosity! And I’m very good at keeping secrets, you know! So please, let me keep yours.” He let go of your wrists, letting your hands fall onto your chest. You watched as he leaned closer to you, his half lidded eyes piercing your very soul. “Won’t you tell me, my sweet angel?”

"I…*hic* I umm…" you babbled. It was clear that you were struggling to answer.

"Mind if I take a guess?" Lucifer offered as he went back to playing with your loose locks of hair. "Is it possible that you have a little crush on-"

"I WAN' YOU TO FUCK ME STUPID TILL I CAN'T 'MEMBER MY NAME!" you blurted out without any reservations.

"-me…" Lucifer froze at your confession. You could hear the sound of a pin drop with the deafening silence that now filled the air. With a big inhale, he straightened his back fully, placing both of his hands under you in a flash, not daring to look down at you. "Well, I-I think it's about time we got you to bed!" he nearly shouted as he scooped you up in his arms and stood up faster than normal.

You let out a small squeak of surprise with his sudden motion. With a snap of his fingers, a portal appeared next to you and he quickly carried you across the threshold and into your dimly lit room. With a flick of his wrist, your bedsheets were undone and Lucifer was able to lay you down gently onto your mattress. He reached over you to grab your undone comforter and pulled it on top of you, covering everything but your head.

"Okay! Uhh, s-sleep well!" Lucifer went to run through the portal, but not before you were able to grab his sleeve.

"D-Did I upset you?" you asked nearly on the verge of tears again? Lucifer still hadn't looked at you.

"N-No! No, angel, you didn't upset me!" he tried to sooth you, but you weren't buying it. You couldn't stop more tears running down your face. When Lucifer heard your quiet cries, he finally turned towards you in a state of sheer panic. "Ahh, no!" He kneeled down next to you, wiping your tears away with his free hand. "Please don't cry! I promise I'm not upset!"

"Knew it was stupid…," you sobbed, "shouldn't have told you…"

"Don't say that," the fallen angel cooed. "Okay, okay, look…If uhh, we're admitting things right now, I might as well too. Would that make you feel better?"

You sniffled a bit. "M-Maybe…"

Lucifer shut his eyes and let out a deep sigh. "I've had…similar feelings…about you, that is. So…no more tears, okay?"

You stared at the man before you, completely and utterly baffled by what you had just heard. "R-Really?"

"Yes," he whispered. "But we can talk about this tomorrow, yeah? You need some sleep, it looks like you're about to pass out."

He was right. Your eyelids felt as though they could give out at any moment, and the warmth from your blanket wasn't helping you stay conscious either. As Lucifer stood up, you still clung to his sleeve like your life depended on it. "Stay?" you almost begged.

He smiled weakly, taking your hand from his sleeve and placing a small peck on the back of it. "Not tonight," he responded. "Sleep now, darling. I'll see you when you wake." You couldn't find the strength to respond, letting yourself drift off to sleep as Lucifer left you to dream.

Little did you know that he had disappeared to take a very cold shower.

[becca-e-barnes]

I've been writing my dissertation like that gif of the cat frantically slamming a keyboard (you know the one) but it's got me thinking about professor Bucky and how he might incentivise you to get your work done for his class 😏

"You're not getting an extension. Don't even think about e-mailing me for one." The hardest part of dating your lecturer isn't actually the sneaking around; it's that he's a hell of a lot tougher on you than the rest of the class.

"But Bucky I-" You begin but he cuts you off and you know by the look on his face that there's no point pressing it.

"No. You're more than capable and you've got plenty of time to get it done. You don't need an extension, you need to apply yourself."

God, he's annoying. You know you can do it, you never said you couldn't. You just don't want to. There's a massive difference.

He pulls his copy of the required reading out of his bag, setting it on the desk beside your laptop and it takes everything in you not to bury your head in your hands.

"There. I've helped you enough." He nods towards the textbook but when you don't move, he flicks through the pages with a sigh, leaving it open at the chapter you know you should start with.

You sit there for another few seconds in a foul mood, mentally preparing yourself to sit here for the next few hours.

"How about I help you? I get the impression you need an incentive." He knows you too well, there's nothing more motivating than a little treat. "You have 12,000 words to write. For every 1,000 you write this week, I'll give you an orgasm."

Maybe you should complain about his assignments more often.

"Deal." Hell, if you'd known this was coming, you'd have started ages ago.

"Good girl." He laughs, amused at the rate at which your fingers begin to dance over the keyboard.

Getting started isn't too hard. You type out a quick plan of your chapters, dropping in the sources you know you'll need before starting your introduction and with your focus on your work, you hardly notice Bucky sinking to his knees under the desk.

You feel his warm, open mouthed kisses trailing up your thighs under your skirt and his soft groans drag your attention away from the laptop.

"Don't stop working." He insists, licking your sex through your cotton underwear, letting you enjoy the delicious friction on your cunt. "You're almost at the first thousand and it reads well so far." You feel his hot breath against the now wet cotton while one of your hands falls to tug his hair.

"If you stop typing, I stop licking." He threatens, pulling your panties to the side, gliding his tongue against your skin and groaning at the taste of your arousal.

You have just over 200 words until you reach your first thousand and it should be so easy but it becomes even harder when he sinks two fingers into you and you're able to hear how wet you are already.

His lips engulf your clit, sucking gently while flicking his tongue in vertical strokes in time with his fingers curling inside you. "Such a smart girl. I'm so proud of you." He hums before giving you a few broad strokes with a flat tongue.

He knows what his praise does to you and with your thighs clamped around his head, you fly your way through a few hundred more words. He chuckles when you proudly announce you reached a thousand but you don't stop typing at the same frantic pace.

"Sweetheart, if you want to get all 12,000 done this evening, I'll sit here as long as it takes." He smiles against your skin before giving you everything he knows you need. His tongue flicks quickly over your clit and his fingertips rub against the soft, spongy spot inside you and in no time you're gushing against his face, gripping his hair and riding your high out on his waiting tongue.

[sobercoffee415]

Isekai'd Student

A/n: Been a while...

You were an average STEM student before you were Isekai'd into the world of Teyvat.

Imposter Au

It has been over a month since you've arrived in Teyvat. It's also been 3 weeks since you had to completely change your identity.

No matter how far you run you knew they'd catch up... So why run when you could easily disguise yourself.

Your knowledge on chemistry helped you understand a bit of alchemy.

It helped to make money from it.

Your alter ego was considered as a brilliant person.

Exploring Teyvat wasn't easy since you'd always have to be careful on who sees you.

That is until one day, you stayed at the one of the inns in Liyue. A bustling city of opportunities is when you were approached by one of the Fatui.

"Your Eminence, Please come with us. One of the Fatui Harbingers hopes to meet with you." With no choice or escape you hesitantly followed.

Pantalone, A Businessman at heart, his choices are rational and practical. This was the man you knew he'd help you.

"Your Grace, My-" you raised a hand and smiled. "I don't like idle chatter and we both know your name Pantalone, I have a proposition for you." You smiled as the man took a seat.

"I can provide knowledge that can easily be profitable, and easily advertised to the public. In return I'd only want protection and a meeting with the Tsaritsa."

Pantalone could only smirk "Might I ask why would you need to meet with the Tsaritsa?" You smiled devilishly as you sigh. "Revenge of course and Visions. I can create visions for the Harbingers. Delusions could easily kill someone and we wouldn't want that." You smile remembering Singora.

"Your Grace the Tsaritsa called me to tell you about your meeting but it seems you also want to meet them. I'm quite glad about this deal we've made..."

Your Revenge is only about to begin...

[andromeda-nova-writing]

"Are you laughing at me?" "Yeah, I am. What are you going to do about it?" - Wriothesley Request from @isekyaaa

When Clorinde said she knew someone who could teach Y/N the basics of a different hand-to-hand combat style she wasn’t expecting that Wriothesley would be the one to teach her. One would think it would be easy to take the guy seriously but all the stories from Clorinde and that his back was absolutely covered in stickers made it so hard. It would have been easier if she said she would just show up to the fortress for her lesson rather than agreeing with him to take advantage of the nice weather out at the beach. With his coat on, the stickers were at least out of sight.

“You know I never got the reason why you agreed to this.”

“Clorinde didn’t tell you?” He was focused on wrapping his hands.

“Nah. Just said she knew a guy.” Her head tilted to the side. “Is there something I should know? Heard from her that you both like betting. You lost?”

He sighed. “Yeah, but this is better than me winning and my shelves filling up with more law books.”

Y/N laughed. “So you’re the reason I end up swinging by the bookstore to pick up a law book for her every now and then.”

Wriothesley rolled his eyes with a smile. “Seems so. You ready over there.”

“Been. You were the late one.”

“Work’s a bit far from here to be fair.”

“I thought I was gonna have to tell Clorinde you were a no-show. I’d be back on the hunt for an instructor. Probably could find someone better if I spent more time looking.” She teased.

“You’re gonna give me a headache.”

“Don’t tell me I’m too much for you to handle.”

He looked away biting his lip, he pushed his bangs back before letting them fall in front of his face. “Let’s just get this started.”

It didn't take long for Y/N to begin understanding the basics. The only issue was that she kept falling back into the stance of her normal fighting style. It was definitely something she’d have to work on to fix but at the same time being able change styles mid fight could be an advantage. 

After some time of just focusing making sure she was picking things up correctly. It didn’t hurt to test some things out in a small scrimmage. It would just be a few blows back and forth with no real weight behind them. 

Y/N had thrown a punch Wriothesley's way. She focused on pushing him further back towards the water. It was her best bet with that they were in two different weight classes. It wasn’t hard for him to dodge. But in doing so he tripped backwards trying to avoid stepping on a crab and fell into the waves that crashed against the shore.

She couldn’t help but laugh at the sight. Yes, he had been a more than perfect teacher the entire time. But with the knowledge he was helping cause of a lost bet, the stickers that covered his back and that he was soaked beyond belief she let go of everything that kept her from laughing at the man.

He looked up at the woman who was now towering above him as the waves gently splashed at him leaving no part of his clothes dry. “Are you laughing at me?” He wasn’t mad but he for sure knew he had to look a bit stupid.

“Yeah, I am. What are you going to do about it?” She teased. It wasn’t like he could do anything about it.

He sighed. “You’re right nothing I can do. Help a guy up?”

Y/N wiped a tear that formed from her laughter before holding a hand out to him to pull him back up standing. Wriothesley took her hand pulling himself up just slightly before pulling her down into the water with him.

“Ugggh, You asshole!” She laid in the water beside Him.

“It's what you get.” He let go of her hand before splashing her lightly.

“It’s not like I was the one who pushed you in.”

“You were laughing enough where you might as well have.”

She rolled her eyes. “I can’t believe Clorinde set me up to learn from a man who doesn’t know how to even treat a lady.”

��I don’t know if our activities here would even have you being considered lady like.”

“I think it’s very lady like knowing how to defend yourself. After all you never know when a big oaf is going to pull you into the ocean.”

“You say that like you haven’t been having a good time.”

She turned her head away to hide the smile that was creeping onto her face. “Let’s just go dry off already.”

[krussyarts]

He demanded to be drawn as cunty as possible waist down. Grabbed me by the collar and yelled at me (fucken bitch istg)

I've been sitting on this for weeks now lol

More notes and whatnot below cut

Weirdmageddon version largely inspired by RGBill, hence why he's there

He still has four fingers bc I read somewhere how Ford has the two extra fingers of his and I think that's cool. Also Bill would totally do that just to manipulate Ford into thinking they're similar.

There's a difference between the two versions not just design wise but also on the level that the "regular" one is more like a puppet than anything, whereas the weirdmageddon one is a physical form. That's what the arms snaking around his "arms" are for!! They're for puppeteering! He doesn't care enough about legs to bother linking them up as properly.

Bitch puts on as much jewelry as possible I just got lazy after a while lol

[osamusriceballs]

Last-Minute Plans

Ushijima x fem reader

Warnings: NSFW (cockwarming, rather soft)

Words: ~ 1,5 k

About: Wakatoshi got a ring for you, and he needs to make sure it fits.

A/n: Happy Birthday to our beloved Wakatoshi-kun~

"It fits,"

he mumbles with a sigh of relief, one he hadn't realized he was holding. He looks contently at the jewelry now adorning your ring finger.

Ushijima knows that he's late with this. He should have attempted this plan a long time ago; he despises last-minute actions. Lately, however, you've insisted on waiting until he returns home late from practice due to extended training sessions just before the crucial match, making it impossible for him to secretly slip that ring onto your finger to see if it fits. He's aware he hasn't been giving you the time you deserve lately, but he's determined to make it up as soon as he can. He intends to spoil you as soon as the match is over and his schedule finally allows him to have more free time, treating you like the princess you are.

He had nearly abandoned the idea of trying the ring on your finger. He considered simply hoping for the best, planning to alter the ring quickly after proposing if it didn't fit. He knows you wouldn't have minded, but he wanted this moment to be perfect. The first difficulty he had encountered, however, was that you had rings in various sizes in your jewelry box- probably for different fingers, but even after sorting through them, he was still not convinced that he chose the right size.

Relief washes over him as he sees the ring fitting comfortably, and for a short moment, he envisions your future together. He dreams of having you sleep beside him every night, of going on the vacation you've always dreamed of, and of giving you the beautiful wedding ceremony you've always wanted. He's already asked Tendou to be his best man and informed his parents of his plans. He even decided to send his father a notice that his son will be getting married soon—hopefully.

The ring looks stunning on your hand. It's noticeable yet subtly elegant. He's confident you'll love it; you've often praised his taste, describing him as simple in his choices, which you adore.

His gaze drifts to your peaceful sleeping form. You must be exhausted not to have woken up yet. Normally, you'd wait until he returns or awaken when he quietly lies down beside you, an act he's yet to master. You'd always greet him with a tender kiss, a gesture he cherishes most during his days and misses the most when he's away. Yet, you sleep soundly, your face soft, breathing steady. You're wearing one of his shirts, the old Shiratorizawa jersey you claim is the comfiest—adorable on you, he agrees.

He's fairly certain you're wearing only flimsy panties beneath, but he'll take his sweet time tomorrow to explore every inch of your body.

"Toshi," your sleepy voice pulls him from his daydreams, and he quickly hides the ring, clutching your hand in his. You stir, turning towards him, brows furrowing as you reach out blindly.

"Y/n, go back to sleep. It's late," he murmurs in a soothing tone, knowing you find his voice calming.

"I missed you," you groan, squinting your eyes as you try to make out his face in the dimly lit room.

"I missed you too," he replies, smiling softly and leaning down to press a tender kiss to your lips. You smile in return, bringing your free hand to his cheek, a bit clumsily—almost slapping his face, but he doesn't mind; he is simply happy having you close.

"You haven't shaved today," you mumble as you caress his cheek. He hums in response. "I forgot. Does it bother you?"

"No, it doesn't. But you never forget to shave. What was on your mind today?"

You, he thinks, but for once, he refrains from sharing his thoughts. He needs to distract you, to take back the ring unnoticed. How you haven't noticed it so far surprises him.

"I was thinking about…" he begins, his voice trailing off, unsure how to respond without you getting suspicious.

"Wakatoshi, come to bed. You seem really tired," you yawn, and he suddenly knows what he needs to do.

Ushijima leans down to kiss you again, this time deepening the kiss with more passion. He feels your response, your body arching into his touch, your lips moving in sync with his.

"Toshi," you're already breathless after a few kisses, and he finally feels your hand relax, fingers intertwining with his with the metal still on your finger. He typically holds your hand more firmly, but now he keeps his grip gentle, ensuring you don't feel the ring on your finger. With his free hand, he traces the hem of your shirt, his fingers gliding beneath the fabric, encountering the softness of your skin.

"Want you, but I'm tired," you whisper against his lips, prompting him to nuzzle against your neck. "Should I pleasure you? Should I make you feel full?" You moan softly and weakly nod, your eyes barely open in the dark room. Unbeknownst to you, a wave of relief washes over him. This may not be going exactly as he planned, but making love to you with the ring already on your finger is better than he could have imagined.

He quickly runs through potential scenarios in which he could smoothly slide the ring off your finger, deciding to position himself behind you while maintaining a hold on your hand in front of your body. Shifting his body weight, he maneuvers behind you until his chest presses against your back. He skillfully settles beneath the blanket without releasing your hand, making sure not to tighten his grip around your fingers. His lips find your neck, where he places the gentlest kisses against your skin, earning the softest, most beautiful moans from your lips. His hips begin to rhythmically move against your backside, and he feels how he hardens in his pants.

You contently hum while you lean into his touch, raising one leg to allow him to slip his thigh between yours. "Feels good," you murmur as he starts a grinding motion against your pussy. He feels his growing need, a nearly instinctive response to your body. His earlier suspicion about you wearing only his shirt and panties appears accurate; that much he notices when his shorts ride up and his bare thigh grinds against your cunt. As much as he wants the feeling of your bare skin against his, he knows that undressing might raise too much suspicion. Instead, he guides his free hand downward, gently tracing circles against your clothed center.

"You're so perfect. So beautiful. I love you so much," he whispers into your ear, causing you to shudder in his arms. Your grip on his hand tightens, while your other hand softly clutches the sheets. He understands your needs. Grateful that he's still wearing the soft shorts, he pushes them down slightly, quickly freeing his cock.

"Should I use some lube?" he asks, concern lacing his voice, worried about hurting you since he hasn't fully prepared you yet—a truly challenging task when ensuring your hand remains held and he can only use one hand properly.

"Think I'm wet enough," you mumble, and he dips two fingers between your folds to confirm, and he is rewarded with enough arousal to forget about his worries.

As much as he wants to ravish you right now, he knows you would probably drift off to sleep if he makes love to you tenderly—so that's precisely what he does. He gently spreads your legs further with his thigh, allowing his cock to rest between your legs. It has almost become a routine for him to set aside your panties and gradually ease his cock inside you- a practice that you often do after he comes home late from his practice sessions.

A breathy moan escapes your lips at the stretch, and he feels his own body tensing at the sensation of your soft walls around him. He continues to push until he's fully inside of you. You always take him so well—it feels breathtaking to be buried deep inside you. He still hopes you'll succumb to sleep in this embrace, even though he's surely wide awake himself.

"Feels good," you hum, your breathing gradually returning to a steady rhythm. He pulls you closer, inhaling the soothing flowery scent of your hair- a scent that always brings him comfort and calms his mind when he can't seem to rest. You might not fully grasp how much he loves you—how every fiber of his being yearns for you, how he wishes for you to be happy and to be his. This is precisely why he plans to propose to you tomorrow and to place the ring back on your finger. You wouldn't refuse him on his birthday, would you?

"Sleep well, my love."

[libraryofgage]

A Place Like Steve in a Boy Like This (2)

Part of: Steve Deserves Good Parents, Actually Debbie and Fester Addams One | Two | Three Rick and Evelyn O'Connell One | Two (you're here!) Harley Quinn One 10th Doctor and Rose One | Two (on the way!) Scooby Gang (there are plans for this one lmao, so plz be patient with me orz) Jedidiah and Octavius (from Night at the Museum) (I also have plans for this one actually they just need to simmer a little lmao)

Hi welcome back to my Mummy Crossover where Steve's parents are Rick and Evelyn O'Connell this took forever bcuz the words didn't want to word correctly lmao

Anyway, here we are! Some interactions, some more insight on all of Steve's talents, a teensy bit of chaos killed before it could flourish. What more could you want?

As always, if you see any typos, no you didn't ;)

--------

"Breathe in."

Steve slowly inhales, keeping his chest and arms steady.

"Now pull as you breathe out."

Steve steadily exhales, squeezing the trigger as he does, and feeling the gun kick in his hand. Several yards away, a tin can that's little more than a speck in the distance topples to the ground.

Before Steve can realize his aim was good, the gun is plucked from his hand and he's lifted into the air. Weightlessness overwhelms him, and he shrieks with delight as he falls back into his father's arms. "That's my boy!" his father says, tossing him into the air again.

"Oh, do be careful, Rick. He broke an arm the last time you threw him around like that," Steve's mother says, a proud smile tugging at her lips despite her words.

Steve finds himself safely held in his father's arms a second later, his heart racing and his breaths short from exhilaration. "Again! Again!" he shouts, looking up at his father hopefully.

"Sorry, kiddo, you heard your mother," his father says, messing up Steve's hair before lifting him onto his shoulders. Steve grips his father's hair tightly, grinning as his father jogs over to the tin can. "You'll be able to shoot running in no time."

"Am I gonna be as good as you?" Steve asks, leaning over his father's head. "How long will that take?"

"You'll be better than me, Steve. It'll take a few years, though. At least one hundred."

"One hundred?! I'm gonna be bones by then! Dust and bones!"

"Nah, you'll be fine," his father says, waving his hand dismissively.

"I'll be dead!"

"In my experience, the dead don't make a habit of staying that way."

Steve huffs and rolls his eyes, pinching his father's cheeks and tugging on them until he laughs, grabs Steve's hand, and playfully bites his fingers. Steve shrieks again, laughing as he tugs his hand away and yanks on a few strands of his father's hair for revenge.

------

Steve, Max, and Eddie get discharged within days of each other, and even though Steve was expecting his house to be invaded by his friends, he still finds himself wishing he'd had a few more days with his parents before everyone showed up and started interrogating him. In fact, he almost considers ignoring the doorbell when it rings the day after Max is discharged.

"Steve!" Rick shouts, his voice carrying all the way from his carefully maintained weapons room. "Can you get that?"

"Can't put it off any longer," Robin says, grinning at him from her spot on the couch. She stretches out her leg and nudges Steve's thigh, urging him to get up.

He sighs, pushing himself off the couch and grimacing at the slight tug on his sides. "Got it," he calls back, walking to the door and bracing himself before opening it.

The porch is packed with his friends, Dustin and Eddie at the very front. "Finally!" Dustin says, pushing past Steve to get into the house.

Everyone else streams in after him, and Steve ends up just holding the door. "Yeah, welcome in, make yourselves at home, thanks so much for calling before showing up," he mutters, closing the door after the final person, Will, has walked inside.

He follows after them, relieved they filter into the living room instead of heading to the kitchen. Uncle Jonathan has been in there all day, trying his hand at a new gin brewing technique that makes Steve's head spin just thinking about it.

Steve flops onto the couch next to Robin, dropping his head onto her shoulder. Dustin looks ready to speak, and Steve is ready to pretend he's listening, when his mother walks into the room. She looks around with a concerned frown, her fingers covering her mouth and tapping against her lips. "Steve," she says, her voice slightly distracted, "dónde está el machete de tu papá?"

"En el garaje," he replies, waving off her thanks.

"You speak Spanish?" Max asks, glancing at Evelyn as she walks past her to reach the garage.

"I speak several languages," Steve tells her. He feels the couch shift next to him and looks over to see Will scooting over to make room for Eddie. "Spanish, Hebrew, Arabic, Egyptian, French, Greek, a little Urdu, but that one is rusty."

"Holy shit," Mike says, staring at Steve like he's shapeshifted into an alien, "you're smart?!"

"Wait, is that how you guys cracked the Russian code so quickly?" Dustin asks. "Why did you make Robin learn Russian if you already knew it?"

"I didn't make Robin do anything. She started learning while I called a guy I know who can speak Russian. He only managed to get back to me the same day Robin got the whole thing translated."

"You know a guy who can speak Russian?" Eddie asks, raising an eyebrow at Steve when he glances over.

Steve shrugs. "I know a lot of guys who know a lot of things. I met all of them while traveling with my parents," he explains.

"Where have you been?" Will asks.

"Every continent except Antarctica. More places than I can count, actually."

"Why did you travel so much?" El asks, her gaze drifting toward the mantle where several of his mother's souvenirs are carefully arranged. "Did those come from your travels?"

"I followed my parents while they worked until high school. And yeah, those are souvenirs, you can pick them up, but be careful."

As though the lack of permission was the only thing holding her back, Max jumps up and hurries over to the mantle, pulling down a small jar and turning it over in her hands. Its lid is shaped like the head of Anubis, and Steve is just realizing what she's picked up when his father walks into the room.

Rick stops, stares at the jar in Max's hand, and then marches over to her, a man on a mission. He swipes the jar, ignoring Max's shout in protest, and looks it over carefully. His expression becomes disbelieving, fond, and annoyed all at once. "Evie!" he shouts, turning around and about to go looking for her when she appears in the doorway.

"No need to shout, dear, I was just in the other room," she says, smiling until she sees the jar he's holding.

Her expression says it all, but Rick still holds the jar up, smiles sweetly at her, and asks lightly, "Evie, darling, is this what I think it is?"

"Well," Evelyn says, rolling her shoulders back in a way that tells Steve they're about to argue. And then start kissing like nobody's around. "It very well might be."

"What is it?" Dustin asks, sliding closer to get a better look at the jar when Rick holds it higher.

"Really, Evie? Did you forget the part where these things are cursed? Did you completely forget what happened to the Americans who touched these?"

"Aren't you American?" Max asks.

"And aren't you touching it?" Erica adds.

"It's certainly not cursed anymore," Evelyn says, walking over and easily plucking the jar from Rick's hands. She looks it over, idly brushing off some of the dust. "Imhotep is thoroughly dead. You made sure of that, dear."

"I'm sorry, did she say cursed?" Mike asks.

"Yes," El says.

As Evelyn and Rick stare each other down, Steve sighs and drops his head on the back of the couch. "It's a jar used in ancient Egypt to store the organs of mummies. That one specifically belonged to Imhotep, a mummy with a curse. He ate people and tried to sacrifice my mom to bring his girlfriend back and killed a bunch of Americans in the process. But Mom and Dad defeated him, like, twice and he hasn't been a problem since, so Mom is pretty sure he's gone for good now."

"There is no way any of that is true," Max says, huffing as Rick takes the jar back before Evelyn can even think of letting Max look at it again. "I mean, seriously? Mummies?"

"Oh, inter-dimensional monsters are perfectly believable, but mummies are a step too far?" Steve asks.

"Inter-dimensional monsters?" Evelyn asks, whirling around on Steve and placing her hands on her hips.

"So that's where he gets it from," Eddie says, his voice soft and more than a little amused.

Before Steve can comment on that (or try to kick Eddie from where he's sitting on the couch), his father moves to stand next to his mother, arms crossed over his chest with a stern look and still holding the jar. "Wanna share with the class, kid?" he asks.

Steve grimaces, knowing that tone of voice and sinking a little lower on the couch. "Not really, no. Most of the class is already in the loop."

"Humor us," his mother says, her voice firm and leaving no room for argument.

"Gee," Erica says, shifting closer to the doorway, "I'm suddenly feeling pretty hungry. Anyone else wanna go loot the kitchen?"

"I'm in," Max says, hurrying across the room in long strides.

"So are we," Mike adds, grabbing Will's hand and dragging him along before he can get caught up in whatever shit storm might occur. Lucas quickly follows after, flashing an apologetic smile at Steve once he's behind Evelyn and Rick.

They've all disappeared before Steve can warn them about Jonathan's gin experiments, but he figures they deserve to have their nostrils burned from the smell for abandoning him.

Only Steve, Robin, Eddie, Dustin, and El are left with Steve's parents frowning and looking at them expectantly. Steve manages to hold out under their stare for a few seconds before he sighs, sits up straight, and waves for them to sit in the loveseat perpendicular to the couch.

Once they're settled, he glances at Dustin, gets a shrug in return, and rolls his eyes. Robin places a hand on his shoulder, getting his attention to flash a grin and say, "Good luck, dingus. Just know I'll be thoroughly entertained by the end of this."

"Gee. Thanks."

Eddie snorts, settles back into the couch, and helpfully offers, "I mean, it can't be worse than being the main course of a demobat feast, right?"

"Oh, I assure you," Evelyn says, her eyes narrowing, "it certainly can."

"Oh, damn," Eddie says, shaking his head, "What do you want on your tombstone, Stevie?"

Steve rolls his eyes as Robin laughs and high-fives Eddie. He ignores them for now, secretly grateful for the lighter feeling in his chest that their joking has given him, and looks at his parents. "I guess it started with Will's disappearance."

-------

Tag List (there should be room still! So, if you'd like a tag, let me know!)

@trueghostqueen, @swimmingbirdrunningrock, @thoughtfulbreadpolice, @mogami13, @blcksh33p1987, @beawritingbooks, @remus-is-trans, @your-confused-friend, @estrellami-1, @nburkhardt, @vacantwatchers, @yeahhhh-suga, @phantomcat94

@blackpanzy, @ape31, @croatoan-like-its-hot, @plantzzsandpencilzzs, @flustratedcas, @anne-bennett-cosplayer, @just-a-tiny-void, @disrespectedgoatman, @fallingleavesinthewind, @nymime, @nectandra, @moomkin77, @nadenia, @resident-disappointment, @copper-arrows, @romanticdestruction, @rowanshadow26

[onthewaytosomewhere]

oh oh oh - thanks @typicalopposite for the early tag 💚

so first since this snip will have no smut - which feels a lil weird for me i posted a fic on friday that does if ur interested in a lil pip had alex first firstprince fic - gonna need you to tell me what you want to happen here

okay peeps it's time - today will be the first day of this lil fic (48k-ish) i wrote and will be posting throughout the month - it's gonna be a "baker's dozen 12 days of winter/holiday" thing - so 13 days lolz

here's a snip from the first chapter (under a cut with some tags cuz well it's longer than i thought and i don't wanna pick another snip lolz) OPEN TAG TO ANYONE ELSE WHO WANTS TO PLAY ALONG

On his bed, Nora lounges like a queen surveying her domain. She’s lying on her stomach, one leg lazily kicking in the air, her other hand clutching a burrito the size of her head. The remnants of her lunch are scattered on the nightstand—a crumpled foil wrapper, a soda can tipped precariously, and a few stray tortilla chips that she occasionally crunches between her teeth. With her free hand, Nora rifles through a pile of Alex’s belongings next to her, occasionally plucking an item and tossing it into his suitcase without so much as a glance. A bottle of holiday-flavored lube arcs through the air, landing in the chaos with a soft thud. It’s swiftly followed by a couple of brightly colored dildos, one of which bounces off the edge and rolls onto the carpet. Alex freezes mid-step, his hand clutching a stack of folded shirts. He raises an eyebrow, his tone caught somewhere between incredulous amusement and sheer exasperation. “Really?” “What?” Nora doesn’t even bother looking up, taking another indulgent bite of her burrito. “You never know what kind of emergencies you might face, dude.” Alex closes his eyes and pinches the bridge of his nose, letting out a long, steadying breath before setting the shirts on a nearby chair. “This is a legitimate acting gig, Nora. Not that kind of movie.” “Still,” she says, her voice laced with mischief as she finally looks up, her hand now brandishing one of his neon dildos like it’s a trophy, “better safe than sorry. Besides, you still need to make some content for your Presidential Boudoir account; you don’t want to leave your plethora of subscribers in the lurch.”

okay tag ur it (in a no-pressure all that jazz way) @adreamareads @basil-bird @bitbybitwrites @blueeyedgrlwrites @cactusdragon517

@stnichols @caterpills @cha-melodius @cricketnationrise @dragonflylady77

@dreamtigress @emmalostinwonderland @england-would-fall @eusuntgratie @everwitch-magiks

@firenati0n @firstprincehornyramblings @firstsprinces @forever-fixating @hgejfmw-hgejhsf

@iboatedhere @inexplicablymine @jmagnabo92 @judasofsuburbia @kiwiana-writes

@lizzie-bennetdarcy @mikibwrites @myheartalivewrites @ninzied @nocoastposts

@orchidscript @piratefalls @porcelainmortal @priincebutt @royal-chandler

@seths-rogens @softboynick @sophie1973 @sparklepocalypse @stellarmeadow

@stratocumulusperlucidus @suseagull5914 @tailsbeth-writes @thedramasummer @thinkof-england

@thesleepyskipper @thighzp @tinyarmedtrex @zwiazdziarka

SOME DAY I WILL DO ONE OF THESE W/O SO MUCH RAMBLING AND WITH SNIPS ACTUALLY 6-7 SENTENCES BUT TODAY IS NOT THAT DAY 💚💚

[airenyah]

A LOOK AT STYLE'S JOURNEY | Ep 5

(Overview | Ep1+2 | Ep3 | Ep4)

Airenyah is back, bringing you even more rambles about Style Sattawat Chayakorn than ever before. This meta series might just end up becoming my magnum opus.

Alright, here we go. So, in episode 3 we saw Style starting to develop positive feelings for Fadel. He tries to bond with Fadel, tries to engage him in amiable conversations, and also starts to get suspicious of as well as curious about Fadel and his life and develops an interest in learning more about this man and all he's made up of, an interest that is entirely separately from Kant's mission and the deal with the car.

In episode 4 this trend continues and we follow Style as these positive feelings slowly develop into actual, genuine romantic feelings. Style goes from simply just liking Fadel to like liking Fadel.

Now in episode 5 we get to watch Style slowly, yet rapidly fall in love with Fadel as he grapples with the fact that the man he's falling in love with regularly kills people.

And ohhhh boy, what a ride it is. I've written over 12k words for this meta and yet I still feel like there are so many aspects that I still didn't manage to get into or that I only barely scratched the surface of. Not to mention that there are some scenes (especially the first sauna scene) where I feel like every time I watch it, every time I replay the scene I'm getting something else out of it. I swear, the amount of times I've written and rewritten whole sections... No, truly, at this point I feel like I hate more or less everything that I wrote. I apologize in advance for the mess you are about to read. And let me tell you, no matter how detailed you think this meta is? It in no way reflects all my thoughts and feelings that I have about this episode and about my boy Style Sattawat.

Either way, enjoy!

Pronoun Situation: Just assume Fadel and Style use the rude guu/mueng pronouns with each other unless I explicitly state otherwise.

To recap: Style has started to develop genuine feelings for Fadel and is over the moon that Fadel actually agreed to be his boyfriend. His joy is soon punched out of him as he learns of Fadel's real profession. Style unexpectedly meets Fadel at the gym and runs off in a panic, unable to deal with the situation and absolutely terrified.

No. 1: Sauna The Sequel

Let me just say straight away that I'm gonna be looking at this scene running on the assumption that this is happening on the same day as when Style ran away from Fadel at the work-out bench last episode, because Fadel says: "You seem strange today." If the scene from last episode had happened on a different day, I think he would have said "recently" or "these days" or something along those lines instead. Anyway, let's start.

They're at the gym and apparently they both like going to the sauna after a good work-out, because just like in episode 2 they have their next run-in in the sauna after parting at the weightlifting bench. This time it's Style, though, who arrives at the sauna first and he sits there, still in distress, but already a lot calmer than he was at the work-out bench.

When I first watched this scene I was thinking to myself how fun it was to watch Style be very scared of Fadel after we got multiple explicit references of Style decidedly not being scared of Fadel. Now on second look, though, I don't think he's actually as scared as I had first thought. In their last scene together, the scene by the work-out bench, yeah, Style was absolutely terrified and fighting for his life. But instead of a ruthless killer, Style experienced kindness and care, experienced Fadel being a sweet boyfriend. Unable to reconcile these two conflicting perspectives on Fadel, Style made an escape. Now he's sitting in the sauna contemplating everything, trying to figure out how to deal with and/or get out of this mess. Fadel enters the sauna and while Style still looks a little surprised and startled, it doesn't put him into a panic again. As has been pointed out by @secriden and I have also already discussed in my ep4 meta, in episode 4 Style went to the gym during day time, likely in order to avoid Fadel who explicitly mentioned in episode 2 that he prefers to go to the gym at night. But then Fadel shows up anyway and Style, who hadn't been expecting that and as a result hadn't been mentally prepared for a run-in with Fadel, panics completely. Now, however, sitting in the sauna he is well aware that Fadel is around. This might also be a reason as to why Style's heart isn't stopping the way it did back at the work-out bench.

Fadel sits down next to Style and Style moves away, putting more distance between them. What's funny, though, is that despite Style's apparent discomfort at touching Fadel or being anywhere close to him, he still keeps his hand near Fadel, touching him anyway.

[pls scroll back up to the title pic if you wanna see it, i've reached image limit 😭😭😭]

Now we could call that unclean acting, because if Style really is that uncomfortable with the thought of being close to or touching Fadel aka a Known Killer, then he should be making sure to keep each and every single body part away from Fadel, including his hands. Meaning, he should really be yanking that hand away from Fadel. Or what we could do instead, what's even more fun actually, is that we could interpret this as Style not actually being that uncomfortable with the thought of touching Fadel despite his rational mind telling him he should be. His rational mind might be telling him that he should keep his distance from Fadel if he wants to stay alive, but his hand betrays him, exposes his true desire of wanting Fadel anyway. Style is conflicted, but he is not disgusted by Fadel and now after Fadel has been nothing but a sweet boyfriend to him and Style has calmed down a bit from his earlier panic, he also no longer feels as threatened by Fadel's presence and his touch.

Style is still extremely nervous, though, because the knowledge of Fadel killing people is still at the forefront of his mind, but Fadel's presence and Fadel himself don't terrify him as much anymore. This emotional change also shows in his voice: Earlier at the work-out bench he was hesitating to answer every time Fadel said something to him only to hurriedly blurt out his replies a moment later. Now in the sauna, while Style still hesitates and blurts out his answers, they're not as rushed anymore and he's also more talkative again, engages in the conversation more than he did earlier. What's more, at the work-out bench Style barely dared to look at Fadel and when he did look at him, he only threw quick glances at him before turning his eyes away again. In the sauna Style starts out avoiding eye contact with Fadel at first, but as soon as Fadel opens the conversation, Style can (mostly) look him in the eye again.

Fadel calls out Style's uncharacteristic behavior and Style quickly comes up with excuses. Unlike back at the work-out bench, where his voice was full of panic and terror, he now sounds more appeasing, in an attempt to calm Fadel's worries and suspicions. There is a lot of awkwardness when Style claims "I’m fine. I’m just not used to this", there's even a sort of urgency to it like please believe me, please believe me, please stop asking. Fadel stares at him skeptically, so Style elaborates: "It’s usually me running after you, but now you’re with me."

By the way, since I know so many people are liking the Thai language tidbits, this line here:

It’s usually me running after you, but now you’re with me.

More literally is:

Usually I'm after you, but now you're after me. ปกติกูก็ตามมึงแล้วมึงตามกูบ้างแล้วอ่ะ [bpòk-gà-dtì - guu - gôr - dtaam - mueng - láew - mueng - dtaam - guu - bâang - láew - àh] usually - I - follow - you - and - you - follow - I/me - some - already - [particle]

Style actually manages to find his sincerity for this specific lie, but Fadel is already onto him and asks if Style has suddenly changed his mind after all. Style looks away awkwardly, but also lost in thought a little as he thinks about how this is exactly what happened after he found out the truth. It's not like he can just say this, though. Imagine that. Sorry, I don't want you as my boyfriend after all because I don't feel comfortable dating someone who could potentially murder me. And as I mentioned in my ep4 meta, I do think Style is lowkey terrified that Fadel will kill him if Style breaks up with him right after Fadel finally started opening up to him which he knows was a big step for Fadel. But then Fadel says "I don’t mind [breaking up], you know? I don’t like you that much. I’ll get over it." Style looks away, sighs and gets lost in thought. It's a messy situation to be in, even if Fadel won't immediately be killing him over a break-up after all.

When Style fails to answer Fadel stands up in order to leave. This brings life back to Style and he hurriedly holds Fadel back, asking him to wait with the most puppy eyes:

Yeah, I just had to spend one of the only 30 images per post on the puppy eyes, I mean just look at him!!

Anyway, Style looks at Fadel with puppy eyes, and there is so much uncertainty and hesitation and doubt in them. There is also fear, but to me it doesn't look like he's afraid of Fadel specifically, it looks more like he's anxious and worried about the whole situation in general. It looks like Style wants something, but hasn't quite figured out what exactly it is that he wants. He is feeling many emotions at once, has many conflicting feelings at once. When Fadel asks Style if he's sure, I'm struggling so hard to pinpoint/name the many different emotions that Style is feeling in that moment. All I can think of looking at Style's face is: help.

The boy is overwhelmed. He wants to be far away from Fadel, but he also doesn't want him to leave, wants to dump him, but he can't and also kind of maybe deep down perhaps doesn't even really want to, has something on his mind that desperately wants out, but that he must keep inside under any circumstance.

Fadel asks Style if he's intimidated by him and I just wish the English subs had kept the word "scared" just like the Thai lines kept the word กลัว [gluua], because it's such a nice callback to episode 4 where Style enters the greenhouse, yelling "You think I'm scared of you?" (or "But I ain't scared of you!", as the English subs put it). Now Style is getting thrown that question right back at himself. Style has proven time and time again that he isn't scared of Fadel, but this time when he says "I'm not scared of you" it's a lie. Fadel skeptically raises an eyebrow at him. Style comes up with another excuse. "I just can’t believe my persistence actually worked." It definitely is an excuse, but I think that Style is telling the truth here, that he really is surprised that he managed to actually get Fadel to open up to him. I think he truly wasn't expecting it. Now there is also little bit of amusement as he finishes the sentence. As much as he does not want to be around a killer, it doesn't change the fact that he really did enjoy getting on Fadel's nerves. But that little smile fades very quickly as he looks at Fadel in anxious anticipation. And Fadel? Fadel goes with it and throws him a challenge. Style's persistence didn't work. They're on trial. Style still has to put more effort in. Style raises his eyebrows at Fadel like Bitch what did you just say to me????

Fadel did it. He's awakened Style's competitive side. Style completely forgets any qualms he initially had about getting close to Fadel and starts getting handsy with him. But Fadel interrupts Style's seduction and asks to go to Style's garage. However, Style hasn't forgotten about Fadel's secret job enough to happily welcome him home, so he declines. He's definitely horny now, though, and suggests staying in the sauna instead to do the deed and get it over with. As I said in my ep4 meta, Style only gets handsy with Fadel when he's genuinely trying to get into Fadel's pants or under his towel. This is why I think that despite Style's initial apprehensions surrounding Fadel and his secret job, Style absolutely would have hooked-up with Fadel right there and then if Fadel had let him. But Fadel doesn't, he insists on going to the garage instead. Fadel's secret job is fully back on Style's mind again. Style sits back again, sighing as he tenses up again a little. He's clearly not as uncomfortable and nervous around Fadel anymore as he was at the beginning of the scene, but he certainly doesn't feel great about letting a killer into his home. He throws Fadel a look, and I do think Style is a little scared again, but I feel like Style is less scared of Fadel himself and more scared about what might happen if he lets a hitman in, scared not just of what might happen to himself but scared of potentially also putting his dad in danger or giving away any information that could be useful to Fadel in the future in case Fadel does decide to murder him if Style gets too annoying or if Fadel finds out all the secrets Style's been keeping.

Now, guys, let me tell you I spent a whole day writing and thinking about this scene and honestly, I struggled sooo so much. Even as I've finished writing this part I'm still not happy at all with what I put down. There is just so much going on inside of Style and it turned out to be extremely difficult to name and to pinpoint every single emotion because I felt like any time I replayed a shot I was seeing a new aspect and there were so many times where I was feeling an emotion but I just couldn't find the right word to describe it no matter how much I clicked my way through different words and synonyms on Google. But maybe that's kind of the point. Style is feeling many different things, a lot of the emotions that are also contradicting each other, his rational mind is fighting against his heart and it's all so overwhelming in a way you can't really put into words.

No. 2: Date Night

They're on their little go-kart date and Style is having so much fun that he's completely forgotten to be uncomfortable around Fadel, laughing the brightest laughter as he zooms around the track with Fadel. Ever since Style found out that Fadel kills people professionally, Fadel has never once made him feel threatened and unsafe in his actions apart from what was in Style's head at the time. Fadel isn't a ruthless murderer, not to him, not towards Style, and it has Style relax again, has him laugh without any apprehensions. Style is finally able to let go of his worries again and to simply just enjoy the time with his new boyfriend.

A little language note here, this:

It’s just a fluke.

More literally is:

You beat me just this one time. ชนะกูแค่ครั้งเดียวเนี่ย [chá-ná - guu - kaê - kráng - diiao - nîia] beat, defeat - I/me - just, only - time - only, sole - [particle]

Style has let down his defenses so much that he immediately engages in a personal conversation when Fadel starts asking questions and shares without any hesitations. Both we, the audience, as well as Fadel learn that Style lost his mother. This makes me especially happy, because I wrote this in my ep3 meta about the conversation when Fadel drags Style into the storage room:

I do think there's some truth to it when Style says "I have my own problems. You’re not the only one" but whatever problems in life Style currently has (especially if there's anything connected to loss and grief), these problem's really aren't at the forefront of his mind right now.

I had a feeling these lines would come back and that they might be connected to loss, since that's the theme of the support group and at the time of writing I even contemplated the fact there might even be something in Style's past. I almost added a little sentence or two about how if Style also lost someone it has probably been long enough since then that now he's able to be unserious at a group meeting for grief without thinking about it even for a second.

Style brags about winning a competition and Fadel says he knows. The pleased smile is wiped off of Style's face as he suddenly remembers Fadel's real job. Style is starting to feel a little threatened again, a little scared. When he asks "How'd you know that?" it's almost an attack. Fadel shouldn't know this. Why does he know this? Did he do some snooping around? Why would Fadel need to snoop around? Is Style the next target? Does Fadel have a reason to kill him? But Fadel explains he saw it online. Yeah, okay. That makes sense in this day and age. Style lets it go but is still on guard. He doesn't quite trust Fadel.

Fadel continues asking questions. "You said you liked me from the moment you saw me. What did you like about me?" But the thing is, that was a lie. Style did not, in fact, like Fadel from the first time they met. He needs to come up with a believable reason. "I liked the feeling of chasing after you." I do think he genuinely did have fun chasing Fadel, bugging him, which is why he manages to say it with enough sincerity for Fadel to believe it. Style can't fool me, though, because while his words aren't exactly performative like other times when he's being insincere (as discussed in my ep4 meta), his demeanor is still a bit too "loud" for me to fully believe it. Just that one sentence, though, because I absolutely do believe him when he says he likes to win. We literally just saw his behavior when he won their race. Or back in the sauna when he immediately tried to seduce Fadel after Fadel reminded him that they were on trial. Besides, Style likes attention and I'm sure coming out first place in a competition gives him plenty of attention. And as he says, it gives him adrenaline so he's also just having plain fun with it. Fadel is amused and asks "So you only hit on me for the thrill of it?" Style feels called out, because he did hit on Fadel for ulterior motives. Style can't exactly admit that, though, so he quickly deflects: "It's not like that. I like how you look, too." Style then lists more reasons why he's interested in Fadel and I think that what he says next is 100% true: "I like that you’re so different from me. It’s an opportunity to learn, and it’s an experience, you know?" I think this is something he started appreciating about Fadel at the latest over the course of episode 3 where he started to get more interested about Fadel and his lore.

One thing I want to point out: There is less space between them by the end of the scene than there was by the end of the scene. They got closer throughout the scene, not just in the literal sense as in closer with their bodies but also figuratively they got closer in their relationship. It's as Style said: they can get to know each other when they are boyfriends. And getting to know each other is exactly what they're doing here, and they will get to know each other even more as the episode progresses.

Style might be a competitive guy, but the thing is, so is Fadel. Which we, of course, are already well aware of. After all, we did just watch these two have stand-offs with neither of them willing to back down for 4 episodes straight gay. But Fadel lets him know anyway: "The game isn’t over. A guy like me doesn’t know how to accept defeat." It's a threat, but not a dangerous one, no, it's more of a flirty challenge. At the same time, Fadel is being 100% serious when he warns that he won't accept defeat. It's like he's saying No matter how hard you try to fully win me over, I'll never open up to you completely. They'll come back to this topic again later in the episode, when Fadel tells Style he's at 80%.

Fadel drives off and Style watches him pensively. I think by now he's really lost his (immediate) fear about Fadel working as a hitman. I find his expression in this shot here especially interesting:

He look sad more than anything. He was already starting to like Fadel in the previous episode (here are the receipts), but now that he's starting to spend more time with Fadel where Fadel is not just constantly pushing him away and putting him down but is actively engaging with him and they're having serious conversations, now Style is really starting to like him. But unfortunately the situation had to get super messed up and there doesn't seem a way to get out of it that doesn't end in hurt or pain. And unfortunately, he can't exactly talk about his problems with his new boyfriend either. But the show must go on. Life must go on. Because life never stops. So Style gets on his feet, hypes himself up a little, and gets into his go-kart to follow Fadel.

No. 3: Choices Were Made

Where earlier in the sauna Style tensed up at the thought of taking Fadel to his place, after their happy little go-kart date all those fears and worries that Style had had initially went right out of the window. Fadel has been nothing but nice and sweet to him and Style has by now realized he's got nothing to be afraid of. Fadel is not a danger to him specifically (yet?).

Fadel starts asking more questions and we, together with Fadel learn more about Style's relationship with his dad. We also learn that Style likes to choose his own partners himself. This is in line with what I said in my ep3 meta:

For Style, sex isn't just sex and I think as impulsive as he can be he still makes very deliberate decisions about who he actually sleeps with.

Now I'm thinking this extends to who he actually dates, too. Style wants to make the choice of who he is with himself. Which is kinda ironic, considering he himself didn't actually choose Fadel. Unless you count Style's choice to agree to Kant's deal. But Fadel has no idea about any of this. So he walks up to Style, hugs him and asks "And you chose me?" Ah, well, no. Not exactly. Style doesn't answer Fadel's question but instead goes "You wanna do it here?"

Honestly, even though Style's question was probably a convenient way of getting out of having to answer Fadel's question, I think Style's had this question on his mind from the second he felt Fadel's arms around him. After all Fadel did suggest going to the garage instead when Style tried to seduce him in the sauna and I'm sure Style had a flashback to that when Fadel went and hugged him.

Pronoun side note: Fadel changes from the rude guu pronoun to the polite phom pronoun in their little role play when he says "My car broke down." They don't use any pronouns for the rest of their exchange.

Now this is the first time they're having sex as official boyfriends and while in a way the scene is similar to the scene in the storage room, it's also very different. Just like in the storage room, Fadel is the one to initiate the kissing and Fadel is the one taking off Style's shirt (or at least one layer of it, that we see). While the tempo in the storage room was fast and rushed, Fadel now takes his time and everything he does is much more deliberate. Fadel is now actively enjoying what he is doing, lets himself enjoy it. And just like in the storage room, Style lets Fadel control the situation while he waits to see where this is going (it leads to role play, apparently). And yet, Style isn't passive the way he was in the storage room, no, this time they are on a much more equal level. This time it's much more of a mutual conversation. We see this in their little role play where Style actively engages (a dialogue requires two people or else it'd be a monologue) and the way Style also initiates a kiss instead of letting Fadel do all the work himself. Style is no longer a passive part in this. He actively teases Fadel from the start by not properly kissing him back right away and also actively seeks out Fadel's vicinity and physical touch. We see it in the way he actively nuzzle's into Fadel's shoulder:

They are both enjoying this, and they are also actively letting themselves enjoy it. Together.

The lighting is also starting to change: in the storage room, everything was blue and cold. In the greenhouse, there is less light in the scene in general, and while the light that is there is still blue, the darkness gives off a feeling of protection. They can confess to their mutual budding feelings in the safety of the shadows, hidden away where no one can see them. Now in the garage, there is still so much blue going on in addition to bright white lights from inside the shelves. They are still surrounded by the cold, but they themselves are bathed in yellow and red light.

They are slowly making progress, slowly coming out of the cold, distant lighting, slowly stepping into the warmth. However, they still have a way to go.

No. 4: Sharing Is Caring

Side note, since I was just talking about the lighting: I can't help but notice how the cold white light that was inside the shelves earlier is now much less prominent right next to Fadel. Instead we get yellow and red car parts. Fadel is sitting right by the warmth (the warmth that Style was giving him in this scene, perhaps?).

Where in the go-kart date scene Fadel was the one asking all the personal questions, here in the garage it's now Style's turn. And Style finally asks about the scar and I'm glad we're starting to talk about it because I've been dying to know. Fadel says it was an accident and Style wants to know the details. Fadel says it's an occupational hazard, which, gee thanks I could have guessed as much. And I'm sure so could Style. Fadel in addition also asks why Style would want to know that and Style says "I want to know more about you." Style was already starting to care last episode, but back then what he cared about was mostly Fadel's actions and how they affected him himself and his feelings. We could even go as far back as episode 3 and say that Style was starting to get curious about Fadel and his story all the way back then, even. This time it's different, though. This time it's not that he wants to know just to satisfy his curiosity about this strange, closed-off man or because he doesn't like "being kept in the dark". This time it's not that he cares because of how Fadel and his words/actions directly affect Style himself. No, this time he genuinely wants to get to know Fadel better. He cares because he is starting to worry about him. This time it's not all about Style himself, but this time it's all about Fadel instead.

Style is starting to care, is starting to care so much about Fadel himself now. But unlike Style, Fadel doesn't voluntarily give up information about himself, which Style notes and then asks more questions: "Why do you go [to the Rise Up group]?" Fadel doesn't say a word and Style doesn't pressure him any further. He stays quiet, watches Fadel, and patiently waits for him to come to a decision. A full 10 seconds later Fadel does share: "I lost my parents." Style stares at him in shock. He hadn't been expecting that. But this is something he can relate to, even if he lost just one parent and not both of them. Style offers Fadel a metaphorical shoulder to cry on, creates a safe space for Fadel in which he invites him to share more details. Once again Style doesn't pressure Fadel, he just looks at Fadel encouragingly but leaves the choice to share entirely up to him. This time it takes Fadel 13 seconds to respond, but respond he does: "My parents were murdered."

Fun fact, Style is actually fully aware that Fadel's parents were murdered by gunshot specifically because Fadel explicitly tells him:

พ่อแม่กูโดนยิงตายเนี่ย [pôr-mâe - guu - dohn ying dtaai - niîa] parents - I/my - be shot to death - [particle]

When Style hears this he realizes two things:

Fadel has fucked up trauma.

This is a conversation he probably shouldn't have started, a topic he probably shouldn't have brought up.

The conversation took an unexpected dark turn and Style doesn't want to pressure Fadel any further, so he is quick to change the topic to something more bright. "You had any lovers before?" Love can't be too heavy of a topic, right? Right?? But we saw the flashbacks of Fadel dancing with someone in episode 3. And we heard Keen make a reference to someone important in Fadel's life who suddenly disappeared. Speaking of...

Remember how in my ep3 meta I was wondering if Style had heard that specific comment since we weren't shown the exact point of Style walking in on them? I guess now have confirmation that Style did not in fact hear that comment. Unless of course Style asked that specific question to subtly try and find out more backstory on that too (Oh god, Style, how I am begging you keep asking! I too need to know!!). Although, the way he was rushing to change the topic to something happier didn't seem like he was thinking too hard about his question. But then again, he did also tilt his head a little when Fadel said no, he doesn't have an ex, and I can't tell if Style tilts his head because he really has no idea and simply just doesn't believe that a guy like Fadel has never dated anyone or if he tilts his head because he knows Fadel is lying. Aghhh, gdi, I'm still none the wiser.

Anyway, so Fadel says no (bro. my dude. who was that man in the flashback, then 🤨) and explains "My life isn’t exactly easy. I don’t want to drag anyone along with me."

Actually, for the second sentence he really says:

And besides, I also don't want to cause trouble to anyone. แล้วอีกอย่างกูไม่อยากทำให้ใครเดือดร้อนด้วย [láew - ìig yàang - guu - mâi - yâak - tam hâi - krai - dèuuat rón - dûuay] and - one more thing - i - not - want - to cause - anyone - be in trouble - also

Style blinks. He cracks just the tiniest and briefest smile.

(In case you don't see it, here have a slowed down version of just the grin. Check the corner of his mouth: )

Hah. Got him. "Is owning a burger joint so difficult that you can’t date?"

I wasn't sure before if Style knew what he was doing when he asked the ex-lover question, but with this question now he definitely knows exactly what he's doing. Fadel comes up with a reply, but his word choice is still sus, so Style asks a follow-up question. Personally, I think that Style started asking question in the hopes of Fadel accidentally spilling the truth himself. Because if that happened, then that would be at least one secret off Style's back. He wouldn't have to pretend to Not Know and it would probably also lessen his anxieties about Fadel's occupation because at least he would also be able to openly talk about it and his fears with him. I think at this point Style has fully realized that Fadel isn't killing him any time soon, that his own life isn't in immediate danger just because he hangs out with Fadel and does things that boyfriends do with him. He is back to being as fearless as he was before The Reveal.

So Style asks a follow-up question, hoping that maybe Fadel will slip-up even more. But Fadel comes up with a bullshit story and Style just listens to it, nodding like yeah sure whatever you say baby. It quickly becomes clear to him that he won't be getting the truth out of Fadel's mouth for now. I feel like I haven't seen enough of the story yet to really confirm this for myself, but I wonder if during this conversation Style also realizes (or at least starts to suspect) that deep down Fadel isn't actually too fond of his killer job. Because when Style says "Maybe you just need to find something else to do. Do something that allows you to love without risking your loved ones." it just sounds too much like what he's ACTUALLY saying is:

Well, if you don't like being a "burger joint owner" (assassin), if being a "burger joint owner" (assassin) is making your life THAT difficult and depressing, then why don't you just quit being a "burger joint owner" (assassin) and find a new job that makes you happier and your life easier? Perhaps even a job where you don't have to worry about me your loved ones being safe?

After this deep talk where Fadel finally opens up to him about personal things, Style's panic has vanished completely. Instead, it has all been replaced with worry, worry about Fadel and his well-being specifically. And Style is also well aware of this development as we'll see later in the episode when Style tells Kant "I'm beginning to worry about him now." Style is still scared for his own life, but now it's not because he's terrified about Fadel killing him but more so because he doesn't want to become collateral damage if (when) he stays in a relationship with Fadel. I think this is another subtext of when Style says "Do something that allows you to love without risking your loved ones". He's not just making it about Fadel and his loved ones but he's also specifically referring to his own safety, too. Do something that allows you to be with me specifically where I don't have to worry about my own safety and potential death.

Style smiles innocently and cutely at Fadel (and I cry bc that exact smile is Dunk's inner Daonuea coming out) but before the conversation can go any further or they can get any cuter, Kant interrupts. Fadel is irritated and Kant's unexpected visit is an inconvenience to Style too, but Kant has some pressing matters to discuss, so they walk off to discuss them in private.

No. 5: Conflicted

Kant is in panic because Bison seems to be going ballistic on Kant's old hook-up with murder being a potential outcome. This has Style very concerned. He doesn't really care about Kant's old hook-up but he is very worried about his best friend. As much as Style likes helping people and as loyal of a friend he is, he really doesn't wanna help if helping Kant means Kant's potential death. Kant tries to talk Style into helping anyway, but Style is done: "I had nothing to do with this. You dragged me along." Style is very much not cool with having been involved in this without his consent. And now he's got another problem that makes the whole situation even more tricky for him:

By the way, I have a bad feeling about Fadel. He scares me. But I like his rough romantic side.

And at this point I really need to share Style's actual words:

And another thing, I don't know how I feel about Fadel. แล้วอีกอย่างนะกูรู้สึกยังไงกับไอ้ฟาเดลก็ไม่รู้ว่ะ [láew - ìig yàang - ná - guu - rúu-sèuk - yang-ngai - gàp - âi - Fadel - gôr - mâi - rúu - wâ] and - one more thing - [particle] - I - feel - how - with - [rude prefix] - Fadel - not - know - [particle]

He makes me feel scared. มันทำให้กูรู้สึกกลัว [man - tam hâi - guu - rúu-sèuk - gluua] he - to cause - I - feel - scared, fear

But I like his rough romantic side. แต่กูชอบมุมโรแมนติกเถื่อนๆของมันเว้ย [dtàe - guu - chôp - mum - roh-maen-dtìk - tèuuan tèuuan - kŏng man - wóiie] but - I - like - angle - romantic - rough - (of) his - [particle]

I put all of Style's lines mostly for completion, but really the language note is mostly about the very first line. Style doesn't say he has a bad feeling about Fadel, no, he says he feels conflicted about Fadel. Because on the one hand he's scared and on the other hand he really also likes him. When Style says Fadel makes him feel scared, I don't quite believe him, because apart from the sauna and that one short moment at the go-kart track absolutely nothing in his behavior has screamed I am scared, on the contrary. I think this is his rational mind telling him that logically he should be scared because Fadel fucking kills people fighting against his heart that is slowly getting to know the Fadel that's behind those thick high walls and that realizes that Fadel isn't that bad of a person after all. What's more, ever since they started dating, none of Fadel's actions or behaviors have put Style into immediate danger. In fact, Fadel has been nothing but a sweet, hot boyfriend to him. Style doesn't know how to feel about Fadel, because he's getting conflicting messages and can't figure out whether he should best follow his mind or his heart.

But Kant currently doesn't have time for Style's love life. Someone else's life is potentially at stake. So Kant responds: "This ain’t no time to confess your weird feelings." Or what he actually says is:

This is not the time to confess your love. ไม่ใช่เวลามาสารภาพรักไงล่ะ [mâi châi - weh-la - ma - săa-rá-pâap - rák - ngai - lâ] not - time - come - confess - love - [particle] - [particle]

I just wanted to note that Kant says nothing about "weird": Kant is not being judgy about Style's feelings specifically, he's only judgy about Style's sense of timing. Okay, carry on.

Anyway, Kant suggests asking Fadel for help.

No. 6: Boyfriend Card

Fadel, predictably, is not happy about this turn of events. But Style is now helping his friend after all, and so he pulls the boyfriend card: "You’re my boyfriend, you know? If you like me at all, you have to help my friend." It works. Fadel agrees to help. Kant calls him "Brother-in-Law". Style is very hyped at Kant's sass and praises him. Fadel chats with Bison on the phone and learns enough info for Kant to know exactly where Bison is at. Kant runs off. Style watches him leave wide-eyed, then turns to Fadel and excitedly goes "Wow. I hope you’re not the jealous type like your brother is." Fadel tells him "If you mean well, then you have nothing to worry about." But then he also speaks out a warning:

But if you’re just leading me on, or trying to get something out of me, you’re in for some serious bruises.

Dare I say this is foreshadowing for when Fadel finds out about the real reason why Style was hitting on him? And I have a feeling Style gets that memo too. Uncharacteristically, he stays quiet.

Pronoun side note: Kant uses the polite phom/khun pronouns for Fadel while Fadel uses the rude guu/mueng pronouns for Kant and I think that's hilarious, actually.

No. 7: Falling

Kant updates Style on the James situation but Style stays optimistic. Kant really doesn't share this view and reminds him that Bison is a hitman. Style gets stressed and also a bit irritated at Kant and shoots a reminder back: "I was sleeping with his brother last night all because you asked me to, didn’t I?" (he says, as if Kant ordered him to hook up with Fadel in the garage 🤭) Style hates that he is in this mess when he never even asked to be in this mess in the first place.

Kant says he doesn't want anyone else risking their lives (bro. maybe you should have thought of that before you got your bestie involved or at least asked him for his consent, don't you think 🤨) and that he has to get this job done. Style looks downwards, troubled and in thought. He sits down and it's time for another confession:

Come to think of it. How would I even get through this? I compromised my whole body, and if we’re being honest, I’ve already compromised half of my heart, too. I’m beginning to worry about him now.

This has Kant alarmed. "Don’t fall in love with him at all costs." But it's already too late. Style is already falling, and he's falling fast. And deep down he knows it, too.

Style points out that Kant isn't exactly doing any better either. Kant sighs and says he wants to end things quickly and then foretells what their happy ending is going to be: "Once those two get arrested, we walk free."

But Style stares gloomily into the air and gives a near invisible head shake, almost as if he disagrees with Kant's words, as if to say But that's not what MY happy ending looks like.

Then he stands up swearing and says: "Hope it ends before either one of us kicks the bucket. I shouldn’t have put my heart on the line for this." He wants to get out of that mess asap and preferably alive (and with his heart fully intact). Kant has another mission for him.

No. 8: Can I Have This Dance

Yeah no I don't have anything to say about this scene except: this is a boy in love.

And also, not to brag but @titkos--sideblog and I called the butt grab(s) before the show had even started airing, including the exact episode number (episode 4 counts too because we did get the one wide shot in the greenhouse with Fadel's hands on Style's ass!!):

Okay, no, I lied. Now that I'm done awww-ing about how fucking cute this whole scene is, I do have something to say after all:

Once again, there is not a single ounce of fear anywhere to be found in Style, no matter how stressed he gets whenever Kant brings up that Fadel and Bison are hitmen. On the contrary, Style is completely at ease. He's shamelessly teasing Fadel, shamelessly flirting with him, and also being silly without a second thought. I was actually talking to @secriden in our DMs and I just wanted to share something she said to me because she really hit the nail on the head:

[Style] makes it clear that he wants Fadel to participate and frames his case as being about his need for an "F" for his "S" so the 'embarrassing cheesiness' is all on Style's behest. When he makes Fadel dance with him, he reminds Fadel that he's already seen a far more embarrassing dance and found it incredibly hot and then starts being overthetop and ridiculous so that even if Fadel starts dancing with him its not going to be more embarrassing and silly than what Style is doing.

I absolutely agree. This whole scene is Style trying his best to get Fadel out of his shell, to get Fadel to loosen up a little. We've already seen Style attempting to do this in episode 2 when he shows up in Fadel's kitchen with an order and pretends to be a commentator on a cooking competition or in episode 3 at the heavy metal bar when he invites Fadel to dance with him, to scream and to basically let loose with him. Except back then Fadel stubbornly refused to engage. Where Style failed in episode 3, he now as Fadel's official boyfriend succeeds. This time around Fadel does dance with Style, albeit tentatively, and even ends up having a little bit of fun.

No. 9: Percentages

They're sitting at the table watching Kant and Bison be cute and Style makes a comment about how they look good together. Fadel informs him that even if he tolerates Kant now, he still doesn't trust him and Style squints his eyes a little at him in a way that I can't find the proper words to describe.

It's almost inquisitive. Style knows full well that Kant absolutely has ulterior motives, more ulterior motives even than Style himself has. Style knows full well that Fadel absolutely has legitimate reasons to distrust Kant, knows exactly that Fadel's bad feeling about Kant is entirely on point. The way Style squints at him looks as though he's curious about why Fadel doesn't trust Kant. What is Kant doing, what in Kant's behavior is giving it away that Kant's not exactly trustworthy?

Fadel elaborates that a guy like him doesn’t go trusting someone 100%. Style looks almost a little guilty when he looks down at table for a moment as he goes "Oh?" Then he asks "Not even me?" and it's just a little bit too "loud" again to be entirely genuine. Style knows exactly that he doesn't really deserve Fadel's full trust because he, too, is hiding secrets from Fadel. And I think he tries to play it off and deflect from it in an Whaaat, you don't even fully trust ME, your very own BOYFRIEND? When CLEARLY as your boyfriend I am entitled to 100% of your trust? sort of way. But Fadel didn't come to play around. He retaliates with "You’re at 80% at best." Which, by the way, in Thai goes something like:

Someone like you? Only gets 80. อย่างมึงนะได้แค่80 [yàang - mueng - ná - dâai - kâe - bpàet sìp] like - you - [particle] - receive - only - 80

Style throws him a look that again I find really hard to describe:

He looks a bit judgmental that Fadel really dared to be this harsh to his very own boyfriend, but at the same time he knows that Fadel is absolutely spot on with that judgment. And I think he is also kind of disappointed, because he does very much want those full 100%.

More serious now, Fadel continues: "I feel like you’re hiding something from me in the rest 20%". From the tone of Style's voice when he says "What are you talking about?" I feel like this isn't at all about him deflecting Fadel's completely spot on statement but more about Style complaining that Fadel won't play along properly. Style is frustrated, but almost in a pouty way. When he asks "What do I have to do to gain your complete trust?" I think it's still part of the little game that he's started, but now there is a sort of urgency to his voice that exposes him. Style needs an answer to this question, because it's important for him to get those 100%. Style really wants Fadel to be able to fully trust him. Style might still be keeping secrets from Fadel but nevertheless he wants to do everything he can to "be worthy of Fadel's trust" (words stolen from @secriden's meta), despite the lies he has to keep up for now. What's more, Style went all in the moment he and Fadel became official and the "all in" includes trust as well. It's either all or nothing for Style.

Fadel doesn't answer immediately. Similarly to their deep talk in the garage, Style patiently waits for Fadel to speak rather than to press him for an answer. And 7 seconds later Fadel drops: "It'll never happen."

So far this conversation has been mostly lighthearted but at this point the mood suddenly changes. Fadel announces there will never be a day where he'll fully trust Style and Style sighs, a little dejected.

No matter how hard Style tries, there will never be a day where he'll be able to make up for all the secrets he's been keeping and for all the lies he has to tell, all the lies he's already told, and all the lies he'll be forced to tell in the future. Because let's be real, at this point? Style is keeping up the charades mostly for the sake of Kant (and maybe a little bit for the sake of his own safety). As many people have already pointed out, Style is the type of person where what you see is what you get. And I think Style struggles with the fact that he can't be fully honest with Fadel. And he knows it's going to hurt both of them when Fadel finds out that he was right in not fully trusting Style. And there is nothing he can do about it, no matter how much he tries to be as open and transparent with Fadel as possible to soften the blow.

Fadel elaborates and as Style listens to Fadel's explanation, the good mood that was there on Style's face earlier is replaced by a very serious expression.

I think he's probably wondering where Fadel got this outlook on life from. By now Style has learned that Fadel has gone through quite some shit in his time. I think he realizes that there's a chance that Fadel's distrust in people is connected to another "My parents were shot" story or that it could also be connected to Fadel's scar. This interpretation gets pretty much confirmed at the end of the episode, when Style tells Fadel that he'll be his 100% one day and goes to kiss Fadel's scar immediately after, as if to say I know whatever scarred you took away your ability to trust people but I'll be the one to do you right.

The conversation is taking a heavy turn, but the bar is no place to discuss such topics, so Style dismisses Fadel's words and changes the topic like he did back at the garage. He invites Fadel to come on stage and sing. Fadel refuses. Style reminds him that there is absolutely nothing to be embarrassed about since there's only drunk people here, but Fadel still doesn't want to. Style pulls him on stage anyway and whipped boyfriend that he is, Fadel follows him after all and engages in the social interaction.

But then Kant gets a phone call and suddenly has to run. I absolutely cannot tell if Style is fully aware of what Kant is planning to do or not. In their last one on one scene, Kant announced that he had a plan, but didn't exactly elaborate on it, just told Style to make sure Fadel stayed by his side the entire time. Of course Kant might have told him off-screen, but there is also a chance that Style only knows as much as the audience knows. Either way, Style doesn't feel great about it. When Style asks if he should come too, his voice might just be the most serious and worried we've ever heard it throughout the series so far. But Kant refuses and runs off by himself. Fadel walks over to Bison to make a comment to him while Style stands behind them, looking worried. When he sits at the table with Fadel and Bison later waiting for Kant he is uncharacteristically quiet and still, except for that one time where he tries to get Bison to stay a little longer. But when that doesn't work he just sits there and stares at Bison wordlessly. Even Style's aura is suddenly very quiet.

Pronoun side note: When they met in episode 2, Style and Bison where using the polite khun/phom with each other. In this scene all three of them were using only the rude guu/mueng pronouns when talking to each other.

No. 10: Look They've Made It Onto A Bed

Okay, so this is gonna mess with my usual formatting of going chronologically, but please bear with me as I take a look at the actual sex before I get into the dialogue.

Everything about this is warm, so warm and soft with the red/yellow/orange tones and they've finally made it onto a bed. I've seen posts joking about getting them a bed for the sake of their backs, but I think it was a very deliberate choice that up until now they were never anywhere near a bed. Your bed is one of the most intimate places you have, it's where you sleep and are at your most vulnerable to outside danger. Up until now, Fadel and Style couldn't be on a bed yet, their relationship wasn't ready for that yet. And I think it's so significant that the first time they are sleeping with each other on an actual bed happens after Style knows the truth about Fadel. It's such a stark contrast to the beginning of the episode where Style asked to hook up in a public sauna and get it over with because he was just so very uncomfortable about bringing Fadel home. But now at the end of the episode Fadel is right here in Style's bed. Style knows the truth, knows Fadel kills people and he still brought him into his home, his own room, his very own bed. Style knows the truth and yet Style has fully let Fadel into his life. (Like, 100% you could say...)

This scene also parallels the storage room hook-up, but now the places are switched. In fact, this scene is the complete opposite of everything that happened in the storage room. Let's take a look.

As many people pointed out after episode 3, Fadel was more or less worshiping Style's body back then. Now it's Style's turn to worship Fadel's body. Back in the storage room, everything was rushed because Fadel was running on anger and sexual frustration. Style now in turn moves very slowly and everything he does, he does very deliberately and with intention. There is so much tenderness and care in every single one of Style's touches. Where the storage room sex was first and foremost led by anger, mutual annoyance, and physical attraction, instead it is now led by love and the emotional bond that they've started to build up over the episode. Actually, @secriden has written a beautiful post comparing these two scenes with each other.

If you remember, @clemelntine noted what we can learn about Style's and Fadel's desires in their respective fantasies. In my ep3 and my ep4 meta I added on to this thought and discussed at length how in Style's fantasy he barely stopped searching for eye contact and how the emotional component was very important to Style and how he was getting next to no eye contact in the storage room scene (where emotionally they weren't on the same page at all) and how he was slowly getting more of it in the greenhouse (where they were finally starting to come together emotionally). Now in Style's bed? Style finally gets what he desires. Fadel barely stops looking at him, hardly ever takes his eyes off of him. He even lifts his head to watch Style as he moves to kiss Fadel's scar or to kiss his upper body a little later on.

Of course, for Fadel specifically part of that is also because he is still on guard around Style, can't fully let go yet, can't fully trust Style yet (more on the topic of trust in a bit). Which is why it's so beautiful that when Fadel does take his eyes off of Style it's when he finally lets himself fall into it a little. Fadel may break eye contact, but it's not because he's avoiding Style's eyes and closing himself off again, no, it's because Fadel is finally starting to let go a little, is giving up just a little bit of control to Style, letting him do as he pleases the way Style has let Fadel do as he pleased back in the storage room.

I also find it interesting that there is no background music at all throughout the entire scene (that is from the moment Style takes his shirt off right at the beginning before the dialogue even starts) because it makes the scene feel even more intimate and raw, almost as if we, the audience, shouldn't even be here. In the storage room, in the woods, and in the garage, every single time there was music playing while they were going at it. This here in the bedroom is the most intimate sex they've had so far, and it is stripped bare of any background music (remember the word "bare", it will come back later). There are no distractions, that is no music to hide behind, it's just them and their feelings on full display. Here in Style's own room, Style is laying himself bare for Fadel completely and this is underlined by the lack of music. The music won't come back until the end to lead us into the end credits, and when the music does come back, it's none other than Style's, I mean Dunk's OST song for the show.

No. 11: Bare Bodies and Open Hearts

Now that we've looked at the sex itself, let's take examine the dialogue and the context in which the sex scene is happening in.

The double date night is over and I'm assuming Kant probably texted Style telling him he was all good, because considering how concerned we left Style last time we saw him, I think he would have had his mind somewhere else most of the time during this scene rather than focusing entirely on Fadel if he didn't know his best friend was safe. Anyway. I'm just gonna run with that this is what happened and that's why Style is all relaxed and without worries again.

Actually, before I get into anything else I wanna talk about these specific lines because both the English translation as well as the original Thai lines have me insane for different reasons:

F: Like I said, no one can truly lay themselves bare for someone. [...] S: Will you lay yourself bare for me?

Let's start with what has me insane about the Thai lines first. But first a little recap: In my ep3 meta and my ep4 meta I mentioned the word เปิดใจ [bpèrt jai]. If you're new here or simply just forgot, this is a word that means something like "open up to something/someone" or "giving something a chance". This word consists of the words "(to) open" (เปิด [bpèrt]) and "heart, mind" (ใจ [jai]), so literally translated it makes "to open one's heart".

Now, Style was using this word in episode 3 after Fadel presented him with a burger when he asked "Are you finally folding?" (literally: "You've opened your heart to me now, right?"). If we remember, the burger was the first time Fadel reached out to Style first and did something nice for him (unless we count Fadel dropping off the car at Style's garage in ep1, although that only came about as a consequence of the crash, or there was also that time Fadel ambushed Style in the locker room, but he didn't exactly have nice intentions about it). Anyway, that was the first time Fadel was properly connecting with Style in a friendly way and of his own accord, a significant moment.

In episode 4 we get this word again during the "be my boyfriend" conversation when Style says "I’m 100% in. It’s your turn to let me in a little bit" (literally: "I've opened my heart to you 100% already. Only you remain. How much will you open your heart to me?") Again, this is a significant moment, because right after those lines is when Fadel finally agrees to be Style's boyfriend.

And in both scenes I just really really liked the image of Fadel, who has closed off his heart so deeply and securely behind thick high walls, being asked to open up the way to his heart.

Right now you're probably assuming that in Thai they're using the word เปิดใจ [bpèrt jai] again. No. Actually, they are not. But!! They are using the word เปิด [bpèrt] and I think it works enough for a callback to that imagery and specifically to those lines from the "be my boyfriend" scene:

F: Like I said, we aren't 100% open with others. อย่างที่กูบอกอ่ะ คนเราไม่เปิดกับคนอื่น 100% หรอก [yàang - tîi - guu - bòk - àh • kon rao - mâi - bpèrt - gàp - kon èun - rói bper-sen -ròk] way - that - I - say - [particle] • people, we - not - open - with - others - 100% - [particle] [...] S: Can you open up for me? มึงเปิดให้กู้ได้มั้ยล่ะ [mueng - bpèrt - hâi - guu - dâai - mái - lâ] you - open - for - I/me - be able to - ? - [particle]

And it just makes me a little bit insane for multiple reasons: first of all, we continue with that imagery, that theme of Fadel opening up to Style. And second of all, there's also been a running theme about percentages. The theme of opening up and the theme of percentages are tightly connected:

It starts in the "be my boyfriend" scene where Style tells Fadel "I've opened my heart to you 100% already." All the doors to Style's heart are wide open for Fadel to enter as he pleases. But at the time Fadel's heart is still closed to Style. So Style tells him that it's Fadel's turn now and asks him: "How much will you open your heart to me?" How many doors to his heart will Fadel open for Style? What is the percentage of his heart that Fadel is willing to grant Style access to?

And then earlier in the scene at the bar Fadel says "Someone like you only gets 80%". Somehow this feels kind of like an answer to Style's question of "How much will you open your heart to me?" And yes, the conversation at the bar is about trust and not their hearts, but Style made it about their relationship when he asked "Not even me? (Not even your boyfriend?)" and Fadel also brings up love later when he says "No matter how much you love someone". The heart is also involved in a relationship. And what kind of relationship is it when your heart isn't fully in it or you don't fully trust your partner? And I think this is also part of the reason why it's so important for Style to reach those 100%. He wants both of them to put 100% of their hearts and 100% of their trust in this relationship. He wants this to be an equal relationship.

And here and now in the bedroom Style asks again: "Can you open up to me?" But Fadel can't just yet. Because Fadel doesn't believe he can. So Style declares: "One day, I’ll be your 100%." One day he will show Fadel that it is possible for him to trust someone completely. One day he will have 100% of Fadel's trust. One day he will have 100% of Fadel's heart. And he will get there. Because he is persistent. And because Fadel already has 100% of Style's heart and Style's trust. It's only fair for Style to get 100% in return.

So. This is the reason why the Thai lines make me feel insane. Now on to the English translation which adds additional imagery, which as a whole makes me feel even more insane.

Let me just start out with a reminder that at the bowling alley Fadel vehemently refused to wear the stupid shirt and then announced that he was taking it off as soon as they were done when he did agree to wear it after all. And now let me just point out that Fadel is still wearing that very same stupid shirt in during this scene in Style's bedroom. In fact, it's Style who loses the shirt first. Anyway.

In English Fadel says "No one can truly lay themselves bare for someone." But Style already has. For Fadel's whole entire line we linger on a shot of Style's bare body:

Fadel says "No one can truly lay themselves bare for someone" to Style who is literally bare before him. Style is living proof of the contrary of Fadel's beliefs. They continue their conversation and then Style asks "Will you lay yourself bare for me?" to Fadel, who is still fully clothed and very much not bare. And again, their conversation continues until Style declares "One day, I’ll be your 100%." And right after that Style pulls up Fadel's shirt. And how much does he pull it up?

That's right. He lays bare roughly 80% of Fadel's upper body (if we don't count the back of the shirt that didn't go up bc Joong is lying on it). He lays bare those 80% that Fadel told Style that he had. A little later Style pulls up the shirt even more for better access to the nipples but Fadel never fully loses his shirt the way Style has (who literally starts out the scene by immediately taking his shirt off, baring himself to Fadel first thing with no inhibitions). Until the end of the episode Fadel never loses the shirt 100% because he is not yet ready for that, not yet ready to lay himself bare for Style. Not yet ready for Style to uncover 100% of him. And Style respects that, no matter how much he might have complained at the bar. He never tries to remove more of the shirt than those 80% that he was granted.

Sorry. I need a moment.

Okay, now that we have this imagery and those themes out of the way, let's go through the scene the way I usually do. So this episode we started their story with Style feeling very uncomfortable at the thought of bringing Fadel, a Known Killer, to his home and we end the episode with Fadel right there in Style's room, in Style's bed. Style and Fadel have spent the entire episode sharing personal things and getting to know each other better and also on a bit of a deeper level and now that they're in private away from the others, Style opens up about something that has been on his mind all episode: "It feels so weird every time I’m with you. Sometimes you make me feel so scared, and sometimes you make me feel so safe."

Style is very much not scared of Fadel in this moment. In fact, most of his behavior and his actions surrounding Fadel this episode weren't the behavior and the actions of a scared man, especially when he was interacting with Fadel directly (apart from the very first scene in the sauna when the initial shock hadn't worn off yet). I think Style is still thinking of his mind vs. heart conflict when he says "sometimes you make me feel scared and sometimes you make me feel safe", but deep down he has already decided.

But Fadel doesn't know any of this. Fadel has no idea of the internal battle that Style has been fighting all episode, trying to reconcile the image of the ruthless killer with the man he's falling in love with. So Fadel tells him that it would be good for Style to be a little scared of him and repeats his point from back at the bar about (in)complete trust. And then he speaks out a warning: "The real me might be scarier than you think." But Style isn't scared. Because Style already knows that. Style already knows the truth.

However, Style mostly knows it in theory. He did get to see some of Fadel's real him in action when he took on 3 men by himself and also got to experience some of Fadel's violence on his own body. But the thing is, no matter how much he isn't scared of Fadel despite Knowing the Truth in theory, now matter how lowkey (highkey) hot he found Fadel take out three whole men, actually witnessing Fadel actively kill someone in practice might still be traumatizing no matter how much he thinks he is mentally prepared for it, so I do think Fadel kinda has a point with his warning. But I'm not sure Style has thought this far ahead already. I think in this episode he was mostly preoccupied with worrying about his own life, his own safety and with coming to terms that he was falling in love with a murderer in the first place.

Throughout the entire episode Fadel has never really given Style a reason to be scared of him. Instead, Fadel has spent quality time with Style, has engaged in conversation more than ever before, has asked him personal questions about his life and has even shared a little bit about his own life, which wasn't much but it was a start. They've had serious talks, sexy talks, fun talks, they were silly together and laughed together and they sat on the floor and shared pain together. Fadel didn't even get murderous over a potential break-up in the very beginning when Style was still nervous around him. Style spent the entire episode falling in love with Fadel, despite knowing about his occupation. "Can you open up for me? / Will you lay yourself bare for me?" Style responds to Fadel's warning. It's encouragement in several ways. It's encouragement for Fadel to try to learn that he can in fact trust someone (Style) 100%, that he can in fact be fully open with someone (Style). And it's encouragement for Fadel to tell Style his secret. Style needs Fadel to open up, to admit the truth himself first. Style needs it, so that they can openly talk about it without having to dance around the subject and talk in metaphors. He needs it so that there will be one less thing that he is lying about, so that he'll be one step closer to being able to be 100% honest with Fadel. And it has to be Fadel specifically who says it first so that Style can just run with it, because if Fadel finds out that Style was already in the know then both Kant and his mission as well as the 80% trust that Fadel has granted Style are on the line.

"I promise that no matter who you are, I’ll still like you." And there it is. Style's decision. His mind and his heart were fighting a battle and his heart won. Rationally he knows Fadel is dangerous and that he should stay away from him if he values his own life, but the heart wants what the heart wants. And even though it's not exactly like he can just say I know what you are and I fell in love anyway, I want to be with you despite it all, he still tries to get the message across.

Fadel doesn't believe his promise, though. "Words are cheap. I’ll do that when you’re ready. You can judge, then." Again, I think Fadel has a point. Fadel's response works whether Fadel is aware that Style knows or not. Because yes, Style may say he'll like Fadel no matter his occupation, but Style still hasn't seen the killer in action. Fadel's words mean Decide whether you still like me or not only when you find out my real occupation before you promise anything as much as they mean Decide whether you still like me or not once you've actually seen me murder someone in front of you before you promise anything. Style has already made a decision about the former, but he is yet to make a decision about the latter.

But in reality he has already made a choice and he is set on it: "One day, I’ll be your 100%." He wants Fadel's full trust and he wants Fadel's full heart. He will show Fadel that he will stay by his side and that Fadel's trust in him will be worth it. He will show Fadel that the mortifying ordeal of Being Known™ is not as scary as it seems. He means it when he says he'll like Fadel no matter what. Because now he already cares and worries about him much more deeply than he could ever have anticipated. Assassin be damned. He can get over it. And also, Fadel being dangerous is really fucking hot. "I just hope you don’t get any new scars."

I've already made a post about it, but I just want to point out: Fadel's scar is positioned right above his heart. I do very much wonder if the scar is related to the guy Fadel danced with in the flashback. Is he the reason why Fadel doesn't trust anyone 100%? Did whatever happened with that guy not just metaphorically leave a scar on Fadel's heart but also physically? Either way, we know how it's going to end:

Style's love is going to heal Fadel's scarred heart.

[camellia-thea]

okay. just rambling here, but, i think armand took more than just the end of the interview away from daniel.

we got that little moment about that night, saying 'you asked me to' to louis. 'you asked me to take this from you, you could not live with it,' leading into, 'i look after you when you cannot look after yourself, i make those choices for you.'

we know that during the chase and devil's minion era, daniel was an addict, who was, by his own admission, slowly killing himself. he was also addicted to blood.

it's really not too far to make the jump, if devil's minion occurred, that armand made the choice to step in, in his own mind, for daniel's best interests. i know this isn't a unique jump to make, but; again with armand's "i look after him when he cannot look after himself" continual reiteration, i think it's a fair assumption.

he can also replace and blur memories, which makes the discussion of alice and paris -- why the dessert from that night? -- and how immediate and sincere his answer of "she wanted to say yes, but she didn't trust you. you hadn't given her a reason to." this could be the night he took them away, replaced himself with alice, planted something similar for her to start the relationship, then step back and watch it fall. and i think the thing that stands out there is just how tender he is while saying it. there's an undercurrent of something else entirely underneath, it isn't a dig at daniel in the moment, despite the pushing earlier in the scene.

and then in s1, when louis say to daniel, "i'd give it to you now." and the cut to armand, still in disguise, and his micro-expression of horror, the way he stiffens and looks away... and the little moment of what i read as conflict when daniel says no. his jump to "may i be excused?" i can't tell in the moment, if he's horrified about the offer itself, the fact that it is louis offering to turn daniel rather than himself, or the fact that daniel denies it. because i don't think armand could actually let daniel die if this was the case.

the disguise itself-- why pretend to be rashid? i think part of it is to try and hide behind a human persona to keep those memories at bay; especially given the little moments of flashback that got triggered by little mannerisms. i can't decide whether they're intentional pushes or not, whether armand wanted/wants daniel to remember on his own, or wants to keep it under wraps. i think, even if he believes he doesn't want it to come forward, he truly does deep down.

and once he's revealed himself as armand, the way he gazes at daniel, his beautiful boy. the continued "our boy", from both he and louis, the "he's still in there, somewhere..."

and i think "our boy" is also really interesting, because why would daniel be armand's boy, based solely on the moments that louis initially remembered? armand didn't really have any emotional connection to daniel that night, sure, he saved him, but that doesn't really mean anything; he saved daniel for louis, not for daniel's sake.

and, jumping back "our boy,[...] he's still in there somewhere"... there's implication that louis might know about it? again, i don't think this is related to the original interview, or at least, limited to it? i don't have anything concrete here, just vibes, but again, why is armand's boy still in there somewhere?

and sure, some of these are reaches and i don't think i'm necessarily right, but god it would be deliciously awful if i was.

[rowanyx]

There is something so deep about Laerryn's choice in the finale, and Brennan's phrasing of the decision to be made.

To clarify, this scene (copied and pasted from the CR wiki transcripts):

BRENNAN: On a 16, you must make a tough decision. Do you want to further limit the release of energy and make the release of energy safer for the physical environs of Avalir and Cathmoíra, or do you want to ensure that Rau'shan and Ka'Mort will be permanently banished from Exandria?

TRAVIS: Impossible.

AABRIA: Laerryn's little joke to herself was always that the Heart of Avalir was the thing she inherited, but it was too small. She made it bigger, she improved it. She improved the Etheric Net and built this and that she was the Heart of Avalir, and she gave everything to this city. But I know what people are fighting to protect and I remember what Quay said about going down with the ship. So we will ensure it. This will work. Avalir be damned.

or this timestamp of the episode (in case the link doesn't work for the timestamp, the first comment's list has it labelled Laerryn's Tough Decision):

As we were first introduced to her, Laerryn Coramar-Seelie is the Architect Arcane. As Aabria herself even put, her whole life, all her work, is about taking the city and making it better. Building more. Expansion is the name of the game. So when Brennan specifies that the limiting of energy output will save the physical environs rather than the people, that holds weight.

Just, in a mechanics aspect, there is the fact she is an Abjurer. The whole point of her magic is exactly this choice. To stop things from being destroyed. Her wards that take the damage so that she or others will not. She is not built to bring destruction, leave the fight to others. She will be there to soften the blows that come her allies' ways. She is the one one deciding this, and it feels right, because she's spent her studies dedicated to figuring out how she will prevent the destruction that comes her way.

But that isn't all.

Because any other hero, any other party member, every other soul faced with this question could so easily think that it is a useless decision. A city can be rebuilt, but only if the Betrayer Gods are stopped before they kill all the people that can do so.

But Laerryn, who has dedicated her years to this, the position of Architect Arcane, knows this city and her structures far more intimately. She has been there, step by step, as she forged them. Designed them. Watched over their construction. It is by her hand it was built.

Asking her, specifically, is asking her to choose between everything she's done, or let it all burn. Asking her to make this decision is asking her to decide her legacy. Will she live on as the maker of the land that survived such devastation, but not the people, or will she go down as the one who helped stop the Calamity?

Her choice boiled down to this: Limiting the energy, their work, the libraries and churches, the colleges, grand towers and hallowed halls, stone and mortar, it all can go on unshattered. Or, stopping the Betrayers, the people may continue on.

Was her work more important than the lives she was surrounded by?

Aabria mentions Laerryn was given the Heart of Avalir, jokes how she improved it. But the Heart of Avalir, while magical, is only an engine. It was made, and can be again. So in this moment, I think Laerryn maybe realizes that the true heart of a city comes from the people. Always thinking, thoughts speed by her, whether or not she ever had time to really process the revelations before her demise.

Evandrin is already gone due her hubris. Who else would she lose? Would it have felt like home, without Loqautious there by her side? Would it truly feel like her city, without Patia keeping up with her? What would she cause, without Nydas to hold her back? What is Avalir, without her Brass Ring?

Her assistant, probably still waiting for her, in their offices, and the choice of which will see tomorrow?

How many will feel the heat of Rau'shan's flames as they die? How many will fall to Ka'Mort's earth?

None, she decides. Her friends and neighbors, the kinsmen of her home, will not feel these pains.

I think it is also a moment that beautifully showcases her accepting her death. She will not be here to heal her city. She's going down with the ship. Maybe her blueprints will be found and used, and Avalir will be as it once was. Maybe they won't, and they'll construct it all anew. But she won't see it, so it is their turn to take what was given and build on.

Of course, Rau'shan and Ka'Mort were not the only assets of the Calamity, and damage and destruction was still wrought across Exandria. But there are enough hands to clear the ruins and make their own stories. And that is because of the greatest Architect of them all.

She gave them a chance indeed.

[tleeaves]

Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.

Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".

The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.

There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.

The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.

Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.

Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.

So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.

Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.

I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.

The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.

As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.