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#// I originally was going to write something wholesome where she talks about how she struggled with learning a few completely new languages
stars-n-spice · 2 months
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Here's an Idea-
Y'know, as much as I absolutely LOVE even more of a DILF Hunter with his salt and pepper hair (that I'm so incredibly jealous of) and his lovely dad bod, AND the conversation he had with Omega,, I've been thinking-
There were 16 episodes in Season 1. (with the first being 70+ minutes) - for a total of 512 minutes. - 9/15 of these episodes were 30 minutes or more. There were 16 episodes in Season 2. - for a total of 462 minutes. - 6/15 of these episodes were 30 minutes or more (with all the others being short by one or two minutes). There were 15 episodes in Season 3. - for a total of 423 minutes. - 2/15 of these episodes were more than 30 minutes.
The Bad Batch finale had me so fucking frustrated it's making me do MATH. fucking MATH. I'm a Screenwriting Major with a minor in Creative Writing, I haven't taken a math class since Freshman Fall semester!!!!
So if you're wondering, "Hey that felt rushed," you're not crazy or anything because it was!!
LOOK AT THAT DIFFERENCE!! From the first season having more than half of the episodes be more than 30 minutes to the third season not even being a third of that!
OKAY BACK TO MY EARLIER IDEA THOUGH-
I'm not going to say shit about/to the writers or anything because as a writer myself, I'm just,, not going to do that? I'm currently struggling with my own script that I really should be working on but I have Bad Batch brain worms and I'm so fucking frustrated I can't focus on it right not but-
Here's what I would've done:
End the 15 episode with them all under the tree. "Whatever we want, kid. Whatever we want."
Boom, that's it. There it's done. Episode ends there.
THEN!! Have another episode that deals with the aftermath of everything. Considering they're all in their armor and whatnot still, it looks like the last moments happen like almost IMMEDIATELY after they get back.
We don't get to see Wrecker and Crosshair talk or do ANYTHING in reaction to the injuries they sustained on Tantiss. They don't further interact with Omega or really each other. So use that 16th episode to have them do that.
Give Tech a proper send off since ya'll wanted to keep him dead or whatever in that 16th episode and finally talk about him. Let Phee be there too. Actually have an emotional conversation with weight to it. There's SO much there you can explore.
THEN end it with the timeskip with DILF-ier Hunter and a grown up Omega.
Then that would make it all feel a little more complete than abrupt like how it felt for me.
OR
Okay, so you don't want to have a 16th episode? You just want the 15? That's fine. I have an idea for that too!
Alright, everything is the same, you end it with the tree, fade to black okay.
Instead of the timeskip, that portion would've been better served to give Tech his send off. To finally fucking acknowledge him and talk about him outside of being the "brains."
That would've been your chance to have that conversation.
As much as I loved Hunter and Omega's conversation, as hot as Hunter was, and as fucking touching as it was to see Hunter old and alive and living; I think it would've been much better to have that time to talk about Tech instead or something.
Originally, while I was watching it and when I noticed it was an older Omega my immediate thought was "Oh no, is she visiting their graves??" because I couldn't be sure of the timeline and clones age twice as fast so I didn't know how much time had passed.
That wasn't the case (thank god, my heart can only handle one clone grave scene) but I think that honoring Tech and REALLY honoring him - not off hand mentions or staring at broken goggles - would've fit PERFECTLY there.
And don't have it be a timeskip because that timeskip, as wholesome as it was (and again, as fucking hot as Hunter was) just left me feeling empty. I felt like I missed out on a huge chunk of something and I didn't like that.
Just...something where a few days after recovering from everything they all have a moment and sit down and talk about Tech or something. Just something.
Anyways, that's it for my ramblings. That's just how I would've done it.
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withperfecttempo · 3 years
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@tartarusdwelt asked:  ‘ you have an army of words hidden behind your teeth ’ / g'raha to sona!
Her gaze lingers, surprise and intrigue lingers on her face as she narrows her thoughts on the expression. She tries to hold back her brows from furrowing as she puzzles over it. “Army”, must mean “many. “Hidden behind teeth”? Sona is at a loss. What words ever formed behind a closed mouth and throat that could not produce its own sound to form these words? She blinks once, grappling onto ‘words’ as a centerpiece to construct the rest of the meaning. Her hand raises, fingers split and press against her lips. 
A moment later her eyes widen and she gasps when she believes she has some direction in what the Exarch might mean all while realizing her confusion had yielded a degree of awkward silence between them. 
‘Do you mean that I have much to say? Many thoughts?’
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Okay but does it weird anybody else out that Astruc’s self-insert is LITERALLY HIM? I don’t know if that’s normal but as a writer, I do very small self inserts alluding to myself, like a name relating to myself, and it would also be a very minor character. Because let’s be honest, who doesn’t like having a little bit of themselves in their work? But what Astruc did really creeps me out, not to mention the whole “pity me pity me” thing is really gross. Idk it could just be me
I mean, having a creator meet his character can work in theory, just take the final episode of the 90′s Spider-Man cartoon.
Long story short, after teaming up with Spider-Men from wiping out the entire multiverse (about 19 years before we got it in Into the Spider-Verse), the Spider-Man we’ve been following goes to another reality where he learns he’s a fictional character and meets his creator, Stan Lee. 
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While I’m not exactly a fan of the way this show tended to have characters give these long monologues while trying to emulate the comics they came from instead of showing how they feel about certain actions (even earlier in the episode, they have Peter explain how much his evil counterpart is struggling to reject the Carnage symbiote instead of just showing him screaming in agony), this is a time where Spider-Man’s speech felt appropriate. It’s the pinnacle of his character development. After saving all of reality and reuniting with Uncle Ben, and preparing to search for Mary Jane, Peter feels content with his life and reflects upon it while talking with his creator, who in turn, is shocked at how much his creation has changed since his creation.
Stan Lee: Gee, you’re definitely not the same guy I’ve been writing about all these years.
Spider-Man: Well, Stan, we all have to grow up some time, I suppose; even us characters of fiction.
It’s a really interesting topic to discuss, the idea of a character’s growing beyond what was originally intended, which became even more relevant after Lee’s death in 2018. It’s a scene that could only really happen between a creator and his character. 
Also, this is completely unrelated, but Stan Lee calling Madame Web, a character voiced by his wife, an “exotic lady” is just so wholesome.
Like I’ve gone over before, Astruc’s self-insert is nothing more than an ego trip and an attempt to get the audience to sympathize with him. There’s no real emotional impact of seeing him interact with Marinette at the end of “Animastro”, especially since he insulted her for criticizing his movie even though it’s based on her. That’s like saying an army veteran is wrong for calling a war drama an inaccurate portrayal of the military.
Maybe if Astruc had talked with Marinette about the struggles he had to go through with making his movie by dealing with executives and test audiences, something she has experience with when it comes to fashion commissions, the interaction could have worked. I don’t want to dictate how Astruc should vent his frustrations, but I personally feel like his self-insert would be more sympathetic that way.
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trashlie · 3 years
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!!! omg yes yes i’d love for you to write more about that!!!! and! the first post from you i saw about kousuke and how he subverts the trope of the ml??? it was SO GOOD!! and you got another ask that mentioned how people saw yeonggi as the happy go lucky character! it reminded me of this ask which is very long i sent to @somebody-909 😭 i was just gushingggg about secondary male leads bc i for some reason always end up rooting for them and how yeonggi has the vibes even though he’s a main character 😩 and also we talked about other characters like kyo but i forgot that tohru also had dealt with abuse from her own family so in the end it’s like. it’s a story about two survivors finding happiness etc etc 😔🥺 idk idk all of you guys who make analysis are so cool
I hope you don't mind me answering these two asks separately, because I just know if I didn't I would miss too many things, haha!
I'm not sure if I could write a very good analysis of Yeonggi subverting the secondlead trope, but I sure could try! I feel like it's a little more biased because I DO ship Stalkyoo, but I think I can try to work with it! I also remember seeing that ask (I was going through their blog the other day) and I really enjoyed it! Like you, I tend to favor secondary leads, which I think is also because I have a tendency to love the act of yearning and pining lmao and man second leads sure do pine a lot, right? Also because second leads often (though mercifully not always) have a tendency to hesitate and miss their timing or just plain don't act on their feelings, and it creates a big sense of what could have been, and I think when you are someone who favors underdogs, you really fall into that "what could have been" thing, right?
(I think there's also a conversation to be had about first vs second leads and traits of masculinity, but I am admittedly not well-versed enough to do this, but some general food for thought is: often in the case where I favored a first to a second lead, it's because the first lead evoked a lot of traits of masculinity that I don't care for? Jealousy, possessiveness, being cold and not showing their emotions esp compared to a second lead who was often portrayed as gentle with his heart on his sleeve, kind. In a lot of these cases, the second lead is often not favored by the majority of the audience because "he just feels like a friend" aka he lacks the masculine traits people think a man should have~ or blah blah blah. I wonder if this is still a prevalent thing these days? I tend to avoid love triangles so I'm not sure, but, it's something I would like to throw in if I talk about Nol subervting the second lead trope aaahhhhh now I'm just on a whole other tangent lmao)
Here's an embarrassing admission: in the past, when I was young, back in like, 2007 in my first year of college and I started reading Fruits Basket and I watched the original anime lmaooooo I actually really favored Yukki, because I'm a gross sucker for gentle prince types lmaoooo but as I've gotten older, being able to understand what made Kyo and Tohru work so well was really satisfying!
I've become really enamored with the idea of Nol and Shinae as mirrors to each other, able to help each other identify and work on the parts of them where they are weaker or struggle, and the idea of these two people coming from uneasy lives and finding comfort in the sanctuary they create together? WHOLESOME. I live for that shit. (I don't ever want it to read though like I want Shinae to "fix" Nol or anything like that - he has a lot of work to put himself, just like she has for herself, but I like the idea that as they become people who heal themselves, they help each other heal, too, in the ways that they reflect each other, if that makes sense?) Survivors creating their own sense of home, out of the mess that they've endured is.... AAHHHHHH satisfying! There's something so strong about survival, let alone finding comfort in the wreckage of all that tried to destroy you, isn't it? Shinae has been dealt a bad hand in life, lacked opportunities others had, was judged mercilessly without anyone getting to know her; the idea of her becoming a person who can face the world without feeling like she's ill-fit, without feeling like she's out of place, because she's finally learned her value? Hhhhhh I love it! And likewise, Nol being able to face his awful family knowing that he is more than they ever saw in him, that he was never the villain he was made to believe? PLS my heart!!!!!!!!
(You know, my first time I read ILY, before I realized it was deeper than the surface and than I gave it credit for, I was also convinced Nol was a second lead interest, simply based on the fact that so often characters like Kousuke are coded the first lead and that characters like Nol are there to make us sad lmao. I think that's what made writing the Kousuke analysis so easy for me! At one point I decided to a read where I did not view anything through a romantic lens - not even things like the hospital balcony scene or the wac hand holding - to try to judge just what else could be going on under the surface, that's when I started to realize that a lot of scenes are kind of kind of a couple things superimposed over each other. Kousuke and Nol look like they're competing for Shinae's favor when they each remove their jackets, but what does it REALLY mean. Ironically enough, reading without a romantic lens made me favor Nol and Stalkyoo EVEN MORE lmao because I was finally able to pay attention to the nuanced depth and character development, and the way their relationship progressed as she came to trust him and their friendship solidified really made the framework feel obvious. But the point is: like you I tend to favor second leads and I was already favoring Nol on the principle that he's so sad and I just wanted to see it all turn around for him for once lmaooooo)
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reyeslonestar · 3 years
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Question what are some things you wanna see in season 3 of lone star? Character development, plots, anything
I want to see Tonya Kong write every episode. that's all. thanks for asking!
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sadfkja I joke, I do have other ideas, but that is definitely high on my wish list! i'm gonna go through by character and talk about what I'd like to see for them, so this is gonna get quite long whoops...
the main thing that I'd like to see overall, though, would be evidence of an overarching season plan or arc - it doesnt necessarily have to be a plot that stretches through all the episodes or anything major, but I'd love them to have plotted out the season before they start. from watching this season and then reading interviews after the finale, they dont appear to plan many things from the start and end up throwing in ideas as they go along. if they plan it from the start they can foresee how theyre going to affect character development more, and they can have a bit more balance in the types of episodes they have, so that the season is less insane and more naturally ebb-and-flow with a few light episodes to break up the drama.
okay, onto the characters! just going to do this in billing order for simplicity's sake. customary reminder that these are just my own opinions and thoughts, and this is more of a wish list than a realistic expectation.
if you want to search for a specific character, ctrl F for one of these terms including the dash at the start:
-Owen
-Tommy
-TK
-Grace
-Judd
-Marjan
-Paul
-Carlos
-Mateo
-Nancy
press “j” to skip the whole post.
-Owen
okay so I'd love to see them actually develop his character. Owen has been given a lot of backstory with lots to play with development-wise, but to me it feels like the show never goes anywhere with it. he's got a lot going on what with 9/11, feeling responsible for the fates of his fellow firefighters, the codependence of his relationships etc. I'd like to see him go to therapy and see him grow some self awareness and seek to manage himself better, rather than all his screentime devoted to him being a hero when other characters have the situation handled. it would really show him as a good leader if he drew on the skills that his team has and refer to them for advice/ideas. realistically he is the main character, so I'd like them to develop him like one.
also, I kind of love the chief role for him? I think it would suit him really well. but it would drag him away from the 126 and split up the dynamics too much so it would make for bad tv and I wouldnt actually want to see that. good for his character though.
-Tommy
I love Tommy :) just wanted to say that.
so obviously Tommy's got a lot of grief to handle next season, and I don't want them to shy away from that. I want it acknowledged and processed. (I'd also like a little bit of seeing the twins' grief too, because they're also suffering a massive loss). maybe something with Judd helping Tommy learn to manage her grief with his own experience of losing the original 126, encourage her to go to therapy, plus Tommy, Grace and Judd all feeling the loss of Charles together. after all, Grace and Judd were his friends and they will be grieving too.
I'd also kind of like to see Tommy have something outside being a working mother. obviously we're going to need to deal with that a lot especially now that Charles is gone, but I feel like she's been assigned the Character TraitTM of being the working mum and I'd like to see them give her a hobby or something. idk. and give her a night off with Grace or something. give her something just for her.
-TK
okay so I think theres a fair likelihood that theyre going to return to looking at TK's addiction next season which im not averse to. I think him struggling with his sobriety would be worthwhile to see for his character and to show that its not a straightforward path, plus it makes sense with all the insane stuff they've thrown at them in s2. however, Id like to see it in the context of his friends and family rallying around to help and support him and show him that he's got people to rely on, and that he's allowed to rely on them, plus the support of his AA meetings and therapy. I also need them to lay the groundwork for him struggling, so putting in signs of him deteriorating so the situation makes sense. this storyline doesn't need surprises to be interesting or good, and frankly it shouldn't have any.
as for him and Carlos, I definitely want to see them househunting! I'd like to see the combination of househunting/Carlos with Tommy's kids/Grace and Judd having their baby have an impact on their perspectives regarding their future and spark that conversation (like, looking at houses with more rooms and thinking about kids, future, marriage etc). I think that maybe one of them, probably TK, or maybe both of them those boys have way too many parent issues having anxieties about being a dad could be an interesting way to add tension without being too drastic, and then that can be resolved in a way that reassures them of their relationship and reaffirms their strength as a couple. the talk about the future would also lay the groundwork towards a proposal at the end of s3.
-Grace
grace :) my love :)
I could watch episode after episode of Grace kicking ass and saving people over the phone. I'd love to see an episode set there? like, some kind of story within the call centre with all the handlers having to resolve that between them, but also tie in the first responders, so we see the fire team, the paramedics and Carlos all working but we only see the bits that Grace and the other call handlers hear, if that makes sense? also an actual Grace/Carlos team up where they are coming in from the different angles with different amounts of evidence and figuring out the best way to solve something together. plus I'd like to see her maybe get some recognition for being awesome at her job, maybe another handler coming to her for advice on how to solve something.
of course we've got the baby Ryder on the way, and I want that to go comfortably and smoothly for her. she deserves that. lots of wholesome excitement for her and Judd from the whole extended firefam, baby shower, gifts, the full works. pamper grace please.
-Judd
judd4captain2k22. please.
yeah I know its not gonna happen, but I loved judd stepping in as captain this season and I'd love to see that continued with him taking more leadership, and Owen deferring to him for advice/council in a work environment rather than personal life. maybe set up a long term idea about judd being a captain someday.
he's gonna be a dad :') so what are his anxieties about that? why were they putting it off before? was it related to his PTSD? he's got lots of people relying on him now, how does that make him feel? what if his kid loses him? id like to see him still using therapy as a tool to help himself deal with everything. lots of meaty questions to dig into there :D
-Marjan
I'd quite like to see more of her balancing her daredevil nature with the impact of that and realising how much danger she puts herself in sometimes. or on the flip side, maybe the team is dealing with a really dangerous situation and they utilise her fearlessness to save people. her relationship with social media could also come back? but bring in the development they gave her this season, and her Firefox presence is more serious, less flippant?
I think that theres now a space for her to explore her sexuality/romantic experience now that she hasn't got her engagement with Salim as a kind of failsafe. maybe she wants to put herself out there and date, but thats really daunting as shes never really had to do that before? personally I think this could tie in really well with a self discovery/exploration regarding her sexual orientation, but I doubt they’d go there with her, so thats just my headcanon.
-Paul
I want them to draw on Paul’s observational skills and perceptiveness more, especially on calls and in emergencies. I remember someone (sorry I cant remember who) pointed out that he would have been a great character to centre the arsonist plot around in terms of noticing the clues etc, so id love a storyline that revolves around him dealing with an emergency like that. I also really want a Carlos and Paul friendship so maybe them collaborating on a call to solve something, that’d be cool.
can we give Paul a girlfriend please. if im not complely insane, there was a reference to someone in like,, 2x04?? someone who put mayo in his sandwich? idk I havent checked (edit: it was aioli in his banh mi! thank you @meneatyoghurt), but if there is someone can we show him having a fun and loving relationship please. I dont need there to be any drama. just them having fun on a date or something.
-Carlos
so I know that some people are keen to see him in his police role more but I really don't need much of that. on calls with the 126 I'd like to see him be the officer in charge more, but I don't need police-exclusive storylines. I've talked about it here if you want to know why.
the only area that I'd like to see would be in the direction of reform/addressing the flaws of the system, and I think they can do that on a personal level for him, because he and Mitchell need a chat. if they'd gone with her decision in 2x08, he, Mitchell and the bank robber would all be dead, and I think thats gotta have some impact. also the fact that he was suspended for trying to preserve life. theres a lot they could work with there and maybe have him thinking about how he can do good and how he can effectively protect and serve. not to mention, the opportunity that would provide in terms of addressing his relationship with his dad and how he maybe sought approval by pursuing a police career?
also I’d like him to learn that he doesnt need to accept blame/preemptively put blame on himself and that he doesnt need to apologise when someone else hurt him. kind of want to send him to therapy. kind of want to send all the characters to therapy. but yeah, him learning that he can accept apologies and understand that he doesnt have to make people feel better for hurting him. hes allowed to be hurt and feel pained about it. and that can tie into his relationships with Mitchell, with TK and with his parents.
I think I mentioned most of the tarlos stuff in TK’s section, but I wouldn't mind at least one instance for them where we see it all from his perspective instead of TK’s.
finally ive mentioned above how i’d like a team up with Paul on a scene and both of them figuring it out together. I'd also like them having a friendship outside work, just the two of them, bonding over books and being relatively sane people compared to the rest of their friends.
-Mateo
Mateo is so sweet. I loved 2x14 and the recognition he got, more of that please! also theres still so much I want to know - one of the more consistent things they set up for him in s2 was his faith, so I want to know more about that. what's his relationship with religion and God? he's pretty isolated from his family so how does he feel about that? is his religion something that helps him feel connected to them? maybe the church helped him find a community when he first came to the states, before he got settled with the 126, and he finds reassurance in faith that God is looking after his family while he cant be there? I think maybe there's scope for a conversation between Marjan and Mateo about that, about that distance and caring for their families through faith and prayer.
also, if he's still with the horrible firehouse, I'd like to see the other firefighters being won round by his resilience and stepping up to look out for him, and someone backing him up against the captain. Mateo is used as the butt of the joke most of the time, but I'd also like to see a bit more acknowledgement of things like losing his house and the bullying hes going to get more of from this firehouse.
-Nancy
I think that her speech to Tommy in 2x14 was really telling, and I'd love to see them expand on that a bit more. first on the loss and fear of losing her friends and coworkers, but then also on her hopes and aspirations - she said she wants to be a paramedic captain so lets see her working to take her exams and qualifications, and showing initiative on scenes etc.
id like to see more of her being integrated into the 126 group. she and marjan turned up to the hangout together, so lets develop that relationship more. I would love it to be romantic but I'd also love to see that as a friendship. but also her forming bonds with others in the group as well as more of her and TK being a chaos duo. I love that they stole the ambulance, more of that insanity please!
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I think thats it? if youre still reading, youre insane and I appreciate you a lot! honestly im open to all sorts of things in s3, this isnt a prediction or anything, its just stuff I think would be interesting based on where the characters are now. 
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hopevalley · 3 years
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Season 8, Episode 9: Pre-Wedding Jitters
Y’all know what’s wild? The season is coming to a close! I feel like we just got started with Season 8, and it’s already nearly over. I’m not ready for things to end...except the love triangle. Lol.
One important thing I want to talk about, before we move on to my regularly scheduled episode write-up, of course, is the quality of the writing and filming this season. I really feel like the team took a step back and thought very carefully about how to improve the show, and then they went through the effort of actively trying to improve things. 
Are there still badly-written areas of the show? Absolutely. Are there things I loathe seeing? Yes. Are there plotlines that are extremely contrived even by Hallmark standards? Unfortunately there are.
But I don’t think anyone can deny that the writing this season is, overall, an improvement over Seasons 5, 6, and 7. The only thing that I feel about S8 that is worse than 5/6/7 is the love triangle, but it had to come to a head eventually so it was always going to be a point of contention among the fans.
I’ve seen a ton of negativity going around the Internet, and you are all entitled to your opinions, but let’s hold back from being too angry until we see how things will work out. After all, there is a chance, however small, that Hallmark will end up surprising us.
So here’s to hoping that the writing quality uptick will continue as we move into Season 9.
And now, our plotlines from this episode:
The Dilapidated Love Triangle
The Wedding Planning/Party
The New & Improved Henry Gowen
Miscellaneous (Car Investigation, pastor position/Jesse and Clara + Cafe, Carson and Faith, Mike and Fiona)
This was another episode that felt pretty smooth in its storytelling; it had some smaller plots going on, but two primarily large plots, a smaller one that revolved around Henry, and then a few small (connected) plots from previous episodes/that overarched the whole season!
Sorry for the muddle by the way, it took me hours to type this and I’m too tired to read it over thoroughly before posting. If you see any glaring issues please let me know so I can fix them, though!
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The Dilapidated Love Triangle
Let’s just get the pig slop out of the way, shall we? I think we are all in some sort of agreement by now that we’re tired of the triangle and just want to see it resolved as soon as possible so that we can get on with our lives and invest our interests in the right place(s). 
I also believe most of us are also in some kind of agreement, however we feel about the characters, the triangle, and who Elizabeth’s choice should be, that this thing has been very poorly paced. This sentiment seems to be echoed across the Internet right now. The pacing is AWFUL. After two years of almost nothing happening, now we’re going to bullrush to the end of the triangle? That’s a yikes from me, Chief. (Wait, didn’t I say that last week, too?)
I was never a fan of the narrated beginnings of episodes. I think they’re really tacky and boring. That said, there’s no other way to get into Elizaeth’s head easily because...I don’t know. Either Erin isn’t that skilled or the director doesn’t know how to direct her, or the script sucks. They struggle SO MUCH with show-don’t-tell that they have to resort to telling...which is fine, sometimes. This is an instance where telling is just mega redundant since she says the same exact thing probably 10 more times in the episode. I wish they’d have just kept the first part of the reflection or focused more on that—how Nathan talking about it...makes it feel fresh and raw again in a way she didn’t expect.
Anyway, Elizabeth writing that she’s been “left to reflect, once more, on the senseless accident that took [Jack’s] life” is ridiculous. Senseless? He was in charge of the training mission, but unless I’m losing every last marble I’ve ever had, wasn’t it Jack’s choice to go after the younger recruits who had been separated? Wasn’t it thanks to Jack’s quick thinking and intervention that only one person lost his life that day (Jack himself)? 
This is where the whole “Jack died heroically” thing kind of matters, actually. Especially when you butt it up against Nathan being the original person intended to go. Would he have risked his life like that? We’ll never know, but I’m sure Nathan thinks about it a lot, and it’s not something that should be left out of this story.
It’s valid for Elizabeth to wonder why Nathan kept the Secret hidden from her for almost three years, but what is really troublesome is the weird shift she seems to have between Casual Curiosity and Stricken Grief about it.
I grew tired of mopey Elizabeth in S4 and 5, so I’m not happy to see her back. Fewer eye drops, please. -_-
Anyway, it almost felt like a breakthrough when Elizabeth asked Rosemary why she thought Nathan took so long to tell her about Fort Clay, but Rosemary’s response was so bad. “He didn’t think it was important enough.” WHAT? WHO WOULD SAY THAT? Rosemary can be a bit thick-headed but that was almost too contrived for me to willingly follow. Anyone with a brain would realize it was IMPORTANT and THAT WAS WHY IT WAS A SECRET.
And when Elizabeth’s like, “Not important enough?” BECAUSE OBVIOUSLY IT IS IMPORTANT... Rosemary just tells her that Jack’s death wasn’t Nathan’s fault.
Which. She’s right. But that doesn’t make the secret unimportant. It’s still kind of a big deal. He’s confessed to being in love with Elizabeth multiple times now. Even Rosemary can’t be so dumb that she doesn’t realize that the connection between Jack’s death and Nathan is...meaningful, especially to Elizabeth. And that Nathan knew this and couldn’t bring himself to tell her because he knew it would hurt her.
Anyway, I’m doing my best to give Elizabeth a bit of grace here, because she’s just so self-centered I almost can’t stand it. To be clear, Elizabeth has ALWAYS BEEN LIKE THIS. It’s just that usually the issues at hand aren’t about her, they’re about someone else. 
Rosemary’s right but what she said was straight-up stupid. I don’t know, I don’t think the characters are out of character so much as the dialogue just didn’t flow very naturally and I felt like the characters were making assumption jumps to force certain responses. If Elizabeth can’t agree with Rosemary that Jack’s death isn’t Nathan’s fault, then she should have expressed that a bit more directly so that Rosemary could draw the conclusion that Elizabeth does feel it’s Nathan’s fault. It came across like Rosemary was speaking to the audience more than to Elizabeth, and I didn’t like it.
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The most delightful scene in the entire episode has to go to Allie and Lucas. That was so cute and wholesome and good. Her asking if she could sit at the bar, him offering her a treat, her trying to return the gift ‘cause she felt caught in the middle and like it wasn’t fair to accept it... SO GOOD. They remembered the gift multiple episodes later AND incorporated it into this episode flawlessly. LOVED IT. 
Also, she asked an important question. LUCAS...where DO YOU LIVE?!
His story was a bit silly but I actually enjoyed it. It gives him a more playful vibe and also I think was almost entirely to ensure that Allie felt more comfortable and less anxious about what was happening around her. It was also his way of reassuring her that him courting Elizabeth wasn’t going to take Elizabeth out of Allie’s life...and that things will be okay.
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I enjoyed it.
Things were a bit awkward with Elizabeth and Allie but they felt...better than before, so I felt like the conversation helped.
--
Lucas calling Allie “Allie Grant” was nice now that her adoption is official! I appreciate that.
Elizabeth and Lucas talk about how Lucas told Allie he’ll “work things out” with Nathan and Elizabeth definitely doesn’t appreciate it, and with somewhat good reason: she doesn’t like being caught in the middle of things any more than Allie does.
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The thing is...she has had the power...all this time...to tell Nathan straight-up to leave her alone/that she isn’t interested. I stand by what I said before, that she shouldn’t have to tell him no for him to respect the boundaries she’s set, but if he’s not respecting those boundaries she needs to be firm about it.
I like how Lucas comes off in this scene. He wants to understand, he listens, he’s patient, he doesn’t push. I’m here for it.
She tells him what Nathan told her and he seems a bit overwhelmed by it, too. It’s pretty clear that he realizes she must be feeling all kinds of things after finding that out, especially after all this time. 
Again, for the second time, Elizabeth doesn’t seem all that grief-stricken about the secret being kept from her for so long: she tells Lucas she just doesn’t understand how he could keep it from her. 
He asks permission to suss out an answer and Elizabeth politely declines and says she’ll ask herself, but to please forgive her, she needs some time to...think.
She watches Lucas go and then...touches her wedding band.
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-
Nathan meets Rosemary in the library and goes on a long boring monologue about how he’s read like, three whole books that women wrote, but still doesn’t understand women. No shit, sherlock. That was terrible writing...just straight up bad writing.
But I’m not exactly surprised because the very next thing that happens is that Rosemary tells Nathan...she’s been in his eXACT position before!
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No...you have not. Yes, you were the unwanted third wheel, but that’s where the similarities ended, and you should have clarified. This just didn’t hit well for me, I don’t know. I don’t want to say it’s out of character, but...I don’t think Rosemary is this soft gentle personality anyway. I feel like she was always a bit more in your face with the things she said, not “try to encourage a manner of action in a very roundabout way” like she is in this episode. But again, without a logic jump from Rosemary, this scene doesn’t quite work.
I think I might have preferred Rosemary to play dumb and ask what specifically he didn’t understand about women. Make him freakin’ say it. And then she could react better. 
--
We get Love Confession #3 or whatever we’re on with Nathan, now. Let’s go over the entire scene.
Elizabeth walks into Nathan’s office and instantly asks him why it took him so long to tell her what happened.
He says he felt guilty and when she tells him she doesn’t understand, he goes on to say that after the accident he requested a transfer to Hope Valley. He never met Jack but he knew he’d left behind a wife and child, and felt it was his responsibility to look after them and protect them.
She asks why he would assume that, and he explains that he felt it was his duty. And that when he found himself falling in love with her, he felt like he was betraying Jack and his memory. That’s why he didn’t tell her.
He then takes it ONE STEP TOO FAR and says, “I fell in love with you, and I think that love is always worth fighting for.” 
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Elizabeth says “Excuse me,” and leaves. Nathan’s face afterward is maybe a decent mix of “I probably shouldn’t have said that” and regret, but...woof.
Anyway, I was fine with this up to the point where Nathan said, completely unprompted, that love is always worth fighting for. How does he know? What are his experiences with love? Books he read, written by men??? PLEASE.
READ PRIDE & PREJUDICE U SWINE... ELIZABETH FALLS IN LOVE WITH MR. DARCY BECAUSE HE DECIDES HE WANTS TO CHANGE AND BE A BETTER MAN AND THEN DOES SOOOOOOOOO oh wait this is turning into an Elizabeth/Henry argument...OOPS?
Anyway, yeah. Not a fan of that line. It almost feels like there’s something missing. She’s standing in front of him about to cry because she feels hurt that he didn’t tell her this, you know, crucial information, and he’s just like “Yeah I didn’t tell u cause I love you and felt like i was betraying jack’s memory and also lol love is worth fighting for babe!” What kind of confusing mess of babble is this?
Honestly, it just left a bad taste in my mouth. :( I have so many really obnoxious opinions about Nathan and what they’ve done with him this season, but I feel like I should save them for a season summary podcast or something, just in case Hallmark ends up surprising me. Right now I just feel like they really just wanted to give him what the fans hated about him (he wasn’t passionate enough, not manly enough, not forward enough with his emotions, at least from what I read on Reddit and Instagram last year), but in like THE WORST POSSIBLE WAYS and for the wORST POSSIBLE REASONS in the VERY WORST SCENARIO.
I feared that would be Nathan’s reason for coming to town from the moment the character was announced and...I wanted to be wrong.
Anyway, I really liked his self-awareness up to that point. He never met Jack, which keeps some of the weirdness at bay. Also, he felt like he needed to make sure Jack’s family was okay, and that’s fine. I wouldn’t call it noble (as Rosemary later does), but it’s not exactly bad, either. Then we got the line of him admitting that it felt kind of bad to fall in love with her. I wish he’d gone on to say that wasn’t supposed to happen, or even given her a reason he loves her (so that it doesn’t feel like we’re just being told everything), because his line about love being worth fighting for right after he says he felt like he was betraying Jack’s memory by loving her...was...really strange??? Maybe a few sentences were edited out? 
--
Elizabeth tries to refuse to play Fiona’s blindfold game and LITERALLY NO ONE SAVES HER (though I think Rosemary considered trying). I hate the idea of this game solely based on the fact that several people participating shouldn’t even be there (Nathan, Bill, Mike, Fiona, Molly), but Elizabeth wouldn’t be able to accidentally choose Nathan if he wasn’t there, so... -_-
I think I might have actually liked this (her “no” with Carson was super cute actually, probably the cutest laugh she’s ever had on this show) if she’d had the chance to reject a few more guys on the way down the line. If she was closer to the end of the line she’d feel her options were running out and might second-guess herself. Having Nathan be the second person she touches and having her choose is...eh.
Nitpicks aside (their hands wouldn’t feel the same and she held Lucas’s hand quite recently actually), it could have been worse. At least she stated who she was searching for...
BUT UGH THE EMBARRASSMENT.
The thing that gets me about the whole scene is 100% that everyone in town would know about the Triangle drama, so it feels...weird to see everyone so gung-ho to watch this happen... I don’t know... I like having fun too, but NOBODY even TRIED to step in??? 
At least Lucas found some humor in it right away (he smiles). 
I think I wish someone had said something. Maybe Nathan could have said, “Nope, sorry” to lighten the mood a bit? Or Lucas could have said, “Almost!” since he was standing right next to Nathan?
--
Anyway, we’re spared having to wait because the very next scene is Lucas checking on Elizabeth and laughing about her choice.
One line I wish they’d added in is that someone else got it wrong. Imagine if Lucas said, “At least you didn’t pick Bill like Clara did!” Or even just made a joke about it in general like: “Of course I’m not upset. But if you would have picked Bill I might be a little hurt. My hands aren’t that old yet.”
Elizabeth tells him that she spoke to Nathan about the whole...thing and it was awkward. She chooses to not tell Lucas the rest of the reason Nathan gave, but instead only admits that he told her he loves her again. When Lucas asks what she said in response she said she didn’t say anything.
Lucas seems...a trifle upset at this, and understandably so. I think he can sense she’s...not really a sure thing and is worried about it. :( I feel so bad for him right now.
--
Rosemary stops by to see Elizabeth after Lucas leaves, and tells her she ran into Nathan at the library yesterday. Elizabeth tells her what Nathan said in his office and Rosemary says it was noble and selfless of him.
(I mean...it wasn’t selfless. Like at all.)
Elizabeth says she never asked him to be noble. She didn’t ask him to fall in love with her, either.
She asks Rosemary if she encouraged Nathan’s feelings for her at the library. Rosemary says no, but Elizabeth asks again and she interrupts her to ask Elizabeth if she’d rather hear what she actually said or just assume.
Rosemary goes on to say that she just wants what’s best for Elizabeth.
And we get Elizabeth asking how anyone would know what was best for her.
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I mean, that’s like 90% on you for not communicating with your friends, but also, it’s 100% on you for just assuming you knew what Rosemary said to Nathan. I think she’s just looking for a reason why Nathan is being so persistent and in her mind encouragement from someone else is the only thing that makes sense, ‘cause she sure as heck hasn’t been encouraging him herself!
This hurts Rosemary’s feelings, probably because she was about to say that she wants what’s best for Elizabeth so she asked Nathan to stop getting in the way lol, and says maybe she should leave (since Elizabeth is in a bad mood). Elizabeth agrees she should go.
End episode. On this note. Woof.
Overall it wasn’t too bad I guess? But I’m not a fan of how some of this was written. It really felt like they cut lines out to make the episode shorter, when...they could have cut out one of the boring side plots. You know. The entire thing with Jesse and Clara, for example. 
--
The Wedding Planning/Party
I admit that I got a little enjoyment out of Florence saying no to all the dresses. Highly relatable. 
Then, at the barbershop, Fiona says the exact wORST possible thing about Florence wanting a hairstyle that’ll “knock Ned dead” FLHDSFAJDSA.
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Florence goes on to say she wants anything but “ordinary Florence” and Molly steps in.
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Honestly, I wish they’d just let Molly stick to being Florence’s BFF because that’s the role she plays best. Also, I’m almost sad Florence and Ned got together because it means #teamflomo is no mo’. :(
Paul shows up...
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I don’t know what I expected but this boy would have been a literal BABY in season one, which makes the whole thing with Florence almost sadder AND it gives Florence more in common with Elizabeth (widow with a young child) BUT I HAVE OPINIONS.
I know what you’re thinking. “Manna, you always have opinions!” Yes, you’d be right. 
They based this off of ONE (1) line of dialogue that Florence had in S1 when something was stolen from her house. She says, “while my child slept nearby” or something like that.
They brought a child in...for that? On one hand...I’m impressed.
On the other hand, I kind of had just assumed they’d retconned that and that Florence had no children (which is why she was always goofing off gossiping with Molly) so I don’t really know how to feel about the whole thing.
Rosaleen starred in an episode and never showed up again after S1, so I think I’d have preferred to see her return instead of a child we literally never laid eyes on. But he’s a cutie. And he’s named after his father just like little Jack so...I’ll take it!
--
The party begins and we have to do “the men are stupid and don’t know how to plan” again which is really annoying. The highlight of this entire thing was Ned saying (about his hairline) that he’s been driving with the top down since his 30s. I respect you AND ONLY YOU, Ned.
--
The party continues on and they play charades. Rosemary chose weird awful options that don’t make any sense and are hard to act out. Ned’s could have been funny but the one Bill got is just...so weird.
The funniest part about it is looking at everyone staring at Molly as she guesses it.
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I think it was supposed to be...cute? Or something? It was just really weird for me.
“Cuddle up a little Closer, Lovey Mine” (yes, it’s “lovey” not “lovely”) was written and recorded in 1908. You can listen to it here. Lyrics here.
They then play the Most Awkward Game Ever, one that would have had me sweating bullets if I’d had to play it. Florence has to find her man by only holding the hands of the other men.
As Fiona says, it’s a bit...risqué, but Florence rejects Jesse quickly and finds out the second man is Bill by squeezing his hands too hard.
Bill explains that his arthritis is flaring up and of course Sara and I jumped on that almost at the same moment:
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We like Bill. :P
And then Florence correctly guesses that the next man is Ned. It’s very wholesome and sweet.
But then it’s Elizabeth’s turn because I guess she’s not been traumatized enough this episode. I covered that in the triangle part of the plot, though.
--
The New & Improved Henry Gowen
We start off with a BANG here with Henry and Christopher. Christopher misses Rachel because he’s a twitterpated little FOOL and he tells Henry all about it...while Henry sees Bill tearing apart the stolen car in the distance.
He asks Christopher how he got to Hope Valley from Hamilton and Christopher just straight up comes clean about it: he drove a stolen car that his buddy stole. 
Henry scolds him a bit, tells him he can’t borrow a stolen car, and explains that he doesn’t want Christopher to end up like him. Christopher seems kind of surprised by this and says, “You turned out good.” 
To which Henry replies, “The jury’s still out on that.” 
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Christopher says he’s done with that kind of thing, and Henry tells him he believes him.
Honestly, Henry’s “I believe you” got to me. It sounded SO genuine. And also, can I say YET AGAIN that this kid was an impeccable choice to play Henry’s son? WOW. I can’t get over how much alike they are even in mannerisms and looks.
But THEN when Henry tries to say Rachel has something to do with Christopher being done with that old lifestyle, Christopher tells him “And you” AND I ALMOST LOST IT. SOOOOO GOOD. Henry goes on to explain that “long after” he divorced Christopher’s mom, he met Abigail, who saw the potential for goodness in him. And that he can’t help Christopher be a better man because he’s still figuring that out for himself, but if he thinks Rachel can help him, he should do what he can to not lose her.
--
Later, Henry invites Christopher to Ned’s party and Christopher declines but asks what happened to the woman Henry mentioned earlier—Abigail, of course. Henry says she left town to help her mother.
Is this a...hint of things to come? I’m...not sure.
Henry sits down for two seconds before Lucas asks to speak with him outside. Once there, Lucas admits that he contacted Christopher. This is one of the most contrived plotlines we’ve had in a bit, if only because I just can’t figure out how Lucas would have known who Christopher was, let alone whether or not he would be useful? He doesn’t even have the same last name... I mean, what, did Henry write in sparkly gel pens or something? 
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But for some reason he contacted Christopher to come work for Henry to keep an eye on him. He’s not proud of having done it, which makes sense. I guess I wouldn’t be either.
Henry’s upset about it. Lucas tells Henry that he took advantage of him and that he had to make sure Henry could be trusted.
Christopher doesn’t know that Lucas told him, though, and Henry asks that Lucas keep it that way.
It makes Christopher’s behavior with Lucas make more sense (when he kept trying to push him around earlier this season), but the timing is just...awful? Maybe talking to Elizabeth about Nathan’s secret made him feel guilty about his own? I’d buy into it more if I felt like there was a really compelling reason for Lucas to feel that Christopher would do any good...but it’s just too contrived for me.
--
Christopher randomly decides to go to Bellingham to see Rachel. Henry tells him not to make trouble if her parents ask him to leave. Henry makes to leave, and Christopher stops him.
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I CANNOT SING THE PRAISES OF THIS SCENE ENOUGH. Christopher tries to tell Henry about the thing with Lucas and Henry’s like...you’re different now, you’re starting over it doesn’t matter anymore!!!! Everyone deserves a second chance!
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AND THEY HUG AND CHRISTOPHER TELLS HENRY HE LOVES HIM.
They almost got me to cry. ALMOST. I refuse to cry at this show because I refuse to give Brian Bird the satisfaction, but boy oh boy was this close.
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Henry responds with a “me too” and makes Christopher promise to write. Then the stage leaves and that is that.
The rest of the storyline for Henry is under the car investigation. They’re related but...only intertwine at the very end so I separated them. ;)
--
Miscellaneous (Car Investigation, Pastor Position/Jesse and Clara, Carson and Faith, Mike and Fiona)
Car investigation: Nathan starts this episode off on the wrong foot. I think that was...a mistake. THAT SAID...I’m relieved Bill isn’t being written as a complaining whiny pile of trash for once, so I just want to say that...they had to realize after last episode the fan opinion of Nathan would be...not great, so mayyybe they shouldn’t have started this episode off with him literally complaining about doing his job...while he’s in uniform no less. Also he has NO PASSION at all for his job, or for investigating, which I hope means he’ll end up quitting the Mounties. (It could be a hint of things to come...I hope.) 
I mean, does he think Bill got his position for...no reason? Also, thank God Nathan turned down the promotion to Inspector if that was how he was gonna treat actually doing the work?? I’m pretty sure this is their idea of “humor” but boy did it fall flat after the love triangle mess that’s been going on.
The owner talks to Nathan on the phone later and is coming from Hamilton to get his car. Nathan seems to be telling Bill this to discourage him from wasting his time investigating, but Bill doesn’t want to stop lol.
Ned’s comment from the party about his hairline being him “driving with the top down” gives Bill an Idea in the middle of the bachelor party and leaves. Ned looks shook that he produced An Idea.
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And follows. Ned is absolutely adorable as he assists Bill. They should interact more?? Long story short, Bill figures out that the top was probably up when it was being transported to Hope Valley (as you wouldn’t want people getting a good look at your face if they’re looking for a stolen car), and finds a footprint in the removable top.
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The next day, Bill approaches Henry up at the oil derricks and comments on the fact that Lucas told him that Christopher checked out of his room at the saloon. Henry is up front and honest about where Christopher went, and says he went to Bellingham to see Rachel Thom.
He says, “You know how it is. You love someone, you’d do anything for them.”
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The one interesting thing about this comment is that...no, Bill does NOT know. He’s never admitted to being in love in his life. He married Nora, but that was out of obligation (something he makes clear several times). Like, he obviously cared about Nora, but he wasn’t in love with her.
Obviously he’s loved someone enough to do anything for them (his son), but considering he’s dead, and possibly died in a really traumatizing way considering how it’s portrayed, that seems a bit...insensitive. :P
Bill counters it with, “Almost anything, maybe.” 
He then goes on to tell Henry he found a footprint in the stolen car.
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And he just. Kind of. Gives Henry. A look. Because he knows exactly who stole the car, he just has to prove it.
Henry stops Bill and says: “A while back I remarked about how you had never solved the mine disaster. Perhaps if you and I get together, I might be able to help.”
Bill doesn’t say a THING...he just leaves. But he looks kind of...put off by the whole thing.
Like he knows what Henry is doing.
Do you know what Henry is doing?
Anything.
For someone he loves.
(Pst. That someone is Christopher.)
As soon as Bill is gone, he picks up a pair of shoes and throws them into the fire.
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I think it’s pretty clear that Henry is using this mine disaster thing to protect Christopher, and he’s doing it for this reason WAY MORE than he’s doing it to come clean and be a better man. That’s just my theory, though. I think if Bill hadn’t found anything out about the car, then Henry wouldn’t have brought it up.
But I guess he knows something. The question is...what? And also, when did he mention Bill never having solved the mine disaster? I’m really struggling to remember Henry ever saying that to him, at least not recently. Does anyone recall offhand?
Anyway, I’m wondering if they’ll tie up that whole thing about Noah and Peter that was never addressed on the show to the fullest. You know, the whole thing with them going into the mine knowing it wasn’t safe and not warning anyone. I think a lot of people who watch this show have never been in poverty or lived paycheck to paycheck, but sometimes a person just has to put their head down and keep working even when it’s not safe, because they have to keep living. Or because they had more time to put a stop to things before anything bad happened.
I think blaming Noah and Peter as much as Henry is pretty stupid, but they still shoulder some blame. They were working to fix that problem. Henry wasn’t. He did what he was told and shut up. But maybe there’s a bit more to that story. Could be interesting.
Could also be the worst reveal ever, so...who knows? I’m curious to find out.
BUT ALSO what do they mean Bill didn’t solve that case? The widows sued and won. Sure, he got beat up in S1 carrying evidence out of the mine, but it’s not as if there wasn’t a lot more of it inside the mine, too. Everyone knows the fault of the collapse was due to working conditions being unsafe. What’s left to solve? Is Henry going to give Bill the names of the people who told Henry to keep his mouth shut? 
Or...are they talking NOT ABOUT THE HOPE VALLEY MINE DISASTER, but the original one that sent Henry to Coal Valley (and Nora into a marriage with Bill)? Because that one was not solved. The company just made Henry a scapegoat in that case.
THE WAIT TO FIND OUT MORE IS GOING TO BE TORTURE.
--
Pastor Position/Jesse and Clara + Cafe: I enjoyed Minnie in this episode and seeing her step in and help Clara and become part of the town was great. Jesse giving more credit to Joseph than Lee was pretty funny, and a nice set-up for Lee realizing that Joseph is a pastor. Lee is apparently head of the search committee to find a new pastor...which...sure...okay. Also apparently the newspaper died?? Uh.
I’m kind of hoping Rosemary’s new passion will be the newspaper since she’s supposedly going to dig her nose into things next episode and she used to write a column for the old paper (so she has some experience). Thoughts on that?
Anyway, Joseph agrees to pastor the church instantly the second Lee asks...so it feels weird that his original goal/plans/whatever just...don’t matter anymore? Okay.
They buy a bell.................WHICH BRINGS ME TO MY BIGGEST PETTY COMPLAINT OF THE EPISODE. BRO THAT BELL STRAIGHT UP LOOKS 3D PRINTED FJLKDSAHFLDSAHFLDSAHFKLDSA
Anyway I’m teasing. The Liberty Bell weighs a little over one ton, and two horses could easily pull that.
No complaints. My husband complained last week that there wasn’t a bell and now there is. It’s like he knew. 
Joseph talks about what a “calling” feels like (I think this will come back again with Rosemary which has me VERY HAPPY): a tug on his heart.
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Joseph also tells Lee that the men in his yard earlier were surveyors and that he won’t move, at least not far, because he has a congregation to lead, now. Makes me wonder if he’ll actually sell!
Anyway, Jesse and Mike are cute pals and decide to have a snack in the cafe while the gals are socializing with Rosemary (who has just returned from the library).
Rosemary’s books are on land acquisitions, surveying, and territorial law. 
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Minnie and Rosemary decide to talk about this while Clara leaves. Why? I’m not sure. Maybe just ‘cause it was boring lol.
She gets back as Mike and Jesse are talking about, uh, her, actually, and Mike asks if all is quiet on the homefront.
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Yes, it is. Unlike the trenches of WWI.
But seriously I thought it could be a joke reference to “All Quiet on the Western Front”...a WWI novel. Since...you know...WWI is going on and hasn’t been acknowledged at all even though it’s almost over now.
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Joke’s on me, though...that’s too advanced for Hallmark.
Anyway it’s only quiet for like two seconds, because Clara busts in, thinks they’re eating the food she’s been busting her ass over for the party, and yells at Jesse. It makes everything awkward. Jesse simpers about like a sad little clown instead of trying to be understanding. Yawn. Awful. Bye.
I don’t know what would fix that scene, but I think part of the problem is...I’m just not invested in Clara and Jesse anymore. It’s perfectly reasonable to expect them to need more time to get over the problems in their relationship but I don’t care about them enough to care about the journey...if that makes sense. I’d rather watch Bill dust for prints on the car some more.
They do have a chat, and work things out, so that’s good I guess.
--
Carson and Faith: Carson has officially stolen the dock from Abigail and Frank, and so my hatred for them doubled instantly.
Me, a territorial loon: THAT SPOT IS NOT YOURS!!!!! FIND YOUR OWN!!!
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Anyway Carson makes things awkward and then busts out that he accepted the fellowship without talking to Faith.
She’s kind of hurt by this?? UNDERSTANDABLY?? But then he asks if it would have made a difference. I mean, common courtesy would be at least sitting down like this and telling her, “I’ve decided to accept it.” But no. He just. Accepted it without telling her he was going to. Bro...
They aren’t on the same page for even two seconds. He tells her he was committed to the relationship and put all his plans aside so that she could be happy.
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Honestly, as much hate as Nathan’s getting right now, if people gave a damn about Faith I think Carson would be getting his fair share of hate, too. What a jerk???
He goes on to say it wasn’t a waste of his time (when she asks), but never bothers to tell her more or to prove he didn’t feel that way (BECAUSE HE SURE ACTS LIKE IT WAS A WASTE OF HIS TIME). He just says he hopes she changes her mind and comes with him to Baltimore.
At the party Carson and Faith go outside to talk where Carson admits that he should have told her he was accepting the fellowship before he wrote. She tells him that the year she was gone was almost too much time apart for her, and Carson promises to write her and tells her she can visit him, too, but she brings the conversation back to reality. They’ll both be super busy. 
He suggests they get married, and then immediately says he’s not asking (it’s not how he’d propose), but that they could look forward to getting married. (Good thing they laughed ‘cause I sure wasn’t. It was super awkward...) He suggests seeing how they feel in about a year. (Oh...perfect timing for...next season...hm.)
Faith tells him she loves him and wants what’s best for both of them, even if that thing isn’t them being together. They agree to just enjoy the night and worry about the rest later.
Anyway, I feel like these two just have NO chemistry (they’re worse than Bill and Molly in my books). I really appreciate the attempt to give them meaningful material, and I like that Carson has a passion again, but boy oh boy are these two hard to watch. The plotline is really good, but the characters just...aren’t great. I figured if anything they’d give a plot like this to AJ and Bill to tie that up (some kind of conflicting reason she can’t stay in Hope Valley to be written off the show for good) so I was surprised to see it going to Carson and Faith instead, but like...in a good way because it’s actually compelling for their situation! I've been in a similar situation and it feels REALLY BAD to like someone a lot but not be ready or willing to commit to an extreme for whatever reason. Faith doesn’t want to go to Baltimore because she loves Hope Valley and she undoubtedly doesn’t want to see it go without a doctor at all. Carson likes Hope Valley but his passion is in surgery and he can make a huge difference in a big hospital. He could still make a difference in Hope Valley, too (undoubted he’s the only surgeon for many miles around these smaller towns) but he also likes hospitals and their equipment and maybe misses what he had a long time ago.
So it’s a great plot. It’s compelling. It’s even a bit tragic when you think about it!
But my God do these characters just...not come off as convincing. :(
--
Mike and Fiona: The scene with Ned was SUPER cute. Genuinely funny. Mike asking Fiona out. Everyone teasing Mike about how much he likes her. It’s very cute and wholesome. So far I enjoy it a lot. There’s not a lot to talk about here but I like that it’s...simple.
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I MEAN...she’s so cute.
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END THOUGHTS:
I want the next three episodes right now immediately, but I’m also going to be pretty sad when this season ends...I think.
The biggest speculation from this episode, by the way, is that they’re opening things up to write Abigail back onto the show. How do we feel about that? 
Any other thoughts? Favorite scenes? Share!
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toujoursmiraculous · 3 years
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Thoughts & Reactions to Sole Crusher & Queen Banana!
Here's my 2 in 1! Starting with Sole Crusher. Loved the tourist feel in the beginning, gives it a very different feel and interesting to see it from Zoe's perspective. Aww Zoe's so nice to Marinette right away. And it's awfully sad that she only ever had one friend. :c I wonder who that friend is? Zoe's right about her family not appreciating the baked goods from the Dupain-Cheng bakery. I don't know if she's fully aware of the history there, or if she just knows how picky her mother and sister are. But it was awfully sweet of her to give them to the tour guide to give to her family instead. So Zoe learned: in order to survive, she had to put on an act and be somebody she's not, because her family wouldn't accept her being a decent person that cares about others. When asked about her middle school, her response, "I found a cockroach in my locker!" Might not be true, doesn't sound like it's the only thing at all if so, but sadly it was enough for her mom to not question anything.
Chloe's definitely a lot worse now after Miracle Queen. In my opinion, this is us beginning to see how low she's gotten and will continue to get. As Avatar Aang once said, "When we reach our lowest point, we are open to the greatest change." I'll write more on this in a separate post later. Zoe's sure scared to object to anything and be herself. Not even hesitating to act like a brat when around Chloe. If she didn't end up growing up around Chloe, how horrible are her parents??? We know Audrey is pretty bad, but even then if she had a decent dad she'd likely not end up like this. I suppose we'll have to see, but this poor girl. :/ Rose: Can we adopt her? Lol awww. Wonderful of Marinette to know that after only one brief encounter with Zoe, she knows that the Zoe at school isn't really her, and wants to genuinely help. How can anybody hate that about her? I don't get it. If it's because she doesn't do things how you'd like them...Most things in life won't go as you want them, or be taken by others as you may intend them, so you have to appreciate what's there and the intent of others actions. "But my family made me think that to deserve my place, I had to give up on some of my dreams." If Andre's talking about his parents here, as he said "When I was young", then oof this poor man, no wonder he's so timid and such a pushover. If he's referring to Audrey and Chloe... then that's a huge oof because Audrey knew exactly who she was marrying and should've never ended up with him in the first place if she didn't want to be with a director. So Zoe left because she couldn't stand it in New York anymore around her dad and the kids at her school. She hoped that she wouldn't have to act anymore and could just be herself. It really sounds like she needed to act a certain way in order to survive getting bullied, or worse. Dang, she really must not have met Chloe before then, or heard anything about her if she thought living with her mom and sister would be better. But in a way, it is better for her, because she has Marinette and the kids at school now. And she has Andre who's probably a better parent to her than her actual parents. Which is surprising and also not at the same time. "We end up hiding our feelings deep down in here." Okay so he says that with a booklet that has Emilie's face on it held up to his chest. Now, it may just be nothing but him thinking about his director dream. But. It could've also been any other object he held to his heart, it could've been something without a face on it or at least not her face. And Andre did work with Emilie. So I would not be surprised at all if there was something there that this is hinting at. Hmmmm. Also, I guess that's not Tomoe Tsurugi? Even though it's Kagami's model they used. And she's really pretty, too! Maybe something will come from this, or the animators didn't think it through when they added that image. Who knows. Even Chloe's first thought when she's in trouble is to go to Marinette what the heck 😂 When Kaalki teleported into Adrien's room...had Adrien turned around as it
happened he would've seen enough of her room to recognize it. Instead the portal changed and was outdoors. But lol poor Kaalki slamming against the window! All his things getting sucked in and Plagg's cheese was hilarious. XD Chloe's second thought of where to go: Luka's. Hmmmmmmmmmmmmmmmmmm. 🤔 "This winner and loser thing doesn't exist!" Sad that Chloe thinks this way at all, who even taught her this? x.x Chat Noir: Did somebody start off on the wrong foot today? Marinette: I'm not finished! Chat Noir: Huh? LOL I laughed so hard at this moment. Did she forget who she is at the moment because even Chat's like what "I will always support you!" AWWWWWW what a good friend! And I think by helping Zoe become stronger, she'll in turn help Chloe be a better person too. But I'll talk about this again later. Poor Sabrina in this episode, my goodness. She works in a tiny closet and has to run along the limo. Chloe's seriously getting awful. Zoe's charm is the cutest one so far! So pretty. Ivan giving Zoe a hug was the cutest thing ever. Like, I don't ship them, but this shouldn't have anything to do with it. He and the rest of the kids care about her and respect her for being open and honest with her struggles, and want to be there for her. It's so wholesome. 😭 I find it interesting that even Audrey in this episode doesn't always know how to react to Chloe. xD But thank you Andre for caring enough about her to keep her in Paris and trying to keep some peace between the two. "For the first time in my life, I feel at home." 😭😭😭😭😭 Just imagine for a minute if Marinette didn't bother to help Zoe, believed how she acted at school rather than when she met her, and didn't tell the other kids about what was going on. Everything for her would be so drastically different. All because Marinette showed some kindness. Now onto Queen Banana. Well poor Marinette can't help but faceplant on the news. xD I can just tell what Alya leaned into say "You okay, girl?" and Marinette mumbling under the cape, "that's what the news is going to see of me, aren't they?" "Afraid so." "groan" Ah okay, Thomas was an alumni of the school. Cool. Poor Andre, he's just doing what Zoe suggested of him and not give up his dream of directing! I wonder if being around Luka and Juleka made Zoe want to put that pink streak in her hair. xD I want Luka and Zoe to be really good friends, that'd be so cool. Chloe being really awful some more. To everybody. I've noticed a pattern and I think I have her figured out pretty well. I'll be writing a in-depth post about her soon! She's making them change the entire movie just for her. xPP I said to my sister, "as soon as she leaves they should just film their original ideas." They do, thank goodness. xD I got so happy that we get an Adrienette scene in this ep! And then I saw he's locked in a cage, willingly, smiling at Marinette while the door shuts and I just burst out laughing. He's not even nervous he's locked in a cage, suspended in the air! Booooooy must like Marinette a lot! "Now let's take care of Adrien and get him out of that cage." OMG thank you, Marinette. While the image of him is comical, it's making me so uncomfortable that someone's up there like that and that someone also being terrified of being locked up in such a small space. Also, how long do you think Adrien would've stayed up there had Marinette not said something? Oh? What a change of pace, when Adrien goes to try to make things better for everyone, he screws it up pretty badly to be what really drives Chloe to get akumatized. She may have cooled off enough on her own as she tells Adrien "I'm fine." ...until he suggests apologizing to everyone. "You promised to stop being rude to everyone. And I told you that we couldn't be friends otherwise." OOF. Okay so her reaction to this really goes into the territory I want to talk about in my upcoming post about Chloe. "Banana BOOM BOOM!" lololol it sounds so funny in German dub xDD Marinette instantly pulling Zoe away from the attack x33 Ladybug's spin move with Chat Noir XD
it's like what's happening we're fighting an akuma not dancing This entire akuma feels like a Donkey Kong game and I love it. Those games are my childhood. Ooof Ladybug needs to be more careful with her Lucky Charms, they can sometimes be massive! Like that giant doughnut in Weredad. I seriously legit thought that the Gorilla was Gorilla, Adrien's bodyguard before the episode aired. XD The best heroes in this show tend to be the ones that have the most self-doubt, have you noticed? Ladybug, Carapace, and Vesperia all expressed serious doubt in themselves being a superhero, but when they suit up they're fierce! Like they were born to be a hero. Don't worry about Chat kissing Vesperia's hand. That's just the way he is, it's not in a flirting way. c: I remember when people freaked out about Rena Rouge and Chat Noir. It's the same as that, nothing more. "Or I'll turn her into baby mush!" LOL Chloe threatening to turn Ladybug into baby food hahaha that sounds so outrageous and weird that it's funny. And yet in this situation, would be actually possible so it's quite disturbing....hm. Dang, Hawk Moth trying to reakumatize her immediately. You go Zoe, speak up for yourself! And good on Andre for putting his foot down about Zoe too. "You may hate me, but I love you. And I'll always love you even if the whole world hates you." OKAY, THAT WAS REALLY BEAUTIFUL. Including the way she convinced Chloe to take the charm. Marinette's literally in hearing range of Adrien as she's talking to Tikki LOL she's like 5-6 feet away maybe? But that's okay, he probably would think nothing of it if he heard Marinette talking lol. I really like Zoe's character, I think she makes a wonderful addition to the show and that her character is extremely important. ;) Again I'll talk about it in my upcoming post! I've really noticed a lot of things when it comes to Chloe that I look forward to sharing my thoughts on sometime early this week. I really don't think things are as clear cut as a lot of people seem to think about her.
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letterboxd · 4 years
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Natural Woman.
Filmmaking power-couple Julia Hart and Jordan Horowitz chat to Jack Moulton about exploring untouched female perspectives in genre films, a fateful viewing of Michael Mann’s Thief, the humbling magic of babies on set, and Letterboxd’s small role in their filmmaking process.
I’m Your Woman puts the gangster’s moll, a classically underwritten character, at the heart of the action. We barely meet the gangster himself in this taut, 1970s-set crime thriller from director Julia Hart and her co-writer and producer husband Jordan Horowitz. Rachel Brosnahan occupies a tense and unusual space as Jean, wife of Eddie, a no-good chap who turns up one day with a very young baby then abruptly disappears, leaving her to raise this unnamed child.
In other versions of the story, we’d follow Eddie to a guns-blazing conclusion, but this is a Hart-Horowitz jam, so we’re quickly on the run with Jean and the baby, and we stay with her. I’m Your Woman is a compelling, unsettling twist on the genre. “What impressed me most … was how well it keeps its cards close to the vest,” writes Mikey on Letterboxd. It’s also an empathetic portrayal of new-motherhood in all its exhausting confusion, where getting a baby clean, fed and sleeping is as much a priority as finding the next safe house. “Despite valuing tension quite highly, Julia Hart still has the wherewithal to let it sit in its more tender and thoughtful moments,” writes Paul. “The ending really sneaks up on you in terms of the specific feeling it elicits.”
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Marsha Stephanie Blake and Rachel Brosnahan in ‘I’m Your Woman’.
Hart and Horowitz have children, aged two and six, who have grown up around film sets. Before becoming a filmmaker, Hart spent her days with other people’s kids as a teacher; her 2016 debut, Miss Stevens, stars Lily Rabe as a high-school educator, but her follow-up films have been wider-ranging, from Fast Color to this year’s Stargirl. Hart credits this genre-jumping to her absolute love of movies. “I don’t have a favorite genre. I love musicals, Westerns, crime dramas, coming-of-age movies, superhero movies. It was so fun getting to learn about how to create musical numbers in Stargirl and how to direct a car chase in I’m Your Woman.”
Horowitz, meanwhile, is known for producing The Kids Are All Right and La La Land. Yes, he’s the “Guys, guys, I’m sorry, no, there’s a mistake” guy. Horowitz is also a Letterboxd member, and a hunt back through his diary reveals the date he first watched Moonlight, along with his wholesome reviews of Julia’s films. “I always tried to remember to log my movies in so many different ways,” Horowitz explains, “and then once Letterboxd came out it was a very easy solution.”
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Jordan Horowitz corrects that famous Oscar mix-up.
Horowitz keeps diligent lists of references for his upcoming films, years before they’re even announced. It’s here that the roots of I’m Your Woman are found, if you’re looking closely: a fateful viewing of Michael Mann’s Thief nearly seven years ago was the primary influence on I’m Your Woman, “especially Tuesday Weld’s character, and the moment where she is basically asked to leave the movie before James Caan burns everything to the ground,” he tells me. “Our hope with this movie was to follow some of the women in those movies that don’t necessarily get the spotlight and shift the gaze of the camera to follow this car as it drives away with her in it, instead of staying with the criminal of this movie.”
Hart picks up the thread, naming Diane Keaton in The Godfather, Ali MacGraw in The Getaway, Theresa Russell in Straight Time. “Those were interesting characters played by incredible actresses but they only have a handful of scenes so I loved the idea of exploring a woman in that world and time but telling the story through her perspective.”
Horowitz defines master filmmakers Sidney Lumet, Martin Ritt and Jonathan Demme as Hart’s “spirit animals”, for their humanist takes in multiple genres. A particular recommendation of a Lumet classic from an Amazon executive changed the way they looked at their writing. “Running on Empty has this great scene where they all sing [James Taylor’s] ‘Fire and Rain’ together. Originally in our script, the ‘Natural Woman’ scene was just [Jean] singing. After watching that movie it inspired us to consider what if the Cal character joins in with her? What happens to the moment if it becomes a bit more of a community moment?”
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Bill Heck in ‘I’m Your Woman’.
When talking about their writing process, Horowitz admits that he always has his producer hat handy: “I’m never thinking about writing for the sake of writing. I’m always keeping how we make this thing in mind. Do we have too many extras? Is this location gettable? That can help me when we get into production because I’ve already considered some of those things, but I do wish sometimes that I could just sit down as Julia does and just write.” Once the duo makes it into production, Horowitz admits “[I] definitely put writer mode behind me, to the point where we’ll be on set and someone will ask me something about the script and I’ll be like ‘I don’t know, ask Julia’ and they’ll say ‘didn’t you write it too?!’”
However, Horowitz credits Hart as the “idea generator” of the two. The premise to have Jean struggling to connect with her adoptive baby was always part of the conception of the character, largely based on conversations Hart had with mothers, pre-lockdown. “It sometimes feels like Hollywood sees mothers as a monolith where there isn’t much nuance and subtlety, especially when it comes to negative feelings about motherhood, so they’re often shamed into not talking about them,” Julia laments. “It was really important for me to explore a side of motherhood that isn’t talked about as much and make sure that mothers know that they are seen and heard.”
The decision to have a baby (performed by brothers Justin and Jameson Charles) in almost every scene was a big risk, and not one Hart took lightly. “Movie people can think what they’re doing is very important, but there’s nothing more humbling than when you’re on a whole set with hundreds of people [and] you’re waiting for a baby’s dirty diaper to be changed. It made everything feel so real and immediate, so everyone on set really had to live in the moment and adapt. You prepare, and prepare, and prepare, but you have to throw out so much if the baby is sleeping instead of crying, or crying instead of smiling. I think it’s important to portray babies as real people, because as a society we often forget that.”
Lead actress Rachel Brosnahan came on as a producer many years after the script was already in Hart and Horowitz’s heads, but Hart explains that Brosnahan brought a history and interior life, “more in the wordless moments of acting than in dialogue itself.” Along the way, Jean meets Cal and Teri, who guide her to refuge. They’re the heart of the film, and Hart elaborates on their importance to the narrative: “they have been through the hell that Jean is currently going through and her circumstances force them to go through it again, but this time they have honesty, truth and love on their side. In watching Teri and Cal, Jean starts to understand what real love, family and support are.”
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Rachel Brosnahan with director and co-writer Julia Hart.
When you examine Hart’s filmography, it’s impressive how productive she’s been in such a short time, releasing four films within five years, with those pre-schoolers under foot. Horowitz makes a comparison to a prolific filmmaker like Steven Soderbergh, who advises to “fail as fast as you can”. Horowitz acknowledges that “I don’t think we set out like, ‘we’re gonna have two children and we’re gonna make four films in five years.’ If we knew that we were gonna do that we would’ve said, ‘wow, that’s a little bit insane, maybe we shouldn’t do that!’” But they did, and the film world is richer for it.
We always like to ask about the film that made filmmakers want to become filmmakers, and Hart lands on All That Jazz. “I’ve always been a fan of Bob Fosse since his [early] work. How he turned moving your body in a way that people haven’t really moved their bodies before into an empire is very inspiring. [Roy Scheider] is also my favorite actor, which doesn’t hurt. He’s so good.” Horowitz, meanwhile, is a huge fan of Back to the Future. “That was the movie when I was a kid that just opened my eyes to the power of movies, to make you obsess and dream about what other movies could be.”
“I remember going with my parents to see Back to the Future Part II on the Friday night it opened and when we got there it was sold out. We saw some other movie, but I was so upset so all I was thinking about was Back to the Future Part II. As we were leaving the movie theater, I saw through the back little window of the screen where Back to the Future Part II was playing and watched the end scene where Marty is standing in the rain and someone comes and gives him a letter. I did not sleep the entire night. That feeling of anticipation and imagination defines the way I like to look at movies and the way they can make me feel.” A subsequent look at Horowitz’s Letterboxd diary reveals that this conversation perhaps inspired him to take a trip back in time the following day.
Related content
Jordan Horowitz’s list of research for I’m Your Woman
She did THAT!—A list of women who kill
Mothers, Mommy Issues, Moms, Matriarch, Grandmothers
Letterboxd’s Top 200 Crime Films
Disillusionment in Sun-drenched 1970s American New Wave Cinema
Follow Jack on Letterboxd
‘I’m your Woman’ is on Amazon Prime Video now.
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wildbootsappeared · 3 years
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Continental Divides Chapter Discussion #7: The Prince of DevCo
Continental Divides isn’t exactly a feel-good story. I’m here because I have something to say about our world, and pokemon presents a lot of fun tools for unpacking current events in new ways. One of my big goals for the story is to humanize Archie and Maxie. I’m not out to make them look right, but I do want to present them as less obviously, stupidly wrong. The other side of that coin requires presenting a more tarnished version of Steven Stone than what we get in canon. Chapter 7: Stainless Steel is the first time DevCo shows its human face, but that’s not all there is to Steven Stone. Today I’m going to talk a little more about why I’ve chosen to represent him the way I do (and then recommend some more wholesome renditions of him as a palette-cleanser).
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For me, most of the darkness in pokemon comes not from Edgy Teenage Boys and their Ash Betrayal fics but from canon, both what it does say and what it avoids saying. 
It’s clear to me that something is already awry in Hoenn--no one tries to summon a god to remake the world because everything is fine. Even if the Stones aren’t responsible for the current state of affairs, I’ve got some questions for Steven about power, privilege, and responsibility. And ORAS makes things worse.
I’m no canon purist--
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--but for once I’m actually going to talk about what IS in the canon first, just a few things for your consideration:
Despite the emphasis on protecting the sanctity of nature (especially in Hoenn) and on renewables (like the wind turbines in HGSS’s Newbark and the solar pannels in Sunnyshore), the pokemon world also definitely has combustion engine vehicles, factories, refineries, and coal mines. (Not to mention at least 3 different evolutionary lines based on pollution.) Devon is canonically an energy company with a history of mining and resource extraction.
With all of that in combination, it didn’t feel like much of a stretch for me to rebrand DevCo as a fossil fuel company (especially given their links to literal fossils). 
I chose fossil fuels not because they’re maximum corporate evil and therefore maximum drama (though that’s also true!) but because I’m interpreting the Kyogre/Groudon clash as a climate change parable. Can’t talk about climate change without fossil fuels.
So where does that leave Steven?
He’s definitely a very nice and helpful guy. He gives the player character and the anime protagonists lots of cool swag, free pokemon, and occasional advice. He also doesn’t seem especially keen on following in his dad’s footsteps. (His dad can’t even get a letter to him without help from a passing traveler because Steven is hiding in a cave, goodbye. And in Emerald, a cave basically becomes his permanent residence!)
That’s all ... fine, but he’s also inarguably got access to a lot of money, social capital, and other resources. (I also thought I was joking when I gave Steven a shiny meta, but it turns out that’s canon, too.) So I’ve got some pointed questions for him about power and responsibility. In Emerald, he does step up to fight Magma with the player character, so he’s not just sitting on his hands. But the status quo doesn’t change. Whatever issues inspired Aqua and Magma are still there.
Some fic definitely depicts him stepping up to make a difference, even at his own expense. So other interpretations are totally possible. It wouldn’t be hard to write him as a rich kid trying to rebel against daddy and struggling figure out how to use his wealth and influence for good. But I’m most interested in a version of him that fails to unpack his privilege or put his money where his mouth is, because ... that’s the world I live in.
Two of my biggest sources of inspiration for writing Divides!Steven: 
1) This podcast about Don Trump Jr and his (surprise!) bad relationship with his dad. 
One thing that really struck me was how Donjr’s disinterest in business pushed him into outdoor hobbies like hunting (which reminds me of Steven’s spelunking, rock-collecting, and training). Like Steven has built a name for himself through the Elite Four, Donjr. leveraged his new hobbies to build political capital with conservatives. And, of course, the daddy issues here are horrifying and fascinating. Worth a listen if you can stomach hearing about Trump.
2) Gansey from The Raven Boys.
Gansey is as charming and generous as he is rich. He bemoans being reduced to his status, yet he can’t help being blinded by his own privilege, spending money without thought and repeatedly failing to consider how his words and actions might affect the characters who do worry about money. He tries, but he doesn’t always succeed in keeping his foot out of his mouth. He’s also hunting a kind of treasure, the tomb of an ancient king who may be magically alive after thousands of years. Oh, and he loves cars.
Here are a few tasty Gansey quotes from the series that I’ve been saving since last January (probably not quite exact quotes because I typed them on my phone while I read):
The world turns out its pockets for you.
Dizzyingly important to him in a way that he couldn’t begin to understand its shape. It was something more, something bigger, something that mattered. Something without a price tag. Something earned.
I am my money--it’s all anyone ever sees.
His feelings for [her] were an oil spill. He’d let them overflow and now there wasn’t a damn place in the ocean that wouldn’t catch fire if he dropped a match.
Divides is interested in what happens when that treasure-hunting has a political context. 
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Alllllllllll that said, one of the fun things about fic is seeing lots of different interpretations of the same characters. For Steven Stans, I highly recommend Wolfyn. She’s great at writing this boy into peril. He’s not an idiot, but he sure does make some stupid decisions and then pay the price. “The Long Road” is an achnronological origin story, showing his journey from a smol kiddo to the champion we all know. “Final Gambit” explores what happens in a world where there’s no player character to save the day. And in “Deal with the Devil” ... Steven has a bad time, but you’ll have a good time reading it.
Some Chapter 7 music (links to Spotify):
- Easy by Son Lux
- Risingson by Massiveattack
- Currency by the Black Angels
- The Orb by Emile Mosseri
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newmayhem · 4 years
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Reading and ranking the entire Den of Shadows series
Check out my other Den of Shadows reviews HERE.
After a year such as this one, I wanted to close it out with something fun so I spent the past month marathoning the entire Den of Shadows series- rereading the original quartet and then reading for the first time the new TDOS books. I was originally going to post reviews/reactions for each book, but that got too cumbersome. Instead, I’m doing one big post of my personal ranking so I can discuss each book and talk about the series as a whole.
Spoilers for the entire Den of Shadows series below.
Personal Ranking
I based it on several different criteria but mainly: 1) How much I enjoyed it, 2) Writing/storytelling quality, 3) If there was anything glaringly ‘problematic’ (which I’ve found is usually a big factor in how much I enjoyed it), 4) How it fits in context of the entire series.
9. Shattered Mirror It hurts to put this one last on my list because Shattered Mirror was my intro to The Den of Shadows and to ahar’s work. Reading this again as an adult was frustrating because I can see why I loved it the first time around and how most of that doesn’t hold up today. Sarah was a great main character who deserved so much better than the ending she got. It was just wall to wall rape culture and misogyny. I hated Christopher and how he was a creepy pedophilic stalker framed as a romantic hero, I hated how Nikolas got some copout backstory so he would look like a good guy even though he beat a girl to death for rejecting his brother, and I hated how Nissa was enabling both of them. I really hated that this was meant to be a racism/prejudice metaphor because that doesn’t work out when the ‘oppressed’ group does actually harm innocent people. Aside from that, I felt like the pacing was really off- the events unfold over the course of a little over a week and we’re supposed to believe that after hanging out with them twice Sarah’s developed a bond with these vampires strong enough to override the prejudice she’s been raised with since birth (and that Christopher’s in love with her). And then there’s that whole anti-climax when it turns out that the ‘villain’ was Kaleo all along, but instead of having the book end there, there’s another 20 pages where we have to watch Sarah get attacked and changed against her will and then have it framed as a happy ending. I did like that she decided to not stay with Christopher in the end, though.
8. Midnight Predator I was actually surprised by how much I liked this one because I didn’t remember anything from it at all except for like, two scenes and some character names. It felt more mature in writing style, thematic content, and aesthetics. I also liked that we got a main character who was a little older and that the world was, for the most part, very removed from the human world. It was a good way to close out the original quartet in that it touched on a lot of the themes that had been explored in the books previous. That said, I had a lot of problems with how the issue of slavery was handled and also with how victim-blamey the moral of the story turned out to be. It just didn’t sit right with me that at no point did anyone bring up the idea of, you know, ending slavery at Midnight, which Jaguar had all the power to do. I hate that we were supposed to be sympathetic towards Jaguar and treat him like a good guy because he doesn’t abuse his slaves (for reasons that center on him) like everyone else does when he easily could just...not own slaves. Tying in with the victim blaming stuff, it felt like we were supposed to be satisfied with Turquoise freeing herself but being ok with letting slavery continue. And the big character arc that leads to her getting revenge on Daryl was framed as her ‘not letting herself be a victim anymore’, which is an objectively terrible take on this issue. Aside from that, I also had issues with the pacing here. We were promised a story about Midnight and a mission to assassinate Jeshickah, but all of that goes out the window in an anti-climax about two thirds of the way through the book (and two days into the timeline), and then the rest is a plodding montage leading to a very abrupt end. I also didn’t like how Daryl was supposed to be the real villain of the story but was also portrayed as a snivelling idiot that no one liked anyway, because that lessened the impact of Turquoise finally getting up the courage to kill him.
7. Demon In My View This was a good followup to ITFOTN in that it struck a balance between being standalone and having ties to the previous book. That said, I found the tone to be surprisingly more immature. I mainly didn’t like how the main character and the antagonist were handled. Jessica, while being a great reader insert/power fantasy, wasn’t very interesting because she didn’t go through any character development or have to sacrifice anything, but still got everything she wanted in the end. Fala was too much of a buttmonkey and her motives were too weak to be taken seriously. It also didn’t sit right with me that she’s the only canonical woc so far and she’s being portrayed as this incompetent cartoon villain even though objectively, like, she does have a point. But I do love the introduction of my favorite underappreciated side character, the ultimate MVP: Caryn Smoke!
6. Token of Darkness This book had a lot going against it, mainly in that it’s the most disconnected from the other TDOS books in terms of not only characters and setting, but also with introducing beings that hadn’t been mentioned before (in text, at least). I think especially as one of the new TDOS books, it would’ve helped to at least offhandedly namedrop some people/events/places. My second problem with this book was that everything felt very underdeveloped. I loved the new characters that were introduced, but I was disappointed that we didn’t have a lot of time to get to know them. I would’ve liked to see Cooper actually start training under Ryan, I would’ve liked to learn more about the LeCoire family and what it means to be a sorcerer. I also just wanted more Delilah because she’s such a fascinating character (I loved her reckless and unapologetic ambition). Kind of like ITFOTN, I felt like this lacked an Act 2. I think the story should’ve started earlier so we could see more of the investigation part of it, so we can get all the characters together earlier and have them working together (while Delilah has her hidden agenda on the side) to figure this out and build towards that climax. Even with the pacing and development problems, this is higher on the list because I just really enjoyed it- it was light and fun and I hope we get a chance to see these characters again.
5. Poison Tree This was something that I really wanted out of a new TDOS book- it delved deeper into parts of the world that had been mentioned before- the Bruja Guilds, SingleEarth, the Mistari, and all of that serves to set the scene for Promises to Keep. The concept was this cool deconstructed/reconstructed whodunnit story. It was more complicated than the typical TDOS plot, so I appreciate the ambition. That said, the execution wasn’t great- I often had to pause and go back in order to keep the facts straight and figure out who knows what, which was distracting. Another reason why this didn’t rank higher was that for some reason, I didn’t connect as much with these characters as I have in other books. The pacing was odd, I didn’t like that it came to a point where everyone had figured the main part of the mystery out, but instead of going directly to the climax, it took a detour into relationship drama, which slowed down the momentum. I think it would’ve made more sense to put Sarik and Alysia into a situation where they were forced to work together (rather than that brief but drawn out thing with Sarik and Christian). There would’ve been more tension, conflict, and forward momentum, and because they’re the two leads that were supposed to be focused on, it would’ve felt less like a detour.
4. Persistence of Memory This was a very good return to TDOS. It feels very familiar in how the new characters fit into the world. It struck a good balance between introducing new characters and having them coexist with concepts and characters that we’ve heard of before. I felt the same spark while reading this as I felt when I first read the original quartet. Like, this entirely new book made me feel nostalgic, and that’s not to be underestimated. I really loved the two protagonists and I was very invested in both of their stories. I particularly loved Shevaun because her struggle with her fear of becoming human again is one that we don’t often see in vampire fiction. I also think both she and Adjila are the perfect embodiment of beings who’ve been around for centuries and just don’t have the same morals and boundaries that humans do. I don’t normally read these books for the romance, but both canon ships here were really well done and believable, and also paralleled each other in an interesting way. And I loved the oddly wholesome focus on found/chosen family. Also, this gets extra points for everyone dunking on Alexander every time he’s mentioned.
I didn’t rank this higher because I wished Erin was more involved in figuring out what was going on with her. I didn’t really like that after a certain point, it felt like Sassy took over as protagonist. Still, I really enjoyed it, the ending was very satisfying (I loved that it was a straight up happy/optimistic ending instead of a bittersweet or abrupt one like most of the TDOS endings had been so far).
3. Promises to Keep This was a bold ending to the series. It took a lot of guts to basically blow up the world that you spent nearly 20 years creating and I admire that. It was a really engaging story that truly showed the full extent of what ahar was capable of as a writer at that time and the full extent of what a TDOS book could be. I think this time ahar really nailed the pacing (which was something that had always been a bit shaky in the past). We got to spend enough time with Jay and get to know him (it was a good choice to have the protagonist be a character we’ve met before but could still get to know more). I liked seeing everything we’ve learned from all the previous books come together and come into play. And I especially loved that our MVP Caryn got the HEA she deserves. The little epilogues at the end were fun to read (only, I’m mad we didn’t hear anything about Risika. Especially because she does get mentioned (and we finally know that 1) she found out about what happened to her mom, and 2) she and Kaleo have active, ongoing beef over it)). It really felt like a finale, but at the same time, it felt like a new beginning and I can’t wait for new books in this post-Promises world.
This could’ve ranked higher, but I did have a problem with Brina. In terms of personality, etc., I loved her and she was fun to get to know, but I can’t get past the whole slave owner thing and how that aspect of her was handled. I wished that her character arc was more about realizing that enslaving people is objectively bad rather than having her keep pointing out Jay’s incidental hypocrisy as if it weren’t a false equivalence. Her happy ending just felt a little unearned- the only real ‘penance’ she performed wrt being a slave owner was a tacked-on apology during the ritual and a sentence about how she freed her own slaves (again, no mention of whether or not all slavery has ended), and even though she was turned human, it’s not framed as a great or permanent loss, and on top of that she also gets witch powers.
2. In The Forests of the Night I admit, this ranking is mostly based on nostalgia...but it’s still a very solid book to kick off the series, set the vibes, and introduce us to this world and what kind of series this will be. It’s not the best of the series in terms of writing quality, plot, or scope, but of the original quartet, I think ITFOTN holds up the best. For a YA book of that era, especially one written by someone of its own target demographic, this felt very mature. It wasn’t trying to talk down to its audience and that meant a lot to me. It showed me that YA could be dramatic without being overwrought, serious without being an ‘issues’ book. It tackled questions of identity, morality, faith, power, and freedom, all framed within a fast-paced revenge story. Most of all, Risika is such an interesting, complicated character and her journey was both relatable and entertaining. Of all the endings in this series, the ending of ITFOTN was the most satisfying for me in that the main character had to change and sacrifice, and in the end she got what she truly deserved even if it wasn’t entirely happy. My only complaint is that we don’t see more of Risika throughout the series, especially when there’s clearly more to her story.
1. All Just Glass The TDOS books are fine as standalones and it’s cool that each one makes it feel like whoever you’re reading about is just a small part of a bigger world, but All Just Glass shows how good it can be when we go deeper into a particular story and give it more time to develop. That said, I don’t think it would’ve been as good as it was if it was written right after Shattered Mirror. There’s a very clear improvement in writing quality and storytelling that can only come from 10 years of experience.
While it didn’t fix all the problems I had with SM (mainly, I would’ve preferred it if Sarah didn’t go back to the Ravenas in the end), AJG made a great choice in shifting to a different, more cohesive theme and illustrating it across a compelling ensemble cast. It cleverly plays on our expectations of the Vida line that were based on the limited scope of SM in order to show that contrary to what we’ve seen previously, this is actually an institution that’s in decline. The Vidas aren’t this great power ruling over the rest of the Macht witches- they’re actually these fundamentalist/extremist outliers who are on the fringes clinging to the ‘old ways’ while everyone else kind of does what they want and their decline is directly related to their obsessive adherence to tradition at all costs. What’s so great about this is that it’s not just a sequel, it’s a subversion of SM that also sets the tone of the new TDOS series in anticipation of the inevitable end.
General Notes
I loved reading these all back to back and watching ahar grow as a writer, watching the world unfold right before my eyes.
It was interesting to see the difference between the two series. I found most of the books in the new series to be generally more engaging because they’re based around a central mystery (What’s the connection between Erin and Shevaun? Who is Samantha? Who attacked SingleEarth? Who’s the shapeshifter?). I also liked that rather than shy away from mentioning technology and trying to pretend that it doesn’t exist or that we’re still in the early 2000s, ahar really leaned into it and in doing so, made the stories feel more realistic.
The original quartet was very aesthetically cohesive, it was a series of vignettes that purely aimed to explore a particular piece of the world. The new series, however, felt cohesive in that each of the books is building towards the end and showing a piece of the puzzle that sets the scene for PtK (PoM gives us more about the Tristes, ToD gives us the elementals, AJG and PT are about groups that are on the decline with their fates based on whether or not they choose to align with the rising power of SingleEarth).
On kind of a petty note, I wanted to mention how much I hate all the new covers (both for the new TDOS series and for the re-release of the original quartet) and I was really disappointed in how low-effort the marketing was for the new series. Even just reading the synopsis for PT and PtK was painful because they seemed slapped together at the last minute like no one cared. I think it was a real missed opportunity to draw in a new audience because they were coming out just as the YA boom, particularly in vampire fiction, was happening.
The biggest takeaway I got from this marathon is a huge respect and appreciation for this extensive world and cast of characters that ahar built (and then had the courage to entirely upend). I know mainstream attention isn’t everything, but I just really hope ahar gets their flowers because this is a great (and highly influential) body of work that’s so different and even ahead of its time.
Anyway, that’s my take on the series. I might make this re-read an annual thing because this was fun. Also, as I was reading, I made sure to note factual info about the world and the characters, so I’ll be making new additions/edits to the reference materials soon.
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mandysxmuses · 4 years
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🐩 for each keeper
//oH BOY this might be a long one
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So Niemand is one of the first ‘Keeper’ characters I created and is the one who has changed the least from his original conception. My main inspirations for him and a lot of the Keepers/the overall idea was popular dating sim and anime tropes, and in particular for him I took inspiration from the “yandere” trope, although Niemand technically isn’t one at all. I knew I wanted a cute and overall innocent character with a very dark side, but I also wanted there to be a reason for that dark side beyond it just being there because he loves someone and it needs to be there for the trope, so from the get-go I figured Jemand’s antagonistic and cruel relationship with him would be a more organic drive to bring Niemand to that point.
I could also say some Undertale inspiration helped me come up with him? Because my dream that inspired this whole thing and one of the first things I wrote with Niemand involved him shapeshifting into a rather ugly flower and accidentally scaring a Keeper off.
And I think the whole hedge maze/flower garden thing was probably Alice-in-Wonderland inspired, given that Alice in Wonderland was also inspiration for pretty much a lot of the tone of what I was going for making the Keeper universe.
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Jemand is another one of the first characters I had in mind, and again, I already had a pretty basic outline of how his character and Niemand’s were supposed to be. He was supposed to be suave and clever and witty and smug, and Niemand was supposed to be more sheepish and meek by comparison. Though I will say Jemand has gone through a lot more small evolutions than Niemand has over time. He originally bickered with Niemand a lot and was frequently embarrassed by the gardener catching him up on things that he said rather than constantly being on top of things, and he did change to a much more antagonistic, domineering, outright crueler character over time -- I’ve tried to pull that back a bit because there have been times where I’ve worried I’ve made him too evil, but regardless, he’s still a lot nastier now than he was at first.
His main inspirations were, again, popular anime/dating sim tropes, so I wanted to take the trope of the suave idol-like characters who daksldmasl you know the ones you know the ones
The whole black-and-white thing was not necessarily inspired by anything (maybe Alice in Wonderland subconsciously since there’s the whole checkerboard motif he loves) but yeee
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TODLICH oh m’boi Todlich, the man, the myth, the meme
The third character I had in mind from the get-go and still the most changed from his original conception that I can think of (besides Schatz but even his character changes weren’t as dramatic)
The tropes and inspirations Todlich pulls from aren’t that difficult to figure out, I’m sure there’s one in every otome game/dating sim where at least one character is an absolute trashfire but they have a route anyway because they’re physically attractive and in the game/anime so they have to come into play somewhere
But originally that’s... all he was, just an evil, killing-for-the-sake-of-killing character with zero actual motivations or story or reasoning behind it, and it made him feel very two-dimensional to me. Characters like that can work, of course, but when they do there’s always at least some story to it and mdlasdm Todd just existing like that with no story and no motivations bothered me
And this overall dissatisfaction with Todlich’s lack of character and lack of story altogether was what led to the Emma plotline, which ended up just ldsakmdl transforming the entire thing and making literally everything more fun to write for me and turned Todlich from one of the characters I disliked writing most to one of my genuine favorites dkmasldmds
(Also I lost most of my icons so I won’t have them all here but)
LAUT
Okie dokie, Laut is definitely an interesting one to talk about. He wasn’t actually a character I had in mind from the very beginning, but I came up with him soon enough after just figuring it would be neat to have an announcer talking over chases and telling everyone what’s going on
His inspirations were bookworm-type characters and socially awkward characters and I originally wanted him to be a more stern, snappy character, like one of the strict intellectual types 
(And the Pringles guy, no kidding, that’s what inspired his monocle)
And he’s more like a geeky high-class dork that just sits there calling everyone a peasant
And now that I think about it he’s changed just about as much as Niemand which means not much at all, I essentially had the idea of a guy with super long purple hair and a monocle sitting in a tower watching everybody but not being able to leave, and slowly suffering from the isolation.
RENEE AND VERGESS
OKAY SO I can’t take all the credit for Renee because a lot about her was suggested to me by another friend of mine, and they definitely contributed a lot to her overall character design (including her signature hat that she wears)
And I think even the spine-ripping she does may have been their idea? It has been a long time since I had this conversation with this friend so I do not know who of us came up with what besides the hat, I remember specifically she came up with the hat idea
I think they might have even picked her name mslkdkmlsak
I mainly wanted her to be a foil for the boys because they were so powerful and the Keepers definitely didn’t seem like they had much helping them at this point, and of course, the Emma plotline gave her having Keeper memories and her place in the game even more poignant
Vergessene’s character was heavily inspired by characters like Eeyore and Sadness from Inside Out, and I added him because I wanted another character to be on the Keeper’s side, but also to add even more tragedy to my big angst bowl because there evidently was not enough in the pot by that point
VERHEILER
The man of FLUFF, the fluffiest man, the most self-indulgent man I ever put into this universe
Fools may have thought I put Todlich and his physical attractiveness in for my own self-indulgence but no, NO, Verheiler was the one who I stuck in solely from what I would want in a weird fantasy world full of bizarre people who may or may not intend to kill me
I wanted a soft, tol man with bunny ears and a minty pretty soft color scheme and floofy hair and a kimono
And I wanted him to make me tea, and have a soft and gentle voice, and to be a complete pacifist, and just be the most wholesome of men
I wanted him to give hugs and lots of cuddles and be really affectionate but also respectful of boundaries if someone asked not to be touched
His inspirations were literally my own self-indulgent stupidity, and ASMR. That was a big inspiration for him, I really wanted him to be a comforting, calming, just genuinely sweet person since the Void had a distinct lack of any of these qualities before he was there.
KNIRSCHEN
Knirschen knocked down two popular tropes in one, the “tsundere” trope and the werewolf trope
He’s cold and grumpy and dismissive to people he likes, but softens up over time, ugh, I love that trope, got a weakness for that trope I have to say
Especially in Knirschen’s way, where the only reason he’s so pushy and determined to shove people away is because he’s scared he’ll transform and be more likely to hurt them if they’re close-by
I also thought, hey, I added a rabbit man, why not add a wolf character
And on that note
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Egel/Walter
So since a rabbit man inspired a werewolf man, a werewolf man inspired a vampire man
But of course, this wasn’t the only inspiration for Walter. Vampires are a popular dating sim/romantic novel/generally thirsty-people-aimed media trope, so naturally he had to be in here
Though I wanted to make him also a nice, generally well-meaning character because the vampires I’d seen in some media treated their “love interests” like sacks of meat and I wanted to subvert that and by subvert that I mean yeet that idea out the window, I want a wholesome vampire
So I made a hot-pink haired, generally unintimidating, well-mannered sophisticated boyo who likes candy
But also gave him some depth by making his relentless nightly thirst for blood and monstrous reputation something he actively hates and wants to fight against rather than a part of himself he takes pride in
So he’s struggling with a very terrifying part of himself that he can’t help having, as well as being forced to use that side of himself in a horrific murder-game and even attack Niemand because Jemand’s terrible
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Schatz... oh boy, Schatz
What even was the creation of this man? Of course the Void’s designated comic relief would have the most weird creation process and changes
(his inspirations were The Pirates of the Caribbean series and other pirate-like characters and series, and that one vine of the high dude possessed by a demonic spirit asking for a bagel)
First he was a regular pirate man who had a pet mouse because I’d never seen a pirate with a pet mouse before
WAIT character change, he’s a regular normal guy LARPing a pirate and just pretending all the time because he likes it
WAIT THERE’S MORE, he talks to his mouse and acts like he can have conversations with it and confuses everyone even more
WAIT, he hallucinates the mouse talking back
NO WAIT, the mouse is magical in nature and literally does communicate with him telepathically
HOLD ON the mouse is a demon now
AND the mouse can shapeshift and eat bathtubs and steal things for him
And the mouse... worships... Satan
okay, that’s enough, we’re done . . .. .
-- AND Schatz only LARPs as a pirate as a form of escapism because the Void is a ball of angst and Catnip is slowly but surely absorbing more power from all the suffering everyone is enduring and one day--
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Kanonier
Oh boyo, dis guy
The man who literally exists just to have a butt bigger than Jemand’s and muscles slightly larger than Todd’s
no that’s not why he exists of course not but
I mainly just always wanted a rival character for Schatz after he showed up because dlsakdmslkd gosh we already have a pirate man who’s trying so hard to be a pirate, there has to be someone on the other end of the spectrum
(Apparently there is a spectrum ranging from Cowboy to Pirate)
Of course Toy Story is kind of an inspiration, but honestly, I kid ya not, Old Town Road was a big part in forming this guy’s character and you can decide how cursed that is.
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Begleiter
Now, some of the inspiration around here gets a little more personal and deep to me.
This guy had a variety of inspirations, either drawing from things as bizarre as Dora the Explorer and those awkward creepy moments of her staring, to Daniella in Haunting Ground and her robot-like behavior -- to an app I had called W.oebot which was essentially made to help cope with mental health problems but always had me internally struggling. I knew this app was meant to help me, but I always felt this deeper sadness that the “person” I was talking to was just a pre-programmed app sending automatic messages in response to specific words, rather than a person genuinely listening and caring about what I was saying
(not judging anyone who would use this app and is helped by it, of course, just speaking of my own experiences and how I felt)
The human element wasn’t there and it could be deeply felt to me, and it inspired a lot about Begleiter and his own personality, especially in his past relationship or lack thereof with Emma, whose thoughts and emotions toward her and others could only be felt after he got his “upgrade” and a more humanoid body.
Serpentin
OOOOH Serpentin
His main inspirations were cryptids, body horror, a smol genuinely hilarious video of a cryptid-like man slowly creeping toward this dude in his garage, a game called “IT LIES” about a monster using yours and other people’s voices to lure it to you like prey, and Spongebob
........... a big helping of Spongebob
Subversion of a trope was another thing I was going for here, I wanted a genuinely creepy, terrifying looking character who based on appearances seemed like someone you’d want to hide in a closet from and cry over
But turns out this terrifying thing you just saw just saw you drop a penny and didn’t want you to lose it, so he came to return it to you, please don’t be sad
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Clara Wilson
Clara is the... least fleshed-out character that I have, and I feel like that’s understandable, given that her own inspiration was from classic otome game/romance novel/dating sim characters, whose personalities and decisions and moral standings are usually given to them by the player rather than their own will
(Or, if they’re in a TV show or something, their personalities are kind of blank so that people can insert themselves more easily to the situation)
Her personality switches depending on the route she’s on, much like a protagonist in a dating simulator’s might. I’m still glad I added her on here, but XD I’d be lying if I said there was all that much to her, she’s just kind of a character that exists and has her personality filled out depending on who she’s interacting with, kind of like a character with literally dozens of AUs
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thankyougotham · 5 years
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Here’s an article that Film Daily wrote about Nygmobblepot. If you’d like to see them write articles about other relationships, you can contact them on Twitter and make a request. They’ve been very supportive of Gotham in general, so follow them if you’re on Twitter.
“Gotham is an innovative show based on DC Comics characters and produced by Warner Bros.  The Batman origin narrative helped us rapt viewers understand how our favorite heroes (Batman) and villains (The Joker, Penguin) came to be. It also cast a light on just how Gotham City became the wretched crime-filled cesspool we all know & love.
As the fandom knows, we’re so behind the mission to Save Gothamthat it hurts, but today we’ve decided to take a break from all the activism and talk about love. Here’s why we and the Gotham fandom ship hard for Nygmobblepot, and why these fantastic felons are anyone’s perfect gateway into Gotham for people on the fence about the show.”
Sample Quotes from fans: 
Mr. Millicent Cordelia
Both Ed & Oswald were transformed by love. They made sacrifices for each other & always ended up back together. They deserve, and the fans deserve to see this relationship respected as a romance on a server that understands it’s the 21st century.
Merc
Honestly because they’re both idiots and they really deserve each other.
Zoe Tomorrow
They’re two individuals who’ve spent their lives mistreated and misunderstood. They are the only ones who accept one another wholeheartedly. Together they’ve learned about trust, sacrifice, forgiveness, and love. And no matter what they always find a way back to each other.
#PenguinSpinOff
Excellent chemistry between them, and a fun, fresh take on these old, iconic characters. They’re like peanut butter and jelly: fine on their own, but especially delightful together.
Rachel
For one, they “really are meant for each other”! They’ve been through so much and have hurt each other so many times but they’ve managed to overcome it. They have a strong bond, would do anything for each other, and somehow they always come back together!
𝕫𝕖𝕝𝕝𝕒
These two men grew up misunderstood and overlooked, and learned to use that to grow. they have risen together, and make an excellent team. they have both admitted to being stronger together, and their fates always become intertwined. they’re destined to be together.
Angela
While I’m not the biggest shipper of Nygmobblepot, I do care for their happiness and for the fans who do ship them. My ship is Batcat. They are best friends as kids & love each other deeply. They always want to protect each other. They are family.
LongLiveGotham #Gotham | #SaveGotham
Nygmobblepot has a long, complex history that reveals both the best and worst of these 2 characters. They have grown and learned much from the relationship. They deserve to be on a server that allows them the freedom to be a romantic couple.
Jenny i love my girlfriend
they are two men who have been abused and undermined their entire lives, but see each other as equals. they have certainly had their ups and down, but they always come back, better and stronger than ever. they understand each other more than anyone else ever has.
(not to mention how groundbreaking it would be to have two characters who have been historically heterosexual be in a romantic relationship)
Hale | 45 Days Till Neo
I’m down for anything with dear Oswald- his chaotic energy is a joy to watch, especially when it’s messing with other character such as Edward and Jim.
Scheming Minor
I am going to say something different in lieu of semantics. Technically in a sense when you get to the details they really are one of the few villain pairings portrayed in a “healthy” relationship in the Batman fandom. They progress, accept and move on; never stagnating. I included the healthy relationship chart to prove a point. Each one of those slices can be seen over the course of Riddler and Penguin’s relationship in Gotham– more so when we reach season 5. Their entire journey is about respect. Adding one more thing – Riddler has traditionally been coded as queer and flits with tentative bisexuality, meanwhile Penguin is known as a womanizer but has rare moments of ’what if’ regarding men. Gothamis one of the few Batman shows that follows through with M/M content.
kebu loves Oswald
They are both extreme individuals, but they fit together perfectly. Both are complex characters that went through life unaccepted by everyone which shaped their desire for more and their paths to becoming supervillains, so when they met it was the first time they found their equal and were accepted by someone. Their paths have been intertwined ever since, and whether they’re together or at odds, they’re always the most significant person in each other’s lives. But even though they ended up appearing together, we didn’t actually see them get “officially” together. Their story has yet to come to a close.
Riz || Professional Mr.Penn promoter
A very complex relationship that cannot be concluded in a spawn of a cut off season like it was. They have had a long journey and a perhaps even longer one before them. Their lowest and best have been shared together and they’re the one person who understand the other fully.
M/M relationships in media and tvshows especially is a rare breed. Even more is the concept of the big chance to make two comic characters and made an entirely new spin on them by being brave enough to make them queer, Oswald perhaps within the asexual spectrum at that. Ed as a tormented, abused soul who struggles with his own identiy and perhaps sexuality.
There is really so much to say, which is exactly why there need to be more to tell the rest of the story.
Vero
While Ed fights with the dichotomy within himself, he’s always felt the most whole when he’s been all-encompassed by Oswald’s world and care. Oswald found compassion and acceptance for all the parts that Ed thought were not loved. They are twin souls that deserve a longer story.There’s always been a complexity to both of them, and they understand the extremes that have made them into the people they are. There is no desire to change the other, only bring out the best in one another and a comfort shared that’s so important.
madi
I feel as though they have stories that extend beyond what Gothamwas able to show through their 5 seasons. Especially with the 5th season being half of its normal length. They mean so much to me, and so many others, and I would love to see even more of them (1/2)
(2/2) and to be able to see Gotham’s depiction of Ed’s backstory, an explanation for the whole Isabella fiasco (like how is she even possible) and a plot line where Ed saves Oswald. We haven’t had any of those since s2/early s3 and I need that in my life. I miss them so much.
Evan
Not only off the charts chemistry, but near similar backgrounds also. Both Ed & Oswald were abandoned by their parents, and had to fight the world their whole lives. Then brought them together and they’ve been unstoppable ever since.
Suzy Dakroub
Because they have the best character development and bond I’ve ever seen on a show! They both truly have no one but eachother. For villains where it’s rare to see compassion and love, these two have it for each other and it’s so wholesome and sweet.
Frothy
it’s the first LGBT representation in such a major franchise on TV! it was taken from us once, twice, but there won’t be a third. i will produce season 6 in my basement with tze and my best friend if i must
Warrior_Of_Loyalty
REPRESENTATION!!! Seriously, there’s nothing quite like it. Oswald and Edward deserve a wedding and a musical episode to go with it. Because, if Arthur’s teacher can get married on TV why not The Penguin and The Riddler!? Please!! Make it happen!
𝕻𝖊𝖓𝖌𝖚𝖎𝖓 𝖎𝖓 𝕷𝖔𝖛𝖊 ||
Because they are two characters who have been physically and emotionally abused most of their lives, and even after all of their hardships and turmoil, found love and trust and safety in one another
Azura Lynn Paulin
Because they never got to become a real couple on screen and they deserve to have that chance at happiness
MamaDev
Their chemistry, specifically between Robin Lord Taylor & Cory Michael Smith, is incredibly entertaining and heart warming to watch. It makes my whole day, of not, week better when I see them interacting on screen. FOX did not do them justice by keeping them in the closet.
Queen C
Because their story is FAR from over. Cory and Robin’s skills and chemistry shouldn’t be squandered. We had 5 years of their story buildup and got crapped on in the final episode, and I deserve my #BisexualRiddler!!!
Bandi [Gotham/Good Omens Spoilers] #SaveGotham
Nygmobblepot truly is such an interesting ship. As singular characters they are great, but together, they shine. They’re complex, damaged characters and take comfort in each other. Their journey is a long, painful one, but they deserve and compliment each other. It makes sense.
Anders
They are truly self confident with each other, anything becomes possible. They don’t need any cane.
They have each other.
Mae
they just have such strong chemistry and are so much better together than apart. their relationship constantly evolved throughout Gotham, becoming the main driving force for their individual developments too and… they were just made for each other okay
Tam Loves Kris @ Resting in Home
I see a lot of myself and my partner@MisterPenguinin the#Nygmobblepotship and I feel that their relationship is very well developed with lots of ups and downs and it’s fate that they are both meant for each other.
Kat Shade
With all of the characters that had amazing chemistry on Gotham, the main three had to be nygmobblepot, wayleska, and babitha. Nygmobblepot have been through so much together, and besides how revolutionary and amazing it would be for a show based on two previously heterosexual characters in a homosexual relationship, they simply work amazingly together.
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vecna · 4 years
Note
Oohh for the fandom meme! Dragon Age?
Send me a fandom!
Oh boy, this is going to be spicy.
It’s also very Anders-negative, so apologies up front.
The character(s) I first fell in love with:
I’m actually not sure which was the FIRST, but it’s a tie between Morrigan and Alistair. I saw fanart of them going around at the time Origins first released, and that’s what got me to try the game! 
Alistair was a breath of fresh air, because at the time, I was used to warrior men in games being all Edgy and Rough, and he was the total opposite and a sweetheart.
And Morrigan was just instantly my goth wife, and had Claudia Black as a VA, so I was sold immediately.
Both still hold a special place for me!
The character(s) I never expected to love as much as I do now:
Loghain is the main one. He does a lot of truly reprehensible shit in the first game. But once I sat down and read the prequel novels about young Loghain, plus saw what he’s like if you recruit him, he grew on me A LOT and now he’s a top fave.
Nathaniel I expected to hate as soon as I saw his name + who his father was, but then the expansion came out and I ended up loving that dude almost immediately. I really wish he was around more after Awakening, and also really wish he’d been a romance option, especially for a Cousland haha.
Merrill is a weird one because she was totally uninteresting to me in DA:O, so when they announced her as a companion in DA2 I was like, “Ehhhh.” Then they punked me by making her adorable and sweet and now I love her.
Plus a bunch of side-characters like The Architect? I liked him a bunch in the novel + Awakening – although I found his Plan in the novel much more appealing. But as the years have gone by, I keep surprising myself at just HOW disappointed I am he’s never appeared again haha.
The character(s) everyone else loves that I don’t:
There’s a few, and all of them will get me yelled at, but here we go.
First: Isabela. This one’s a bit complicated, but it really just boils down to her attitude towards how you play your character. I actively dislike characters who are super sexual – regardless of gender. But Isabela in particular bothers me because she’s constantly pushing her lewdness and sexual humor on you, and when you try to discourage it, she admonishes you with, “Well, you’re no fun.” Her whole character is just… like that for me. Super pushy, overly lewd, gets uppity when you don’t have the same ~liberated~ opinions she does, and this is all played up in the writing like she’s this Empowered Woman the player absolutely must love, especially if they’re playing a male character lol. I hate her for the same reasons a lot of people hate Liara in Mass Effect, but with the addition of pushy lewd jokey characters always rubbing me the wrong way.
Second: Iron Bull. I’ve written a lot about why he makes me more uncomfortable than any fictional character I’ve ever encountered, and I just outright hate him, he makes my skin crawl. If you want details, feel free to DM me, I don’t really want to rant about it again publicly.
Third: Anders. Again, I’ve written a lot about him before, but. I hated him in Awakening, for a lot of the same reasons I hate Isabela in DA2. But the changes they made to him in DA2 are just kinda :/. While I absolutely agree with him about Mage Rights, the level of preachiness they added to him drove me nuts, and the fact that you’re painted as a Bad Guy if you don’t like him blowing up the chantry. And from a purely OOC standpoint: He’s become a figurehead for all the aggressive Discourse people in the fandom, and if I see someone list Anders in their sidebar bio, I know pre-emptively that their blog is going to be full of 6 page long essays of meta about how everything is Problematic, and no thanks.
To a lesser extent, I’m also not fond of Zevran. But in his case, it’s not anything major like the others, I’m just tired of Bioware’s habit of making the bisexual characters overly lewd sex-focused rogues/deviants.
The character(s) I love that everyone else hates:
Loghain, lol.
But also Sebastian Vael? There’s so much about him that I find genuinely fascinating, especially regarding his backstory, and his struggles between his feelings of responsibility to his family vs his dedication to the Chantry and bettering himself. He’s such a dear character to me, and such a pivotal part of any playthrough, I’m always blown away when I remember he’s a DLC character and many people don’t have him.
HOWEVER Anders being the fandom darling means that people tend to unfairly shit on Sebastian for reacting poorly to the Chantry explosion. People also like to label him as a poster child of a White Straight Church Boy, while refusing to acknowledge he’s… not straight, and not exactly a church boy either lol.
Also Vivienne, but I think that one’s really self-explanatory. I love her, and she gives a really needed perspective on the Circle, since most of the mage companions previously were apostates. But of course, she gets written off as a Chantry apologist, and an uppity bitch, when people would def love her for the same traits if she was not black lol.
The character(s) I used to love but don’t any longer:
Justice. And by extension, Anders. A lot of people like to rant about how Justice ruined Anders, but I always saw it the other way around.Justice was my favorite character in Awakening. The whole concept around him, that he was a Fade spirit who took human form and was experiencing life for the first time was SO fascinating. I felt like there was so much to explore there with his character.
Buuuut then they had him merge with Anders. With the narrative being that he WAS a spirit of Justice, but the moment he connected with Anders, it corrupted his entire spirit into something he wasn’t anymore. So essentially, the character I used to love no longer exists, thanks to Anders. And it reminds me of that phrase recently, about how the destination is so terrible you can no longer enjoy the journey? I can’t even appreciate Justice in Awakening anymore, knowing what happens to him.
To a lesser extent, Corypheus. He was SO COOL and the premise of him was AMAZING when he first appeared in the DA2 DLC, but then Inquisition had to go and turn him into a weird shallow mustache twirl villain.
The character(s) I would totally smooch:
None? Idk I don’t really have the Smooch Fictional Character gene.
The character(s) I’d want to be like:
MAEVARIS TILANI. May I one day finally have the confidence in my identity that she does, and also marry a sweet bear man who adores me.
The character(s) I’d slap:
Too many to list, really. Probably Anders.
The pairing(s) that I love:
THERE’S SO MANY. And most of them are with the PC, because I generally don’t ship NPCs together. But my top 3 are:
M!Hawke / Fenris is my ultimate OTP in the Dragon Age series, by a long-shot. Not even sure where to start on how much I love it, but two damaged guys leaning on each other to work through their respective loneliness and trauma is MY JAM. And lmao I love silver-sideburned Hawke chillin in retirement somewhere but being a supportive husband while Fenris goes off hunting the Bad Guys, it’s great.
Solas / Lavellan is a close second, with the caveat that I increasingly prefer it with a male Lavellan. Having the Inquisitor in love with Solas just changes the entire tone of the game for me, for the better, and him actually being the villain trying to end the world while in love with this normie elf is just (chef kiss). Too bad I’m burned out by how overly spammed it is.
Dorian / Inquisitor is in third, I will just always be fond of how it’s a story of the Inquisitor helping Dorian be happy with who he is, escape an abusive family, and realize that he’s allowed to be loved. Good shit good shit.
Some others:
Warden / Morrigan is probably my favorite Origins ship, and that only intensified with the way she talks about the Warden in Inquisition, esp if they’re Kieran’s other parent. What a cute goth family, regardless of the Warden’s gender, cause you can pry Bi Morrigan from my cold dead fingers.
Cassandra / Inquisitor might have a lot of Romance Cliches, but I adore it – although, similar others, I increasingly prefer it with a female Inquisitor. I actively dislike the weird no-homo rejection with her, and come on, a lady Inquisitor being her Knight In Shining Armor is just good storytelling.
Cullen / Inquisitor, for a lot of the same reasons as Cassandra. I love me a cliche romance, but I’m also fond of the narrative w/ him of someone he loves helping him heal through the lyrium withdrawals and take time to rest.
Josephine / F!Inquisitor is just adorable all around, and wholesome, and great.
Varric / Hawke COME ON HOW WAS THIS NOT AN OPTION.
On the rarepair end:
Sebastian / Hawke doesn’t seem like it would be a rarepair – you’d think everyone who loves Cullen/Inquisitor would love this one too. I do! But alas. That said, I’m also pretty aggro about this one with a male Hawke because SEBASTIAN IS CANON BI. WHY WAS HIS ROMANCE STRAIGHT.
Maric / Loghain is a rarepair I will take with me to my grave LOL. Never forget the scene where Maric thought Loghain was leaving, and bolted across the camp with almost no clothes on to beg Loghain to stay. Come on.
Nathaniel / Cousland is dear to me, and I love it so much more than Alistair / Cousland haha.
Greagoir / Wynne, I can’t believe this got validated in canon ahhhh.
The pairing(s) that I despise:
Again: THERE’S SO MANY.
Iron Bull / Dorian is my least fave by a longshot. Again, I have written about why I hate this pairing a great many times, but it’s awful and toxic and makes me deeply uncomfortable, and I could happily go the rest of my life without seeing anything about it ever again. Please keep poor Dorian away from that man. He deserves someone that doesn’t sexually harass him until he’s finally worn down into dubious consent (while drunk) and then outted to everyone about it.
Isabela / Fenris. Sorry, but it’s just bad writing that Fenris bails on Hawke because the physical intimacy triggered his PTSD and he needs space to process, but then will turn around and have a casual sex relationship with Isabela instead. Yikes.
Anders / Fenris. Aveline / Isabela. Alistair / Morrigan. All of the DA2 Hawke/companion rivalmances. I don’t enjoy “these two people hate and antagonize and want to kill each other… but they fuck” in any form.
Cullen / Amell. Yikes.
And basically ALL of the canon wlw pairings in this series suffer from the fact they have men writing them, and as a result they’re almost always some kind of abusive or racist, and skeeve me out. See: Celene / Briala, Leliana / Marjolaine, Branka / Hespith, etc. Please Bioware, I’m begging you to consult some actual queer women. It’s insane how badly they’re treated compared to how the canon mlm couples are written.
FINALLY, I recognize this will be the most unpopular of all, but. As much as I love M!Hawke/Fenris, I just honestly cannot stand seeing F!Hawke/Fenris. There are some pairings where I’m so attached to the m/m or f/f version, I cannot deal with the m/f version anymore, and that’s one of them. (The others are mainly non-Bioware.)
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quarterfromcanon · 4 years
Text
2019 Fic Writing Roundup
I was tagged by my lovely friend @catty-words.
Total 2019 Word Count: 58,159
Total 2019 Hits: Asdfghjkl; Oh gosh, it’s much harder to tell when the work is only on Tumblr!  I’ll tally up the notes from there to get the closest approximation I can. It looks like there are 174 total (a mix of likes and comments) on the pieces that I posted from this past year.
Other 2019 AO3 Stats: N/A, although I did finally join AO3 *this* year, so next time around there’ll actually be things to put here! :)
Total 2018 Word Count: Published? None. I think I might have tried writing a little bit of something for myself somewhere in there, but I didn’t get back to any kind of public fandom writing until 2019.
Total 2018 Hits: None. What a difference a year can make! I look forward to comparing 2019 to whatever’s yet to come in 2020!
Other 2018 AO3 Stats: N/A
links and titles to 2019 works
Oooh, this is actually a good opportunity to list them chronologically rather than in publication sequence. Let me see if I can get them sorted. (If, however, you’d prefer to read them in the order that they were published, you can click here and simply open the installments in reverse, since Tumblr displays things oldest-to-newest.) All of the following were written for the Crazy Ex-Girlfriend fandom and feature Heather x Valencia as their central pairing.
1. Barrier  [1,385 words] - Following where we last saw them in 1.09, Josh and his friends continue their beach day now sans Rebecca’s presence. Consequently, Valencia’s critical eye falls on the only other woman in their company - Heather.
2. Unexpected [3,003 words] - The conclusion of 1.18 leaves Valencia with a lot of emotional baggage to unpack. As one of West Covina’s most frequented locales, Home Base is the first place that springs to mind where she might chase away her sorrows (or perhaps just air them out verbally while all other involved parties are away at Jayma’s wedding). Heather finds herself pulled into comfort and commiseration despite her efforts to avoid involvement.
3. Lost Control and Tumbled Overboard Gladly [3,265 words] - Heather goes to her parents’ home for the first holiday visit since moving out on her own. She has her new friend Valencia in tow. Sincere conversation and the rare allowance of vulnerability break down Heather’s walls with an ease that takes her by surprise.
4. Such Sweet Nothing [1,362 words] - Valencia and Heather return to V’s apartment after their Labor Day afternoon of story-swapping and quality time together. Valencia revels in the joyful acquirement of the second gal pal of her adult life. Heather contends with the dawning realization that her interest in Valencia may not be purely for friendship.
5. There’s A Reason Not to Want This (But I Forgot) [2,418 words] - Internet sleuthing with Rebecca pulls Valencia right back into a Josh fixation spiral. Heather must also face some unresolved feelings: namely, a crush now so intense it can no longer be denied.
6. Habits [3,599 words] - The desire to protect Valencia’s heart overrides the instinct to shield her own, and so Heather ends the self-imposed avoidance of her company. She arrives on V’s doorstep with a helpful cover story and some unfortunate news that needs to be broken gently.
7. I Want Not to Want Anything [1,314 words] - Heather Davis gets Santa Ana Winded.
8. Breathless [3,673 words] - A talk with Heather about Rebecca’s impending marriage to Josh leads Valencia to reassess what matters to her. A rosé-fueled jaunt to a local green space gives rise to the persistent inkling that what - or rather who - she really wants may be a lot closer to her than she’s ready to admit.
9. No One’s Really Got It Figured Out Just Yet [3,289 words] - Valencia throws the bachelorette party for Rebecca. Gurl Group antics and H+V flirting tactics set to hits from the mid ’90s and 2000s ensue. 
10. Evading [2,207 words] - In the wake of events from 3.05 and 3.06, Heather and Valencia have a much needed heart-to-heart. They put some important truths into words while treading lightly around a few unspoken facts so delicate they’re best left in the margins.
11. How Long Do You Plan to Keep Me at the Back of Your Mind? [2,442 words] - An evening welcoming Valencia’s girlfriend Beth to be an honorary member of the Gurl Group doesn’t go quite as smoothly as planned when Heather has a difficult time harnessing her lingering feelings.
12. You and Me, Always Between the Lines [1,828 words] - Now that she has spoken with all of her immediate family members and closest friends, Valencia is prepared to announce her first romantic relationship with a woman on social media. In Beth’s absence, she seeks the moral support of her best friend. Heather is readily by her side for this next big step in Valencia’s coming out journey.
13. Gradation [2,503 words] - Valencia’s time with Beth is at an end and, in her hour of heartbreak, she returns to the same place for comfort as the previous occasion when she found herself suddenly single: across the bar from Heather.
14. Rough Draft [2,625 words] - Valencia and Heather FINALLY get together. Valencia experiences her own “Oh My God, I Think I Like You” freak out.
15. Strategy [1,212 words] - Heather and Valencia have a stay-at-home date night featuring deliberately cringey pick up lines and tangled limbs on a couch in the dark.
16. Verity [3,834 words] - Heather temporarily resumes her role as Valencia’s assistant coordinator when they plan a vow renewal celebration for Paula and Scott. On this night, the recently remarried couple may not be the only two pouring out their hearts in a room full of loved ones...
17. Different and the Same [1,035 words] - Valencia and Heather just moved into their own place. They spend their first morning there together and make good use of the privacy and freedom this new residence affords.
18. Finishing Touches [1,157 words] - Heather and Valencia personalize the interior of their new living space. The situation soon devolves into paint-splattered hijinks.
19. Patterns in the Light [1,058 words] - Despite the fact that they are literally cohabitating and have professed their feelings for each other, Valencia remains a clumsily flirty nerd and I love her for it. Heather does, too.
20. Sage [1,324 words] - After being trapped in a car with someone she didn’t want to be trapped in a car with, Heather returns covered in a dead woman’s ashes. Valencia’s time as a ghost-beleaguered home energy cleanser has arrived at last. She is uniquely qualified to save the day.
21. Portage [1,707 words] - Heather has plans for a couple’s trip with Valencia. The only obstacle is keeping it a secret between the two of them.
22. The Courage and the Strength I Need [1,957 words] - Valencia struggles during Heather’s business trip because it is their first time apart since becoming a couple. They FaceTime to ease the pain of distance and talk about their future.
23. Wanna Be With You All Alone [1,237 words] - Heather comes back from the aforementioned work travel to find that Valencia has made special welcome home arrangements.
24. Midnight, Fright and Candlelight [1,426 words] - A quiet evening is interrupted by a power outage. Heather and Valencia find a surprisingly wholesome and G-rated way to pass the time. 
25. Next to You [1,550 words] - The big yearly Davis Family Reunion quickly approaches. Valencia prepares to accompany Heather to this event and be introduced to many members of her extended family.
26. Warm Whispers [1,683 words] - Heather and Valencia just want to be all cute and domestic and spend the morning fooling around. Their cats disrupt these pursuits in typical feline fashion.
27. “When We’re Together, Darling, Every Night Is Halloween.” [1,228 words] - Heather and Valencia get ready to attend a Gurl Group Halloween party. Their second annual couple’s costume? Gomez and Morticia Addams. 
28. #afewofmyfavoritethings [2,838 words] - Nathaniel, Rebecca, Valencia, Heather, Paula, Scott, and Tommy all rent a cabin for vacation. This piece follows them through a day of wintertime fun. Pure fluffiness here and I had the best time writing every second of it.
Favorite Fic: Probably #afewofmyfavoritethings. I packed it with elements I personally love and moments I was hoping my new friends in the fandom would like. Plus, it was honestly just so good for my soul to write these characters in a soft world where they could engage in classic snow day activities and enjoy each other’s company.
Hardest Fic: I knew there were a few installments of Femslash February where I wrote whole paragraphs or even pages I didn’t keep/decided to revise, but I was pretty sure I also remembered at least one where I wrote an entire separate piece. My sleep schedule was, shall we say, not advisable during February but it was also easily the most exhilarating month of my year. I tracked down the evidence of that rewrite and it turns out the incident I recalled was for Unusual Kiss (the prompt for Day 4 of FF). The original involved something to do with butterfly kisses because, evidently, my inclination to link Valencia to winged beings knows no bounds. I’ve got to admit that I’m still fond of the concept of Valencia giving Heather a subtle “kiss” during a hug in that painfully frightening time before Beth when she was afraid to outright kiss a woman in any way that couldn’t be dismissed as platonic. There’s a good chance an interaction of that nature could appear somewhere in the full story. I am notoriously drawn to that angst period of undisclosed pining so the temptation is quite strong. Still, I’m glad I used the version I actually posted and saved elements of the first draft for later. Fragments of their conversation from the original will probably make it into the final tale, but I think I prefer to sprinkle them across several exchanges instead of divulging them all at once.
Do You Plan to Take Prompts in 2020? Sort of yes and sort of no. I am participating in the Crazy Ex-Girlfriend Valentine Exchange, which involves a prompt-esque note from the participant each of us were assigned as our guide to spark inspiration for the gift. It’s also possible that there’ll be some writing prompt list posted somewhere along the way just like Femslash February was last year, and I’ll end up wanting to join the fun. Other than that, though, I’ll mainly stick to the one writing project in an effort to hone my focus.
What was the best thing about 2019? I’d definitely say the bonding and interactions with other members of the fandom. The encouragement and support I received from them remains the primary motivation for me to keep writing and chasing after the ongoing goals I set for myself.
What was the worst thing about 2019? The most honest answer that my mind immediately supplied is death of a close relative. While that isn’t the sole reason for the dip in my creative output (especially since there were multiple months between my last published fic and the passing in question), I know it could certainly be counted among the contributing factors to an overarching writing problem I had. Even before my family’s loss, there was a shift in my thought process that only got worse once there was more on my plate in my personal life. There were many times I sat down wanting to write again but it felt too difficult and intimidating to commit words to the page. I couldn’t seem to transfer them from my mind to the keyboard and I’d invariably switch to doing something else. I developed this terrible internal conviction that insisted the larger fic I wanted to write wouldn’t work as well as the shorter installments. That gnawing insecurity would have me believe one month’s worth of well-received efforts was already such a marvel that anything beyond that point was somehow pushing my luck. Where did the mental voice originate and why couldn’t I shake it? It’s difficult to parse out but what I do know is that I’ve firmly decided 2020 is going to be a year I put it on silent. I know what it’ll mean to me for everything that’s been floating in my head to finally be told in one cohesive format, and to have the satisfaction of giving my favorite characters the ending my heart says they deserve. It’s a sense of closure that’s worth the pursuit.
Any last thoughts for 2019? The bad parts of the last twelve months made me want to essentially say “good riddance” to the year, but the good parts were far too treasured to wish all of 2019 away. I am so grateful for the new people I met and friendships that solidified during that time. I especially owe my most heartfelt appreciation to @catty-words, @notbang, and @monaiargancoconutsoy. Thank you for everything. <3
Goals for 2020
Finish. The. Fic.
I believe everyone I know who writes fanfic has already been tagged but, if you haven’t gotten the chance to look back over your writing year, by all means, use these questions to give it a go! :)
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aq2003 · 5 years
Text
FULL ENDGAME REVIEW
6.5/10 was ok but could’ve been a lot better in my opinion and by a lot better i mean
tony should’ve lived
-the russos are war criminals for what they did to tony alone. he had a family to go back to, JUST like clint. but i guess self sacrifice is cool, right?
-ever since iron man 3, tony’s story has essentially a dark twist to the “great power great responsibility” trope: the hero internalizes the motivating phrase (“don’t waste your life”), and let it interfere with their ability to take care of themself/open up to others. it started strong in iron man 3, got undermined in aou, got slightly more prevalent in the context of civil war, FINALLY got foreshadowed in infinity war. his arc was ultimately about letting other people HELP him with the responsibility he feels like he needs to carry 
-until endgame threw it under the bus again. in an objectively cool way, yeah, but it still got thrown under the bus and i’m mad
-so now tony stark’s story is ultimately a tragedy. and i fucking hate it, man. he had happiness (but not really, because peter’s not there) for 5 years and that got snatched away from him too! he underwent so much trauma since his goddamn origin story and he had a few moments of peace, sure, but he died before he could fully reunite with his loved ones. and it SUCKS. 
-god this is . this is like. if obi-wan kenobi went through All That but got really close to luke before he died and also never got any closure with anakin as a force ghost
-the russos have said, like outright, that thanos was a symbol of what tony’s been fearing of since 2012, the being that symbolized the root of his anxiety and ptsd. so what does tony do to defeat it? uhhh idk he dies i guess. but it’s okay! he can finally rest now!
-really great message there for the kids, right? 
-also there was a whole sequence about him talking to his dad about not abandoning his kid and being there for her. but now he CAN’T be there for morgan because tony stark is fucking gone and dead and i can’t fucking handle this he deserves so much better
-also also not to be a DudeBroGeek™ but he totally got nerfed during his fight scenes
thor shouldn’t have been played off as a joke
-my whole theater laughed at him being . fat. and i was SUPER SUPER SUPER uncomfy the entire time
-he has a PANIC ATTACK and people LAUGHED i mean way to treat more of your mentally ill characters like shit, russos! sure! just devaluate thor’s suffering by saying “oh he’s fat so it’s funny now! hehe!” FUCK you
-i mean, yikes, i can’t believe we went from iron man 3 (where mental illness is one of the major problems the protagonist clearly struggles with, where tony’s panic attacks are disturbingly real and in no way funny) to THIS SHIT
-don’t even get me STARTED on his arc. like from thor 1 to dark world it’s about putting aside his arrogance for the good of his people. for ragnarok it’s finally stepping up and finding his powers while taking up the responsibility as king. in infinity war i was able to turn a blind eye to it, but it’s so prevalent in endgame how little the russos care about thor’s journey in his movies
-in the end he passes off the responsibility he took up in ragnarok to val and just straight up fucked off to space. like what the hell, man?
-ALSO . loki said the sun would shine on them again but the sun DIDN’T fucking shine on them and i feel robbed. i feel like the russos broke into my home and stole something important.
-the brodinsons deserve better.
-how can taika even be there, like physically. i mean. the thor from his movie got entirely retconned
-also not to be a DudeBroGeek™ again but. but like tony he was so 100% nerfed especially during the fight against thanos HOW did thanos even touch stormbreaker aka the weapon made to kill him like what
-i hate to put this all on james gunn but he’s GOTTA fix the crimes committed in endgame against the guardians and thor
steve’s entire character arc shouldn’t have been undermined
-one of his defining character traits is that he won’t stand by and let bad things happen when he can prevent it
-if you could describe steve rogers THAT’S what you would say about him. 
-it’s like tony being smart. or thor being powerful. steve is just Like That
-so why did he go back in time when two full movies were dedicated to him adapting to the future
-idk it doesn’t really make sense to me
-i don’t actually have much to say about steve, i’m not as attached to his character as tony and thor but it still rubs me the wrong way. maybe it makes more sense to steve stans but from what i’ve seen they’re PISSED even though out of the trio he got the most time to shine in battle lmao
also
-the time travel fuckery was. hmmm
-nat wasn’t there for the admittedly cheesy but still sort of nice girl-power shot
-wong did nothing until the final battle. like him surviving the snap did nothing to impact the story
-why was okoye even on the poster? she should’ve gotten a bigger role imo
-WHAT was dr strange even doing holding back the water
-my brother (who watched the movie with me) thought that the lgbt rep in the movie was “america’s ass” rather than the gay russo in steve’s support group, which just goes to show that the lgbt rep is SO small and the media should really stop hyping it up. not really salt towards the movie itself but it’s still salt
-fortnite
general saltiness out of the way, i’m going to list what i did like about the movie
-those posts going around about how knowing the spoilers take away from the movie are actually really, really wrong. i went in knowing more than half the plot including who lives and dies and i still found it entertaining, to say the least. the movie had a lot of effort put into making it and it really shows. if you ignore the parts you don’t like, you can actually kick back and have a relatively good time
-also the action was really, really good. throughout the entire movie. it’s an avengers film, so the action has to be good, but the fights were still super awesome and a lot were actually a cut above the rest of the mcu (especially the melee fights)
-the final battle was amazing. up until the end, i was on the edge of my seat, because even though it’s another “big final battle against an army of cgi monsters” i actually really really liked it. pretty much everything was perfect about it, and it was so fun to watch the theater go ham whenever a hero did something badass.
-the score. god, the score. alan silvestri did so good with calling back motifs from other solo mcu movies (something marvel should’ve been doing the entire time). ant man’s theme after scott pops out of the quantum realm, captain america’s march when tony hands the shield back to steve, the reprise of “even for you” from infinity war during clint and nat’s mission to vormir, captain marvel’s theme when she blows up thanos’ ship? beautiful
-the actors did a superb job with everything they were given (which probably wasn’t that much). since the russos were paranoid about spoilers apparently no one knew who they were talking to which sucked? because the marvel cast is pretty good at improv lines. but the actors still did a REALLY good job despite this (and really do carry the movie). i felt in my BONES tony’s frustration and anger at steve during the wheelchair scene, thor’s pain and self-loathing when he reunited with frigga, and peter’s DESPAIR when he watched tony die (i will never be okay ever)
-the callbacks to previous mcu movies were fanservice, yeah, but it was the GOOD kind of fanservice in that it was really really cool and served the fans. it’s a great way for the last movie in the infinity saga to end, by revisiting some of the iconic places it touched on before
-tony and nebula! they were only together for the first scene of the movie but the scene with paper football was really soft and nice 
-the civil war conflict was glossed over save for that one scene of tony going the fuck off on steve and i couldn’t be more grateful
-MORGAN STARK. god if i had the capacity to cry i’d be sobbing through writing this entire post. morgan and her soft dad made my heart MELT into pieces i love them 3000
-they still deserved better though
-scott. like in general. he was one of the highlights of the movie. his reunion with cassie was :’)
-carol’s haircut
-by the way a lot of people complained about her makeup in her first scene with the avengers shown in the trailers but it literally wasn’t a problem for any other carol scene in the movie (because that was the only scene in the entire runtime where she was wearing noticeable lipstick/eyeshadow or whatever)
-professor hulk. i actually didn’t expect to like him, but he made a lot of actually funny jokes and i liked his personality contrast with 2012 hulk. also he made scott tacos! he’s really wholesome and i’m willing to ignore the part where he dabbed
-the mark 85 is one of my favorite iron man suits now, even though it didn’t get a lot of screentime
-speaking of which it’s REALLY great how most of the time when tony saves the day it’s because of his smarts. it brings back the main theme of the character: tony stark, the human, plays ball with gods, aliens, and monsters just by being quick witted.
-the entire sequence of tony, steve, and scott getting the scepter and the tesseract was PURE gold. (it’s my favorite part of the movie honestly)
-tony: ok scott to create a distraction i need you to put my past self into cardiac arrest. \ scott: uhh. uhh ok dude?? \ tony: my self loathing is this strong
-rhodey and nebula! they were an awesome teamup and i really really liked their friendship/dynamic
-PEPPER IN RESCUE ARMOR. WE DIDN’T GET ENOUGH OF THAT BUT IT WAS SO GOOD I LOVED IT HER ARMOR DESIGN WAS REAL GREAT
-tony reuniting with peter. i teared up. legit. i teared up.
-thanos: *headbutts carol* \ carol: *doesn’t even move an inch*
-wanda was so badass in her 10 second scene. i just thought it was really cool
-peter using instant kill mode
-tony using the gauntlet was badass. i hated it but it was SO amazing at the same time i wanted to cry and cheer at the same time so i ended up in a semi catatonic state for the rest of the day
-the little wreath with the first arc reactor, morgan craving cheeseburgers, tony’s last message.....;-;
-i love you 3000.....:((((((
-SAM GETTING TO BE CAP. (this was one of the best parts of the all-new all-different avengers comic) even though i still don’t like steve’s ending, i love that sam is going to take up the mantle (and i’m super excited to see the falcon winter soldier show now)
-the movie ended with the soundtrack of tony building the mark 1 solidifying that none of this would’ve happened without iron man. good thing endgame credits said that maybe tony stan lives do matter
-a rat is responsible for saving half the universe and i find that REALLY funny. my favorite theory is that the rat was loki the whole time and that doubles the hilarity
tldr: the movie had an ending that didn’t really fit the characters, but the rest of it was fun to watch: the action scenes were great, the interactions between the characters were mostly good, and it’s overall pretty entertaining as a film by itself. as a closing to the infinity saga it feels unsatisfying, but as a movie it’s enjoyable
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a-nonbinary-mess · 6 years
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I want you to do all the botanical asks because im a plant gay and i love you and i love plants
im crying op please tell me who you are please i love you too idk who you are but im love u too (also this is 31 questions anon omggg)
baby’s breath: 5 things you associate yourself with
1. art (anything aesthetically pleasing)
2. food–mainly desserts
3. stress (that i put on myself)
4. lavender bc i really love lavenders
5. uhh dogs? i really love dogs
bleeding heart: what makes your heart go mushy?
-thoughts of how much I adore my friends tbh
-any cliche romcom trope in a fanfic or seeing ppl suddenly realize how much they love another person, whether platonically or romantically
-seeing kind people in the world and amazing animals, mainly dogs and cats
bell flower: what’s the title of the song that makes you want to jump around out of joy?
-uhh idk i like disney channel original songs a lot tho and ive been listening to a lot of potential song by aly and aj lol
-love on the brain by rihanna, uhh anything that sounds cheesy and cute and romantic like la vie en rose by edith piaf (the cover by laura and anton is super good)
evening primrose: what is your sleeping playlist (five songs): 
-anything by lofi hip hop beats w/ anime girls studying hard
-any studio ghibli song tbh
-any classical music song idk i dont listen to a lot of music before i sleep
-tango music ??? 
-a whole musical (hamilton, chicago, etc)
-songs that dont require me to sing bc i will sing to legit any song at 3 am instead of sleeping
forget-me-not: who is your favorite blog that’s not following you? 
-hmm idk? i mainly follow a lot of art blogs, so i would say any of them? maybe hinamie? or insomniac-arrest is a super cool person, thatsthat24 bc thomas sanders is an amazing human being and i would love to be friends with him
daffodil: what is one plant that you want to have but can never get?
-lavenders or sunflowers? where i live is kind of really difficult to plant anything tbh (unpredictable weather, things die in the winter, etc) and also idk how to take care of plants r i p 
calla lily: are you more of a sunny day or a rainy evening?
-rainy evening for sure. i love to leave the window opening, listen to soothing music, drink tea surrounded by candles, and read something ive been putting off while my dog is curled up next to me
foxglove: what is your favorite color and in what shade?
-i like the whole rainbow of colors but i prefer the darkest black and darker red for clothing and a light purple in general
lavender: what is something that you’ve always wanted to be/have/get but can never have?
-happiness. jk but i really do wish that i wasn’t mentally ill though :// also a cat. bc im allergic : (
love in a mist: what is the latest dream that you remember?
-idk i dont sleep well or deep enough anymore to even dream but i remember having a dream 2 years ago that i was dating oikawa from haikyuu and he was so disconcerting in my dream that i remember it to this day bc essentially he wasnt a real person like i could recognize him bc he was a damn hologram like miku and we had sex the end it was wild
daisy: what is your favorite flavor of cotton candy, ice cream, and juice?
-favorite cotton candy flavor (???): there are multiple flavors???? i just like the original pink i guess idk anything about cotton candy 
-ice cream: cookies n cream, cookie dough, vanilla, mint depending on where im getting it, and strawberry : )
-juice: does fruit punch count 
painter’s palette: are you more of a singer, dancer, painter, or instrumentalist?
-i love singing and i can legit never stop
tulip: what is your most favorite make-up product? do you like it more natural, dark, or etc?
-i love love love red eyeshadow. the brighter the red, the better. i also love red eyeliner and just anything red in general, but i usually mainly use red eyeshadow bc i love the look; anything red = good
waxflower: are you a bee or a butterfly person? a dog or a cat person?
-i love bees !!! butterflies are cool too but bees are cute fluffy babies that essentially control whether we live or die
-uhh probably dog person but only bc i have one :0 i love cats too but im less sneezy and generally stressed when im with dogs lol
sugarbush: do you have sweet tooth? if yes, what’s your favorite sweets? if no, why?
-i really do like sweets but i used to eat so much as a kid that im kind of sick of them now but i still like to eat the occasional cookie or cake or something
-i really like donuts !!! also any asian dessert (eastern, southern, western, EVERYWHERE) is amazing to me and i love eating them
sunflower: would you like to be a fairy or a mermaid?
-merperson !!! i love the ocean and maybe we can finally figure out whats at the bottom of it ; ) sweet pea: what would you like to call your significant other?
-babe mainly, hon
-hey, you fucker
-u dumb egg
sea lavender: can you swim? which strokes can you do?
-i can barely swim now uggghhh but i swam for five years and i knew all the strokes and was super good at freestyle (haru who) !! now i can barely do the freestyle and that’s it lolwindflower: list 5 of your favorite blogs and explain why i like them
-thebootydiaries: she’s funny !! anyone who i find funny i automatically like
-thatsthat24: thomas sanders is amazing. i love him and his friends so much and i think about being his friend a lot to the point where ill have dreams about suddenly being good friends with his whole posse aldjfal;fjl
-tatir0ckz: we used to talk a lot like back when we were both into hetalia but we never talk anymore ? which is fine ! but i remember a lot of our old convos and we skyped like once and idk 2012 was a simpler time
-adorable-as-fuck: i know her irl !! we went to the arcade like once and it was a ton of fun so we exchanged tumblrs and thats it and on the rare occasion that we’re both free, we might go to the arcade again !! idk its cool she’s super cool
-mhaikkun: her art style is so good and she doesnt upload as much on tumblr anymore but shes so cute and her clothing style and aesthetics is sooo good !! she’s a p cool person and her stories on twitter are always super wholesome aah
-this is more than five but ngl aphtextsfromnordics, incorrectknb and any other incorrect quotes blogs or text message blogs changed me as a person aldfj
golden rod: are you more of a baker or a cook?
-baker for sure ! baking just calms me down i think
bloom: what is something that you would like to tell your children?
-if i do have children, i want to tell them that i will never judge them for who they want to be. i hope they will be as open as possible and that i would never want to make them uncomfortable. i would encourage talking about problems and just communicating needs in general. idk, basically everything my biological parents didnt do
peony: what is something that you wish your parents could’ve told you?
-tbh my parents are awful, awful parents (and one of them is just a purely disgustingly, horrid person) and i would never wish for them to tell me anything bc on the off chance that they did try to parent, it was to tell me how much of a burden i was, or something racist/homophobic, etc. 
-if they were better people, i wish they would have told me it was okay to be struggling and its okay to be lost rn. i wish they would have encouraged open communication and kindness but well, i learned that all myself : )
prairie gentian: do you have a significant other?
-nope! i sometimes really wish i did, but relationships honestly stress me out and idk how to talk to irl people : ( i love platonic relationships a little more honestly, makes me feel more comfortable
september flower: are you more of a sunshine or sunset person?
-sunset for sure lol i think sunsets are so pretty bc of all the colors that are involved and during that time period is when im doing something i like and im typically at home : ))
bird of paradise: do you wake up early? do you sleep early?
-i wake up early now bc of school but i usually sleep late and wake up late haha
marigold: what’s your favorite tea?
-roasted green tea and lavender! anything flowery is nice too : )
peruvian lily: what are the names of your pets?
-i only have one dog (a pomeranian) and her name is marzia! which is short for marzipan bc my dad didnt want to remember such a long name lol
hyacinth: do you name your plants?
-ye! most of the time theyre just silly names like spiky (for when we had a cactus a long time ago) or red/pink (the colors of the roses), etc. idk about now bc i dont have any plants currently
lilac: would you rather sleep and be cozy or hang out with your friends?
-hmm depends on the friend tbh
-but most of the time id rather sleep and be cozy !!!
poppy: do you like to dip your fries or do you like it as is?
-dipping !! i like ketchup or ketchup and mayo !! cheese fries are sooo good too
dandelion: any special talent that you have?
-i can bullshit a writing piece really bad and still get a good grade on it (seeing as most of the time i procrastinate until the night before and write the whole damn thing)
thanks for all of these questions anon !! if u can and ur comfortable, pls get off of anon sometime so we can talk !! im on tumblr a lot more now bc im procrastinating lol (and if my responses are late its bc im on mobile with no notifs on lol)
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