#// I had to set the background and the scene

[alding-art]

Here we go with the first picture of 2025! And it's a Star Wars!

A scene with Zadina doing a certain stylish power slide on her speeder during some fighting on Corellia. The sun is setting but the fight is still ongoing. She is my Havoc Squad commander in SWTOR and has lost her helmet yet again it seems.

Note I kind of throw together ideas and elements for these to build up some sort of scenario in my mind. And perspective oh my. I get rather bogged down in it if there is more than 1 thing going on in a picture so it's more a case of 'good enough is the enemy of perfection' here. The speeder bike is referenced from a 3D model, as is the assault shuttle in the background. The APC or IFV vehicle is my own super boxy creation I threw together, which has appeared in one other pic beforehand. If it had a name it would probably be called a Warthog. Or maybe Brick.

[ssspork]

Some Fanart for https://archiveofourown.org/works/61679998 (which is so awesome sauce go read it) @kenshin1340 (not to sure how to tag people tbh but idk how else u would find this😭)

https://archiveofourown.org/works/61679998

There’s some symbolism which I will explain down below, and perchance a rant about how I adore how Lux is written and the idea of freedom that this fic is exploring

Also the speed paint with the song

ANYWAYS, symbolism time!!

this piece was inspired by Eleanor Rigby, so the “church” Lux is buried in is the lecture room, bc this is Luxs place of sanctuary. Her freedom, though “nobody came” bc she feels so isolated from others, following things she doesn’t particularly like bc she knows she’ll never get that in the future. We see this in the party scene where she wins, but her smile doesn’t reach her eyes. She feels alone.

Than herself, she’s yellow, a color of happiness and freedom and light, like her name itself, but ironically, she is trapped, as is why her dress is so tight. She lays under a spotlight, the same way her family always has its eyes in her. And a incomplete halo of sorts of blood, she is so close to being free, but she can’t nor will be. The blood comes from what I had assumed to be a blunt force trauma injury, but I’m starting to believe it was a contraption and not a injury that left the scar.

Silco is the priest, alone as well, like Lux, he appears to be some sort of parallel (he was what she is) he sees her injury, as is shown with the red eye, and (most likely) sees it in himself(This is a prediction). He is difficult to see, blending into the background as unable to help. As for Lux to be free, she must figure out who will be free first, and allow herself TO be free (see rant).

Than Luxs name is wiped away, and Luxanna written in top. This is because “Lux” is the free version of “Luxanna” and Lux will die if she goes back, as with Pascal, who is also being wiped away. (Pascal would have worked better with the metaphor, however, having a variation of her name being wiped away and her full name ontop works better thematically)

And than Jinx’s signature at the bottom left, a reference to when she drew Lux in the first place. She’s drawing this because, like her father, she is observant (the both of them noticed her scar). Also, this was an accident, but to make a metaphor of it, her name is written like Roman numerals, similar to how VI’s name is. Which could be used as a sorta parallel between Garen and Vi (in some way?? I feel like Vi and Garen are going to be foils or parallels in some capacity)

Anyways, rant time:

The way this fic has handled the idea of freedom is AMAZING. Usually in Lux fics, Lux can’t be free due to external forces, which sometimes have become internal, and to fix the internal, she must fix the external. But here, the external forces are gone, she’s the one who controls her freedom. And despite having freedom, she truly, has none. Because freedom with a end is not freedom.

So to make up for the fact she will no longer have freedom, she does stuff to try to make up for it: for example, the tree fairy costume I don’t remember exactly what it was called (also like drinking and smoking weed). Stuff she knows she won’t be able to do later. But the thing is, she doesn’t like this stuff, in trying to be free, she’s trapped herself. And now she’s trapped in 2 ways, of her attempts to be free, and what’s been instilled inside her.

We see she never truly lets her guard drop (other than 1 time, but that was when she was with Jinx), she always has a set smile for everything, everything is planned out. Just as how she sees her life. Because of this, she can’t let herself be free, because she doesn’t even really know who SHE is. There’s Luxanna, her parents child. There’s Pascal, the free, but her name ISNT Pascal, it’s Lux(Luxanna as well). Pascal is free, but she isn’t really Pascal. She’s Lux, and Lux needs to be free. But who IS Lux?

And WOULDNT YOU KNOW IT?? that’s what Silcos speech WAS ABOUT. It was about how his class with allow his students to find themselves. AUGH ITS SO GOOD. And the fact that Luxs guard WENT DOWN when around Jinx, if just for a second, if just for a accident, and Jinx CAN AND DOES SEE IT. Oh my golly gee I love it when you can see the arc, this is so good,

[daily-hanamura]

[ithacanradio]

"do you miss kissing?" is a bonkers line to say to your newly acquired ghost friend as you're dying of hypothermia ily charles rowland

[thechaoticfanartist]

They're sparring and Grim is getting a little cocky (she loses immediately after this)

Tag List (let me know if you want to be added or removed) : @padme--amygdala @soclonely @mrfandomwars @jgvfhl @starlonkedd @andorlorian @togrutanduin @jedi-valjean @one-real-imonkey @traygaming @keoxus @veiled-in-stars @sentineljedi @spicysucculentz @it-was-rose @thejediprincessqueenofnaboo @veradragonjedi @arrthurpendragon @shrinkthisviolet @thebrainofocto @forloveofcodywan @mandalorian-general

[apalestar]

@galefcrce plotted starter.

An eventful evening not for the soiree or clandestine deals Astarion had in store. No, tonight his palace played host to a friend of old. Admittedly, he and Gale had not ended off on the best of terms. A lover scorned and all. Already a small entourage of Baldur's Gate richest and finest had gathered. The palace had never been more livelier.

And many of Cazador's old clients and connections were all too eager to latch onto another influential person. The infamous moniker attached to his name: Hero of the Gate. Who could resist not coming to his social events? And how foolish Duke Ravengard had been to give him a noble's title! It made him respectable even if the eyes of those who knew him when he was but his slave.

This was the crux of why he even considered extending his lover of old an invitation. Gale wanted something from him; a deal. Something of import for him in exchange for magical tomes the late bastard Szarr kept in his collections. All were property of Lord Ancunín now, of course.

The musicians played a classical tune meant for partnered dancing. The wine and hors d'oeuvres flowed from the kitchens. A perfect evening for playing nobility's game.

Astarion's chamberlain, a slight thing of a woman, approached him. One of the few mortal servants in the household. Every vampire needed at least one for appearances. "My Lord, your guest of honor has arrived." She spoke quietly only once he signaled for her to do so.

"Splendid. The highlight of my evening barring any assassinations. Those always make for an entertaining affair." Astarion dismissed her. He weaved himself in and out of the crowd dodging conversations with a polite, well-practiced smile. His roguish tendencies hadn't diminished since the fall of the cult.

"Gale of Waterdeep." He greeted with the same fervor any good patriar would of an old friend; even one as estranged as him. "So pleased I am to—" A pause. "—see you. I'd fear you'd be half dead before you came to chat."

[per1w1nkl3]

the return of the archons is another 'machine panic beacuse its the 60s' episode and I mean it's okay but the costumes??? their little outfits?? spock and his cloak jim and white button up + black bow tie thing (how do you even call it???) slayed. also. james was wearing makeup this episode. I dont think I need to say more.

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: SUR'KESH

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Urdnot Wrex With: Lt. Steve Cortez, Dr. Mordin Solus, Major Kirrahe, and Urdnot Bakara And a Special Guest Appearance by: Adm. Steven Hackett Alliance R&D has officially begun construction on the Prothean device. The team has dubbed it: "Project Crucible". We're throwing everybody who knows how to throw a hammer at it. This is gonna be the most ambitious undertaking in human history. I'm not saying it won't be a challenge- but we can do this, Shepard. You can do this. Never doubt that. Mass Effect 3: Legendary Edition (2021)

+BONUS (the smirk™���)

[sunflowercider]

-keeps adding themes and blatant symbolism in scenes where none were needed nor originally written for- why is it taking so long to finish these scenes?

[davrinassan]

oh i made a post on reddit and found out i am NOT the only person struggling w/ flashing lights & high-contrast stuff post-concussion. all my googling was like "PHOTOSENSITIVE EPILEPSY!!!!" which was legit terrifying 2 me as someone w/ health anxiety and ocd lmfao..... but it's just nice to know. like. other ppl [have] struggl[ed] w this too. and i got recommendations for stuff i can do re: that AND my other lingering symptom (motion sickness) so that was cool. thank u internet :)

[icewindandboringhorror]

this is not the exact one I watched but I saw one of these "dish scape" things at someone's house who actually has TV (like they pay for dish/cable instead of just watching stuff online) and I think they're meant to be relaxing atmospheric stuff that you mostly ignore, but I sat there for 35 minutes watching absolutely engrossed.. further proof that I genuinely think my brain is incapable of experiencing boredom lol..

[honey-tongued-devil]

[Arcane preference] reacting to someone flirting with their s/o + jealousness

I'll be honest, I had like four headcanons on jealousy (and five on pregnancy, curse on you and your baby fever), so making this headcanon became a priority. Plus, I tried to make it a bit longer. As usual, under the "read more" line, you'll find both my other project for Arcane (a series of vintage-style posters) and my other socials in case you want to follow me because you love me too much.

socials: | INPRNT | | Tip Jar | | X | | BlueSky |

poster: | Jayce poster | | Silco poster 1| | Silco poster 2| |Silco poster 3| | Steb poster |

Jayce:

- He’s not the type to cause a scene, nor is he the aggressive kind.  

- When someone flirts with you in front of him for the first time, he’s confused for a few seconds.  

- The problem begins when the thought starts settling, stagnating, thickening like sediment at the bottom of a bottle. Was the person really hitting on you, or is he just being paranoid?  

- Did they not realize you were together? Or did they do it on purpose?  

- It doesn’t take long for him to start ignoring you, not even on purpose—he suddenly forgets he’s a scientist, a successful adult man, and spirals into a crisis.  

- What if he’s not enough? What if that person realized before him that he wasn’t suited for you?  

- You notice something’s off, but he doesn’t say a word. If it happens again, his fists clench, he feels like the world is collapsing on him, and if it persists, he leaves without even thinking.  

- He doesn’t want to witness that scene; he’s terrified that you might accept the flirtation, that you’ll realize he’s not good enough for you.  

- And if you’re going to leave him, he doesn’t want to see it with his own eyes.  

- Eventually, he’ll be the one to bring up the subject, just to tell you that if you’re tired of him, he won’t hold it against you and that he understands.  

- It’s not true, but he wants to seem mature. He wants to be a good partner until the end and almost breaks down when you reassure him that you don’t want to leave him, that he is enough.

 Viktor:

- Pre-"Arcane s1-tamed" Viktor would snap at the person flirting with you or insult them under his breath.  

- In the wrong moment, with enough alcohol in his system, his reaction could even turn violent.  

- Viktor gets jealous with anger—a mix of fear of being mocked, the lack of control over the situation, and his sense of replaceability set him off.  

- But he’s also an adult. He’ll try to make peace with himself before talking to you about it.  

- Post-"Arcane-tamed" Viktor observes you, tries to read your signals. He’s irritated but keeps calm and even interrupts the situation, pointing out that the two of you have things to do.  

- He doesn’t wait long to bring it up and is straightforward: “Do you like him?”  

- His jealousy is laced with sadness. The thought of losing your warmth, intimacy, and everything he has with you makes him feel empty.  

- He knows he’s often absent because of his research, that it’s hard to be with someone with “special needs” because it can be limiting at times. He’s aware of his unique personality and his background. His anger quickly shifts to resignation, becoming a quiet sorrow.  

- When you try to reassure him, his response is even sadder: “I know I’m hard to love. I don’t blame you.”  

- When someone hits on you, as soon as you’re alone, he holds you closer. During cuddles, he breathes in your scent deeply, as if trying to memorize you in case he will ever have to remember you.

 Ekko:

- At the Tree, it’s pretty normal. They share everything, and everyone is just very friendly. If someone flirts with you at the Firelight hideout, he laughs, jokes, and stays calm.  

- The problem arises outside of that safe space.  

- When someone from outside flirts with you, he’s stunned for a moment, but if it continues, he leaves before you can even respond.  

- He knows that if he stayed, things might escalate.  

- “I didn’t like how that guy was talking to you,” he blurts out when you try to talk to him, but it’s obvious the issue cuts deeper than that. His tone and downcast eyes reveal that it’s more significant than it seems.  

- Living at the Tree has taken your relationship to a deeper level. You take care of the kids together, share everything, and live as part of a big interconnected family.  

- The idea of someone threatening the peace of his home, his family, makes him feel like those things he takes for granted could suddenly change. 

- That tomorrow, you might no longer be his “married” partner but two strangers.

 Vander:

- Vander is too old to be jealous, and has been in enough strange and ambiguous situations not to overreact.  

- If someone flirts with you, maybe at the bar in front of him, he chuckles to himself, commenting only after the person leaves that you’re so attractive no one can resist you.  

- He doesn’t like it, but it often makes him smile to see others recognize what he sees in you.  

- On the night when someone is particularly persistent or you seem to laugh more than usual, he taps his finger on the bar, contemplating what to do. When he catches your eye, he simply mouths, “If you want to go, don’t worry—I’ll close the bar.”  

- It’s not about being open to a polyamorous relationship, don’t misunderstand. He believes that a relationship should be based on the fact that you actively choose to be with him, not on obligation. That’s why he gives you the freedom to back out if you want.  

- When you shake your head, refuse the other person, and stay with him—maybe touching his hand at the bar when he has a moment of peace—he looks at you with an indescribable tenderness.  

- “I’m glad you’re here with me,” he whispers when you’re finally alone, holding you tightly in his arms.  

Silco:

- On one hand, he’s too old to make a scene, but when he sees someone flirting with you right in front of him, something inside him falters.  

- Being able, after so many years, to form such a deep bond with someone put him in a state of comfort he hadn’t realized might one day be taken away.  

- Suddenly, that possibility becomes real, vivid. Outwardly, he shows no emotion and doesn’t lose his composure for even a moment—because if he did, he might lose control. But inside, he feels like he’s dying.  

- If you laugh a little too much or don’t explicitly reject the person, the turmoil inside him intensifies rapidly.  

- He’s been through too much, and his mind is wired to “strike before being struck,” which is why he immediately becomes colder, seeking emotional distance to avoid being vulnerable.  

- He’s not the king of good communication. If you try to ask him what’s wrong, he’ll dodge the question. It’ll take a lot of effort on your part to understand what triggered his behavior, to talk to him and reassure him gently, never too directly.  

- You’ll need to show him, through actions, that you haven’t left and don’t plan to before he starts acting normal again—becoming more physically affectionate when you’re alone.  

 Jinx:

- Jinx is possessive and jealous, living in constant fear of being both not enough and too much at the same time—of losing everything she has and being abandoned by anyone who can still leave her.  

- It’s in those rare moments when the buzzing behind her eyes quiets, when she’s at rest, that for a single second, just one fleeting instant, she allows herself to forget that fear.  

- And then, when you’re together, and someone pays you a compliment that makes you laugh, something snaps in her head.  

- Do you know them? Why are they so friendly? Why don’t you say something? Why did you stop walking? Walk, dammit, walk. Why are they touching your shoulder? Why don’t you stop them? Why don’t you stop them? WHY DON’T YOU STOP THEM.  

- The likelihood that the person who flirted with you ends up found the next day with a broken limb in a dumpster is extremely high.  

- But even that doesn’t calm her. When you get home, she isolates herself, spiraling into thoughts that maybe, if you could, you’d have gone with that person or followed them.  

- She’ll need lots of affirmation and both verbal and physical reassurance before she calms down.  

Vi:

- Her jealousy exists, it’s there, but she expresses it in a very straightforward way.  

- Having been forced to grow up too quickly and unable to throw tantrums because she was responsible for her siblings, her emotions have always been carefully bottled up and dealt with through questionable coping mechanisms.  

- Sure, having someone by her side now means she can’t go brawling in the streets, especially when the reason feels so trivial.  

- Usually, she doesn’t even pay much attention to it, but this time, exhaustion, stress, or a moment of vulnerability probably made the situation unbearable.  

- And as always, if you have questions no one can answer, the solution is probably at the bottom of a glass.  

- She doesn’t want to burden you with how she feels; it’s not even your fault, and she knows it’s stupid to feel this way. But when she’s forced to confront the idea that you may not a constant in her life, that maybe you want something better, something more—at that moment, she needs to get out, to scream, to punch something, with enough alcohol in her system to pass out in an alleyway.  

- She struggles to talk about it, hates making you responsible for her emotions, and hates that she has to make you worry when it’s not your fault.  

- When you bring it up and try to approach her with an attitude that makes her feel reassured, she has moments of being emotionally fragile, more vulnerable than usual.  

 Caitlyn:

- This woman is a lady killer—it’s sadly very normal for people to get jealous of her.  

- At work, during conferences, or noble meetings, she’s used to people flirting with her. That’s why, when she sees someone flirting with you, her first thought is that they might be making you uncomfortable.  

- If she sees you’re actually uncomfortable, she’ll personally step in to ensure the other person leaves.  

- If she doesn’t see you uncomfortable, she’ll observe you for a few minutes, becoming distracted and absent from her own conversations, lost in analyzing what she’s seeing. -However, she dislikes waiting to address issues, so expect her to ask if something is wrong between the two of you as soon as you’re home.  

- Caitlyn’s issue is that her thoughts ferment. If she doesn’t address the matter immediately, each day will make her mood worse, leading to unnecessary tension.  

- She might not shake off that strange feeling immediately and could remain distant until the next day, but it’s not punitive. Her emotions catch her off guard and make her colder unintentionally.  

- She’ll make up for it completely the following day.  

- She’ll also ensure she gets matching rings for both of you, so they can serve as a signal to others.  

 Mel:

- For Mel, jealousy is just bitterness.  

- She doesn’t show it. Her training in always appearing reliable and cordial means she’s adept at masking her feelings. So, when she sees someone flirting with you at a gala, her gaze lingers for just a few moments before she returns to smiling at her conversation partner.  

- A little passive-aggressive, with comments like “I saw you had fun” or “So, tell me about��”—but not meant to provoke you.  

- She’s the first to acknowledge that at meetings and galas, one must be adaptable, charming, smiley, and captivating. She knows that flirting is often part of the façade or just a small piece of a larger strategy, so what may sound like provocation is usually her way of asking what was on your mind.  

- Her bitter jealousy becomes stronger and more genuine when there’s no strategy, no deeper game, but the person continues attending events and spends all their time trying to flirt with you. In these cases, she won’t hesitate to interrupt with a firm, “Excuse us,” and lead you to the balcony.  

- No scene, no lecture—just a curt and slightly sad, “I only ask that you don’t make a fool of me.”  

- When reassured that there was never even the intention of doing so, she becomes almost an accomplice. Have fun (within limits), gather amusing or trivial information, and tell her all about it later when you’re alone under the sheets.  

 Sevika:

- Sorry to disappoint, but she’s the least jealous character here.  

- Her most stable relationships have all been at the brothel. If someone flirts with you, she’ll wait until the person leaves to comment on how slimy they were or how you seem to attract everyone without exception.  

- Zaun is precarious; her job is precarious; even staying alive is extremely precarious. She doesn’t have time for jealousy. To her, it wouldn’t make sense to get angry or even cause a scene just because someone flirts with you when she can’t be around much or offer you stability herself.  

- She knows perfectly well that her mechanical arm, her boss, her boss’s daughter, the drug use, and the dangerous work she does make her someone it’s hard to stay close to. But this doesn’t make her insecure—rather, it makes her grateful.  

- It’s your choice to stay by her side, and if you ever want to leave, she believes you should feel free to do so without fearing any outburst from her.  

- When you reassure her that you’d never betray, replace, or leave her, she pulls you close with one arm, kisses your forehead, and gives the faintest smile.  

- That said, if someone flirts too much and you complain about their persistence, Sevika will handle it diplomatically—by picking them up and slamming them against the wall in front of you, making sure the point sinks in effectively.  

[tossawary]

One of my personal nitpicks for historical fantasy is a lack of servants, staff, subordinates, and... idk... subjects? Like, their absence is not... a total dealbreaker for me, depending on the situations the characters are in and whether or not I can just assume that other people are there in the background... but so many of the protagonists in historical fantasy stuff are higher-ranking (very often royalty), and/or have busy jobs, and/or have enormous houses that would necessitate having at least part-time staff.

Like, girl, you should have a maid! WHERE is your chaperone?! WHO is driving this carriage?! Where are your footmen? Are you trying to imply that a WEALTHY DUCHESS is taking a CAB?! You know that you probably have tenants, right? Where is your steward?! Where is your lawyer? Your accountant?! (Like, yeah, you're not going to have your lawyer living in your house, but you HAVE one, right???)

Or, man, you're supposed to be a military commander and you don't even have a single secretary?! Where is your SQUIRE?! (In the spirit of historical fiction, I am jumping wildly across time periods with every sentence here.) Man, I know you aren't looking after your own boots. Where are your GUARDS?! Who set up this tent for you?! Who is looking after your horse?! Who is making and carrying the incredibly valuable maps people are recklessly stabbing daggers into?!

SOMEONE has to be scrubbing these floors and delivering the mail and cooking the meals and doing laundry, and they're probably all DIFFERENT people! My dentist has at least three different receptionists and we can't even get ONE for our court wizard here? A sorcerer's apprentice to take notes? Someone like Sherlock Holmes could get away with just having a housekeeper and taking taxis, sure, but your character is supposed to be a KING?! Why is he answering his own front door? He's going to get assassinated. His SERVANTS should have SERVANTS.

Like, yes, I understand that a lot of servants in certain places at certain times were supposed to make their labor invisible, but there have always been servants who still had to interact directly with the masters of the house?! Yeah, there are potentially really messy ethics here, class divisions are bullshit, but I don't think that completely ignoring the reality that humans have ALWAYS been doing work for other humans is better than just including some well-paid and well-treated servants and employees? Because a complete absence of them, especially where logically for the worldbuilding there MUST be servants (and probably exploited servants, or worse, for some particular worldbuilds to work), often makes me think that your main characters just don't care enough to notice the "lower class" people or know their names.

Also, even Frodo Baggins had a gardener and Samwise Gamgee might be the best damn character in the story?! Sam saved the world?! Servants are PEOPLE. Servants are often the funniest and most interesting characters, tbh, with the most to say about a society and its workings (yes, Discworld is a very good book series, highly recommend), and also the joke of some romantic scene being carefully orchestrated by a stage crew of servants frantically diving into bushes to stay out of sight never gets old to me. Teamwork makes the dream work!

I don't want to gatekeep historical fiction, especially not historical fantasy, because the worlds don't necessarily have to conform to our own and may have magic and characters are often in very unique circumstances, but... sometimes I pick up a story and it's like... "Author, please tell me that you know there is a difference between a butler and a valet?!"

[keepitdreamin]

My and a friend's dnd characters at their secret pond where they can speak privately and look for frogs

(don't mind Rufus, he's chill just don't bother him 🐊)

[simpforboys]

surprise! (2)

drew starkey x fem!singer!reader

summary: reader and drew shoot the ‘perfume’ music video!

warnings: fluff, swearing, sexual themes but no real smut, kisses

‘perfume’ by del water gap

part one , part three, part four

It was bright and early on a Wednesday in December.

You had been up since six am to be on set, get costumes all organized, makeup done, hair done, and just make sure your vision was really coming along how you wanted it to.

After all, 'Perfume' was a big deal to you, now even more so due to the fact that your dream man was going to be your on-screen lover.

When Drew finally showed up at eight am, almost exactly on the dot, he was a little disorganized due to not getting as much sleep as he should have the night before.

You were talking to the director, clearly deep in the discussion as you explained your vision as best as your chaotic brain could.

"Drew is here," your manager came walking over.

Fuck.

You looked over, seeing Drew standing awkwardly by the trailers as he looked around at the film location.

It was pronounced you had chosen to do more of a countryside feel, the old farmhouse that had people constantly going in and out of it in order to set up for later scenes.

The location was beautiful, though. Grass, sand, hills, and for the actual land, it was quiet.

"Hey, good morning."

You walked over to Drew, trying to hide your pounding heart and the bags under your eyes (because, obviously, you hadn't been able to sleep the night before).

"Good morning." Drew looked at you, a small smile on his tired face.

"Are you hungry? We have breakfast and coffee over here," you guided Drew over to the food station, hands shaking with nervousness.

"Coffee sounds good, yeah." Drew murmurs, trying not to stare at you in your outfit.

You had chosen to wear blue overalls with a black long-sleeve shirt, and brown cowboy boots to fit into the countryside vibe you were going for.

"Sorry, I barely slept last night."

Drew shook his head, a small smile on his face.

"No, you're good. You just... look good."

Your eyes widened slightly at his compliment, your face feeling hot. God, why did he have to be fucking sweet?

"I don't normally wear this shit," you tried to deflect off of it and make a joke.

Drew smiled, shaking his head softly as he took a sip of the hot coffee.

"I'm assuming we're going to be cowboys?" He teased.

You shrug, a small smirk curling onto your lips.

"I couldn't pass up the opportunity to give everyone cowboy Drew." You joked back, instantly feeling a little embarrassed.

Being hyperaware and anxious was absolutely not helping anything about any and all interactions with him.

"Okay, so you're welcome to help yourself to anything. I have to film some solo shots, but probably in around thirty to forty-five minutes, the costume lady will come to get you."

You spoke, avoiding looking at him.

Drew hummed, watching you get all nervous and embarrassed. As much as he wanted to reassure you that you were fine, he couldn't deny how amusing it was to see you get all shy around him.

"Thank you," he murmured.

While you went off to shoot some solo stuff, Drew was in the trailer as the ladies gave him some makeup and fixed his short hair.

You wanted him to wear blue jeans, cowboy boots, and a plain white shirt that had some dirt on it to make the appearance that he had been working outside.

By the time Drew was dismissed, you were finishing up filming. Staring at the footage that was just shot, your song playing in the background as you stood around the property or lip sung.

Glancing over and seeing Drew in the damn outfit you picked made your heart physically flutter.

He looked good.

You would definitely be feeding his fans (and yourself) content.

“How do I look?” He walked over to you, a small smirk on his face.

“Good… yeah, uh, good. Exactly how I envisioned.”

Why the fuck were you so nervous? Why the fuck was he so handsome and intimidating?

He hummed, wanting to tease you a little more before the director cut in.

“Okay, so you two are going to be sitting in the truck. Drew will be driving with Y/n in the passenger seat. When I say ‘go’, I want Drew to slowly reach over and hold her hand. Look at each other with soft, warm, loving eyes.”

The director says. The two of you nod in agreement, getting into the truck.

Drew placed his hands on the wheel as you looked out the window. The filming location was genuinely so pretty, and you were very pleased with your decision.

The camera man slid into the backseat with the big camera, making sure the angles would all be right.

“Okay, three, two, one… action!”

You continue to stare out the window as Drew drives the truck along the grassy pathway, ‘Perfume’ playing in the background.

And I'm picturing you right now, I'm thinking of you right now

You tried not to have your breath hitch when you felt his large, warm hand grab yours and intertwine your fingers.

Glancing over at him, your eyes met his gorgeous blue ones, a genuine look of affection filling your gaze, mirroring his.

But his was probably fake, he’s an actor after all.

Drew gave you a soft smile, which caused a small grin to curl onto your lips.

“And cut!”

‘Perfume’ cut off, but you were hyperaware of the way Drew didn’t immediately pull his hand from your’s.

In fact, you were the first to pull away, nearly shitting your pants at the way your hand tingled.

Drew cut the engine of the car, the director coming to the passenger side window as he leaned against it.

“That was really good, you could feel the tension in the gaze. For the next shot, we want Drew to get out of the car with Y/n to follow. Outside the car, start walking up towards the house, when Drew is going to place his hand on your waist and pull you towards him. Share a passionate kiss, and press her against the door.” The director said.

Oh. Oh. Oh.

“Sounds good,” Drew hums, glancing briefly at you.

You swallowed, trying to ignore the way your face felt warm as you nodded in agreement.

‘Perfume’ started playing in the background again, the next scene about to start.

“Okay… three, two, one… action!”

'Cause I wanna do all of the things, baby, I said I wanna do with you… 'Less this is a lie and I don't know myself like I thought…

Wait, this is a mess, I could be wrong, I could be so damn mistaken

Both you and Drew got out of the car, a sheepish smile on both of your faces as you start walking towards the house.

Your heart stammered in your chest when you both stepped onto the porch and his large hand snaked around your waist, tugging you firmly into him.

He dipped his head down, capturing your lips.

You were kissing Drew fucking Starkey.

Immediately, you both melted into the kiss. Your hands were on his jaw and the back of his neck, his other hand going to rest on your lower back, just on top of your ass.

Drew almost forgot where he was for a minute as he slipped his tongue into your warm mouth.

He pressed your back against the front door of the house, you pulling him down so his body is flush against yours.

Fuck.

You were both thinking it.

“And, cut!” The director called.

You were both so raptured into the kiss neither of you heard it immediately.

“Cut!” The director called again, trying to hide his snicker.

Drew slowly pulled his lips away from you, his hands sliding off your body, making you feel cold.

“Sorry,” he murmured. His blue eyes bore into yours.

“You two take five, we needa get the bedroom all ready for the next shot,” the director said.

You moved away from the door to sit on the front patio furniture of the house. Your lips were tingling, mind racing at the thought that you just made out with your celebrity crush.

Drew looked sheepish and a little embarrassed that he let himself get so into a kiss. It was definitely a first for him.

“You want a water or anything?” Drew asked you.

“Uh, yeah, sure. Thank you,” you swallowed. You were still feeling a little breathless from what just happened.

By the time Drew came back with your water, the director had also returned.

Both you and Drew followed the man into the back bedroom of the old farmhouse. It was bare, with the basic furniture of a wardrobe, bed, and nightstands.

You wanted it to be basic, you wanted it to add the detail into the story you were trying to convey.

"So, we're going to set the camera up right at this angle. Drew push Y/n back onto the bed and climb on top of her, still kissing. Only break the kiss so you can both pull your shirts off. Then we're going to cut it into a birds-eye view. Sound good for now?" The director hums.

Oh. Drew was going to see you in your bra.

You might have forgotten about that when you came up with ideas for the music video.

Drew nods, his eyes flickering over to yours, meeting your gaze before you both quickly look away. Why was he so nervous?

He had seen boobs, he had seen women in bras. Maybe it was the fact that he was going to see yours was driving him a little crazy, making him forget all about his professional side for a moment.

You unbuttoned your overalls at the top so it would be easier to pull your shirt off for the scene.

"Three, two, one... action!"

But I'm picturing you right now, I'm thinking of you right now, I'm picturing you right now

With nothing on, with nothing on but my perfume

The familiar beat of your song and lyrics came on, but you paid absolutely no attention to it when Drew kissed you again.

He flopped you back onto the bed, your body bouncing slightly. But neither of you dared to disconnect your lips, his tongue slipping in your mouth yet again.

A very small, faint whine left your throat when he pulled away to tug his shirt off. No fucking way you just did that.

Unbeknownst to you, the small whine made Drew's entire body go rigid. His mind was starting to drift into what you would sound like actually in bed.

You arched your back up, trying to remember that there was a giant camera on you both. You pulled your black long-sleeve up and over your head, eyes staring up at Drew.

The way his pupils dilated more, that gorgeous blue swirling into a deep sea color. Fuck. You were both ruined.

He immediately connected your lips back to his, both your minds a state of pure need. But before anything else could happen--

"Cut!"

The word "cut" was starting to become your least favorite thing in the entire world. Drew pulled back, still hovering over you.

You finally let your eyes drift down to his bare torso, seeing those abs for the first time in person. But he wasn't the only one.

He tried so hard not to look, to be a gentleman, to be professional. But he felt his gaze slip down to you lying there in your bra, his mouth growing a little wetter.

"Y/n, spread your legs and let Drew lay in between them. When we say action, Drew start thrusting your hips as if you two are having sex. We'll keep the birds-eye view so it gives off the appearance that you two actually are."

As the director gives his next instructions, a set designer fixes the sheet to rest around Drew's hips, covering up the fact that you are both still wearing pants.

All you and Drew could do was nod. It wasn't really safe to speak, not when the sexual tension and chemistry between you two was so high.

Drew had filmed sex scenes before, it was a part of his job. But fuck. You were driving him insane, and you were barely even speaking.

You spread your legs as Drew shifted closer to you, trying to look anywhere but at your chest and face.

"Three, two, one... action!"

Call me in the morning, beg me in the night, I'll be over safely if you need it anytime

I'm picturing you right now, with nothing on, with nothing on but my perfume

He had begun to softly move his hips, his mouth instinctively attaching to your jaw, kissing down to your neck. Your hands dug into his broad shoulders and back, trying desperately not to let out a real moan.

Your eyes were fluttered shut, legs tightening a little more around him. There was no real pleasure being shared, but both your bodies were on autopilot, as if you were actually having sex.

It was the hottest either of you had ever felt.

The day continued on, with both you and Drew filming more romantic scenes. It was very surreal that this was all pretend because, at some points, it felt real.

The last scene was finally shot and everyone cheered with applause, happy the hard work and long day is over.

You were changing out of your film clothes and back into the sweatpants and hoodie you wore to set at six am this morning.

Drew had also changed, putting on his jeans and jacket.

You were going around and sincerely thanking every single person for their contribution and hard work, the last person finally being Drew.

Your eyes locked onto each other, a small smile creeping onto both your faces.

"Thank you so much, Drew, seriously. I couldn't have done this without you," you told him.

Drew shrugged nonchalantly, but he seemed a little sheepish at your genuine words.

"No, thank you. I had a lot of fun today, you were a lot of fun to film with." Drew replies, a warm look in his gaze.

He pulled you into another hug, your face pressed into him, arms wrapped tightly around each other.

"I hope this isn't the last time you see me," Drew murmurs in your ear.

Goosebumps erupted all over your skin, the moment reeling in your mind as you thought about when he hugged you and murmured how much he loved your song on Jimmy Fallon.

"It won't be, I promise."

You finally pulled away, a little reluctantly. You didn't wanna scare him off by holding him for too long.

"I'll eventually send you photo stills and snippets to post for promotion, but I don't want you to feel like you have to post anything or a shit-ton of stuff. I know you're busy," you tell him.

Drew shook his head. "Nah, I'll post them. Promise."

You nodded softly, a little grin on your face.

"Alright, Y/n. I'll see you around," Drew hums.

You watched as he walked away, a warm feeling in your chest.

You had finally returned home after the long day. After showering, changing into pajamas, and feeding yourself, you slide into your warm bed.

Grabbing your phone from the nightstand, your heart jumped when you read one Instagram notification in particular.

@/drewstarkey has messaged you

You quickly opened the notification, a smile on your face.

Drew Starkey: Just wanted to thank you again for the opportunity today. Had more fun than I should have

Your User: Ofc!! Maybe when the music video drops we can celebrate together :3

Fuck. Your thumb pressed send before you could double-think that message.

Drew Starkey: I like the sound of that

Oh.

tags!!

@slut4you @sweetlike-sugarplum @snowtargaryen @fastlovela @christinechickiee @ahgrace6 @evermorx89 @loren8818181 @eddiemuns0nl0ver @sophiesmovingcastle5 @chimchimjiminie16 @amel1ee @reader1402 @tqd4455 @rxeae @caraxes-syrax @shrimpybbq @drewstarkeysbabe @rafeswhoooreee @meropeeonmee @rafeluvrr @marvelahsobx @raeven-marie43 @fallout-girl219 @brendazzlingg @10ava01 @secretsideofbree @drewstarrrkey @p0gue420 @gibson-g1rl @kiiyomei @spiderstyles04 @sexualparkour @vinaluvsu @domainexpandme @mariadu2 @toterry @taliawz @always-reading @angvl3tears @iloveoldermenn @aesthetic-lyss @lover-girl-estxx @cadhlabear

[demonio-fleurs]

To me, what is so fantastic about One Piece Fan Letter is the emphasis on the way the Straw Hats have created these connections in the lives of people they have never met. The ending scene, with all the hands putting together the puzzle pieces, and the way that all these connections came together in one dazzling way-- I loved that. I teared up at that. Wherever the Straw Hats go, they leave behind all of these puzzle pieces for people to put together and create bonds that would not have existed had the Straw Hats not shown up!

And it also just... Makes me so in love with the concept of the world after Luffy becomes King of The Pirates. I know that Oda has the final chapter planned in his head, and I doubt we will really see the long lasting effects of Luffy achieving the title of Pirate King + his dream, and I really do not want a sequel series ala Boruto or Yasahime, but.... I want to see a world in which children believe they can become a Brave Warrior of the Sea thanks to Usopp, I want to see more children look at Nami and realize they don't NEED to have a Devil Fruit or Haki or muscles to have adventures. I want to see the next generation of the One Piece world believe so strongly in their dreams, that they set out to accomplish them.

One Piece Fan Letter really opened the door, I think, for more and more stories about the "regular" people in the world of One Piece, the people you don't see in the arcs because they're the nondescript background characters, and how the Straw Hat Crew has changed them. And I want that. To me, that is fantastic.