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Crown prince, scrap god, calamity

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They Have AO3?!?

So apparently AO3 is cannonical to the DC universe, in which it is called Tales of our own or TO3!

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Because I absolutely love joan_de_art’s sustainable city series I’mma share it in one post since I see the art scattered about.

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Yoda for Star Wars: Meiyo | illustrated by Peach Momoko

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sinon, vous, ça va ?

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If SQQ just did his mental gymnastics just a little harder we could resolve this whole mess a book early.

SQQ: Ok so I made Binghe gay somehow...

SQQ: and he's not getting any which is bad for him because of Xin Mo.

SQQ: But I can't set him up with a nice boy because he's weirdly obsessed with me.

SQQ: He is the protagonist so he'll definitely attract other gay guys once his whole *gestures vaguely at him* is better.

SQQ: If we had sex now for purely medical reasons and not at all because I love him with my whole heart it might fix him?

SQQ: And he could go off and get a man-harem... Which I would be fine with.

SQQ: I am not upset about the thought of Binghe with other people.

SQQ: Really it's my duty to take one for the team and get the story back on track since I'm the one who made him gay in the first place.

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1. “Raven” was an occasionally-encountered name for a girl in the contemporary period, and “Ebony” would be at least recognizable as a name. The other elements of this name are flatly atypical.

2. During this part of the War Period, this character’s hairstyle would not be considered shocking, but it would be viewed as garish and nonconformist.

3. A contemporary music performer known for a melancholy style of music and a gothic and dramatic aesthetic. The title of the work probably comes from one of her songs. However, her aesthetic and attitude has little in common with that in this work, being much more conventional and less garish.

4. A member of the contemporary band “My Chemical Romance”, also notable for a “gothic”, melancholy, and macabre aesthetic

5. i.e. the speaker considers him to be handsome and attractive; despite the pornographic material later in this work, the word “f_______” is here used only as an expletive.

6. Vampires as romantic figures had been increasing in popularity over this period, with a trend away from malicious monsters towards seductive but more benevolent figures, romanticized by their capability of being terrible.

7. Strangely, despite the characterization of this character as a Satanist, “witch” should here be characterized as having meaning similar to “wizard” and not “idolater”, “sorceress”, “maleficar”, or other practitioner of what we today recognize as “witchcraft”. The background material to this work constantly faced accusations of being satanic by an uneducated reactionary public to whom the difference between technology, wizardry and witchcraft was not meaningful (”witch” was sometimes even considered a female equivalent to “wizard”!), which completely failed to diminish its popularity.

8. It is important to understand that “goth” as an aesthetic, counterculture or subculture had a completely different meaning in the contemporary period than it does today – what remains similar is the love of the melancholy, the macabre, the dramatic, the romantic, and contempt for conventionalism. In the mid-to-early-late War Period, “Gothic” people were associated with contempt for morality, certain types of sexual display (usually of a shocking and sometimes fetishistic type), various forms of concupiscence, and a fairly significant connection to the occult and even to outright Satanism, though the latter was all but universally an affectation (this is true of most Mid War Period satanism). See contrast on p 321, The Gothic Movement In the Catholic Church. Moreover, the “gothic” aesthetic as described by this character is a stunted and over-the-top form that has also been corrupted by the counterculture-commericalism that was universal in the Late War Period.

9. A clothing store mostly specializing in counterculture-commercialized and faddist apparel. Critics accused it of being a mercantile vulture that fed by turning more honest and vivacious countercultures into fads.

10. It was almost unheard-of for women in the Mid or Late War Period to wear corsets, but they appeared in the Gothic subculture (which itself heavily borrowed from sources such as Victorian-era clothing, including mourning dress). However, what Enoby is describing is probably not actually a true corset, but a “corset top”, which is essentially a laced bodice. Either would be worn with neither chemise nor overblouse.

11. Probably a nondraped skirt that barely passes her wrist.

12. Hose, stockings, or tights in the form of a wide-open mesh

13. Probably not actually military issue boots; these were tall, heavy black leather boots with lacing all the way up.

14. This character’s outfit would be considered inappropriate for school in the Late War Period, but not shocking to Late War Period mores except by its garishness.

15. Originally meant students at a university-preparatory school; with the extremely high percentage of students seeking to attend university in the Late War Period, this came to mean a subculture of young people who adopted a highly conventionalistic and professionalistic attitude and sought admission to the prestigious and traditionalistic universities in the Eastern United States, often without academics being their true passion. Such people were often viewed as social climbers and sometimes attracted contempt from both their less-professionally-oriented peers and from those who were true intellectuals. 

16. Also known as “giving the finger”; a very rude gesture in the War Period as it is in ours.

18. This phrase went through considerable popular memetic mutation (as did the entire tract): “It was _______ <weather> so I felt ________. A lot of _______ stared at me. I ________ them.” See extra material 34c.

17. I.E. “How are you today?”, “how are you feeling?” as a greeting.

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Random Superman thought, but I love how when they evacuate, so many people are fleeing with their pets, you often get only one (1) pet in danger saved at the last second

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Evacuation

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Beectuuri Royalty AU

finally finished this beloved wip from 2020. this is my beectuuri au where everybody's a bee, and royalty. beectuuri are both carpenter bees.

close up of their little faces:

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Yes, my most favorite Geo characters together <3

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gagging you with our red string of fate to shut you up for one fucking second

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8-6-25 A Job Well Done

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being anti ai is making me feel like in going insane. "you asked for thoughts about your characters backstory and i put it into chat gpt for ideas". studies have proven its making people dumber. "i asked ai to generate this meal plan". its causing water shortages where its data centers are built. "ill generate some pictures for the dnd campaign". its spreading misinformation. "meta, generate an image of this guy doing something stupid". its trained off stolen images, writing, video, audio. "i was talking with my snapchat ai-" theres no way to verify what its doing with the information it collects. "youtube is impletmenting ai based age verification". my work has an entire graphics media department and has still put ai generated motivational posters up everywhere. ai playlists. ai facial verification. google ai microsoft ai meta ai snapchat ai. everyone treats it as a novelty. every treats it as a mandatory part of life. am i the only one who sees it? am i paranoid? am i going insane? jesus fucking christ. if i have to hear one more "well at least-" "but it does-" "but you can-" im about to lose it. i shouldnt have to jump through hoops to avoid the evil machine. have you no principles? no goddamn spine? am i the weird one here?