ratchet9cooper

[ratchet9cooper]

Lemonade Mouth (2011) is the breakfast club of the 2010s and I’m tired of pretending it isn’t.

[ratchet9cooper]

I was visiting family and Attack of the Clones was on in the background, and I’ve loved the prequels since day 1 (before it was popular to like than) and man II is such a wierd movie, and I thought of something I think would massively help it.

Have Dooku on Coruscant.

Dooku is such an interesting/important character who is talked about constantly and we don’t even see him until the last 40 minutes. We don’t know what he, or the CIS in general want. He’s a charcter defined by relationships with other charcters and we never see any of it.

Like have the scene where Padme tells Palpatine about the assasination attempt and we have all the major characters, Yoda and windu and obi wan and anakin and padme and Palpatine, and have Dooku walk in. See his dynamic with everyone, have a thinly booed accusation that he denies, have him act appalled about this, being charismatic and intelligent, have him accuse the Jedi of covering up qui Gons death, and actually show some of what he’s talking about with obi wan later on, have him explored his dissatisfaction with the Jedi in a legitimate way. Actually show the aftermath of him leaving the order.

The prequels love their senate scenes, have a scene where Dooku and Padme argue, actually tell us what the CIS want, at least publicly, have the two lost politically minded characters actually interact in this franchise. Have Palpatine oversee it, have us see him playing both sides of this war.

This makes the entire movie have higher stakes, we see this war brewing, it makes geonosis more impactful because we see what the separatists actually are behind closed doors, vs their public appearance.

Not to mention give Padme way more agency in this trilogy, another charcter with great potential not given time to shine.

I mean you have Christopher Lee, one of the best actors of all time, and he’s only in like 10 scenes across two movies?

[ratchet9cooper]

Tools of destruction is such a beautiful game.

The 3 year difference and switching from PS2 to PS3 is actually so different it's crazy. Same city btw

[ratchet9cooper]

Honest to God, if you want to read more, get the kindle app on your phone, you can read it like a fanfic, I get through books sometimes by reading them in little bursts when I have spare time, like 30 seconds here and there.

[ratchet9cooper]

This week, I am going to post something on ao3 at least once a day, so at least 7 new posts.

A week of writing

If anyone else wants to do this challenge too, I highly encourage

(And also at least once a day I will comment on someone else’s fics, hopefully more than once)

[ratchet9cooper]

The National film registry is announcing this years additions in the next couple days, so i wanted to share what my 50 votes were this year.

300 (Zach Snyder, 2007)

AFL-NFL World Championship Game-with ads (1963)

Akira (Katsuhiro Ôtomo, 1988)

Aladdin (Ron Clements and John Musker 1992)

Batman (Tim Burton, 1989)

Bill & Ted’s Excellent Adventure (Stephen Herek, 1989)

The Birdcage (Mike Nichols,1996)

Captain America: The First Avenger (Joe Johnston, 2011)

A Charlie Brown Christmas (Bill Melendez, 1965)

A Christmas Carol (Edwin L. Marin, 1938)

Couples Retreat (Peter Billingsley, 2009)

The Evil Dead (Sam Raimi, 1981)

A Few Good Men (Rob Reiner, 1992)

Fiddler on the Roof (Norman Jewison, 1971)

Finding Nemo (Andrew Stanton and Lee Unkrich. 2003)

The Fugitive (Andrew Davis, 1993)

Godzilla (Ishirô Honda, 1954)

The Good the Bad and the Ugly (Sergio Leone, 1967)

The Great Escape (John Sturges, 1963)

The Green Mile (Frank Darabont, 1999)

Happy Gilmore (Dennis Dugan, 1996)

Harry Potter and the Sorcerer’s Stone (Chris Columbus, 2001)

Harvey (Henry Koster, 1950)

How to Train your Dragon (Dean DeBlois and Chris Sanders, 2010)

The Hunting trilogy-Looney Tunes (Rabbit Fire, Rabbit Seasoning, Duck! Rabbit, Duck!)

The Incredibles (Brad Bird, 2004)

John Wick (Chad Stahelski, 2014)

Kung Fu Panda (Mark Osborne and John Stevenson, 2008)

Lethal Weapon (Richard Donner, 1987)

The Lord of the Rings: The Two Towers (Peter Jackson, 2002)

The Many Adventures of Winnie the Pooh (John Lounsbery, Wolfgang Reitherman, and Ben Sharpsteen, 1977)

Monty Python and the Holy Grail (Terry Gilliam and Terry Jones,1975)

Metropolis (Fritz Lang, 1927)

My Big Fat Greek Wedding (Joel Zwick, 2002)

My Cousin Vinny (Jonathan Lynn, 1992)

Mulan (Tony Bancroft and Barry Cook, 1998)

The Nativity Story (Catherine Hardwicke, 2006)

The Parent Trap (David Swift, 1961)

The Passion of the Christ (Mel Gibson, 2004)

Phantasm (Don Cascorelli, 1979)

The Pirates of the Caribbean: Curse of the Black Pearl (Gore Verbinski, 2003)

RED (Robert Schwentke, 2010)

Spider-Man (Sam Raimi, 2002)

Talladega Nights: The Ballad of Ricky Bobby (Adam McKay, 2006)

The Truman Show (Peter Weir, 1998)

Unbreakable (M. Night Shyamalan, 2000)

The Usual Suspects (Bryan SInger, 1995)

War games (John Badham, 1983)

While You Were Sleeping (Jon Turteltaub, 1995)

You Can’t Take it With You (Frank Capra, 1938)

[ratchet9cooper]

I am a super late, but day one

This week, I am going to post something on ao3 at least once a day, so at least 7 new posts.

A week of writing

If anyone else wants to do this challenge too, I highly encourage

(And also at least once a day I will comment on someone else’s fics, hopefully more than once)

[ratchet9cooper]

This week, I am going to post something on ao3 at least once a day, so at least 7 new posts.

A week of writing

If anyone else wants to do this challenge too, I highly encourage

(And also at least once a day I will comment on someone else’s fics, hopefully more than once)

[ratchet9cooper]

Ao3 writers, here’s a warning to double check tagging, because I posted a fluffy ship sorry and accidentally tagged it non-con

[ratchet9cooper]

This was supposed to be done for talwyn apogee day but then I got sick and it got delayed and here it is.

[ratchet9cooper]

So something occured to me today.

Into the nexus and rift apart have a like 8 year gap between. So it’s not impossible that Talwyn and Ratchet got married in that time.

And There is nothing in Ratchet and clank: Rift Apart, which actively disproves this.

[ratchet9cooper]

Angsty year 2 Harry Potter fic!

Harry had to kill Quirrell, and that really bothers him.

[ratchet9cooper]

I wrote a new modern family fic!

It’s about Claire and Lily, which is a massively under used dynamic in the show, and I am obsessed with relationships that don’t have a lot of screen time

[ratchet9cooper]

Every time AO3 makes an update, there’s a chorus of ‘and can we please please please be able to leave kudos on each chapter pleeeeease?!?!’

In theory, this is a nice idea. We’ve all smashed the kudos button on our favourite fics, bemoaning the fact we can’t give them all the love.

But ya’ll, kudos per chapter would absolutely fucking suck.

For readers, it would suck because it would compound the existing problem of making it hard to find fics that are good and not just long - not that a fic can’t be both! But there are plenty of Pulitzer-worthy one-shots out there that are buried way way down the list when ranked by number of kudos, because they’re beneath a bunch of 50/? fics where the author lost sight of where the hell the story was going 30 chapters ago, but their fic has had 50x the chances to be viewed so has more kudos. It would encourage authors to release their fics in lots of little chapters instead of a few longer ones/one-shots as they might otherwise have done (and as might otherwise suit the story).

And for authors it would especially suck, as it would compound the existing problem of people not commenting. Kudos are very much appreciated, but comments make an author’s day; but so few people bother, and frankly, it’s disheartening. Let people just click a button to show their appreciation for each new chapter? The hits:kudos:comments ratio would get even worse than it already is.

You can already ‘give kudos’ for each chapter of a fic on AO3 - by commenting. Hell you can literally write ‘kudos!’ It will make the author smile, I promise.

[ratchet9cooper]

Byler is Not Happening in Season Five of Stranger Things

Part 1

First and foremost, it would be implausible for the show to abruptly shift Mike Wheeler's love interest after several seasons of build-up. Since Eleven (Jane Hopper) was introduced as a character, the show has consistently highlighted the romantic attraction between her and Mike. Initially portrayed as middle school puppy love, their relationship has evolved over the seasons. Whether through comments from Mike's best friends, Lucas Sinclair and Dustin Henderson, or remarks from his sister, Nancy Wheeler, it has been clear that Mike has romantic feelings for Eleven, despite his attempts to hide it as a typical middle school crush.

The Duffer Brothers effectively depicted the growing romantic tension between Mike and Eleven throughout the first season, culminating in their first kiss in the cafeteria after Mike invited Eleven to the Snowball dance. While the main focus of season one was finding Will, Mike's showed that same dedication to finding Eleven , who went missing, and was evident when he tried to contact her for 353 days via walkie-talkie, as revealed in the last episode of season two and seen once or twice throughout the season. Basically what this means is that Mike would go to extreme extents to help out his friends... not just Will.

Although season two includes several scenes centered on Byler (Mike and Will), it is crucial to understand that the affection they show towards each other stems from their deep friendship. Best friends naturally comfort each other during difficult times. For example, in the "crazy together" scene, Mike comforts Will after a traumatic experience, sharing his own struggles with missing Eleven. This scene emphasizes their bond, as they both feel like they are going "crazy" for different reasons. Contrary to some interpretations, Will is not upset by Mike's mention of Eleven; he actually appears glad to share a connection with Mike, despite their differing problems.

Part 2

The fight between Mike Wheeler and Will Byers in season three of Stranger Things has been widely misinterpreted by some fans. During their argument, Mike's remark, "It's not my fault you don't like girls," was not intended as a bait against Will's sexuality. Instead, Mike meant that Will was not interested in dating, unlike the rest of their group at that time. This comment, while harsh, was a reflection of Mike's frustration with the changes in their friendship dynamics as they grew older.

It is essential to note that Mike's statement had no bearing on his own heterosexuality or his potential romantic involvement with Will. Mike's established romantic interest in Eleven has been a central narrative element throughout the series, and this moment of conflict with Will was more about their diverging interests and the strains of adolescence than any latent romantic tension between Mike and Will. Misinterpreting this scene undermines the depth of their friendship and disregards the broader context of their character development.

Moreover, suggesting a romantic affair between Mike and Will would disrupt the foundational narrative built around Eleven's character. Mike's relationship with Eleven is pivotal to the storyline, and introducing a romantic subplot with Will would not only feel forced but also undermine the carefully constructed dynamics that have been developed over multiple seasons. The show's continuity and emotional resonance depend on maintaining the integrity of these relationships.

Part 3

Just because Will Byers is a canonically queer character does not mean that Mike Wheeler must also be queer to create a new ship within the show. Representation is important, but forcing a character into a particular sexual orientation simply to satisfy a subset of the fanbase would undermine the authenticity of the show's narrative and character development. Mike's feelings for Eleven have been consistently portrayed throughout the series, and there is no substantial evidence to suggest that his romantic inclinations extend beyond her.

Moreover, the conflicts and arguments between Mike and Eleven are a normal part of any teenage relationship. It is unrealistic to expect their relationship to be "smooth sailing" all the time. The challenges they face and the disagreements they have are typical of young love, where both individuals are still learning about themselves and each other. These conflicts add depth to their characters and make their relationship more relatable and realistic. They reflect the natural ups and downs that come with growing up and navigating romantic relationships during adolescence.

Part 4

Many of the fanbase's theories regarding Byler are not only incorrect but also delusional when subjected to even a little fact-checking and research. For instance, some fans interpret every close interaction between Mike and Will as romantic, ignoring the context of their long-standing friendship. Scenes like the "crazy together" moment are often misrepresented to fit a desired narrative, despite clear evidence that they showcase platonic support.

The theory that Mike is secretly in love with Will disregards the multiple seasons of character development and explicit expressions of Mike's feelings for Eleven. A thorough review of the show’s episodes, interviews with the creators, and official materials confirms that Mike's storyline is deeply intertwined with Eleven's. The Duffer Brothers have repeatedly emphasized the importance of Mike and Eleven's relationship as a core element of the series.

In conclusion, the notion of Byler happening in season five is inconsistent with the show's established narrative. Mike and Eleven's relationship, with all its complexities and growth, has been a central theme. It is important to appreciate the story as it unfolds, recognizing that not all characters need to fit into every fan theory or ship. Fact-checking and a deeper understanding of the characters’ arcs reveal that many fan theories are simply wishful thinking rather than plausible plot developments.