panosatthemovies

[panosatthemovies]

The Substance, by Coralie Fargeat, could have been an impressive short film. It has a single idea that is so powerful and its message so true and relevant that it could drive the world insane. As it is, though, at 140 minutes long, it just doesn't hold up until the end. Don't get me wrong, the film is very cinematic, with both a fresh point of view featuring extreme close-ups and great cinematography. The casting includes probably some of the best choices in Hollywood recently, with Demi Moore portraying an exaggerated version of herself, having the "guts" to expose herself totally and reveal the personality beneath the facade of the eternally "hot" woman. Margaret Qualley is a revelation for general audiences, although the advertising industry had already marveled at her in the Cannes Lions Grand Prix-winning Kenso ad, and many had discovered her acting chops in the Netflix mini-series The Maid. But here, she mirrors and contradicts Moore in a bombastic way, owning the screen and the viewer. And Dennis Quaid is a joy being mischievous in the role of... "Harvey." The film features monumental special effects and makeup that will get your stomach inside out and win all the technical Oscars that exist this year. But the film, like its heroine, sucks the life out of the many films that it references and pays homage to. From Kubrick's The Shinning and A Clockwork Orange to Cronenberg's monsters and De Palma's style of filming, all the way to needlessly stealing Carrie's finale. But while these films had a life of their own and were full-fledged stories that became classics that lasted the test of time, this one is an artificial copy that came out of them, destined to live only a short life in people's minds and cinema history. But yes, as the poster says, it's f***ing insane!

B+

Trailer: https://youtu.be/LNlrGhBpYjc

[panosatthemovies]

Elvis is a fun, entertaining, insightful but also flawed telling of the legendary career of Elvis Presley. For starters, Austin Butler looks nothing like Elvis, and although handsome, he can't capture the sheer manly magnetism that made all those women lose it by seeing him perform on stage. So the casting doesn't work, really. Tom Hanks, on the other hand, is a caricature. Again, we're talking about a lovable actor who is hard to accept as evil or naive. And then, there's the usual Baz Luhrmann tactics of flying from topic to topic in the speed of light, dazzling with technique and music montages but losing in storytelling and in making us care about the proceedings. But, and that's a big BUT, the film becomes phenomenal in the second part, especially after Elvis becomes a resident in Las Vegas. The music numbers in that section are monumental, and we finally get it. We get what was "cool" about those exaggerated appearances. We get the drama of an artist trapped in a golden cage, always needing to experience the love of his audience, and naive enough to become an exhibit in the hands of a circus ringmaster. And, yes, Austin Butler becomes Elvis in that last part of the movie, although again, he looks nothing like the bloated with drags poor Elvis. No wonder that the most moving scene in the whole film is Elvis himself singing in the end. Even at his worst moment, he was the king.

B+

Trailer: https://youtu.be/wBDLRvjHVOY

[panosatthemovies]

The Apprentice is a gripping drama that tells the real story of how young Donald Trump followed his version of "Emperor Palpatine," lawyer Roy Cohn, to join the dark side and become the "Darth Vader" of American politics that he is today. It's funny how the movie feels at the same time, like watching The Godfather but also Star Wars. It's because they're both archetype stories of how power corrupts and how the corrupted abuse power to gain more by shredding any sense of justice. For them, law and ethics do not exist. Only greed and extinction of your opponent. The movie manages to deal with such fundamental issues of human nature while it's also a fun retelling of a story set in the 70s and 80s, with some amazing performances by both Sebastian Stan as Trump, but most importantly by a monumental Jeremy Strong, who manages to portray devil himself, in the most entertaining and captivating way. Excellent production & set design, costumes, hair, and make-up bring to life the story many have seen before but the whole world needs to discover, especially in light of the upcoming presidential election. And even if the story loses some steam in the second part, it's still one of the most important films you'll have to see this year.

A-

Trailer: https://youtu.be/bvPRxy9kmSg

[panosatthemovies]

Wolfs, by John Watts, the director of the latest Spiderman franchise, stars George Clooney and Brat Pitt as two old lone wolves doing clean-up jobs for the mob. It's a crossover between The American that Clooney played a decade ago and the comedic sketch he exchanged with Pitt so successfully in Ocean's Eleven. That, and a bit of Scorcese's After Hours, in which a young, innocent man is caught up in the crossfire of thugs in New York during the passage of just one night. So, what do we end up with, mixing all those elements? A fun time at the movies or in front of our TV, streaming a film that is well shot, excellently cast, well written, and fast-paced in its action scenes to get your blood pumping and your mouth laughing out loud. Is there substance to the tale? None at all. Especially at the end, when the heroes are trying to extract a message from all these, and nothing sensical comes out. Thankfully, they get cornered and have to fight their way out, à la Butch Cassidy and the Sundance Kid (there goes another inspiration for the film), and live to fight in the already planned sequel. Sweet!

B

Trailer: https://youtu.be/wLJUPjiRbAM

[panosatthemovies]

Beverly Hills Cop: Axel F is another attempt by modern movie studios and streaming platforms, like Netflix, to milk out every last bit of nostalgia movie fans have left of the 80s. But instead of, say, a new Top Gun, here we get a tale of diminishing returns by staging another tale of the rogue black man doing crazy shit in an uptight neighborhood that manages to hide the crime behind the flashy facade of wealth. Yes, you've seen it before, but now it's like a time capsule, with the same characters wearing the same clothes, acting like nothing has changed, although everything has, including their bottoxed faces, let alone police procedure after countless cases of police brutality against black people. Everything is game for a quick laugh, though, and I guess for another buck, and although you'll have a good time for a while, traveling back in time, you'll soon realize you don't belong there simply because times have changed.

C+

Trailer: https://youtu.be/KoxhkE_U3Ww

[panosatthemovies]

A Man Called Otto is a film unworthy of Tom Hanks, directed by one of the least successful James Bond directors lately, Marc Foster, based on a foreign movie that I'm sure was more heartfelt and genuine in its small scale than this fabricated drama, that feels unnatural and closed inside its little made-up world, like if you're looking into a snowy crystal ball. The characters seem caricatures of other, more genuine stories, and everything is trying for a feel-good finale that will bring out the best of everyone in this little town - street. The problem is, you can tell by a mile how everything will turn out, and you're left going through the motions until you reach the end. In the meantime, the film has superficially ticked boxes on everything from immigration to transgender acceptance, mental health, Parkinson's disease, and big corporations taking over. You wish it were all real, but they feel as artificial as the snow covering the winter scenes.

C

Trailer: https://youtu.be/eFYUX9l-m5I

[panosatthemovies]

Kingdom of the Planet of the Apes is the 4th sequel in the excellent revival of the franchise, which began with Rise of the Planet of the Apes in 2011 and concluded the "Caesar trilogy" with War of the Planet of the Apes in 2017. This, then, begins a new chapter in the franchise, with a story in the same "world" following many years after Caesar has died, but still remains a legend. The film tells the archetype story of Noa, the son of a king of an ape clan that has a special relationship with eagles. The clan will soon be attacked by other hostile apes in search of a "talking" human that has come into contact with Noa, causing him trouble in the first place. Noa's father will die, and the son will have to rise to the occasion and lead his "people" to freedom. Or is it more trouble against the humans that remain in this world? I'm not spoiling the plot; I'm just laying out the premise that holds great promise for the continuation of what seems to be another trilogy in the making. And although this story doesn't have the originality of the first trilogy, it's still a very engaging plot and a very imaginative telling of a tale, combining post-apocalyptic elements with both Western and prison-break genres, launching a new iconic hero in the face of Noa. I loved every minute of this film, beginning with an imaginative attempt to steal some eagle eggs in the highest possible location and ending on a cliffhanger that seemed unexpected but inevitable. I bet you'll love it too.

B+

Trailer: https://youtu.be/XtFI7SNtVpY

[panosatthemovies]

Eat Pray Love is a film I avoided for years due to the bad reviews I'd read about it. Yet, I wanted to see it for Julia Roberts, the poster, and the promise of the premise -- a woman traveling around the world alone, trying to find herself. The book should be a good read, I'm sure. But the film, although it looked cool and starred the amazing Julia Roberts, didn't manage to keep any sense of meaning because it tried to fly through all those incidents at such a fast pace that nothing stuck. It all seemed rushed, and the emotion wasn't earned. It was just there, played by the actors without being justified since we didn't get to "travel" with them through the journey. We just saw some highlights. So, I'm glad I finally saw it while traveling myself, but I'm sorry it didn't achieve the meaning it aimed for.

C+

Trailer: https://youtu.be/mjay5vgIwt4

[panosatthemovies]

The Fall Guy, for a movie that seems occupied with the screenplay format in its title design and with filmmaking in general, has one of the least well-written scripts I've seen in a while, and it's not a particularly great movie either. Ryan Gosling is fun, yes, and his relationship with Emily Blunt's character picks up rhythm towards the end, but things start so awkwardly that you start wondering what this movie wants to be. Is it a comedy? Is it a parody of Rom-Coms? Is it an action movie disguised as a rom-com? It tries to be too many things and becomes complicated and silly at the same time, lowering the stakes at every turn by not taking itself seriously, making us not really care about what goes on on-screen. And also, for a movie occupied with movies, you'd expect the movie within the movie to be a proper movie and not the silliest thing ever conceived. Apart from that, we do get some inspired action set pieces and some nicely choreographed stunts. But films are way more than stunts. No wonder then, this tanked at the box office.

C+

Trailer: https://youtu.be/j7jPnwVGdZ8

[panosatthemovies]

Good luck to you, Leo Grande is a fine film. It could easily have been a play, and in fact, it would make more sense if it was since this is a heavily dialogue-driven drama based primarily on the performances of two great actors talking to each other about their lives and experiences without ever leaving the walls of their hotel room. On the minus side, since this looks like other plays before, no matter how provocative the subject matter is, you know where things are going from the beginning. And the final confrontation, before the resolution, seems sudden and unearned. On the plus side, this is an insightful study about human sexuality, and not just women's liberation but, in general, how important it is to not oppress one's sexuality. Add to this intimate human story the always-remarkable Emma Thompson and a surprisingly restrained performance by Daryl McCormack, and you're guaranteed to get your money's worth from booking some time with those two.

B

Trailer: https://youtu.be/TJcbZoJFLTU

[panosatthemovies]

Godzilla Minus One is such a welcome return to pure entertainment that a monster / disaster movie could once give audiences, before special effects took over and Hollywood forgot to tell fun character-based stories that involved such threats only as a means to bring out the triumph of the human determination. Thankfully, a special effects guru from Japan, Takashi Yamazaki, treats this legend as his country's heritage to the world and honors the myth and style of the original films with respect while creating the most heroic version of Godzilla our generation has seen. He also teaches Hollywood a lesson in high-production values achieved with a minimal budget, necessary in the tough market that cinema has become in the age of streaming. I wish I could also see the black & white special edition of the film that I hear makes for an even more thrilling experience. Godzilla Minus One deserves an A Plus One, for reminding us how fun and simple movies can be.

A

Trailer: https://youtu.be/r7DqccP1Q_4

[panosatthemovies]

Fly Me to the Moon is a strange film. It's set up as a high-concept story about the Apollo 11 moon landing, examining what if NASA had actually staged a parallel fake landing, humoring the conspiracy theories floating around since the early 70s. And it does that in a great production that properly recreates the period, perfectly matching some of the real 70mm footage of the actual mission. But here the problems begin. The whole script seems underdeveloped, just going through the motions, setting up unbelievable situations that require cartoonish solutions. Even Channing Tatum's haircut and styling make him look like a figure from Pixar's The Incredibles, a film --and genre-- that this picture tries to emulate in style and gags but fails since this is supposed to be an alternate "reality" story. Furthermore, the supposed chemistry between Scarlet Johansson and Tatum never really works. Especially since Johansson could never really carry a romantic role since Lost in Translation. What works, though, is featuring the still awe-inspiring moment of the most historic achievement in human history, that the trip to the moon was. Telling the backstory of the Apollo 11 mission, even as a joke, makes for a compelling time at the cinema.

B-

Trailer: https://youtu.be/lW7enw6mFxs

[panosatthemovies]

Hit Man is another hit for writer/director Richard Linklater, as well as "hot man" Glen Powell after star turns in Top Gun: Maverick, Anyone But You, and most recently, Twisters. It seems that Hollywood movies suddenly belong to Powell, matched here with the excellent Adria Arjona after she made a strong impression in Andor. The script is fresh and high-concept for a change, reminding us of a time films for cinema were made like this. However, this is a Netflix presentation that only some countries got to see in a proper theatrical release, and some problems arise as a result. For starters, the running time is a bit too long, leaving room for some abrupt tonal shifts and a slow rhythm right when things should have hit up. And then, the ending makes for a sudden turn into satire, which is not clearly understood or accepted by the audience when the whole movie is set up like a traditional romantic action comedy. But all in all, thanks to some really fun and sexy performances and an original screenplay, this is an enjoyable night out at the movies. Wish we got more "hits" like that in cinemas, especially from Linklater and team.

B+

Trailer: https://youtu.be/9a7C7Bxsm90

[panosatthemovies]

Murina is a surprisingly strong and raw film about patriarchy and a young woman's eagerness to live independently on her own terms. It's shot in bright sunshine under the hot Mediterranean sun in an idyllic Croatian location featuring an excellent cast, giving powerful performances. Such a strong debut for director Antoneta Alamat Kusijanovic and star Gracija Filipovic.

B+

Trailer: https://youtu.be/yigfQEbn17I

[panosatthemovies]

The Creator looks very good, but it is not a good movie. Its stereotypical plot goes through the notions and every story beat without bothering to tell a real story. The result is that there’s nothing to hold onto while being dragged literally through space. I've seen computer games with much more original plotting. The images on the screen look amazing, and the special effects are Oscar-worthy. But directing a movie means much more than framing the shots and make everything look cool. The Creator's creator, Gareth Edwards, should better work from someone else's screenplay next time. He has much to give, but scripting ain't his strong suit.

C

Trailer: https://youtu.be/ex3C1-5Dhb8

[panosatthemovies]

Saltburn from writer/director Emerald Fennell, who promisingly gave us Promising Young Woman, is, I'm afraid, utter nonsense. A pretentious knock-off of the premise of The Talented Mr. Ripley but without any logic, character development, or psychology. A pastiche of styles, from Stanley Kubrick to Yorgos Lanthimos, without any attention given to the screenplay. People who are acting without motive, just because it’ll look cool or weird enough if they acted that way. It’s style over substance to the extreme. It’s a Triangle of Sadness type of parody of the upper class but without the metaphor. It’s the sexiness of Call Me by Your Name but only repulsive. It’s what TikTok did to movies before Challengers came to the rescue. A series of meme-inducing scenes without anything worth discovering in a longer format. Swipe this film up. Nothing to see here. See Challengers or any of the above originals again.

C

Trailer: https://youtu.be/s8l0llLj1uM

[panosatthemovies]

The Idea of You is not a real movie but more like a sexual fantasy. Anne Hathaway looks radiant and as beautiful as ever while acting as a surrogate for middle-aged women wanting to live out their fantasy of having an adventure with the leader of a boy band. But Nicholas Galitzine is no Harry Styles and no match for her version of a “cougar” that simply devours him on screen. There’s some light comedy in the first half of the film, but it feels pretentious. And there's some sexiness, all due to Anne Hathaway, who "owns" the movie — she's also a producer — but nothing comes out of this drama at the end. Perhaps only a glimmer of feminism and the right to happiness for women of any age. But that alone can't carry the film. “The Idea of You” is what “#booktok” did to movies in the age of streaming. I hear this became the number-one film of all time on Prime. No wonder. It’s instant gratification for the masses. You click and you get what you ordered at home, delivered in no time. Only cinema is a different art form altogether.

C+

Trailer: https://youtu.be/pz6qx4n2Ewc