napoleon-napoleoff
w/e
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napoleon-napoleoff · 3 years ago
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napoleon-napoleoff · 3 years ago
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# dog energy/cat energy but with all the ofmd couples
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napoleon-napoleoff · 3 years ago
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david jenkins is the hero we needed
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napoleon-napoleoff · 3 years ago
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after stede and edward stop fighting eds gonna be like "fuck.. sorry about all your books.." and stedes gonna be like "oh no matter i have secondary copies of every one" then he's gonna open another secret passageway and lucius is gonna be in there eating paper
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napoleon-napoleoff · 3 years ago
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it’s jokes on here but rly truly genuinely the thing u like abt taika’s core affect has always been his māori-ness. what ur perceiving in his comedy and writing and emotional beats and exploration of masculinity and general clown shit is peak pasifika. not that islanders have the monopoly on his tone but. since 2 cars 1 night, eagle vs shark, flight of the conchords, boy, hunt for the wilderpeople, what we do in the shadows, our flag means death etc. he has never not been a māori eccentric making distinctly happy-sad dramedies born out of māori boyhood and the cadence of nz aoteoroa village kid humor like. that is an islander doing bits at ur aunty’s funeral if i ever saw one
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napoleon-napoleoff · 3 years ago
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napoleon-napoleoff · 3 years ago
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I will never emotionally recover from this show
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napoleon-napoleoff · 3 years ago
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Hi my name is Israel "Izzy" Hands and I have wavy dark hair (it has nothing to do with my name) thats short and a thick black and white goatee and brown eyes like rich mahogany and a lot of people tell me I look like Con O'Neill (AN: if u don't know who he is get da hell out of here!!). I'm also a pirate, and I live on the Revenge (Blackbeard's ship) where I'm the first mate. I'm not related to Blackbeard but I wish I was because he's a major fucking hottie. I'm a menace (in case you couldn't tell) and I wear mostly black. For example today I was wearing a billowy black shirt and a black leather vest with gold buttons up the middle, black pants, and knee high black leather boots. I was wearing one black glove on my right hand and a long sword on my left hip. Stede Bonnet stared at me. I put up my middle finger at him.
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napoleon-napoleoff · 4 years ago
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i will be real im kinda losing my mind
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napoleon-napoleoff · 4 years ago
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napoleon-napoleoff · 4 years ago
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Taking all bets folks
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napoleon-napoleoff · 4 years ago
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Just realised that if Donald Trump wins the presidential elections, it’ll be 5 years before we can even think about a canon Destiel.. Dammit America, what are you doing!
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napoleon-napoleoff · 4 years ago
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“gays go to hell” factoid actually just statistical error. average gay goes to heaven. Gay Castiel, who was sent to super mega ultra hellx1000 after confessing gayness, is an outlier adn should not have been counted.
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napoleon-napoleoff · 4 years ago
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why is this the funniest gif I’ve ever seen
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napoleon-napoleoff · 5 years ago
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napoleon-napoleoff · 5 years ago
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why would someone think this is a good idea
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napoleon-napoleoff · 6 years ago
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Fun Random Facts About the LOTR Soundtrack
Most composers spend just 10-12ish weeks working on a film’s music. John Williams spent around 14 weeks on each Star Wars movie, 40ish weeks total for the whole OT……but composing the LOTR trilogy’s soundtrack took four years
The vocals you hear in the soundtrack are usually in one of Tolkien’s languages (esp. Elvish). The English translations of the lyrics are all poems, or quotes from the book, or occasionally even quotes from other parts of the films that are relevant to the scene
When there were no finished scenes for him to score, Howard Shore would develop musical themes inspired by the scripts or passages from the book. That’s how he got all Middle-Earth locations have their own unique sound: he was able to compose drafts of “what Gondor would sound like” and “what Lorien would sound like” long before any scenes in those places were filmed
Shore has said his favorite parts to score were always the little heartfelt moments between Frodo and Sam
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Shore wrote over 100 unique leitmotifs/musical themes to represent specific people, places, and things in Middle Earth (over 160 if you count The Hobbit)
The ones we all talk about are the Fellowship theme, the main Shire Theme, and the themes for places like Gondor, Mordor, Rohan, and Rivendell…but a lot of the more subtle ones get overlooked and underappreciated
Like Aragorn’s theme. It’s a lot less “obvious” than the others because, like Aragorn himself, it adapts to take on the color of whatever place Aragorn is in: it’s played on dramatic broody stringed instruments in Bree, on horns in  battle scenes, softly on the flute with Arwen in Rivendell….
Eowyn has not just one but three different leitmotifs to represent her
Gollum and Smeagol both have their own leitmotifs! Whose theme music is playing in the scene can often tell you whether the Gollum or Smeagol side is “winning” at the moment
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The melody for Gollum’s Song in the end credits of the The Two Towers is the Smeagol and Gollum themes smushed together (it’s Symbolic)
And then there’s the really obscure ones. Like there’s a melody that plays at Boromir’s death that shows up again in ROTK in scenes that foreshadow a major death or loss
Wikipedia actually has a list of these leitmotifs, click this link and scroll down to check it out if you’re bored
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Shore wanted the theme music to grow alongside the characters– so that as the characters changed, their theme music would change with them.  
You can hear that most clearly in the Shire theme. Like the hobbits, it goes through A Lot 
Like compare the childish lil penny whistle theme you hear in Concerning Hobbits/the beginning of FOTR with (throws a dart at random Beautiful Tragic Hobbit Character Development scene because there WAY TOO MANY to choose from) the scene when Pippin finds Merry on the battlefield, where you hear a kind of shattered and broken but more mature version of that same theme in the background 
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I could write you a book on how much I love the way the Shire theme grows across the course of these films 
Unlike the hero’s themes, which constantly change and grow, the villain’s themes (The One Ring theme, the Isengard theme, etc) remain basically the same from the very beginning of FOTR to the end of ROTK. Shore said this was an intentional choice: to emphasize that evil is static, while good is capable of change
Shore has said that between all the music that made into the movies and the music that didn’t, he composed enough for “a month of continuous listening”……..where can I sign up
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