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“If it is important enough, you will find a way. Otherwise, you’ll find an excuse.”

— Unknown

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Nikita Ermakov - Occult Patterns.

http://nikita-ermakov.tumblr.com

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Geometries by Leonardo da vinci

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Alchemical substances

Cadmia, which was also called Tuttia or Tutty, was probably zinc carbonate. Philosophers’ Wool, or nix alba (white snow). Zinc oxide made by burning zinc in air. Called Zinc White and used as a pigment. White vitriol. Zinc Sulphate. Described by Basil Valentine. Made by lixiviating roasted zinc blende (zinc sulphide). Calamine. Zinc carbonate. Corrosive sublimate. Mercuric chloride. first mentioned by Geber, who prepared it  by subliming mercury, calcined green vitriol, common salt and nitre. Calomel. Mercurous chloride. Purgative, made by subliming a mixture of mercuric chloride and metallic mercury, triturated in a mortar. This was heated in a iron pot and the crust of calomel formed on the lid was ground to powder and boiled with water to remove the very poisonous mercuric chloride. Cinnabar. Mercuric sulphide. Turpeth mineral. A hydrolysed form of mercuric sulphate. Yellow crystalline powder, described by Basil Valentine. Mercurius praecipitatus. Red mercuric oxide. Described by Geber. Cinnabar or Vermillion. Mercuric sulphide. Mosaic gold. Golden-yellow glistening scales of crystalline stannic sulphide, made by heating a mixture of tin filings, sulphur and salammoniac. Tin salt. Hydrated stannous chloride. Spiritus fumans. Stannic chloride, discovered by Libavius in 1605, through distilling tin with corrosive sublimate. Butter of tin. Hydrated stannic chloride. Galena. Plumbic sulphide. Chief ore of lead. Lead fume. Lead oxide obtained from the flues at lead smelters. Massicot. Yellow powder form of lead monoxide. Litharge. Reddish-yellow crystalline form of lead monoxide, formed by fusing and powdering massicot. Minium or Red Lead. Triplumbic tetroxide. Formed by roasting litharge in air. Scarlet crystalline powder. Naples yellow, or Cassel yellow. An oxychloride of lead, made by heating litharge with sal ammoniac. Chrome yellow. Lead chromate. Sugar of Lead. Lead acetate, Made by dissolving lead oxide in vinegar. White lead. Basic carbonate of lead. Used as a pigment. Venetian White. Mixture of equal parts of white lead and barium sulphate. Dutch White. Mixture of one part of white lead to three of barium sulphate. Antimony. From latin ‘antimonium’ used by Constantinius Africanus (c. 1050) to refer to Stibnite. Glass of Antimony. Impure antimony tetroxide, obtained by roasting stibnite. Used as a yellow pigment for glass and porcelain. Butter of Antimony. White crystalline antimony trichloride. Made by Basil Valentine by distilling roasted stibnite with corrosive sublimate. Glauber later prepared it by dissolving stibnite in hot concentrated hydrochloric acid and distilling. Powder of Algaroth. A white powder of antimonious oxychloride, made by by precipitation when a solution of butter of antimony in spirit of salt is poured into water. Stibnite. Antimony trisulphide. Grey mineral ore of antimony. Wismuth. Bismuth. Pearl white. Basic nitrate of bismuth, used by Lemery as a cosmetic. Chrome green.  Chromic oxide. Chrome yellow. Lead chromate. Chrome red. Basic lead chromate. Chrome orange. Mixture of chrome yellow and chrome red. Green Vitriol. Ferrous sulphate. Rouge, Crocus, Colcothar. Red varieties of ferric oxide are formed by burning green vitriol in air. Marcasite. Mineral form of Iron disulphide. Oxidises in moist air to green vitriol. Pyrites. Mineral form of iron disulphide. Stable in air. Cobalt. Named by the copper miners of the Hartz Mountains after the evil spirits the 'kobolds’ which gave a false copper ore. Zaffre. Impure cobalt arsenate, left after roasting cobalt ore. Nickel. Named by the copper miners of Westphalia the 'kupfer-nickel’ or false copper. Copper glance. Cuprous sulphide ore. Aes cyprium. Cyprian brass or copper. Cuprite. Red cuprous oxide ore. Blue vitriol or bluestone. Cupric sulphate. Verdigris. The green substance formed by the atmospheric weathering of copper. This is a complex basic carbonate of copper. In more recent times the term 'verdigris’ is more correctly applied to copper acetate, made by the action of vinegar on copper. Resin of copper. Cuprous chloride. Made by Robert Boyle in 1664 by heating copper with corrosive sublimate. Lunar caustic, lapis infernalis. Silver nitrate. Fulminating silver. Silver nitride, very explosive when dry. Made by dissolving silver oxide in ammonia. Horn silver, argentum cornu. A glass like ore of silver chloride. Luna cornea. The soft colourless tough mass of silver chloride, made by heating horn silver till it forms a dark yellow liquid and then cooling. Described by Oswald Croll in 1608. Purple of Cassius. Made  by Andreas Cassius in 1685 by precipitating a mixture of gold, stannous and stannic chlorides, with alkali. Used for colouring glass. Fulminating gold. Made by adding ammonia to the auric hydroxide formed by precipitation by potash from metallic gold dissolved in aqua regis. Highly explosive when dry. Quicklime. Calcium oxide. Slaked lime. Calcium hydroxide. Chalk. Calcium carbonate. Gypsum. Calcium sulphate. Natron. Native sodium carbonate. Soda ash. Sodium carbonate formed by burning plants growing on the sea shore. Caustic marine alkali. Caustic soda. Sodium hydroxide. Made by adding lime to natron. Common salt. Sodium chloride. Glauber’s Salt. Sodium sulphate. Wood-ash or potash. Potassium carbonate made from the ashes of burnt wood. Caustic wood alkali. Caustic potash. Potassium hydroxide. Made by adding lime to potash. Liver of sulphur. Complex of polysulphides of potassium, made by fusing potash and sulphur. Sal Ammoniac. Ammonium Chloride. Described by Geber. Sal volatile, Spirit of Hartshorn. Volatile alkali. Ammonium carbonate made from distilling bones, horns, etc. Caustic volatile alkali. Ammonium hydroxide. Nitrum flammans. Ammonium nitrate made by Glauber. Brimstone (from German Brennstein 'burning stone’). Sulphur. Flowers of sulphur. light yellow crystalline powder, made by  distilling sulphur. Thion hudor (Zosimus refers to this as the 'divine water’ or 'the bile of the serpent’). A deep reddish-yellow liquid made by boiling flowers of sulphur with slaked lime. Milk of sulphur (lac sulphuris). White colloidal sulphur.  Geber made this by adding an acid to thion hudor. Oil of Vitriol. Sulphuric acid made by distilling green vitriol. Realgar. red ore of arsenic. Arsenic disulphide. Orpiment. Auri-pigmentum. Yellow ore of arsenic. Arsenic trisulphide. White arsenic. Arsenious oxide. Made from arsenical soot from the roasting ovens, purified by sublimation. Aqua tofani. Arsenious oxide. Extremely poisonous. Used by Paracelsus. King’s Yellow. A mixture of orpiment with white arsenic.

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Just quick sketches

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“Bo, wie pan, nie znoszę hałasów, awantur, przemocy ani niczego w tym guście. Zwłaszcza nienawidzę, kiedy ludzie krzyczą - wszystko jedno, czy krzyczą z bólu, czy z gniewu, czy z jakiegokolwiek innego powodu.”

—

Michaił Bułhakow, “Mistrz i Małgorzata”

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Skye

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“You are a woman. Skin and bones, veins and nerves, hair and sweat. You are not made of metaphors. Not apologies, not excuses.”

— Sarah Kay, “The Type” (via themotivationjournals)

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“My father had taught me to be nice first, because you can always be mean later, but once you’ve been mean to someone, they won’t believe the nice anymore. So be nice, be nice, until it’s time to stop being nice, then destroy them.”

— Laurell K. Hamilton, A Stroke of Midnight (via the-book-diaries)

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- Im później nauczysz się bać, ksiądz - Kruszyna dobył noża i rozejrzał się za jakimś patykiem - tym później dorośniesz.

Chłopcy, Jakub Ćwiek (via abraxas1613)

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W ogrodzie mojej pamięci pielęgnuję różne kwiaty

Jacek Piekara, Młot na czarownice

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Możesz nigdy nie strzelić. Możesz się bać strzelić. Możesz mieć niechęć do zabijania ludzi, do strzelania do ludzi, ale w danym momencie musisz tak odegrać swoją rolę, żeby każdy był przekonany, że go zabijesz. Możesz nie mieć naboi w pistolecie, ale z twojej twarzy musi emanować pewność, że będziesz powietrzem strzelał, ale będziesz zabijał.

Złe Psy. W imię zasad. Sławek Opala i inni policjanci w rozmowach z Patrykiem Vegą

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Ano prawda, jaśniepaństwo to niby ospa... Człowiek wyzdrowieje, a ślady zostaną.

Maksym Gorki, Na dnie

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A jednak zawsześmy ludzie! Choćbyś nie wiem jak udawał, choćbyś nie wiem jak się wykręcał, jeśliś się już raz człowiekiem urodził, to i umrzesz człowiekiem. Ale jak tak patrzę na to wszystko, to myślę, że ludzie stają się coraz mądrzejsi i coraz ciekawsi... A choć gorzej im się żyje, to coraz lepsze im się marzy... Tacy uparci!

Maksym Gorki, Na dnie

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Każdy chce, żeby drugi miał sumienie, ale to sumienie każdemu jakoś przeszkadza...

Maksym Gorki, Na dnie

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A na co komu honor i sumienie? Ani honoru ani sumienia na nogi zamiast butów nie wzujesz... Honor i sumienie potrzebne są tylko tym, co mają władzę i siłę.

Maksym Gorki, Na dnie

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Kiedyś tam były na świecie dwie prawdy, które wciąż się się kolejno zmieniały: pierwsza to ta, że życie jest niewypowiedzianie piękne, druga - że życie ma sens tylko dla wariatów.

Iwan Bunin, Sny Czanga