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[241115] winter :: armageddon

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꒷꒦ ˖ ° 🪓 ⋆ ｡ BRING IT

SLASH has posted a new video !

tw for fictional depictions of violence and death !

The video opens without the music, a car backing out of the driveway of a suburban, white picket house. Pick Me’s Kiko waves from the door, bidding her parents farewell. As soon as they’re down the driveway, she retreats inside, flopping unceremoniously onto the couch, immediately pulling out her phone to call “Bin😚” as we see on the screen. The phone rings once and the screen splits to reveal Neverland’s Dabin on the other end. 

“Hey!” he answers cheerily, tossing a ball in the air and catching it with his free hand. 

A smile spreads across her lips at the sound of his voice, a finger twirling in her hair. “Hey, my parents just left,” she kicks up a leg to hook her ankle over her knee, “Are you still coming tonight?”

The ball he tossed up falls against his chest, caught off guard by the question. His cheeks seem to flush pink at the implications, stuttering a reply, “Yeah, I’m there.”

“That’s great–” her smile grows thanks to his agreement until another voice cuts in on the other line.

“We’ll be there, Kiko!” the other voice calls out, clearly unwelcome from the annoyed roll of Kiko’s eyes.

Dabin’s side of the screen zooms out to show DeepDive’s Dowon and Stupid Cupid’s Jeanne messing around on the couch behind Dabin. 

Jeanne seems to be trying to shush him with a hand over his mouth, unsuccessful as he dodges and wrestles her arm down. “We’ll bring booze!” she offers as reconciliation when she fails at shutting him up.

Kiko sighs, her unruly friends experts at wearing on her nerves.

“Sorry, Koko,” Dabin mutters an apology on their behalf, his expression sheepish but not making a move to deny them their interruption.

“It’s fine,” she huffs. “Just tell them to be here in an hour.”

“Got it,” he nods and his side of the screen is snuffed out as Kiko ends the call.

She lets out another annoyed exhale, hitting call on another contact labeled “KK.”

“Hiii,” Krush’s Kaleina greets over the phone as she slides into view.

“Come over?” Kiko asks, rolling over onto her stomach, her elbows digging into the plush brown leather. 

“What happened to Dabin coming?” Kaleina asks, pressing the phone to her ear with her shoulder as she files her nails, perched on her bed.

“Dowon and Jeanne are coming too, now,” Kiko rolls her eyes again at the thought.

Kaleina lets out a snort of a laugh, her meddling friends always so predictable. “Right. Be there in 20,” she kisses the microphone end of her phone as a goodbye.

Kiko kisses back, ending the call and dropping the phone to the couch. She stands and walks out of frame, the camera slowly zooming in on the window in the back of the room, framing the shadowy dusk outdoors. 

The music begins, the intro notes playing as a figure wearing a fox-like mask steps out of the shadows.

As the first verse ensues, Kiko’s guests begin to arrive. They’re setting up a bonfire in her backyard, Dabin and Dowon stacking wood in the firepit while the girls chat and stock the drinks in the fridge just inside the kitchen. You can tell by Kiko’s flushed cheeks and Kaleina and Jeanne’s grins that they’re teasing her for her failed plans of a night with Dabin. Eventually they all gather outside around the lit fire, bundled up in blankets, laughing and messing around. Dabin and Kiko share a blanket, cuddled up together, but they seem a bit shy about it. Dowon and Jeanne sit close together as well, occasionally play fighting over the room on their seat.

Kaleina stands and heads back inside, climbing the stairs to use the bathroom. She’s washing her hands in the sink when we see a figure wearing a bunny mask approach behind her in the reflection in the bathroom mirror. The last we see of Kaleina before the scene cuts out is her eyes suddenly widening when she notices the masked person behind her.

Jeanne is the first to notice Kaleina’s absence getting longer than usual and she decides to go see what’s taking her so long. Jeanne follows Kaleina’s footsteps up the stairs as the pre-chorus begins. The bathroom door at the top of the stairs is slightly ajar, and water is beginning to run out from under it, tinged slightly pink. As Jeanne slowly approaches, pushing the door open all the way, we’re met with a horrific scene. Kaleina’s body is slumped in the bathtub, her bloodied head resting against the running faucet, the water overflowing onto the floor. The water in the tub is red, a smattering of blood on the shattered mirror above the sink creates the vision of her face being smashed into it.

The music cuts out entirely, the only thing viewers can hear being Jeanne’s harsh and panicked breaths. A second later, she lets out a blood-curdling scream, transitioning right into the beginning of the chorus.

The same bunny-masked killer slams the door open behind Jeanne and she shoves them backwards, tumbling out into the hallway. Their body blocks the stairs so she runs the opposite way, towards the bedroom at the end of the hall. She’s just about to slam the door to the bedroom shut, nearly escaping the killer when their arm catches the edge of the door just in time to keep it from shutting in place. The pair struggle against the door when another figure steps out behind Jeanne, unnoticed as she fights tooth and nail to get the door shut. 

The figure behind her, wearing a mask mimicking a crying boy with a crown perched on his head lunges forward and wraps their arms around Jeanne’s neck. They go lurching forward back into the hallway as the bunny killer wrenches the door from her grasp. As she struggles against the two figures, a knife flashes in the light before it’s sheathed between her ribs, red blooming on her sweater. She manages to shove the boy king off her back before she’s met with another knife to the abdomen. As she stumbles back, clutching at the blade sticking out of her stomach. The boy king regains their posture and shoves her over the banister to the first floor below. She falls in slow motion, her hair framing her wide eyes and gasping face before she crumples to the floor of Kiko’s entryway, just as the chorus ends.

The remaining trio outside hear the echo of Jeanne’s scream, their heads whipping to face the house where it came from. They exchange wary glances and Dowon shrugs, standing to investigate. He laughs it off, assuring Dabin and Kiko that it’s probably nothing. It’s obvious Kiko isn’t so convinced, but Dabin tightens his arm around her protectively as she anxiously grips the edge of the blanket.

Dowon heads inside, grabbing himself a beer from the fridge before venturing deeper into the house. He calls out Jeanne’s name to no response. As he rounds the corner into the entryway, he sees the pool of her blood smeared against the hardwood, but her body is gone. His brows furrow and his head swings around, calling out her name again. The scene cuts and we see a shotgun being cocked, raised to the eye of a mask that looks like a buck’s head, antlers protruding from the top. The trigger is pulled and we see Dowon again stumbling forward to his hands and knees, the beer bottle dropping from his hand and shattering against the wood. 

He struggles to scramble away from the attacker, one hand pressed to the gunshot wound in his stomach. He slips on the mixture of blood and spilled beer covering the floor, broken glass an added obstacle as the killer slowly approaches behind him, cocking the gun once more. A heavy black boot comes down on Dowon’s back, forcing him flat against the floor. His head turns, eyes pleading with the masked killer. It’s the last we see of Dowon, the camera turning to the antlered figure raising the gun once more and squeezing the trigger.

The sounds of the gunshots have fully alerted Dabin and Kiko now. They jump up at the sound of the first, frozen and exchanging concerned looks, debating on what they should do. At the sound of the second, Kiko is frantically pulling out her phone and fumbling to call the police. Dabin slowly approaches the door leading to the kitchen from outside, but Kiko grabs his arm, silently shaking her head, pleading him not to go inside. He reassures her, his expression steeled in determination as he breaks from her hold. She hesitates for a moment before following close behind him. 

The house is silent, but the pre-chorus builds once more as the pair enter cautiously through the kitchen door. Kiko’s hand is shaking, pressing her phone to her ear, but when she pulls it away to look quizically at the screen, we can see that she strangely no longer has any service. They’re on their own. 

Dabin grabs a knife from the block on the kitchen counter, wielding it in front of him as he slowly moves through the house, shielding Kiko behind him. They pass through the living room, entering the foyer to find Dowon’s body. The camera angle only shows his unmoving legs, but there’s an ever-growing pool of blood surrounding him. We see Dabin’s face pale and Kiko covers her hand with her mouth from over his shoulder, clearly sobbing behind the build of the music.

The shock is short-lived as up the stairs a door suddenly slams closed. Dabin turns to Kiko, telling her to stay put as he investigates. She seems reluctant, shaking her head in refusal at first, but she stays behind as he begins ascending the stairs, blade still outstretched before him. Water is still flooding from the bathroom at the top of the stairs, tinged and flowing down the steps. He looks inside to see the same grizzly scene of Kaleina, paling impossibly more and sparing a glance at a fearful Kiko still posted at the bottom. Yet he moves on, still determined to find who’s responsible. 

He pauses outside the closed door at the end of the hall, hesitant. He reaches out, opening the door to find another masked figure standing just inside, donning a mask depicting a cracked doll face, just as the chorus starts up again. Before he can lash out at them, an ax comes down on his shoulder. We see Kiko scream, poised to come up the stairs to his aid, but he manages to kick the attacker back once they wrench the blade from him. He calls for Kiko to run, swinging the kitchen knife in front of him with his other hand and clutching his wound with the other as he attempts to escape. Kiko hesitates for a moment before taking off back through the house, towards the backyard again. She nearly trips on Dowon’s body before she rounds the corner, running through the living room. 

Kiko emerges into the backyard again, only lit by the kitchen windows and the fire still burning. We see her breath fog in the air as she turns around, unsure where to go next, what to do. The bridge of the song rises, the anticipation building in the shadows. We see Dabin rounding the corner of the foyer, limping, bloody, and knife-less, but alive. He’s halfway through the living room when we see the doll still pursuing, armed with the ax. He makes it to the kitchen doorway, nearly outside when they catch up to him, Kiko pointing behind him in a terrified warning. He turns just in time to catch the handle of the ax as it comes down on him, struggling with the masked attacker. He manages to push them back for a moment, but they kick in one of his legs, dropping him to his knees. Kiko can only watch in horror as the ax comes down once more, his body falling backward onto the grass. We don’t see his head, but the wooden ax handle juts into the air in front of the killer as the song’s sustained high note echoes. 

Kiko turns to run again and finds another masked figure standing in front of the fire, their golden sun mask lit eerily from the back. She’s frozen for a moment, unsure of her next move. She glances backward quickly, finding the doll wrenching the ax back out of Dabin’s corpse, and knows she has to act. She turns to run towards the side of her house, away from the two attackers entirely, but towards that picket fence. It almost seems slow motion as the sun-masked figure pursues after her, gaining quickly, just as she reaches the fence. She slows to try and scale it, but they catch up and drag her back down, throwing her to the ground despite her struggles. A long bronze blade shines in the dim light as it is thrust downwards, into her abdomen. She screams as it’s wrenched back out of her, the attacker lifting her over their shoulder in a fireman’s carry. It’s a slow trek across the darkened yard once more, the lighting reflecting oddly off their gold mask and Kiko’s writhing form. 

The gold glows even brighter as they stand over the fire pit, the previous masked figures beginning to gather there. It’s a strange scene that we just get a glimpse of in the shadows before Kiko’s body is being heaved over their shoulder again, into the firepit. Sparks swirl up into the night air as the camera angle zooms out, framing the house where the horrors will soon be discovered as the final words of the outro fade into darkness.

˖ ° 🪓 ⋆ ｡thank you so much to everyone who allowed me to kill their ocs in this hehe !! find kiko at @pickmedolls, dowon at @bluwavez, jeanne at @stcpidcupid, kaleina at @urmykrushhh, and dabin at @ofmanycol0rs !

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♫ but god, you couldn't have cared less about someone who loved you more ♫

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𖦹 ⋆｡°✩  𝕨𝕙𝕠'𝕤 𝕥𝕙𝕖𝕣𝕖 ?

SLASH makes their anticipated debut ! witness the horrors ... 241101

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INTAK: SAD SONG (2024)

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Jenna Ortega starring in Sabrina Carpenter's official music video for Taste (2024) Dir. Dave Meyers

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tw for fictional depictions of blood and violence !

" ARCHETYPE " 𖦹 ⋆｡° The Lost Album

Leading up to SLASH's originally planned debut date in 2022, cryptic teasers and promos appeared in higher frequency before they suddenly stopped altogether. Video teasers frequently featured staticky or unclear audios as if being heard through a weak radio signal or an old voicemail, but there were clear melodies that could be heard repeated in several different teasers. These songs were theorized to be apart of their planned debut mini-album which never came to fruition.

However, in early 2023, a fan found an entirely unpromoted album on Prismatic's official Soundcloud account titled "Archetype" which had been posted in late 2022. Listening to the songs, fans were able to piece together which songs were featured in which teasers and deduce that the album was intended to be released for SLASH's debut. It remained up on Soundcloud for several months after it was discovered until one day it was suddenly removed.

Many of the most popular tracks can still be found on YouTube or Twitter if you search hard enough, but it's very existence only circled around SLASH's small pre-debut fandom. Some believed it was uploaded as an accident or a precursor to their debut before it was unexpectedly postponed. Lalita's voice has the heaviest presence in each track, solidifying many people's theories that she was intended to be the star of the group before her disappearance.

"Archetype" is a piece that would have 'lost media' youtubers spiralling and future fans of the group pining for the official release of the songs and using their knowledge of it as bragging rights over other fans. Whether or not it will ever see the light of day again is just another one of SLASH's many mysteries.

video insp by myah !

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Intak? ⠀✢⠀ ˳ 𓏸 黄仁德 0831

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Olivia Rodrigo Answers The Web's Most Searched Questions

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VERNON LALALI

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good boy gone bad

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♡ LOLA TUNG character media

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♰ 𓏲࣪ .❤︎ ིུ͠ ⃝⁉ > ᕼᙓᗣᘎƳ ᙏᙓƮᗣᒐ ᒐOᘎᙓᖇ

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GLIMPSES OF THE PAST: a headcanon / prompt collection because sometimes it's not enough to write about your muse's past and how it affects them, you just gotta write a little scene. these prompts are designed to be a little writing prompt related to your character's past, essentially!

send FORGED for a scene from my muse's past that they think made them stronger in the long run

send REMINDED for a scene from my muse's past in which they encountered something that reminded them of a difficult experience / trauma

send CONFESSED for a scene from my muse's past in which they revealed a secret about themselves to someone

send TRICKED for a scene from my muse's past in which they misled, tricked, or lied to someone

send IMPRESSED for a scene from my muse's past in which they tried to impress someone, successfully or not

send ACHIEVED for a scene from my muse's past in which they completed / achieved something they were proud of

send CHANGED for a scene from my muse's past that represented a turning point in their life

send DIFFERENT for a scene from my muse's past that they feel changed their outlook / personality / etc, for the better or worse

send CRITICAL for a scene from my muse's past in which they thought about / were reminded of something they're insecure about

send SCOLDED for a scene from my muse's past in which someone told them off, justifiably or not

send STRAINED for a scene from my muse's past in which they interact with someone they have a difficult relationship with

send SOBBED for a scene from my muse's past in which they broke down in tears

send LOST for a scene from my muse's past in which they felt lost, literally or figuratively

send BLINDSIDED for a scene from my muse's past in which they were betrayed or shocked by what someone did

send INJURED for a scene from my muse's past in which they sustained a significant injury

send AFRAID for a scene from my muse's past in which they were scared / under threat

send HELPED for a scene from my muse's past in which someone helped / saved them

send CAUGHT for a scene from my muse's past in which they were caught doing something they shouldn't

send BLUSHED for a scene from my muse's past in which they received a compliment that really got to them

send VICIOUS for a scene from my muse's past in which someone said something cruel that really got to them

send SWOONED for a scene from my muse's past in which they were infatuated with someone

send PINNED for a scene from my muse's past in which they were stuck somewhere, literally or figuratively

send GRIEVED for a scene from my muse's past in which they had recently lost someone / something

send MORTAL for a scene from my muse's past in which they had a brush with death, either themselves or someone close to them

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First conceptualized by The Lucky One’s Jung Jisoo in 2020, gathering trainees to form a group with a “global’ look, the group soon to be titled SLASH performed in their first showcase in late 2021. The first rendition of the lineup consisted of Chinese Neverland contestant Zheng Hui, company nepo-baby Na Sebastian, the ever ambitious Sasha Flores, and dazzling Thai trainee Lalita Suwannathat. Marketed as Lucky’s little siblings, their unique concept and captivating performance generated excitement for the group.

The buzz only continued to grow as cryptic posters began appearing around Seoul, featuring QR codes directing curious viewers to an almost empty website only showing largely blacked out and blurred profiles of each member and a link to an Instagram account, @ bloodyvalentine, which infrequently posted behind the scenes film photos of the trainees with no captions but their names in a hashtag.

The building anticipation only made Jung Jisoo more ambitious, adding trainees Spencer Shu-Bellamy, Shin Doa, and Freddie Ahn (now known as BAM!’s Kiho) to the lineup to make it a 7-piece group. Teasers and posters only increased in frequency leading up to October 2022, when they were originally set to debut according to Prismatic’s leaked plans for the quarter. 

However, 1 week before their set debut date, Lalita suffered a debilitating ACL injury in practice. Rather than allow the group to debut without her, the debut was delayed altogether. Many argue that Lalita received special treatment from Jisoo and the group’s management, and was intended to be the star of the group.

The group lay in limbo from that point on, waiting for Lalita to fully recover from her injury and a new debut date to be set. Within this time Sasha appeared on HYBE’s Dream Academy, barely being edged out of the final debut group while Hui appeared on Boys Planet 999 placing 8th and becoming an official member of ZEROBASEONE, exiting the trainee group to make his debut.

Suddenly a 6-piece unit, a new debut date was finally set for January of 2024, nearly 2 years after their original debut date, before the sudden acquisition of BAM! and other Sixth Sense Media trainees. In the quick and unexpected turnaround for the group’s debut, SLASH once again suffered the loss of a member and the postponement of their debut date. However, beginning to face pressure from both the members of the trainee group and their families, the company sent the group to America to continue training in a new environment and act as a distraction as they attempt to gather their resources. Two trainees were added to fill out the lineup; longtime trainee, Neverland contestant, and budding producer Chase Park, and Hwang Taebin newly acquired from Sixth Sense.

The 7 trainees lived in a beach-side condo in Los Angeles as they continued their training in renowned dance academies and vocal studios. The Instagram was still posting the trainees lives behind the scenes, although just as cryptic as ever. A new teaser video was posted to once again generate buzz surrounding the group and satiate the members and those backing them. However, one member would not return from America. The bloodyvalentine account inexplicably stopped posting photos of Lalita after her face took up a majority of the account’s feed previously. 

Many believed that she simply left the unpredictable group setting to pursue her own ambitions, but an unknown source within Prismatic Entertainment leaked information regarding the alleged true nature of her disappearance to a forum of SLASH fans who have been around since the very beginning. According to this source, Lalita left a note in the group’s condo one night stating that she was tired of the purgatory of trainee life and ran away to experience freedom traveling across America. She has not been heard from since. The source also noted that her family planned to take legal action against Prismatic citing negligence. 

Despite this, SLASH seems to finally be getting the debut that has been dangled in front of them for years, set to debut once again in late August 2024. After such turmoil and so many unanswered questions, SLASH’s future still remains shrouded in mystery. Will they be able to make it passed all of the struggles that may weigh them down?

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𖦹 ⋆｡°✩ i. the group!

SLASH is a 5 member fictional co-ed group under prismatic entertainment. the group consists of chase, sebastian, spencer, doa, sasha, and taebin.

originally set to debut nearly 2 years before, the circumstances of SLASH's career were shrouded in mystery and plenty of ???. finally getting the chance to make their mark on the industry with their unique slasher film concept, they must first escape the shadows slowly creeping in from their shared past.

disclaimer ; this blog will be dealing with topics such as murder and gore. please continue with discretion.

profiles. discography. development. aesthetic. writing.

𖦹 ⋆｡°✩ ii. the dossier!

 ๋࣭ ⭑ . group name : SLASH ( 스라시 )

 ๋࣭ ⭑ . label : The Lucky One ; subsidiary of Prismatic Entertainment

 ๋࣭ ⭑ . debut : 241101; The Prologue ( BRING IT )

 ๋࣭ ⭑ . fandom name : to be announced

𖦹 ⋆｡°✩ iii. the members!

 ๋࣭ ⭑ . park " chase " jaehyun ( 1999 )

 ๋࣭ ⭑ . na " sebastian " eunsung ( 2000 )

 ๋࣭ ⭑ . spencer shu-bellamy ( 2002 )

 ๋࣭ ⭑ . shin doa ( 2002 )

 ๋࣭ ⭑ . sasha flores ( 2003 )

 ๋࣭ ⭑ . hwang taebin ( 2003 )

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↶*✧˚.  RAINBOW ENTERTAINMENT has reposted a video by BLOODY VALENTINE.

Clicking on the source link for the original video takes you to a nearly empty Youtube account. The profile has no profile picture or banner, only the username " BLOODY VALENTINE " and a 12 second video posted 3 years ago. The video only appears to show the video camera seemingly falling out of the hand of whoever is filming as a phone suddenly rings, hitting the ground and instantly cracking the screen. its dark, so only a shadowed hardwood floor can be seen before a blood curdling scream is heard in the background.

What could that be about?