barely-medi0cre

[barely-medi0cre]

Babygirl I am doomed by narratives you haven’t even heard of

[barely-medi0cre]

raskolnikov from crime and punishment considering killing himself but then seeing some girl try to kill herself by jumping off a bridge but she survives. and then he’s like omfg that’s so awkward and embarrassing nevermind

[barely-medi0cre]

hey sorry your boyfriend said that russian classics are about that life is bleak. yeah he meant dostoyevsky and tolstoy. no, he didn't look beyond any of the lowest lows of the stories. he didn't even see the overarching themes of beauty and hope and connection. frankly we have all been laughing about him and we're gonna beat him up now. sorry

[barely-medi0cre]

Butcher & Starlight

Becoming the very thing you sought to destroy & Destroying the very thing you sought to become

[barely-medi0cre]

Raskolnikov be like “I’m fighting a demon 🥀” and the demon in question is just accountability

[barely-medi0cre]

You’re mad about the Percy Jackson and the Olympians casting because Annabeth is black. I’m mad about the Percy Jackson and the Olympians casting because I’m a “legal adult” and “can’t reasonably pass as 12” and would’ve been “turned away from the auditions”

We are not the same

[barely-medi0cre]

George Michael Bluth

A Quick Look at one of my favorite characters

Arrested development is basically like a series of unfortunate events if it were made into an adult comedy.

So the sadder parts are all left as jokes or punchlines.

When really, if it were a drama, the characters would appear completely different.

George Michael is a key example of this, he’s held to almost perfection standards by his dad, who he also would spend all his time with until he gets a girlfriend. Like his dad makes him go on atkins for literally no reason and he clearly hates it but is too scared to say anything.

Or when he gets an A- on a test (still an A though) and when he comes home and shows his dad and says “I got an A!” And his dad keeps cutting him off and saying “minus” before telling him to get back to his room and study. Later his dad walks in on him studying and literally beating himself up over not getting a problem, calling himself stupid over and over again.

Of course, this is the episode where Michael (his dad) and Lindsey (Michael’s twin) are arguing over parenting. She says he’s too strict and is going to give George Michael a nervous breakdown. Naturally, after walking in on George Michael beating himself up, he tells him to stop and go do something fun. George Michael is very reluctant because he never really does that. He ends up going right to work, because he doesn’t have anything else to do.

Naturally, during this short period of parental freedom, George Michaels uncle Buster (the one who still lives with his mother and is basically a toddler) comes to see him at work to ask him for drugs. Michael has always taught George Michael that “family first” is the most important rule, so of course he keeps it a secret at busters request and tries to get drugs for him. This leads to him going to his uncle Gob, leaving a note asking for drugs, leading to a whole mix up where Michael thinks that he gave George Michael too much freedom and has now caused his son to develop a drug habit.

Rising action, rising action, climax where everything comes to a head with fake cops and real cops and fake drugs and real drugs and weird misunderstandings until everything is laid out, all is forgiven, and things go back to normal

However, since this show is a comedy show, we don’t focus on the fact that George Michael never actually was able to utilize the freedom his dad had given him, instead opting to use his newly free time to take on a really big favor from his family member instead of doing something for himself

His gimmick is that he’s awkward, and comparatively uptight to Maeby’s street smarts and irresponsibility. It creates a fun dynamic for comedy stories, but when you watch it as many times as I have you start to see some of the more serious character traits that are glossed over

This back and forth can only continue if there is no real character development in each of the ensemble members, hence the end of an episode essentially hitting reset on shenanigans for everyone. George Michael is a great character for that because even during the one chance he had to be free or do something for himself, he yet again took on a task that someone in his family asked him to do and assumed he could do it. So when those opportunities of development present themselves, realistically he wouldn’t take them. And if he did, his character development would have to be so minute that it’s barely noticeable.

If this show were a drama, I think there would be considerable emphasis placed on the parallels of George Sr’s relationship with Michael and Michael’s relationship with George Michael. Animosity about the relationship between Michael and George Michael is only brought to Michael’s attention in season four when he is told that is the father-son relationship Ron Howard wanted to make a movie about.

[barely-medi0cre]

[barely-medi0cre]

[barely-medi0cre]

I’ve been thinking about Troy and Abed and how logically it makes sense that they would be a couple but for some reason that doesn’t feel accurate and then I remember they gave both of them girlfriends :/

[barely-medi0cre]

An autistic person with a special interest in social cues

[barely-medi0cre]

That boy who cried wolf was the original king of manifesting

[barely-medi0cre]

YOU are covered in billions of organisms. The environment of my body is completely uninhabitable to any living thing.

[barely-medi0cre]

Well other than that Mrs Lincoln, how was the show?

[barely-medi0cre]

If I was a shell getting fossilized I would invoke my HIPPA rights before the could crack me open

[barely-medi0cre]

I don’t CARE if they’re two fictional men to ME they are Girlhood

[barely-medi0cre]

im close to a discovery