yashasvijuyal

[yashasvijuyal]

Thinking in Images 

Chapter one 

[yashasvijuyal]

Directed by Viraj Sikand Co-Directed by Yashasvi Juyal Produced by Silvercord films https://www.facebook.com/Silvercord-F... Liberal Arts Productions https://www.facebook.com/LiberalArtsP... 

[yashasvijuyal]

Watch the real-life journey of a simple boy from Dehradun, Vivek Arora battle all odds and even his own verbal handicap to pursue his dream to tell stories through rap and eventually own his new identity as KARMA

Starring : Vivek Arora a.k.a Karma Directed & Edited by : Yashasvi Juyal Produced by : Silvercord Films AD : Ashish Bahuguna Music Director : Ali Armaan Zainvi Creative Producer : Sharanya Rajgopal Designers : Shameen Khatri, Kshitij Jatale Operations : Pracchi Batnagar Team TTT : Anubhooti Chouhan, Anuj Gosalia

[yashasvijuyal]

A film By Yashasvi Juyal & Viraj Sikand Music By Ali Armaan Zainvi & Harsh Upadhyay Poster by Sneha Bhardwaj, Sachin Rana & Aishwarya Krishnan Team Silvercord : Ashish Bahuguna, Sandeep Vyas, Rajat Gautam, Sakshi Godiyal, Keshav Uniyal Designs : Viraj Sikand Photographer : Amit Verma

[yashasvijuyal]

SILVERCORD ORIGINALS RESTORE FACTORY SETTINGS KARIGAR ft. DAKAIT X SEMMI ON THE BEAT | WINDLASS STEELCRAFTS

 An Audio Visual Experiment that we did at WINDLASS STEELCRAFTS “A factory “ with two amazing artists DAKAIT “A Rapper” & SEMMI “A Music Producer.”

 Project Credits: Silvercord Films FACTORY: Windlass Steelcrafts RAPPER: Dakait MUSIC PRODUCER: Semmi on the beat DIRECTOR: Yashasvi Juyal PRODUCER: Ashish Bahuguna CREATIVE DIRECTOR: Viraj Sikand EDITOR: Sandeep Vyas SOUND DESIGNER: Ankit Thapa LINE PRODUCER: Rajat Gautam COLOURIST: Sachin Rana GRAPHICS COORDINATOR: Manil Kandwal STILL PHOTOGRAPHER: Saalim Shamsi 

[yashasvijuyal]

An experimental interview of two musicians visiting each other after a long period of time and bonding with the medium of music and intoxication.

 Directed by Yashasvi Juyal Music by Ali Armaan Zainvi & Kartikeya Vashist Creative Director(s) - Viraj Sikand & Dipesh Manral Executive Producer - Ashish Bahuguna & Priyanka Bhatia Graphics - Shivangi Pant Produced by Silvercord Films In Association with IWoot Media

[yashasvijuyal]

'Confident in being confused' Armaan | अरमान 40 min, India/2016 

This documentary takes us on a whimsical musical journey through the eyes of three musical proteges. Engulfing us in their efforts to be one with music, be it through their crazies, their ambition or their vision. The unifying power of music that brings together a national award winner, a confused guitarist and a reality serial rejected aspirant. 

[yashasvijuyal]

VIVEK, expresses his opinion about the political and social condition of the country with #Halkehekya Rap: Vivek Arora Music: Ali Armaan Zainvi A Silvercord films presentation Documentary, India, 30 minutes

[yashasvijuyal]

Watch the real-life journey of a simple boy from Dehradun, Vivek Arora battle all odds and even his own verbal handicap to pursue his dream to tell stories through rap and eventually own his new identity as KARMA. 

[yashasvijuyal]

Watch the real-life journey of a simple boy from Dehradun, Vivek Arora battle all odds and even his own verbal handicap to pursue his dream to tell stories through rap and eventually own his new identity as KARMA.

[yashasvijuyal]

Observing Hate By Yashasvi Juyal 

[yashasvijuyal]

DIRECTOR: Yashasvi Juyal PRODUCER: Ashish Bahuguna CREATIVE DIRECTOR: Viraj Sikand EDITOR: Sandeep Vyas SOUND DESIGNER: Ankit Thapa LINE PRODUCER: Rajat Gautam COLOURIST: Sachin Rana GRAPHICS COORDINATOR: Manil Kandwal STILL PHOTOGRAPHER: Saalim Shamsi

[yashasvijuyal]

Portrait of a lady on cell phone 

[yashasvijuyal]

Notes on Quarantine

When the future is vulnerable, the present becomes valuable. You practise so much with observation that you start thinking in images. The same happened in the starting few days, the comfort in the thought of not moving anytime soon made me meditative in the practise of observing mundane daily moments and actions through an evolved gaze. This new gaze allowed me to unlock the locked inside me. The pandemic politely explained my privilege to me starting with the haunting politics in the image of migrant workers walking miles and miles on foot to reach their own land. I started questioning the idea of institutionalised structure of community living. When the state proved that viruses do not discriminate but society does, I felt the birth of new locks inside me which might take a lot of pandemics to find a key to those extremely uncomfortable locks. The observation of chaos around you develops an aesthetic acceptance of the little remains of virgin beauty left around you, spending a lot of time with world interpretation of truth in the form of sight & sound I realised how spiritually rejuvenating and healing cinema can be. Instead of taking you few steps closer to the world and the eco system you are existing in, it has the power to take you little closer to yourself. In the end it is all about the fascinating idea of time and I would like to end this with a short excerpt I read during quarantine about the idea of time.

Stavrogin: . . in the Apocalypse the angel swears that there'll be no more time.

Kirillov: I know. It's quite true, it's said very clearly and exactly. When the whole of man has achieved happiness, there won't be any time, because it won't be needed. It's perfectly true.

Stavrogin: Where will they put it then?

Kirillov: They won't put it anywhere. Time isn't a thing, it's an idea. It'll die out in the mind.

— F. Dostoievsky, The Possessed