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Chapter 8 - 5

The speech

Read Heartstopper Online

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Heartstopper updates three times a month, on the 1st, 11th, and 21st at 11am UK time.

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streamed a Goosebumps game today where you get strangled by Jeff Goldblum dressed as Dracula

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Interview with the Vampire 2.01 | "What Can the Damned Really Say to the Damned"

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Day 3: favourite dynamic: louis de pointe du lac & armand

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can we also talk about how iwtv is literally the perfect queer show. It has every theme that the gays love. Blood, hunger as love, acceptance of monstrosity, doomed tragedy, psychological horror, ghost daughters, never being worthy of love, despair of the world, fuckable old men, bodies and houses as haunting, cunty outfits, constant performances, tension, always tension, the absolute ache of being in love. fuck me

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the thelyss brothers

-Critical Role Campaign 3, Episode 113, "Assault on the Malleus Key"

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genuinely though, I love lieve’tel just from a symbolic perspective. DEATH is patient, DEATH is kind. death isn’t going to answer any of your questions about “when” or “why” to your satisfaction even though you have them. cryptic motherfucker. she’ll wait thirty years with your name on her lips and then move on to the next beautiful soul—but that doesn’t mean she’s forgotten you. you’re still there in the back of her mind. death comforts those left behind to the best of her weak ability and does not mind as they rage at her. death is soft-spoken and swift to strike and her hands and cold and gentle. when you see her face, death is beautiful. best servant of the raven queen. knocking it out of the park with this one, mr. o’brien.

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i think it's so beautiful that armand's love for daniel is canonically his salvation. his relationship with daniel is the reason why anne changed her mind about him being a villain (and siding with akasha in qotd iirc)

"years ago it wouldn't have mattered to me, all this... but i don't want it to end now. i don't want to continue unless you-- i don't want you to die."

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favourite character: elizabeth swann         ↳ pirates of the caribbean trilogy

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shoutouts to Essek Thelyss who, seven years ago, didn’t have friends, barely had family (he trusted his brother but didn’t speak to him), who was cold and frustrated and selfish—who now has a family made up of his friends, who helps people he barely knows, who has reconnected with his brother such that they can rib each other without fear of the relationship souring, who has a home full of warmth and love.

shoutouts to Essek who is still awkward and abrasive at times, but who—even while living in secret—is more open and kind and willing to care.

I love him I love him

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The thing is “My love becomes a vampire so I’ll become one too to stay with her” can’t hit the same anymore. It’s become just a “ooh being a vampire would be sexy!” or “yay we get to live forever!” romantic thing versus the most defiantly heretical devotion that would make the paper it was written on burn. There’s no “ooh~ vampires~” but rather being willing to join everything you fear and dread the most, that once shattered your mind to endure.

It also just can’t hit the same without that backdrop of severe Victorian social mores one dare not set a foot outside, and a lifetime of being bound by them. Or without the certainty that heaven is real, and you’re willing to bar yourself from it for eternity if your love isn’t granted entrance.

This is gothic Romance with a capital R at its pinnacle and I’m never going to stop thinking about it

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And I have always said I am more than willing to go down the "Devil's Minion" route with Eric or Luke or both. It might be a nice parallel, alternate reality version to do a three-way. [Laughs]

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The Birdcage (1996) dir. Mike Nichols

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My favorite part is that he’s so angry about being called boy, he misses that Louis says “our.”

Daniel "I'm not your fucking boy!' Molloy like:

Oh right, my bad; you're our BABY BOY, so sorry, my mistake