violets-and-mints-reblogs

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Two Peas in a Pod: part 2/?

*slips another piece into your mailbox*

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Jazz was still feeling a little woozy from his donation in the dark hours of the morning. Blaster had breakfast changed from the usual to something that felt more like a treat, probably a reward for his good behaviour, and to help his body recover. Fish heavy in proteins, fat, all that healthy stuff. Something that normally he would have tried to savour, but he wolfed it down from excitement. Too many questions ran through his head, and most he couldn't bring himself to voice.

The mer, the mer would pull through. Blaster told him about how he had saved their life with his blood. Praised him high and low. Because Blaster knew how Jazz felt about seeing blood, about how hard blood tests were for him, and that was only a tiny vial. Not three big bags of it. Jazz hadn't seen how much they had taken – because he had kept his eye closed until they left in a hurry –, and hearing about it made him dizzy for other reasons, but he honestly felt real proud of himself.

It was a new feeling, different from other moments of pride – like when he figured out the lock codes. Yeah, this gave him butterflies and the drive to help more.

Blaster laughed when Jazz offered that the vets could take more if the other mer needed it. His handler didn't think it would be, but he would pass it on to the vet team.

Jazz's morning checks were a little off, expected with having a little less fluids and feeling off-balance, but it was kept short and quick. Blaster told him that if he learned anything more, he'd tell him next time he came by and then hurried back down to the staff area. Blaster was needed elsewhere, understandably as there weren't many mer experts here, though he did leave Jazz his waterproof stereo if he wanted to play some of his favourites.

But, the orca mer was far too busy causing a whirlpool from the laps he was swimming. He was too excited to sit still, and embarrassment be damned he started practising old vocals. He didn't remember much of his mother tongue, and he was pretty sure that his pronunciation was off, that or had one hell of an accent. Echo-speech was even more rusty. And once he had gone over and over what he could recall, Jazz began to really worry. A few sentences and handful or so of words was all he had? Gods, I hope I can at least make a decent first impression. Blaster said they were just like me, so hopefully, that will give me some starting points.

More than he cared to count, Jazz would swim into the shallow waters of the medical bay and hope to see something through that window. But no one ever came close enough for him to hear any news of the mer. He couldn't even see anything on his radar, wherever they had done treatment, it wasn't in the hospital ward. It almost felt like he was being purposely kept in the dark.

And just when Jazz was starting to worry that things had taken a bad turn, a group of staff turned up around four pm. He wasn't able to ask any questions, or rather they refused to answer. Shooing him away as they got to work. Starting with closing the gate to the bay to 'keep him out'. Jazz could easily climb those walls, but that wasn't the point. Even if the gate window was closed, he could pick up that they were setting up the water hammock. But it wasn't until he heard the cautionary beeping of the hoist lift approaching that it dawned on him – the mer was coming. Now.

"Jazz," Blaster called, "… Jazz," he blew the training whistle and finally got his mer's attention. "Stop pacing and get over here."

"But–" Jazz looked back longingly up the wall.

"Jazz," his tone dropped to a firm one, and Jazz begrudgingly swam over to the pier. The human crouched and made sure that they held eye contact before he spoke. "I need you to promise me that you will stay in your enclosure."

He sunk a little, trying to play into his cuteness, but being far too anxious to really pull it off. "What do you mean?"

"Jazz," now warning him. Blaster knew full well that he was more than capable of getting into or out of places he shouldn't, bloody Houdini mermaid, "this is serious. Things are going well, we want to keep it that way. Which means keeping things calm and feeling safe. You're excited, I get it, we all are. But in about an hour, they'll be waking up and – from past experience seen with wild Mers – they will likely freak out. And the last thing we need is you hauling your tail over that wall and making things worse. Understand?"

The beeping was louder how and the hiss of hydraulics caused Jazz to look up. The arm of the lift was visible over the wall. They're here!

"Jazz," Blaster hopelessly called for his attention once more.

Within moments, a massive bundle was carefully raised, the staff calling out and coordinating. Jazz's gaze was fixed on the black and white fluke poking out, it was the only part of them he could see, and his heart began to race. Once they became hidden by the wall again, Jazz moved back to pacing by the gate without even thinking. Listening to people hopping into the water to unstrap the mer and call back n' forth. "Careful, careful! – Watch the head! – Someone give me a hand over here! – We're clear on this side! – Keep the head up!"

Really starting to sound like a broken record, Blaster chirped the whistle and called out to him again. The expression he wore must have been pretty pitiful because the look on Blaster's face dropped. "If I open the view port… will you promise me that you will wait, that you will stay in your enclosure?"

"I promise," he answered hastily, placing his hands on the gate, over the panel that would slide open.

"And that you will wait until everything is in the clear, till the staff come to oversee the integration. There will be no rushing things and no asking staff when we will open the gate."

"I promise," he repeated, trying not to beg.

Satisfied, Blaster pulled out his radio, "Blaster to Control; when the team is out of the Mer enclosure's medical bay, open the view port. Jazz's stress is mounting without a visual."

"Can do," came a quick reply.

Though, opening the panel was not. Several minutes went by, the hoist had cleared out, and much of the staff had returned to their other duties. Only two remained double-checking the mer's breathing and pulse. The moment that the last of them left, Jazz heard the lock disengage, and he retracted his hands as the panel shifted and began to slide open. The window was too small to get more than his hand – maybe up to his elbow if he wanted to push it – through, and sat just at water level– any movement sending water hopping to either side. But it gave him a clear view of the surface area inside.

Oh.

Oh. Jazz stopped breathing. While the mer's body was mostly supported by the fabric of the hammock, cradling them on their side, effectively hiding most of them from Jazz's angle. Propped up on a soft floating platform was the mer's head, face towards the gate. Sharp features and elegantly shaped finials, with flattering lines of their markings complimenting the peaceful expression as they slept. The butterflies from earlier came back stronger than ever, his heart thundering as words fumbled from Jazz's lips, "he's beautiful…"

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-GLC

Orca Prowl really is just-- too fucking pretty, omg, I'm living through Jazz in this moment like when I first saw your designs of him.

I'm more than happy to continue writing for you, you bring me so much joy. I screamed when I saw how much you liked it. If you have any requests you would like me to add to the story, leave it in the tags or comments ♡ I now plan to continue until the tsunami and a bit afterwards, maybe more, we'll see~

Oh. MY GOD. OKAY ALRIGHT OKAY ALRIGHT OKA

I'M ABOUT TO START PACING IN CIRCLES JUST LIKE JAZZ OVER HERE KDLCNFJFLFB PL E A S E THIS IS SO GOOD. The tension?? You can fucking TASTE it IT'S SO GREAT GLC I LOVE YOU

The way it all starts at night and then you (as a reader) have all this additional time to boil in your anticipation?? So fucking great. Like you can really feel how little power Jazz has over the wholse situation. The plot is moving but he doesn't have any saying in it. Well. Yet heheh

Anyway haha. Im normal and I made some art>:D

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so I’m a BIG fan of apocalyptic landscapes and unrealistically large megastructures so I

BACK TO THE USUAL STYLE YAYYYY and my comfort zone landscapes

I meant to lock in and do hw I swear

BUT THE VOICES DEMANDED I DRAW CONCEPT ART

@keferon apocalyptic ponyo au

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You're just a mammal. Let yourself act like it. Your brain needs enrichment. Your body needs rest. You feel hunger and grow hair. You need to pack bond with other sentient things so you don't become unsocialized and neurotic. You are biologically inclined to seek dopamine and become sick when chronically stressed. "Hedonism" is made up to place moral value on taking pleasure in sensory experiences. I am telling you that if you don't let yourself be a fucking mammal, as you were made, you will suffer and go insane. No grindset no diets no trying to be above your drive for connection. Pursue what makes you feel good and practice radial rejection of the constructs meant to turn you into a machine. You're a mammal.

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Hi hi! I just want to say I really like your artwork (though I’m a bit of a lurker so I’ve been a bit nervous to say anything until now 🫣). I can’t draw but I guess I can colour, so I decided to colour this sketch of yours! (I promise I didn’t repost it anywhere or pretend it’s mine I just wanted to show my admiration for your work 😭) I hope you have a good day!

Oh sweetie your coloring is (I almost said lovely ahah) intimidating in the most possible compliment way, I love it <3

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imagine like. Jazz tries to sleep for the first time out in the ocean. He's exhausted, he's strung out, and he closes his eyes to sleep only to feel shaken and sick with vulnerability. He's open from all sides, anything could get him from any direction. He's weak, he's slow, he's so fucking tired.

(The solution is Prowl tucking Jazz's head into his chest while he keeps watch. The solution is always cuddles)

The solution is always cuddles

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Once in a while my brain gets overwhelmed and I just can't keep up with any social interactions, can't properly make words and feel nothing over everything. You just have to close everything and close inside your head to relax. Surprisingly, after 1-2 days you end up being full of love to the world, you still can't properly do anything but you are exploding from the love to the world and people Then I come here, and I get reminded yet again why I love creation and people who make wonders out of their minds Apocalyptic ponyo mermaid Jazz by Keferon, because apparently relief in freedom is what keeps people above

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i love antique stores you go to check out & theyre like “where the hell did you get this”

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I'm thinking that because humans know so little about orca mers they probably have a very bad understanding of what their diet entails. So because of this (and because hes depressed as hell) Jazz is pretty underweight

BUT THE KICKER

Under all that blubber whales are basically pure muscle- and because Jazz does all that upper body workout stuff he's like. Visibly muscular. Abs for days. And because humans have fucked up ideas of what a 'healthy' person looks like, they think that this means Jazz is so healthy and happy here at the aquarium! But orcas are meant to be pudgy!!! They live in COLD ASS TEMPERATURES THEY ARE ROUND LADS THEY NEED THE PADDING. Prowl takes one look at Jazz and is like 'THEY'RE FUCKING STARVING YOU ON TOP OF EVERYTHING ELSE??'

Part of Jazz's healing journey is also actually eating properly for the first time in his life

……YOU MADE ME REALIZE. Oh god.

I am just looking at my own concept art and. Jazz is basically V-shaped and humans would absolutely think that looks good. Just the same way they think about all those super skinny girls on instagram or something.

Also it’s not like they have a lot of other merfolks to compare

Prowl would be so confused at first. Like. Why aren’t you eating?? I’m sure they would give you more if you ask?? But then again. Jazz doesn’t want to eat as much as he should because. 1 - depression. And 2 - he has nothing to burn the energy. The tank is small and the performances aren’t that long. So he’s stuck in a loop where he doesn’t move enough - so he doesn’t need to eat as much.

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Say No

(written for @keferon’s Apocalyptic Ponyo AU. A bit of Jazz and Prowl set after most of the events of the au. Enjoy!)

-.-.-.-

Prowl watches from the sidelines as Jazz goes through yet another interview. He can’t shake the feeling that there is something off with Jazz. That there is something that isn’t right. 

Oh sure, Jazz looks happy, but Prowl doesn’t trust it. He doesn’t know why he doesn’t trust it though, so he’s scrutinizing Jazz and his behavior to try and figure it out. 

The other orca mer is smiling, talking as animated as he usually does (though notably trying to be polite by staying in one general area), using his hands as he speaks. Those are normal Jazz things to do, even if he seems a bit…more Jazz-y? He’s using a bit more inflection, slightly more exaggerated movements, a smidge extra charm behind the smile. The effect is entertaining, sure, but-.

But…he is…being entertaining. He is here, in an interview, answering questions both benign and personal, and he is putting on a show. 

Prowl’s gaze flicks around the room. Multiple cameras, stage lights, a dazzled audience. 

The interviewer, masterfully directing Jazz through the narrative with light and heavy topics and making sure to end on a high note. 

Jazz, big movements, big personality, put on display like a thing to be marveled at. 

A large grin that had been bothering Prowl the whole time because it is wrong. And now he knows it’s because it is fake. 

When the interview ends and Jazz swims offstage, Prowl takes his arm and leads him away. Away from the crowds, the lights, the cameras. Just away. From everything. Anyone who even thinks of approaching the two as they leave take one look at Prowl's hard expression and become too scared to even try. 

“While I enjoy swimming with you,” Jazz says when they are properly away from everyone, “is there a reason we left so quick?”

“You were uncomfortable.” Prowl answers. 

“Is that so?” Jazz says, amused. 

Prowl stops and turns to Jazz, stopping the other mer cold with a hard stare. “Yes, you were. You were putting on a show like it was still an obligation you owed for living somewhere when in reality you don’t owe anyone anything of yourself that you don’t want to give.”

The fact that Jazz looks shocked by this makes Prowl’s heart clench painfully. 

Prowl takes both of Jazz’s large hands in his. “I’m sorry,” he says while giving his hands a reassuring squeeze, “that I didn’t see it sooner. You did so many interviews and I didn’t see how similar they were to that tank until now.”

“Wha- hey, no,” Jazz brings their hands closer to his chest. “don’t apologize for this when it wasn’t even your fault. They asked to hear my story and-“

“And you could’ve told them no.” Prowl interrupts. “You don’t have to do these things anymore. You can say no. You can leave off you want. You aren’t confined to a small space anymore with no escape and no privacy. You can say no.”

“I- I can say no.” Jazz whispers like it’s revelation straight from the vents below. “I can leave.”

“You don’t have to do things you don’t want.”

Jazz floats there, clutching Prowls hands to his chest like they’re a lifeline, as his gaze drifts down in thought. “What I want…”

Slowly, Jazz looks up at Prowl. “I want you to show me that Crystal Reef you were talking about.”

Prowl smiles. “This way then.”

-.-.-.-

Two of the things Jazz loves about Mer society are the pouches that he can carry stuff—his stuff—in and the phones. After years of seeing humans use them (filming him, taking pictures of him), he now has one of his very own. An underwater phone, a fish phone, a fone (“It’s funny Prowler, trust me.”). It’s awesome!

Not very awesome right this second though. 

It’s vibrating, meaning someone is calling him. The screen only shows a frequency instead of a name, meaning it’s someone he doesn’t know. 

He sees Prowl look at him curiously from where he’s been sunbathing next to him as Jazz answers.

“Hello?”

“Hello! I am Undertow, a reporter with The Tuning Trident. Is this Jazz?”

Jazz sits up. “Yeah, I’m Jazz.”

“Excellent!” Undertow says, chipper. “We have been working on an article covering your story and the trials you went through. We here at The Tuning Trident are dedicated to bringing our readers the most accurate information that we can provide and we were wondering if you could come over sometime within the next few days to answer a few questions we have about your experience.”

Jazz freezes. He…doesn’t really want to talk about it with reporters anymore. He’ll just have to politely turn them down. 

Jazz opens his mouth, but no sound comes out. His throat is suddenly dry. He swallows his trepidation and tries again. “Uh…”

Is that it? Is that all he can bring himself to say that isn’t a fake and enthusiastic agreement?

The reporter on the phone starts talking again. “Of course, if coming in is an inconvenience, we can have a small team come to you to conduct the interview. We are very flexible here, so whatever may be best for you, we can certainly work with!”

That was even worse! He didn’t want nosy strangers coming to his favorite spots!

But he still can’t say no. 

His gaze flicks to Prowl, desperately and silently pleading for help. 

Prowl sits up and holds his hand open to Jazz. Jazz gives him the phone. 

“I regret to inform you,” Prowl says with no regret or remorse, “that Jazz won’t be doing any interviews for the time being.”

“It’ll just be a quick thing.” Undertow promises in a small tinny voice that Jazz can still hear. “Only a couple of questions to clarify a few facts.”

“No.”

“I- but- who is this? Who are you to speak for Jazz?”

“His manager.” Prowl's tone turns cold. “He is not available for an interview at this time.”

“Why not?”

“Jazz has his reasons and he doesn’t owe them to you. Good day.”

“Wait, if you could just tell us-“

“No.” Prowl hangs up. “The nerve of some Mer, it’s like they forgot that you're an apex- urk!”

Jazz hugs him, eyes shut tight, tucking his head into Prowl’s shoulder, and squeezes. “Thank you.” He whispers, voice wobbly. 

Prowl returns the hug, using one hand to cradle Jazz’s head. “Of course. You deserve some peace.”

“I tried.” Jazz says to Prowl’s shoulder. “I wanted to say no. I tried but I couldn’t. I couldn’t get that one word out and I tried.”

“I know.” Prowl pats Jazz’s head through his beanie. “It’s okay. You keep trying. And until you are able, I can say no for you whenever you need.”

“Promise?”

“I promise.”

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do not separate

amazing apocalyptic Ponyo au by @keferon

I adore their au, I have just been eating it up! these two especially have found a special place in my heart! their story broke me, especially jazz's.

I was inspired by the post talking about prowl eventually being well enough to be released and him just holding onto jazz for dear life to not be separated. this au is slowly breaking me, man.

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Absolutely love this au! (The angst is killing me in the best way) And love Jazz’s design a lot. so I doodled him a bit, doing some poses during a performance.

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Aquatic arts from this and last year! 🌊✨🐋

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Okay so like. IMAGINE it starts pretty usual. Swerve hangs out in the Aquarium for whatever job related reason and accidentally makes friends with the weird looking fish hahah

But then the big Tsunami-flood apocalypse comes and everything is destroyed and water everywhere and all the buildings turn into sharp heavy deadly rubble and now Swerve has to team up with that weird looking fish because the end of the world contains A LOT of water and he never was a good swimmer

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I'm obsessed with the Apocalyptic Ponyo au by @keferon , and specifically Shockwave and his school of feral kids. I'm not really an artist but I just had to draw them.