a ghost can be a lot of things. a memory, a daydream, a secret. grief, anger, guilt. but, in my experience, most times they're just what we want to see. most times, a ghost is a wish.
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WITH: luca. @rhythmicals WHERE: gross general. WHEN: 4:25pm.
romy had begun to notice the way gross general was lit too bright in her week here — like it was trying to make up for the decades of grime the fluorescent tubes could never scrub out. she stood in the aisle between the canned soup and discount paper towels, holding a basket with a sad-looking pint of ice cream, three different energy drinks, and a bag of cotton balls she didn’t need but had grabbed anyway. she’d just rounded the corner toward the pharmacy shelves when she spotted a familiar shape — tall, broad-shouldered, same posture he’d had leaning against marble balustrades at parties. luca. of course. she grinned before she even reached him. “don’t tell me you’ve traded champagne hangovers for domestic migraines,” she lifted her chin toward the bottle of ibuprofen in his hand, tilted in amusement. “recovery kit from one of your latest act ups? headache now from plotting your next cage match?” she’d heard enough stories about the latest luca-and-adrien blowouts at school to picture him with somewhat of a permanent concussion at this point. “or did you just preemptively stock up?” her mouth curved into a sly half-smile, the one she used when she knew she was poking a bruise, but not too hard — friendly fire. she shifted her basket to her hip, studying him the way you study someone you’d only known in the periphery: the debs, crowded dorm parties that eventually got shut down, their shared overheard gossip behind closed doors. the whole boarding school small-world thing, now transplanted to new york and distilled down to the fluorescent purgatory of gross general. it was a far cry from the last time they’d crossed paths in england, glitter under their nails and an unspoken dare in the air.
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w/ @rhythmicals
We can have a fair fight.
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♡ MATTHEW BROOME the buccaneers season 2 promo
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adrien hadn’t meant to end up at carbon sink. he’d been leaning on the porch railing of the new house, cigarette curling smoke into the damp air, beer bottle sweating against his palm. the neighborhood still felt foreign — too still, too polite, too quiet — but max’s text gave him a better excuse than sitting alone among half-unpacked boxes and the faint echo of nothing with both roommates out of their new abode. they’d only been in the new house a week and already it made his skin itch when it was just him home. bigger than the palladian dorms, sure — more windows, more space, more quiet — but the size didn’t make it feel any less hollow. if anything, it reminded him too much of the beaumont place when it was empty. an empty mansion was still fucking empty. he never liked being alone, he got too stir-crazy with the silence; any excuse to see max and drink himself away sent him biting. carbon sink greets him like a basement he half-remembers from some dream: amber sconces pooling light into soft, uneven circles, shadows licking at the walls. the air smells of lemon rind and stale juniper, warm bodies pressed close, and the faint hiss of an old jazz loop feeding through tinny speakers overhead. maximo is behind the bar, sleeves shoved up, tossing him a grin like a coin. adrien’s halfway to returning it when his gaze snags on her. junie. she’s folded into the far corner, all shadows and sharp lines, nursing a drink like it’s both armor and maybe distraction. her hair catches the light in pale, fractured strands, collarbone cutting a clean edge above the drape of her shirt. her shoulders are set in that deliberate way he remembers — controlled, composed, but betraying a sliver of tension if you know where to look. and he was finding he knew where to peer.
then she sees him. it’s instant. his gaze drops and climbs without subtlety — shoes, knees drawn just enough toward herself, the restless flick of her fingers against glass, the mouth he’s kissed and the brown eyes he’s memorized without meaning to. his pace toward her is slow but inevitable, the crowd thinning around him like it knows to give them space. “good to know you’re still alive,” she says when he’s close enough, her voice even, though it lands somewhere heavier than the words suggest. his smile crooks, one corner sharp and fond from the smart remark. “you make it sound like you were taking bets, sweetheart.” that old nickname, come back to life between them, wearing the same shape it did the last time he’d used it. it hangs there now, not quite touching her, but close enough to feel, to provoke. he’s about to follow it with something�� else when a shoulder brushes hard into his back — some guy shoving past toward the bar — and adrien rocks forward a step. reflex has him catching her drink before it tips, fingers curling around his own as a passing server pauses just long enough to let him take it. “come on,” he murmurs, already sliding a hand to the small of her back. the contact is light, barely there, but enough to guide her through the warm crush of bodies toward a darker stretch of bar. there’s a single empty stool there, wedged against the wall. he sets both drinks down, then — without thinking too hard — hooks an arm under her waist and lifts her up onto it like she’s nothing, setting her gently but decisively in place. she’s suddenly higher, closer to eye-level, though he stays standing, leaning a shoulder against the wall, body angled toward hers. he lets himself look again, slower now, the way someone might take in a familiar street that’s changed since they last walked it. “new york looks good on you,” he says finally, voice low, almost private, like it’s not meant for anyone else to hear. and he means it. though what he really means is: you look good. i’ve missed this view. i’ve missed you. but he’s not ready to hand such confessions to her yet.
for: adrien beaumont ( @tintedswindows ) where: carbon sink
Quietly, tiredly, Junie had tucked herself into the back corner of Carbon Sink after cancelling on friends - only to show up by herself anyway. Company felt a bit intimidating now, even though she usually appreciated it, even craved it. A bit hardened by nature, the last person someone would suspect divulged into social circumstances, with all her snarky tone, pulled faces. There’d never been a nuance to Junie, and there wasn’t now - when she went up to the bartop again, hoping for Robin but getting Max instead. Junie had nothing against him - he just simply reminded her of Adrien. It made her core ache, thinking about him, the self-implicated rule that she wasn’t allowed to reach out to him anymore. It didn’t matter to her, that he didn’t reply to her worries at Palladian, that they haven’t spoken since arriving to Langston. Expect that it did - but she’d rather have her flesh slough off her in heaving chunks than admit that. And the universe knew it, apparently - watching Max’s face light up when Adrien suddenly entered the bar. All Junie could do was stare stupidly, extremely unlike them, watching the two friends begin to talk animatedly, until Adrien was noticing her. Noticing her - the way he always did, not necessarily acknowledging her presence so much as forcing her to accept that he was going to take in the entirety of her. Gaze skirting up and down, immediately moving a bit closer, though there was maybe some hesitance now. It made Junie purse her lips tight together, take her own step back. It felt like any development in their relationship at that dorm party was a butterflies wings crushed in a chaotic palm, turned to particles but with a dusting of colour, still. Something that could be beautiful, but perhaps not worth the effort to the untrained eye. Junie couldn’t tell if it was, or wasn’t, could only stare at Adrien, take in his features, before finally mumbling a simple, “Good to know you’re still alive.”
#╭──╯ . . . interacting with ⊹ ࣪ ˖ adrien beaumont#╭──╯ . . . interacting with ⊹ ࣪ ˖ adrien ft. junie#i am here.
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– ( alisha boe. 24. non-binary. she/they. ) there’s something about hadden, man, that makes me so nostalgic. like, you see that? CLEO HARTWELL? yeah, they’ve been in hadden for three years now, and i don’t think i’ve ever seen them leave home without their LUCKY HAND-BEADED LIGHTER. i think they’re a MUSIC PERFORMANCE & COMPOSITION MAJOR over at LANGSTON and KEYBOARDIST in DELIRIUM - which makes sense since they’re so MOONSTRUCK and UNSERIOUS. i didn’t think i’d see them out in public so soon, though, ever since … y’know, she dated a married city council member just to sway a vote on a climate bill once. yeah, it’s pretty bad - but i heard they’re also MERCURICAL and MAGNETIC, so i guess you really never know a person … maybe it’s just a SAGITTARIUS thing? either way, everytime they’re around i always get i don’t wanna be funny anymore by lucy dacus stuck in my head and it just makes me so SPONTANEOUS. i gotta go walk it off before i do something drastic - see ya! /
╭���─╯ . . . . . full bio coming soon . . . . . . ╰──╮
T H E B A S I C S
full name — cleo larken hartwell
place of birth — naples, florida
date of birth & age — december 21, twenty-five
gender / pronouns — non-binary, she/they
sexuality — bisexual
occupation — student & keyboardist in delirum
residence — snakeroot cabin (bunk 3) with blue haddaway, zahara visser, and robin shrike
family — frances hartwell, math teacher (55), russell hartwell, professional WWE wrestler (60)
astrology — sagittarius sun, cancer moon, gemini rising
traits — mercurial, unserious, moonstruck, magnetic, enigmatic
likes — vintage nightgowns, omnichords, dancing in the rain, never shutting up, polaroid photos, messy secondhand bookstores, making potions in the backyard in a jar, gas station coffee, video games, mismatched rings on every fingers, ferris wheels, lipstick smudges on any cup or mug, flirting, cherry soda, making a scene, live tweeting shows/movies, graffiti under bridges
dislikes — authority figures who misuse power, rigid traditions, rigid schedules, the sound of sirens, corporate agriculture, close-minded people, vanilla flavored things, goody-too-shoes, stiletto high heels, long plane flights, the idea of being medicated
C H A R A C T E R A S S O C I A T I O N S
ty lee (avatar: the last airbender), sophie sheridan (mamma mia!), alice cullen (twilight), jess day (new girl) , ruby tiffany sparks (ruby sparks), luna lovegood (harry potter), phil dunphy (modern family), debora (baby driver)
S U M M A R Y
grew up in naples, florida with her mom n dad.. her mom frances was the type to be charming and protective one moment, then disppearing into her own struggles the next. the type to encourage cleo to climb trees to grab fruit but then leave cleo at the top of the tree when she's stuck by herself.
her dad russell was pretty emotionally absent... not much to say there... he was a profesional wrestler that wasn't around much due to his job.. she'd kind of wait like a dog at the door on nights she knew he'd be home and sometimes he'd never show. she went to a lot of his shows and honestly loved the theatrics of it all
she had a terrible bf kind of young that really messed her up... they were on and off and it gave her whiplash... he also gaslit her a lot so her view of love since that has been a bit.. skewed
her mom forced her to do piano when she was young simply so she could have Space from cleo because she never left her mom alone (aw). she honestly is VERY talented at it, but she sort of feels like it was something pointed at her by her mom to do and not her choice.. like questioning what of cleo is really herself
because of this she bought herself a nice keyboard. she likes the plastic, the freedom to play whenever she wants and not just at lessons, liked plugging her headphones in and just letting loose
moved to NEW YORK baby to try and pursue her music career. kind of loves it and composing music but also kind of. isn't sure what she's doing she's just kind of going with the flow at all times truly
sometimes struggles with sense of self and depersonalization because of all of it. lives in a bit of a dream world sometimes
O T H E R & R A N D O M
she collects trinkets.. lots of broken stuff, she especially loves that. thinks she has her own island of misfit toys <3
very enthusiastic about protesting and standing up for what she believes in. sometimes goes a little too hard and gets arrested or in trouble
her wardrobe is random.. consists of lots of vintage dresses and beds and chunky accessories and then other days baggy jeans and loose clothes. kind of just a spur of the moment whatever she has in front of her she will wear, sometimes it's a lil eccentric
she hates silence... has music playing 24/7.. some tv in the background... taps her foot a lot to invisible beats... can't be left with the voices now...
she loves the piano and also hates it </3 keyboard is more her speed, even omnichord she messes around on. she was big on the twee train and singing with anyone who had a ukelele during that phase lmfao
she has a soft spot for animals. always had pet lizards and frogs growing up until she forgot to poke holes in the jars and they died </3
she is gonna leave her trace behind baby! will write on your skin like it is her paper, probably wants to chew on anyone's shoulder, leaves notes everywhere.. this is her way of ensuring she isn't forgotten <3
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– ( kaia gerber. 24. cis-woman. she/her. ) there’s something about hadden, man, that makes me so nostalgic. like, you see that? MAEVE SHEPPARD? yeah, they’ve been in hadden for three years now, and i don’t think i’ve ever seen them leave home without their GOLD LOCKET THAT HAS A PHOTO OF HER AND HER TWO BROTHERS IN IT. i think they’re a FASHION DESIGN MAJOR over at LANGSTON and a CASHIER at CABOOSE - which makes sense since they’re so PRAGMATIC and CYNICAL. i didn’t think i’d see them out in public so soon, though, ever since … y’know, she helped her brother flee the country to escape their family. yeah, it’s pretty bad - but i heard they’re also RESILIENT and GUARDED, so i guess you really never know a person … maybe it’s just a VIRGO thing? either way, everytime they’re around i always get room temperature by faye webster stuck in my head and it just makes me so MELANCHOLIC. i gotta go walk it off before i do something drastic - see ya! /
╭──╯ . . . . . full bio coming soon . . . . . . ╰──╮
T H E B A S I C S
full name — maeve amalie sheppard
place of birth — hudson, new york
date of birth & age — september 19, twenty-four
gender / pronouns — cis-female, she/her
sexuality — pansexual
occupation — fashion design student & fashion design assistant
residence — blank street house 242 with carnelian st. germain, august st. germain, and cleo tsiboe
family — benjamin sheppard, unknown (22), conrad sheppard, student (23), samuel sheppard, real estate tycoon broker (54), sabrina sheppard, retired travel agent (52)
astrology — virgo sun, cancer moon, scorpio rising
traits — composed, clever, mysterious, charming, pragmatic, aloof, performative, cynical
likes — banter, vintage book restoration, podcasts, long walks, strawberry flavored anything, white dresses, breakfast foods anytime, sneaking bottles of wine places, casual kissing, putting her phone on do not disturb, carnivals, dogs, old antique stores, compact mirrors, the twilight movies
dislikes — socialite events, spiders, the color beige on her, speeding cars, overly crowded spaces, empty noise (fills it with music), emergency rooms, religion as a whole, liars, email chains, looking people in the eye when saying vulnerable things, elon musk
C H A R A C T E R A S S O C I A T I O N S
astrid leong-teo (crazy rich asians), beth pearson (this is us) , marissa cooper (the oc), elsa (frozen), dale cooper (twin peaks), daisy fuller (the curious case of benjamin button)
S U M M A R Y
maeve was born the eldest into a rich family from new york obsessed with image alongside her two brothers, conrad and benjamin. her dad is extremely successful and well known in real estate, owning a ton of properties around the world while her mom is a fancy travel agent (basically retired) turned socialite.. think vanderbilt name also where it is just a case of old money too
her dad is... a real evil asshole truly. he was not cut out for kids but loved having them to maintain a good american family facade. they kind of thrust their kids into school and clubs and academics immediately
she learned pretty quickly in her teens to just adapt to the lifestyle, ride under her mother's wing rather than rebel and fight the system like her brother conrad. she saw her compliance in being the “good daughter” as a pragmatic choice and she knew the costs of resistance
her brother conrad was quite the opposite and had been having issues/knocking heads with their parents for so long (especially dad) and when they got into a car accident that cost their dad his kidney, their dad forged his consent of conrad's kidney donation. he made a whole big deal of it and had the entire family go on the news talking about a miracle at the hands of god and the son's sacrifice.. she was mortified
her youngest brother benjamin eventually caves under the pressure of trying to be the golden child and wants to run away, maeve helps him escape secretly and their parents are so ridden with the shame of the family reputation by him leaving that his dad ultimately fakes his death and kills him off
this causes a lot of self conflict.. she's further perpetuating the lies the family relies on.. her morality.. she isn't sure if it's possible to even be free of the family grasp without literally being buried :D
ends up at langston where it's her first taste of freedom in some time <3 there is a sense of peace <3 somewhat <3
O T H E R & R A N D O M
she can be mysterious and does not give away too much (or at least tries not to) just because she has been conditioned as such. she can be hypocritical in how she carries herself/actually feels for sure..
“i hate when i get up in the morning and i have to go through the maze”
really likes books. wants to have a library of her own someday.. has always been in book clubs like a Nerd
has been to family therapy more times than she can count. loves therapy. advocates for it. hates her family sessions tho
sometimes struggles to make friends and maintain them bc she can tend to be avoidant. isn't the best texter either, would rather facetime or call
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– ( medalion rahimi. 25. demi-woman. she/they. ) there’s something about hadden, man, that makes me so nostalgic. like, you see that? PALOMA TEHRANI? yeah, they’ve been in hadden for seven years now, and i don’t think i’ve ever seen them leave home without their HER LEATHER CORD NECKLACE WITH AN AGATE STONE FROM CHILDHOOD. i think they’re a CONSERVATION & RESERVATION MAJOR & ZOOLOGY MINOR over at LANGSTON and a ANIMAL HANDLER at THE WRANGLE - which makes sense since they’re so BLUNT and WAYWARD. i didn’t think i’d see them out in public so soon, though, ever since … y’know, she once pulled a knife on a guy at a house party for trying to grab her. yeah, it’s pretty bad - but i heard they’re also WITTY and HEADSTRONG, so i guess you really never know a person … maybe it’s just a SAGITTARIUS thing? either way, everytime they’re around i always get d is for dangerous by arctic monkeys stuck in my head and it just makes me so DEFIANT. i gotta go walk it off before i do something drastic - see ya!
╭──╯ . . . . . full bio here . . . . . . ╰──╮
T H E B A S I C S
full name — paloma farrah tehrani
place of birth — taos, new mexico
date of birth & age — september 19, twenty-five
gender / pronouns — demi-woman, she/they
sexuality — bisexual
occupation — student & animal handler at the wrangle
residence — apartment 12B with beefcake kiefer (npc), juniper ridley liao, finch kiskova, jamie prescott, quinn xiao, darla kissmore
family — amir tehrani, self-employed gunsmith and survival gear specialist (55), layla tehrani, unemployed (50)
astrology — sagittarius sun, scorpio moon, aquarius rising
traits — resourceful, keen, brazen, candid, tactile, protective, spiritual, curious, compassionate, adaptable, patient
likes — visual storytelling, gun ranges, astronomy, collecting stones, talking shit, diner food, horses, any type of beer, found family, old cars, fixing things with her hands, listening to the radio, graffiti
dislikes — fake concern, confined spaces, mansions, technology in general, artificial scents, car traffic, loud chewers, religion in general, facetimes, the pharmacy or hospital, pop music, their weakness being perceived
C H A R A C T E R A S S O C I A T I O N S
lucy gray baird (the hunger games), ellie williams (the last of us), fox mulder (the x-files), allison reynolds (the breakfast club), lilo pelekai (lilo & stitch), sydney adamu (the bear), robin buckley (stranger things)
S U M M A R Y
her two strict and deeply religious parents fled iran after the 1979 revolution due to spiritual/political upheavel. in new mexico, they settled into a religious sect (cult basically) that blended islam and judaism religion and had a baby girl, paloma :D
her parents were doomsday preppers that isolated themselves in a small town and cooped themselves up. she was in school under around 5th grade before they homeschooled her for the rest... just congregated mostly in the confines of the neighborhood where everybody was apart of said cult
she lived like the fooking amish basically and they all just cooked and traded things. she lived off the land, was taught how to forage, hunt, cook, sew, etc.
her parents were. so unwell. her dad definitely suffered from bipolar disorder, was deeply paranoid, and thought the world was “impure” and the end was coming
her mother was basically delusional with religious content and they both were... generally insane and did not treat her well. isolated her in rooms alone some day and did some insane rituals that shaped her wee lad child brain
finally completed her GED after being on and off about it, then at 17 ran away from home to new york! booked a train and never looked back
pursuing conservation and restoration.. believes in the importance of history and preserving the natural world. also minoring in zoology, wants to be involved somehow with animals
O T H E R & R A N D O M
is a painter. loves to paint. always has. was one of the few things she did in her childhood to keep herself busy. never thought about it as a career but has always been warm at the idea of teaching
has always always always loved animals. never was allowed to have pets growing up but befriended a lot of wild animals outside. definitely tried to smuggle them home before
is weird about touch sometimes. enjoys hand holding.. very grounding for them.. but needs the warning sometimes. can be jarred in their own visible body
likes chaos oddly finds it peaceful <3 enjoys the loudness of her apartment because it is so vastly different from her upbringing of sometimes painfully abusive quiet
very into making herbal teas, tinctures, pastes.. she hoards pots and pans at her apartment to stew things for sometimes days bc she knows everything has a herbal remedy
doesn’t sleep well so goes on walks a lot of the time. her sleep schedule is very random. bit of a night owl for sure
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MEDALION RAHIMI 2022, ph. Yasmine Diba
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– ( matthew broome. 25. cis-man. he/him. ) there’s something about hadden, man, that makes me so nostalgic. like, you see that? ADRIEN BEAUMONT? yeah, they’ve been in hadden for one week now, and i don’t think i’ve ever seen them leave home without their RACING SIGNET RING FROM PORTE DE LA CHAPELLE. i think they’re a DIGITAL ARTS AND NEW MEDIA MAJOR over at LANGSTON and a MECHANIC at PINECREST MOTORS- which makes sense since they’re so THRILLING and CALLOUS. i didn’t think i’d see them out in public so soon, though, ever since … y’know, he provoked a student and got stabbed on campus. yeah, it’s pretty bad - but i heard they’re also VOLATILE and MANIPULATIVE, so i guess you really never know a person … maybe it’s just a LEO thing? either way, everytime they’re around i always get balloon by tyler, the creator (ft. doechii) stuck in my head and it just makes me so RESTLESS. i gotta go walk it off before i do something drastic - see ya! /
╭──╯ . . . . . full bio found here . . . . . . ╰──╮
T H E B A S I C S
full name — adrien jude beaumont (born adrien jude dufort)
place of birth — montreal, canada
date of birth & age — july 30, twenty-five
gender / pronouns — cis-man, he/him
sexuality — bisexual
occupation — student, aspiring race car driver, and mechanic at pinecrest motors
residence — blank ridge house 102 in hadden with sawyer devi & maximo espinoza ortiz
family — nicolette beaumont, model (25), kate beaumont, photographer for vogue (57), vincent beaumont, renowned pilot (70), luciana dufort, biological mother, unknown (41), morgan dufort, biological father, unknown (43), zahara visser, cousin, vocalist/guitarist for delirum (25)
astrology — leo sun, gemini moon, scoprio rising
traits — impulsive, witty, hot-headed, jaded, lonely (won’t say it), emotionally avoidant, attention seeking, cruel, reckless, charismatic
likes — vintage leather jackets, collecting racing helmets, hotel minibars, cigarettes, french punk and electronica, flirting, fighting, gambling, reading philosophy, rooftops, dive bars, unapologetic people, intensity, bar fights, dancing on tables, kleptomaniacs, drugs, raves, rash decisions
dislikes — being cornered, going home, taking family photos, strawberry ice cream, country music, sobriety, texting, the idea of a journal, blackmail, empty rooms, being ignored, secrets (only he’s allowed to have those), the idea of therapy
C H A R A C T E R A S S O C I A T I O N S
damon salvator (the vampire diaries), barney stinson (how i met your mother), lucifer morningstar (lucifer), dexter mayhew (one day), logan huntzberger (gilmore girls), roger sterling (mad men), sean parker (the social network), connor walsh (how to get away with murder)
S U M M A R Y
best way to describe him would be bastard <3 or nuisance <3 attention seeker.. all of the above <3
adrien was raised by his teen parents until they started to have money issues, their house went into foreclosure, and they put him up for adoption at 7. this caused some issues of feeling unwanted in his youth that he absolutely will not talk about or admit
he was adopted into the beaumont family, immediately spoiled and seen as the “shiny new toy,” which his sister nicolette was less than amused by as the prior only child
he struggled to adjust in the family at first (kid gets shoved into a giant mansion and the parents are all over him) and it caused stress on the mother, worsening her eating disorder, and eventually it led to a miscarriage when they tried for another kid a year after adopting adrien
he really started to act out as he grew into a teenager, having an attitude problem, flashing the middle finger in family photos, sneaking off on family weekends to paris to smoke cigarettes and talk to strangers
one weekend in spain with his father, they went to a race car event and he fell in love. he’d been racing ever since he could legally (doing it on the street illegally), ignores his family’s calls as he stayed at hotels alone milking the family’s private jet, and just generally abusing his newfound money/lifestyle
got in a near death car accident at 20 high and under the influence racing. he didn’t tell his family about it and walked to the hospital himself. they ended up finding out and paid off the news to cover it up to protect his image. still has dreams about it. that altered his life despite his own desire to discuss it :D kind of has been chasing the thrill of death since
after his parents shipped him off to paladium to get a degree and threatened to cut him off, he was studying digital media. did not give a Fuck and would rather be racing, but now thrust into langston to try and finish his degree on best behavior so he can pursue what he actually cares about
O T H E R & R A N D O M
uses his mom’s blind adoration to his advantage and has always manipulated his position in the family to benefit him. unfortunately very selfish and a liar most of the time :D hates talking about his emotions
despite his reckless persona and behavior he is incredibly meticulous about his car, racing gear, and maintaining them. that is his first real true love
is a goer. a leave-r. has a hard time staying in one place sometimes. probably has untreated adhd but he’s not the type to believe in that shit or ever admit he has "fault" ...... uses any excuse to drive his car or leave the country for the weekend
Once Again Another Muse That Will Drink Or Do Drugs Whenever Asked.... loves a thrill!
really good with faces and random details. will not admit it but will know your favorite color and your best childhood memory and your birthday forever. will also remember the face of anyone who has ever wronged him
doesn’t like to be alone. goes hand in hand with his restlessness, has always had some form of roommate or company with him
knows how to cook very well from all the places he’s traveled, likes to cook but won’t show off about it. really enjoys shared meals with his people though since family dinners ruined that for him early on
sentimental about this one leather jacket that belonged to his biological father.. doesn’t touch it and just keeps it in his closet
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– ( jessica alexander. 23. demi-woman. she/they. ) there’s something about hadden, man, that makes me so nostalgic. like, you see that? RAMONA ‘ROMY’ KOVACH? yeah, they’ve been in hadden for one weeknow, and i don’t think i’ve ever seen them leave home without their POCKET KNIFE THAT BELONGED TO HER OLDER BROTHER. i think they’re a DANCE & MOVEMENT STUDIES MAJOR over at LANGSTON and RHYTMIC GUITARIST in 4AM VERDICT - which makes sense since they’re so CHAMELEON-LIKE and FLIPPANT. i didn’t think i’d see them out in public so soon, though, ever since … y’know, she ran her car into her childhood home in a fit. yeah, it’s pretty bad - but i heard they’re also EMOTIONALLY-EXHIBITIONAL and POLARIZING, so i guess you really never know a person … maybe it’s just a SCORPIO thing? either way, everytime they’re around i always get nobody by mitski stuck in my head and it just makes me so NEUROTIC. i gotta go walk it off before i do something drastic - see ya! /
╭──╯ . . . . . full bio found here . . . . . . ╰──╮
T H E B A S I C S
full name — ramóna "romy" gizella kovách
place of birth — budapest, hungary
date of birth & age — november 4th, twenty-three
gender / pronouns — demi-woman, she/they
sexuality — bisexual
occupation — student & rhythmic guitarist for the band 4am verdict
residence — hawthorn lodge (room 2) with laszlo kovach & ophelia alexander
family — lászló kovách, student and bassist in delirium (24), oszvald kovách, composer & conductor (72), erzsébet kovách, celloist (51)
astrology — scorpio sun, aries moon, gemini rising
traits — flippant, volatile, creative, performative, dramatic, mercurial, flirtatious
likes — chipped nail polish, flirting with strangers, ballet flats worn thin at the toes, loud music in headphones, nipples as an accessory, kissing, eyeliner, broken jewelry she hoards, messy handwriting, laughing at things that aren't funny or at bad times, pushing buttons, dancing, moths (not butterflies), taking baths whenever she wants, angry music, the deep hum of the piano, sneaking out of hookups beds, songwriting
dislikes — being spoken for, waking up early, dress codes, love songs that are too sweet, holidays, the sound of her dad's footsteps in the hallway, the cello, group chats, sand in her shoes, baby talk, when people call her "dramatic" (she is. and?)
C H A R A C T E R A S S O C I A T I O N S
fleabag (fleabag), clementine krucynski (eternal sunshine of the spotless mind), tiffany maxwell (the silver linings playbook), love quinn (you), marla singer (fight club), natalie (yellowjackets), jessa johaansson (girls), jane margolis (breaking bad)
S U M M A R Y
grew up in budapest, hungary with her mom erzsébet, dad oszvald, brother laszlo.. her childhood was very tumultuous. born a year younger than her brother but was insignificantly lesser than and this was made known 10 minutes into being born when they saw she was a girl <3
her brother was a child prodigy musician, their dad was an abusive musical genius himself, and her mom was a compliant, passive woman who just wanted to be loved. romy was thrust into music lessons but they didn’t catch on as easily as they did for her brother. this was met with a lot of yelling, punishments, and comparisons
romy could never run too far without running into the mirror her father put in front of her to criticize her with </3 she was thrown into music but piano, violin & guitar were the only ones that stuck. she gravitated towards cello (her brother’s best instrument) but was forbid to touch it. it was laszlo’s, not hers. this became a theme of her life
her mom finally encouraged romy into ballet when she saw her natural inclination towards it (born from a desire to be different than laz, have something of her own), but only with the negotiation that she continued music per their father ofc
her relationship with her dad is the worst…… very obviously….. couldn’t handle not being the Great Laszlo…. she’s very “if it’s not good what’s the point?” has a lot of... self esteem issues because of it
when her brother and dad got into their first physical fight and he was shipped off to boarding school her dad kind of went colder. just really... let her have it verbally. :( this was a bad time for romy and she struggled being in the spotlight for once (ironic bc it was what she always wanted seeing laz in it)
relationship w laszlo itself… VERY complicated…… shit show. deep envy and jealousy and hatred. i hate you for what you did but i miss you like a little kid! very much that... too complicated to put into words
eventually went to an all girls boarding school of arts.... need i say more.... very formative for her.... she went Crazy there for the first time having a taste of freedom. alcohol, drugs, hookups, petty crime.. the works! experienced love for the first time there n wanted nothing more of the sort! (she does)
romy wanted to be nothing like laszlo but also everything like him, so she was </3 started acting out more, partying a lot, taking drugs.. just experimented a lot with finding out who SHE was and her identity
being at home again after she graduated... a shit show. she tiptoed between rage and apathy. she hid in her room a lot and danced more than she played music
she eventually had a ballet injury that thrust her interest back into music. felt like a sign and her dad laughing at her. this caused a big blow out fight, landing her in a situation where her mom suggested palladian as well. phrased it as “keeping an eye on your brother” so the house didn’t explode. her dad helped her get in and berated her with “you aren’t as good of a dancer as you were” so he had to pull strings to get her in to palladian and made her promise to not give up music entirely
now at langston because 4am verdict is on tour :D
O T H E R & R A N D O M
joined the band 4am verdict playing rhythmical guitar just to spite her brother in an opposing band.. genuinely does enjoy it tho (there is a pattern of doing things just to spite her brother)
very chameleon like.. as in she adapts to the person in a way.. can talk to basically anyone but it doesn’t mean the conversation is always pleasant. really just a bad trait from lacking sense of self growing up
dyes her hair often.. varies from pink to brown to black.. usually never permanent tho so it all washes out in the shower
once danced barefoot on a dining table during a party and someone filmed it. she didn’t care <3
will do Drugs with anyone at any time basically now
chain smokes cigarettes now.. esp when anxious.. blames it on the ballet girls she met at school.
her dad once told her feeling too much would ruin her so she's been trying to prove him right ever since
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– ( evan mock. 25. demi-man. he/they. ) there’s something about hadden, man, that makes me so nostalgic. like, you see that? FOSTER KILATAN? yeah, they’ve been in hadden for one week now, and i don’t think i’ve ever seen them leave home without their CREASED PHOTO WITH HIS MOM IN THEIR WALLET. i think they’re an ANTHROPOLOGY & FOREIGN LANGUAGES MAJOR over at LANGSTON and a COOK at PINE AND SKILLET - which makes sense since they’re so METICULOUS and VACILLANT. i didn’t think i’d see them out in public so soon, though, ever since … y’know, he jumped from his cabin roof on drugs and broke his arm. yeah, it’s pretty bad - but i heard they’re also FERVENT and AVOIDANT, so i guess you really never know a person … maybe it’s just a PISCES thing? either way, everytime they’re around i always get binz by solange stuck in my head and it just makes me so AFFABLE. i gotta go walk it off before i do something drastic - see ya! /
╭──╯ . . . . . full bio found here . . . . . . ╰──╮
T H E B A S I C S
full name — foster alon kilatan
place of birth — queens, new york
date of birth & age — june 30th, twenty-five
gender / pronouns — demi-man, he/they
sexuality — bisexual
occupation — student & chef at pine and skillet
residence — hemlock cabin (bunk 2) with zakaria qadir, babe mori, and ritu bhardwaj
family info — rosalinda kilatan, owner of mano po (49 and deceased), miguel kilatan, unknown (50)
astrology — pisces sun, gemini moon, sagittarius rising
traits — enigmatic, sharp, tactile, improvisational, kinetic, spontaneous
likes — warm kitchens in the morning, stupid ugly t-shirts, old maps, tattoos with no meaning, 70s soul and jazz music, abandoned buildings taken over by nature, acts of service, laughing loudly, flirting meaninglessly with strangers, collecting restaurant menus, the drums, novelty stupid mugs with sayings on them, dancing, fusion recipes, culture and food integration, street photography, dirtbiking, stick n' poke tattoos, recreational drugs, bartending, repurposing items, travel
dislikes — performative grief, people who fill silence instead of sitting in it, liars, loud chewing, passive aggression, shoes on the bed, missionary tourism, group photos where everyone is forcing a smile, overexplaining jokes, hospital environments, food waste, environmental disregard, fighting over text, surprise parties, the month of november entirely
C H A R A C T E R A S S O C I A T I O N S
robin buckley (stranger things), amanita caplan (sense8), spike spiegel (cowboy bebop), augustus "gus" waters (the fault in our stars), robin hood (robin hood), westley (the princess bride), fox mulder (the x-files), ekko (arcane)
S U M M A R Y
his mom moved from the philippines to new york to chase the american dream... wanted to find a husband, start a life there, and have kids
his mom opened up a filipino restaurant called mano po and there she met his dad. they quickly got married and had a baby. she was like aw i finally have my dream! <3
foster has a lot of memories of being at mano po with the regulars, being raised there on milk crates until eventually being thrust into work there at an early age, it was very formative for him
his dad eventually cheated n bounced... his mom didn’t talk about it much but he remembers the fighting and the way she changed a lot. she redirected all her energy into the restaurant even more so
his mom got sick with stage 4 lung cancer when he was 17 and she was very traditional.. she denied treatment and wanted to try and fight it with eastern medicine at home w foster caring w her vs in the hospital with western medicine/chemo. lots of days stuck in the home cooking for her, holding her hair as she threw up, tv re-reuns together n facetimes together with his lola
she survived about a year before she died </3 it was pretty devastating for foster. he struggled a lot mentally after that. couldn’t sleep well or get out of bed. just felt like he was wandering the world alone
life did not care for him to have a moment to breathe before his cousin marijoy (:D tho) and her dad n step-dad took him in under their watch along w the other litter of adopted kids they have. foster was never officially adopted as he is 18 and with all the grief at the time, he did not want to deal with process officially
he did enroll in culinary school for two years and became a chef. it feel like a honor to his mom but also his own passion and holding onto the parts of himself he was scared to lose drowned in the grief </3
eventually enrolled in langston.. felt like a way to be closer to the family he did have (bacalso-coughlan siblings) and pursue further education of anthropology and foreign languages and how entwined they are in food consumption and culture identity etc. he’s very passionate about this :D
O T H E R & R A N D O M
doesn’t love being the center of attention.... definitely the type to irish goodbye from parties or be in a quieter corner. but does love to get really drunk/drugged up sometimes and let loose. dependant on who he’s with/the vibe. he’s chill but loves to dance :D
has a cigarette problem.. smoking problem in general.. it’s an oral fixation thing and also a stress dependant things. feels twangs of guilt knowing his mom died of lung cancer but can't seem to cut the habit
can and Will cook for all his loved ones. genuinely loves it so much and is a huge acts of service person.. much more into showing his love than outwardly saying it. he can be bad with his words sometimes when they need to mean sometimes but he will always show he loves you if he does
likes spontaneity and fun, chases it like a high. reminds him of childhood in the big city and going on the subway and getting off at randoms stops and going wherever he wanted and making new friends
he runs warms and always smells like laundry. does it RELIGIOUSLY. bit of a clean freak when it comes to his clothes because he was so used to laundry so often in his youth from all the food smells he’d carry back home from mano po
jots down his favorite movie lines, book notes, words he likes. big on random notes and papers all over the place. pinned to the fridge, crumpled in his jacket, tucked into booksleeves
dreams about his mom all the time. sees her face sometimes in grocery stores. struggles a lot around his mom's death anniversary (november). usually keeps to himself n self sabotages
has a habit of picking at his skin, hands are usually calloused from lifting things, so will pick at that or his fingers until they bleed sometimes. bad habit. will wear random colored bandaids on different fingers or knuckles sometimes
can be oddly superstitious sometimes about random things
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I took it too far like I always do
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adrien feels the weight behind shepherd’s words before the hand clamps over his mouth — fingers like a steel trap that silences the chaos he can feel brewing underneath both of their skin, as if humming and only getting louder in the disgusting space they’ve made for themselves. a muzzle on a fucking dog. the sharp curl of fingertips digging into his jaw and cheekbones feels like a claim, a tether pulling him back from the edge where his will threatens to shatter. the press of skin against skin, firm and unyielding, speaks volumes without sound — a brutal negotiation where neither can afford weakness. his body rebels, muscles twitching to fight back, to spit subversion even when words fail, but shepherd’s grip is a proctor’s. cautious yet ruthless, knowing every twitch could mean destruction, every move a fracture or better yet, salvation. it yanks the moment into something raw and intimate: a clash of wills where surrender tastes bitter but survival demands it. shepherd’s hand moves with the inevitability of sacrilege: fingers wrenching apart his jaw like rusted hinges forced open, iron keys forcing ancient bolts to yield knuckles slipping sideways like cold steel blades sliding into a warm mouth. it’s a harsh unraveling, turning flesh and bone into a gateway of raw, unwilling surrender. bite. their very own twisted sacrament, a communion of flesh and will. pressed past his teeth and invading the sanctuary of his mouth — a foreign body demanding worship, an unspoken altar where flesh is both prisoner and offering. the line between predator and prey blurs, knuckles offered up like a chalice and the bite a solemn vow — binding them in a eucharist of shared wound. one that would burrow and settle in the guts of their own hungered beasts inside, dormant until shaken back awake next. boundaries dissolve into a shared pulse of agony and need, instinct takes over: teeth meet bandaged knuckles, a collision of meat and bone where it feels like small surrender is carved in the marrow beneath skin. their very own silent pact masticated into the language of scarred flesh — adrien’s body telling the opposite as if on fire itself. i am here. i am here. i am here. his spit gathers and spills hot over skin, dripping down the back of his throat in a way that makes him want to cough but can’t. the ache in his jaw blooms fast, tendon pulling tight from the pressure. somewhere beneath all of it, the wound in his side throbs in time with his heartbeat — an irregular rhythm he can’t dance to.
he catches the scent first — sharp, stinging alcohol that cuts through the damp heat of the room. it feels like the room has morphed into a beast of its own, walls pulsing like slick, cavernous ribs closing in tight. the sterile scent of antiseptic twists, becoming the acrid stench of something ancient and hungry, another predator waiting beneath the skin of the room itself. it turns his stomach and drags the color from his face, leaves him feeling like his blood’s retreating to someplace safer. he can feel his lids flicker, the edges of his vision smudging like wet charcoal. his muscles twitch involuntarily beneath shepherd’s pressing weight, every broken piece of him igniting with pain — sharp, dull, constant. when his grip tightens on his jaw and shakes him with quiet insistence, adrien clamps down fiercely, teeth sinking deep into the rough knuckles, a sharp spike of pain that burns through the dull fog that’s settling over his senses. his desperate anchor in the tide of fading awareness. every nerve in his body fires — aching, burning, aching again — as chills crawl down his spine like icy fingers trailing a path of fire. a bitter chalice best shared: the taste of shepherd is metallic and alive, copper biting through the spit gathering at the edges of his tongue. their very own communion wine distilled from agony and defiance. every shallow inhale tastes faintly of the alcohol’s ghost, sharp enough to sting the back of his throat. his head is tipped against the wall behind him, its chill soaking in through damp hair, vertebrae aligning to that taut surface like it might keep him from succumbing entirely. gauze hits raw flesh, and the wet pull of it lifting away — blood, pus, whatever else is festering there — draws a groan low in his throat. his teeth clamp harder on reflex, punishment in place of words he doesn’t have the breath to spend. adrien’s world is narrowed to the damp press of shepherd’s palm against undone stitches, the faint tremor in his own jaw where bone grinds against bone as his body writhes on fire, a wince of pain muffled against flesh. bitter medicine forcing his body to stay awake, fighting back the fog that’s seeping in and dragging him slowly toward the edges of nothing but himself.
then the voice slips through the fog — his name. low, deliberate, spoken like a secret no one else is meant to hear. adrien’s heart stammers, a tremor in the darkness. it feels too close, too tender, too jarring. so intimate, so startingly close, that it could only belong to a specter from some shadowed place between life and death, calling him softly to cross over now. the slow toll of a death knell, chains tightening softly around his ribs, a bidding from the underworld. the voice of a devil or an executioner beckoning from the shadows, both promise and punishment. his destined noose: a beacon of cold fire that flickers just beyond reach, calling him closer to a place where light dies and silence reigns. he floats on the edge of that call, caught between surrender and resistance, anchored and consumed — strangely, it feels like coming home. a summoning. he can’t outrun his fate forever. his chest tightens as the second call of his name hits him like a harpoon — clear, unmistakable, no longer a trick of his bleeding mind. not loud, but weighted, each syllable dragging him back from the slow, numbing drift toward nothing. it cuts through the haze like a blade, a cruel confirmation that this isn’t some fevered hallucination. shepherd’s voice. his name. a slap of cold water, sharp and vivid, or a dark echo in a hollow chamber that shakes and rattles inside one’s skull. the sound hooks into something primal, like muscle memory, like the way a dog knows the voice that raised it. his pulse stutters, but it’s there, answering. the raw intimacy of it makes something coil tight in his gut — an electric pulse buzzing beneath his skin. breath hitching follows as shepherd settles fully onto his lap after the call; the weight a tangible claim — heavy and uncompromising. the sharp clang of their belts scraping against each other rings out, metallic and raw, like a beat thrumming beneath the bruised silence. it drags his heartbeat out of its slow crawl, kicking it into something sharper, more urgent, a desperate rhythm pounding in his ears. the press of hips is both a cage and a beacon, a paradox of captivity and invocation. in his dwindling state — blood cooling, fingers numb, the world tilting — those three syllables of his name feel like they strip the grave dirt right off him. and without thinking, without even meaning to, his bite loosens on the knuckles wedged past his teeth, canines sinking less into knuckles, jaw slackening under the weight of the call. sweet benediction. the pressure eases in the same way a body weakens into sleep, like some part of him has recognized the voice and yielded before the rest of him can catch up.
you’re not going to touch this again. if you do, i will torch that piece of shit car of yours. his lips twitch into a weak, almost mocking smile at the threat towards his ferrari — like a ghost slipping through the cracks of his cracked mindstate. delirium blurs the edges of reality, folding the cold room into the roar of memory: the engine’s growl vibrating through his bones, rain slick against the tires, neon lights stretching into streaks of color that melt and shimmer at the corners of his vision. he can almost feel the heat of the leather steering wheel beneath trembling fingers, the rush of speed a wildfire coursing through his veins, pain and pleasure tangled in a chaotic, dizzying dance. the wound throbs, a dull chorus beneath the vivid haze, but in this fragmented moment, the chaos inside him ignites — he’s racing, he’s alive in a way that nothing here can touch. he feels weightless, like he’s flying just beyond reach. he's light. he's light. drifting. his body hums with a strange mixture of pain and airiness, each nerve firing a discordant melody that makes the sterile room and shepherd’s piercing gaze blur at the edges. euphoria creeps in, thick and slow, wrapping around his thoughts like a velvet fog. adrien’s eyes flutter, caught between wanting to hold on and the desperate urge to let go — to fall back into that fleeting freedom, or into nothingness itself. the memory tempts him like a siren, promising escape from the ache, from the cold, from the reality that tugs him ever closer to the edge until needle is skimming over exposed torso and fevered skin. the tip pokes at flesh, brown eyes readjusting to focus on the opposite and teeth clamping down again in a last ditch effort of noncompliance. the first dip of the needle into torn flesh makes his whole body jolt — his good hand shooting to fist in the back of shepherd’s shirt, the broken wrist hanging limp against the floor. shepherd’s hand is still caught between adrien’s teeth, his canines sunk deep enough into broken skin, the taste of blood hot and salty on his tongue. the burn blooms fast, wicked, and he grinds his jaw harder, muffling a sharp, guttural moan into the meat of shepherd’s palm.
each stitch is a flare of heat and pull, the thread dragging through him like fishing line through waterlogged skin. his shoulders twitch, hips shift under the press of weight straddling him — a damp, pressing gravity that slows his pulse in his temples — as the tension rolls up his spine until his neck locks. the pressure in his jaw starts to bleed upward, crowding the back of his skull. his lungs can’t pull properly with his teeth locked like this — breath rattling shallow through his nose, the air thin enough that dark stars bloom at the edges of his vision. there’s no real stillness in him — his jaw keeps easing and tightening around the hand in his mouth, like some unconscious surrender keeps slipping through the pain. all he can taste is blood, sobering. he can feel the focus, the way each pull is measured like a craftsman testing his work. he can focus on nothing but blaring, shooting pain as his entire body tightens and muffled whimpers fall from spit-covered lips. shepherd works quick — five neat bites of the needle, five small insults. the fifth stitch goes in, the knot cinches, and his head feels light enough to float. the burn in his ribs becomes a pulse in his ears and his breath is a ragged, hot rush against shepherd’s skin as he takes a moment of bracing. then he’s shoving — his good hand unfisting the shirt and snapping up to shepherd’s shoulder, braced against the weight over him, and pushing hard enough to rock him off balance. it’s not a strike, not even a warning — just the instinctive, animal recoil of being unpinned, to fill his lungs properly. shepherd’s hand leaves his mouth with a wet, relucant pull and his jaw snaps shut on empty air. he drags in a sharp, ragged breath as he adjusts to the absent taste of shepherd devi. fingers twitching, he reaches out without thinking, fingertips curling around the cool, unforgiving links of shepherd’s silver chain. the metal presses cold and real beneath his palm, a fragile lifeline against the haze threatening to swallow him whole. then his hand falls away, limp and spent; adrien slumps back against the locker, chest heaving, the wrapped wrist cradled tight to his ribs now. no thanks — just that raw, greedy relief of space, breath, and no one’s skin between his teeth. he spits out foreign blood and his hand instinctively reaches for sutured wound, gifted to him, and he closes his eyes for a second, too weak to think. when he opens them, the devil is staring back at him still and he exhales, and the world is closing in on his consciousness again. “missed.. a spot.” the words come out slurred and without a usual smile before the dark takes him and his head lolls against the metal, succumbing finally.
* ❪ 🔌 ❫ : the feeble fight that adrien puts up is something that he cradles in his palm. a baby bird with a thinning breast cavity, looking sunken in as he continues to trap it there, refusing it the power to fly. to be free. nor does he crush it, end its misery and send it to its demise. instead, he's just, watching it flutter meekly. entranced by the dance of survival that causes it to twitch uncontrollably. he doesn't say anything for a long while, only watches as adrien fights with no one else but himself. gears turning in adrien's head, plotting a next move that will fail horrendously anyway. shepherd's taking note of the lack of oxygen that flows through adrien's brain, the knowledge that he didn't have to wrap his hands around his throat for this to happen. although they're reminding him that they're still there, fingers twitching, ready to be used for the trial of adrien beaumont's misuse. the same jittery unease before a show, before a high strung performance that left the crowd wanting more at the end. just like the hit and snare of each drum pummeled by his sticks, there's no trace of empathy, nor kindness shadowed in the way he shifts to make himself comfortable. intensity in the stare that bores a hole into adrien's skull when he feels trembling hands on him, doing his best to get the last word in, the final attack that'll send shepherd on his way. little did either of them know that the consequence of their previous encounter meant their role in one another's lives were finalized. he lets adrien have this petty grab, using adrien's leant in position to look over his arm and closer at the wound, preparing the sutures formation in his head. an act he had done with precision as a child. now too, though no one had been able to dig deep enough to be aware of this fact. a habit of choosing to create things out of nothing. mend things that were left broken. here, there is a new something, a whole lot of someone. a template of his very initial mapped out like a new project. a collaboration of shepherd's design into adrien's flesh. fermented to perfection and begging for a taste. rotting skin that others would grimace at with a single glance, purple lines coloring themselves along each jagged border. shepherd finds it grotesquely bewitching. an artwork unmatched, unrivaled to anything he's ever created in his life. a competition come to fruition. he will soon have to outdo this monumental piece, wishing he could put it to page now. forgo this entire fucking situation and work it into musical composition. leo's lecture grinds itself into his ears, already vexed by a woman who wasn't even there, picturing the creases of an aggravated expression, reprimands pelting at his back if he came out empty handed. he'd choose to brave the hailstorm over leona's bleak sermons.
he's had enough. adrien's incessance is a failed attempt at perseverance in the presence of a man who could dismantle every effort with maddening impulsivity. a silent promise: no one would remember adrien was even here. oh, he'd gotten lost in the storm. left palladian in a walk of shame. except the chance of a new, unpolished version of adrien beaumont sits here. ready to be redesigned, taken apart and put back together in the hands of shepherd devi. a melody unfinished until he'd come along, adding and removing whatever he didn't see fit. a perfectionist at heart, in every aspect of his life. frankenstein's monster in the process of being created with shepherd's vision in mind. shepherd's hips move forward as a punishment for every curse that adrien commits to, fingers cutting into shepherd's collarbone little by little, until shepherd's sidling up from adrien's knees to his thighs, gazing down at him from an intimate height. position vulgar if anyone were to come in and capture them like this. throw them both out in exile without the chance to say goodbye to everything they'd left behind. ❝ i'll touch you whenever the fuck i want. ❞ he interjects, though there's no malice in the words that provide a controversial take on the matters of autonomy. already claiming a prepackaged meal that had his name sharpied right onto plastic wrapping. he'd done it before. here he is, relishing in it again. he knows adrien won't let him act on his purpose here without a trade. every domesticated creature had the mark of its maker, but every maker had to sacrifice something to their creature. nurture it. feed it. they both know that if they're caught, it won't end here. it'll get back to friends. it'll get back to family. it'll get back to whoever the fuck they didn't want in their business. a secret between the two. a hunter throwing it's bloodhound a bone. shepherd's lifting a hand up and covering adrien's mouth, fingertips curving around his jaw and digging into his cheekbones. two birds with one stone: keep adrien quiet, and suggest something that shepherd never would. never letting someone draw blood this easily. but adrien is dwindling, and shepherd needs him alive. ❝ you're going to keep your mouth shut and you're going to do as i fucking say. ❞ stern. a lab experiment instructed by a professor that urges his students to handle tools with caution. one clumsy move and the beaker is shattering, leaking out the explosive that mingle within. he's accepted the fact that adrien wil deliberately spit out anything else shepherd would shove into his mouth. a dirty rag, a sweater, a goddamn fist that would land one useless punch. he'd discard each solution and continue thrashing about. he knows how to handle adrien's breed of mutt, because he had been born of the same litter eons ago. more experienced, living in a world that had been rebirthed him far too many times, each version coming out wrong. worse than the last.
❝ bite. ❞ he commands, prying adrien's mouth open and fitting his hand in sideways, letting teeth clench down on bony knuckles that ache with their own tender wounds. he knows its enough to keep adrien awake: the gift of being able to take advantage of this vulnerability that shep has offered with visible displeasure. although he doesn't make it a choice. not really. nearly shoving his hand into adrien's mouth until he's feeling spit form a pool that spills between each digit. a cue to continue, even as the heat from adrien's mouth travels through his palm and finds a place in his neck, skin flush and pupils blowing. the transfer of energy, as if he'd shoved an IV into adrien's forearm and demanded that he take however much blood necessary to stay alert. ❝ don't fall asleep. ❞ a fatal warning that he emphasizes by shaking adrien's jaw firmly, free hand reaching out to grab a gauze pad and clear liquid that spins unfamiliarly in an unlabeled bottle, letting it drip out and squeeze onto white cotton. in a flash shepherd's pressing it against the top few stitches that had come purposely undone, wiping at the puss that begins to form, treating it as a parasitic infection, infection burying its wretched self under meat and threatening to seep into bone. gauze rough and dragging. he doesn't falter when adrien's canines sink deeper into his index knuckle, only makes a low sound that satisfies the need to�� exert that pain elsewhere, biting the inside of his cheek as adrien becomes merciless by the second. their opposing body temperatures have become more apparent now, careful not to lead adrien's body into shock from the cold intrusion of alcohol that petrifies any bacteria left behind. ❝ adrien. ❞ a name finally spoken, willing this dead thing to come to life, for his creator commands it. harbinger of reincarnation orders that he work in his favor. even when adrien felt he'd nothing more to give, shepherd would always find something to take.
❝ adrien. ❞ he calls again, the sharp jut of his pelvis sinking down harder, letting adrien feel his weight in its entirety, the chains on shepherd's belts sliding across thigh and swinging with a faint tink against adrien's own buckle. when adrien's heart kickstars he takes it as a sign to move faster, wiping away blood that smears in a thoughtless act of motivation, having crimson paint his own wrist and adrien's chest. a messy act of cleaning up to see what he was truly working with, tossing tainted gauze aside and moving onto the needle that pinches between his fingers. he'd have to do this one handed. a feat he'd done twice before, but never on human flesh, nor recently. a perfect opportunity to settle the question that's brought to the forefront of his mind. as if a life wasn't in his very hands. as if adrien conjured up a round of twenty one questions. did he have it in him ? did he still posses this talent ? ❝ you're not going to touch this again. if you do, i will torch that piece of shit car of yours. ❞ he's staring into adrien's eyes, eyebrows furrowing, knowing what comes next might be what makes him fall over the brink. pleasureless pain that will cause his body to seize up and shut down from the agony that desecrates a temple made to live life without continuous torture. still, the needle is replenished with synthetic fiber and he's skimming the tip over adrien's torso, letting metal nip at paling meat, making sure adrien is awake enough to take every word in before he loses him completely. ❝ i will check in on this. ❞ on you is what burns at the tip of his tongue. a flame that dries up and leaves in a plume of smoke. ❝ fucking beast. ❞ he adds finally, though it's not laced or coated in revulsion, absolute dismay for a man that previously meant little to bar none. nor aggravation for the inconvenience adrien had caused him despite being the very fucking source of his near death. in one fell swoop he's sinking metal into the S that glows with attention given, suture exiting on the opposite side of the wound and pulled through.
#╭──╯ . . . interacting with ⊹ ࣪ ˖ adrien beaumont#╭──╯ . . . interacting with ⊹ ࣪ ˖ adrien ft. shepherd#goodybe i am tapped out.#injury tw#stitches tw#blood tw#gore tw
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FOR: shepherd devi ( @ex3rtion ).
the light is dim and jaundiced in this half-forgotten corner of the school, slanting through the narrow slit of a high window like something old and sick trying to die quietly. the dust floats like bone ash in the still air, clinging to every surface. his spine hits the locker with a dull clang, and the pain that rips through him is blinding — a white-hot filament of agony that sears from the base of his neck to the bottom of his cracked ribs. he sucks in a breath as if the wind was kicked out of him, wincing. he smells copper, sweat, his own failure. and him. shepherd. the scent of him burns different: leather and steel and blood memory. the hot press of his palm on adrien’s collarbone is like a brand itself, keeping him upright, refusing him the dignity of collapsing. he should shove him off — should snarl, should bite — but all he can do is breathe through clenched teeth, every inhale sharp enough to slice open old sins. adrien was never a religious man. he didn’t kneel unless between legs, didn’t pray, didn’t beg — churches made his skin itch, and mercy was a word he only ever heard in jest. but he knows what it feels like to almost die — knows the lull of it, the silence right before the world rushes back in like a flood. he knows survival isn’t a gift, it’s a dare. he’s evaded death once before and he knows the choreography: the spinning lights, the slow breath, the cruel mercy. he isn’t built for penance. never was. he’s never been one for confession, never knelt for absolution. he’s spat in the face of god, smiled through every curse hurled his way. judas in leather. a beautiful traitor, the sinner too proud to repent. and maybe that’s what brought him here — cornered by the devil in shep’s skin, grinning like hell’s own executioner. the reaper with steady hands. perhaps this was always his fate. not salvation. not grace. just fire. just him. shepherd devi moves like a wolf in a cathedral — all quiet menace and unblinking reverence, as if he was born knowing how to make holiness flinch. he doesn’t disturb the stained glass; he reflects in it. the pews do not creak under his weight, they brace. there’s something sacrilegious about him, but it’s not loud. it’s not chaos or fire. it’s something older, colder — the kind of sin that doesn’t announce itself. the kind that steps into sacred spaces and doesn’t feel the need to kneel. he carries the silence of a prayer and the promise of a snarl. eyes sharp enough to read your intentions before you speak them. a mouth that never confesses. he is not lost in the house of sin. he is known to it. and god, perhaps, keeps very still when he walks by.
“fuck you,” adrien rasps, not with fire but with fumes. it’s not defiance anymore — not really. more like instinct, a last twitch from something already long past the moment of death. he means to sound cruel. he means to sound in control. but his body betrays him — slumping harder, swaying like a drunk against the lockers. his limbs feel wrong, too long, too heavy, like borrowed parts sewn together with junkyard wire. the broken wrist is useless. the pain in his ribs is molten and pulsing. the heat of fever curls in his joints like barbed wire in flesh. when shep yanks at the zipper of his hoodie, exposing the fever-flushed skin beneath, adrien twitches — not out of modesty, but from the involuntary shudder of his muscles trying to retreat. it exposes the mess of his gut in the raw lines when shep finally lays eyes on the S — his S still weeping red at the edges — carved and stitched, adrien watches the way his face shifts. sees the delight flicker, twisted and reverent. there’s a part of adrien — some buried, masochistic core — that swells with the attention. like a moth dragging its broken wings toward flame, he wants it. the gaze. the touch. the proof that it all happened and he isn’t just fucking delirious. his laugh is wet and short, pain-creased and edged with hysteria. his eyes glitter through the fever, narrowed like slits. they’re mirrors, almost. two fucked-up shapes in matching flesh: adrien, bruised and burning, sick with his own defiance; shep, sharp and steady, the kind of calm that only ever comes from knowing how much damage you can do. and yet — he’s shaking. just slightly. not from fear, but from the exhaustion of constantly performing. he’s raw from last night, from soren pinning him and sewing him like a piece of meat while adrien snapped and cursed the entire time. he’d refused help from everyone since. lashed out, spat fire; the idea of touch made him recoil. “my doctor wasn’t exactly board certified,” he mutters, voice dry as gravel. his fingers twitch at his side, still wrapped, still useless, but desperate to do something: to claw, to maim, to kill. but all he can do is lean his weight against the locker door and breathe through his teeth, baring his chest like a sacrifice, that goddamn S throbbing red and proud. there’s no strength behind the words. adrien beaumont, cracked open and quivering, still would always find the strength to spit something back. still knows that to let shepherd close is to dare the devil to devour you. the shape of shepherd devi is its own kind of omen. long shadow. wide stance. eyes that look like they were bred underground, not born. the kind of gaze that doesn’t just see you, but studies how best to dismantle. and for all adrien’s sharp teeth and sharper mouth, he knows the difference between predator and prey.
adrien hit the floor like something already half-dead: knees buckling beneath him the second shep’s hand released from his collarbone, his back skidding rough against the lockers before his body crumpled like a marionette puppet cut loose from string. the linoleum kissed his spine cold. a grunt tore from his throat — low and grating — more reflex than protest, because there was no strength left in him for much else. he watched through lashes damp with sweat as shep lowered himself down: methodical and slow. the press of his thighs caging adrien in like he was something to be dissected, studied, claimed. the weight settled across his legs — not unbearable, but anchoring. and with it came the heat of shep’s presence, asphyxiating and inescapable, the ghost of his earlier threat still echoing in the air like cigarette smoke. “try it. take my eyes, see if it makes a fuckin’ difference,” he spat, lips curling with bitter defiance. his head lolled slightly back against the metal, cheek grazing the locker, a streak of sweat dragging down to his jaw. his vision tunneled around the edges, black creeping inward like oil, but his mouth still worked. still tried to rip heresy from a tongue half-chewed. “i don’t need to see you to know you’re a goddamn parasite,” he rasped, voice all gravel and glass, broken down to its ugliest bones. his hand shoots up, trembling but fierce, pressing against shep’s chest like a last-ditch barricade when the kit snaps open with a pop — desperate to carve out meager space where none wants to exist, too drained to fully fight. his fingers dig in, nails sharp like broken claws, a maimed animal’s instinct screaming through every inch of his body. the weight of exhaustion pins him down, but the fire in his eyes won’t die. his eyes flicker with that wild, caged-dog fury — the kind that’s snarled from the dark corners of a room, relentless and desperate, growling at shadows that won’t let go. some dogs, trapped in too-small cages with no way out, learn only one thing: to bare their teeth and growl endlessly. raw, wounded, and maddened. it’s a violent, desperate sound — part warning, part pain — that fills the space around them like a storm. the growl never stops; it’s a lifeline, a way to hold onto whatever shred of power remains when every other option is gone. fierce, untamed, and bruised, he fights with his mouth because it’s all he’s got left, even as his body threatens to crumble beneath the relentless pressure. his body trembles under the weight of pain and exhaustion, but the edge never dulls. “don’t fucking touch me,” he breathes out, hoarse and biting, every word soaked in bruised pride and battered will, a fierce warning from a broken animal too stubborn to lie down. a warning and challenge — adrien was never meant to just take it.
#╭──╯ . . . interacting with ⊹ ࣪ ˖ adrien beaumont#╭──╯ . . . interacting with ⊹ ࣪ ˖ adrien ft. shepherd#injury tw#blood tw#violence tw#i guess
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you say that like it’s my fault you keep summoning ghosts, addie. something passed behind his eyes — a flicker, quick and grim. a fragment of something old and too well-remembered, like the shadow of a night he never talks about. he rolled his shoulders like it might shake it off, but it stuck; some things always stuck to him. spare digits reach for the ice pack like maybe he could freeze the heat creeping up his spine. he didn’t look at her when he said, “ghosts don’t need an invitation anyway. they crawl in when the door’s left cracked.” then, with a flash of teeth, he bites back the desire to say she would know. as always, ophie was bossy and blunt. and he’d always liked that about her — admired it, even. he liked people who kept him on his toes, liked being called out, liked being seen. and as always, ophelia alexander was holding him accountable. he finally brings the ice pack to his face and presses it against the forming bruise like it’s penance, even if it stings. “happy now?” he mutters, but there’s no real bite behind it — just a crooked kind of obedience. with her, things didn’t burn; they hummed. they sank into that low, familiar frequency that lived under the surface of things. it wasn’t love, maybe not even longing, but something older and quieter: this odd kind of kinship they’d found in each other. it was the kind of pull you feel when your eyes adjust to the dark of the night and find two dark eyes already looking back. she always spoke like she expected him to listen — not because she was arrogant, but because she was usually right. she had her own shadows: not the loud, destructive kind, but quiet and deliberate. the kind that settled behind her ribs and made a home there. adrien had always known it. not because she told him, but because she never flinched from his. she never looked at him like he was broken, never sifted through his history with pity in her mouth. if anything, she wore her own damage like a second skin — unashamed, unpolished. there was something sharp and sacred in that. it made him feel less like a hazard and more like a person.
“let’s abandon this shit show,” he says after a quick pause, like he’s decided it. his voice low, casual, but there’s that flicker of mischief behind it — the kind he uses to mask discomfort. he slips an arm around her shoulder, warm and easy, like it’s nothing, like it’s muscle memory. “fuck it. i need a walk. and a fuckin’ smoke.” he steers them away from the noise of the festival, already fishing the crumpled pack from his pocket. shakes it once, twice — only one left. he hesitates for a half-second, then lights it and takes a drag before offering it to her, holding it between two fingers, the way he always did when he was sharing something he wasn’t sure he deserved. “last one,” he says, glancing over. “dont waste it being polite now.” he doesn’t say thank you, doesn’t say sorry, doesn’t say that the company is nice — she never asked these things of him but he figured she already knew anways. his shoulder brushes hers as they walk and she accepts the smoke, and he doesn’t pull away. and maybe that’s the thing with ophie — she had her own darkness, sure, but she never made his feel like something to be fixed. she didn’t prod or pity. just blinked at him through the smoke like she already knew what lived behind his teeth and was still willing to stand beside him.
“feeling fine enough to smoke, so my physical came back spotless as far as i’m concerned,” he retorts alongside her, his classic way of reminding her his sarcasm worked just fine despite the bruises. ophie was always the black cat alongside him, a street dog — all cool detachment and narrowed eyes, perched somewhere high while he paced below, restless and raw. she didn’t chase things. she watched them wear themselves out. he barked too loud, bit too quick, came back with blood on his teeth and bruises he didn’t bother hiding. she didn’t flinch. just blinked slow, unimpressed. they’d circled each other for years — same alleys, same instincts. they fought sometimes, fucked sometimes, disappeared for months and ended up beside each other again like it was routine. there was no claiming between them, just a low-level knowing, like they recognized each other by scent. she was always cleaner with her damage: hid it behind smarter words and sleek eyeliner. he was messier, always bleeding out of somewhere. she’d let him close enough to share heat but never deep enough to get caught. and he never tried to corner her. he knew better. try to cage a cat, and you come away clawed. still — she never turned him away when he came skulking back, tail low and eyes a little wild. she’d just sigh, roll hers, and make space for him on the stoop.
the crepe paper flutters overhead. limp in the breathless heat, sighing like something half dead and sentimental. ophie leans against the booth’s chipped plastic edge, all elegance and entropy, a cathedral of silken calm draped over a scaffolding of tension. she’s a study in contrasts: carefully unraveled, deliberately whole. chaos, curated. she doesn’t flinch when he calls her an omen. not because it doesn’t cut, but because the blade lands true. her mouth curves slowly, a crescent with too many sharp edges. ornamental. cruel. gorgeous the way broken glass catches light. “ you say that like it’s my fault you keep summoning ghosts, addie. ” the name slices clean. she wields it like a sacrament desecrated — something stolen and holy all at once. she knows he doesn’t let people use it. knows it no longer belongs to her tongue. still, she tastes it like communion. blasphemy whispered between old friends and worse things. a dare lit quietly beneath her breath. her eyes flick to the cartoon skull grinning in his palm, garish and stupid and true. “ and it’s not flair, ” she says, voice dipped in velvet irony. “ it’s foresight. you never could tell when the pain was coming, only how to medicate it after. ” she doesn’t say she brought the cold pack three hours ago. that it rode beside a pack of cloves she won’t light. that she always carries something sharp, something soothing. that she never arrives lacking. she’s never left him empty-handed, no matter how much he pretends otherwise. instead, she lets silence swell between them like a tide rising over buried bones. she lets him reach for the moment. crack it open. cool the heat bleeding out of him. his small thank you lands with more weight than he could’ve known. it sinks past skin, through marrow, into the fragile architecture of her restraint. she pretends not to feel it curling under her ribs like something nesting. like something that might hatch if she breathes too deep. her voice stays level. cool. the ocean before a storm. still only on the surface. “ i don’t want comfort, ” she says. “ and i don’t need blood. ” then she leans in, just enough to fracture the space between challenge and closeness. her nail traces the condensation bleeding down the edge of the cold pack like she’s scrying for futures. or fault lines. “ i want you to stop rotting where everyone can see it, ”
ophie murmurs, low and unwavering. “ you’re not tragic enough to make it poetic. and you’re too smart to think martyrdom’s still in fashion. ” but there’s no venom. only something older than anger. familiarity, worn thin and soft from overuse. this isn’t cruelty. it’s clarity from someone who’s seen him at his worst. who once held his hair back at 3am and kissed him like an apology and never asked for anything back. ophelia folds her arms on the table, nails gleaming like polished knives. she isn’t posturing. she doesn’t need to. intimidation, for her, is effortless — a shadow cast by stillness. people mistake it for serenity. they always have. they don’t understand that she’s still because she’s calculating. that silence, for her, is just a different kind of weapon. “ you think i came to wring something out of you? ” she says. her tone is flat, almost bored, but her eyes gleam with something sharper. “ i’m not one of your scorned paramores, adrien. ” the name, again. clean. personal. “ i came to see if there was still someone in there. someone who isn’t just punchlines and painkillers. ” the cold pack sweats on the table. so does he. and the silence between them stretches. not awkward, but weighted, like a breath held too long. like a chamber spun half open, waiting to decide if this moment ends in rupture or reprieve. eventually, ophie breaks it. shrugs. loose. slow. almost gentle. “ you can joke, if it helps. you can deflect. i’m not gonna lecture you. ” a beat, measured and deliberate. “ but i’m also not going anywhere. ” she doesn’t say because i’m worried or because you matter. that kind of softness doesn’t live in their language. their friendship is scaffolding and splinters — not poetry. but it’s real and it’s lasted this long. that has to mean something. ophelia reaches across the table, nudges the cold pack just slightly closer. not a command. a reminder. “ use it. don’t. just stop acting like bleeding in public makes you interesting. ”
#╭──╯ . . . interacting with ⊹ ࣪ ˖ adrien beaumont#╭──╯ . . . interacting with ⊹ ࣪ ˖ adrien ft. ophelia#i like them lulu.
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her words flay him open. they dissect him: careful and merciless, each one a scalpel peeling back whatever self-preserved armor he thought he still had left. he feels them in his bones, in the hollow behind his ribs where the idea of them used to live. she’s not crying. that’s the worst part. not yelling, not pleading. just.. done. her voice so composed it makes his hands itch and flex. he looks down and his knuckles are bloodless where they moved to grip the railing behind him without even realizing, like it’s the only thing keeping him upright. the flickering light above them stutters again, casting her face in broken frames — flashes of gold and shadow, her cheekbones catching the brief glint like blade edges. she looks carved from something holy, or maybe just unreachable. every angle of her sharp, set, unsparing. he wants to look away, but doesn’t. he can’t. because in contrast, the light touches him differently — dims around the edges, warps in odd places. the shadows drag long down his face, exaggerating the dark hollows under his eyes, the sharp hook of his nose, the tension along his jaw where fist met bone. he doesn’t look like a person in this lighting, not fully. more like something unfinished, something wrong. it casts him in something that feels almost monstrous. he feels monstrous. a thing that ruins. a thing that wants too much and always, always takes more than he gives. a thing built only to want and want and want until everything it touches falls apart under the weight of it. like something hungry with no limit, no fucking idea of when to pause.
there’s something in him that’s always wanted too much. always reached too far. he’s folded himself into bodies and promises and disasters, convincing himself that hunger was just another form of feeling. that needing her — all of her — was enough. that the way he ached it must be proof of love. but it wasn’t love. it was his insatiable appetite. and he fed it, again and again. in the dark, in the quiet, in the starlight with her back pressed to bark and his hand muffling the sounds she didn’t want anyone else to hear. he fed it when he asked for softness and gave back friction. when he begged her to stay but couldn’t meet her halfway. when he said “i miss you” and meant “i need something from you.” a thing that ruins. a thing that wants, and wants, and wants and never thinks about what it costs. he can feel it now, that hunger in his bones — not ravenous anymore, just hollow. a kind of echo where something beating used to live. and for once, he doesn’t move to fill it: he just lets it ache, lets it remind him of what he’s become. her breath is steady beside him and the silence says everything. he looks at her, lit up like something just out of reach. the monster isn’t the hunger. it’s the part of him that always thought he had the right to feed it.
he thinks about all the times he should’ve walked away. all the times he didn’t. how his love had come like a storm — loud, wild, impossible to contain. how he’d kissed her like claiming, held her like punishment. how he always wanted more. and when she gave it — god, when she gave it — he found a way to twist it, stretch it eventually, fill the empty in him with it until she had nothing left. his hands curl slightly, nails pressing into his palms. he remembers the sound of her voice when she used to laugh, how different it sounds now. he doesn’t say any of this aloud, doesn’t know how. doesn’t flinch, doesn’t argue. no sarcastic smile to fall behind, no slick remark on his tongue. whatever engine inside him always needed to win — always needed her to see him, want him, forgive him — it sputters out now, quiet and cold. because everything she’s saying, he already knows. he’s known it, carried it. tried to outrun it by folding himself into strangers and swallowing tequila like penance, but it never went anywhere. it stayed curled up inside him like a parasite: a low, gnawing hum of you fucked it all up. “i thought i could be someone better,” he says, barely audible, like it takes too much shame and heaviness to admit it. “but i don’t think i ever was. not with you. not really.”
i hope the regret chokes you harder than that extension chord. the guilt clots in his throat like it wants to strangle him. tighter than the aux cord that night, knotted in desperation and spite, when he and shep nearly killed each other backstage and everything blurred — blood, spit, shouting — until he collapsed against the floor with his vision blacking at the edges. and even then, he had blamed everyone else. even then, he hadn’t really looked at himself. now he does. he sees it all. he sees is himself, a funhouse of mirrors with his bastardly face staring back: pitiful, undeserving, shameful. leo was in his hold once, now she’s on his ceiling most nights. not literally, but in the way people get stuck in your skull — in the cracks of memory that play like light through blinds, flickering, relentless. he sees her in the water stain above his dorm bed, in the cracks in the paint, in the way the ceiling fan ticks like a metronome counting out all the seconds he let slip through his fingers. it used to be touch. skin. warmth. now it’s haunt. now it’s replay. he traces the shape of her name in cigarette smoke lately and stares upward like the plaster might answer back. some nights, it feels like punishment. others, like prayer. either way, she’s not beside him anymore. just above him, always. and he can’t stop looking up. he can't look away now. and he has to.
he sees the damage in full definition, feels it. her eyes don’t shine the same when they look at him. he’s left with nothing but the hollow echo of his own failure, watching the ruins of what they had with eyes wide open, realizing, painfully, that some damage doesn’t heal — it just waits, sharp and unforgiving, beneath the surface like a lurking predator. there’s nothing to say, really, no justification. no clever line to fix it. so he just nods once: small and heavy. “yeah,” he says quietly. it’s all he can manage. the light stops flickering and the the elevator groans back to life, a low, gruff sound — like something in pain finally giving in. he glances up at the panel just as it dings at ground floor. he doesn’t move at first, doesn’t even look at her, just steps aside. he inhales, then his hand lifts, palm open, arm out — an old gesture. the kind he used to do when he was trying to impress her. the kind that once felt charming, teasing, boyish. instinctual for him to hold the door for her. now it just feels like surrender. “you should go.” i'll leave you alone. his throat feels tight. he doesn't do goodbyes. adrien beaumont: someone so accustomed to running at any chance he had, he knows he’s the one who should stay behind now.
the silence wasn’t just heavy. it was alive. a third entity in this godforsaken steel coffin, feeding on the rot between them. his voice, hoarse, stripped bare, honest for once. cut deeper than any lie ever could. because lies were predictable. lies were adrien beaumont’s mother tongue. but this? this raw, ugly truth felt like he’d peeled back his own ribs and offered her the mess inside. she kept her gaze locked on the distorted reflection in the steel door. not him. never him directly. just the warped ghost of the man who’d held her face under the neon glow of a new york rooftop five months ago, the city sprawled beneath them like a promise, as she’d whispered, voice trembling with terrifying certainty, i love you, adrien. first. only. him. she’d handed him her heart, raw and trusting, a blueprint for an empire she’d foolishly believed they’d build together. stone by stone. dynasty. legacy. he’d kissed her back, fierce, possessive. you’re mine, leo. always. but he hadn’t said it back. not then. not ever with the weight she’d meant it. he’d built sandcastles while leo planned foundations. the memory flashed, bright and searing: tangled sheets in a paris dawn, her finger tracing the planes of his chest, sketching empires in the quiet. we could rule this city, beaumont. you and me. for real. his laugh, warm against her hair. we already do, princess. but there'd been a distance in his eyes even then. a flinch at the word 'real'. at permanence. she shoved the image down, hard. it choked her. like the phantom scent of his stupid, expensive cologne. molten hues glance into the warped reflection in the elevator doors. a fractured ghost of the man she’d loved. bruised jaw. split lip. eyes like shattered glass. he looked like hell. good, a vicious part of her hissed. let it hurt. adrien’s voice, rough, stripped raw scraped against her nerves like broken glass. each confession a shovelfuls of dirt hitting the coffin of them. the betrayal wasn’t just sex but desecration. it was adrien taking the two people she’d anchored herself to. the reckless love, the steady friendship, and grinding them together into something ugly and obscene. soren’s voice echoed in her skull, flat with pity she despised. leo… it’s adrien. and luca. last night. i saw them leave together. i’m so sorry. the world hadn’t ended then. it ended now, trapped in this steel box with the architect of her ruin. her knuckles ached faintly. from when she had punched the dashboard when soren told her. a stupid, futile explosion. nothing like the cold, tectonic shift settling in her bones now. i missed you his voice cracked. still stay. a silent, furious scream tore through her. stayed, she had stayed. through the chaos, the disappearances, the flinches at commitment. leona stayed because she saw the flicker of the man he could be beneath the wreckage. the one who looked at her like she hung the moon, even when he couldn’t say why. she’d stayed, believing her love could be the anchor he needed. and he’d repaid her by fucking her best friend. another memory, unbidden, vicious: luca, tipsy, leaning into her shoulder. it’s kinda pathetic how obsessed with you he is, isn’t it? leona had smiled, warmth spreading through her chest. magic. reduced to ashes. to the cheap thrill of a backstab in a borrowed bed.
the elevator groaned, a deep, metallic death rattle. it mirrored the sound tearing through her own chest. his apology landed next. i’m sorry. raw, stripped, terrifyingly genuine. it was the sound of bone breaking. her own resolve threatened to fracture. for a single, traitorous heartbeat, she saw the ghost of the boy she’d loved in his shattered eyes. the one who traced constellations on her bare back in the dark. the one who made her believe in impossible things. no. she whirled. finally. met his gaze head on. her own eyes were arctic. a glacier over a volcano. the flickering light caught the unshed tears she refused to shed, turning them into chips of frozen obsidian. " don't. " her voice was low, a whip crack in the stifling air. " don't you dare say you missed me. " she took a step, not towards him, but into the space between them, claiming it. " you missed someone whose forgiveness you could always gamble on. " her gaze raked over him – the physical wounds, the exhaustion, the palpable regret. it fueled her fury. " you had it, adrien. you had all of it. every argument, every quiet moment, every time i stayed when anyone else would’ve run. you had it when I kissed your stupid mouth in new york. you had it when i let you touch me against that god damn tree, hoping— " she cut herself off, jaw clenched so tight it ached. a beat of silence, thicker than before. the flickering light caught the sheen in his eyes. don’t, she screamed inside. don’t you dare make me see you break. her voice sharpened, brittle as ice. " you took us and you smashed it. for what? a cheap thrill with luca? because you were bored? because commitment felt too much like stillness? " she took a step forward. away from the wall. away from the ghost of herself in the metal. " you don't get to mourn the palace, " she hissed, stepping closer, invading the space where his breath hitched. " after you burned it down for kindling. you gambled with my heart, my trust, my friendship. you went all in on destruction. " her eyes locked onto his, unforgiving. " and you lost. not just me. you lost the man you could have been with me. the one who didn’t have to break things to feel alive. " the elevator shuddered violently. a button blinked out. she barely noticed, voice dropping to a lethal whisper, colder than the steel surrounding them. " your sorry is five floors and three months too late, beaumont. it changes nothing. it rebuilds nothing. the only thing left to say? " she held his gaze, pouring every shattered dream, every ounce of betrayed love, into that look. " i hope the regret chokes you harder than that extension chord. " she turned back to the doors, her spine rigid. waiting for the chime. for escape. for the oblivion beyond this metal tomb. the air hung thick with the ghost of her unsaid words, the ones that echoed louder than his apology ever could: i loved you. i built my dreams on you. and you reduced them to rubble. the word love hung between them, unspoken by him, a rotting, useless relic. she wouldn’t give him the satisfaction of hearing it break on her lips. not again. never again.
#╭──╯ . . . interacting with ⊹ ࣪ ˖ adrien beaumont#╭──╯ . . . interacting with ⊹ ࣪ ˖ adrien ft. leona#whateveri hope i die now.
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Knives Out dir. Rian Johnson
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