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its been said a thousand times before but the fundamental premise that men need to feminize themselves in order to get away with abusing women is quite possibly the most laughably ignorant idea ever ascribed to feminism. as though society wasn't built around manhood being the role that gives you access to the bodies of women.

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If Vance isn't even a little concerned that he might have killed the pope then you know without a doubt that he's a performative fake catholic

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everything is sex, except sex, which is about tennis

(youtube)

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Mama cat gargoyle

Cat with a kitten statue on the roof of the castle of Château de Pierrefonds, France. It was built between 1393-1407.

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"why does hikaru feel good when someone has their hand inside him?" Let's consult the first scene where yoshiko puts his hand inside him for clues

dont ask stupid questions

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dont ask stupid questions

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I hate the phrase "pregnant pause" but I love the phrase "aborted gesture." tells you everything you need to know about MY politics

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my manga list of ones open on my phone rn

long period - furuya nagisa

a cruel god reigns - moto hagio

fangs - billy balibally

kaze to ki no uta - keiko takemiya

dungeon meshi - ryoko kui

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Takemiya Keiko interview about Kazeki OVA (1987)

Here's another short interview from platypus's stack of old magazines with cool interviews: Takemiya Keiko talks about Kaze to Ki no Uta Sanctus: Sei Naru Kana in the 1987 December issue of Puff.

Translation is under the cut, and please let me know if you spot my mistakes.

Kaze to Ki no Uta – OVA is finally on sale!

Takemiya Keiko Interview

“It will not ruin your image of the work, so please watch it!”

Let us first hear your thoughts on finishing this project.

Mr. Yoshikazu was sitting at the director’s chair. That alone assured me that everything would go smoothly, and I left everything to him. He read the manga thoroughly and gave the work his own interpretation. I had nothing to worry about. I didn’t have to ask him not to do a certain part in a certain way, or to avoid including too many “risqué” scenes. I can feel that he gave the work the treatment it deserves. Even the animation style was not too flashy and anime-like. The movements were more orthodox. Everything worked out perfectly, so I have nothing to say.

The background art was amazing. Did you ask them to draw them that way?

Both Mr. Yoshikazu and I thought that she’d be a  good fit, and suggested having the same person who was the art director for “Natsu e no Tobira”, but we couldn’t get a hold of her. We found out the reason later: The producer thought she was too slow, and we should give up on working with her (laughs). But when we said that she was the only person who could draw the backgrounds, she was hired to work in the project. However, she was too late to turn in the drafts. We really were in a tight spot. She might have been slow, but she really is an artist. When she can’t draw something, she just can’t. She gave it her all… Even though it was something that’d only be on screen for two seconds… If we couldn’t ask them to do something, I said I should go ahead and do it myself.

So, I gather that you drew some key animation yourself. Are manga and anime too different to draw for?

Both mediums are used basically to capture “movement,” so I think they are the same. You go with the flow, trying to capture “movement”… You think about how original you can express it. That’s a really fun undertaking. For example, even if it’s just a scene of a character turning to look back, if you strive to give it a little touch, you can really bring out an erotic feeling. That’s the stuff I’m talking about. If I had a lot of money, I would dabble more in in-between animation. I now understand why Otomo Katsuhiro-san was so obsessed with it (laughs).

I’ve seen the OVA. It felt like reading one of your works.

Do you think so? I didn’t ask him to do it, but to keep close to the atmosphere of the original work, Mr. Yoshikazu outlined the key points. He put the same things as my drawings in those scenes. But if you looked closely, you could tell that they were different. When I saw the whole thing, I thought “wow, it’s the same!” However, upon closer inspection, I found out that such scenes did not exist in the original. I even thought maybe something was wrong with me. The same also goes for the lines. “Did he ever say that? He might have said that…” But when I re-read, I see that no such line was uttered. I had so many moments like that.

What was the fans’ reaction to this OVA adaptation?

When I said it was happening, I received an equal amount of positive and negative reactions. Well, that’s only to be expected. So, like I thought, only when I said that Mr. Yoshikazu was the one directing it, I saw the real opposition. The animation director was decided on, but the VAs weren’t cast yet. When news of the production got out, I received letters saying “it’s too late, I give up!” (laughs) They said stuff like, “Here we are, so against this idea, but you still say that you’ll do it! I don’t care anymore!” I can say that there are people who definitely won’t watch it. It makes me happy to see the work being loved that much, but when people are that obsessed with it… It’s kind of scary. I sometimes go as far not seeing it as something I myself created. But well, there are still a lot of people who say “I might cry and whine, but I’ll still watch it.”

Can we have Ms.Takemiya, the creator herself, do some advertisement for the OVA?

The OVA didn’t embarrass me, so I’ll keep promoting it. I don’t think it’ll ruin your image of the work. But I know that there are people who are too nitpicky and say stuff like the lines of a character’s profile is kind of off and they hate it, or that their legs are too thin  or that their feet look weird (laughs). In that sense, we paid extra attention to the movement itself and tried to animate the characters in a natural manner. “The Poem of the Wind and the Trees” makes you think of subtle movements, right? We can’t have them move too briskly, and even the fight scene is nothing too serious. Because Mr. Yoshikazu didn’t want to create too vivid of a scene. Rather, he didn’t want it to stink of “masculinity” that much. And people who’ve only seen the character designs might think that they look nothing like the manga, but when they are in motion, they do look like their manga counterparts. As for the voice of the characters, I don’t know the actress of Gilbert, but we have Nobita-kun for Serge (laughs)! People who are into anime will recognize her voice, so they might be a little bit of put off by that, but she doesn’t sound like Nobita-kun here. Not at all! The more you listen to her acting, the more you enjoy it! There are parts that reflect Serge’s character, so I’m really content with the result.

Can we consider this as “episode 1” of a series? Do you have plans for a continuation?

If this OVA sells, it might happen. If this one gets a positive reaction, I think we can make another one. The producer said that’s what he thought would happen. If you ask Mr. Yoshikazu, he says it’ll be at least 6 episodes long, but I doubt that. I can’t bring myself to believe that we can make that many episodes. Anyway, to think that we won’t be working with the staff who brought it to life with such resemblance feels so sad. But I also think that if we ask them to do it again, they’ll simply run away (laughs). We’ve already done Yoshikazu-san’s favorite part right off the bat, so what remains is the hard part. He says he can’t decipher a character like Augu (laughs). Maybe another director might do better.

And what about the future of the story in manga?

There’s the stuff about marriage and children problems, how to reach enlightenment, and everything in-between until Serge’s death. But even if I drew that, that would have no meaning for people who are only here for what Gilbert and Serge had (laughs). I don’t have any plans to draw any continuation for the moment, but one day, if I ever get the chance… If the are conditions right, I think I’d like to draw it.

Can we have your final message for Puff readers?

Watch the OVA. Please do it. I believe that if you watch it once, all of your worries will be washed away.

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yurification beam!!!! ACTIVATE!!1!2!!!!

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a cruel god reigns is kind of unique in that jeremy wasn't groomed from a small age. he is 15-16 and we see him before he meets stepfather. so we see how it happens from the start, we meet a kid who doesn't already define himself by sex. and then see it happen. but let's just say i can't see jeremy writing love letters to his dad like a ziggy from try or a gilby from kaze to ki no uta.

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last poll is interesting because a cruel god reigns is like a later work of moto hagio and kazeki is more of an earlier work it seems... so the level of Development of Theme is different... i haven't finished either but i will say i think jeremy would hate gilby. he is quite literally constantly tormented by blonde boys from all angles.

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Christopher Bursk “Ovid at fifteen” / Hagio Moto, A cruel god reigns 残酷な神が支配する.

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a lot of what trips people up in thinking about sex and sexuality is that it's so convoluted and variable in largely arbitrary ways. it gets mixed up with other emotions, particularly ones that operate subrationally (fear, shame, disgust, comfort, etc); it develops fixations that may not be explicable to the one who experiences them (and if they have an explanation this may or may not be accurate). it's rarely possible to say anything categorically about why people are into some fantasy or practice or what relationship their rational self has to it. it is not to say: "one's sexual life is totally separate from the rest of one's life", but rather: "the nature of the connection cannot be known a priori."

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Hey! It's really great to finally talk to you. BIG fan. Always dreamed of carrying a small version of you around in a tiny birdcage or on my shoulder or in the palm of my hands and dressing you in small dolls clothes & trying to cook small, but still recognizable, meals like sandwiches & stuff ever since we passed each other on the street in Bloomington, Indiana on July 2nd 2011