#zulu bangle

[timelessfineries]

Bracelet africain orange et multicolore ::: Timeless Fineries

https://www.etsy.com/fr/listing/1749251549/bracelet-africain-orange-et-multicolore

[portraits-of-afrikan-beauty]

[maehwajuuuu-chu]

Varesa Redesign! (Extra Notes Below!)

Rahh, as soon as I saw her in-game design, I started sketching out some ideas. I adore pastel strong girls (I have an genshin oc in that category myself - she has braids like Varesa actually! Which was why I was excited when I saw her silhouette in the to-be-released genshin character silhouette announcement), but I was definitely quite iffy with her design ngl - it did feel a bit like a vtuber design to me at least (I used her splashart as a reference for her pose btw hehe :D)

Her beaded belt, earring, necklace and bangle is based off Zulu jewellery (as seen in the inspo sheet) as her name 'Varesa', is most likely Zulu fertility goddess Mbaba Mwana Waresa. Her pleated skirt is also based off the skirt used in Zulu traditional attire (I forgot to add the image in the inspiration sheet, but feel free to look it up!). Her overall design is a lot more flamboyant, as she is based off luche libre wrestlers and outfits generally used in luche libre are often quite bright and bold. I replaced the knitted sleeves with arm sleeves that are used more in luche libre outfits! I also added some body sparkles to her thigh and put on face makeup over her eye, which is reminiscent of the luchador mask (this was inspired by a makeup look I found online - as seen in the image collection). I kept some aspects of her original design, such as the gold mask on her belt, her luchador mask and her hair accessories! I aimed to mix both aspects of Zulu and luche libre attire for Varesa! I moved her cardigan aspect to her pyjamas, as it seems more fitting to have something soft and cozy in a time of rest rather than fights. Honestly, I was first confused why a knitted/crocheted aspect was incorporated into Varesa's design, until I read this thread by @/astrunaria, which had pointed out her arm warmers were likely inspired by Randa (Mexican crocheting). I used the patterns from Diego Armando Juarez Viveros' crocheted Tlapetlantli piece as an inspiriation and reference for the patterns on Varesa's cardigan/jacket (please do look into his works, they look rather fantastic - he is a tapestry crochet artist!). I designed a rough sketch of Varesa being in a different outfit for farming...cause well why not honestly haha (also her farming aspect and fighting aspect are so different that I honestly wished hyv would design different outfits)

Overall, I hope y'all do enjoy these redesigns! If there is any improvements I can make to these designs, please do tell me! However, if you cannot provide constructive criticism and only have a negative view on these redesigns, please do not interact with this post and move on!!

[diilchasp]

The season turned like the page of a glossy fashion magazine. In the park the daffodils came up and in the parking lot, the new car models were on parade. Sometimes I think that nothing really changes— The young girls show the latest crop of tummies,         and the new president proves that he's a dummy. But remember the tennis match we watched that year? Right before our eyes some tough little European blonde pitted against that big black girl from Alabama, cornrowed hair and Zulu bangles on her arms, some outrageous name like Vondella Aphrodite��� We were just walking past the lounge      and got sucked in by the screen above the bar, and pretty soon we started to care about who won, putting ourselves into each whacked return as the volleys went back and forth and back like some contest between the old world and the new, and you loved her complicated hair and her to-hell-with-everybody stare, and I,          I couldn't help wanting the white girl to come out on top, because she was one of my kind, my tribe, with her pale eyes and thin lips and because the black girl was so big and so black,                         so unintimidated, hitting the ball like she was driving the Emancipation Proclamation down Abraham Lincoln's throat, like she wasn't asking anyone's permission. There are moments when history passes you so close                 you can smell its breath, you can reach your hand out                                     and touch it on its flank, and I don't watch all that much Masterpiece Theatre, but I could feel the end of an era there in front of those bleachers full of people in their Sunday tennis-watching clothes as that black girl wore down her opponent then kicked her ass good then thumped her once more for good measure and stood up on the red clay court holding her racket over her head like a guitar. And the little pink judge                           had to climb up on a box to put the ribbon on her neck, still managing to smile into the camera flash, even though everything was changing and in fact, everything had already changed— Poof, remember? It was the twentieth century almost gone, we were there, and when we went to put it back where it belonged, it was past us and we were changed.

Tony Hoagland, from “The Change”, What Narcissism Means to Me

[open-your-heart-and-your-eyes]

BIPOC PEOPLE IN THE ROCK MUSIC INDUSTRY

Post inspired by, and is an extension of this lovely post about POC emo icons by @rpf-bat. If I get anything wrong, please feel free to correct me. I’m going to try to keep the bios relatively short and sweet so I don’t write an entire essay. All my information was found from Google/Spotify search results or my pre-existing knowledge. Feel free to DM me for specific sources. Fair Use for educational purposes, no copywright infringement intended.

Acrassicauda: Iraqi metal band from Baghdad. Andy Capper and Gabi Sifre wrote Heavy Metal in Baghdad: The Story of Acrassicauda about the band’s formation and their fight to be able to play the music they love.

Booboo Stewart (Vic Lakota from The Relentless in Paradise City and American Satan, Seth Clearwater from The Twilight Saga: Eclipse, Jay from Disney’s Descendants, among many others): Blackfoot, Korean, Chinese, and Japanese.

Tom Morello (Rage Against The Machine, Audioslave, The Nightwatchman): biracial- Kenyan and white (quick side note: Morello has a bachelor’s degree in political science from Harvard, which I thought was really cool).

The HU: Mongolian metal band. They’ve worked with the likes of Jacoby Shaddix of Papa Roach (The Wolf’s Totem), Lzzy Hale of Halestorm (Song of Women), and Danny Case of From Ashes to New (Yuve Yuve Yu).

Jose “The Metal Ambassador” Mangin (radio personality/host and interviewer, Sirius XM): Mexican-American. Is often hosting on Sirius XM Octane and Liquid Metal.

Meet Me @ The Altar: Pop punk trio made up entirely of BIPOC musicians Edith Johnson (Black), Téa Campbell (Black), and Ada Juarez (Latinx). Three of their popular songs are Hit Like a Girl, Feel a Thing, and Garden.

Nandi Bushell: Zulu and white. The twelve year-old drummer has collaborated with Roman Morello, Tom Morello, Jack Black, and Greta Thunberg on Roman’s song The Children Will Rise Up! She has also played with the likes of Dave Grohl of Foo Fighters, Roger Taylor of Queen, Ringo Starr of The Beatles, and Matt Helders of The Arctic Monkeys (and likely more that I’m missing).

Joe Hahn (Linkin Park, Mr. Hahn): Korean-American. The man behind the band’s turntables and keyboard. Linkin Park’s Cure for The Itch on their album Hybrid Theory (2000) specifically highlights Hahn on the turntables within the first minute.

Ayron Jones: African-American. Jones is gaining traction in the scene. Two songs of his I’d like to note are Spinning Circles and Mercy from his 2021 album Child of the State. He has toured with the likes of Shinedown (and makes a hilarious feature in one of the band’s Tiktoks) and will tour with The Pretty Reckless and Black Stone Cherry this year.

BIPOC ICONS

Chuck Berry (The Chuck Berry Trio, Sir John’s Trio) Black. Widely successful, influential singer and guitarist known for Johnny B. Goode, You Can Never Tell, and No Particular Place To Go. Berry’s legacy is still deeply felt in his contemporaries today.

Prince (Prince and The Revolution, “The Artist Formerly Known as Prince,” 3rdeyegirl, Madhouse, 94 East, The Family) Black. Groundbreaking, inventive, and androgynous artist known for hits like When Doves Cry and Purple Rain. Prince has also written songs for others like Sinead O’Connor (Nothing Compares 2 U) and The Bangles (Manic Monday).

Jimi Hendrix (The Jimi Hendrix Experience, Band of Gypsys, Kings of Rhythm, Jimmy James and The Blue Frames): Black and Cherokee. Acknowledged by many to be one of the greatest (if not the greatest) guitarists of all time.

Slash (Guns N’ Roses, Velvet Revolver, Spinal Tap, Road Crew, and entirely too many others to list): biracial- Nigerian and white. He’s the guitarist for Guns N Roses, whose hits include (but are not limited to) Welcome to The Jungle and Sweet Child O’ Mine. He joined his bandmates of Guns N’ Roses Duff McKagan and Matt Sorum in the early 2000s to form Velvet Revolver, recruiting Scott Weiland of Stone Temple Pilots for vocals. He continues to release music, especially with Myles Kennedy of Myles Kennedy and the Conspirators and Alter Bridge (see Driving Rain).

Robert Trujilo (Metallica, Suicidal Tendencies, Mass Mental, Infectious Grooves): Mexican and unspecified Native American descent. Trujilo replaced Jason Newsted as guitarist for Metallica, starting as a full time recording member with St. Anger (2003).

Carlos Santana (Santana): Mexican-born Latinx. A legendary guitarist, Santana’s song Smooth featuring Matchbox Twenty’s Rob Thomas is still an incredibly popular hit to this day. A prolific part of the song is Santana’s guitar work at the beginning of and throughout the song. The riff is considered to rather iconic to rock music as a genre.

Freddie Mercury (Queen): Indian Parsi, born in Zanzibar. Mercury is also considered to be an LGBTQIA+ icon by many. He was a groundbreaking and charismatic performer (not to mention his prolific appearance and fashion). His absolute powerhouse of a voice behind Queen’s innumerable hits like Bohemian Rhapsody, We Will Rock You, and We Are The Champions earned Mercury a deity-like status in both the music industry and pop culture as a whole. He continues to influence and inspire many in the decades since his death.

To all my BIPOC beauties/handsome people:

You exist in this industry. You belong. Do not let anyone in this scene erase or invalidate you.

[mauricetush]

Excited to share the latest addition to my #etsy shop: On sale, Pink beaded unique bracelet, bridal bracelet, colorful bangle, wedding band, gift for her, African, unique, summer bracelet,zulu https://etsy.me/3tyfdtR

[southafricanshirtswomen-blog]

An Introduction To South African Conventional Gown

South African Shirts women

South Africa�s varied combination of cultures, ethnic teams and religions has offered rise to some assortment of common gown. In African cultures for instance, age and social standing is reflected while in the apparel somebody wears. Listed here, we acquire a look with the a variety of kinds of standard have on located in South Africa.

Xhosa

The Xhosa lifestyle incorporates a elaborate costume code knowledgeable by a person�s social standing, and options lovely beadwork and printed materials. Typically, women�s clothing and accessories display different levels of daily life.

Their principal goods of garments include very long skirts and aprons in attractive printed or embroidered materials. Elaborate beaded necklaces identified as ithumbu are worn all around the neck, too as beaded bracelets and anklets. The iqhiya or headband is usually worn by married women of all ages. To complete the ensemble, embroidered capes or blankets are worn close to the shoulders.

Xhosa adult men customarily filled the roles of warrior, hunter and stockman and as a result, animal skin formed a vital component in their regular have on. On distinctive situations embroidered skirts are worn with a rectangular cloth in excess of the remaining shoulder, or possibly a tunic and strands of beaded necklaces.

Zulu

In Zulu culture, girls also don unique attire at unique stages of their life. Only one younger female wears her hair shorter and only a quick grass-reed skirt embellished with beads, whilst engaged gals will include their breasts and grow their hair.

A married girl handles her whole system to point that she is spoken for. She wears a thick cowhide skirt that has been softened with animal extra fat and charcoal. Ordinarily, ladies protected their bosom with a fabric, but these days cotton vests or beaded bras are worn along with beaded necklaces.

By far the most legendary adornment are circular-shaped hats named izicolo, which happen to be worn by married girls. These hats have been traditionally product of grass and cotton and calculated up to a metre throughout to shield the wearer within the solar.

Zulu guys historically dress in animal skins and feathers. Simply because the Zulu revere leopards since the king of all predators, only royalty are allowed to use leopard pores and skin. A entrance apron (isinene) along with a rear apron (ibheshu) are worn to protect the genitals and buttocks. The tufts of a cow�s tail termed amashoba are worn within the higher arms and down below the knees to present the looks of increased bulk. Headbands are only worn by married adult males.

Ndebele

The Ndebele tribe are renowned for their intricate beadwork and brightly colored residences painted in placing geometric types. The leading factor of Ndebele women�s have on is really an apron. Girls don tiny beaded aprons, although more mature women have on isiphephetu, a beaded apron provided to them by their moms, and isigolwani that are thick beaded hoops worn all-around their necks, arms, legs and waistline.

Married women of all ages wear lengthier aprons manufactured from hardened pores and skin which can be lavishly adorned in geometric designs. Additionally they don isigolwani and copper rings called idzilla about the neck, ankles and arms. Ladies and single girls usually tend not to protect their breasts, whilst married gals deal with their upper bodies with blankets in multi-coloured stripes or beaded patterns.

Ndebele gentlemen wear animal pores and skin aprons and beaded breast-plates or iporiyana which hangs in the neck. The iporiyana is a image of manhood and is also specified into a younger gentleman by his father right after he has been through initiation. Animal skin headbands and ankle bands may also be worn along with a cape.

Venda

Venda girls ordinarily don a shedo, a small apron which addresses the pubic place. When girls build breasts, they put on a nwenda for the waistline or all-around a single shoulder, which can be made from brightly colored striped cloth. Beaded necklaces, bangles and headbands will also be worn.

Venda boys and adult men historically wore a loin-cloth called a tsindi. The tsindi is really a triangular bit of animal skin covering the entrance, handed amongst the legs and tied on the back. In colder temperature, they also wore a cloak more than their shoulders. Nowadays Venda gentlemen often have on shirts comprised of nwenda cloth paired with trousers.

Tsonga (Shangaan)

The Tsonga-Shangaan tribe is really an offshoot of your Zulu tribe and are predominantly found in southern Mozambique along with the northern provinces of South Africa. Usually, Tsonga gentlemen wear animal skins, although the ladies dress in beads and colourful collected skirts called xibelani, which shake every time they dance.

Indian

Indian South Africans have always preserved their cultural heritage, languages and religious beliefs, currently being possibly Christian, Hindu or Muslim. Western garments is worn from day to day, even though traditional Indian dress which include beautiful embroidered saris and sherwanis are frequently reserved for exclusive instances like weddings.

Cape Malay

Cape Malay refers to an ethnic group who were being brought to South Africa from South-East Asia through the slave trade. In Cape City, the Cape Malay neighborhood is predominantly Muslim. Like Indian South Africans, Cape Malay people today put on primarily Western garments in daily life and their classic attire to mosque, madrassah and for specific celebrations.

[curioustour-blog]

Mdukatshani Project - Gifts that Support Women's Causes

Discover the exquisite objects created at Mdukatshani, “the place of lost grasses,” and support the Mdukatshani Craft Project, an organization that employs craftswomen from an extraordinary community that offers women a promise of economic independence and self-sufficiency in one of the harshest arid rural areas in South Africa.

Women work from home, honoring their tribal tradition of staying close to their families. They are often the major breadwinners, and almost half are widows. Some specialize in making jewelry, others work with fine gauge industrial copper wire to produce beaded eggs, bangles, and decorative vessels. Their intricate wirework has origins in Zulu traditions going back almost 1,000 years. Masters of these traditions, Mdukatshani crafters created the jewelry for two haute couture collections for Yves Saint Laurent.

Read more here https://thecurioustour.com/pages/mdukatshani-project

[equalityforher]

Artist Spotlight: Palesa Kgasane

Growing up, Palesa Kgasane saw the potential of an audience. With unapologetic confidence, she would entertain her family and friends as an outlet of expressing herself. Now a rising star in the buzzing South African creative fashion world, she is rewriting the history of women of color by documenting the many faces and facets that they behold on her  notable platform, Mzansi Moodboard. Inspired by her matriarchy and indelible African icons such as Miriam Makeba and Brenda Fassie, Palesa employs the flawless fashion sense of her elders to her creative direction and matchless fashion finesse. Unimpressed by labels and pop-boxes, Palesa is breaking the mould by leveraging her creative eye and expressing a hard-to-hear but necessary truth and visibility of creative WoC.

When did you realize that you were interested in fashion styling? What inspired your choice of film and photography to document your art?

I think I knew from a young age that I loved fashion, largely attributed to my mother’s great sense of style and all the glamorous women I would see when we watched TV. They seemed so confident. I think that’s what I liked about clothes, how they make people feel. Expressing myself was sort of second nature. When I was younger I just wanted to entertain, whether it was singing or writing, I always ended up taking part in things that involved entertaining people. Picking up a camera for the first time and documenting myself and my friends back in high school was something I did for fun. I remember how I insisted that we always take pictures. I edited them and put them on Facebook. That was the thing then. And now, I do it as a means of sharing my narrative with people and that of other black womyn.

What were the images of women of color that you saw growing up in South Africa? Did that observation inspire your art today?

I never saw enough images of women of colour. That was why I had to start creating them, for myself. I realised that history was not very accommodating of brown girls who aren’t thin and outspoken and who don’t fit in. Therefore, creating and writing was always an outlet for me. Solitude inspired me. That and strong womyn who also stuck it to the man; Brenda Fassie, Miriam Makeba and Lebo Mathosa.

The visual representation of queer and nonbinary femmes of color seems integral to your art. What motivates your choice of your subject matter? Why do you think it is important to create this content at this time?

The honest answer is that there isn’t enough out there. I don’t create having those labels in mind, I am not a fan of labels and boxes. I do what I do from a place of truth, I try to. But I used to try to hide who I am for a very long time, as a queer femme womyn. It has been really difficult coming to grips with my own truths, but I am grateful to have been able to be in spaces where I could come into my own. Creating is a means of surviving. It is important for me to be and exist beyond the impositions the world puts on me; whether it be as a black womyn, a queer womyn, or a ‘plus-size’ person. My subject matter is always going to be what is closest to home, intentional and also sometimes not. I’m always going to be black first and a womyn too, those are things that give me a certain primacy in the world. I hope to make something positive out of these realities.

In your direction, what are the key ingredients needed for a killer, relevant production?

Patience. I’m basically a one womyn show and the pressure to constantly be creating is overwhelming. Be patient with yourself and the people around you. Not everyone will get it but you just need to trust your gut. Be truthful and authentic. That goes with not doing things for the sake of doing them but knowing what you hope to achieve at the end of the day. For people to feel a sense of black joy and pride after engaging with my work is important for me. Nothing exists in isolation. And lastly, genuine love for what you do. That can be really difficult when you are a solo ranger like me but loving what you do is so important.

At the foundation of it all, artists create what they know; what does your art says about Palesa the person? How has your family upbringing, and your localization, influenced your views on the representation of WoC in the media?

I grew up in a small town. Home is where I return but leaving home was also the only way I was able to find myself after high-school. I went through a lot, both good and bad, which brought me to the person I am today. I owe a lot to my supportive mother, who never gave up on me and would fund every dream I had- whether it was going to record a demo for radio or taking a course guitar lessons or doing extra-curricular art classes, studying journalism – she believed in me refining my skills. And so I did. Being a South African womyn is beautiful and challenging. That story alone is one of survival, being a creative black womyn is filled with paradoxes and I’m learning to be patient with the process of coming into my own. I’m grateful for my upbringing, for being a moTswana girl, for the gift of writing, which to this day, appeases me.

Which are some of the fashion stables whose work you like? Who would you love to work with?

Locally, I love where African fashion is at right now. I have worked with some local desigenrs Imveli Designs and Merwe Mode. I would really love to do something with Anisa Mpungwa, ALC, Matte Nolim, Jenevieve Lyons and Oxosi. I also really love Imprint, Maxhosa and Droomer. Maybe they’ll read this and call me up ☺ .

How would you describe your personal style?

Comfortable, retro, easy.

How has being a native South African and being immersed in its rich and eclectic culture affected your styling direction?

I like to embrace being South African as much as I can, whether it’s wearing bangles or a head-wrap or a pair of earrings from a local designer. It’s been challenging sometimes wanting to buy local but not having enough of it around or it being unaffordable. My country is so beautiful and culturally rich and inspiring, I really want to work with more local designers. I really think they need more platforms and shows and stores. I am really proud of my Tswana, Sotho and Zulu heritage.

In Mzansi Moodboard, Taking it Black is a special space featuring iconic African forerunners. Who are your style icons?

My mom, obviously. Brenda Fassie and the womyn of the late 80s. I love the style back then and my family(mom, aunts and older cousins) have given me some amazing articles of clothing from back then that I wear now. I love Solange, and her style us an eclectic mix of Diana Ross meets Queen Patra. I think a lot of the black womyn that I grew up looking up to and listening to were inherently stylish; Letta Mbulu, Yvonne Chakachaka and Janet Jackson.

You’re well known for utilizing social media to document your process. How has social media been useful? Do you think it affects how people perceive your work?

Social media is a great tool if used properly. I sometimes overshare-in my personal capacity and that has been something I am learning to balance. Although a lot of the work that creatives do is very personal, letting emotions govern the things you put on social media can be really detrimental. This is also hard because you want to be truthful. With Mzansi Moodboard, I always think of what inspires me and what I would want to see from a platform like that. Although I really believe in harnessing the power of social media, it can also be laborious and the things we see can be redundant. However, there is also so much you can do; conversations to be part of, stories to share, voices to hear. Images are powerful, so can words and social media makes it that much easier to share with thousands of people. There’s a lot of negativity in the world, I want to be part of the happiness, the good stuff.

Going on to your seventh issue, what should we look forward to from Mzansi Moodboard?

Envelope breaking, non-binary content that is beautiful, powerful and truthful.

You describe yourself as a Creative Visual Expressionist. What fuels your creative intentions?

Being black. Learning to love my blackness, my queerness, my otherness. Womyn. Re-writing history. Visibility. Representation. Truth. Love. Beauty of the unknown, of the strange and unapologetic black girl magic.

What do you believe is the role of the modern day Black artist?

To tell your story, to share your thoughts, even when your voice trembles, even if people say it isn’t pleasant or pretty or wanted or comfortable hear. It is your duty to do everything you possibly can to live in your truth. And I would like to believe that after that you will by default inspire those who come after you.

[1800any]

Cast Exercise

1.) The official languages of South Africa are:

English

Afrikaans

Zulu

Xhosa

Southern Sotho

Tswana

Northern Sotho

Venda

Tsonga

Swati

Ndebele

2.) I choose Zulu due to the fact that it is one of the languages that I know very little of. 

3.) Cast - Waphonswa

Caste - I-Caste

Castle - Inqaba

Castor - I-Castor

Casting - Ukukhipha

Castrate - I-Castrate

Castanets - Ama-castanethi

Castigate - Won

Castile - I-Castile

4.) Birth – Ukuzalwa

“Childbirth among the Zulu has always been the concern of women alone, and no men are allowed to be present at birth. Midwives are older women of the umuzi who are past child-bearing age. After babies are born, they are washed in the umsamo - a sacred section at the back of the dwelling - with water medicated with inte/ezi 'special medicine', and then they are 'strengthened' by the observance of rituals and the application of strengthening medicines. Even today, both mothers and children are then isolated, usually until the umbilical cord falls off. During this time the mothers are considered 'unclean' and potentially harmful to the ancestors in their husbands' homesteads. They are not allowed to touch ordinary utensils and have to eat food prepared by the midwives, out of a special dish, using a special spoon.  The isolation normally lasts five to ten days, after which the mother is purified: she has to be sprinkled with intelezi before she can resume her normal life. The dwelling has to be thoroughly cleaned, fresh cow dung spread on the floor and a fire lit in the hearth. After this, the husband may enter and see his child for the first time, although today migrant fathers are seldom able to come home for these events. Beer is brewed to celebrate and to thank the midwives. This occasion is repeated when the father comes home from the city to meet his child”.

Love – Uthando

“In the Zulu culture, people express their feelings using colourful beads which they make into accessories their loved ones can wear. It’s a tradition that is well known and as old as the language of its people”.

Each colour represents someone’s feelings or their romantic affiliation.The beads are sold in excess and the accessories could be anything from bangles and headdresses to matchbox covers.

“Young girls will often accompany their elder sisters to the local store where they learn more about the colours and quality of various types of beads. Often, others’ accessories are observed and people will either want theirs to be similar or completely opposite to those of others. You can tell a lot about what someone has been through or how they are loved by the beads on their accessories. The men depend on female relatives to explain the intricacy and sometimes the story behind certain pieces. Learning by experience, the significance of standard ornaments is by no means beyond them. They can see whether a woman is uncommitted, engaged, married, unmarried, has children or unmarried sisters and recognise regional colours which tell them where she comes from, assuming that she wants these things to be known. Without anyone saying a word, a whole story is told. It also helps to regulate behavior between individuals of opposite sex. This exclusively feminine craft has an intuitive fluency found only in inspired forms of poetry and visual art. Bead workers are unaware of a “system” such as that imposed upon language by spelling rules and grammar”.

Death – Ukufa

“Zulu people believe that their deceased loved ones are their ancestors which are highly respected. When a person dies, it is believed that they are going to their family members who had also died, that they will be together and watch over those who are still alive. Some people believe that ancestors are the middle people between them and God, that they work hand with God. Zulu people respect ancestors and believe that ancestors should be obeyed for things to go well in everyday life, as they are closer to God. Traditional healers help people to know what their ancestors want from, like if there is a certain ritual required and they may come through a dream. The older people can interpret dreams, and are able to say what they mean”.

Hope – Ithemba

“Babies are named before they are born in Zulu. There is no naming ceremony in the culture, but only a ceremony called imbeleko to introduce the baby to the ancestors and to thank them and ask them to protect it. For imbeleko a goat must be slaughtered as a sacrifice to the ancestors (a goat is always slaughtered for a feast that involves talking to the ancestors), and the family elder responsible for talking to the ancestors will call the baby by its name when presenting it to the ancestors at the same time the goat is being slaughtered. Zulus usually carry more than one name, it can be several names given by members of the extended family. Names usually denote the family's expectations and encouragement for a baby; some reflect the family's experiences or how they relate to others in their community, sometimes they tell about the time/how the weather was like when the person was born, and so on. Also common are names that reflect religious beliefs and political beliefs”.

5.) “Ingwe ikhontha amabala ayo amlhlope namnyama”. Translation: “The leopard licks both its black and white spots”. In Zulu culture this implies that justice should be dealt with fairly by all those in positions of leadership and authority.

Sources:

https://www.africa.upenn.edu/afl/zulunames.htm

https://reviewonline.co.za/210175/an-african-love-letter-2/

http://southafrica.co.za/traditional-zulu-childbirth.html

http://enanda.co.za/tag/zulu-burial-rituals/ 

[timelessfineries]

Bijou sud-africain traditionnel ::: Timeless Fineries

Bracelet africain tubulaire à motifs zoulous composé de perles de rocaille blanches et multicolores.

[portraits-of-afrikan-beauty]

[fakazavibes]

ALBUM: Ichwane Lebhaca – Amagupta

ALBUM: Ichwane Lebhaca – Amagupta

Ichwane Lebhaca – Amagupta Album Download Free Song

Ichwane Lebhaca – Amagupta Album Zip (Mp3) Fakaza drops the Mp3 Download of the Ichwane Lebhaca new 2020 song, From Best South African singer.

Listen to Ichwane Lebhaca 2020 songs Free Mp3 Download

Tracklist:

Ichwane Lebhaca – Inkomo Yomqoyiso

Ichwane Lebhaca – Amagupta

Ichwane Lebhaca – Bathi Ngiyathakatha Ft. Ingane Zoma

Ichwane Lebhaca –…

[irenebalson42471-blog]

Sirius XM, Pandora & The Music Musician.

L.A, 6 janvier (Wire service) - Les consommateurs américains ont pratiquement doublé en 2015 leurs achats de musique via des companies d'écoute en ligne comme Apple Popular music ou Spotify, a annoncé mercredi los angeles société d'études spécialisée Nielsen Music. Iron Maiden are one of the most well-known metal bands of 20th century and also their main pet Eddie is just one of one of the most recognized sign of this particular popular music category. Excluding a good reputation issue reductions, the Group's operating income boosted 18% to EUR363 thousand in the first fourth from 2015. A write-up by N.M. Weinberger posted in Musica Research study Notes in 2002 made an intriguing factor about exactly how the Mozart Effect, although not measuring up to it's music buzz, has lifted everyone eye to the study being carried out in the field of popular music.

Seven years after its own launch, 6 Popular music possessed listening closely amounts under 600,000 and also unintentionally located itself a sign from a specific alt-rock attitude; committed to the cause, yet uncomfortable using it; under-achievers, yet proud. African music is actually definitely rich in settings of expression: drum ensembles are actually utilizing Zulu musical guitars from the percussion family. They May be Giants are a substitute stone band that produces music for each grownups as well as children2. A booking representative is actually an excellent occupation choice for those who are into popular music yet aren't expert singers. A number of the Famous composers and also entertainers have elaborated connection in between popular music and poems in the record from Pakistan. In the future, it is tophealthportal.info actually most likely that both Google as well as Apple will definitely use inexpensive or free of charge music streaming subscriptions bundled along with their very own phones to enhance sales.

Our company could certainly not know concerning the true power from songs, yet there are actually a lot of advantages that you can receive off popular music. T. Rex (Marc Bolan) had substantial worldwide excellence with just what sounded like genuine rock music (coming from the cd Electric Enthusiast) spruced up in system heels and bangles, makeup and bombast. Rather, it ought to be played on events where the child and moms and dad have the capacity to spend time together listening to this. Songs to aid children sleep is actually often beneficial; although that is necessary certainly not to leave behind a tape from popular music competing the little one to fall asleep to. This is very likely that the little one will certainly wake up again once the popular music stops due to the abrupt modification in environmental sound if this is actually done. She is really wonderful in carrying out romance-comedy-musical drama and movies like Miss Gran which likewise includes songs. Download And Install Latest Songs and mp3 download is cost-free and also gives the largest collection from tracks to hear online absolutely free. MP3 players have developed off confusing apparatus to store your digital music to streamlined, highly-portable tools that can easily hold countless media reports, participate in music and online video, outlet pictures and include games, wi-fi get access to and broadcast stations.

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Slate + Salt Handmade Chevron Wire Bangle

Rock some serious style when you wear the Slate + Salt Handmade Chevron Wire Bangle. This beautiful piece of jewelry is part of the Bridge for Africa non-profit organization. Giving the Zulu women of South Africa a sustainable income, each bracelet is handmade to perfection. The Zulu women purchase material on credit and make the bracelets at their own pace. The Wire Bangle is actually made from telephone wires and a dash of love. The Wire Bangle comes in three... Continue Reading